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#THEY ARE THOSE LITTLE ASSHOLES TO *ME*
poorly-drawn-mdzs · 5 months
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Call that a Cave Story.
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#poorly drawn mdzs#mdzs#wen chao#wang lingjiao#mianmian#wei wuxian#jiang cheng#I had to cut the comic with JC 'holding WWX back from fighting the Wen Assholes' but it is with me in spirit.#It reads (to me) a little bit like JC is scared of Core Melting Hand and wants to have an excuse to hold on to WWX for comfort.#As far as I can recall they are around 15-17 in this arc.#And a guy who can rip out your golden core? The thing we know JC truly puts so much weight upon that he feels meaningless without it?#Yeah that's pretty terrifying. I hope WWX hugs back (he will not)#I have a lot more thoughts on Wang Lingjiao and Mianmian but I will keep them for later.#WLJ is a character I feel got done a little dirty because she has a ton of interesting potential that gets pushed aside for Mean Villainess#Let's be fully honest. Wen Chao and Wang Lingjiao are *THE* characters the Protag of one of those 'Reincarnated as the villain!' stories#Set up to be assholes to the main character and meeting a horrible end in retribution.#Do you think MXTX thought about that? How Wen Chao is basically the original Shen QiugQiu?#Who's going to be the brave soul who writes A transmigrator in wen chao's body (accidently makes wwx fall in love with him) story?#Though If we are going with “any mxtx character sho dies transmigrates to another book” WHO is the transmigrator?#Hear me out. I think it should be Original Liu Qingge. I think he and wwx would make a funny duo and I want to see it so bad.#AND the contrast of womanizer Wen Chao VS 'What is a woman' LQG.
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I do think it’s funny that shortly after all of the Hells were finally convinced that Imogen and Laudna weren’t officially together was when they kissed
I’ve seen a lot of posts talking about how Chet or Ashton(?!?) would be confused about that being a meaningful change in their relationship
But that ignores the fact that Chet is insightful as fuck when he wants to be. He’s seen the pining. He’s seen the confusion and angst. He’s got the most experience with the widest range of relationships of the group. He fuckin knows.
Orym knows gay angst and repressed feelings and tagged imogen and their lack of a romantic relationship since she shouted in his head back at the Taste of Tal’dorei.
FCG and Fearne especially have been pushing together their faces like barbie dolls and shouting “Now kiss!” since something like ep18.
And Ashton. Ashton’s the only one that’s really seen Laudna’s side of this. They’ve been the one that has seen her angst. Her confusion. Her self loathing and her not thinking she was good enough for Imogen in the long term. They told her to take what she wanted on the way to the store in the sandstorm. They were the voice of support and reason and hope the entire time the teams were split. They told her specifically to spend time with Imogen bc they knew she needed it.
Ashton might toss out something glib like “it’s not a big deal when wives kiss you two” but under their breath it’s gonna be something like “fuckin finally”
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senselessalchemist · 5 months
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The Beheaded makes a pitch
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lunar-years · 3 months
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i'm still very sad they didn't do anything at all in season 3 with the Nate & Roy dynamic they'd been building off in the background for the first two seasons, because the layers there were really fascinating.
Starting with like, Roy being the only one to vocally and actively stand up for Nate in season one. At the time I think Nate was appreciative, but I think in hindsight, (rightly or wrongly) it quickly morphs into this mindset that Roy is sort of patronizing and has long viewed him as this weak thing in need of protecting. It feels (in Nate's mind), like Roy swept in to play the savior when it convinced him, but even that was based more around his hatred of Jamie than it was about liking Nate. And we see Nate later think himself proven correct in that thinking after he kisses Keeley and confesses and Roy...barely reacts. Roy, who is furious and angry about everything and everyone every day of his life, is suddenly like "Oh it's fine" when Nate has kissed his girlfriend. Nick Mohammed's commentary that Nate actively saw that as a micro-aggression was so fascinating and makes a lot of sense.
