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#If it were important business I could understand
luveline · 1 day
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Hotch request! Please sir, can I have a Hotch request? I'm trying to follow what you said about comfort but also Hotch being angry. So I get low blood sugars cause of my diabetes and I'd love if you wrote something about them being on a case and BAU!Reader is really busy trying to get stuff done, so she has a bad low blood sugar and sits down but one of the local officers thinks she's slacking off so she tries to keep going and Hotch comes in and defends her, making sure she has everything she needs and doesn't faint. Love you <3
ty for requesting!! hope this is okay <3 fem, 1.3k
“I understand.” You frown, phone pressed to your ear hard. “I totally understand, but it’s really important that I get to talk to her.” 
“She’s on heavy medication,” the nurse replies, unimpressed by your asking, “she wouldn’t be much use anyhow.” 
“I understand, but–”
“Listen, I’m sorry, but we have a lot to do here. I’m sorry we can’t help. Bye.” 
You groan in frustration, bringing your phone from your ear to see the Call Disconnected notification flash across your screen. How are you and the team ever supposed to get answers if nobody wants to help? Your head rushes. You kid yourself into believing it’s annoyance like a hot flash, you’ve been sweaty for ages, but then reality cuts through. What usually makes you sweaty and dizzy?
“Where’s my test kit?” you murmur to yourself. 
The door opens while you’re looking through your bag. 
“Agent,” Officer Debs greets, a stout, sturdy woman with sharp eyes, “any news from Georgetown Psychiatric?” 
You rummage frustratedly through your things. You should know better than to misplace your test kit. Doesn’t matter. You’ll just have to eat something quickly before you get any worse. “Uh, no, nothing they could help me with.” 
“Did you call them?” 
Your eyelids are getting heavier. You sit down on impulse, worried you’re gonna fall if you stay standing. “Yeah, I called them.” You’ve had diabetes for long enough to know what to do, but it’s always harder than it felt the last time when your blood sugar drops. It can be so sudden. 
Realising you might need help, you clear your throat, about to ask Officer Debs if she can get the glucose tablets from your bag. You should’ve grabbed them —your thoughts are starting to thicken like someone’s poured cornflour into your skull. 
“Is now the best time for a break?” Officer Debs asks. 
You focus very hard on bringing your attention into the present. “No, sorry,” you say, standing up. You open your phone and direct to the contacts page, clicking your favourite contact at the very top. 
Don’t know m where test kit is, you text clumsily. Hotch should still be in the precinct. Do u have it ? 
“I hope you’re texting someone about the case,” Officer Debs says sternly. 
You shove your phone into your pocket. “Um,” you say, getting confused now, and not wanting to be shouted at. You grab for the page of phone numbers you’d been making your way through, can’t get your hands to work. “I wasn’t. But I’m getting to it.” 
“We really don’t have time to waste.” 
“I know, but my blood sugar–”
She talks over you. “What’s the point in all our officers working day and night when you FBI agents can’t be bothered to put in the same effort?” Her voice rises. “It’s ridiculous!”
“It’s not ridiculous, we’re trying our best just like you are.”
“Clearly not!” 
“My blood sugar,” you say, more insistently. “Stop shouting at me.” 
The door opens quickly, creaking hard on its hinge. Hotch doesn’t slam it open, he never slams anything, but he doesn’t hesitate either. “I have it, you left it in the car after you tested this morning,” he says, your kit in his hand. He gives Officer Debs a surprised up and down. “Who’s shouting?” he asks, unimpressed. 
You wouldn’t like to be on his bad side. “Hotch, I need a tablet.” 
If he’s shocked at your lethargy, he doesn’t say. He ignores the officer from that point on. “Yes, I think so, too.” 
Hotch is more efficient than you were, grabbing your tube of glucose tablets and shaking one out into his hand. “Can you take it yourself?” 
“You want to chew it for me?” you ask. 
He tips it into your palm. “Very funny.” 
He opens the test kit on the desk and starts to extract the pieces. It’s quite complicated, especially for people unfamiliar with it, but you’re pretty sure Hotch learned how to use it the day he knew you had diabetes. He wipes his hands with an alcohol wipe and presses a test strip into the meter, careful not to touch the end, before wiping your finger with a new wipe, and readying the lancing stick. 
