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grandtyphoonpoetry · 5 months

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I know it's been said before, but I feel like Katniss gets compared to Lucy Gray a lot because they're both victors from 12 and both women, but its actually Sejanus that she's really similar to. Side note- forgive me if i get a few things wrong, I just saw the new movie and re-watched all the old ones but I haven't read the books in a while.

We see Sejanus thrust into a world he doesn't feel like he belongs to, and we can assume he wasn't a revolutionary until he was directly faced with the horrors of the capital where he became one of the only people willing to speak up. On the other hand, years later, we see Katniss willing to do her own thing and not be involved until the games directly involve her and suddenly she's fighting like hell against the capital specifically, not the other tributes.

The funny thing about them is that the only thing they have going for them, or their cause, is their passion. Neither of them are charismatic, neither of them are particularly likeable or make good impressions. They're brusque, disconnected, determined and absolutely unwilling to play a part, no matter how it may alter the outcome. How other people view them matters very little and they operate on a one track mind. Sejanus made a statement to the game makers and honored a friend when he broke into the arena for Marcus, filled with grief and only half thinking. Katniss did the same when she covered Rue with flowers and when she hanged the dummy of Seneca Crane. Both are calculated but are shortsighted when it comes to their actions. They're sensitive and caring but it's not an immediately obvious character trait, and not something that they're generally known for.

They both just wanted there to be peace, they wanted there to be change, but they didn't want to be the ones to have to do it, unable to handle that kind of weight on their shoulders, and unable to put on an act. Katniss was ready to run from the fight as long as she had the people she loved with her and they were taken care of. Towards the end, all she wanted was for her and Peeta and her family to be safe and away from the fighting. Sejanus tried to help a group of people run away, and tried to run with them, and away from the mess Panem was becoming. He didn't want to be in the middle of it anymore, and as long as he could help a few less fortunate than himself and be away, he was okay. Both of them have break downs on several occasions when their quick actions of what they thought was kindness have consequences they NEVER wanted for anybody (after Katniss speaks in 11 or when Sejanus accidentally gets the rebels in 12 weapons).

Snow was definitely triggered by Katniss because she sang Lucy Gray's song. But he was probably fascinated and enraged by her at the start when she, and her lover boy(artist, performer, lover of people, Lucy Gray) START the games unconventionally -together- and Katniss is passionate, and she's calculated and at the same time so so so impulsive and myopic, and she reminds him of someone. Somebody he betrayed a lifetime ago but that betrayal was his tipping point of NEVER coming back to ANY good he had left in him. And she cries for tributes she knew for a day, and she can't act, even if her life depended on it (and it does), and she lashes out without forethought creating another mess Snow has to clean up, and he can't get a handle of her, and she's a disaster, and all he can think is Sejanus, Sejanus, Sejanus while he tries to control her more and everything spins out farther than he could've imagined.

Sejanus trusted Snow, and Snow outsmarted him, and in the end it was Sejanus's traits he went up against, and he underestimated her and he lost everything for it.

Me and @diamondsunbursts-and-marblehalls have been breaking down all the characters and their connections so thank you to them for helping me flesh this out.

#sorry this is a mess #there may be a lucy gray/peeta post coming soon #i just have so many thoughts #it was devastating #the ballad of songbirds and snakes #coriolanus snow #sejanus plinth #katniss everdeen #peeta mellark #lucy gray baird #the hunger games #suzanne collins

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dailyadventureprompts · 6 months

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Homebrew Mechanic: Meaningful Research

Being careful about when you deliver information to your party is one of the most difficult challenges a dungeonmaster may face, a balancing act that we constantly have to tweak as it affects the pacing of our campaigns.

That said, unlike a novel or movie or videogame where the writers can carefully mete out exposition at just the right time, we dungeonmasters have to deal with the fact that at any time (though usually not without prompting) our players are going to want answers about what's ACTUALLY going on, and they're going to take steps to find out.

To that end I'm going to offer up a few solutions to a problem I've seen pop up time and time again, where the heroes have gone to all the trouble to get themselves into a great repository of knowledge and end up rolling what seems like endless knowledge checks to find out what they probably already know. This has been largely inspired by my own experience but may have been influenced by watching what felt like several episodes worth of the critical role gang hitting the books and getting nothing in return.

I've got a whole write up on loredumps, and the best way to dripfeed information to the party, but this post is specifically for the point where a party has gained access to a supposed repository of lore and are then left twiddling their thumbs while the dm decides how much of the metaplot they're going to parcel out.

When the party gets to the library you need to ask yourself: Is the information there to be found?

No, I don't want them to know yet: Welcome them into the library and then save everyone some time by saying that after a few days of searching it’s become obvious the answers they seek aren’t here. Most vitally, you then either need to give them a new lead on where the information might be found, or present the development of another plot thread (new or old) so they can jump on something else without losing momentum.

No, I want them to have to work for it: your players have suddenly given you a free “insert plothook here” opportunity. Send them in whichever direction you like, so long as they have to overcome great challenge to get there. This is technically just kicking the can down the road, but you can use that time to have important plot/character beats happen.

Yes, but I don’t want to give away the whole picture just yet: The great thing about libraries is that they’re full of books, which are written by people, who are famously bad at keeping their facts straight. Today we live in a world of objective or at least peer reviewed information but the facts in any texts your party are going to stumble across are going to be distorted by bias. This gives you the chance to give them the awnsers they want mixed in with a bunch of red herrings and misdirections. ( See the section below for ideas)

Yes, they just need to dig for it: This is the option to pick if you're willing to give your party information upfront while at the same time making it SEEM like they're overcoming the odds . Consider having an encounter, or using my minigame system to represent their efforts at looking for needles in the lithographic haystack. Failure at this system results in one of the previous two options ( mixed information, or the need to go elsewhere), where as success gets them the info dump they so clearly crave.

The Art of obscuring knowledge AKA Plato’s allegory of the cave, but in reverse

One of the handiest tools in learning to deliver the right information at the right time is a sort of “slow release exposition” where you wrap a fragment lore the party vitally needs to know in a coating of irrelevant information, which forces them to conjecture on possibilities and draw their own conclusions. Once they have two or more pieces on the same subject they can begin to compare and contrast, forming an understanding that is merely the shadow of the truth but strong enough to operate off of.

As someone who majored in history let me share some of my favourite ways I’ve had to dig for information, in the hopes that you’ll be able to use it to function your players.

A highly personal record in the relevant information is interpreted through a personal lens to the point where they can only see the information in question

Important information cameos in the background of an unrelated historical account

The information can only be inferred from dry as hell accounts or census information. Cross reference with accounts of major historical events to get a better picture, but everything we need to know has been flattened into datapoints useful to the bureaucracy and needs to be re-extrapolated.

The original work was lost, and we only have this work alluding to it. Bonus points if the existent work is notably parodying the original, or is an attempt to discredit it.

Part of a larger chain of correspondence, referring to something the writers both experienced first hand and so had no reason to describe in detail.

The storage medium (scroll, tablet, arcane data crystal) is damaged in some way, leading to only bits of information being known.

Original witnesses Didn’t have the words to describe the thing or events in question and so used references from their own environment and culture. Alternatively, they had specific words but those have been bastardized by rough translations.