Then you have Roy, who did see season one Nate as someone to protect, but then was also driven to his best performance on the pitch during his final season by Nate's no-bullshit speech before the Everton game. That scene is so effective because it's such a jarring departure for the entire team from how they've previously viewed Nate, and it works for Roy especially because Roy respects people who don't give in to the intimidation he's constantly goading them with and instead tells it to him straight, no words minced (this is why Roy gets along so well with people like Rebecca, Keeley, and Ted, and why the breakthrough moment with Jamie is Jamie calling him out at the gala, etc.). I think there IS a part of Roy that doesn't respect Nate in season 1, which is why he later reacts how he does to Nate's kiss with Keeley, and it's a mindset he's vindicated by when Nate turns on Ted. But that also gets all mixed up with moments like the Everton, with the evidence of Nate being such a good strategist that Roy later finds himself deeply envious of after becoming a coach himself.
During the time they are both coaching together, there's a dynamic there where they both (I think) believe the other person doesn't take them seriously, and it's rooted in a little bit of truth (on both sides!!) that's then wildly exacerbated by their own insecurities. Like, Nate is intimated by the fact that Roy is this rich famous hotshot publicly beloved, so that it feels way out of Nate's league to even be interacting with him. At the same time, he also thinks Roy is a bit of an asshole who doesn't see him as a threat because he doesn't take him seriously, and is (fairly) offended by it. Meanwhile, Roy is intimated by Nate because Nate is so clearly so intelligent, which I think is something Roy is insecure about in general, given his own education being superseded early on by football. He sees Nate as being a more adequate coach than himself because of this. But he also thinks Nate is spineless and whatever respect he had for him (fairly) dissolves completely after Nate goes to the press about Ted.
So it's like, this messy mixture where they both have something the other desperately wants but they can't see at all why the other would possibly be envious of them due to their own insecurities. They are, imo, the two most insecure people on the show in completely different ways. They hate themselves far more than they hate each other, yet they displace the weight of that feeling onto each other; Roy by treating Nate with indifference and Nate by dismissing Roy in his head as an asshole hotshot whose had a great life handed to him and doesn't even appreciate it, whereas Nate has to fight tooth and nail to find success. And it all boils down to them not understanding one another while also having a lot in common under the surface.
Anyway, I think it would be super interesting to see how their friendship or even just their relationship as coworkers develops after season 3, as they both make active attempts at overcoming their insecurities and doing better by themselves and each other.
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oceanwithouthermoon · 2 months
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ive never liked powerless saiki aus because the entire conclusion of the series is him accepting his powers as being a part of him that he cant change so like.. in aus where the power remover works, half of his development is erased..
if he had been "powerless" for longer, we wouldve gotten to see him realize this himself and im genuinely sad that we didnt.. we got to see him realize that being powerless wasnt the change he wished it would be and that its something he cant change, but its literally over a two day long period and we miss out on sooo much potential development..
and then in aus where hes born powerless, people think he would have the exact personality and development that he THOUGHT he would if he got rid of/didnt have his powers, like NO ? "without powers he would be another satou-" NO he would be a shy, borderline flamboyant, weird, awkward, genius LOSER.
he would have a more normal relationship with his brother (still probably competitive but in a way more average sibling way and kusuke wouldnt have had the motivation to become so murderous) and he would probably be even more friendless but with less trauma.. he may or may not have ever befriended akechi at all, and the classroom incident wouldnt have happened.. even some of his current friends might not be around if not for coincidences due to his powers or direct involvement from his powers.. (nendo and kaido would for sure still be there though, but this only ensures the idea that he would be the biggest fcking loser ever)
he would still be saiki, but. his powers are a key part of him. he would be totally different without them, but NOT in the way he thinks he would..