“Gonna stick you, okay?” he asks quietly.
“Mm,” you hum, the glucose tablet like chalk between your teeth. 
He sticks you. Some days it feels more painful than other days, but today it’s like a pinprick in a haze. He squeezes your finger, wipes the first drop of blood with a cotton ball, and dips the test strip into the second bead of blood, careful not to jab your cut. 
In the five seconds it takes for you to get a result on the meter, he kneels down, pressing another cotton ball to your finger to stem the flow of blood. “Good,” he murmurs to you. The meter flashes on the table. “Not so good. Fifty nine, huh? How’d that happen?” 
You shake your head slowly from one side to another. “I’ve no idea.” 
“Okay. Well, that tablet’s not gonna do it, honey. Do you have any gels?” 
“No,” you say apologetically. 
“That’s fine. I’ll get you a drink.” 
Officer Debs clears her throat. You may be foggy, but her awkwardness is palpable. “I’ll get it.”
“It has to be full sugar. Coke, if you can,” Hotch says. She nods in understanding and leaves in record time. Hotch turns back to you, his severity melting away. “She was shouting at you?”
“Tried to tell her about my blood sugar. She told me we’re not here to waste time.” You close your mouth, licking the glucose off of your teeth.
“How did you get so low?” he asks.
“Must have done something wrong this morning. Am I okay?” 
“We’ll see. I think you’ll be alright.” 
“Don’t usually get so dizzy.” 
“When was the last time you were below seventy?” 
“Don’t know,” you mumble. 
Hotch peels the cotton ball from your finger and packs your things away cleanly. “Let’s see how you feel in ten minutes. After your coke. Now… what did the Officer say to you?” 
He’s getting his facts straight. Again, you wouldn’t like to be on his bad side. You relay your conversation, Officer Debs hadn’t even been that bad, just uppity, stuck on her own assumptions rather than willing to listen when you’d needed a hand. Her lack of empathy could’ve really affected you. Low blood sugar is no joke. 
You tell him, savouring in the warmth of his hand on your leg, how uncaring he is to be kneeling in front of you on the precinct floor. He frowns at you long and hard. 
By the time Officer Debs returns, he’s on his feet again. “A word?” he asks her. 
You don’t hear all of what he’s saying through the door as you sip your coke. He doesn’t shout, but he defends you with a heavy gravity. Officer Debs speaks up and he cuts her down, something about understanding, and then a more clear telling off, “I don’t want to hear about Agent L/N’s performance from you again. She’s my agent, and if she needs a break, she’ll take one. It’s none of your concern.” 
“I understand.” 
You feel much peppier when he comes back in, though he appears less so. “You’re nasty,” you say, smiling, happy to be defended, and happier to know you’re not gonna pass out.
He crosses the room. Still frowning, he takes your face into his hands, and he leans down inch by inch, until he’s pressing a soft, soft kiss to your lips. You barely have time to close your eyes before he’s pulling away, thumb pressed into your soft cheek. “Nobody gets to shout at you. Especially over your blood sugar.” 
“It’s usually you telling me off for letting it get low,” you mumble. 
He stands up straight, leaving you wanting for another kiss you won’t get, hands stolen back from your cheeks. “You’re ageing me prematurely. Drink some more coke, please, sweetheart.” 
“What do I get in return?” 
He touches your face briefly, as much of a promise as you’re going to get. 
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limarieb · 3 days
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so high school
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Pairing(s): Wanda Maximoff x fem!reader
Summary: Growing up, you could never understand how people your age were so romantically interested in other people. You begin to understand for the first time, however, when you encounter a certain Sokovian during your first semester of university.
Warnings: mentions of underage drinking, college!au, friends (?) to lovers, college au, making out, slight angst (but not really)
Word Count: 4.0k
Author's Note: everyone say thank you taylor swift for the spontaneous new fic! also this is lightly proofread, so edits might be made later oops
Main Masterlist | ao3 | Wattpad
...
