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#It's really impressive
daydreamdoodles · 10 days
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Sofia Carson narrates the descendants audiobooks. Which is great. It adds a little extra connection to the movies and I love her voice. But she also does a surprisingly good Dove Cameron impression?
Like she mimicks the husky tone Dove uses for Mal to the point that I wondered a couple times if they cut in Dove reading lines
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immediatebreakfast · 5 months
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Marmion round two!
The poem seems to (for now) mostly focus on lord Marmion's arrival to the castle, and the impact of said arrival has upon the subjects, and more specifically the soldiers.
Moreover, lord Marmion did not arrive alone, with enough company to indicate how his lordship leads his people. Yet, the way these are numbered, and described could be seen of how Marmion is guarded yes, but not too guarded as not to give the impression that his status makes him a delicate noble in need of a lot of protection.
Behind him rode two gallant squires, Of noble name and knightly sires: They burned the gilded spurs to claim; For well could each a war-horse tame, Could draw the bow, the sword could sway,
First, there are two squires behind lord Marmion. Both of them are highlighted in their abilities for combat, and their noble birth. Yet, even when these squires are put right behind Marmion for protection, the poem wants us to know how they are gallant in both combat, and romance. Telling, with adjectives like courteus and actions like dancing, that the squires are not only warriors, but gentlemen as well.
Four men-at-arms came at their backs, With halbert, bill, and battle-axe: They bore Lord Marmion’s lance so strong, And led his sumpter-mules along, And ambling palfrey, when at need Him listed ease his battle-steed. The last and trustiest of the four, On high his forky pennon bore; Like swallow’s tail, in shape and hue, Fluttered the streamer glossy blue, Where, blazoned sable, as before, The towering falcon seemed to soar.
Second, four men (also armed) follow the squires while guiding Marmion's mules. The remark on the fourth one is very interesting since it mentions the falcon imagery again, but this time unlike Marmion, this falcon is "soaring" in between the blue of the essemble instead of being "trapped" in gold. What could this mean when a person of lower rank wears the same symbol as a lord, yet on the person the symbol is "free."
Last, twenty yeomen, two and two, In hosen black, and jerkins blue, With falcons broidered on each breast, Attended on their lord’s behest: Each, chosen for an archer good, Knew hunting-craft by lake or wood;
The count of lord Marmion's people went from six to twenty six in a matter of paragraphs. These soldiers are described mostly with their abilities in combat by mentioning the weapons they are prolific in, a very interesting choice since one would expect the mentioning of their fighting ways. Yet, I think this could also Illustrate how many weapons they mastered under the eyes of lord Marmion. A bow, a boar spear, a sword, their belts.
Tis meet that I should tell you now, How fairly armed, and ordered how, The soldiers of the guard, With musket, pike, and morion, To welcome noble Marmion,
I was making fun a little bit of lord Marmion's request of being received with trumpets, laughter, and glee... And it happened! Everyone in Norham organized themselves exactly how Marmion wanted, and the poem even remarks how this celebration is something that not even the castle itself had seen. Everything went to the letter, and with descriptives like thundering, flourished, and even telling how the sound made angels scatter.
Welcome to Norham, Marmion! Stout heart, and open hand! Well dost thou brook thy gallant roan, Thou flower of English land!”
What a chant to receive the lord. What an entrance for this man. I can even hear the voices of everyone yelling this at the top of their lungs.
Two pursuivants, whom tabarts deck, With silver scutcheon round their neck, Stood on the steps of stone, By which you reach the donjon gate, And there, with herald pomp and state, They hailed Lord Marmion: They hailed him Lord of Fontenaye, Of Lutterward, and Scrivelbaye, Of Tamworth tower and town;
Then, after the introduction two pursuivants (junior ranking officer) present lord Marmion, and what I can assume are all of the many titles he has won through kin, and conquest.
Now, largesse, largesse, Lord Marmion, Knight of the crest of gold! A blazoned shield, in battle won, Ne’er guarded heart so bold.
I don't know why, but even if this chant is complimentary of Marmion as a knight, it somehow feels like an omen of how that bold heart may be the one causing things.
Overall, even if this canto doesn't keep on with describing lord Marmion, it tells us how he is a leader by describing his army. Look at him all gallant, and brave, so his people should reflect his image. He makes sure that his essemble has the delicacy of dancing in a hall, and the might of holding a sword. A very knightly view given, and exalted by abilities, and blue.