#also realistically he would be just as much of a stubborn asshole tsundere without his powers cmon#like yea his anxiety might present itself more as shyness than it does in canon him#but hes still an awkward stubborn asshole tsundere like thats just who the guy is#hes extra shy and maybe extra cute without his abilities to make people not find him cute#and is also like extremely ditzy and clumsy like he is in canon but its more visible to people because he doesnt have the powers to hide it#idk the point is his little quirks he thinks he wouldnt have would still be there but he wouldnt have the same faux justifications for them#need canon saiki to see an alternate universe him where he was born powerless#and hes like 'wow im going to see my ideal average me!'#and then au him is some super quirky ditzy clumsy kid with severe anxiety and also dysphoria#and he doesnt have powers to avoid being bullied like we see him do multiple times#this guy doesnt realize he will always be a loser no matter what#he loses key parts of himself and doesnt even realize that a lot of the parts left behind are still parts of himself that he hates#i know a lot of people think he would be much less jaded powerless which i get but#a lot of aspects of his personality that have less to do with his powers are a lot of the parts that he doesnt like and gets made fun of fo#so he would probably only be slightly less jaded and his awkwardness would just weigh it out a little more#though its hard to pinpoint exactly which aspects of him are only due to his powers#a lot of them are but i personally think those specific key personality traits would remain#anyway i would love to see what his relationship with his family would be like if he was born powerless#and i want to know who his friends would be#saiki k#tdlosk#the disastrous life of saiki k.#saiki kusuo#meows post
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krysmcscience · 2 days
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I will be the first to admit I'm not the best at drawing animal or furry characters, but I wanted to get something scribbled down in my Non-Goof style, anyway. Plus, I've been enjoying the many reference pages folks were posting of their own designs for the Lamb and Narinder, so, uh. Here's mine, I guess! ¯\_(ツ)_/¯
do not comment on how long narinder's tail is or i swear to the lamb i will make it even longer next time >:]
#fanart#cult of the lamb#cotl#cotl lamb#cotl narinder#narilamb#tagging the ship because Your Honor They're Married#teeny tiny lamb and big boi narinder is my weakness leave me alone DX#i gave narinder a stupidly long tail because my own cat has a stupidly long tail and i make fun of him for it all the time#this is important to me for A Reason - which is that i enjoy adding even more reasons for people to make fun of narinder#he is my special boi and my poor little meow meow and thus i must violently shake him like he's the world's shittiest maraca#why else would i give him a long majestic cloak but then just have him wear a stupid turtleneck tunic under it and no fukken pants#there is no way that asshole has any sense of fashion - he has been out of touch with it and reality for at least one (1) millennium#anyway narinder's cloak can definitely be pulled closed to look like his standard in-game attire#also shh the lamb has plenty of wool to cover them and thus doesn't need any Censor Leaves#do NOT cite them for public indecency because that is racial discrimination against sheep and thus It Is W R O N G#btw i know i draw the lamb kinda cutesy-feminine but i promise you their gender is an eldritch void#VOID I SAY#what's in their pants? a knife#the time knife specifically (that's the eldritch part)#it might look like narinder has yaoi hands here but that's just because he's Bein' Spooky#i swear i headcanon him with normal size hands XD#also i finally drew scars on his wrists!!! i DO headcanon him with those but i try to keep designs simple in my Goofs Style lmao#once again i should be asleep
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knifearo · 9 months
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reminder to everyone that trauma IS a valid reason to use aspec labels. "i don't know if i'm aspec or just traumatized—" protip!!! you can be both!!!! the thing about labels is that they're not immutable states of being that you're born as. they're literally just words that we use to describe our lived experiences, and if asexual or aromantic or any related label feel relevant to the way that you experience attraction, whether it's a result of trauma or not, they're there for you to use. having trauma as a cause does not invalidate the fact that someone is experiencing lesser or no attraction. that's still the aspec experience babey. use the label if you want it's there for you <3
#kissing every traumatized aspec person on the forehead. with permission of course#obviously the labels aren't gonna be right for everyone but like...#i see a lot of discussion around this topic and it's actually SO important to me to bring up every time#that labels are just little signs you put up to tell people something about yourself.#it's not an immutable unchangeable fact. it's a little sign. it's a label just like you make with a label maker.#its purpose is to be there and communicate something about your experience to the people around you.#so if you want to communicate that you don't experience attraction in an allo way! that's literally what it's there for!#really i feel like denying people access to those labels cause they weren't born that way is like.#first. an asshole move. why don't you shut the fuck up and let other people decide what they experience#second. perpetuating the idea that if you don't experience attraction you're broken? but just in a different way?#'you can experience limited/no attraction IF you're ace and born that way. otherwise you're ACTUALLY fucked up.'#'you're straight/gay/bi you're just broken right now.' actually maybe they're experiencing something that aligns with asexuality.#ever thought about that...#intent here is NOT to speak for anyone with that experience. however i meet like seven people a year who say that they're unsure#if they're aspec or just traumatized#and it's SO important to me to say that you can be both. you can use the label. your experiences are valid#whether they're internally or environmentally caused.#kiss kiss ily everybody (/aro)#<— tone indicator that indicates that i meant it aromantically#aspec#aromantic#aromanticism#aroace#arospec#aro positivity#asexual#ace pride#acespec#ace positivity#ace inclusion. turn the tables
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nympippi · 1 year
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Vance loves listening to Finn’s space rants 💕🪐 🚀
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puppyeared · 2 months
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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comic-sans-chan · 1 year
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I really enjoy Julian's close friendships because I feel like they all say something really succinct about Julian as a genetically engineered character. Everything about them makes perfect sense.