Tremendously based towards a historical figure/ideology/religion to the point that all facts in the piece are questionable. Bonus points if its part of a treatise on an observably untrue fact IE the flatness of earth

#homebrew mechanic #d&d mechanics #research #tableskills #tabletop inspiration #dm tip #dm advice #exposition

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number1villainstan · 2 months

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I just saw Dune Part 2 (2024) with some friends so here are some Thoughts i guess

I feel like on the whole these movies are trying to either downplay or cut out a lot of the misogyny/sexism in the book, although Herbert's view of gender roles is so pervasive in the book that it's hard to change without completely changing the worldbuilding (the Bene Gesserit especially) and/or certain characters and getting second-order effects that weaken or change the main plot. But they did a good job at least making it much less in-your-face and offensive than in the book. One of Chani's lines is about how "men and women are equal" in the Fremen, and while I don't really think that's supported by how the movie depicts Fremen I can see and respect where they're coming from

It's still a very male-dominated movie, but it's honestly pretty faithful to the book, and like--what are you gonna do? It's Dune. You can't exactly just genderbend Paul and get the same story, at least not when the Bene Gesserit are still what they are

wait now i'm thinking about an AU where the Kwisatz Haderach turns out to be a trans man. ideally you'd get both the canon critiques of white savior mythos/the Messiah trope and a deconstruction of the sexism and strict gender roles of the society of the Dune universe. also ideally you'd get a whole bunch of other queer characters in the same AU. you could also do an AU where the Kwisatz Haderach/a potential Kwisatz Haderach turns out to be a trans woman, or even nonbinary, but i feel like those would make for very different stories cuz AGAB/ASAB seems to matter like A Lot in the Dune universe

the movies did manage to completely get rid of the homophobic parts of the Harkonnens' characterization though. i did like that

although it was still using disability/deformity as shorthand for Ugly Evil Guy which :/

but enough about the Problematic Elements(TM) let's talk about the actual story

Chani was a lot more politically and generally assertive in the movie than I remember her being in the book, although it's been A While and she was also very much a Main Character who had thoughts and opinions and importance outside of the male characters she was affiliated with (as much as anyone can escape the political black hole that is Muad'dib but) AND! she actively advocated for Fremen self-governance in the beginning! although she didn't keep it up cuz she got sucked into the Paul black hole. this may have happened in the book it has been like two years since i read the first book and it was very disjointed reading cuz College(TM). I also liked the ending part, where it was implied that Chani was leaving, on her own, because she was angry with Paul, which implies More Character Development. (Also they didn't seem to do the Fremen polygamy/concubines thing in the movie, which was a good call, i feel like that part of the book was maybe informed by anti-Arab racism)

Jessica was incredible, of course. Love me a good ruthless woman. Her main character trait/motivation was definitely Paul's Mother but her main personality trait seems to be incredible ruthlessness. there is no madonna/whore complex to be found here no sir

(i may be wrong about that part but eh)

And of course the Harkonnen Blood reveal. the story definitely sets up Atreides as The Good Guys (fair, just, merciful, looking out for and caring about the people under their rule) and the Harkonnens as The Bad Guys (cruel, unjust, power-hungry and traitorous), which makes the reveal that Jessica and Paul have Harkonnen blood an incredible symbol of Paul's corruption arc. He goes from "I must do anything possible to avoid the holy war" (the Atreides way) to "CONQUER ARRAKIS AND ELIMINATE ANYONE WHO STANDS IN MY WAY" (the Harkonnen way) over the course of...technically years, in the book, although that wasn't super well communicated in the movie I feel--in the movie it was only months, cuz Alia hadn't been born yet by the end. And right before we see the worst of it we end up learning that Jessica, his mother, was a daughter of Baron Harkonnen. Jesus fuck.

there's definitely some Not Great elements about using ancestors/blood to determine morality but still

princess irulan was introduced! as an independent character and actor in her own right oh my god! although she still falls prey to the sexism infusing the original material

the dune books (at least the first two) are in this weird state where there are very strict and specific roles/walks of life that female characters are allowed in (domestic/family life and religion) and men dominate Everything Else and nobody every questions that, not to mention the whole thing about how apparently even the very female religion/psychic field is supposed to be dominated eventually by This One Man who can do it better than all the women, and yet all of the female characters are well-developed and feel like people. ykno aside from the complete lack of protest in being shoved into a sexist role

anyways irulan got more development than i remember from the books, i loved that, and that we got her POV too. these movies are really working to uplift and spotlight the female perspectives that were often somewhat sidelined in the books and i love that

also stilgar's (blind?) faith REALLY came through which i liked

overall, yeah, the movie was great. it's very faithful to the spirit of Dune while addressing some of its flaws/datedness--it understands what its message is and what it's saying, and the way it's constructed really hammers home the critiques of imperialism and racism the original was built on

I think this is gonna end up a trilogy, based on only the first book, and it very much seems like the third (and final?) movie is going to specifically focus on the war against the Great Houses after the Emperor falls, which iirc was kinda glossed over in the book/between Dune and Dune: Messiah. I can't wait to see what they do with it

#dune #dune part two #dune part 2 #dune part two spoilers #dune part 2 spoilers #dune 2 spoilers #dune 2 #also that one poster where it's paul and chani walking forward with the sun to their backs and chani is VISIBLY IN FRONT OF PAUL #frank herbert could never

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rosesnwater · 4 months

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Content Warnings and A Lesson From Lore Olympus

As some of you may know, I write a comic, which i occasionally post about here. I'd like to address a conversation around creators and content warnings in this post as well as the general tremd of authors overstating whats happening in their story. I've seen it come up recently in webtoon discourse within my own comic.

So first off, right after my three page prologue I have an authors note that details all the topics my comic will be going into throughout the course of the story.

It follows:

These are ALL the issues I tackle within the comic and I leave it here so people can decide whether they want to continue with the story. I have labeled my story as mature. There is a warning when anyone accesses the comic for the first time on both Webtoons and Tapas. I also have warnings that come in three degrees that I place before each episode that handles one of the mature themes I mention. However, what I don't do is tell the reader what they're going to see before they see it. I don't like doing this for a couple reason, some of the most important being, I think makes the story redundant because it's already explaining what's going to happen and this in turn disrupts the narrative.

I understand why people feel strongly about warnings and making content safe on a platform with a young audience. However, seeing as this is a work I have invested a considerable amount of time in, that I'm offering for people to enjoy (which i enjoy doing), I believe it is important I tell the story in my own way.

When you pick up a book you may get a warning in the synopsis (although I find this is rare) or in other people's online reviews of the book BUT you have to go looking for those reviews. As a creator I can only testify to my own experience, but like novels, comics are stories and in my own work, the story should NOT be bisected by warnings expressly stating what's going to happen in each episode.

I feel this speaks to a general increased uninvolvement in the material readers are reading and a lack of reading comprehension to the point authors think it necessary to guide their audience through their story.

There has been a decent amount of discourse in the UnpopularLoreOlympus reddit thread about readers reading comprehension. It is now common practice to have images like the one bellow before an episode.

On more than one occasion Rachel has put warning paragraphs at the end of her episode stating without any subtext what EXACTLY a character meant during the episode, even though readers would ideally understood the subtext as communicated by the narrative.

And before that she would have warnings signs like this before episodes where the content would be present:

The above warning is actually quite common amongst comics but it should NOT be required by the audience. If an author is doing their job, they'll have the proper box ticked off when submitting their webtoon

SPOILERS FOR MANY WORKS OF FICTION.

No one tells you at the beginning of jane Eyre that there will be violence, death of children, and abuse, let alone where these incidents will occur.

The hunger games won't warn you before the start of a chapter that there will be starvation or gruesome depictions of character death or content describing mental illness.

Most movies will have warning before the whole movie but they won't briefly cut out of the narrative to tell you what's about to happen and people shouldn't expect comic artists to do this either.

As a comic creator i am rellyng upon my audience's discretion to decide on whether or not a story is safe for their consumption. However, I'm adamant in my own work that that's where my required involvement ends.

I will explain things in the comments or answer reader questions, i will be happy doing so because i get to engage with people on something Ive spent hours creating. I will go onto my discord and jump into the deep world building or explain a particular scene, but this should not be required.

Holding authors accountable for going thoroughly over the controversial issues every episode they post is unreasonable and honestly (for me) damaging to the creative work. We end up with situations like lore olympus where authors are there to explain every warning and subtext to the audience without any work on the readers part.

I know this may be controversial to some, but as a creator, it's something that's bothered me for a while and something I think we should be able to talk about in the artistic community.

