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#OKAY I LOVE HOW THEY KIND OF PARALLEL THE START OF THE SHOW
zenkindoflove · 3 days
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Elucien Parallels: Eddard and Catelyn Stark's Arranged Marriage/Marriage of Convenience Trope
I'm back again with more ACOTAR and ASOIAF/GOT parallels. You can go read this post where I breakdown my thoughts on comparing Elain Archeron and Sansa Stark as representing similar character archetypes in fantasy.
Today I want to talk about one of my favorite ASOIAF/GOT ships - Ned and Cat. What I want to do with this post is sort of breakdown the dynamics of their relationship and story arc and apply it to some common criticisms of Elucien and why in order to get the kind of tension Elucien have in canon, you need to have an understanding of how this particular trope works and the way these types of characters inhabit it.
So, a quick rundown on Ned and Cat and their relationship, just to get anyone reading this up to speed. Catelyn Tully was betrothed to Brandon Stark, Ned's older brother. Their betrothal represented a political alliance between the Starks of Winterfell and the Tullys of Riverrun - the liege lords of their respective regions. Despite being betrothed for political reasons, Catelyn fell deeply in love with Brandon anyways. And when he was tragically murdered by the Mad King, alongside his father, she was heart broken. Enters Ned, now the Lord of Winterfell, who has to secure this political alliance because he is about to wage a rebellion alongside his friend Robert Baratheon against the Targaryens. It makes perfect sense for him to marry his brother's betrothed. Ned and Cat get married quickly and off to war he went. When he returned a year later, he brought home his bastard, Jon Snow. He and Cat now have to figure out their marriage on top of not only being effectively strangers, but also with this betrayal looming over their relationship. When we enter the story of Game of Thrones, they have 5 children, the oldest Robb who was conceived just before Ned left for war, is 16. Cat and Ned are very much in love, showing open affection and devotion to each other. Cat is quoted later in the series telling her son Robb (show canon):
"Love didn't just happen to us. We built it slowly over the years, stone by stone, for you, for your brothers and sisters, for all of us. It's not as exciting as secret passion in the woods, but it is stronger."
Okay, so where does Elucien come into all of this and why should you care if you ship them?
Well, I think Cat and Ned's story illustrates a lot of things and disproves many doubts that are thrown at Elucien being endgame.
Betrayal
First is this issue of betrayal - that Lucien's involvement with Tamlin and his inevitable association with the situation in Hybern (though he did not know the extent of the deal with Hybern nor at all that Feyre's sisters had been kidnapped) will be such a huge breach of trust that Elain will never be able to get over it. That the relationship is dead before it even started.
Ned and Cat are a perfect example of how many anti-Eluciens are wrong when they think that Elucien are essentially dead before they start. By bringing home Jon Snow and raising him in his home amongst his trueborn children, Ned inflicted a huge betrayal onto his wife before they ever truly started their relationship. Although, at least in show canon, we know this ends up being quite a noble lie by Ned, this is never something that he reveals to Cat. So, Cat must swallow her pride and her jealousy and continue to be Ned's wife. This does not mean she has to fall in love with him, as it is not expected of her to, but she does all the same. Why? Because of Ned's inherent goodness and devotion to her. Cat sees that Ned is a good, honorable man - which is why she ultimately believes the rumors that Jon must be Ashara Dayne's son and that he is a love-child that Ned cannot bear to abandon. Because as she comes to know Ned, she sees his heart and his moral standing.
Which is all to say, that regardless of whether Elain begins her journey angry and blaming Lucien for association with her being Made and the end of her engagement, by getting to know him and spending time with him, she too will be able to see Lucien's inherent goodness. It is unavoidable and undeniable. Lucien, much like Ned, is honorable, loyal, and stands up to the face of evil, even if it will stupidly get him killed. He takes ownership over the people in the lands he runs and cares for that responsibility and their well being deeply. He commits violence when he must but he does not enjoy it. These are all traits that suited Cat well and why she ended up having such a loving marriage to Ned through many, many years. And likewise, suit Elain well and why she and Lucien will have a healthy and loving mating bond.
Reluctant Tension
Many anti-Eluciens do not understand the romantic tension presented in their situation. They see their distance, polite exchanges, and reactions as a sign of indifference or discomfort. It is a far cry from the explosive anger and deliberate pushing away that Nesta displayed with Cassian. Sometimes it's easier to understand Nessian's romantic tension because passion can exist both in anger and desire. But what about the stilted interactions of Elucien?
This is also where I will draw parallels to Ned and Cat. Ned and Cat did not go to the alter kicking and screaming. They were not political rivals or enemies. Catelyn did her duty with her head held high, living her house words (Family, Duty, Honor). Catelyn is often described as the picture of a noble lady - well-mannered, kind, diligent, dutiful, and respected. She held a high place of honor at Riverrun, effectively serving as Lady of the house after her mother's passing at a young age, and then taking over the role of Lady of Winterfell. She earned loyalty and respect amongst her subjects. We don't know much about the dynamic of Ned and Cat at the early days of their relationship. But what we can infer based on how Cat describes this time period, is that Cat hid her reluctance and anger behind silent pride. It was over time, as she grew to know Ned that this distrust and distance was thawed and she fell in love with him.
Similarly, Ned is not a hot head. He is grounded and stone-faced, a trait that Cat actually did not like initially because it was so different from his brother who she was in passionate love with. Brandon was a hot-head, charming, and funny. He was a showboat and is basically how he came to duel Petyr Baelish in the first place. But Catelyn eventually realizes the wisdom in loving a man like Ned, rather than the girlish love she had for Brandon.
Now Elain and Lucien are not mirror images of this. Lucien is certainly much more savvy and charming than Ned. And Elain is not forced into a romantic relationship with Lucien at all even with the mating bond. She has been given total freedom to choose, unlike Cat. But, my point here is that the presentation of their romantic tension, which is more quiet and understated and can confuse some readers who have a preference for the more passionate displays of tension, is very similar to Ned and Cat in the beginning of their relationship.
Now, as we learn both in the books and the show, Cat and Ned at the start of the series are well into their 16+ year marriage and are quite passionate now. They have many loving physical displays with one another, often passionately kissing or referencing passionate lovemaking they just had. They speak to each other with such warm affection others have to look away. It is clear they have deep love for each other that goes beyond duty. The passion certainly developed between them along the way. With Elucien I'm sure this will play out much differently given the presentation of the mating bond and how we know it affects people. It's very likely both of them are deeply desiring each other already, and very likely that they will have some dramatic rows between them, as it is likely Ned and Cat had as well, once they start really talking about the hard topics. But the point is that passion and the potential for passion does not have to be readily observable right from the start. If anything, there is something very delicious in the steady build-up to it through many of the tropes we see in historical romances where there are rules and etiquette to courtship (which many suspect Elucien will play with some regency era tropes).
Conclusion:
I really love finding parallels between ships of my favorite series, and there is of course a lot to draw from when its two fantasy series. In the end, my bigger point is that great love can come from Arranged Marriage/Marriage of Convenience Tropes which Elucien inhabit with the nature of their bond snapping right when they met. It's not for everyone, but for those of us who get it... we really get it. Fortunately for us, Elucien exist in a romance with HEAs and not the world of ASOIAF/GOT so they won't meet the same tragic fates as Ned and Cat *sobs*.
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astridcookie · 10 months
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HEARTSTOPPER SEASON 2 FIRST CLIPS!!!!!! ????????????? AAAAAAAAAAAA
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strawberrysainz · 5 months
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holocene. charles leclerc
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charles leclerc x fem!reader
“ a quiet last day in london with your boyfriend, except, you’re not leaving with him. ”
a warning — angsty, suggestive, use of profanity. NSFW: SMUT. don’t read/interact if you’re under 18!
word count: 3.1k
i am terribly sorry for how slightly devastating this is. i was listening to bon iver and holocene just made me start bawling and remember this day (it is not entirely fictitious, after all… the artist is true, except i’ve never had the honour of meeting him; though his art lights up nearly every home around my home town.)
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The soft sounds of a nature show in the background made her eyes close sleepily while Charles held her; the mid morning light shone through the windows, and she had a sudden urge to stand up. He stared up at her as she stood there indecisively, staring off into space, a kind of stupid smile on his face.
“Let’s do something today. Let’s go get lunch.” She said with a nod, and he raised his eyebrows, casting a glance to his suitcases that stood there on the wooden floor. “Okay.”
He got up, holding her, kissing her cheek softly, and they stood there for a second. “What do you feel like? Where do you want to go?” His voice was hoarse, sleep still coating it from their lie-in, and she followed him to her bedroom.
“There’s a really cute little restaurant down the road that does such good burgers.” She said, slowly undressing to pull on other clothes, and he had that strike of desire he always did when he watched her embrace her most intimate state - and he bent down to meet her gaze in the mirror, leaning to kiss her neck softly.
“You look beautiful.” He said softly, and he meant it, watching her put on makeup.
She blushed, and leaned up to kiss him, slowly, passionately.
He smiled, eyes sparkling with something she had yet to memorise: “You’re making this very difficult for me, you know that?” giving her a long, slow kiss, hands on her hips.
She broke away, bashfully. “Oi. I want burgers,” and laughed when he pouted.
He laughed then, unable to stay pretend-mad at her for long. “Fine, fine.” His tongue slipped on the words, a normal occurrence due to English besting him at times. She giggled as she pulled on a sweater, patting down her hair. She swatted his ass as she found a purse from the depths of her cupboard, and he rolled his eyes playfully as they left her apartment, going down to her car.
She slid into the passenger seat, patting her well-worn leather of the Fiat. He followed, starting the engine and pulling out of the position on the street. “What do you want to do after? A movie?” He glanced over at her playfully.
“You’re in such a movie mood this weekend.” She giggled, and continued. “But there’s an exhibition at some gallery in town of an artist from my home town - could we have a quick look?” He shrugged. “Sure.” (He didn’t really care what they did; he just wanted to spend time with her in her element.)