Jadzia is because she's adventurous - the show points this out - but it's also because she's lived long enough and seen enough shit, there might actually be a chance of her accepting him as an augment, which is why Julian becomes obsessed with the idea of a relationship with her. She’s rarely judgmental. And because she is uniquely intelligent, knowledgeable and wise thanks to the symbiont, speaking to her is uniquely fulfilling for someone as unnaturally brilliant as Julian. It doesn’t hurt that she has such a soft heart, just like him. Compassion is his center, the most human thing about him that he clings to like a lifeline.
Garak is because Julian has that whole thing about spies and lying and identity crises, so he understands Garak on a core level right from the start, but they also end up being highly compatible as two cerebral, annoying, passionate people who just love analyzing and picking things (and each other) apart. They both have daddy and mommy issues. They’re both insane. Julian can be dangerous and grumpy and real with Garak and it just comes across as hot because Garak’s Cardassian. He can handle the full brunt of Julian Bashir, so he doesn’t have to edit himself so much, and when he does have to, he doesn’t have to feel guilty because Garak’s doing it, too. As an agent, Garak was also barred from meaningful attachments, just like Julian, so their attachment to each other is extra exciting and illicit. Forbidden twofold. Oh my.
O'Brien is because he's the quintessential human, an average joe in a happy marriage with a kid, which are experiences Julian can never have as an augment, so hanging out with him makes Julian feel more connected to his humanity (which he is constantly questioning the existence of). They can drink and play games and be stupid and Julian can pretend he’s normal for a while. He can listen to O’Brien talk about Keiko and his kids and his simple uncomplicated views on the world and see what a normal human life is supposed to look like. O'Brien's acceptance of him as someone with enduring human characteristics in Dr. Bashir, I Presume? is especially meaningful because of all this, though Julian has trouble accepting it. There's no one more suited to accepting Julian as human than Miles O'Brien.
I just love how neatly everything fits together.
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Tom had his eyes shut when he smooched Greg's forehead.
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Louis Tomlinson is sequestered in the executive boardroom of a swanky hotel in suburban London, and is treating it the way a pupil might a classroom when the teacher’s popped out. He’s leaning back on his chair, feet up on a radiator, hands clasped behind his head and a cigarette on the go. “All right?” he says, grinning impishly.
Despite huge global success with One Direction (70 million albums sold), which prompted a fanaticism that made Beatlemania look tame, he seems remarkably unaffected and far more normal than one might expect from someone with 35.8 million Twitter followers. He’s a 31-year-old so unassumingly bloke-next-door that the bloke next door wouldn’t look twice.
“I’ve always had a problem with ‘ego’,” he says, “and I’ve always been worried about being one of those people in the public eye who just loses all sense of reality, and becomes an arsehole.” As if by way of explanation, he adds: “I’m from Doncaster.”
And so while his former 1D bandmate Harry Styles, a superstar, floats through life like the fashion world’s favourite clothes horse, Tomlinson kits himself out in JD Sports: Kappa T-shirt, black sweatpants, Adidas socks, scuffed trainers. When he tells you he often frequents his local pub unmolested, you believe him.
“If someone does come up after an hour to ask for a selfie, I won’t say no and I won’t run away,” he says, “’specially if I’m three pints deep!”
Of the five members of 1D, Tomlinson has had the slowest start to a solo career. There are compelling reasons for this — family tragedy for one — but he’s also had to figure out who he is without the band around him. “With this job,” he says, “there’s so much room for overthinking, you know? Someone from the record label will tell you they like your stuff, but you find yourself thinking: yeah, but do they? It’s the fans that help you really believe in yourself.”
