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fullscoreshenanigans · 2 months

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hello, i was late to the fandom so i might have missed out on this discourse but do we ever find out the real content of Ray's letter to Isabella? Is it something of a plot point the author hasn't developed in canon? If so, what would the plot be you think? Thank you so much!!

Same hat, anon 😎🤝😎 (coming up on my third anniversary of first discovering the series just this month)

Shirai has never officially, explicitly stated in an interview what's in the letter Ray writes in chapter 22/S1 episode 7, but I've talked about this before and personally find it funny how he made a big deal out of the mystery surrounding it back in a 2019 Jump interview (translated here):

When I feel most people’s first guess as to what was in it after the escape arc concluded was eventually confirmed in December 2020 with the release of chapter 181.3:

A farewell letter from a son to his mother that reveals their biological connection when headquarters purposely kept it a secret.

(Mystic Code Book Chapter 2)

It's meant to be such a huge revelation it stops Krone in her tracks and deters her from digging around in Ray's room further to discover the rewards he's been receiving for six years and the lighter fluid he's been stockpiling for five.

(Mystic Code Book Chapter 1 Q& A | Chapter 22; Krone evens whips out records she brought along in her suitcase from headquarters to corroborate what she's read.)

I've also talked before about how Ray's retaliation was threefold in its pettiness, and this letter falls into points 2 & 3. After years of bottling up his anger and resentment toward her, he wanted to incriminate her by implicating she at very least knew about the escape, potentially that she even helped with it, all because she knew of their biological connection and wanted him to survive (the same thing he wished she would have said to him back on his sixth birthday at the gate):

(Chapter 181.1)

He found it sickening how she could choose to prolong her own life by sacrificing all his siblings over the course of her tenure at Grace Field. With this, he thought he would seal her death at the hands of the demons she groveled before like a dog, while he would die on his own terms as a human.

(Chapter 14)

What he didn't count on was Isabella's prioritizing results over rules was something that was enabled by her mother, to the point they were willing to remove Krone from plant no.3 altogether.

(Chapter 23 | Chapter 181.3)

Ray assumed Krone did not have the means to contact headquarters like Isabella did, so she would keep the bait and bide her time until presented with the opportunity to reveal it to someone higher in the chain of command. Ray assumed Krone would still be at Grace Field at the time of the escape, and that after he was dead and the four other oldest kids were gone and headquarters was looking for an explanation for how a blunder of this magnitude could have possibly happened, Krone would show her hand to usurp Isabella's position.

It's why he's so caught off-guard when Isabella reveals she made a move first.

(Chapter 24)

As for why Shirai gave conflicting information about this, I'm assuming he wanted to leave the door open for multiple possibilities before his health tanked and he began aggressively cutting off story branches so he could still complete the series under his own power and maintain his sense of artistic integrity.

(October 2020 Series Completion Interview)

And that's how we arrive at the contents of the letter being what a lot of fans suspected from the jump.

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suzannahnatters · 1 year

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all RIGHT:

Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT

(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)

This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.

If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.

By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).

Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)

So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies

FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.

What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.

Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.

Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.

So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.

SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life

When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.

For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.

So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.

Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.

I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!

#watchers of outremer #medieval history #the lady of kingdoms #the house of mourning #writing #writing fantasy #female characters #medieval women #eowyn #the lord of the rings #lotr #history #historical fiction #fantasy #writing tip #writing advice

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cheesebearger · 10 months

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*physically restraining myself from getting in yet another fucking argument about alchemical significations and the perception of alchemical language with someone who is only really versed in the scientific history of alchemy*

#the PERCEPTION of alchemists as 'mystics' is as integral to alchemy as the science was #like there is a REASON people think they were mystics lol. they couched their words in religious doctrine #and we have proof across literature in the early modern period especially of alchemical lang. being used to metaphorize #transcendence or an alteration of the self or of literal racial transformation #there's a reason shakespeare's pericles is only a cohesive narrative when viewed through the lens of an alchemical romance #there is and was a wealth of meaning attributed to alchemy that goes beyond merely 'hiding trade secrets in code'#and it's actually kind of weird to downplay it as just code. as merely code to protect trade secrets #that isnt what these writers were doing - they were producing content for alchemists AND non-alchemists #these books were purchased by laymen. their emblematics were used to decorate people's living room walls as wallpaper #and btw your christian mapmaker shit is once more stupid. yes there is obvious religious meaning in placing religious icons #on a map of the world. it imagines the world as created by a christian god and therefore enforces a christian perspective #depending on what kind of creature or icon used they could be communicating vastly different things #i wouldnt call them a 'mystic' for it but they also werent writing about how overcoming personal suffering can lead to spiritual perfection #like all those readily available alch texts were doing. lmfao #let's just totally ignore the ways in which the EM english audience made paracelsus into a figure of christian mystic alchemy #bc paracelsus personally didnt do it. like thats not how things work. we cannot ignore the perception of these ppl by others lol #it doesnt MATTER that most of the actual alchemists were scientists. it DOES matter that people thought they were mystics #do you understand? that it matters that ppl thought paracelsus was communicating smth about christianity specifically?#that it matters very much actually that people perceived alchemy as a CHRISTIAN (white!) mystic science?#im feeling rabid lol

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cryptotheism · 10 months

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"What is alchemy even?"

Tat: “O pop-history esoterica blogger, what is Alchemy?”

C.T: “My student, alchemy can be neatly summed up as “proto-chemistry.” For most of history there have been people like yourself, those who wonder what the world is made of, how it fits together, and what are the rules that govern its transformations. These days, the people who study these questions are called chemists, but before there were chemists, there were alchemists.”

Tat: “So what’s the difference? What does a chemist have that an alchemist does not?”