She leaned over then to stroke his thigh, comfortably, and as he did an excellent parallel park that had her nodding, impressed - she gasped when he got out and pressed her against the car, kissing her quickly, and when he pulled back, he grinned with a hint of mischief.
She laughed, leading him to the front door of the restaurant. “You look lovely today, did I mention that?” He said cheekily, hand on her waist, and she told him to be quiet, blushing as the waitress greeted them.
They ordered burgers and chips, and she studied the decor while he stared at her, memorising her face. He slid a hand up her leg, looking at her cheekily when she narrowed her eyes. “Stooop.” She groaned, fighting back a smile.
Charles grinned and moved in closer. “I think you like it.” He teased, voice lowering, and her mouth dropped open - the waitress returned with their food - and she thanked her, trying not to flush at his rough voice.
He leaned over and stole a chip- she in turn stole one of his. They grinned at each other.
💌🎨☕️🎶
They were walking to the Tube station, trying to figure out the best way to get to this obscure gallery, and a few people stopped to ask for a picture with him, but he never stopped holding her hand (much to her embarrassment, but also, delight).
His hand gripped hers as they stood on the escalator, smiling at a fan who called over to them, and they waited for the next train, getting on and miraculously getting two seats open next to each other. They slid into the seats, and their legs brushed as he pulled her comfortably into him.
“Tell me more about this guy.” “The art,” he expanded as she gives him a confused look, and she nods. “So back home -“ she got that wistful look on her face like she always did when she spoke of her home country, much like he did -“There was this pretty famous artist who lived in the town where I went to school. I took you one day for lunch and that ice cream when we went to visit a few months ago?”
He pretended to know exactly what town she was talking about.
“Anyway, this exhibition is basically his whole life’s work. He’s just this old guy. But his paintings are so, so vibrant and colourful. They’re in a lot of my parents’ friends’ houses.” He thinks about the paintings when she speaks, nodding, and leans back against the wall. The lapse in conversation makes her take out her phone, carrying on reading.
He takes a peek at her screen, and watches her peaceful expression, and squeezes her hand still holding his lightly.
“What’re you reading?” He asks, thinking back to the stacks and stacks of books lining her apartment.
“It’s translated from French -” she smiles when he instantly becomes more interested - “And it’s about this woman who’s like, fascinated with funerals.”
He raises an eyebrow. “Don’t you think that’s weird?”
“It’s intriguing.” She says instead, and his lips try to say the same word, the sound of his heavy accent distorting the word, and she snorts, “She’s kind of on a quest to be constantly positive. She’s very likeable. I don’t know why she likes funerals so much yet though.”
He nods thoughtfully, his fingers still entwined with hers. “She’s trying to find purpose in something others find sad.” She stifles a giggle at his enthusiasm to try and engage. It’s sweet. “I’ll make a literary nerd of you yet.”
(Unbeknownst to them, the woman opposite is recording, and it will go viral on Twitter and TikTok later, but neither of them will care because they were so terribly happy in that moment.)
He giggled softly, his heart swelling with warmth, and gently strokes her hair, lost in the comforting silence and the harsh yet low light and the peaceful rhythm of their breaths.
She looked up to check when their stop is - not for another three - and contentedly pressed her lips to their joined hands while she continued to read. His eyes closed, breathing even, enjoying her touch. “It’s been a while since we had something like this,” he thought out loud, thinking of the preciousness of the moment. She nodded, thinking back to when last they were able to sit down and slow down in public, not for an hour or two and then him having to fly to another country - well, it kind of was - stealing hours away in their apartments.
“We could try and do it more often,” he said, but it was more of a wish. She looked up at him adoringly. “I know.”
He leaned down slightly, their faces close enough to feel each other’s breaths. His eyes locked onto hers as he spoke softly. “Just think of what else we could be doing in these quiet moments…”
She quietly gasped. “Charles!” He chuckled softly, unable to hide his amusement. He gently brushed a strand of hair from her face, his fingertips trailing along her jawline softly. He leaned in even closer, sharing this moment with her.
The sound of their stop being announced interrupted it, and there was a hint of sadness on her face as she looked up at him.
He reluctantly pulled back, and followed her, filled with longing to stay on this train for as long as they could. As they walked, he quietly declined photos this time, because he senses she’s a little upset. They walk up the stairs, up into the light, and she pulls out her maps app to find which way they should be going.
Charles walked beside her, his hand slipping into hers instinctively, offering reassurance.
💌🎨☕️🎶
At the gallery, they enter and the woman at the front has her accent too - presumably because of this exhibition - and she gasped with delight, leaving her heavy heart behind, letting go of his hand to hug her, and he watched them interact while some people stared at him curiously.
His smile brightened as she started rambling on about her connection to this guy. He couldn’t help but have a sense of warmth for how animated she became around her roots.
She pulled back then, and wished the woman a goodbye, starting to look at this man’s life, from beginning to end. Charles leaned in close, his arm brushing against hers as he studied the paintings. He couldn’t help but be drawn to the presence she currently exuded - the warmth, the joy to be there. She studied a particular piece and gasped. “We had a copy of this at school! It’s a famous street in town.” She pulled out her phone to take a picture, fondness coating her expression.
He listened intently, his eyes scanning the painting as she spoke. The image of her, taking in this same art as she did now, made him wish that he could’ve experienced this with her then too. She held on to his arm, feeling oddly emotional, and they continued on, laughing at some sculpture.
His gaze never left her, his touch comforting. He savoured this moment - holding on to her, this feeling of being completely at home.
She reached to clutch her chest as an old man with graying hair came up to them. She let out a little breath that Charles recognised as one of awe - it had to be the artist.
The man recognised her accent and they hugged for a moment, and he could see the emotion in her eyes as they fell into that language he heard snippets of every now and then, and he envies this guy for a moment, conversing with her in a language he was desperate to learn, to know to be closer to her, and he can tell she’s going on about how precious this all is. The artist reached out to shake Charles’ hand, and with a quick correction from his girlfriend he falls easily into English.
His heart beating a little faster, he accepted the handshake and held onto it for a moment more than he thought he would. He listened to their conversation, determined to learn more about what made them come alive in such a way that made him wildly jealous. She swats his arm so he offers to take a picture of them, eyebrow raised at her fangirl behaviours, and he captures the moment of sheer joy.
The artist moved away, to greet other patrons, and she looked up at him in delight, with unspoken love. He couldn’t help but feel terribly drawn to her in that moment, their connection deepening.
“I love you.” She says, not quite believing what’s she’s just said - for the first time - and his breath caught. He reached out to touch her, to hold her hand.
She looked back at him, a tentative little smile on her face. His heart raced. He leaned in, his lips hovering just above hers.
“I love you too,” he said huskily, filled with emotion.
She kissed him softly, briefly, trying not to draw attention. His eyes flutter closed as their lips met, tenderly, passionately. Despite her attempt to keep it short, he cradled her face with his free hand, and his heart pounded as they pulled apart.
💌🎨☕️🎶
On the way out, they’re gifted with a quick sketch on some scrap paper - an old ticket? - by the old man; it’s of them, holding closely on to each other, staring at a painting. Her hair cascading and his shoulders broad - and now she’s fighting back tears as they study it together.
He gently wraps his arms around her, kissing her forehead softly, eyes brimming with tears he tries desperately to keep in. They leave after thanking the artist graciously, holding on to that picture tightly. “It’s perfect,” he whispers as she snaps a picture of his fingertips holding on to it. He slips it into his pocket, love radiating from his every pore as he looks at her.
In her head she thinks, we could show our kids that one day, and that makes her burst into tears, and his heart aches for her, pulling her into his arms. “It’s okay, my love.”
“I don’t want you to go tonight.” She says pitifully, and he rubs his hand up and down her back. “It’s alright,” he soothes her. They find a bench in a nearby park, and she tries to calm herself down, but the impending idea of him leaving for two months makes her cry even harder.
He murmurs something comforting as he wipes away her tears with his thumbs, caressing her face. The tender expression on his face makes her still, staring into his big eyes. “Today was so lovely. But darling… I can’t stand not seeing you until the end of the year.” She sniffles.
His heart ached as he pulled her in tightly, holding her close. “But you’re always with me, my love.” He pats his heart, and her tears slowly stop.
“You know, when we met, I never thought that someone could come into my life and make me love her so much to the point where I would do anything for her. But now…” he says softly, “But now that you’re here I can’t imagine living without you.”
“No.” She shakes her head. “Stop being so fucking sweet. I’ll cry again.”
He laughs. “I can’t resist the opportunity.”
She scoffs and hugs him again. He held her tight, heart beating wildly with love and desire, and trailed kisses down her jawline. “Fuck. I miss you so much already.”
She bit her lip.
💌🎨☕️🎶
“You know what would make me feel better?” He says, as they walk into her apartment building’s lobby, tracing a circle on her hipbone, “If you just text me every day. Even if it’s just to say hi.”
“Of course I will!” She looks at him, indignant. He leaned down and pressed a kiss to her head.
“What time do you have to go?” She said softly, and he stared down at his watch as they walked into her apartment. “Two hours,” he said softly, and she stared up at him with an expression in her eyes that made him shiver.
She stood up on her tiptoes to kiss him, languidly sliding her hands along his neck, lips parted as she pulled away.
A desire prompted her to slide off her jersey, and his eyes were dark as he moved to pull off his clothes. She slid off her top, standing just in her bra, and he let out a sigh as he traced her collarbone, kissing her easily.
He slid the sketch out of his pocket and left it on a side table as he was left in his underwear, and she was pulling off her skirt and tights so they stood there on the wooden floor, desire coating their faces.
The sight of her nipples pressing through her lacy bra made him groan, and he felt himself hardening as he kissed her neck, sucking it that made him satisfied to pull away from with the knowledge that his marks would still be left for the next few days.
