letting celebrities think they can and should "use their platform" to speak on all current events and political issues regardless of how educated they are on them was a grave mistake

been replaying the Portal series I think this is where its heading

✦ Coffee Shop AU ✦

thinking about how the extra area added on to a pacifist run of undertale, the true lab, is about alphys's past mistakes. how it ends with the story reaffirming that, despite the pain she's caused, the thing that matters is that she has now made the choice to do the right thing. she's still worthy of her friends' love.

thinking about how undertale doesn't expect the player to get a pacifist ending for the first time. how it's more likely than not that the player will kill toriel the first time they battle her, how lots of players don't initially figure out how to end undyne's fight without killing her, etc. what it expects — not even expects, really, but hopes — is that the player, if they care enough, will use their canonically acknowledged power over time to make up for those mistakes.

no matter how many neutral runs a player has done before committing to the pacifist run, the thing that matters to the characters, to the story, is that you've chosen, now, to do the right thing.

compared to alphys, the player honestly gets off lightly, in that you're the only one (other than flowey) who really remembers any harm you might have caused. and any direct guilting the game could have done about it is long past at this point. instead, as undertale often does, it makes its point via parallels: alphys caused harm, and she knows it. she has committed to being better. in doing so, she has unlocked for herself a better ending to her story. and she deserves it. she's forgiven.

those structural narrative parallels are all over undertale, if you know where to look. and that's one of the things that makes it so fuckin' good.

Loki 2x01 // 2x02

Drawing the @rogerrrroger 's Gordon Wall-E with some creativity liberties because im stupid LMFAO (i liked a lot ur design ily no straight)

IT'S BUNNY TIME EVERYBODY

(feat. Dilla)

(bugle accompaniment by Yuu)

new game is to type one through ten in your tags and see what comes up. i think my favorite of mine is ‘my uncle told us he spent seven and a half hours in a sensory deprivation tank once’ but ‘gideon the ninth motherfucker’ is a close second

we all know that wyllstarion goes crazy as hell but you really have to think about it from Wyll’s perspective. You’re the most fairy tale brained man on earth whose life is a continued sequence of romantic and heroic ideals set up to fail. You want to be a heroic duke and save your city but wind up making a pact with a devil. You want to use that pact for good and are almost (or straight up) tricked into killing an innocent. You go on the most princely quest of all to ask a dragon for his help and we all know how that ends. And then in comes Astarion jangling like the most weaselly evil court advisor, a vampire no less and you’re like actually fuck it this slippery eel is where it’s AT. and this time you actually do get a happy ending with it. it goes crrrrazyyyy

I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr

not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work

believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

warmup draws w my fave jocks

Nsfw!

Thinkin’ rough sex with what in ‘hell’ is bad Satan~

Satan just can’t control himself when you’re mad at him. Grabbing you by the hips and pulling you against his chest, pushing his lips to yours and pushing his tongue into your mouth. Even better if you try to bite his tongue, that’ll just have him moaning for more.

Satan ripping your clothes away and not caring about any of it, he just desperately needs your skin touching his.

Pushing you back onto the bed and thrusting so hard into you, the bed creaks and you cry out, encouraging you to him him for it.

Slap him, harder, again, again harder, come now, he knows you can hit harder then that!! He wants you to hit him harder, not only does it feel so good when you do, it gives him a reason to be rougher and manhandle you even more.

Satan flipping you over so he can bite your shoulder, hard. slapping your ass and rubbing his hand over the mark laughing, while telling you how good his handprint looks on you. or gripping your ass and pulling you into him as he thrusts forward. pulling your hair and asking you who you belong, only loosening his grip when he hears his name falling from your lips.