#webtoons discourse #webtoons rant #creators #readers #lore olympus #netvor #comic #tapas #webtoons #unpopular lore olympus

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raven-at-the-writing-desk · 7 months

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Regarding the great seven, did they win in Twisted Wonderland? Like, for example, did Jafar became sultan and the current royal family of the Scalding Sands are his descendants? Did Aladdin die because of him?

No, that's (largely) not the case! Twisted Wonderland is simply a world in which the characters we know of irl as villains that did heinous stuff are just viewed in Twisted Wonderland as historical figures who contributed greatly to society. It's no different than how we may study our own historical figures and their accomplishments in social studies/history class.

While we do hear stories about the Great Seven and their powers, we rarely hear stories which would imply they somehow "won" in the end as opposed to the heroes. For example, Jasmine and Aladdin are implied to still very much be in love, as Jamil tells the tale of a street rat that married a princess. (If Jafar had "won", wouldn't he have been the one to marry the princess?) However, there ALSO exists a tale concurrent to that one in which we're told the Sorcerer of the Sands revealed that someone had lied about their social standing to trick a princess. There are no indications that these two stories are one and the same, so in the world of TWST it seems they're two separate instances that both draw inspiration from Aladdin. There are also no indications (ever) of the Disney heroes dying because of the Great Seven. In fact, it seems like many of them still got their original happy endings. (ADDENDUM: as a commenter pointed out, it’s also possible that multiple tales or versions of the tale came from the same initial story, something which happens irl as well.) Similarly, we know that the mermaid princess married a human prince, thus alleviating tensions between merfolk and humans with their union. This would not have been possible if Ursula had "won", as that would mean that Ariel would have reverted back to being a mermaid (or that little squishy thing Ursula has a garden of) and would "belong" to the Sea Witch forever. Ariel wouldn't have been able to stay on land and marry Eric in that state. Furthermore, Ursula may have gone on to become Queen of the Seas if Triton still intervened to save his daughter... but then why is Triton still honored as King of the Seas in the Atlantica Memorial Museum in book 3?

There are a few instances I can think of which would imply the villain "won", the main one being that Scar ruled the Pridelands as a wise and benevolent king (which is not true of The Lion King movie). I don't consider this Scar "winning", but more like... a twisted or exaggerated retelling of the actual event. For the villain to "win", that would also imply the heroes are gone or in a position to not stop them, right? Yet there are zero mentions of Mufasa or Simba being out of the picture, or even of Scar banishing family members that opposed his rule.

This all points to there being an alternate telling of history in TWST; it seems that the "evil" deeds of the Great Seven were censored and/or retold in such a way to paint them in a beneficial light, since the deeds of the traditional heroes also exist and are also considered true in Twisted Wonderland's history. (For example, Scar letting the hyenas into the Pridelands is reframed as a good thing, since he promoted the integration of a previously marginalized group into the country; Ursula is actually believed to have "mended all her ways" rather than it being a lie to deceive others.) Lilia even specifically mentions that it's possible to "change" history just by telling it a certain way.

On a related note, it seems that this year's birthday series (Platinum Jacket) will delve more into TWST's history and how the NRC boys feel or think about various classic Disney characters. I'm really looking forward to seeing how those expand the lore~

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songbirdsingingthings · 4 months

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In Love. Actually.

❀ Back to Navigation ❀

DISCLAIMER: I do not own any of these characters, they belong to Kohei Horikoshi

MHA Masterlist - Main Masterlist

WARNINGS: Fluff, Spoilers for the movie Love, Actually.

Request by @luluwiie: how about Y/N helping Shouto (deliberately or not) to discover Christmas magic, and for the first time enjoy some good moments during Christmas time ? As they're still only-close-friends-but-secretely-pining-on-each-other, you know *^* Cause Pining. I love pining. Secret crush FTW

A/N: Oh we're so back. Thank you so much for the request @luluwiie you are the absolute best. I'm so serious about that, you never fail to have the loveliest requests and sweetest words. Happy holidays to everyone who celebrates, and enjoy!!!

Word Count: 1.8K

There seemed to be some kind of energy in the air – one that seemed to have wired every single one of Shouto Todoroki’s classmates into becoming a strangely more happy version of themselves. That was, of course, not to say that his classmates weren’t usually happy, they absolutely were, but during this time of year it was next level.

Taking in the scene before him, all he could really do was people-watch. Iida, if one could believe, was almost relaxed – leaning back in one of the chairs in the dorm living room and reading a book with a calm smile. A group of some of the girls, including Yaoyorozu, Jirou, and Uraraka, were trying their best to construct gingerbread houses. Even with the extra bags of icing Yaoyorozu created with her quirk, the walls kept falling down. But, even with each collapse of the houses, the girls just smiled, shook their heads, and tried again. Even Bakugou, against all odds, almost had a twitch of a genuine smile on his face as he bounced around the kitchen baking cookies, marinating several dishes for the night’s dinner, and prepping produce for the following morning.

It didn’t take a genius to figure out why. It was what many, if not most, called the most wonderful time of the year. Christmas. Well, to be more specific, Christmas Eve.

“You plan on joining in?” A soft voice sounded next to him. He smiled a bit and turned towards it.

“I’m not so sure.”

“Why’s that?”

“Christmas was never a particularly happy time for me.” Shouto wished he hadn’t really said it like that, because when he did, he had to watch your smile dim. His closest friend since the beginning, the first one he made, was you. You, with your pretty Y/E/C eyes and

“Ah.” You say. “I understand.”

“That’s not to say that you shouldn’t enjoy it. I’m just more at ease looking at all of this from afar.”

“Nah, it’s no fun if not everyone’s having fun. Especially if you, my closest friend, isn’t.” Shouto watch you brush a stray cookie crumb from the alpine sweater you were wearing.

“Baking cookies with Bakugou?” He asked. You snorted and bumped his hip with your own.

“More like stealing away with some of them. He makes a mean snickerdoodle.” Shouto hummed and turned back to his classmates, watching them make merry. He never felt so out of place.

“I may just head back to my dorm, catch up on some things.”

“We’re on break from school, Shouto.” You deadpan. “C’mon. Let’s do something else.”

“I don’t want to pull you away from anything,” he begins.

“You’re not pulling me away. In fact, I think I have a more fun idea in mind. Let’s go back to mine.”

“Just to recap,” Shouto says, sitting criss-crossed on your bead, “you want to checklist your way to making new holiday memories? So that I can enjoy Christmas?”

“Exactly!” You say, pointing towards him with the aforementioned list. “I’m telling you, I think you’ll find at least one of these things fun.” Shouto considered the list before him for a moment. Things like ice-skating, movie marathons, and gift shopping were all included.

“And you’ll do these things with me?” He asked, confirming that he wouldn’t be facing such activities by himself.

“Of course.”

“Then I’m sure everything will be fun.” It almost looked like a flicker of a blush danced on your cheeks, but he must have just been seeing things.

“Alright. Where do you want to start?”

“Well,” he considered, looking outside of his window. The sun had already set and a fair amount of snow was piling up on the ground outside, “seeing as many of our options involve going into the city, which isn’t entirely safe right now, we should probably settle on something a bit more tame.” You jumped to sit next to him on your bed, your hands going to the windowsill.

“Damn,” you say, shooting him a somewhat embarrassed look. Shouto couldn’t help but smile. He loved whenever you had that look on your face. Your nose scrunched a bit and your hands went to your cheeks.

“I’m happy with a movie,” he suggests, taking one of your hands from your cheeks. You pause for a moment, waiting for your breathing to get even after his actions, and then settle in.

“Well, it’s gotta be the perfect movie.” You think, grabbing your computer while Shouto unfurled the blanket at the bottom of your bed. “Nothing too cheesy but nothing too sad. So, probably, no Elf or It’s A Wonderful Life. Although It’s A Wonderful Life is so good.”

“Why don’t we watch it then?”

“It makes me cry. Kinda counterintuitive to me helping you make happy Christmas memories. But we’ll put it on the ‘to watch’ list.”