She felt herself heat up, her thighs clenching as he pressed her down onto the couch. He kissed the valley between her breasts as he slid off her bra, and she whined deliciously as he sucked her sensitive nipple. Kissing down towards her stomach, he slid off her panties, exposing her wetness to him, staring up at her needy face, biting his lip and feeling terribly turned on.
He tentatively began to press his nose into her pussy as he began to lick her, and she was making sounds that had him a little shaky, his thumb tracing tiny, light circles on her clit while she moaned in pleasure.
She stared down at him, hands laced in his fluffy hair, and she could already feel how wet she was, rutting a little into his face which made him groan.
His desperate eyes made her nod, so she sat up while he took his aching cock out of his boxers, and her lips parted a little as she stared at the look of need on his face.
She leaned in to kiss him, his one hand pumping his cock and the other rubbing her nipple, and she arched into him as he pushed into her. Their eyes fluttered shut in pleasure, and she began to ride him, them both letting out little moans, and as he began to hit certain spots inside her she was pleading for things she didn’t know, her head everywhere but no where, feeling herself edge closer.
“So fucking hot,” he breathed, and tried to kiss her but they both moaned loudly at one particular stroke, so they just kept going, him becoming faster and his fingers pressing at her clit; she felt deliciously warm and desperate to cum, so she rode him a little faster, their hips rolling in unison, and she let out little sighs as his fingers began to circle her roughly, clenching him so he moaned.
“Cum for me,” he breathed, and she grinded against him, expression contorting to one of pure ecstasy as she began to reach the edge. He stopped for a second, becoming still, and she nearly screamed with protest, and with a smirk he let her continue. “Brat,” he whispered, and she let out a moan.
They breathily began to cum together, her breaths becoming erratic, his thumb making it nearly impossible to think.
As he came inside her, thick and warm, she came, shaking on his cock. “Fuck,” she whispered, and they were lying there, enjoying the pure pleasure of their bodies together.
💌🎨☕️🎶
“Goodbye, mon amour,” he breathed, and her messy hair and just her in a sweater of his made it so much worse. “Love you.” She said hoarsely. His arms wrapped around her, holding her tightly against him. He took a deep breath.
He pulled away slowly, gazing into her eyes. Her eyes followed him as he turned to leave. He took a last look at her, and stepped out the door.
💌🎨☕️🎶
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f1waglife charles and his new gf out in london today!
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author’s note: let me know your thoughts. like, reblog, show me some love in the comments. love u. i’m glad to be back. 💋
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the-s1lly-corner · 27 days
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Ej, Lj, Masky, Hoodie, Masky, Ticci Toby and Bloody Painter x reader who draws them
Prize 5/5 for @reivelmin !! I hope you've enjoyed all of your prizes WOOHOO!! I had a blast writing them, hardly ever get the excuse to write for some of these characters EHEHEHEHE
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EYELESS JACK
I've always headcanoned that Jack was always a bit of an artist himself, although the most he does it sketch every now and then to keep his kind busy. He points out some techniques he recognizes and asks you about it. It.. actually takes him a moment to realize that all of the drawings are him. You can practically hear the gears turning in his head before he tries to move on. This opens the window for the two of you to draw together every now and then.. though jack is always a little embarrassed.. flustered.. with the knowledge that you have so much of him in your book
LAUGHING JACK
Very loud when saying he loves it. Hes flipping through the pages before pausing, looking you dead in the eye. He makes a comment about how you must be soooooo obsessed with him. Hes teasing you, of course! He offers to draw you in return.. though dont expect anything crazy, Jack's not.. the best artist- and hes okay with that! Loves looking through your art whenever you offer it. Would kick his feet in the air while looking through the pages. Sometimes you give him sketches to color, to keep him busy while you have to go do something
MASKY
He already knew what you were drawing him before you ever have the chance to show him. The man is silent and is constantly keeping an eye on you.. he does NOT know how to be a normal roommate!! You probably dont get the chance to show him yourself, because he points at a stray pencil marking that you forgot to erase. Worst jumpscare of your life, if you werent already aware of his presence in the room... he.. actually gives a thumbs up. Which doesnt seem like much but considering that he doesnt really emote, that's a huge thing... now does he think it's a little odd that you have a bunch of sketches where hes the reference? A little, but he does offer some good poses and lighting due to him tending to lurk in the shadows
HOODIE
Very similar to Masky but at least he pretends to not know. You walk up to him with your sketchbook and hes so obviously playing dumb but its.. sweet that hes pretending. He takes his time looking through all of the art, where some of the others get too excited and flip through it all. He doesnt talk, but he does communicate that he thinks it all looks great via sign.. oh he would definitely start leaving sticky notes with doodles around for you to find
TICCI TOBY
I think Toby would be a little overwhelmed, he didnt think anyone would be interested in him enough to want to fill an entire sketchbook with him. He tries to cover up his shock by lightly making fun of the situation. Though every tease he tries to draw out falls flat, as everytime he goes to poke fun of something about the art he trails off. Besides, he couldn't bring himself to actually make fun of the stuff you make.. if it's a gift, you offer to take it back but he quickly shuts that down. Its like the Bob's burger friendship bracelet audio, "no fuck off its mine"
BLOODY PAINTER
As an artist himself, he asks you about what materials you used as well as the techniques you used! Unlike EJ, Helen is more thorough in his questioning and knows a lot more fancy terms.. he points out the good parts of your pieces, and catches himself before giving his criticisms.. he at least makes sure that the criticism is wanted before just unloading (and even then hes constructive! Hes well aware that just dunking on someone does nothing to help them grow). It actually strikes his ego a lot that you would dedicate so much time and material to just him, and it inspires him to make something for you in return. If he didnt know you were an artist prior to this, he offers to paint with you.. whether as a collab or just simply working parallel to one another! Just please pay no mind to him staring at you more intently while hes at his canvas...!
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tequiilasunriise · 10 months
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Okay yall lemme cook‼️‼️‼️
I really, really like the parallels of ‘she fainted and now I’ll fan her’ here with White Raven:
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Annabel caught Lenore when she almost fell and tried to remain in this untouched and happy facade while still subtly trying to fan Lenore because Annabel believed her to be upset and needed some air.
Lenore caught Annabel when girlypop straight up fainted and more obviously fans her in an attempt to care for Annabel, her face full of open concern for the fallen woman, there’s even a whole panel that draws attention to the fan specifically.
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Why does this even matter, you ask me? Because I love the stark contrasts between Lenore and Annabel, even down to the most minute details they’re opposites.
Annabel is trying to be more discreet in her affections for Lenore, her pretty smile and chipper words a diversion from the way she holds onto Lenore’s arm to steady her, bright eyes a complete distraction from the way her fan is flapping away. Her carefree attitude makes it seem like she could easily play off these attempts to care fer Lenore, like she could flippantly brush it off as ‘nothing big’ and that she ‘doesn’t really care this is just a throwaway whatever action’ (but we all know the calculative Annabel Lee doesn’t just do whatever fer just anyone).
On the complete opposite side of the spectrum, Lenore cares about Annabel. She cares a whole lot, actually, and she’s extremely open about it. From angrily calling Annabel a dratted liar fer claiming what they had to be fake to very clearly worrying about Annabel as she fans her. The delicate care, the way Lenore does not hesitate to grab that fan and start gently fanning Annabel, how she doesn’t try to set up a facade that gives her an ‘out’ if questioned why she’s doing all these things for Annabel. Lenore gives no shit about mindgames and appearances dude!!! Yeah she cares about Annabel, so what??? Lenore is just SOOOO acts of service as a love language, each time she reaches out is open declaration of, “love you love you love you”.
That kinda contrast kills me, man!!! Bright moon x dim sun, the sun does care but she needs to show it in a way where people don’t think she’s that invested you know you know she’s Just A Friend™️, meanwhile the moon says, “fuck it we ballllllll” and snitches her bleeding heart across her entire sleeve right before diving in with affections on full display.
That being said, I also really like how Annabel’s fanning is the last kindness she gave Lenore right before she left and Lenore ‘died’ and by sharp contrast Lenore’s fanning is one of the first kindness she gave Annabel when she came back from the ‘dead’ all resurrected like a funky butch lesbian Jesus.
Kindness as a last resort, as a final parting gift when the time’s up, vs kindness as an instinct, as a greeting call, as your first move.
789 notes · View notes
boldlyvoid · 10 months
Note
I’m kinda in the middle of writing a little fic too but inspiration sucks
okay but anyway how about a little fic where spencer and reader are having just a quiet evening they made a nice dinner together and are just sitting on opposite ends of the couch doing their own thing maybe reader is crocheting (wink wink) and spencer is reading/doing Spencer-y things and they just find peace and comforting in this type of parallel play/ quality time together
i know it sounds boring but it sounds peaceful to me to have that kind of security and love that doesn’t need any words. and I think Spencer would love that too
Parallel Play
yes of course bestie!! i love this idea thank you <3
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wc: 883
Spencer Reid is secretly a quiet man. 
At work, he could go on a rant or a ramble at the drop of a hat. He knows so much inside that beautiful brain of his that once he starts going on a topic, he wants to talk until he’s explained everything. Honestly, he could do a 15-hour Ted Talk if you let him. 
But at home… at home he’s quiet. They both are. 
Sat on opposite sides of the couch, Spencer has his feet up on the coffee table, he’s leaning back against the cushions with his Nintendo Switch in his hands resting on his chest, pretty close to his face as he works on a tough level of the newest Zelda game. He grew up never having any video games, so now, in his 40’s he’s finally getting the chance to experience the wonderful worlds that exist in the palm of his hands. His girlfriend, however, has her feet in his lap, she’s extended across most of the couch with her back against the armrest as she crochets a new pattern she’s been wanting to make. Even their cat has joined them, laying between her legs and the back of the couch, she’s all stretched out and sleeping away with both of her favourite humans at home. 