In the band, Zayn Malik had the best voice and Styles had the best everything else. While the other three — Tomlinson, Liam Payne and Niall Horan — were hardly driftwood, each has nevertheless had to dig deep to carve out a solo persona that would compel beyond the bubble.
“I do miss the boys,” he says, “and I do definitely miss being one of the five, but I like doing my own thing too. It was time.”
It’s a bright winter’s day, and the man in sports casual is enjoying special dispensation here in the hotel: permission to light up. Had this been denied, there might well have been a problem, for Tomlinson chain-smokes with the wild abandon of Mad Men’s Don Draper.
After the release of his second solo album, Faith in the Future, in November, he adds another necessary notch in the belt of any self-respecting pop star next month: the documentary. All of Those Voices is a routine behind-the-scenes look at 21st-century celebrity but stands out for the multiple crises of confidence Tomlinson feels any time he’s not on stage.
“This is a confidence game for anyone,” he says earnestly, “and there’s been plenty of moments of vulnerability throughout the entire process.” An overriding concern of the documentary is not just whether people would be interested in him, but whether they’d take him, someone discovered on a TV talent show, seriously.
When Styles won his Grammy awards this month — he collected two and won four Brits — he used his acceptance speech to say that “this doesn’t happen to people like me very often”. This was swiftly ridiculed across social media because of course white men tend to win quite a lot. But what he likely meant was that it doesn’t happen to the product of manufactured boy bands, many of whom have the use-by date of a pint of milk.
“Only Harry knows what he means there, it’s hard to speculate,” Tomlinson says, “but we all came from relatively humble beginnings, and now we are where we are.”
But while Styles is a once-in-a-generation talent and knows it, his erstwhile bandmates — and this one in particular — need convincing.
Louis Tomlinson comes from a big family — his mother, Johannah Deakin, married twice and had seven children — and was a hopeful child actor before in 2010 auditioning for The X Factor. This is where 1D were created, “masterminded” by Louis Walsh. Deakin, who had Tomlinson when she was 19, was his biggest fan and they’d always been close. When, for example, Tomlinson lost his virginity, it was she he told first, not his friends.
In 2016, a year after One Direction split, she died from leukaemia, aged 42. Two years later, his 18-year-old sister, Félicité, who’d been struggling to get over her mother’s death, accidentally overdosed on cocaine, painkillers and an anxiety drug. The combined loss hit him hard. Aside from the single he wrote about his mother’s passing, 2020’s Two of Us, his mourning has been largely private.
He squints through a veil of cigarette smoke. “Some of the things that have happened recently have been quite drastic, yeah, but then so much in my life seems to have been pretty extreme, one way or the other.” In 2016, at the age of 25, a brief relationship with a Californian stylist, Briana Jungwirth, resulted in a son. “There’ve been challenging times, definitely. It’s funny, but I couldn’t even tell you how many years ago my mum passed, I just blank it out. But for the first 18 months, I’d take any form of bad luck personally. I’d feel every tiny thing. But now I genuinely feel I’ve come out the other side. I feel more empathy for everything and everyone these days.”
After his 2020 debut album, Walls, failed to set the world alight, Tomlinson called time on his relationship with Simon Cowell. “It was mostly amicable,” he says, nodding. “Simon always had my best interests at heart, and I liked him. He had his faults of course, like all of us, but it was always inevitable I’d have to go off and do my own thing.”
His new record, then, was a leap into the unknown and he elected to write not with professional songwriters but rather fellow creative artists: Theo Hutchcraft from the band Hurts, Joe Cross from the Courteeners and the singer-songwriter James Vincent McMorrow. “And that was a big difference, huge. These are people who live and breathe music. It’s the first time I felt really comfortable doing my own stuff, you know?”
Previously he’d been encouraged to sing like a nice young pop star should, without regional inflection. “When I was in the band,” he says, “working with professional songwriters whose entire aim was to write the hit single, they’d tell me that singing in my natural accent wasn’t commercial. Sorry, but what a shit idea! Who wants to sound like everybody else? I dumbed down a little bit in the band, because you do, but I’ve learnt who I am now.”
