Aside from Lois’ interview with Superman (which your fan comic brought to life in such beautiful fashion), what other “canon events” from the story and history of the character would you want to portray in your head canon?
Thank you! I want to go into more of the Clark, Lana, Lois love triangle but I haven't zeroed in on an ideal circumstance or scene where I could squeeze the most story from for that dynamic yet. I want to write a good love triangle where it's a genuine struggle for who Clark will pick. Though out of all the ideas fighting for attention in my head, this is the least priority at the moment.
I know my Clois comics are popular and people especially want to know how Lois finds out about Superman's identity but I really don't want to speed to the post-secret identity era. People say that's where Superman gets interesting, but I personally disagree! Especially with Clois under the immigrant love story lens and Clark struggling as an alien who passes for a white-american-man, I feel like there's so much unexplored story in that dynamic before Lois knows about Superman's secret identity. And I dislike how modern Superman media speeds through the fun conflict that happens in his early years.
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i asked vade too, but i wanna hear about fugio and their daughter…. Pita Bread also, for funsies
YES DOMESTIC FUGIO
Okay I think she's "born" through some stand shenanigans. Like they both want a kid and consider traditional methods, but Giorno's grown adept enough at using his stand that he feels confident with trying his hand at creating a child with Gold Experience (listen, if he was that overpowered at 15, the sky's the limit a decade or two down the line).
Sure enough, he does some complicated shit, and they have a daughter. I headcanon that Fugo takes Giorno's surname when they get married, so, in true pretentious Fugio fashion, her name is Viola Fiorenza Giovanna.
When she’s a baby, Fugo is terrified that he’s going to hurt her. He’s come a long way in overcoming his self-hatred and anger issues, but there’s still a part of him that worries about snapping, or even just accidentally putting her in harm’s way. But he’s actually reassured by the way he’s been able to care for their cat, Pita Bread (please see Tony’s posts about Pita Bread if you haven’t. She is so important) - if a fussy, skittish cat like her was able to warm up to him, he must be doing something right. Still, he’s super gentle with Viola, and always keeps himself in check. He never lets her see him angry, and he knows to get space when he’s starting to feel frustrated.
One night, when she’s little, she gets scared over something minor, as kids do - a nightmare, or the monster under under the bed, or the shadows on the wall. Fugo comes to her room to comfort her, and she asks him to stay with her until she falls asleep. According to her, “I know I’m safe if Papa’s here.” When she does eventually drift off, Giorno finds him sitting at the end of her bed, a hand covering his mouth, uncontrollably sobbing.
Knowing his child trusts him, will never see him as the dangerous, cruel person he’d regarded himself as for so long, means more to him than anything.
Giorno is an unorthodox dad in a lot of ways, but a good one. He refuses to do baby talk with her, and he’ll have completely normal conversations with her, even if her only responses are babbling. He’ll just sit on the living room floor with her and go “That’s an incredible building you’ve created with your Legos. Very avant-garde. Your father knows all about the history of architecture, Viola. You really should ask him about it sometime. It’s fascinating. Anyhow, would you like to hear about the stock market?” And she stares at him with wide eyes, comprehending absolutely nothing. This does give her a very advanced vocabulary at a young age, though.
He also gets really anxious at the idea of leaving her alone. He never wants her to feel neglected, so he spends a lot of time carrying her around, listening to her rambling when she’s old enough to speak, and even just sitting and parallel playing with her. When she gets older, it gets a bit stifling, but she never feels like she’s alone - if she needs to talk about something, or just have someone by her side for a while, she can always trust Giorno to be there.
Like her dad, she has a way with animals, and she and Pita Bread are besties. She carries her around in the haphazard way kids do, and Pita Bread doesn’t care at all. They go explore in the backyard and find cool bugs together. She sneaks her scraps off the table, even when Fugo nags her about it. I think Pita Bread has a stand, so maybe, when Viola gets hers, they use their stands to communicate.
Speaking of, Viola takes after Giorno and is a natural-born stand user. This means she gets sick before her stand manifests. It probably happens when Giorno’s out of town on a mission, and Fugo, who never went through this, absolutely freaks out. He full-on panics on the phone with Giorno, wondering what he could’ve possibly done wrong, why her illness just keeps getting worse, and Giorno is equally in shambles as he drops everything and rushes home as fast as he can.
Thankfully, she pulls through and obtains her stand (still figuring out what that’s going to be), but it’s an awful, painful memory for both Giorno and Fugo.
As far as random little happier things though. Fugo sings to her when she’s asleep, and she’s always delighted on the rare occasion that he sings while he’s making dinner or something. When she’s old enough, he teaches her how to play piano, and he’ll sing more frequently then. She’s just as interested in bugs and frogs and plants as Giorno is, and he’ll use Gold Experience to make real ones for her to observe. She has Fugo’s strawberry blond hair, nose, and long limbs/fingers, and Giorno’s eyes, height, birthmarks, tiny fangs, and ability to fit her entire ear in her ear canal face shape. She’s super spoiled from having two mafia dads. Narancia, Mista, Sheila, and Trish are her cool uncles and aunts who take her on fun day trips and get her the best birthday gifts. She’s definitely slipped and called both Bucciarati and Abbacchio “Grandpa” before, and she hangs out with the kids at the orphanage they run a lot. I’m basing her adult design off of Stevie Nicks on the cover of Rumours. More info to come on her and Naramis son :]
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