They’re so happy like this. Just quietly enjoying their time off while still together, still touching, they have a comfort show on for background noise and its perfect. 
She looks up from her project every once and a while, either because Spencer has mumbled something at his game or the current episode they have on is getting interesting. And each time she does look up, she finds herself staring at Spencer with a little smile. He’s just so cute like this. Totally enthralled in his game, his brows furrowed as he concentrates and his jaw a little clenched when it gets hard. 
When he finishes his level, or when he just pauses to have a breather, he reaches down to her feet that are resting in his lap and he grips her ankle. He runs his hand up and down her shin a few times, soothing himself and her in the process. He takes a few sips of water, he watches a couple minutes of the show and then he goes right back to his game. Still completely silent. Still completely content. 
By the time she’s done her crochet project, it’s a little after midnight and she’s tired. “Spence,” she whispers to him. 
He just hums, his brows go up to show he’s listening but his attention is still on his game. 
“You wanna go to bed soon?” 
He nods, “Let me…. Finish… this,” he says while mashing the buttons, clearly working on something. “And then we can.” 
“Okay,” she agrees. She moves her feet off his legs carefully so as to not scare the cat, but she wakes up anyway. She picks her up and gives her a couple pets as she moves in closer to Spencer’s side. 
“You okay if I watch?” 
He nods again, she only asked because sometimes the pressure of someone watching him play makes him do worse. But this time he’s fine with it. She leans her head on his shoulder and cuddles into his side to watch him play for the last few minutes of their quiet time together. 
She watches without a clue as to what is going on, he defeats a boss, he wins the level and he lets out a deep sigh as he clicks the game off and sets it down in his lap. He lifts his arm so he can wrap it around her, letting her snuggle in even closer to his chest and he kisses the top of her head a few times. “Tired?” He asks with a whisper. 
“Yeah,” she whispers back. 
“Let's go to bed,” he encourages, patting her arm gently.
She gets up with the cat still in her arms, Spencer turns off the TV and all the lights and meets her in the bedroom. She let the cat down on the bed and she immediately curls up into a ball at the foot of the bed, clearly also ready for a long night's rest. They change together, they brush their teeth together and then they slip under the covers together, too. 
The lights go off, they lay turn to face each other, each snuggled into their pillows, and they sigh almost at the same time. It hasn’t been a long day, but they’re still both exhausted. 
“I love you,” he says into the darkness. 
“I love you,” she replies with a smile. She leans in just a little closer and kisses him, once, twice and a third time for good measure. “I had fun today.” 
“Me too… we should do this more often.” 
“We really should.” 
Then they go quiet again. She rolls over to her other side, letting him spoon into her the way he always does at night. He wraps his arm around her middle, his hand resting on her stomach, he kisses her shoulder blade re situates his head on the pillow. “Goodnight, love.” 
“Night, Spence.” 
And that’s how they fall asleep. Quietly, in each other's arms, perfectly content with the little life that they lead. 
707 notes · View notes
nivisdreaming · 1 year
Text
Skittish
Eddie didn’t think there was anyone outside of Hellfire in the school who liked D&D, and he’s okay with his little group of hyperactive teens. Then, he finds you, drawing what is undeniably a D&D monster. And he is hooked.
• Eddie Munson x Shy!Reader
• Tags: Fluff, Meet-Cuteish?, Drabble, She/her for reader
• WC: ~700
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“Wait. Hold on. That’s not- is that? Are you drawing a beholder?” Eddie stops dead in his tracks, quick to lean over head of the girl he’s speaking to in order to get a better look at the sketchbook.
She flinches backwards, nearly ramming her head back into his chest. “No! Definitely not!” She slams the sketchbook shut and pulls it underneath her chin, wrapping her arms across it tightly and tugging her knees up to her chest to hide the leather-bound book from view as much as possible. “P-please don’t try to take it,” she squeaks.
Eddie is quick to pull back, realizing in his eagerness he has ended up towering over the poor girl. He puts his hands up in a show of surrender. “Woah woah, slow down, I have no intention of taking it! It was just really good, ya know? Could I look?” He lowers his voice to a much softer tone. “I’m not gonna hurt you. I may be a freak, but I’m not a monster sweetheart.”
There’s a gentle whine as she unfurls herself from her defensive stance, but she returns the book to its place on the table and opens it to the previous page. On it is an almost completed pencil sketch of a beholder, with miniature doodles of 20-sided dice, swords, and bows decorating the page border. With only a slight anxious glance at the curly-haired man next to her, she pulled the pencil from behind her ear and began adding to the shading. Internally, she sighs in relief at the excuse to look anywhere besides the sad puppy dog eyes Eddie gave her when he scared her. He’s adorable. That’s so unfair. Why do you get to be adorable and tall? People really should only get to pick one of those. Unfair.
“You drew this?! It looks out straight of the D&D manual, that’s awesome!” Eddie plops down in the seat next to her and sets down his lunch tray in favor of leaning in closer to the book, leaving their faces parallel to each other. “I’ve never seen you at Hellfire before, do you play with a friend group or something?”
“Oh, uh, I don’t actually play. My brother did though, and he left all the books to me when he left for college, so I started reading them after school.” She mutters as she continues to draw. The repetitive movement helps lull her anxiety a bit, and she feels her guard lowering with the release of her scrunched up shoulders. “I’ve seen you with the hellfire crowd, but-“ She sighs. “You know how vampires can’t come inside somewhere unless they’re invited in? I’m kind of like that. Groups are intimidating, and I get skittish.” He shifts impossibly closer to peek over her ever-moving pencil, and a strand of his hair brushes her cheek and sends a chill down her spine.
“You should join us sometime, skitty kitty, we don’t bite,” Eddie snickers. She feels him turning his head so more of his hair teases the side of her face, and she swears he’s so close she can feel his breath now. “You know, you’re blushing pretty hard there. Is it the compliments on your drawings, or is something else up? Hmmm?” Her hand freezes for the first time since she reopened the book.
“I- um…nothing,” She lifts her pencil to her mouth and begins to anxiously tap it against her lip. “Yeah, sure, I’ll join you all,” The tapping continues.
On instinct, Eddie’s hand reaches out and carefully removes the pencil from her hand, taking it in his own. He smirks when she looks up from the sketch to his eyes, shoots her a wink, and kisses the top of the pencil lightly. Her tucks it back behind her ear with a lingering touch. “Fridays, after school, in the drama room. Bring these drawings if you feel comfortable, the kids will love ‘em and I’d love to see more of them.” She gulps and fights the urge to nod with too much eagerness, and he slides out of his seat, gives her a wave, and returns to his usual table to eat his lunch.
To be honest, she isn’t sure she is capable of forming another coherent thought for the entirety of the lunch period.
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vampiresareqt · 8 months
Text
WHY Iñaki HAS BEEN Luffy SINCE THE BEGINNING!!!
A summarised history of Iñaki Godoy Jasso and his parallels to Monkey D. Luffy
I'm sure Iñaki tried to keep his composure so hard. (Our Cry Baby) But on his way home he broke down in tears and laughter (Such a Joyful boy)
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Just to make this video even stronger; Iñaki's goals as a child were to make people laugh and to use his genuine smile to make others smile. He CRAVES freedom too!
And at one point he even wanted to become a competitive eater, 'cause HE LOVES FOOD!
REACHING HIS GOALS
Source: [x]
How much did he want to reach his goals? He was once bailed on by one of his partners in a play where he had the role of the mischievously grinning Cheshire Cat (Also fitting wtf) He was like 8???
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And while he was panicking at first, he improvised his way out of it, saw the smiles and laughter of the crowd and DID NOT WANT TO GIVE UP. He felt the freedom of acting and expression and the joy of seeing people laugh. He literally said he wanted to continue acting CAUSE OF FREEDOM!!!
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He later pursued comedy, 'cause of his love of cheering people up...
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If you don't really remember the significance of "freedom" when it comes to Luffy,
youtube
"Sometimes, an honest smile is more than enough."
He values smiling and making others smile. And just like Iñaki, one of Luffy's key assets is his wide smile! So when Iñaki did his research on Luffy he didn't want to make it too complicated at first. He narrowed him down to that smile we love and aimed to perfect it. And of course, as the smiley person he is it came naturally.
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This also kinda parallels Luffy's "Don't care about the story, just get me to do something." mindset. In this case, Iñaki going for an audition kind of blind, then simplifying Luffy's character and then building on it with 100% determination is so reminiscent of our boy. He ended up appreciating and admiring Oda-Sensei so much after getting involved. And making him laugh came naturally to him as well.
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Helping people is important!
He loves doing charity things. Especially knowing his little sister endured a lot of hardships, he as a young child did a campaign against bullying and to raise awareness... "The Jasso-Godoy Family are the group leaders of CAP Grupo Mexico in Mexico City, Mexico and their own non-profit!!!"
"Mia is beautiful the way she is. Any way she is, I'd still love her. If there is someone at school... or anywhere, be nice to them, okay? I am her brother."
Watch the heartwarming video below!
He is very flexible in ways he can do so many things, versatility, but also physically, he loves jumping around and doing tricks and even when he gets hurt he smiles, cause he learned from it and had fun...
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In this video he is introducing himself and talking about his versatility. Saying "Whatever you want me to do, I'll be at your service." So if you have goals in your movie or show, he will do his utmost best to make it a reality.
Hope I translated it correctly...
Always a Pirate
He has also always had something with the sea and pirates... Foreshadowing
In the same TikTok he was talking about his mischief he showed us a pic of him as a kid, where he is wearing a pirate themed Spongebob T-Shirt. EVEN THE POSE IS VERY LUFFY!
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In one of his Insta posts, while he was on his 80 day trip around the Caribbean he posted an even older pic of him and his sister Mia WEARING PIRATE OUTFITS.
