Crocodile finds a strange stray cat an 11-year old Nico Robin
(AU where they met 13 years earlier. Robin's been on the run from the World Government for 3 years. Crocodile's 27 and has not set up base in Alabasta yet)
It seems like I have become possessed. By some sort of demon.
A report just came out from a Palestinian hostage saying he was strapped with bombs and sent into a Hamas tunnel, with Israel prepared to blow the tunnel up with his body if fighters were found inside and yet people are still making the “Hamas uses human shields” arguments that have been confirmed to be a myth with no supporting evidence
Gang, I am looking for a photograph I know exists, but I can not find. It is a historic black and white photo of a group of butches/transmen with a sign that say's "Who says there are no boys in Chaigao" (I believe, in reference to the draft)
"Be careful venturing too deep, darling, things aren't always what they seem in the dark..."
I remember reading a note in one of the art books that the eels' body is luminescent since they live in the deep sea and I just...went a little out of control again and my victim is Jade.
This was so HARD, I don't draw underwater things, but I think this turned out really nice <3 I especially had fun adding the speckles to Jade's body.
One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.