“And Elf is cheesy?”

“Kinda,” you admit, staring at the blinking line in your search bar. “Although it’s funny.”

“So you want something funny… and heartfelt… and something that helps with the idea of Christmas?”

“That’s it!” You exclaim, your fingers flying across the keys. You pull up a movie and sit back in your pillows with a satisfied smile, waiting for Shouto’s reaction.

“Love Actually?” He says, looking closely at the movie cover. “It doesn’t really sound like a Christmas movie.

“Trust me,” you say, putting a hand on his shoulder, “it is. The best.”

“I always trust you,” he says, giving you another one of those heart bursting smiles. The kind, it seems, he saved only for you. But of course, it was probably you making it up. He was your friend, as you had stated before, your closest friend. You did not want anything to mess that up, even if you had to keep some of your feelings under lock.

“Well then,” you clear your throat, “get ready for Christmas wonder.”

As the finishing notes of God Only Knows by the Beach Boys played from the tiny speakers in your computer, you sighed happily and closed your laptop. You turned to find Shouto, searching his face for any kind of reaction.

“So, thoughts?”

“That was…” he trails off. Immediately, a sense of disappointment in yourself bloomed.

“Oh god, you didn’t like it all did you?” You fret. “It was probably too much, I’m sorry, I should’ve found something else–”

“Y/N.” Shouto says, interrupting your rambling.

“Yeah?”

“I loved it.” Where panic took hold previously, excitement sparkled in your eyes.

“Really?”

“Yeah. I mean, some parts were certainly… interesting,” he says, making you laugh, “but I thought it was really nice. But,”

“Uh-oh,”

“I don’t really understand the whole message in terms of Christmas.”

“Huh?”

“Well,” he says, shifting a bit on your bed to face you more, “I understand that it all takes place during Christmas, but it mostly centered on relationships. Both good and bad. I still can’t believe he cheated on his wife with that girl though. And she forgave him? Just like that?” You laughed and leaned into him

“Well, I don’t think that’s the whole story. And they have kids, so she was putting them first. But, more importantly, it conveys the main message of Christmas.” You say to a dumbfounded Shouto.

“And what’s that?”

“Love, of course. In every situation, love is what remains constant. For a friend, for a family member, for their significant other… love is what Christmas is all about.” Shouto felt his heart speed up as he looked at you.

“I think I may be starting to get it.” Your breathing became short as he looked at you. It was quiet, so quiet, in your dorm room.

“You are?” You whisper.

“Yeah,” he says, bringing his hands to cup your face. You were moments from closing your eyes until someone banged on your door.

“Y/N! Todoroki! You in there?” You squeezed your eyes shut and sighed.

“Yep! What’s up Mina?” Shouto smiles as your frustration becomes evident on your face.

“We’re all gathering in the common room! One last activity before we all go to bed and wake up for Christmas morning!” You glance at Shouto to see him grinning, which makes you roll your eyes in amusement.

“Okay, we’re coming!” Shouto shuffles off of the bed first, helping you to your feet as well. The two of you leave your dorm and make your way down the hallway, only to stop in the doorway as you find all of your classmates face you with smug smiles.

“Is everything okay?” Shouto asks.

“Yeah guys, what’s up with the crowd?”

“Look up!” Uraraka smiles, pointing with one of her hands to whatever was above you. A cold sense of dread courses its way through your body as what you were worried about was confirmed. A seemingly harmless sprig of mistletoe was hung delicately on above the doorway, sitting just above you and Shouto. All of your classmates laugh as they see your face, making Shouto’s twist in confusion.

“Mistletoe?”

“Yeah,” you confirm sheepishly. “It’s this Christmas tradition where two people have to kiss if they walk underneath mistletoe at the same time. We don’t have to do it. It’s stupid, really.”

“On the contrary,” Shouto says, sweeping an arm around the small of your back, making your heart jump in your chest. “I actually kind of like Christmas traditions.” Your anxious smile turns into a wide grin.

“Really?”

“Mmm.” he hums in affirmation, using his other hand to tilt your head up towards him. “In fact, I think I love Christmas traditions.” You didn’t have time to come up with a cheeky response before he pressed his lips to yours. The whoops and cheers from your classmates faded to become background music. You couldn’t help but smile into the kiss, wrapping both of your arms around the nape of his neck. You went up on your tiptoes, leaning further into him and deepening the kiss. The both of you leaned away after a few moments, laughing as the class descended into pure chaos as several other duos, including Kaminari and Jirou as well as Midoriya and Uraraka, were being pushed towards the white-berried plant. Shouto led you back down the hallway to your room's door, pressing another kiss to your lips.

“Merry Christmas, Shouto.” You smile. Opening the door as you bid him goodnight.

“Merry Christmas, Y/N.” He says. He leaves you with one more quick kiss before he says goodnight. All you could do after you closed the door was slide down it, a lovesick smile on your face. You were in love and so was he. Actually.

Taglist:

@luluwiie ~ All-Flora Florist

@maiacroson ~ All-Flora Florist

@nerdypuppytimemachine ~ All-Flora Florist

@softvanlla All-Flora Florist

@catguinsstuff ~ All-Flora Florist

@smallxbunny�� ~ All-Flora Florist

@the-emo-asgardian ~ Snowbell Florist

@lovers-liability ~ Snowbell Florist

@palenightmarepersona ~ All-Flora Florist, All-Tree Arborist

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genericpuff · 1 month

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Since you have mentioned your own original webcomic has time travel, do you have any advice for people who want to make comics or simply write stories that deal with time travel?

Could be any kind of time travel, like time loops, characters traveling to the past/future, dealing with paradoxes, etc.

Short answer: don't LOL

Long answer: Obviously if you wanna tackle time travel, go for it, but the first and most important rule of any time travel is to establish your rules. How does the time travel work? And how will you commit to consistency?

Some basic time travel rule structures include:

Clone travelling - This is the most common form of time travel that's used the most. When you go back in time, your past self is present alongside your present self. Examples include Harry Potter and the Prisoner of Azkaban, Doctor Who, and Austin Powers.

Singular consciousness travelling - This is one I've only seen used a couple of times, and the only one I can think of off the top of my head is Life is Strange, but what I like to call 'singular consciousness travelling' is the form of time travel where instead of travelling to a point in the past, you return to a version of your past self, fully aware of the future that awaits you but 'stuck' within that past to live out the timeline in real time again. Though it's not as commonly used, it's one that will typically present less paradoxes as there are less moving parts to worry about. Prophecy storylines also use a similar philosophy to this, albeit without the literal time travel and more so 'time travel' via premonition (could we call Raven from That's So Raven a time traveller?)

Loops - This is a form of time travelling seen in media such as Groundhog Day, where a person continuously travels back to the same point in time over and over again to relive the same events until they can somehow break the loop.

There are loads more of time travel structures I could go over, but those are three of the most basic. Regardless of which structure you use, you have to be willing to commit to it. It's like choosing a writing perspective and tense, if you choose third person past tense ("he said, she said, they said"), then suddenly switching to first person present tense ("I say", "I do", "I feel") without any context to establish that switch will be jarring. Make your rules, and if you have to break them, make sure they're broken for the sake of the story (ex. if you present some sort of plot twist to reveal the 'true nature' of the time travelling plotline).

Here's a great video that goes over some different time travel plotlines from movies/books/etc.:

youtube

As for my original comic, we go for the time travel = multiverse theory approach, where any changes made to a timeline in a past state will not change that timeline's future, but rather, create a new timeline where those past changes are true and written into the script, essentially relegating every single new timeline to a parallel universe. This is essentially how it's done in Avengers: Endgame , but instead of characters abusing the laws of quantum physics to travel back in time, it's characters abusing a magical book of diary entries that are primarily used by the main character to help him control and guide his time travelling abilities. Every diary entry essentially serves as a roadmap for him to find his way back to his home timeline from which he disappears every time he jumps. Much of the story is written entirely atop a paradox, specifically the bootstrap paradox:

(because if there are gonna be paradoxes no matter what you do, may as well have fun with them!)