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I immediately said he bares a striking resemblance to young Luffy smiling.
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UNCANNY!!!
So in the end...
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Even without mentioning any of these childhood things Iñaki experienced before finding One Piece. Just that short audition clip made Oda laugh instantly and overwhelmed Oda with Luffy vibes. JUST FROM IÑAKI'S GENUINE ENERGY!!!!!
So people saying Oda's Haki predicted Iñaki is like... I could kinda believe that. Or maybe the reason why the Live Action did not start production till about 4 years later, is because we had to wait for Iñaki to grow up to the same age as Luffy, 17, for Oda to meet the person who best represents his beloved main character.
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cocogum · 2 months
Text
My honest reactions of episodes 5 and 6 (part 2)
PART 1 : HERE
(‼️ SEASON 4 SPOILERS ‼️)
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Okay I just HAD to devote the full Alibert inn scene from episode 5 here CUZ WE NEED TO TALK ABOUT YUGO GOING BACK TO EMELKA!! I know I already mentioned Chibi and Grougal (as well as the tree Tofu tower) in part 1 but part 2 will basically be about all the rest of the inn scene cuz tumblr couldn’t let me have more than ten images per post (I know the site apparently lets u have more but I always use the phone for it so shush.)
But first, we finally get to see Alibert again after all those years 💕
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Alibert. Sweetie. Baby. You can take care of two (technically four) kids with the addition of a freaking INN, you COOK for the customers, AND, ON TOP OF ALL THAT, you’re the MAYOR of EMELKA, that same place where you run the inn and take care of your adopted sons.
You do much more than just “taking care of an inn”, you got three jobs AND you’re still sane. You’re three in one, a whole package, props to you king. He’s such a boss ass man I love him 💕💕
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NAH MAN
Not these ppl trying to avoid the inflation 😭😭 I don’t blame them tho. I would’ve said the same thing lol.
(Also is the wine a call back to Gustavio? Plz it would be so funny if the reason why Alibert is angry is cuz these ppl are saying how “bad” it is just so the prices can stay the same but also because he’s mad that they’re calling Gustavio’s wine “disgusting” even if they were all just trying to make him not raise the prices!)
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Love how Yugo doesn’t say that same shit to Ruel after all those years of cooking for his ass and never getting anything from him.
Like even the whole Brotherhood calls Ruel a “cheapskate” but the only time where we see Yugo say that same shit is when he says that to his own CUSTOMERS?!?
Gurl bye Yugo’s such a silly little hypocrite!! 😭😭
OMG THE WHOLE FAMILY’S BACK TOGETHER!!
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Adamaï get your stupid lizard ass over here.
It’s been so long since I’ve seen these two just laughing and hugging like this 💕💕💕
Also, Ankama tried being very slick with Az and his wife.
Nah cuz how can you not see these two and not think about Yugo and Amalia?? Does the thought never come to mind or what??
They literally give off the same energy, how did no one say anything before???!!?
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THESE LITTLE TOFUS ARE OBVIOUSLY A SILLY PARALLEL TO THESE TWO AND NO ONE CAN TELL ME OTHERWISE.
Okay now the next part of the Alibert inn scene is very important to me so listen.
Recently, I came scrolling on @moths-are-better’s recent posts about Yugo and I came up on the one where he drinks the “milk” that was in the cup in the scene below.
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But like-
@moths-are-better STOP LYING TO YOURSELF THIS IS CLEARLY WINE!!!
Look at all the other people drinking in the inn before they left: they all had that same kind of cup, insinuating that they were drinking wine (and also cuz they confirmed it was wine while trying to avoid any possible future inflations with Alibert).
I just love how Ankama deliberately shows us small scenes like this to remind us that Yugo can do adult things even though he looks like a kid. Because THIS is one of those scenes! Just look at how Alibert quietly pulls the cup of wine away from Yugo as soon as the guy starts ranting about his problems.
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That’s clearly not milk lol I just love your delusions @moths-are-better 💕💕
But not only did this scene made me realize that nothing can stop Yugo from doing adult things despite how he looks, it also helped me realize that Yugo is the type to only drink when he’s having problems. We clearly see him about to drink more while ranting to Alibert before he carefully pulls the wine away from Yugo cuz he KNOWS Yugo would drink more just for that.
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That level of attention to detail is amazing and I’m so glad I managed to catch up to the hints early on.
Alibert be looking like Yugo’s bartender AND therapist in just that moment alone lol
Ngl I would’ve loved to see a drunk Yugo if he had been able to drink more before Alibert intervened.
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‼️ EVERYONE ‼️
👏 BE👏 LIKE 👏 ALIBERT 👏 ❤️❤️
This is making me wanna have kids too man….
His caring and calming attitude towards Yugo and the way he just treats him, cares for him, and acts like a responsible parent during all these years really makes me wanna do the same thing someday. Alibert is so good at his job(s) that he’s even beating a freaking goddess. Let that sink in. (actually any good parent like Alibert would beat the Eliatrope goddess’ parenting easily lol)
Alibert is genuinely so sweet, patient, thoughtful, and understanding of Yugo. Like even though he just heard Yugo say he finally found his true family, Alibert doesn’t take his words as insults and would rather just let him spill out all of his words to him.
When I said I missed these two like this, I really meant it. This inn is not only where Yugo was raised in but it’s also Yugo’s comfort place.
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My ass knows this is foreshadowing.
It just knows.
Older Yugo where u at? We need to talk.
Ankama’s gonna ruin this family and laugh about it while eating some croissants.
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sepublic · 1 year
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            The way Willow and Boscha were opposites, one seemingly weak and demure, the other dominating and aggressive. And in an attempt to move on from her traumatic identity, to get as far from that as possible, Willow came closer to overcompensating, resulting in the toxic mentality that Boscha herself notices a direct parallel in. And a lot of Willow’s earlier development came from ignoring Boscha and not believing in what she said, so when Boscha says she’s starting to be like her, obviously Willow must ignore that!
         (Makes me wonder if Boscha wasn’t always like this, if she too low-key started off the same as Willow and was one of two dark end points to that trauma, the other being openly succumbing to an inferiority complex.)
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         And the fact that ever since Any Sport in a Storm, we’ve discussed how Hunter is a unique relationship to Willow because he’s someone who’s only ever known her as the strong leader Willow wants and chooses to be, with previous friends admittedly mostly intimate with that other side. But this appreciation for Hunter’s perception also means that Willow is deathly afraid of breaking that and having Hunter eventually start approaching her with that same understanding of Willow as someone who is struggling first and foremost.
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         So Willow is so desperately trying to move on from that traumatic past that she’s gone back into denial and repression all over again, her greatest flaw. Willow is so afraid of betraying her growth, so afraid of relapsing that in her effort to avoid it, she does exactly that, becomes that which she swore to destroy in Boscha. And Willow’s resolution with Hunter comes into play, because we’ve already seen Gus, Luz, and Amity tell Willow that it’s okay to show vulnerability.
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         But to hear this from Hunter, whom Willow wants to maintain this clean, ‘fresh start’ perception of her as abridged from that? Only for him to say, no, your softness, your vulnerabilities do not contradict my understanding of you as this, nor is my love conditional on how ‘powerful’ I consider you. To hear that being strong and showing vulnerability are NOT mutually-exclusive, preventing the pit Boscha fell into. Willow realizing she can still be someone strong and admirable to Hunter, without having to tightly control how others perceive her in order to be seen that way? Impeccable.
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         Plus, the memory photos she tries to burn, only to be making more photos for the group in Thanks to Them? Willow’s arc really has been about overcoming, accepting, and coming to terms with her trauma and the shadow it casts over her life and future. To realize that she can still be her own person from that without having to constantly define herself in opposition to the perception she fears, just as Hunter did when grappling with being a clone.
         However they turn out, is still them, and any similarities to that past identity don’t have to mean anything. Everyone is vulnerable regardless of whether they’ve had a past mired with belittlement for being lesser. You don’t need to be a clone of a witch hunter to be kind, and if he WAS kind, it’s because of you, not him.
        And again; So much of Hunter’s arc is coming to terms with his trauma. As is Willow’s, and like… No wonder they’re made for each other. No wonder Hunter was ignorant of his family’s true past, while Willow denied her own and even her present feelings. These two y’all.
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taeiris · 10 months
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okay guys here’s my crazy unsupported st5 theory that is mostly just me projecting my need for madwheeler bonding and drama and angst also byler duh
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disclaimers: i never make theories so this is extremely messy probably, i know jack dookie abt writing shows i think of this as my own little version of what i would think would be very cool to happen, if this has loop holes dont ask me anything bc idk either
OKAY LETS GET ON IT
so first things first here is what i am taking into consideration for the theory to happen:
• mike pov, self reflection and introspection (he is gay and in love with will byers okay)
• madwheeler bonding, theyre both complex n misunderstood
• the upside down isnt just one dimension, i came up with this bc of how different the ud looks now
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compared to when henry arrived.