C.T.: “The answer is roughly 1,700 years of accumulated knowledge and writing. Chemistry was built from the works of the alchemists.”

Tat: “Ah! So it is like how astronomy arose from astrology?”

C.T.: “Not quite. For astronomers and astrologers both still exist. Alchemy became chemistry. There are no more alchemists. Or, attempting to practice alchemy today, would simply be practicing chemistry.”

Tat: “But what about spiritual alchemy? Were alchemists not magicians?”

C.T.: “My student, there were thousands of alchemists throughout history, from dozens of time periods and cultures. Some were indeed mystics and magicians, but they were generally outliers. The vast majority of alchemists were more akin to glass-blowers and blacksmiths than oracles and magicians.”

Tat: “But alchemical writing speaks so much of gods and divinity!”

C.T.: “Many texts do! Many cartographers from history used elaborate biblical metaphors to describe their work, but you don’t see modern scholars claiming all medieval mapmakers were secretly mystics. The bible was something many were familiar with. Using biblical metaphors to explain complicated processes is simply good technical writing.”

Tat: “But, if most alchemists were not magicians or mystics, why discuss alchemy in this text? Isn’t this book about magic?”

C.T.: “Because few things have been more influential on western magical literature. Even entirely mundane, non-magical alchemical works are wondrously evocative. Even now, alchemical literature has a way of seizing the imagination. Many texts are literally occluded, written in code to protect the alchemists work. Even when alchemical literature is non-magical, it is deeply esoteric.”

Tat: “Why are they written that way?”

C.T. “To protect trade secrets! What if you discovered a new way to make stronger armor, or sharper swords? That information must be recorded, but it also cannot fall into enemy hands. Many alchemists protected their discoveries with intentionally complex metaphorical language that could only be understood by those with the required knowledge. This also makes them extremely difficult to translate into other languages!”

Tat: “I see! But how did it end? Chemistry is no longer discussed with esoteric metaphors, what changed?”

C.T. “It was a gradual change that took place over generations. But for the purposes of time, this text will consider the First Alchemist to be Maria Hebrea, and the Last Alchemist to be Sir Issac Newton.”

Tat: “But what about the alchemist-mystics? Will this text discuss them?”

C.T. “Indeed, my student. We will be discussing them at length.”

More alchemy on patreon today!

#patreon #occult #esoterica #alchemy #magic

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arcielee · 8 months

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A love that burns.

Summary: Aemond is a man obsessed and you are the object of his unwavering devotion. Paring: Aemond Targaryen x Female!Reader Word Count: 1037 Warnings: Canon book Aemond, manipulation?, sexual themes, oral (female receiving), p in v, absolute depravity and murder. Author’s Note: This is a reader insert, but with the third person perspective, it is a bit Alys-coded kind of? (I rewrote one of her lines in F&B) A big thank you to @bhxrdy and @itbmojojoejo helping me fix some mistakes and for helping me choose the title 💜🦝 This story is dedicated to the wonderful, the talented @aegonx who gave me prompt #371 by @creativepromptsforwriting. She also made my nifty banner for my blog, so I owe her everything. I am always happy to attempt any requests, I just cannot promise a timely fashion, as it is more whenever the muse strikes. Tags (Tumblr kindred spirits): @aaaaaamond @annikin-im-panicin @watercolorskyy @schniiipsel @sylas-the-grim @aemondx @fan-goddess @babygirlyofthevale @httpsdoll @theromanticegoist @assortedseaglass @amiraisgoingthruit @theoneeyedprince @babyblue711 @girlwith-thepearlearring @hb8301 @lovelykhaleesiii @darylandbethfanforever9

He was a dragon incarnate with the blood of Old Valyria knitted within the ichor that coursed through his veins. Aemond was proud, tall and lithe, his broad shoulders held back despite the burdened weight of his reputation that preceded him–Aemond the One-Eye, Aemond the Kinslayer, but those utterances only rolled like rain against the scales of Vhagar; he was unbothered, unharried, especially now his role within the kingdom elated with the title Prince Regent, and with it the Conqueror’s Crown to wear.

The metal and rubies held a weight that now grounded him, reminding him of his purpose, and he went to reclaim Harrenhal with the intent of killing every Strong bastard.

Here is where he had found her, an eerie calm amongst the chaos, silent despite the cries of mercy as each person was brought to the courtyard and slain. She had watched, unblinking, with an expression that was akin to when Aemond had watched his nuncle take the head of Vaemond Velaryon in the Throne Room a year prior; it had been a moment that kindled a bloodlust that thrummed beneath his skin, a vengeance that could not be forgotten.

That night, when she was brought to his quarters, she greeted him like an old lover, a sweet kiss pressed to his lips, her soft murmur, “I have been waiting for you, my prince.”

She came from a noble house without the wealth of Westeros, but revered still and old, old enough to carry the blood of the First Men and its mystical properties. She had followed her sister to Harrenhal when she was chosen to be the next wife for Ser Simon Strong.

Both were now dead and she did not seem to care.

“Then why did you choose to accompany your sister?” Aemond had asked her after; it was that intimate exchange shared in their bared embrace, nestled on sex soaked linens with her plush thighs serving as a pillow.

Her fingers thread through his silver hair. “The Isle of Faces,” and she smiled, as if she were stating the obvious; she leaned forward to give a chaste kiss to his lips. “I came to listen to the whispers of the weirwoods.”

Behind closed doors he was intoxicated by her proximity, with an unbridled lust that replaced the blood in his veins, as if she were the very embodiment of his siren call. They fell into one another, and he felt something that burned within him, something that perhaps was always there and only now ignited by her soft touch, by her gentle pull that brought him flushed against her chest.

Aemond would worship her through the night, drinking her very essence until the brim of her overstimulation, until he saw her lashes clumped together from her unshed tears, and only then would he shift his weight between her thighs, flushed and slick from her peaks.