The album, which has its inspiration firmly in early Noughties indie, sounds more Kaiser Chiefs than One Direction. A risk, then. But when it came out, it debuted at No 1. While this did wonders for his confidence, it’s clear from the documentary that he still needs people — a support group — around him. He actively courts the friendship of his touring band, not necessarily a given among solo pop stars, and he seems almost always sociable. It’s when he’s not up for group activity that people worry. There’s a revealing moment in the documentary of him having just appeared on James Corden’s US talk show. Backstage Corden, an old friend, pleads with him not to go quiet on him afterwards. “You vanish, you change your number, no one knows [where you are],” he says.
Until recently Tomlinson lived in London with his long-term girlfriend, the model Eleanor Calder, but recent reports suggest they’ve split up and he’s dating another model, Sofie Nyvang. Life, clearly, is complicated. Perhaps that’s why he smokes so much. He says, though, that he feels finally relieved of the myriad pressures that once clung to being a pop star whose fanbase was predominantly teenage. Such as?
“Well, being a role model for one. I never wanted that. I always had to worry whether it was OK if, say, I was seen here or if I could get away with smoking a joint there, before concluding: hmm, probably not. But I never wanted to be the perfect pop star, especially in the climate of Instagram. I don’t want to put an artificial world out there. I think it’s important that people see your scars, your flaws.”
It’s never easy growing up in public and Tomlinson had no choice. “When One Direction split up,” he says, “I was mortified, I was absolutely gutted. I was a bit bitter, I suppose because it just felt like another loss to me. But I’ve a better understanding of things now, and there’s not as much anger. It is what it is.
“Getting back together at some point is hard to imagine right now,” he continues, “but I’d be surprised if we lived out our lives and didn’t have a moment where we had a reunion, or whatever you want to call it. I’d be up for that.”
When I ask what it’s like watching Styles’s ascendance into the biggest star of his generation — something that might delay such a reunion — he blows out a long plume of smoke.
“Well, it’s not a surprise is it? We were always aware that Harry fit that mould, and it’s been an amazing thing to watch. Envy? At the start maybe, when I was trying to find my feet, but it’s never healthy to cross-reference your own success with others is it? These days I’m learning to elevate myself in those moments when I have to. I didn’t know how to do that before, but now? Now I know I f***ing can.” All of Those Voices is in cinemas from March 22,  allofthosevoices.com
-Full article. Feb 23 2023. Link here. Free link here.
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dailykugisaki · 5 months
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Day sixty-six | id in alt
Idk clothing creatures.
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talentforlying · 3 months
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priest: i don't, ah, quite know what to say to you. if you are in such terrible danger, why are you taking it all so calmly? constantine: hmh! i dunno, father. i had a bloke beaten to a pulp earlier this evening. that sound calm to you? priest: you did what...? constantine: i must've been off me bleedin' rocker. i've never done anything like it before in me life, y'know?
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constantine: but there's header gets his guts blown out, and george is stickin' his head in the noose, and helen gets ... jesus, then friggin' sarah bites me head off — ! everything's coming to bits in me hands and it's so easy to just see red and now, shit, they could've killed the tosser for all i know! and now i'm just like the bastards i've hated all me life! kill him! fire him! close them down! piss all over him! screw you, i can do whatever i want! i so much as blink and you're dead, pal! i'm in charge!! ...
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constantine: 'scuse me, father. i'm always like this when i don't get me own way. — hellblazer #81, "rake at the gates of hell pt. 4"
babygirl you are just....so, sooooo offputting. (and grieving, and guilty, and terrified, but yeah: offputting.)
anyway, it's issues like this one that remind me why i kind of hesitate over some of the retcons in the recent spurrier runs, like the one with him now having opened dream's pouch of sand and stolen some before they even met. because like, it's easy enough to look at john constantine now — with 70 years of worst possible choices and unresolved trauma crystallizing underneath his skin to cover up all the soft, hopeful bits where he's used to getting hit — and assign him arbiter of ill intentions, magus of wasted potential, saint of shit choices, but man . . . he was new to this, once. he was still new to this 80 issues in.