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to me theres like an umbrella dimension (yellow one) and others under it (blue one/hawkins ud, the void, etc)
this is also lowkey supported by the silly boobie diagram the writers posted abt
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OKAY PREPARE FOR THE WORD VOMIT
in this silly theory of mine, a new dimension variant of the ud will be revealed in season 5, serving as a parallel to the void. this is where max is
OKAY another thing is this is also heavily based on those “leaks” that were going around twitter (for me at least) earlier when the strike first started. i remember a few of them claiming that we would get a deeper insight into mike and his own things, so this is my interpretation
this would serve as another vanishing, not really bc its shorter, but this time mike will be getting stuck in this other dimension, eventually finding max BOOM madwheeler serve
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i mean look at them. the potential is insane
ANYWAYS
this dimension is like a combo of all the other ones, picture it like the hawkins ud, with the void’s wet floor maybe
lets go back to the fact max is here, this is her coma nightmare, its like this purgatory dimension vecna put her soul in
in this dimension inhabit your ghosts
this overwhelming, haunting, tormenting realm in your mind where you are constantly confronting all your bad memories, maybe this is kind of how vecna keeps max under his grasp, no happy memories allowed
okay so, mike gets there. how? when? i dont fucking know this is honestly just word vomit fanfiction to me
at first hes confused, scared but mostly confused, picture him screaming for wills name (the parallels) at first it’s empty and eerily quiet, but as he accepts it, the ghosts start coming in.
he gets BOMBARDED with these bad memories, some of them he cant even remember because come on, bro is always neglecting his internalized feelings/monologue in fear of what they say about him
this is where we get his pov on the whole will and eleven situation, amongst other things (like the way he’s constantly stressed thinking about the safety of the people he loves)
for a moment we see him break, bc these ghosts are LOUD and MANY
but it stops
max is here, she’s like “MIKE?”
“MAX?”
shes been here for a fat minute, she knows how to handle these ghosts in fact shes been going thru them one by one ever since, because shes done hiding. and she suspects that the only way to get out is by confronting them.
max saves mike from his ghosts, explains that this place is seemingly a purgatory with levels of memories and ghosts to overcome
this is how we get our madwheeler bonding we so graciously need, as they are part of eachother ghosts since theyre so similar it makes the other mad
this is how our complex misunderstood characters are broken down, explained to the audience, while also discovering the mystery that is this new dimension where at the finish line they might just figure out how to defeat vecna.
because they will
after overcoming the ghosts they find the place that vecna didnt think they would reach as he was so sure they would break and collapse on their own madness
think of it as how el found the source in season 3
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or how max found vecnas lair after running away in dear billy
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except this place is vecnas actual mind, they can see hear and feel what vecna is thinking, his plans and everything
mike wonders how will feels being able to feel this all the time
will feels this all the time
will is always connected to this piece of vecnas mind, to this source
he can always hear vecna
until he suddenly hears max… and mike and theyre calling for help
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theyve figured out key clues on how to defeat vecna, and they have an idea on how to get out. this is how will’s connection comes in handy
mind walkie-talkie
maybe thats what this theory should be called, idk
-
so thats how we get our byler confirmation, madwheeler bonding like never before, mike focus, and the key to defeat vecna
at least in my head
i know this was messy and all over the place but it was very fun to explain and drop all my thoughts ive been vomiting on the gc for months now
let me know what you think, what you would add, if theres anything you think will support this theory?
its all just a theory, for fun! pls keep that in mind
thank you if you’ve read this far🫶
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dribs-and-drabbles · 5 months
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I was encouraged by @grapejuicegay to trash watch Pit Babe and so here I am but I have...questions...
Is Babe really getting off on hearing the sound of the engines?!
Why is Babe having sex with other Alphas (I can't believe I'm writing this 🤦🏽‍♀️) and not Omegas, especially if he doesn't like the way the Alphas smell? Is it because he's a 'Super Alpha' and prefers Alphas to Omegas? (oh dear god why am I doing this?!)
Isn't it a tad unfair to let him race using his special powers against others who don't have them?
I nearly choked on my water reading Pavel's tattoo thinking it said "Full Sausage" but then I remembered @slayerkitty or @sparklyeyedhimbo had already made a point of this and I thankfully realised it says "Full Savage" 😂
I actually can't stop thinking about how salty Babe's skin would be because that man would have been sweating in that car race...
Wait wait wait...are they really calling (translating) Babe having sex as the "concentration"?! Like it's a thing he needs to do to...release pent up energy?!...to focus his mind?!
Do we get to know if any of Babe's friends are also Alphas (or Omegas or Betas) or is he the only one?
Please! This is so silly (affectionate). They can't compete over a person...someone who has their own autonomy to say what he can do and with whom 😂 And, sorry, but Charlie, love, you should have had more confidence in Babe since you went to him as a fan.
How did Winner win that first one?... I can't believe this show has me googling how to win a drift race... "It's all about dominating the other driver..." ah, ok, now I get why they're doing this.
Oh, if I'd just continued watching I wouldn't have needed to google it 😂🤦🏽‍♀️
Kind of impressed by the actual drivers of these cars though.
Winner needs to take some advice from Elsa and Let It Go.
"I don't go into strangers' houses"... I smell a parallel in the future, it's that alpha stink.
*she squints* TINIDEE APARTMENTS?! Charlie is staying in the same building as Pat and Pran?! (*aaaand there she goes making it about Bad Buddy again*)
OMG what is it with villans and bonsai trees?! (I want a bonsai tree, does that mean I need to become a villainess? 🤔)
Why are they calling that guy 'Uncle'...he looks the same age?!
Okay, that was...not as bad as I first thought. Nut is a big bonus and Pavel and Pooh are doing a decent job. I do wonder if Babe and Charlie are endgame though or if Babe and Way are... Will I keep watching? Probably, now that I've started, but I may not do this each time...unless each ep throws up more questions. Thanks kk.
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hauntedpearl · 7 days
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pyromaniac dean au always on my damn mind bc i saw this post by @autisticandroids and my brain went hmmm what if Lisa and Ben were in the pyromaniac au. and like yes okay technically i thought we were doing like a s1 thing but also this is an au so who cares no rules.
anyway. what if in between John dying and Jess murder there was like this small period of time when dean did kind of stop setting people and things on fire, but like it didn't stick and also Lisa and Ben were involved probably possibly. like v close to canon parallel. i am still thinking about why he would stop the arson, even temporarily. but I think he should. I think cas should also have started stalking him at this point!!! this is p much fully reassembling the fic events but also MMM IT'S GETTING MORE FUN I THINK!
thinking out loud again. and like with Ben it was a) dean going insane about protecting ben from hunting to the point that he is john-like with him for the opposite reasons — normal parental overcorrection in people I think tbh w you. and b) he did inadvertently cause whatever harm befell those two and then he had to, like, functionally murder them and then he just kept going like that.
w my arsonist dean, it really is just all about control and trying to ground yourself in some version of reality when you're coming unmoored. he has an obsession with fire from a young age and sets controlled fires bc he's fucked up about fire and what not having control over it can do. he becomes a firefighter bc in his head that is also a way to control it. he starts committing crimes when his father dies bc that is a trauma that kind of sends him reeling ala empty spaces dean and like doing this thing where he's orchestrating the lives of these people is doing sth to him I think. he's projecting on everyone and he's saving himself but it's like never enough.
so the only reason he would have to stop arson would be if he was able to, like, exercise that control over his life in some way. a stable relationship dynamic is good, a ritual is good, a kind of mindless droning on of life where everything is exactly as he expects it to be is good, it's grounding. I think ultimately it doesn't work bc it's not good for the other people in the situation. like!!! obviously!!! also it's just not sustainable. it's impossible to truly control every aspect of your life and dean cannot handle the slightest bit of deviation from his Plan™. like so I think the break can be slow bc he starts freaking out over small things like someone not turning off a light or not locking a door or something like that. but it's all a v mild reaction all things considered and within the realm of acceptable. but also I think Lisa is On Edge bc she's not an idiot.
thinking about what would push dean over the edge when he's in this domestic farce of a situation. like I thought about maybe ben getting into his office or something — places, things, he's designated as Personal and like Don't Fucking Touch It. and it's like bc he's in such a precarious state of mind, he's like twigs and duct tape yk? so perhaps he blows up at the kid. and it's like literally nothing. it could just be a really cool looking zeppo or whatever that's on his desk and Ben takes it bc he just wants to show off to his friends or sneak out and smoke a cigarette like a normal 12 y/o. anyway he blows up at the kid and maybe Lisa is like nope. get out. that's it. line crossed.
or maybe he does have a come to Jesus moment almost immediately and they Talk About It as a family and he's like trying to make amends or whatever. either way. glass is cracked now.
idk how but I think it would be fun if there was another fire now in this house (lolololol IM SORRY i just think everything dean touches should be on fire bc of him I think the universe can affirm that to him over and over let him hurt everyone he loves and then go crazy like!!!) and like smoke inhalation CAN cause a coma!! (well like it's cyanide and/or CO poisoning technically but yk.) so maybe ben does go into a coma. maybe dean and lisa look at each other and Lisa like lowkey knows he's doing fucked up shit but she's also like I am not killing myself and my son over this get out like i don't wanna see you I don't wanna hear from you go get your head on straight somewhere and if you think you can handle being normal then maybe we can talk but no get out.
and dean leaves bc he also senses that she senses that sth is v wrong with him and about him, and he realises that he's really just gotta find some way to fix his fucking life and he tries to change so he tries to go find sam and then he kills Jess (still not sure if the fire is on purpose or an accident!) and becomes full crazy i think.
ps: just like as a random possible addition to this already convoluted au, cas being the one to somehow laterally be involved in causing the fire and also the rescue w lisa ben (for canon parallels also bc i just think he's so funny in this fic like why isnhe doing this??? no reason he's just a freak and he's obsessed.)
pps: honestly in the state that he is!!! jess' fire can fully not be his fault, but he still is around and Fails To Save Her and sam could just end up putting the pieces together for other stuff and he connects the right dots but like his main dot is not connected to all that!! but bc he's also obsessive and crazy he's like IM GONNA KILL YOUUU
anyway. ANYWAYY.
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nika6q · 2 months
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Tech and Phee
So, I just read a bunch of arguments against this ship. And I don't really want to try to persuade anyone to feel either way. I just have some thoughts.
First off, I don't think Wanda Sykes works in this part. Personally I like to picture Sharon Duncan-Brewster. Also, I don't disagree that she comes off as a bit abrasive when we first meet her. But so did the Bad Batch, like waaaaay worse. It would be weird if she was some demure uwu girl.
There's actually a lot of parallels between them. They both make I'm seldom wrong, I'm always right comments. They have similar disregard for danger. They both have an intense (to the point of endangering themselves) love of knowledge and investigation.
