In addition to my last post about The Front Bottoms and Mike Wheeler;
I love this song by them too because it is very very byler but still in an individual character way. The first verse is 100% Will but the second is 100% Mike and they fit together really well. It gets into the anger they both have for themselves in relation to each other which is something I don’t see talked about as much, but fits their season 3 and 4 arcs with each other almost perfectly.
dt @thesapphicbard <3
13 notes
·
View notes
Linktober Day 29, Aquatic/Water
Sometimes I forget about how dark Twilight Princess actually gets. And then I remember their Zoras, where the very pretty queen was murdered to send a political message, all of the people in the domain were turned into one big ice cube, the pretty queen's son passes out from a lack of water miles away from his home, all while the Zora at lake Hylia are stranded downstream panicking over the decreasing water level. Thats some Game of Thrones level of dark drama in a children's game. I love it.
421 notes
·
View notes
god… rewatching neverafter again
and the intro scenes are a mixed bag in terms of terror
rosamund is kind of freaky with the vines and the dead princes, but then we have gerard’s, which is very amusing. pib’s is also pretty funny. mother goose’s is dark bc his son is dead, but they still joke about the gander
then we get to ylfa. and brennan and emily show the darkest and saddest origin story i have ever seen for little red riding hood. a little girl, lost in every way possible, confused and alone and scared, begging her mother to let her in, and her mother refuses. her mother says that her daughter is dead and gone and a monster stands in her place. ylfa doesn’t want to be a monster. she wants to go home. but she is different, and her home turns on her, and that betrayal turns her on them. she huffs and she puffs and she blows the family that left her for dead away
and pinocchio. pinocchio whose mother is a shadow in a doorway. pinocchio who became a boy by being good, only to lose that gift by lying to save his father. pinocchio who loves his father enough to lie, and must now keep on lying to serve a woman he has never even looked in the eyes
there’s something very fitting about the children in this fairy tale land having the most horrifying stories. those stories about children straying from the path or needing to never tell a lie or misbehave in order to be real, they’re meant as warnings. be good, children, or you’ll never have the respect that adults get. be good, or the monsters in the shadows will come for you. be good, or you’ll die
in a season that was meant to be horror but was subverted by the players knowing the theme, i appreciate even more the darker corners of the story
267 notes
·
View notes
So imagine Bakugou and Kirishima being sent overseas on a mission, or training, or they get given out on loan to an agency abroad when they’re sidekicks.
On one of their free days they’re out together exploring the city and taking in the sights, just about managing to navigate the public transport system and as they’re visiting one of the landmarks Bakugou spots you out of the corner of his eye.
And he can’t explain it, can’t put his finger on it but there’s just something about you that has him mesmerised. Even after watching all those cheesy rom-coms with his mother, and reading those romance fiction books, he’d never believed in love at first sight. But here you were standing there and changing everything he’d ever known about love.
The only problem? Kirishima saw you too.
“Please man, we gotta go over and introduce ourselves.”
“You don’t even speak English, Kiri.” Bakugou scoffed, but deep down he didn’t want Kirishima introducing himself to you.
Bakugou wished he could be the one to walk over and introduce himself, finding out your name and where you were from. If you were from the city or just another tourist like them.
“No, but you do— come on Kats, please? For me?” Kirishima was giving him those stupid fuckin’ puppy eyes now as he basically gripped onto his forearm.
Tugging himself free with a ‘tch’ as he rolled his eyes, the response was the confirmation Kirishima needed as he walked over to you with Bakugou.
He could feel his heart pounding against his ribcage as he neared you, his throat going dry as you noticed them coming closer. A beautiful smile forming on your lips as Kirishima said “Hey, how are you?” in broken English as his accent shone through.
Bakugou began to introduce them both, watching the way your eyes lit up as you did the same. Your name had his chest tightening as he asked what you were doing tomorrow, and whether you’d want to go on a date with his best friend.
Knowing that Kirishima wouldn’t be able to go on a date without him, his lack of English would have him falling at the first hurdle as, just as Bakugou expected, Kiri began to beg him to come once you’d agreed.
Now he’d have a front row seat to watching his best friend fall in love with you, and wondering why it couldn’t for once be him.
500 notes
·
View notes
there are literally so many reasons why we don't need a third Narnia adaptation
first of all, while they might not be the most accurate, the Disney movies are actually so good and, in my opinion, still manage to capture the heart and soul of the series and what it's truly about. The characters are each perfectly portrayed; the Pevensies act like actual siblings and yet love each other dearly and would die for each other even through all the petty arguments; the music creates perfect atmosphere and emotion and never fails to make me tear up or get shivers down my spine; and the CGI is honestly just absolutely stunning.
I really do not feel like we need another adaptation by Netflix.
Especially not through Netflix.
Netflix has already been known to mess up so many shows and movies by completely changing the source material or adding in unnecessary things that completely take away from the purpose of the story. I can already see them warping Narnia into something that barely even resembles the books, that strips it of its purpose and simply makes it about a fantasy world, nothing more. I've already seen posts saying that the new movies just can't end the way the books end, that heaven must be explained away, that Susan never forgets and falls down a dark path, that the faith aspect must be taken out so as not to offend new viewers.
Here's the thing.
If you take faith out of Narnia, you remove the very heart of the series. you remove the entire purpose. Because Narnia is entirely about faith, and trust, and Someone greater than yourself who sacrifices everything to save your own traitorous soul. the Disney movies did not shy away from portraying this faith as openly as possible. if anyone was offended, I've never seen proof. I have seen many nonbelievers talk about how much they were affected by Aslan's death, which goes to show that you simply don't have to be Christian to understand what Narnia is about, and to love and enjoy it.
So if these new remakes remove the faith aspect, then what is the point? four siblings go to a magical land and save it from a witch and befriend a talking lion with nothing special about him and live there as kings and queens and return home and live happily ever after? there is no sacrifice, there is no "he's not tame, but he is good," there is no creation, there is no redemption, there is no last battle, there is no "in your world, I have another name", there is no sister straying down a dark path because she has forgotten how to hope, and then returning because her story is unfinished and the road to heaven is paved with flowers that symbolize her name.
so then, what are you left with? Aslan is just a talking lion, nothing more. the stone table never cracks, the sun never rises. "That by knowing me here for a little, you may know me better there" is forgotten entirely, because why would Aslan exist in our world if he is merely a talking lion in Narnia? Aslan's country is changed to be something else, and there is nothing about how Aslan suddenly no longer looks like a lion, and how the things that happened after are more great and beautiful than can be described. Edmund's life is never threatened because of his traitorous deeds; Aslan never offers his own life in place of a guilty boy, is never killed, is never resurrected.
the very core of Narnia is removed, and what you are left with is emptiness.
sure, it might make for a good fantasy story nonetheless. you might still have sweeping views and epic music and an intriguing plotline, but something will always feel like it is missing. like there is an empty hole, desperately needing to be filled.
of course, I don't know that all of that will happen; it's just speculation at this point. But I am fairly sure that it is safe to predict these upcoming movies as such. I highly doubt the producers will want to include the faith that shapes Narnia, because according to them, having a faith aspect means less viewers since too many people would be offended.
but if only they would look at the already wonderful existing adaptations, they would know that is simply not the case.
219 notes
·
View notes