Growing up, you never truly dated anyone. Sure, you had crushes on fictional characters in the media you consumed, and you allotted arguably too much time to admiring celebrities online; but, you never saw anyone in your personal life in such a light. At various hangouts and sleepovers over the years, you noticed just how much your friends discussed their love lives. Hushed whispers and sighs of the same phrase, “I really like them,” flooded your ears in the hallways at school. You had originally tried to join in on the conversations, not wanting to be excluded, but you simply couldn't engage in them wholeheartedly; eventually, the inability to relate began to upset you. You naturally boiled it down to something that must have been wrong with you — how could it possibly be normal to be like this when everyone else around you seemed to share these romantic sentiments?
Thankfully, you became completely preoccupied, both mentally and physically, by the prospect of university. By the time your junior year of high school had started, your love life — or lack thereof — no longer held too much importance to you. Instead of keeping whimsical love letters on your desk like others your age did, you opted to pile various books. From Camus to Aristotle, you discovered a deep fascination and affinity to the field of philosophy and the metaphysical discussions it posed. Therefore, when your senior year had arrived, you threw yourself head first into your studies, determined to build up your application in order to get into a top university.
After accepting your offer into one of the best philosophy programs in the nation, you anticipated your time at university, daydreaming about all of the things you would study and all of the people you would meet there.
But never could you have anticipated someone like Wanda Maximoff.
You had met her during one of your introductory courses in your first semester. Wanda was the type of person that, upon first glance, you would be scared. Not just because she was undeniably pretty, but she also had this stone cold exterior to her. Her lips were permanently etched into a slight frown, and she never really showed too much expression while she spoke during class. To put it simply, she intimidated you; so, you settled on admiring the brunette from afar (two seats up, one to the left — if you were to be specific).
Your plans changed, however, after the two of you got assigned to be partners for a class project. It was just a presentation, but it required you both to meet outside of class to work on it. You would be a liar if you said your heart didn't skip a beat at the thought of seeing Wanda outside of these four walls of your classroom, even if it was just to work on this assignment.
Seemingly unbothered by it all, she gave you her number for you to set up a date and time to meet. Her messages were all business, but they still made you feel like a dopey teenager every time her name showed up on your screen.
The day quickly came for you both to work on the presentation. Ultimately, you had settled on the two of you meeting in your dorm, which you made sure to deep clean before she came. You were not necessarily messy by any means, but the idea of Wanda, the most daunting person you could imagine, stepping into the safe space of your room made your blood run cold for some reason.
As Wanda knocked on your door, you rushed to open it. The two of you stood face to face for a moment, divided only by the doorframe. She still had her typical frown, but you noticed it shift into the slight uptick of a smirk. After a moment had passed, she finally broke the silence. "Are you gonna let me in, or...?" she asked, teasing you and your awkward nature.
Your cheeks flushed in embarrassment as you stepped aside for her to enter, "Oh, right... Sorry."
You led her to your side of the room, where she stood for a moment analyzing all of your possessions. You felt small as she did so, like a tiny insect under a bright, unsettling microscope.
She suddenly turned to face you, dropping her bag on the floor, "So, are we gonna work on this or not?"
That is how you found yourself on the floor, her laying on her back and you on your stomach. You had your computer in front of you, typing furiously as she provided you the words and ideas. You glanced over at her every now and then, especially if she was being awfully silent.
Most times, she would just be looking up at the ceiling in thought, her brown hair sprawled in random patterns underneath her; however, after a particularly long bought of silence, you looked over at her to find her gaze directly on you. You quickly returned your eyes to the screen of your computer and began typing whatever came to your mind. You hoped she did not notice the blush rise to your face.
She did.
She sighed, turning her body to lay completely facing you. "You're very quiet, you know," she stated, closely observing your reactions highlighted by the light of your screen.
Unsure of how to respond, you simply say, "So I've been told."
"Oh," she exclaimed, her smirk from earlier returns. "She has jokes."
You hum in agreement, "Just a few, unfortunately."
With the project now finished, the two of you abandoned it in favor of simply talking to each other. Never would you have guessed that Wanda could be this... warm. Unlike what you had witnessed in the classroom, she was very friendly and sarcastic in the privacy of your dorm.