They have both made communication blunders. I'm referring to the dreaded "it's called a conversation" incident. It's not fair to always expect women characters to be perfect so that the male character can work through their shit. This was still less hurtful than Tech's blunder with Omega. It's okay to make blunders. It happens to both men and women, and NT and ND people. We autistics can't expect NTs to immediately understand how to perfectly interact with us anymore that they can expect the same from us. It's not going to be perfect from the start. But they both have the patience and focus to get through that.
The build up. Ok, before the Pabu, I didn't see it. I don't think he did either. He clearly blue screened during the "head to these coordinates" shoulder touch. I think this is the "holy shit she is flirting" blue screen realization. I think after that it clicked for him, like ooooooh that's why she acts like that, okay. Suddenly, we see him smiling at her and interacting in a different way. Especially the "hold on scene". We've seen Tech carry Echo by him holding around his neck. We see Wrecker in this episode carry the old man the same way. It would have been very appropriate to carry her that way too. But no. He grabbed that lady around the waist without hesitation.
The goodbye. Again, this is just my read on the scene, but why was he hanging outside the ship? I think he wanted to say goodbye but didn't know how. Phee comes over (as he probably expected which is why he was out) and he just shutdown. This isn't a situation he's been in, it's not easy, he doesn't know how to function here. I don't think he was staring at his screen because he wanted to ignore her, it's because he fucking shutdown. I've addressed the "it's called a conversation" above, but I'll add that she didn't get pissed or shitty. She finally sees that he's not willing or able to have this conversation and she ends it with a goodbye and a kind smile. As she leaves, his look isn't a "thank God that shit's over" look. It's a longing look. Maybe he still has to work out his feelings. But there is something there.
This is as much build up as a show this short can fit in. There is literally not enough time for more. Considering the amount of storytelling they have to get to, it's actually quite a lot (IMO).
Again, these are just my thoughts. I'm not trying to invalidate if other people read it differently and don't ship it.
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myloveismineallmine · 3 months
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Sydcarmy & Beauty and The Beast
So, The Bear is a story with many themes and messages in it. The process of creating a story a lot times is just frankenstein-ing other stories and elements you like plus your owned lived experience.
I don't really remember how I started thinking about it, I do remember it was like 3am so that definitely has something to do with it, but I started thinking about Beauty and The Beast. And then I started comparing certain elements of it with The Bear. And then I started reading the Wikipedia page for Beauty and The Beast. And then I looked at the clock and it was like 4am so I was like okay, I should sleep now actually.
I did notice a lot of interesting similarities between the two, so I wanted to compare some of them in this post here. I think it's a really interesting lens to look at the story of The Bear from.
Chapter 1: The Beast
So, while it would be cool to do some kind of role reversal with the two romantic leads, this story does not do that, and the obvious parallel for Carmy is The Beast.
Rundown of The Beast's character traits, via wikipedia:
"In the original tale, the Beast is seen to be kind-hearted for the most part, and gentleman-like, with only an occasional tendency to be hot-tempered. Disney's interpretation of the Beast made him more constantly angry and depressed, due to the shame from his unkind actions which led to his transformation, and particularly his struggle of reconciling his hideous appearance with his inner humanity which made him feel hopeless about breaking the curse. Supervising animator Glen Keane describes The Beast as "a twenty-one-year-old guy who's insecure, wants to be loved, wants to love, but has this ugly exterior and has to overcome this." Upon his reform under his love interest Belle, his personality changes to refined and more even-tempered, while naive about the world at the same time."
Obviously this isn't to shame JAW's appearance, he's a pretty attractive dude, I'm looking more at the personality traits here.
The Disney version of him is way more unhinged and animal-like, which I'm not sure perfectly fits Carmy, but I feel like the insecurity, anger and depression is pretty accurate.
I don't think the "beast" element is entirely irrelevant, however. Let's think about what the namesake of the show is: The Bear. In reference, or course, to the main family having the last name Berzatto. They do also refer to each other as "Bear."
It's Cousin Michelle who makes the connection between the Berzattos and literal bears:
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When she mentions this quote someone had said to her.
Stevie likens the Berzattos to bears later on in this episode:
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It's pretty clear that the Berzattos = bears. Aggressive, but also kind and emphatic.
I also want to talk about the very first scene of The Bear:
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Carmy is letting the bear out of it's cage, walking slowly towards it. He says "I know" to the bear, trying to calm it, or maybe trying to empathize with it. The bear growls and attacks him, and he wakes up from the nightmare.
It's clear that the caged bear represents something in Carmy. His rage, his stress, his grief. And he can't control it, it escapes and it consumes him.
Backstory of The Beast, extremely paraphrased:
Disney version: A prince is spoiled, cold-hearted and extremely selfish. He's transformed into a hideous beast as punishment, and told he won't transform back unless he earns the love a beautiful young woman.
Fairytale version: The prince's father died before he was born, and his bio mother leaves him in the care of an evil fairy godmother. Things get weird and incesty, this was the 1700s ig, the godmother tries to seduce the prince when he's an adult. He rejects her and she curses him to become a beast and says the curse won't be broken until he receives a maiden's act of true love. There's then a lot of really irrelevant fairy-lore and other stuff that I don't really want or need to get into.
I feel like evil mother figure one might be more accurate? Especially because Donna's one of the people who gave him so much trauma that he still carries with him? Generational trauma and addiction is "a curse" in a way.
Chapter 2: The Beauty
So it's very clearly Sydney.
Beauty in the OG fairytale doesn't have a super interesting personality outside of "pretty, caring and kind." so I think we'll look more at the Disney version here:
"While the studio wanted Beauty and the Beast to resemble an old-fashioned film, the writers envisioned Belle as "a woman that was ahead of her time"."
"...  the screenwriter conceived Belle as a headstrong feminist to avoid creating another "insipid" Disney princess."
"Beauty and the Beast's story department was predominantly male. Woolverton often argued with the more traditional story artists over Belle's role and personality, but continued to be supported by Katzenberg and lyricist Howard Ashman, the latter of whom also lobbied for "a thinker and a reader" who "wasn't a victim"."
So, Belle was basically a strong and independent woman for Disney at the time. I wanna hone in more on these character traits they mention specifically.
Sydney is very intelligent, even an overthinker at times. She literally shows up to, like, week 2 of work with a full book written on how the business can be improved.
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We know she's a reader. Not only from the coach K book, she also mentions lending Marcus books at some point.
I also think Sydney fits the "not a victim" criteria. Sydney is shown pretty consistently to stand up for herself and fight back in situations.
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On Beauty's backstory:
In every version of The Beauty and The Beast, Beauty's a daughter to a widower (much like Sydney is.) Beauty has many siblings, most notably her evil older sisters. They are omitted from the Disney version, and Belle is an only child.
In the Disney version, Belle is well known for her beauty, but looked down upon for not conforming to more traditional feminine roles.
Being a headstrong woman of color in the very white and male dominated world of fine dining, I can see how she fits this.
Her father has doubts about her career as a chef, she has had bad experience with chefs in leadership positions before, and the crew of The Beef really looks down on her at the beginning of the series.
Chapter 3: Beauty and The Beast
So now let's talk about the actual relationship of the Beauty and The Beast.
Belle/Beauty is lured into The Beast's castle because her father is being held captive inside. And interestingly....
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Sydney references her father as the reason for why she applies for The Beef.
In the fairytale, The Beast is immediately smitten with Beauty and asks her to marry him every day. That would be a very obvious HR violation in The Bear, so I think it might be better to look at the Disney version of this story.
So in the Disney version, The Beast is more annoyed that Belle and her father showed up at all, but he does know she's a pretty woman and allows the release of her father so she will be his prisoner instead.
Their relationship is pretty bad at first, like you'd expect a captor and prisoner relationship to be, but he does allow her a nice lavish room. He orders her to have dinner with him, and she refuses to leave her room to protest against him.
Carmy and Sydney were friendly at first meeting, but after The Stock Incident, their cracks really start to show. It's when Sydney really stands her ground and argues back at him. This is not the end of the arguments and tension between them.
Belle and the Beast end up getting in a fight when Belle snoops around his room. He yells at her more loudly this time, and Belle flees the castle on horseback. She gets attacked by a pack of wolves and The Beast saves her. She takes him back to the castle and nurses his wounds.
This to me matches with the final fight Sydney and Carmy have in season 1. Carmy displays the worst of his anger, and it causes Sydney to want to wipe her hands with him completely. She grabs her stuff and leaves, telling him she's quitting.
She comes back when he apologizes to her, and they have a real bonding moment when they decide to open a restaurant together.
The Beast and Belle start to have a better relationship after The Beast heals. They become more friendly, The Beast more docile, and they're both really happy for the first time in the film. There's a scene where The Beast shows Belle the castle library and tells her it's hers.
I think the equivalent would be seeing Carmy and Sydney plan the menu together. In those scenes they seem less like co-workers and more like friends. You can also tell it's one of the few things they get actual real enjoyment doing.
I think the main parallel I see for this relationship is how Carmy and Sydney improve each other. Like with Belle and The Beast, you can actually see Carmy learn how to better handle conflict and communicate more efficiently when he's placed with Sydney.
He's more vulnerable. He apologizes more. He's able to better control his temper.
There's two very concrete examples of Sydney being able to help stabilize his emotions, actually.
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Sydney is quite literally "taming the beast" in Carmy. Cognitive behavioral therapy would also achieve that, but Carmy is too much of a workaholic to attend a session, so Sydney will have to do for now. They didn't have CBT in 1700s France, either, unfortunately.
I will also say that this isn't a 90 minute Disney movie, so the slow-burn will be slow-buring for awhile until we get to the actual conclusion of the fairytale.
Chapter 4: Gaston
so I have two characters in mind for this role: Richie and Marcus. But def more heavy on Richie than Marcus.