He would move to press his heady cock, heavy and wanting, against her silken folds, and despite their many nights together, she would still feel split open, aware of the ridges and the veins of his thick member as he sheathed within. Her soft gasps came in response to his thrusts that would begin again the crests of ravishment that warmed her blood; and he would not stop his pace until she was a mewling mess, until the lewd sounds of skin to skin mixed with her cries of release, until his name was a repeated reverent prayer that spilled from her lips.

Aemond hummed her praises, his hot exhale against the curve of her neck. “The gods made you for me alone,” he would breathe against her lips and they would part in a silent cry, her skin pebbling with pleasure. “You were made to take my cock, and you do so well.”

His words brought her to the precipice and when she felt his hot pulse within her velvet walls, her own clenched in response to chase another climax with boneless ambition, with a sobbed release as the air tore from her lungs but she was breathless to reclaim. Only then would they curl into each other’s arms, their skin aglow with the intimacy shared, with the soft murmurs and quiet exchanges of lovers in their post-coital haze.

“I will have your son,” she promised him. “I can already feel the flames warming my womb.”

She was always at his side, devoted, everpresent, with a severe gaze that served as a balm for the Prince Regent in the most twisted way. They called her his Blood Queen as she seemed to encourage a sadism that pulsed beneath, speaking that the gods knew what had to be done and that he was the vessel of their actions, always encouraging him to listen to the beckon of the blood of Old Valyria.

Aemond became a man obsessed and she fed into his depravity; she spoke with such conviction and he believed her every word, her every prophecy. When she would take a boat across the waters, he would remain on the shore pacing like an animal caged, while Vhagar roared overhead, the wind beneath her wings causing turbulent waves that crashed against the lakeside.

She returned as her namesake with blood that covered her hands and her dress; she would whisper what she saw to him alone, of what was to come and what needed to be done. On one such day, she spoke of the betrayal in the Riverlands, of those who had chosen to ally with the Blacks and their false queen.

Aemond called for Vhagar and they climbed aback; she was knitted against his backside with her cheek pressed between his shoulder blades, and she could feel his rumbled command, “Dracarys,” to rain fire below them, scorching the very earth. She hummed her contentment, the scent of sandalwood and smoke, a scent that intimately belonged to the Prince Regent.

Her arms curled around his slim waist and he looked down to see her small hand pressed against his chest. Though the histories would recall all the ugly things they had done, in this moment, as his palm reached to cover hers, all he thought was how their entwined fingers were so beautiful together.

arcie's masterlist

#aemond targaryen #aemond targaryen fanfic #aemond targaryen fanfiction #aemond targaryen x you #aemond targaryen x female!reader #aemond targaryen x reader #hotd fanfic #hotd fanfiction #a love that burns

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monstrousmuse · 2 months

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I am not sure if anyone here has already made this connection or pointed this out (apologies if so), but while doing some research into Flatland/the 11 dimensions the other day, I discovered something pretty interesting…

…

In the ‘Book of Bill’ announcement video, as well as distorted, synthesised background music and the Morse Code (which has already been deciphered), we can also hear several lines of spoken dialogue, the first of which being the line: “some other mystic dimension”.

Timestamp: 0:04

youtube

Now, this line already raises several questions - which ‘dimension’ is being referring to here? And why is it considered to be ‘mystic(al)’? Well, we don’t have a definite answer to either of those questions just yet, but if you will humour me for a moment, I have a few suggestions. Either this ‘other mystic dimension’ could be referring to Bill’s own homeland, the Second Dimension (which would naturally be considered ‘other’, ‘mystic’ and generally unfamiliar to us, the readers), or perhaps, it is referring to the Third Dimension itself, or what is known as Spaceland (Height/Up) in Abbott’s novella. I think the latter to be far more likely, especially with what I am about to show you. This is where my excessive YouTube deep-diving habits came in useful.

…

During my research quest, I stumbled upon this video of the famous astronomer and science communicator Carl Sagan (take note of this name) explaining the concept of the Fourth Dimension, as well as other Flatland-adjacent things. And lo and behold, at 4:37, what do we hear?

youtube

“And the poor Square has to say: ‘Well, I was in some other mystic dimension called Up…”

Yes, that’s right. The exact words that were used in the promo video.

To provide you some context, here Sagan is recounting the experience of A Square who, with the guidance and revelations of A Sphere, has just returned from a recent foray into the Third Dimension, and is trying to explain his sudden disappearance and newfound knowledge of Height to his friends. So saying, it is likely that the ‘other mystic dimension’ being referred to in the BoB video is in fact, the Third Dimension, since this is a book that has been written from Bill’s perspective, and it seems that he will be filling in the role of A Square in this narrative, discovering the Secrets Of The Universe and all. Although, I must emphasise that this is still just speculation on my part, based on the assumption that Bill’s backstory will be pretty similar to, if not a direct retelling of Flatland:

“Flat minds in a flat world with flat dreams.”

Who knows, Alex Hirsch may just subvert our expectations entirely.

“I liberated my dimension (…)” / “Saw his own dimension burn. Misses home and can’t return.”

…

Anyway, I have another little piece of the puzzle to share. The line spoken in the announcement video isn’t merely a word-for-word recreation of what Carl Sagan said, It is Carl Sagan. They used a direct clip from an episode of Cosmos. This has me giddy with excitement, because Carl Sagan, a man with much notoriety within the scientific community, and many achievements and accolades to his name, is known to be one of Ford’s scientific idols.

The level of detail in this show, and I guess now in its extended literary canon’s advertisement material, is insane. Do with this information what you will. Perhaps there’s a connection here that will be expounded upon in the book. Perhaps it’s just a cool reference. Even so, it is a very intriguing one nonetheless, especially with the tie-ins to Flatland, theoretical physics and Ford’s hero-worshipping. It’s clearly intentional.