You discovered a lot of information about the brunette during this conversation, such as how she loved coffee but only if its iced, how she never loved texting (preferring to call or talk in-person) but will do so if she must, how she immigrated with her twin brother from Sokovia when they were children. As she recounted her memories from Sokovia, you could hear the accent she once had poking through the surface; although, you did not point it out, afraid it was an insecurity of hers. Maybe you would tell her another time how nice it sounded, but for now, you bonded with her about collecting CDs and vinyl records from various artists.
While the two of you casually spoke, all you could think about was her — how pretty she was under the dimmed lighting of your dorm, how every joke she told was the epitome of humor, how much you wanted to stay in this moment with her. She was perfect.
Is this what people were talking about in high school?
As the night came to an inevitable end, you found yourself feeling quite sad, for you no longer had an excuse to hang out with Wanda. Though she had her number, you did not have the confidence to use it and ask if she wanted to meet up again.
You did not have to worry too much about it. As she packed her belongings back into her bag, swinging it over her shoulder, she spoke, "You know, you're pretty cool, Y/N."
You tried to hide the shock caused by her words, "Thank you, I think?"
She chuckled lowly, "My friends are having this thing at my place this weekend, if you wanted to join?"
Your head perked up, eyes blinking rapidly in shock. Unable to deny her offer, you nodded, "Yeah, sure... okay."
“Great,” she replied, walking toward your door. You followed behind her and reached around to open for her. She smiled at the gesture before speaking again, “I’ll text you later with the details and everything. See you in class.”
“Yeah, see you,” you returned. As you closed door behind her, you feel your mind finally catch up to reality: you, the stereotype of a nerd with very few friends, are going to hang out with Wanda and her friends.
You close your eyes, leaning your head onto the back of the door. “Oh, shit,” you whisper aloud into the open air. What have you just gotten yourself into?
Decoding your own thoughts and feelings about the Sokovian in the days leading up to your next class had revealed just how infatuated you had become; yet, you didn't even know how to act upon them. For years, you had only observed romantic behaviors from the outside looking in, whether it be through your friends' dating experiences or the words on a page from whichever sapphic novel you had picked to read. Now that you finally found yourself in the loop, what were you supposed to do?
Should you message her about whatever? No, that would come across as needy and overbearing.
What if you found her after class and ask to hang out again? No, that's even more overbearing than the text message.
The internal war waged on, resulting in your mind and body being paralyzed out of anxiety. For now, you have settled on simply waiting for her message regarding this weekend and presenting your assignment with her this week during class.
Days later, you walked into the class, practically shaking from your nerves about the presentation and the girl that you had to present with (who had just so happened to become your first teenage crush over the span of weeks).
You sat down in your unofficially assigned seat. Being so focused on the way your leg bounced repeatedly, you failed to notice the familiar brunette enter the classroom. Instead of sitting in her typical seat, however, she dropped her bag on the floor by the seat directly next to you.
Wanda instantly noted your nervous demeanor. While she had her own anxieties regarding the presentation and such, hers remained within her mind. She never showed such things outwardly, unless she was with someone with who she felt undeniably comfortable expressing those thoughts.
She slid into the seat and reached over to place her hand on your bouncing leg. Immediately, you noticed the feeling of someone's hand, breaking the chain of your anxious thoughts; upon glancing to your side, you discovered the culprit: Wanda.
"Hey," she started. "Everything is going to be fine, I promise."
Unable to find the words currently, you opted to remain silent, but you provide her with a uncertain nod in return. With a squeeze of her hand as a final attempt at reassurance, she placed her hand back within her lap and waited for the class to begin.
As always, Wanda was right. Your presentation went well; there were a few instances of stumbling words on your part, but otherwise it went great.
When the two of you returned to your seats, she leaned over and muttered under her breath for you to hear, "Told you so."
As you began to do your typical nighttime routine that evening, you heard your phone go off. Unsuspecting to who it was, you tapped on the screen under the assumption that it was just another email added to your overflowing inbox. You were wrong yet again.
Wanda: hey y/n !! are you still able to make it to the thing this weekend?? its gonna be on saturday at my place... lmk !!