There's a lot more I could go into regarding that, but for the sake of sparing the handful of Time Gate readers here of spoilers, Time Gate's laws of time travel dictate that you can't really change your past, just the future for other versions of you that you create when you try to change things.

All that said, I will say that in most cases, thinking too hard about any time travel story will cause it to fall apart, because time travel is a fictional trope that relies a lot on logical sequencing of events to work. So you kind of do just have to 'let it go' and have fun with it - but having rules to stick to will make things less of a headache for everyone, especially when it comes to telling a coherent story. Even my own criticisms of LO's time travel really don't matter in the end, because LO's problems go far deeper than some cheaply-made time travel and any of the time travel problems in the story will undoubtedly be explained away as "timey wimey shit". I'll still be pissed about it, but time travel isn't real (at least not for you) so it's not worth getting too bogged down by. Just do your best to tell an entertaining and coherent story.

#ask me anything #ama #anon ama #anon ask me anything #time travel

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mulderscully · 8 months

Text

been thinking about some peoples complaints about how the movie handled alex's coming out as opposed to the book.

part of me understands because the movie did sort of neuter this as well as the depth of henry's mental illness, but at the same time i understand why. the movie is already two hours long and tbh if they wanted to do a fully faithful adaptation (which imo is not necessary) it maybe should've been a mini series.

and aside from taking out liam, tbh i still think that all happened just wasn't shown, and the fact that this is why alex has always known he's "lowkey into dudes" i feel like people don't fully grasp what alex goes through in that time after new years in the movie.

not every bisexual person has the same experience, but i can relate to alex pretty well both in the book and in the movie in terms of his sexuality cause they actually are pretty similar.

a lot of times when you're bisexual you just feel like everyone feels this way. you sort of feel like being straight is what being bisexual is, because the idea that others do not experience attraction to the same and different genders sounds... fake. like. i'm not even joking when i say i have a hard time believing straight people exist. i fully, of course, believe gay people exist, but people being straight and not queer at all makes me ??? sometimes, even now that i have identified as bi for over ten years.

then, there is a pretty big difference between knowing you experience same gender attraction from time to time and actively identifying as a bisexual person, as a queer person, a member of the lgbtq community.

bisexuals, to this day, are made to feel like we do not belong by both heterosexual people and our own community (which is why ellen telling alex the b in lgbtq is not a silent letter realllly matters) so sometimes you really do just shut out that part of yourself and choose to see yourself as straight because it's not worth fighting all the biphobia that you face, but it's still a part of you that you are shutting out and repressing, which is what alex was doing with henry the entire time and where his alleged dislike of him comes from in the first place. henry hates how much he loves alex so he's mean to him, alex doesn't understand why henry is mean to him because he wants henry to like him because he ALSO has feelings for him and those things clash.

during the time that henry ghosts him alex has time to evaluate himself, his feelings and his identity. he has the time to say "this is not something that i am going to ignore about myself anymore" and it may not be as magnified as it is for henry because they're in different positions in terms of support systems, it's still powerful.

when he comes out to henry, you can tell he is getting used to thinking of himself as bisexual but you can also tell that he is nervous to say the word, because telling someone you're bi is ALWAYS terrifying because you don't know what they might say to it. on top of that, you can feel that it is important to him to say it, to tell henry who he is now that he understands it.

being bisexual and identifying that way, and that being part of who you are and carrying it in your heart is a different thing than being like "yeah, whatever i'll make out with someone at a party" even if the latter is still a valid way to be queer. and sometimes you just look back and realize that [x] experience was NEVER straight.

and the best part of the movie to me is henry's complete acceptance of this. henry never ever questions alex's attraction to him, he never questions if alex will be able to stay committed to him, if he will leave him for a woman, if he's confused, or any of the things that STILL happen in media with bisexual characters as leads and as a bisexual person that has been one of the most freeing things to watch.

so yes, alex's bisexuality is still very important and handled as such in the film, in my personal bisexual opinion.

#rwrb #alex claremont diaz #firstprince #red white and royal blue #i feel like if liam had been in the movie it would've distracted some ppl from firstprince too ngl #i know how fandoms work lol #and this movie is a love story abt two characters not some love triangle

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oscconfessions · 29 days

Note

going to explain why Loser is a well written celebrity character

remember those stupid ball things (I forgot what they were called whoopsie daisie)

Yeah so as far as the BFB universe goes to my knowledge, that was Losers first major controversy. It was honestly SO petty too, that genuinely seemed like an honest mistake. I've confused things about stuff TOO before, even the character guide suggests he didn't know either. Despite all this WHY WAS EVERYONE SO PISSED OFF ABOUT IT?? it wasn't even something to get mad about, let's say he did lie. That's kind of weird, but whatever, I don't think it's that important. Everyone in that scene was overreacting as hell, especially, why were they listening to Fanny of all people...???? Not saying she's a discreditable source SOMETIMES but she's literally a fucking hater and I don't mean that in a bad way.

Anyways, the point here is that Celebrities get lit ablaze for one simple mistake that was probably minor.

okay great next thing

Remember Donuts Diary???1? Yeah so I'm just gonna start it off with Loser reading it was Donuts fault. I'm not saying Loser is a little angel, he should've known not to read it, but he was locked in a FUCKING JAWBREAKER. How the hell do you forget your own diary in a JAWBREAKER, HOW. Since Loser was stuck in there for god knows how long, I don't blame him for reading the ONE THING he has. The jawbreakers are ISOLATING, books help people from going fuckinggfg crazy, it worked for Baseball on idiotic island. So why shouldn't LOSER be allowed to READ. Everyone getting mad at him for it DOESN'T UNDERSTAND WHAT HAPPENED, even in the song Message To Loser he mentions it, Four may be quick to say he's lying but that brings me to my next conclusion!!!!

People will take stuff celebrities said/did OUT OF CONTEXT and try to use it against them!!!!!

Lastly, because I'm going insane and also tired, the whole shit with Loser leaving Winner for the movie thing

okay, first of all, there's no direct mention of when this happened, but since it's implied that Loser got famous like a year or two before BFB, we can deduct it's been 5(?) years since that happened. Now, what Loser did was wrong and just rude. What I'm saying here, though, is that people CAN change. I don't doubt that Loser has at least had some growth as a person since then and I don't doubt that he probably regrets it. This is probably the hottest take in this whole spiel but PLEASE HEAR ME OUT. Winner in the episode semi-acknowledges this fact, and they literally STATE they're happy for him. For lack of a better term, there's not really a reason to be mad at Loser if Winner already forgave him (kind of??)

my point here is that people will take things celebrities did a long time ago and use it against them now

anyways this rant is probably shit don't listen to it or do listen to it I don't care

(Sincerest apologies if I accidentally used the wrong pronouns on Winner during this at all)

#confession #/bfdi #/bfdi/loser

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acethegaycard · 1 year

Text

Boo!

Mwahahahaha scaring the souls out of genshin characters with horror games (It's only a few FNAF jumpscares lmao)

Reader knows lots of fnaf lore and talks about it because if you didn't have a FNAF hyperfixation how did you survive as a kid???

sagau ig??? could just be an isekai situation idrc

Characters: Hu Tao, Xiao, Albedo

------------------------------------------------------------------------------

Everyone who has met you within Teyvat have noticed something. You always tend to have this, small and thin box like thing with you. Oh, what did you call it again? A.. "phone"! Right.

Though most of them are perplexed by how it could possibly operate, they don't believe they could figure it out anytime soon. But they are always so interested in it when to use it! You can message people within seconds, do work, ask questions on the Inter-something.. and you can play games? What kind of games? They wondered what type of things like that would interest you.

Puzzles, online card games, what they weren't thinking of was something called FNAF. You rambled on about the lore of it every once in a while, so they though it was some sort of book series. But a horror game? Not what they were thinking.

Hu Tao would honestly love it.