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foolsocracy · 4 days
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they barge into justice league meetings saying they have something very important to show them. and do stuff like this
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furious-fish · 2 months
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alex and jonny give me an easy episode to draw challenge (impossible)
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forgetful-nerd · 4 months
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If these two ever met they’d probably annoy the shit out of each other in a sorta older “responsible” sibling vs. younger “wild card” sibling way.
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ot3 · 1 year
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glassblowing rules because it's like one of the single most hardcore and impressive processes in the entire art world yet almost everything you make with it looks lame as hell. it's essentially a form of smithing that only produces neglected gift shop tchotchkes.
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In which Zim disappears for a decade.
This looks like such garbage, but this has been sitting in my head for a month and I needed it OUT OF ME!!!!
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skullism · 2 months
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rereading aftg and realising just how oblivious neil was is truly hilarious
just a few pages ago renee told neil andrew is gay and neil literally had to lie down to process it, now he's admitting he watches andrew at the gym and is impressed by how much he lifts??? dude. you are down SO bad
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despazito · 2 months
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i can't believe i've witnessed several practicing veterinarians defending extreme brachycephaly by arguing that brachycephalic skulls occur naturally in several species in the wild. yeah debrah the difference is that tarsiers evolved flat faces over millions of years and humans have squished pug skulls in like 200 years. none of its insides have otherwise adapted to that shape it's all crammed in there.
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look how neatly arranged and tidy the tarsier jaws are, that just isn't comparable to a longer snouted animal we have selectively bred to be very short in a fraction of the timespan.
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egophiliac · 11 months
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redesigning my headcanon for Sebek's parents, based on important new information (SCALES)
(you can't see it but they're both wearing crocs)
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valeovalairs · 2 months
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My sister, who does not have a tumblr account and instead leeches off of mine, drew something on my iPad and wanted to share with the other good omens fans
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She said if this hits a certain amount of notes they’ll make a tumblr account
Edit: it hit the certain amount, she’s @cultconstel
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lilybug-02 · 10 months
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The actual reason they ditched Chara.
Fan-art because I can draw. And I um.. kinda really love @akanemnon‘s comic…
Kind of a minicomic below…
Please forgive me. I’ve had this in my head forever and just wanted to share my AU meeting yours. That is my Final message. Goodbye. 🫡 jumping in this hole now 🕳️🚶‍♀️
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wolfywolfy · 1 month
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I love how Astarion quotes The Tell-Tale Heart every once in a while. It's a rarer line, and initially I thought it was out of place (Neil is very well versed in theater, so I assumed it was a riff from him), but since reading an analysis of the work I think it was pretty purposeful.
The piece is all about fear and paranoia, things we know Astarion is plagued by despite how he might act. Similarly, the narrator of the story also tries to convince the reader that they are not as troubled as they seem. In the end, the narrator is consumed by the beating of the heart of the old man he killed and dismembered, the sound growing louder and louder until in a fit of rage he reveals the body to the police to absolve himself from the persistent beating.
Except the police never heard the heart beat, because it wasn't the old man's heart at all. The narrator was consumed by the sound of his own heart beating more and more rapidly in his chest from fear. He was the owner of the thing that forced him to reveal his true nature, he is the owner of the tell-tale heart.
And what happens with Astarion after you romance him? He realizes over time that, while he tried to deny his feelings and was initially only interested in manipulating you for his own means, he actually has grown to care for you. You have done something to his heart that hasn't happened in centuries, you have made it feel as if it has started beating again.
Therefore, his tell-tale heart leads him to admit his transgressions, which were committed out of fear and paranoia for his safety.
So the line is actually very, very apt. His confession during Act 2 is his own version of "Villains! Dissemble no more! I admit the deed! Tear up the planks! Here, here! It is the beating of his hideous heart!" Except, of course, it is his own heart that he is unearthing for us (and it's not so hideous, after all).
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orpheuslookingback · 6 months
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Just got back from seeing The Boy and the Heron and its gorgeous (as expected) but right now my main thought is that Robert Pattinson NEEDS to do more voice acting, like I'm seriously so impressed he is completely unrecognizable in the film
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serglesinner · 7 months
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recently I've been infected by her and it's bad
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his daughter is not a weapon!
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