Satan pulling out so he can cum all over your back, just to have the satisfaction of seeing you covered in his cum as you’re both panting, trying to collect yourself….Satan making sure that you catch you breath, just for a moment because obviously one round isn’t enough-

I mean he hasn’t had enough of you yet~

The most powerful ability exclusive to humanity in the Half Life/Portal shared universe is our ability to just throw bullshit at the wall and see what sticks. Aperture "OSHA are the devil" Science have managed to create completely safe interconnected points in space. The same company that turns people's blood into gasoline and shoves lions and humans into the same enclosed space for the vague concept of "Science". Meanwhile Black Mesa still has to use Xen as a crossing and their teleportation device requires an entire reactor with a village's worth of staff constantly maintaining it, just to end up having most of said staff abducted by onion-headed aliens. Even the resistance hasn't managed to create completely stable teleporters with a compressed Xen relay, meanwhile Aperture just went "oh dude let's shove a black hole into a non-waterproof gun" and have just created a teleportation method that just removes Xen from the equation entirely. Doesn't change the fact they bullshat so bad they basically got themselves gassed to death, but still.

The Resistance are a good example of this too. The Combine seem to have a complete set-in-stone thought process and understanding of science which meant they didn't even begin to explore local teleportation via Xen, meanwhile a group of random human mechanics and scientists have managed to cobble together at least two semi-functional local teleporters out of scrap metal and stolen Combine tech, to the point the All-Consuming Interdimensional Empire had to straight up copy their homework. And that isn't even the only time they seem to be taking human shit to just copy the blueprints.

They 100% just yoinked the entire damn car out of that garage just to take a crack at reverse-engineering the Tau Cannon attached to it. Even Resistance weaponry somehow manages to rival or at least stand equal to Combine tech - and we're talking improvised crossbows that shoot superheated rods of rebar at the target compared to high-tech rifles that can discharge orbs of pure dark energy. The collapse of the entire Citadel is basically set into motion as a result of a cobbled together Rebel device placed into extremely capable hands.

The events of the Portal games are a case of extremely elaborate machinelike planning versus pure human improvisation, with Chell's entire escape in the first game involving her simply weaseling her way through small cracks that GLaDOS missed while setting up her ambushes, eventually turning her own rocket turret against her to destroy her.

I suppose you could argue this falls flat in Portal 2 with Wheatley, but it's important to remember he's designed to be an utter idiot, so it's safe to say he wouldn't obsess over the larger picture like GLaDOS to the point where he fails to see the cracks. Yes, he's the one that breaks Chell out of the test chambers again, and yes, he's the one that came up with the sabotage plot - but it's important to note while he knows what to target in the sabotage, when we actually get there he doesn't quite know how to sabotage it, leaving Chell to figure it out on her own. She botches the Turret Quality Control Line with some minor guidance, but it's basically completely up to her to figure out how to cut off the Neurotoxin Supply. It's through her improvisation that Wheatley even manages to get into GLaDOS' chamber, tumbling through her neurotoxin vent and shattering the glass cage she trapped Chell inside of. It's through Chell's improvisation that the Core Transfer even occurs in the first place.

The script is flipped specifically when Wheatley takes charge, because oops - turns out a mind capable of focusing on the bigger picture might be pretty important when it comes to running an entire facility powered by it's own Reactor. Wheatley just completely zeroes in on his own personal pleasure, hacking up test chambers and the objects within them to try and figure out the easiest way to get his solution euphoria as quick as possible.

Still, something that's pretty interesting is that only Wheatley has ever managed to create a trap that's impossible to foresee and avoid, something GLaDOS has repeatedly failed to do to the point she ends up commending him. I believe this is because his way of thinking is a lot closer to Chell's compared to GLaDOS'. He puts up way more of a fight as the two run through the facility trying to get to him, seemingly improvising on the spot just like Chell has been over the course of the two games. Even his lair would be impossible to survive if it weren't for a single Conversion Gel pipe he somehow failed to notice and remove.

Whether in a laboratory deep beneath the soil or an alien tower tall enough to split the clouds, the ingenuity of even a single person is enough to topple a tower or destroy a supercomputer 3 times over.

Marc Laidlaw put what I'm trying to say into a single sentence when writing for the BreenGrub twitter account:

"The superstructure is riddled with cracks."

A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.

Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.

This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!

Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.