…

(If anyone is interested, here is an excellent meta which provides a very detailed exploration and analysis of Ford’s respective connections to Sagan and Tesla.)

#gravity falls #stanford pines #ford pines #bill cipher #bill cipher analysis #the book of bill #book of bill #carl sagan #flatland #flatland: a romance of many dimensions #edwin abbott abbott #second dimension #third dimension #gravity falls analysis #gravity falls meta #I hope this makes sense lol

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piscesvenus12h · 1 year

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ASTROLOGY OBSERVATIONS: SUN THROUGH THE HOUSES - 7th-12th

7th house sun: relationship oriented. Doesn’t like to be alone. Probably a people pleaser. “If not it’s ok” - text message sender. Would rather do it themselves. Caretaker and homemaker. Maternal. Excellent fashion sense. Interior design. This is the friend you go to when you want to throw a party or have a big extravagant plan that you need help with. You’ll end up with a party or event planned with excellence. They strive to make you smile. To the natal owner: don’t ever forget that just as beautiful on the inside as you are on the outside. People may walk all over you if you let them. Place boundaries where you need them and don’t feel responsible for other peoples emotions.

8th house sun: magnetic. Alluring as FUCK. People either love you or they hate you and there’s no grey matter here. Mystic at heart. Sensitive. Connected with the occult. Manifests easily. Should definitely major in psychology or philosophy. Good with money. This is the friend you find when you need to express your power and need help establishing how to do that best. This friend will help you find who you truly are and help you express your fullest potential. To the natal owner: being a hermit is OKAY & NEEDED desperately by you. You cannot survive out in the open world forever, you NEED to retreat and care for yourself first and foremost.

9th house sun: SMART. Book and street smart. Creative in the arts. Idea giver. Divinely inspiration. Book nerd. Low key adrenaline junky. Excellent at languages. Probably doesn’t need a GPS much/remembers locations and directions really fucking good. This is the friend you study all night with for midterms and then hit spring break travels with! They know how to bust out an A+ then party their asses off. To the natal owner: pick one or two passion projects and pursue them with all you have! Anything you set your mind to will take effort and your undivided attention. Don’t get discouraged if you don’t succeed right away, persistence is key!!

10th house sun: girl boss/boy boss. Class president. Probably gets upset with themselves when they don’t get an A on a test they prepared for. random fact giver. natural born leader. Management. Color coding. Probably irons their clothes before work or school. This is the friend you want to seek if you have a new business or club or anything in that area. They will help you set everything up and even serve as a leader if you need one. To the natal owner: it’s ok to take a nap. Productivity does not make you a better person than anyone else. Don’t convince yourself otherwise.

11th house sun: miss/Mr. popular. committed as fuck. Most people love you and if they don’t, it’s because of a projection. Chatty. Should be a podcast owner. Makes a new friend every week. Really good at social media. open minded. Wants to save all of the animals. “if we don’t have earth, we have nothing.” This is the friend you seek to help take your mission statement up a level. To the natal owner: you can’t save everyone!! Not everyone is worth your genuine love and support. Learn boundaries.

12th house sun: WWJD? Loner. Spiritual or religious. Sees in between the lines. You can’t get anything past these people. They intuitively know all. Fertile. Creative. Powerful when they put their mind to it. Day dreamer. This is the friend that you want if you to transcend and take some magical mushies. They will take you on an adventure of a lifetime. To the natal owner: be careful of escaping your reality too much. I know earth sucks, but you’re stuck here. Ground yourself and find your tribe.

(Houses 1-6 also posted!)

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ancientgoddessofegypt · 2 months

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GODDESS FEMININE MAGIC ; WHAT CAN WE LEARN FROM THEM? PICK A GODDESS

PILE 1 - SESHAT - SCRIPTING. JOURALISM. CONNECTING TO THE STARS. DIVINITY CODES UNLOCKING.

If you feel connected to this goddess archetype, be confident in your abilities to succeed. Manifesting abilities are strongest in writing. Look to the stars for answers as this connects you to the best possible outcome. A lot of you are connected to numerology, astrology and astro sciences and there are a abilities around tech advances for some of you. Be more open to infinite possibilities as this is a remarkable time to get to know yourself and following your dreams. Ase !

PILE 2 - MAAT - UNLOCKING THE TRUTH. WHAT IS IT THAT YOU REMEMBER?

So, this group might be LGBT, non-binary or you could also be straight. This goes for everyone however I seen something about the non-binary group as well.

You guys have a lot of answers that you keep hidden from the outside world. What are you doing? Your light shines when you are embarking in your spirit's mission. You are the sun and the shadows bring favor when you open up to them. What is it that you see? You can't run from them forever, make peace with your shadows. They are the only thing that shows your super power.

Bless.

PILE 3 - NEPHTHYS - ORACLE. SEER. CREATOR. MYSTIC.

Play around a little. Your spark is noticed by thousands of people, you here me? Your inner child is a magnet for beautiful ideas to come through you and escape. Their like mini bubbles castrating around your brain, and finding new ways to deliver magic to anyone it touches. Do yourself a favor and get to writing that book, finishing those puzzles, or even creating that sculpture. You're a magnet for success, everything you touch is Gold. ;) Ase!

#egyptian goddesses #pick a pile #pick a character #mystic #creator #love #channeler #mystic reader #pick a card

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wanderingsorcerer · 9 months

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Scrying, A History And Guide To One Of The World's Oldest Practices ~ by W.S

Scrying is a subcategory in the Art of Divination, in its simplest form, scrying is gazing into the surface of an object and allowing the mind to wander, opening oneself up to the other side allowing images and words into your brain from an external non-physical source. Basically Hallucinating Without the use of Drugs.