You stared at the message for a moment before confirming you would still be in attendance, of course. Was it normal for your heart rate to speed up this much from mere words on a screen?
Saturday night rolled around quicker than you had anticipated. It was almost time to leave, yet you were currently standing still in your pajamas, surrounded by the miscellaneous clothing items you had thrown around. Ultimately, you had settled on the outfit you had first chosen, resulting in a bunch of unnecessary cleaning afterwards.
When you arrived to her place, you promptly knocked on the door. A moment passed before the door creaked open to reveal the Sokovian. Her outfit was considerably more casual than others you had seen her wear around campus. She stood in front of you, adorned with an oversized band tee and jeans; her fingers were still littered with her usual assortment of rings. However, the thing that surprised you the most was her lack of makeup. Not that she needed it, of course; in fact, it was quite the opposite. Tonight she seemed to have abandoned her typical heavy eyeliner and rose-colored shade of lipstick, choosing to only use her mascara and some chapstick.
"Sorry for the jumpscare," Wanda joked, her nose scrunched in amusement from your reaction. She continued to explain, "I know I'm dressed down compared to class. I just don't like putting in the effort to get ready sometimes, especially to just hang out with friends."
"No!" you exclaimed, quickly trying to backtrack the way she took your shocked expression. "No, you're fine. You're beautiful, actually, I just- I was just surprised to see you without the eyeliner and all."
Her cheeks became flushed at the compliment, but you seemed to miss it being overly concerned with your own response. She chuckled at your awkwardness, "Thanks. Oh, you can come in, by the way. I think everyone is here now."
She introduced you to each friend, after which you gave an insecure wave in return.
As the night progressed, you gradually loosened up. Whether it was time or the alcohol in your bloodstream, it frankly did not matter to you. You were not drunk by any means but definitely buzzed enough to not worry about every single decision you made. You even talked to one of Wanda's friends, Natasha, for awhile without the Sokovian present (given that she had left to use the restroom, but it still counts in your mind).
Suddenly, you were sat on the floor, playing childish party games with the others. It was fun, you couldn't lie... until it wasn't. You had already survived Truth or Dare, but someone (Tony) had suggested Spin the Bottle. With no romantic history, it was practically a given that you subsequently had not kissed anyone yet. For your first kiss to be during a stupid game of Spin the Bottle would be depressing; but, you didn't want to be the loser who said no to playing because the reason would be too humiliating to explain.
So, you elected to power through the hesitation, hoping the bottle just would not land on you.
At first, you were confident. The game was now three rounds in, and you remained lucky.
Eventually, the group had noted your lack of participation and had chosen to give you a "free spin." You silently prayed it would at least land on someone with whom you had become somewhat acquainted. With a shaky hand, you reached forward, spinning the emptied beer bottle. In the moment, it felt like the bottle would never stop spinning, but, once it did, it felt like time froze altogether.
It landed on Wanda.
Though you liked the brunette, you truly did not want your first kiss to be this way, especially with her.
She instantly noticed your apprehension. Turning to where Tony sat in the circle, she offered, "Hey, what if we did a hybrid of this and Seven Minutes in Heaven?"
Your eyes widened at the question, feeling unsure about all of this.
With a smirk on his face, Tony agreed, "I like the way you think, Maximoff. Alright, new girl, go follow Maximoff, and don't have too much fun while you're gone."
Before walking off with Wanda to the nearest bathroom, she briefly turned around to aim her middle finger at the boy. Though you were extremely overcome with anxiety about what was about to occur in the bathroom, you released a chuckle at her response.
She pulled you into the bathroom, flipping the lights on. As the door clicked shut, you faced her with your back against the wall.
"So, um, what are we supposed to do?" you asked.
"We don't have to do anything, Y/N," she replied, leaning against the bathroom counter. "I just noticed you weren't very comfortable with the idea of kissing me out there, so I improvised a little bit."
"Oh, okay," you breathed out. "Just for the record, it was not the idea of kissing you that made me uncomfortable. You- You're cool, so, it's fine."