Jumpscares? Scary?? No, its top tier humor to her. Tries to speedrun multiple games with you. Is actually quite good with most of the mechanics in all the game. (unlike me) Obsesses over game four and the nightmares, probably because a lot of people think its one of the scariest games. She's all "What do you mean scary? This is fun! :D" And if she ever got to meet Evan, she'd just fire him questions about the nightmares as if the boy wasn't absolutely traumatized by them.

If you own any of the books, she would get even more into it. Listens to every word you say about it, now you both obsess over the same thing.

I can see most characters disliking FNAF for its horror aspect, and yk all the murder and death, but her? Invested. I would totally take her to the FNAF movie when it comes out. 10/10

------------------------------------------------------------------------------

Xiao would have such a monotone reaction.

"This is what people find fearful?"

Unimpressed would be an understatement. Now, that whole disappointed act fades away the moment you actually force him to play one of the games.

He's... ok at the game. Not anything incredibly good. You'd think that with his unimpressed attitude he'd be really good and chill and just call it easy, but no. Once he actually has to focus on the game? It would be impossible to distract him. His eyes are glued to that screen. Ain't no animatronic jumpscaring him today, no sir.

He won't allow himself to lose. If he does though? He wouldn't rage quit or anything, just a small frustrated sigh and a restart of the game. The more he loses though, the more it would get on his nerves. If he dies over 4 times in the same game he'd just hand your device back to you and just vanish.

Will absolutely lose his shit over balloon boy though. (me too) That little annoying guy comes up and steals his batteries, and suddenly the games in your hand and some random nearby hilichurls are going to meet a very bloody fate.

------------------------------------------------------------------------------

Albedo is the no. 1 theorist out of them all.

I daresay that this man could debate with MatPat himself. May or may not have figured out almost half the lore by himself. He could be the next big game theorist. But other than memorizing every detail of the lore by memory, he's really good at the games.

He really enjoys the Sister Location game and Security Breach. Mostly because of their different gameplays, since they're very different than the other games. Also because of the lore. He loves the lore.

You thought that you rambled a lot about FNAF? Watch that title be taken away from you by none other than that blonde alchemist. Now YOU'RE listening to him excessively talk about a new theory he came up with about game 1 and 2. Now he's somehow beaten you in your own fixation.

Will constantly trash talk William, intentionally or not. His face turns to one of slight distaste when what he's talking about has William in it. Absolutely hates the guy. I mean, most people do, but he's now Albedo's worst (fictional) enemy. Who he is really interested in? Sun and Moon. if he had to pick a favorite game, it would be Security Breach. Genuinely wants to know the different programming between the two, what cues are used to change them when the lights are on/off, etc etc.

a/n: STOP IMAGINE ALBEDO ACTUALLY ARGUING WITH MATPAT OR MAKING A RESPONSE VIDEO TO ONE OF HIS THEORIES

#genshin impact #genshin #xiao #albedo #hu tao #sagau #genshin isekai #isekai #fnaf #my two obsessions in one #totally not based off a fanart i saw #self aware genshin #genshin x reader #genshin crack #crack #five night at freddy's

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olderthannetfic · 5 months

Note

I do think the disclaimers from authors about NOT ENDORSING!!!! certain behaviors in fics is pretty funny, but I’ll admit I do it too. Oddly I only put warnings for abuse of the self, not the abuse of others. I write a fair bit of fic that “romanticizes” (or seems like it does) suicide/self harm/eating disorders to the point where it can almost be a tutorial of how to do it if I’m graphic enough. So in those I normally just add dead dove tags and put a disclaimer about how the trigger warning is no joke and you shouldn’t do the things that the characters do in the fic. It’s not like a Lifetime Movie end credits where the authors note is filled with hotlines and stuff, just a quick little note that, hey, yeah, if you’re considering this, don’t do it.

Oddly, I don’t think that behavior comes from fandom itself but rather from a completely different corner of the internet — when I struggled with the same stuff that I write about, it was pretty common for everyone’s bio to say that they “don’t promote” or they’re “not pro” and I guess old habits die hard. (Whether or not certain types of depression/SH/ana blogs etc really DONT promote or those words are just a please-don’t-ban-me card is a completely different discussion.)

It’s pretty ironic actually because when I’m on the other side of things (as the reader), reading about it is really cathartic in fic, but triggering (not in a fun way) in “real” books. Like there’s several books I had to DNF or shelf because it got to be too much, but oddly enough fic actually helps me a lot.

WOW that was all way heavier than I intended to get when I first started typing this ask! But yeah, that’s my own personal relationship to “I do not endorse” and I didn’t realize how odd it actually is until I started reading some of these other asks! I don’t think any type of “this is bad, actually” authors note is ever necessary honestly, but I also don’t think they’re that big of a deal — if a note from the writer about how they’re ~totally against the “bad” thing they’re writing about~ really takes you out of the fic that much, I don’t understand that either…it’d be one thing if they rambled on and on but even then I don’t think it’s that big of a deal 🤣 Annoying maybe but no one is required to read the AN.

My general threshold is “would a movie/podcast/real™️ book have a similar Viewer Discretion Adviced notice? If so, your A/N is likely fine and not virtual signal-ly or OTT at all.”

Heh. I think you're assuming a very different type of PSA from what other people are.

From what I've read, self-harm, suicide, and disordered eating are some of the topics that are a bit Monkey See, Monkey Do. Even support group discussions may increase the desire to cut, for example. It's still not 1:1, and we should be able to make art about serious topics, but a PSA doesn't feel totally absurd here. There are plenty of scientific studies showing measurable increases in people hurting themselves IRL after consuming certain material. Even if you did include a hotline, most people's objection is like "That number isn't valid for where I live", not "No one should ever do this".

I think if you polled people, you'd find that many of the PSA-haters are actually totally fine with "Hey, this fic contains serious depictions of mental illness. Make sure you're up for that today." and similar warnings.

But what people are actually talking about in 99% of "PSAs suck" discussions is rape fantasies.

Some clown writes a fic that is blatant fap material for people who like bodice ripper ravishment, and then they plaster it with "Rape Fantasies Bad" commentary that shows that they're judging themselves and their readers in a puritanical way that's a mega-buzzkill, completely out of keeping with the tone of the fic, and completely out of keeping with the actual scientific evidence.

Rape fantasies are commonplace and not a big deal, and to the extent that any depictions are demonstrably harmful, it's things like mainstream Hollywood movies reinforcing very standard cultural narratives, not somebody's sex pollen fic that's probably full of "It's so wrong, so why is it so hot???" anyway.

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anghraine · 5 months

Text

petty ranting about the LOTR movies

I've been in various fandoms where an ostensibly "faithful" adaptation was frequently held up as the One True Version of the text, the author's vision brought to life, the one nothing could ever compare to and the reason no others should ever be made, how is it possible to envision the characters or interpretations of them differently blah blah blah. (1995 P&P fandom is very frequently like this, sometimes Faith and Fear fans are, esp wrt The Borgias, etc.)

But I'm not sure I've ever seen an adaptation so uncritically adored by so many as the Jackson LOTR movies. I don't think any fandom is so insistent on an adaptation as people are insistent on the movies as the one true version of Middle-earth, even where they're radically different. Even when people agree with criticisms, it's been really noticeable that people often also add disclaimers about how they love the movies, they're perfect in almost every way, they're super faithful apart from this thing, of course the reason for [choice that was made] was understandable it's just that... etc.

And the thing is, I may hate some of the interpretations in other allegedly faithful adaptations. Like, speaking of the 1995 P&P, I dislike a lot about it and its influence on popular perception of what P&P is, of what adaptation should look like, of the brooding version of my fave hero Darcy, and so on. But I do understand why it's often held up as a faithful adaptation.