Scrying Throughout The Ages

Babylonia

Scrying has been practiced for thousands of years. Our modern history holds Babylonia as the earliest written record of the practice, they put water in bowls alongside droplets of oil. This process was known as lecanomancy a subcategory of hydromancy, and the scryers would read the shapes the oil made within the water to divine possible futures or speak with the dead. The practice spread and later it became more common to simply use water as it was a naturally reflective surface.

Hebrew Bible

The Hebrew Bible Briefly Goes over an object which is supposedly used for scrying in Chapter 44 of The Book Of Genesis. A silver chalice is placed inside Benjamin's Sack to frame him for theft. In his trial, it is stated that the chalice is used for divination, but in the Book Of Genesis, it is never expressly stated he actually did any Divination.

Ancient Persia

The Ancient Persian Epic The Shahnameh, from the 10th Century, details a mystical object known as The Cup Of Jamshid, which was said to be used by ancient Persian kings to Observe the "Seven Layers Of The Universe". The Cup Of Jamshid is said to have been first used in Persepolis, which existed from 518-330 BCE.

John Dee and Sir Edward Kelley

In 1582, John Dee sought the guidance of one of the most famous scryers of the time Sir. Edward Kelley. It was through his teachings that John Dee was able to crack the code of proper visualization and begin to transcribe what he believed to be the voices of angels. They guided him to create Angelical or as it's known today, Enochian.

Scrying and its modern-day PreConceptions

Scrying has garnered much popularity in Hollywood's portrayal of witches, in the TV Show Charmed, witches use scrying to find lost objects or the location of Demons. In Supernatural it allows for a witch to see things from a great distance away. And while yes it is true that one can hone these skills to a degree of supernatural clarity, I would be lying if I said it was as Visually stunning in real life.

The Reality is in the Modern Era, Scrying allows one to commune with the spirits of their ancestors and commune with the other side just as it has always been. And with those trained in the art of divination, one can read the past and future of a person or kingdom. The theatrics of modern television paint scrying as a showcase of our abilities, but to the uninitiated when they see someone scrying, they are often unprepared for how dull it is. When a person is scrying and is in a trance, their eyes go dead as they allow their mind to wander. These trance states are what allow one to see past the veil and into the supernatural realm. But to external viewers, it is rather boring, to say the least. This is why you won't often see a practitioner scrying in front of people who haven't the foggiest idea of its nuances.

Simple Scrying Ritual For Communing With Ancestral Spirits By W.S

To begin scrying safely one must understand the dangers, you are preparing to go into the world of the supernatural, the things you see can see you as well and you must be aware that they can leave a permanent scar on your psyche if abused in any manner. Go into it with wards up and confidence in your abilities.

This scrying ritual is used to commune with the spirits of one's own ancestors and when done properly can allow you to have conversations and get advice from them.

Opus Est

Patience

Candle

Dark Room

Mirror

Sacred Water

Oil

Salt

Before anything, one must prep the mirror for communing with the Ancestral Spirits, To do this mix together one part water, salt, and oil into a slurry. Dipping the left ring finger into the mixture begin drawing the pentacle in each corner of the mirror, connecting each pentacle with a line following the edge of the mirror as shown below

As you are drawing on the pentacles, feel free to use the below chant, but you may change it to your liking so long as the main goals are the same.

" Lock This Mirror, Lock It Tight, Lock it now with sacred light. Let only those whom I call, Answer Me to give me guidance. May no evil enter through this portal, and may no unnamed spirit answer my calls. As I have said it so it has always been."

The mirror is now prepped for the ritual, the next step is to create a salt circle where you are going to be seated. As well as a secondary salt circle surrounding the candle and mirror. These salt circles are an extra step of protection between yourself and the spiritual realm.

The next step is to darken the room, as dark as possible, pitch black is best. From there, place the candle in front of the mirror and ignite it, then begin the process of staring into the mirror. Watch as the candle shifts shadows around and brings new shapes to the surface.

After about 10-30 minutes your body will begin to go into a trance state of mind, from there you can call upon the name of one of your ancestors to help guide you. It may not be immediate as scrying takes years to master but after a few tries you should begin to see their faces and hear their voice.

Scrying sessions can be anywhere from a few minutes, to several hours or even days from some accounts. Don't be frustrated if nothing happens your first time. And most importantly, always remember to thank the spirits for their time and energy, and always remember to say goodbye when you blow out the candle.

After each use feel free to cleanse the mirror with sacred water and store the mirror in a sacred space.

Post Script

Scrying isn't for everyone and that's okay. It takes patience and an open mind, but if you decide to give it a try it can do wonders for your spiritual practice.I hope I was able to teach you something new, Until next time my Friends :)

Thank you for sitting down and having Tea with me on the Other side of the Great Divide

☕ Like My Blog? Then consider buying me a Ko-Fi ☕

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kimbaike · 4 months

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I am both apologising and rescinding my apology for the person I will be until, during, and after The Book of Bill is released. My brain is just going a million miles an hour wondering what the hell kind of lore, artwork, codes, and other new shit is in this book. One of my favourite horror artists hinted at being involved, and he makes some fucking SCARY artwork. It has an adult rating on Disney Publishing's website. It's explicitly marketed towards older readers on the cover and every website, regardless of the different age ratings provided by each distributor.