Wanda tilted her head in curiosity, clearly not expecting that response. "Oh?" she questioned. "What was it then? Because I could clearly tell you were not very comfortable in there... I mean, you were visibly stiff."
"It's not you, I just..." you looked away, unable to meet her gaze.
"'It's not you, it's me'?" she joked, narrowing her eyes.
"Yes! No! I mean..." you exhaled. "It's not that the idea of kissing you makes me uncomfortable because, believe me, it very much doesn't. I just- I've never done this before."
The blood rushed to your cheeks during your admission. You felt utterly embarrassed, wishing you could just be back in your dorm in this moment.
"Y/N," she called softly. Despite every ounce of your body screaming at you to not do so, you returned your gaze to the Sokovian. "Do you want to kiss me?"
You couldn't read her tone. A part of you was nervous, maybe this was all some sick joke between her and her friends; yet, the other part of you was thrilled by the proposition alone.
"I wouldn't oppose," you muttered, automatically employing humor as your defense mechanism.
Wanda rolled her eyes at your antics, "Ok, then, let's play a new game." She looked down at her phone, checking the time. "We have less than four minutes in here."
Confused by the sudden change, you acquiesced in her request, "Okay?"
She stepped closer to you, standing a foot away.
Her tongue escaped her mouth, briefly licking her lips, before she proposed, "Are you going to marry, kiss, or kill me?"
Your eyes widened at the unexpected question, but you attempted to recover in order to return her playful energy, "Can I choose all three?"
Her eyebrow had risen, the infamous smirk forming on her lips. Slowly, she inched closer and closer to you until you could feel her breath on your skin. One hand found refuge on your hip, while the other she brought to the side of your face. She used her fingers to tuck a few loose strands of hair behind your ear then cradled your face. You licked your own lips and closed your eyes in anticipation.
Then, you felt it. Her lips brushed against yours, softly and slowly as if she were testing the waters. It was only a peck, but you swear your heart burst from the experience.
A moment passed before she pulled away enough for her to speak.
"Was that okay?" she inquired, ensuring you were still interested in this.
"More than," you affirmed.
She smiled, "Good, because we still have a few minutes left, and I intend to use them."
Without another second, she connected your lips once again. This time was different, however; there was a newfound fervor behind it. Her kisses started slow like the initial pace, gradually becoming quicker and deeper. Uncertain about what to exactly do, you continue to follow her lead. You felt her slide her tongue across your lips, asking for entrance. How could you ever deny her that? As her tongue began to clumsily caress with yours, a familiar feeling settled in the pit of your stomach, but you ignored it and kept kissing her.
A knock at the door pulled you both back into reality.
"Time's up, lovebirds," the voice called. "Clothes better be on and straightened when you leave."
Wanda chuckled at her friend's words and bit her lip. For the first time, you think you see her outwardly nervous. She swallowed as she shifted her gaze from your lips to meet your eyes, "Hey, I um- I hope this wasn't a one time thing."
You sighed in relief, "With you? Never."
She leaned forward once more, placing a final peck on your lips before grabbing your hand to return to the circle. Instead of your prior placements on the floor, in which she sat on the other end, Wanda refused to let go of your hand, instead pulling you to where she had been sitting.
Thankfully, no one mentioned how your cheeks were now incredibly plagued with a pink hue, allowing the game to continue onward.
After the group decided to finish playing games and turn on a movie, you followed Wanda to the couch in order to sit next to her. As soon as you found your place at the end of the sofa, she gravitated closer, leaning into your side. Her head rested on your shoulder as if you both had been close for years.
The movie American Pie started playing, all of her friends too engrossed in it to note how the two of you were cuddled up together. She picked her head up from its place on your shoulder. You didn't think too much of it, imagining her neck must have simply gotten uncomfortable in that position.
However, she turned her head to face you, taking in the sight of you and her friends all hanging out and watching a movie. Unable to resist herself any longer, she leaned in closer, her breath hitting your ear as she whispered to you, "I can't focus on the movie. All I can think about is kissing you right now."
You rotated your head to face her, biting your lip at her words. "Shush, your friends are here," you quietly argued, but you were secretly enjoying her antics. You peered over her shoulder, observing her friends who sat quietly with their attentions fully focused on the film.