80 issues in, and he's not used to losing friends yet; he even has time enough between catastrophes to grieve each individual one. still has enough left to live for at this stage to necessitate running and hiding, instead of bodily throwing himself at the problem like he learns to later, or sitting apathetically by to do nothing except smoke and watch the world fall apart when he finally gives up. fuck, he still apologizes.
and you're telling me this guy, this soppy wet cat motherfucker hiding from the devil in a church basement, so guilty over not knowing what happened to the guy that he paid people (paid chas, so chas could pay people) to attack that the bottle he's holding in this scene isn't even his second or third........this guy's past, more innocent self lied right to the face of DREAM OF THE ENDLESS and got away with it?
hm. i just don't know about all that.
#also this is where my headcanons tag is from <3#( ooc. ) OUT OF CIGS.#( visage. ) AND I'M A BASTARD.#( character study. ) A WALKING PLAGUE OF A MAN.#sometimes i just think that. people really like to reduce constantine down to one or two things#and somehow. after 250 issues of putting his life on the line bc he could never really make himself look away from people suffering#the soft sullen guilty person who wants so fucking desperately to be a better man? is never one of those two things#idk man. i think about this issue all the time#if i put these pages side-by-side with his grief in hellblazer 2? with his grief in hellblazer 213? 215? during the empathy virus arc?#it becomes CRYSTAL clear that the guy we know at the end of hellblazer isn't someone the guy who sat vigil for gary lester would recognize#in fact i think he's someone that hellblazer 81 constantine would fucking Hate#ANYway yeah. i don't think he lied to dream about the pouch. i don't think he ever got it open. i don't think that's canon for me#i want him to fucking Earn his asshole nature. the hard way. by making All The Wrong Choices that it took to get him there#he paved that road with good intentions himself but. he also used to remember the ones he started with#idk if i'm making sense but i have had this panel open on my laptop for Two Months now#bc i can never stop thinking about how fucking crushed he is here to realize that he might be exactly as bad a man as sarah said he was#and how little it will surprise him later on to learn that he is Easily capable of So Much Fuckin Worse#and with that your honor the defense rests. our evidence? just. just Look at this fuckin guy#scopophobia /#scopophobia#eye contact /#eye contact tw
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pastafossa · 1 year
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Nothing like rolling your chair back to stand up only to be surrounded by the sounds of rapid-fire popping like firecrackers which makes you shriek and trip over your chair before face planting, which is when you realize your cats are trying to murder you because they left a sheet of bubble wrap right behind your chair wheel.
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crystalkleure · 2 years
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Characters who are intentionally written to be horrible little bastard goblins: ✔️ Hilarious
Characters who are supposed to be viewed as being A Good Person in spite of them continuously doing horrible asshole things that would make any reasonable person fucking punch them IRL: ❌ Infuriating
#.It speaks#About me yo#I HATE THAT SECOND THING SO MUCH#INTENTIONAL ASSHOLES MY BELOVED. UNINTENTIONAL ASSHOLES MY BELOATHED.#The Goody Two Shoes Good Guy Protag @ their sad friend: ''Hey buddy! I am going to shame you for Not Being Happy!''#''Don't you understand that that's rude to all of your friends? You're killing all of our vibes! It Is Morally Bad To Be Visibly Sad!''#All of the other characters: ''Yeah!! What protag said!! We love you and forgive you @ Sad Guy but you need to stop being sad Right Now!''#And Everybody Claps#Literal worst thing in the world.#Like it is DRAMATICALLY DIFFERENT if the protag doing something like this has ACTUAL ACCURATE CONSEQUENCES#Like. Say. Sad Guy bottling too much up for too long and then eventually finally exploding in protag's face.#[And NOT being portrayed as Evil for doing so. Might be SEEN as evil by the protag but Is Not Narratively The Bad Guy For It.]#THAT does not bother me. Fuck yeah Sad Guy tell the emotionally abusive fuck and all their flying monkeys to eat shit.#BUT IF THE LITERAL ABUSED CHARACTER TRYING TO STAND UP FOR THEMSELF MAKES THEM THE VILLAIN OF THE WEEK/SEASON I'M MAD#You know?#Protag who THINKS they are Morally Infallible but is actually perfectly human and wrong/does bad shit sometimes: ✔️✔️✔️#Protag who is a total penis and their dickheadery WINS every time it causes conflict; the /conflict/ is portrayed as unreasonable: ❌❌❌#If you know me really well you can probably guess which specific two characters I am talking about#I hate both of those little bastards so much
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