Also from the announcement video/loop gif, we have: -DID YOU MISS ME (cipher code on spine) -LET ME OUT (morse code in audio) -A glimpse of the cover turning into that of J3 ("lost pages" included in the book) -A glimpse of the inverted black & white Bill, similar to the way he looks when first summoned in Dreamscaperers -The summoning circle/zodiac glowing and shimmering on the back -The photorealistic eye protruding from the back and looking around -"Some other...mystic... dimension." -"Once there was a very jazzy triangle..." -"Who can testify as to the wickedry... of the triangle false idol?" -A glimpse of fire ("Saw his own dimension burn. Misses home and can't return."???) -The manic laughter lifted direct from Weirdmageddon, when the deal is made. -The stone statue in the woods, of course. on top of all this the Oregon Parks Department dummy twitter profile run by Alex keeps making random references to marmots and UV rays which has caused theories that 1) Blacklight edition coming???? and 2) reincarnation theory is real and Bill is now a yellow-bellied marmot somewhere in Gravity Falls who has managed to write a whole ass autobiography or whatever what the FUCK is going ON

#i feel like I'm in 2015 again scrubbing frame by frame for secrets and codes and shit #i have missed this so fucking much #we are SO BACK #Gravity Falls #bill cipher #dorito husband #book of bill

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villiedoom · 10 months

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I have been into studying animals for basically my whole life. Not a day goes by where I don't pour through books and documentaries relating to them, and I am especially in love with their anatomy. Becauseof my knowledge,to me, 3D animals always felt weird for some reason, They never seemed animal. I don't know how to explain it but they always feel off. I pour hours and hours into making up species and trying to figure out how to make them seem animal even if they don't exist. Even Disney with their million dollar budgets couldn't get this. I concluded that it's just impossible to make something cgi feel 100% animal. But you??? Just??? Did it??? I literally have chills. They look like actual creatures. I don't know what you did or how you cracked the code but I am just in awe, I feel like I've stumbled upon some kind of hidden treasure trove. Honestly and genuinely with every animal loving bone in my body your stuff is the most impressive I've seen and I applaud you for it.

Wow, I think it's an honor to hear this! :D I don't consider myself that good, heh, but thank you very much! 💙

As an animal art lover, I think I understand what you mean! I think this because people are less aware of all the details of animals, and tend to be less picky and less attentive to their features and expressions. But if you know animals well, you can notice many small details that make them seem weird or unnatural. This is true for me too - any animal I try to draw or model will most likely be really weird and look a bit like a Vaeraf, because I'm too used to them :D

But speaking of my characters and art, this (as well as many other questions and comments) made me think about my perception of animals and my characters, so I decided to share my thoughts. I hope you don't mind! ^^ The fact that my characters are perceived as animals, with all the nuances of such perception and attitude, is a rather complex topic for me to think about.

I don't know if it matters, but I believe so - I don't see my characters as animals - meaning wildlife, because for me Vaerafes are hardly more wild animals than humans, while Tkhorm is a Varlaf, a kind of fantasy spirit, a mystical creature. I understand why other people perceive them as animals and that's ok, technically we are all animals, but often this leads to a certain impersonal perception of them, seeing them as just cool creatures, "things" to pet or be afraid of, or with a focus on biology and anatomy. But I see my characters as persons, as people in fact, with their own personality, sometimes quite complex thinking, personal dilemmas and philosophy, which simply belong to another species, even if their species is non-human, fictional and fantasy. Their movements, their expressions, their appearance, even their anatomy and species - all this is part of them as persons, of who they are.

Real animals, especially complex and intelligent ones, also have all this in their own way, they aren't just biological objects.

Also, I don't work with characters because I create species, but I learn about species because my characters happen to belong to that species, so I need to learn at least a little about their nature to understand them as persons. I learn, allowing them to live their lives inside my head and tell me their story, their life. It doesn't matter if it's something realistic, fantasy, or crazy and cartoonish chaos - that sometimes happens too. (and now I suddenly realized that I actually never even really wanted my characters to be some kind of fictional species, but it just turned out to be so, because no real animal suits them, heh!)

And knowing my characters as individuals and persons, I can say that I still have a lot of work to do, really a lot, maybe even more than I have already done :D

The problem with Disney movies, if I take the 3D Lion King as an example, is that they were never animals. They were never even meant to be animals. They are slightly stylized - too little to be anthropomorphic and humanly expressive, but enough to seem "wrong" for realistic animals. And since the behavior and expressions of the real animals don't work for their story and the interactions between the characters, they seem weird and even less expressive than real animals. I believe this is not a problem of artists and budget, but of the concept as a whole, including the story that didn't intend for its characters to actually be realistic animals.

Whereas realistic animals… well, they are difficult to use them for a beautiful movie for a wide audience. Although there are such things as, for example, "Prehistoric Planet". These are dinosaurs, but they are animals too, so I think they can be considered 3D animals being animals, heh! :D Plus, they're just really beautiful and well made. I would recommend watching this to all 3D animal lovers c:

(Sorry for such a long post, but this is a really catchy and interesting topic for me ^^')

#messages #thoughts

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fullscoreshenanigans · 2 months

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unpopular opinion that each arc should have changed POV based on who it was centered around (aka escape arc was ray, goldy pond was emma, imperial was norman etc.) cuz it would have balanced out all of their development more than just focusing on emma

ty for carrying this fandom on ur back :D

If we're narrowing it down to a single person carrying the fandom, it's definitely @1000sunnygo for not only compiling the most comprehensive masterlist of materials for the English-speaking fandom, but also translating countless fanworks purely out of love for the series. The thought is very sweet, though! 💖💝

I don't entirely disagree with what I think is the underlying sentiment behind this ask of wanting more insight into the characters because switching the main POV for different arcs of a story can shake things up and be engaging, but assuming we're working under the same chapter/time constraints, I'm not sure what new development could be gained and balanced by this with how much POV swapping we already do between chapters and within single chapters? Other than potentially more insight into the specifics of Norman's time at Lambda and post-Lambda escape, including the Ayshe-Norman conflict branch that Shirai consciously cut to streamline the story.