Wanda pressed a soft kiss to the base of your neck prior to returning to its original position on your shoulder. You sighed at the feeling of her affection, wondering if it would linger forever.
Soon enough, the movie ended, and it was time to go home for the night. Her friends had left moments ago, but not without saying how you should "come around more often." Honestly, you were deeply excited that you received their approval, especially after the recent developments with Wanda.
You stayed behind for a little, attempting to garner as much alone time with Wanda as you could without being interrupted.
With the others now gone, you allowed Wanda to be more affectionate; or rather, you allowed her to give in to her desires and kiss you again, and again, and again.
After the final peck, you pulled away with the cheesiest smile and swollen lips. She loved seeing you this way: giddy and carefree.
"I really like you, Wanda," you proclaimed with a sigh, effectively breaking the comfortable silence between the two of you. "Like, a lot."
"I really like you, too," she replied. "You know, in case it got lost in translation with the kissing and everything."
You playfully slapped the side of her arm. "I'm serious," you started. "You make me feel so... high school."
She raised her brow, gesturing for you to continue.
You resumed, "I never felt like this, especially during high school. For a while, I actually thought something was wrong with me." Her lips formed a slight pout at your past conflict. "I was always so... jealous of others my age, having all of these teenage experiences with crushes and romance. Since I never did, I just assumed that it was my fault, that something was wrong with me. It was isolating; it felt like some inside joke that everyone else knew about except me. But, I'm happy I waited, truthfully, because now I can experience all of those high school feelings with you."
End.
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muzan with a demon reader that is the first ever demon of desire? Like, when reader turned, they became the first ever sex demom
I love this request lol
And this is not NSFW ;)
Muzan Kibutsuji
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Muzan really hadn't expected this.
He didn't even know this was possible.
Because of this, Muzan wouldn't know what to think.
This would be a truly exceptional situation.
A situation that Muzan would not like.
If you weren't so strong Muzan would have killed you already.
But to his "unfortunateness" you were a surprisingly strong demon.
So Muzan would leave you alive.
You would frustrate Muzan at first.
Because you're not really actively looking for a blue spider lily.
Kinda like Douma lol
You were busy with other things ;3
However, time would pass.
And you start giving Muzan some important information.
Muzan really doesn't understand how you would have gotten that information.
You had your ways ;3
This would increase his appreciation for you.
Muzan would admit that he might have misjudged you.
Muzan might start to like you so much that he would want you for himself.
This might not be a good thing for you because he could be really possessive.
Not that Muzan cares what you think.
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Watcher, Capitalism, and the Petite (Petty) Bourgeois
So the whole Watcher controversy has revealed an interesting misunderstanding of what constitutes "the rich" or capitalist beliefs. The major theme that arose during the controversy was the sense that Shane in particular had gone against his previously stated leftist beliefs - that he had, for all these years, taken up a humorous aesthetic of anti-capitalism without actually believing in what he was saying. I believe that this is due to a breakdown in definitions as they become spread to the general public. Dissemination of information is a good thing, and I would never argue against it, but one problem which arises from concepts spreading to large groups without context is that often the actual meanings break down until they are vastly different from their original, academic denotation. This is, I believe, what happened with the phrase “eat the rich” and its current colloquial usage.
I want to preface this with the fact that nothing I am about to say applies exclusively to Watcher, or that the Watcher staff have done anything wrong or misrepresented themselves. I also don’t think that the Watcher fanbase is wrong at all – the situation just happened to spawn arguments both in defense of and critique of the Watcher team which indicated, in my opinion, that an understanding of “the rich” in a capitalist society is not well understood. Disclaimers out of the way, let’s get into this.
During the controversy, two major sides arose – those who had begun to see the Watcher crew (in particular Steven, Ryan, and Shane) as “the rich” or ruling class in a capitalist setting, and those who argued against this by arguing that as Watcher is a small business, and not the upper 1%, they are not included in the definition of “the rich” expressed by leftists. I want to focus in on the counter-argument that Watcher being a small business just trying to survive means that they are not considered “the rich.”