It uses a lot of the original text (though it can be subtly or glaringly different in execution), it's able to blur the lines between its own inventions and material from the text in a way that's often convinced audiences that things from the adaptation are actually in the novel, and it's more successful at doing this than any other Davies version of Austen IMO, it has a very convincing cast, blahblah. Like, I disagree that it is as faithful as it's reputed to be (by a long ways), but I get why it has that reputation, at least.

But I genuinely find Jackson's LOTR so different from the book! The movies certainly draw from it in significant ways, but dialogue is heavily altered or manufactured, motivations and characterization are simplified, altered, or just outright transformed into something entirely different, themes are shifted around, the structure is seriously changed (something Tolkien specifically did not want to happen), the relatively compact battles in the book are turned into big action set pieces taking up major swaths of screen time, a lot of the lore is heavily contracted, changed, or simply absent where it casts heavy shadows over the dynamics in the book, and oh yeah, they manage to be even more racist.

Some of this (not the racism) is defensible even if I don't personally agree w/ those defenses in a lot of cases. But there are a ton of differences between them! And you can talk about the films as their own thing cinematically and that's its own discussion. But the conflation of the movies with the actual things Tolkien actually wrote is even more widespread and absolute and annoying than with things like the 1995 P&P, with not half as much reason for it.

#never thought i'd somewhat defend the 1995 pride and prejudice and how irritating fandom is about it but...#whew #youtuber challenge: talk about modern fantasy adaptations without referencing the lotr movies. like. at all.#bc i'm pretty sure most of the youtubers recommended to me are constitutionally incapable of it #anghraine rants #pj critical #legendarium blogging #legendarium fanwank #austen blogging #austen fanwank #andrew davies critical #long post

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maxwell-grant · 8 months

Note

If you were making up a gang of super-villains from classic Horror Movie characters (Count Dracula is an obvious 'In' being pretty much a super villain even in his original novel!), may I please ask which characters you would include and what role they would play in the gang?

First thing to establish is that Dracula is not leading the team. And obviously Dracula’s not gonna be a team player in a supporting role, so what we’re gonna do is this: Dracula is the threat that the team was assembled to fight.

Pretty much anytime you see the classic monsters gathered in any fashion, Dracula’s always the leader, and if we wanted to do that, we already have Monster Mash and Castlevania and so forth. I think assembling a Legion of Doom out of the Classic Monsters makes you particularly subject to law of diminishing returns that affect both supervillains and monsters, in that having a bunch of characters who demand to operate solo in narrative wind up greatly diminished when they're all doing the same thing together. So instead of Legion of Doom, I'm making these something more low-key like Secret Six, Thunderbolts and Suicide Squad and etc.

Here, it's all a bunch of classic monsters, but they all have a grudge with him, because everyone’s got beef with Dracula, and Dracula wants them destroyed so he may rule monsters and humans alike unopposed. Dracula is The Flash, and they are the Rogues. They bond together because it's the only way to win. Dracula is several orders of magnitude more evil than them, has countless weird magical abilities to counteract them, and he’s skilled enough in manipulation that he could conceivably trick them into doing his bidding, but he’s got no need for them past whatever unique abilities they have for momentary use, when he’s already got so much else at his disposal, including the ability to call in the universal ending to most monster stories: Call in the cops to shoot them dead.

In itself, this already gives the team a motivation to stay together regardless of what else is in the setting to give them trouble: They need to survive and beat Dracula, and they can’t call on anyone else for help. In fact, if the urge to have Dracula lead the Monster Squad again gets too strong, we could even establish that Dracula is able to create his own monsters, imperfect copies of their archetypes to serve as his enforcers, and thus, our group could have to fight off Frankensteins and mummies and werewolves and clones of themselves on their way to take him down.

Formation for this hypothetical group goes as follows:

The Leader - The Bride of Frankenstein:

Couple of reasons for why she’s leader besides favoritism being, she’s a Frankenstein and thus has to play a major role, but she doesn’t need to be a shambling brute, and if we’re gonna do a ragtag group of people fighting Count Dracula, in any form, it would be quite wrong to not have them led by a headstrong, brilliant woman. Also Elsa Lanchester plays Mary Shelley in the same movie, and Mary Shelley rules so she's qualified to rule this team-up by default.

We could establish her as having had significantly more time to mature and develop into something resembling the book Creature’s intelligence and sense of self, having picked up alchemical expertise from Pretorius’ notes to combine with her survival skills, and as a Frankenstein she could have the kind of superhuman strength and endurance that follows, allowing her to be sort of a jack-of-trades suitable for the leader position. Imposing, stoic, capable, and being a Frankenstein, crushingly lonely in more ways than one and in dire need of guidance.

The Mentor & Magician - Imhotep (The Mummy):

Because there’s no way we can pass on having Boris Karloff on this team. If The Bride is the Mina of our anti-Dracula crew, then Imhotep is our Van Helsing. Functionally similar to Dracula in many ways, but playing on a different side (definitely not on humanity’s side though). He's a prideful, manipulative grumpus from a bygone era with his glory days long behind him, with access to a wide array of magical powers, but not quite as rotten or powerful as his ancient enemy Dracula.

Imhotep has lived a long, long, long life and an exceedingly longer afterlife, constantly raised from death to be bothered by mortals again and again, which has granted him a considerable know-how of navigating strange worlds of magic and terror and history, but remaining out of touch with modern times. The team's magic user, with his main weakness being that he’s fragile and old and rotting and dying. Imhotep’s not quite able to transverse the mortal realm as easily as his rival, and he’s held back by the countless forms of decay that have set within him, which is part of why he’s agreeable enough to work with The Bride and for the two to put this team together.

The Resources & Social Interface - Janet Smith Jekyll (Daughter of Dr Jekyll):

We can't have a classic Universal Gathering without at minimum a Talbot werewolf in the mix and Jekyll & Hyde is as Classic as classic monsters get, so we're going here with Gloria Talbott's character in Daughter of Dr Jekyll, a mysterious orphan who inherits a huge mansion and fortune that used to belong to the infamous Dr Jekyll, and who discovers that she may indeed share his two-faced affliction and proclivity for going out at night on uncontrollable murderous rampages (and yes I am very much ignoring the movie's climax to make this character, shut up)

The movie sort of treats Mr Hyde as a werewolf transformation with quite a lot of vampire in the mix, which suits our purposes just fine because now we get to have a vampire on top of a werewolf in the team. She's got a cool homebase for our team to operate from in Dr Jekyll's mansion, she's super rich which never hurts to have in a team setting, she's the only one that can fully pass for human and also the one who accumulates the biggest body count the longer she stays active, so there's always some tension with her.

She is the monster most suited for operating within modern society, high and low class alike, which makes her an invaluable operative in the battle against Dracula and his game of predatory psychological class warfare, and the one most suited for keeping the team out of trouble. However, it's up to question how much can the team trust her. Even she doesn't quite know how much she can trust herself. Her teammates may not have blood, but a girl's gotta eat and all.

The Reality-Warping Assassin - Cesare:

Cesare is, strange. He’s a sweet young man, but around him hangs the faint echo of dead, ancient eons. He’s unmatched at subterfuge, able to slip through the shadows not just unseen, but unheard in a way that shouldn’t be possible, as he makes absolutely no sound whatsoever, not even when he does things that should make noise, like trip or cry or stab people. On the rare occasions he vocalizes, it's like the words emerge in your head fully formed. Everything he interacts with turns colorless and frayed the way he is.

He’s able to tell the fortunes of most he meets, but only for their deaths, and if he's bothered by his own prophecy of Dracula ending the worlds of monster and man alike, he doesn't show it. The world around him seems to occasionally warp into strange angles and crooked architecture and thick, tangible shadows, and it’s difficult to tell if any of it is even his doing in the first place. He also has an unusually intense grudge of clowns and hamburguers

He seems to sleep most of the time off-duty, and he’s docile as a lamb even while commanded to kill, though he may resist more immoral commands. Though his eyes hang open, he only wakes up very rarely, and when he does, the monsters see the world around him blink out of existence to be replaced with a greyed out mental hospital, where they all look like doctors or regular people in straightjackets, and it only lasts for a few brief, maddening seconds before he falls asleep again.