Would swapping POVs mean we're firmly locked out of any other character's internal monologues? Or would we see monologues like Emma's feelings toward Isabella, Emma saying she wants to be like Norman and Ray, Norman saying he wants to be more like Emma, Norman's incensed vow that he won't lose to Isabella, and Emma's reflection on how Norman's apparent death hurt her retooled later on in their respective POV sections?

(Chapter 3 | Chapter 5 | Chapter 10 | Chapter 14 | Chapter 31)

Granted, the anime cut all of those too, but that's one of the main criticisms I've seen lobbied against it, even with how it reflects some of the essence of them in other ways. Still, I feel like the escape arc is balanced near perfectly in the amount of focus each member of the trio is given and at what point insight into each of their psyche's is explored. That balance is what I would have liked to see replicated in subsequent arcs, specifically during the imperial capital battle arc.

A criticism I've seen toward this portion of the story, and one that I assume is one of the main inspirations for this ask, is how Ray comparatively fades into the background/feels like he's on unequal billing with Emma and Norman despite his prominence in the beginning. The series' Japanese logo even features three parallel lines that represent each member of the trio (minus chapters 30 and 31 when Norman's line was removed to fake out Japanese readers)

(Mystic Code Book Chapter 1 | TPNManga Tweet)

So for a lot of people to see him not be as engaged with his own agenda feels kind of jarring.

I don't mind him aligning with Emma's position at this point despite his personal reservations given the conclusion of the escape arc has his entire worldview being thoroughly reconstructed, but I would have liked more reflection and insight that we see crop up in the bonus pages since we have small moments like Emma taking some time to speculate if a person losing their memories constitutes death in the story proper.

(Chapter 159 Bonus Scene | Chapter 169 Bonus Scene; I'm very happy both of these scenes are included at all, but they're unfortunately among the casualties of Shirai trimming branches that don't feel as integrated into the narrative in the last few arcs due to the accelerated pacing.)

I also feel the story would lose some cohesion by displacing Emma as the main character given she's the main driving force behind the idealism that permeates the series and thus serves as the strongest unifier to keep that theme front and center. Similarly, I'd hate to lose out on how beautifully foiled she and Isabella are during the escape arc and having such a powerful and heartbreaking mother-daughter dynamic as a focal point of a shounen jump series.

(Mystic Code Book Chapter 2)

That said, this is another topic where I'm at odds with Sugita as I would have very much been up for more time spent developing the secondary cast.

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traegorn · 6 months

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I found this at a local thrift store. Are you familiar with it? Is it any good?

Never read it, so I don't have a full informed opinion on it... but...

While the title's clever, the five minutes I spent looking up the authors led me to this on Shawn Robbins's Amazon bio:

Shawn Robbins, Bestselling Author/Psychic and Paranormal Researcher has been ranked one of the top ten psychics in the world. She was a special consultant for the New York City Police Department, (murder and white collar crime cases) United States Navy, (psychic spying) and numerous leading corporations. She is an expert in the field of mystical, spiritual and holistic sciences, having lectured extensively on these subjects throughout her career. Shawn was one of the original psychics in the CIA Stargate program trained to spy on the Russian Government. Her code name was Madame Zodiac.

So she's "ranked one of the top ten psychics in the world." By who, Shawn. By who. Citation fuckin' needed there, ma'am.

Also she's claiming to have been a part of the Stargate Project, which was declassified because it didn't work and the studies have been famously invalidated. And, like, do you really want to brag about being associated with a program that also fell for Uri Geller's baloney? The project famously documented in the book (and subsequent film) The Men Who Stare at Goats?

That Stargate Project?

I'm just... my jaw's on the floor. Nevermind that I think "psychics" who insert themselves into murder investigations are fuckin' gross as shit. I forgot all about that when I got to the second paragraph.

So yeah... some red flags on this one.

#witchblr #witchcraft #witch #wicca #Shawn Robbins

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klausysworld · 1 year

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hello can you make a one-shot for yandere klaus mikaelson where elijah discovers klaus's obsession with y/n, after finding thousands of portraits, paintings, drawings, photos taken secretly, stolen belongings (perfume, panties, clothes, keys his home), Elijah confronts him about it.

Niklaus what have you done?

Klaus’s obsession had been going for months, he had rooms which were once empty, hidden from his family due to his design plans but now they were full of her face, her belongings just her. Canvases were everywhere, paintings, sketches, charcoals, chalk, any medias he could use.

There were boxed of her things, all organised accordingly, labelled and colour coded so that he may never struggle to find what he needed.

Now these things were secret, his eye’s only, he wanted it kept that way and so he tried to make sure he was private about his…tendencies.

———————————————————————

Elijah was becoming concerned. Niklaus was always missing, leaving in the middle of the night, not picking up his phone for hours, always returning in silence and sneaking around the house. It was odd to say the least.

So naturally he decided he should just take a little look through his brothers things like a any good father figure brother would do.

Elijah understood that Niklaus liked his privacy, Elijah did too but this wasn’t to harm his brother, he was worried for him, he wasn’t his usual…murdery self, naked girls weren’t all around the house and he wasn’t purposefully pissing everyone off. Now this should be a good thing apart from the fact that Elijah knew his brother. This was not a good thing. Something else was going on, something that had Klaus’ entire attention.

Finding the secret rooms weren’t much of a shock, he was often aware of them through the centuries.

What was inside was what was shocking.

He walked around silently as he looked at as many different portraits as he could. All of her. The same girl in different outfits, hair styled differently, facial expressions slightly different, the lighting positioned differently. They were all so different and yet the same.

The next room he got to had his hand covering his mouth, she was painted and sketched naked everywhere. The floor was scattered in her naked body. Her back arched as she touched herself clearly painted across a large canvas. His eyes darted around as he saw an array of boxes.