Gaston is a villain made exclusively for the Disney movie. Here's some description for him:
"In direct contrast to his adversary the Beast, Gaston is depicted as physically handsome with an unattractive personality, both physically and emotionally embodying hypermasculinity. "
"Gaston has been generally positively received by film critics, as his lack of "magic power or political influence" means that his villainy tends to resonate with audiences who often identify someone similar to him in real life, although critics regard him as a less memorable villain than some of the studio's previous efforts."
"The Huffington Post described early drafts of Gaston as "a weaselly, sort of wimpy character." In fact, Gaston was originally intended to resemble more of an annoying than antagonistic character,"
So I think Richie kind of fits the "hypermasculinity" thing, in terms of some of his mindset and sexist behaviors.
Richie, for at least the first season, really looks down on fine dining as a concept. He makes fun of Carmy and Syd for their background in it and makes snide comments about it whenever possible.
Gaston also looks down on Belle for liking books, and encourages her to live a more "simple" life with him instead.
Here's a really interesting parallel I found with these two:
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Making fun of the main character's book and then throwing it away? In the intro of the story? Very interesting.....
As far as the similarity with Marcus: it begins and ends with Marcus and Gaston both having unrequited feelings for the main female protagonist.
Other than that, Richie is way more Gaston coded in the grand scheme of things. Just not as evil. I feel like he gives first-draft Gaston with being "More annoying than antagonistic."
Chapter 5: What about Claire?
I see Claire fitting into this as almost like a faux-Belle. The love interest that's supposed to "fix" the main protagonist, but something doesn't work.
Again, there's two scenes I wanna look at specifically to showcase this:
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This reaction shot of Carmy. This is the last shot of the sex scene, and there are some other previous shots of the sex scene overlaying this at times. But I've been wanting to do a deep dive into it for awhile-- why have this shot? What's the purpose of it?
I think that this shot clearly tells us that Carmy is either pensive and/or dissatisfied with what has happened. Laying with his eyes open and just staring at the wall, deep in thought, possibly regretful. This isn't the expression a man who's just had sex with a pretty woman usually has. This is one of many clues that this relationship isn't something that he really wants or enjoys.
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Aaaand, the panic attack scene again. If Claire was his "true love", she would be able to quell his anxiety and panic, if this whole "beauty and the beast" story arc I'm putting together is to be believed.
Claire is the perfect girl. She's pretty, smart, talented. His family loves her. She loves him. But she does nothing to fix his problems. Because it's not true love.
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Carmy not being happy at the thought of Claire vs Carmy cracking a smile because he looks at containers of radichio + fennel, ingredients Sydney cooked him once.
It is ABUNDANTLY clear that his feelings for Syd help his mental state in ways his feelings for Claire do not. Because what he feels for Sydney is closer to true love.
Conclusion:
Am I saying Christopher Storer took the plot beats and characters 1 for 1 from Beauty and The Beast? No, obviously not. Am I saying that maybe he sat down one day and this movie was on and he was like "hey maybe i can do something with this"? Possibly!
This is just speculation at the end of the day, but I really loved looking at all the possible connections between these two things. Tell me your thoughts on all of this: cool interpretation or am I just talking out of my ass?
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vhstown · 6 months
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hi guys shower thoughts in word form what's new 💀
why miles g is the perfect foil to miles — a long post
disclaimer: i obviously do NOT know what will happen in btsv. some of this devolves into external information like from the art book (or even just my own headcanons). i am also not an analyst. this is not a proper analysis by any means. also quite rambly so bare with me 😭
also i will be referring to 1610!miles as miles and 42!miles as miles g.
just so we're sure: a foil in literature is defined as "a character who is presented as a contrast to a second character so as to point to or show to advantage some aspect of the second character" (via britannica)
essentially one character exposes the flaw(s) of another character (usually by being the opposite of said character)
i talked about miles' attachment to the superficial goal of "being Spider-Man" in a separate post (which is long n kind of irrelevant so im not linking it here) but essentially the point i want to bring back is that 1610 miles is obsessed with the idea and IDENTITY of being New York's Spider-Man and being a hero and that is the complete opposite to miles g, who is arguably the PERFECT foil — it's literally a parallel version of himself
but first a bit of ramble about the start of the movie under the cut! (open)
you can see it in the way miles falls perfectly into the typical witty, effortless and loved hero in the way he fights at the start of the movie. when he's fighting the spot you're thrown into this false sense of security that everything's going to be okay and it's just another "villain of the week" because that's what you expect of Spider-Man. he has his usual quips and carefree interactions with the spot and we have no idea that he's about to take apart the entire multiverse
the spot as a character is one of my favourite villains EVER because he directly challenges this notion of what it means to be Spider-Man — you always expect the good guys to win and when they lose again and again to the spot, that's when everything we know, and MILES knows, falls apart. the spot is a brutal exposition of how futile "heroism" as a concept is to the spiderverse.
as a character miles so badly wants to be in the spider society in the first place because he thinks that's where it's at — that's where he can finally BE a real spiderman and fit in
so when all of his beliefs are challenged and he's forced to fight to SURVIVE rather than to win that's the turning point of his character. in the grand scheme of things to put it lightly this whole "spiderman" identity is bull
and also id like to point out that hobie's line of "im not a hero, cause calling your self a hero makes you a self-mythologising narcissistic autocrat" is SUCH a gut-punch when you realise this. my boy KNEW but miles had to realise it for himself obviously so he pissed off when he had nothing else to add. I LOVE HOBIE BRO—
in my other post i talked about how he attributes his security to his home universe, family and friends and then that changes to wanting to be a part the spider society (so security in his identity), but when he's kicked out, his main goals focus around his home universe again — he needs to save his dad
putting him in earth 42 is the final sort of way for the movie to say "look at yourself miles" because to him, he can't give up that want to be spiderman so easily. a part of him hopes that he can just go back home and be spiderman like normal, that's why he tells his "mom" (earth 42 rio) that he's spiderman even though that probably won't help him at all — he is still stagnant in his old ways
and thats where miles g comes in — picture his exact universe but where's miles is the "villain" (to him at least, he doesn't know that the prowler is actually a vigilante)
to give you the basics, miles g has NO super powers, he's a vigilante who has to HIDE from the public, he's not "friendly" — nothing like miles' picture of spiderman. again, he fights to do good, but also for survival — the sinister six are attacking HIS neighbourhood and HIS home so HE has to do something about it
of course that's not to say that they're completely different. miles g has all his cool gear and aesthetics for a reason. maybe deep down he wants to be like the superheroes that he sees in comics (assuming hes anything like 1610 miles) and/or he wants to live up to, or exceed his uncle in being the prowler
but it's far less superficial than just that. he's been forced into this more practical and REAL mindset about what it means to be a "hero" from the start — and now 1610 miles is too
miles g doesn't necessarily have a greater sense of duty. he doesn't concern himself with miles' universe because it's HIS — ("our dad—" "your dad.") and thats the reality check that miles needs, at least in this moment, that he's alone and that he needs to get the HELL out of there and save his dad — not the multiverse.
of course this might be a point of character development for miles g he's obviously not a perfect character and has his own trauma and backwards beliefs to overcome but he's in many ways a product of his environment
it re-emphasises to miles the importance of saving his dad — protecting what he has left because he has nothing else (his only sense of security anymore). the multiverse is this far away thing now and i think this could be explored as a spiteful rejection in btsv which he has to overcome but im obviously not sure
the real kicker is that in this universe aaron davis is alive and jefferson is dead. looking at this from a wider perspective, in my very convoluted opinion, on a surface level, JEFFERSON represents "the hero" and AARON represents "the villain". this is arguably why aaron "has to die" in earth 1610, because "good always prevails" (which is very clearly MESSED UP, which miles is coming to realise more and more)
okay now hear me out. in the SAME WAY miles represents "the hero" and miles g represents "the villain" — but we obviously know that it's more nuanced than that
and the respective fates of aaron and jeff clearly show to miles that it is NOT that simple. it's not a matter of "good over evil" because if that was the case his father wouldn't be dead.
and obviously thematically this ties into expectations of the future generation and overcoming archaic beliefs and failures of the past and hope in youth and blah blah blah (i actually love this theme it is just not talked about enough unfortunately but this video by elliot sang is a beautiful exploration of it)
miles g and aaron are NOT evil — they're just as much heroic, but not necessarily "heroes". again, that's exposing how superficial the notion of being "spiderman" and "a hero" really is
and this is why hobie is so right about labels and— (MUFFLED SCREAMING)
going back to the spider society when miles says "i thought we were supposed to be the good guys" — this idea of being a hero is really just a front for the spider society's lucrative and cult-like behaviour. you're doing it because it's your duty as a hero, you're letting people die because that's what's supposed to happen, because it's for the "greater good" (when it was never really about that in the first place but miguel and his "spider-cult" is a whole other topic)
by the end of the film we start to realise all of these things at once and that's what across the spiderverse does SO WELL in my opinion
so why is miles g the perfect foil to miles? to summarise, miles g encapsulates (at the very least on a surface level) the complete opposite of what it means to be the hero "Spider-Man". his entire universe is a parallel to earth 1610, and to miles, miles g exposes the flaws in miles' view about what heroism truly is.
neither of them are perfect characters, and we're yet to see much about miles g, but miles' development as a character and the way it's explored in such a self-realising way as well as thematically throughout all of across the spiderverse is something i will always love about the movie
im so excited to see if they'll team up as well!!!! so much potential
urrrrr thank you for coming to my ted talk ANYWAYS I LOVE HOBIE BROW— (THE CROWD BOOS) (SEVERAL TOMATOES ARE THROWN)
as always let me know your thoughts id SO love to hear them ^^ this was just a shower thought i was literally shampooing my hair and was like hold on a minute.... so there's definitely things to be added! take care n cya <3
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