This can be an advantage to the team as a potential safeguard from threats and space to regroup, provided they don’t lose their selves and can get Cesare to stop playing with the flowers and go back to sleep, and you can imagine it only gets harder every time, convincing him to abandon a peaceful existence to once again be a murderous slave for eternity, and maybe convincing themselves to not join him there.

Better he’s on our side than Dracula’s, The Bride and Imhotep figure.

The Warrior-Healer & Aquatic Specialist: The Gill Man

I already said much of my piece on The Gill Man in terms of their role and personality here and obviously, they gotta be in the team. In terms of their powers & skillset, Gill Man is actually much better suited for this kind of stuff than most of the other Universal monsters. They are strong enough to move boats on their own, stealthy enough to consistently evade his human pursuers (and human civilization for countless years) and tough enough to survive and come back for two sequels.

Another idea to me comes from using The Shape of Water and it’s take on Gill Man, who was believed to be an Amazonian river god, and throughout the movie displays magical healing powers and traits that call into question just what it is exactly. Dracula would certainly find no use for The Gill Man as anything other than muscle for his army of the undead, but for a team that does have at least a handful of living members and may even depend on human assistance, a medic is a invaluable thing to have, as is someone still living and in touch with nature.

The Scientist & Swarm Controller: Doctor Delambre (The Fly)

Picked here to represent the original version of The Fly but can also adapt traits from Seth Brundle and other takes on this idea. We need a resident mad scientist (who's really not a mad scientist, but when you look the part, y'know), a sci-fi guy to represent that other vein of classic horror, somebody who can contrast the resident magicians and alchemists, and also no self-respecting team is complete without a bug guy, so here we have Dr Delambre, who joins the team as an assistant to The Bride and has found a way to hold off the mental decay process and made substantial progress on his matter-transporter devices as well as find ways to live with his newfound biological quirks. He's even found a way to utilize insects with humanoid limbs and intelligence in daily chores and missions, although he resents the idea that he's "controlling" them, mind you.

But with his wife under trial for his botched suicide ruled a murder, and his inability to show up in society and testify in her favor, and all of his former military contacts having cut off all ties with him, he's desperately trying to find a way to reverse the process of his transformation for good to save her and is willing to do whatever it takes. Doctor Delambre even winds up being sort of the team's wild card, because his technology is very potent and just as capable of breaking reality under the wrong hands as Cesare's weirdness, but he is not a "monster" by birth or choice and is merely a guy in a rush to try and revert his condition, and if Dracula comes along with a better promise to save his wife and life, perhaps...

And last but certainly not least,

The Transportation & Muscle - The Rhedosaurus (The Beast from 20.000 Fathoms)

We might have to shrink them down a bit but we absolutely can’t NOT have a giant monster dinosaur on the team, but neither Godzilla nor Kong would have much business palling around with these monsters. The Rhedosaurus, on the other hand, is a perfect fit, seeing as he’s Godzilla’s inspiration and the movie he’s in is credited as being the revival of the giant monster genre as well as the first to introduce the atomic bomb to the mix. The Rhedosaurus here would be sort of composited from the movie version as well as the original story by Ray Bradbury and obviously composited from Godzilla variants and the Toho kaijus who owe their existence to it, a vicious and violent creature defending itself and one that's deeply lonely and desperate and strangely noble as the last of it’s kind, one that has nothing else to help protect it but these strange not-humans it’s formed an unlikely bond with. It has a particularly strong bond with The Gill Man, the only one who’s able to communicate with and steer it properly.

The Rhedosaurus is a global danger on a bigger and more direct scale than the other monsters, not just as a giant powerful dinosaur, but also a creature whose death could unleash a plague powerful enough to wipe out mankind, something the characters wouldn’t discover until late into the story (something Dracula, and maybe even Imhotep, would certainly want to exploit for personal gain). Maybe this radiation seeps over and forces the team to move their location around to stay undetected, maybe it's instrumental to powering whatever plans Dr Delambre and The Bride are cooking up in their lab, maybe it's affecting the environment or reality itself in strange unforeseen ways the way certain Godzilla works like KOTM and Singular Point have done.

It can be the key to saving the world or destroying it in equal measure, and so the fate of the Rhedosaurus is the fate of the future, and it falls up to the team to protect it as much as it will protect them.

So yeah, maybe I took this from a super-villain team and made it something a lot more League of Extraordinary Gentlemen in setup, but this team I imagine is grouped together less by a desire to save the world or serve a higher cause, than a simple matter of survival against a mutual enemy and the world that''s turned against them. They want drastically different things and employ drastically different methods and they each constitute powerful threats, and together, they are as likely to destroy themselves first if not the world with them. But survival is a matter they all have a stake on. Alone, they don’t stand a chance. Together, they may just have a chance and live, if only to finally rest in peace.

#replies tag #universal monsters #monster #horror #frankenstein #the bride of frankenstein #imhotep #the mummy #dr jekyll and mr hyde #cesare #the cabinet of dr. caligari #the gill man #the fly #dracula #hero forge

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writingquestionsanswered · 9 months

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Hey, thanks so much again for being an invaluable resource!!

So I’m rewriting my fic from scratch again (OTL) and the plot is going to be rather complex. After some major on-foot travel (with appropriate timeskips), three different types of climax will happen around the same time, all caused by two well-meaning villains and their ‘gangs’ as it were. The 3 main OCs will have 2 canon side characters be a lot of help, each group hopefully with about 50/50 importance.

With this, what are certain factors in general writing I can be more lax about versus those I should tackle more carefully?

(Hopefully I asked this well haha, hopefully not too specific.)

Fan-Fiction: Things to Keep in Mind While Rewriting

1 - What Type of Story You're Writing - Just as with original fiction, there are all different types of fan-fiction stories. As with original fiction, fan-fiction can be character-driven (centered around internal conflict), plot-driven (centered around external conflict), or a combination of both. The story you're describing is likely a combination of character-driven and plot-driven, so you may want to keep Basic Story Structure in mind while re-writing.

2 - Canon Format - While you certainly don't have to follow canon format when structuring your story, it may be worth considering. If the canon source is a TV show, you may want to structure your story like an episode, season arc, or mini-arc within a season. If the canon source is a movie, you may want to structure your story like a movie. And, if the canon source is a book, you may want to structure your story like a novel.

3 - Avoid Over Complication - You have a lot going on in your story... three main characters, two villains with their own gangs, and three separate climaxes. It's not that this can't work, it's just that it's going to take some effort (and maybe a little trial and error) to make it work well. Most stories have only one climax, though sometimes the "dark night of the soul" plot point is thought of as a pre-climax or false climax. But three different climaxes happening at the same time is a lot. The one way this might work is if they're all related/stemming from the same event. Otherwise, you're dividing the reader's attention so much that none of the climaxes can have much impact. You may want to consider combining two of the climaxes into the main climax and use the other one as the pre-climax/dark night of the soul beforehand.

4 - Consider Reader Expectation - If you're going to post this story and care about people reading it, you may want to think about what readers will expect from this story based on things like canon, popular fan-fiction, and stories you've written in the past. While you definitely want to surprise and wow the reader, it's also a good idea to do so while not straying too far from their expectations.

5 - Just Do Your Best - When you ask what factors in general writing you can be more lax about versus those I should tackle more carefully, my best answer is if you want this story to be good, you should tackle all aspects of writing carefully. Things like story structure, plot, character development, description, pacing, balance of dialogue/action/exposition, world building, etc. aren't things you pick and choose. They're all critical pieces of a well-told story. However, it's also important not to overthink any of it, because when you let yourself get too bogged down in worrying about plot, story structure, world building, etc., all it does is hinder your ability to write, which isn't helpful either. So, all can do is be aware of all these things and how they work, then do your best to deliver on them based on your current ability as a writer, the needs of the story, and the expectations of the reader. :)

Have fun with your story!

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