Hesitantly he picked the red box. Underwear.

Many pairs of panties, some bras too. His fingers pinched the bridge of his nose as he put the box away, making sure to position perfectly the way it was.

The purple box. Pictures.

Thousands. All of her.

Park, grill, home, walking, running, shopping, sleeping, changing, showering, masterbating, having sex with other guys.

There were pictures of her in both Mystic falls and New Orleans, how long has his brother been following this girl?

Images of her at the mikaelson ball, home coming, prom, the party Marcel threw so long ago, the factions peace agreement party, she was everywhere, she was always where he was, no he was always where she was.

“Niklaus what have you done” he whispered to himself as he checked the next box

Blue. Belongings.

Jumpers, jeans, shirts, skirts, bracelets, necklaces, hats, scarves, teddy bears, books, a phone? Dream catchers, cards, fake flowers, perfume, a face wash, body wash, everything she had owned in a box.

Green box. Information.

Notes, so many notes.

She’s afraid of the dark

She still owns her childhood bear

When she was 5 her mother made her join a dance class

She can’t swim well -get her lessons

She had a birthmark ____

Favourite colour

Favourite food

Favourite band

He had her preferences ok just about everything. Her fears, her goals, he had her everything known. He had been studying her for years.

So much information on when she moved to New Orleans, which college she got into, how far away from their home. Maps of New Orleans to find the best routes to her house. Everything.

And then a little black box. He opened it to find keys. Keys to presumably her home, her car, a storage unit?

Elijah carefully out everything back and made his way back to his room only to bump into his brother.

Klaus’ expression dropped in an instant.

The silence was deathly, almost as much as Klaus’ stare.

His eyes darted to behind Elijah, then to his hands checking he hadn’t taken anything

“Niklaus…” he began quietly

“Why were you in there” he cut off

“I was worried about you-“

“You shouldn’t be, I’m happier than ever” he told him

“Niklaus this isn’t right- this girl-“ he tried but Klaus was quick

“She is my girl and that makes it right”

“She doesn’t even know you exist does she?” He asked almost softly as to not anger him but it appeared his attempt failed

“Of course she knows i exist! She’s mine, i love her, I wouldn’t love someone I don’t know Elijah!” He yelled roughly shoved his brother away when he placed a hand on his shoulder

“Yes you know who she is but she has no idea-“

“No. No. She knows. I’ve talked to her multiple times, you should see her Elijah, the way she smiled at me, she loves me i can tell” his voice grew quieter, calmer, scarier.

“She’s just being polite” he reasoned

“Then why does she leave so much for me? She wouldn’t leave her curtains open unless she wanted to be seen, i see her, and i love her for everything that she is” he whispered while nodding convincingly

“No Niklaus, no she doesn’t know that. She’s young and doesn’t understand the consequences of her own actions-“

“She is not stupid Elijah! I know her, she is bright and smart, she isn’t too young and pathetic, she’s perfect”

“She’s just a girl, an innocent bystander, she has nothing to do with our world do not do this to her” he urged

“She is already in my world, she may aswell be my world and id you for a moment think that you can try to take her from me do not doubt the thought that i will dagger you so many times that you never wake back up”

Elijah swallowed thickly, his next move would have to be careful. It wasn’t safe when Klaus was like this, obsessive. Possessive.

“You shouldn’t be watching her like that” he whispered

“It’s just to see her, so she’s safe” he argued

“Not when she’s..vulnerable. She’s not meant for you to use as a source for your..satisfaction or whatever your perverted mind-“ Klaus cut him off with a hand around his throat, his grip so tight he feared his head would detach from his shoulders

“How dare you? You-you looked at those? You went thought the photos? You saw her? Did you fucking look?” His hybrid face came into play as the image of his brother seeing her naked body entered his mind

“Ni-kl-aus” he struggled but there was no use now. Klaus had snapped his neck in an instant. He needed his dagger now. He was either going to have him in a coffin or stab his eyes out

“You should really mind your own business Elijah, it’s rude to pry.” He uttered as he dragged his body to the dungeons. On the way he past that room

The room he had for her. The room that one day, not too far from now, he would be able to bring her to, convince her that their love could finally come together.

After dumping his brothers rotting body he went back to check on his love, he couldn’t bare the thought of someone else seeing her the way he does, that’s why he must always be on standby, ready to kill anyone who looked at her for more than a second.

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cryptotheism · 8 months

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do you know anything about the relationship between the "buch der heiligen dreifaltigkeit" ("book of the holy trinity", early 15th c.) and the "chymical wedding"? is it ever mentioned as a kind of predecessor? i feel like what you said about the "chymical wedding" ("neither an alchemical manual, nor coded theology") could be applied to the "book of the holy trinity" as well?

Oh absolutely! Thing about a lot of immediate pre-paracelcian alchemy texts is that they're not really intended to be read as mystical texts. It's an alchemical manual that uses biblical metaphors and imagery because those are things people are familiar with!

Whereas by comparison, Chymical Wedding is an explicit theological text.

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bisexualreadsbooks · 6 months

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Oh my gosh, I just realized that L Lawliet from Death Note and Edogawa Ranpo from Bungou Stray Dogs are pretty much the same person in a different font

Like, they're both autistic coded characters whose special interest is solving crime, they view themselves to be the best detective ever, they survive purely on sweets, they are child geniuses with no supernatural powers to contrast the characters who do utilize mystical abilities, they became the wards of old people who take in those with "special talents," and they are mainly shipped with their rivals who have at least ATTEMPTED to murder them via magic book (I say attempted since Poe has yet to succeed).

#Death Note #Bungou Stray Dogs #BSD #L Lawliet #Edogawa Ranpo #Yagami Light #Edgar Allan Poe #Lawlight #Ranpoe

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