In Marxist theory, there is a small group called the “petite” or “petty bourgeoisie.” This group is defined as those who both own and contribute to the means of production – aka, small business owners. Marx himself wrote little about the petite bourgeoisie, predominantly referencing them in passing in his essays The Class Struggles in France, 1848-1850 and very briefly in The Communist Manifesto. He does happen to criticize this group in the little writing he did on it, “Marx derides what he sees as the petit-bourgeois self-delusion that, because it combines both employment and ownership of the means of production, it somehow represents the solution to the class struggle. This class was progressive in a limited sense, as witnessed by its claims at various times for co-operatives, credit institutions, and progressive taxation, as a consequence of felt oppression at the hands of the bourgeoisie. However, these were (in terms of the Marxist view of history) strictly limited demands, just as the ideological representatives of this class have been constrained by their own problems and solutions” (“Petite Bourgeoisie - Oxford Reference”).
Now, it is very important to note that team “Watcher is a small business” aren’t completely wrong in their positioning of Watcher’s attempt to raise more revenue as Not Evil Capitalism. Marx’s belief was that eventually the Petite Bourgeoisie would be pushed into the proletariat class. I also am not positive that Watcher is a classical small business – they very well could be a worker co-op. A worker co-op is a business where the workers have ownership of the company, and significant representation on the board of directors(“What Is A Worker Cooperative? – U.S. Federation of Worker Cooperatives”). While some criticism of worker co-ops from a communist or socialist view exist, they are generally seen as a more socialist approach to the typical small business model.
I couldn’t find direct confirmation that Watcher is a co-op. One point against them being one is the use of titles such as CEO and Owner, but these designations could simply be for tax and paperwork reasons. Watcher is an objectively small company, they have between 25 and 30 workers, and most people cite them currently having 27 workers, but in the past they have employed interns and I am unsure of if they currently have interns on board so I am going to stick to the range. It would be incredibly easy to have a worker co-op with 25-30 people, you wouldn’t even need voted representatives; everyone could just be on the board and contribute to decisions. I figured the next best approach would be to see what the roles on Watcher’s shows are – if Steven, Shane, and Ryan contribute significantly rather than just showing up and looking pretty on camera, then there is a good chance they might be functioning as a worker co-op more than a traditional business or small business.
To do this, I decided to look at Watcher’s largest show for each co-owner. This means Ghost Files, Mystery Files, Puppet History, and Steven’s food series. These numbers broke down as follows:
Ghost Files: Ryan is listed as a Creator on all Ghost Files videos. Ghost Files Debriefs do not have writers, so that role will not be held against them on those videos. Ryan and Shane were listed as a Host and an Executive Producer on all videos, but neither ever held a Writer, Editor, or Sound Mixing role.
Mystery Files: Ryan and Shane were listed as a Host and an Executive Producer on all videos, but neither ever held a Writer, Editor, or Sound Mixing role.
Puppet History: Shane is listed as a Creator on all Puppet History videos. He is listed as a Host on all videos, an Executive Producer on all videos, Writer on 4 videos, and never held an Editor or Sound Mixing role.
Steven’s Food Series: Steven is listed as a Host and an Executive Producer on all videos, but neither ever held an Editor, or Sound Mixing role. This show does not require a writer so this will not be held against him.
*Do take these numbers with a grain of salt, I wrote this while in class so its possible that I missed something.*
Looking at those numbers, the main three do predominantly just film, but I don’t want to devalue the work that goes into being on camera. They are still generating capital by acting, I simply wanted to clear up confusion I had due to seeing people say they edited every Ghost Files video. From what I can see, they don’t do the editing, but as executive producers they likely have to review every video before it goes out. I also still can’t fully come to a conclusion on if the company can be considered a worker co-op, but I believe it is a standard small business – aka, the petite bourgeoisie.
All of that leads to the final point – the way that people only began to view the three lead Watcher members/founding members as “the rich” after the announcement of the streaming platform shows the way that leftist theory has become divorced from some of its meaning. I saw several people arguing “you guys can’t recognize the rich”/”you guys would attack doctors and lawyers under the guise of eating the rich,” and yes its true that doctors who work in hospitals are proletariat, but if a doctor opens a private practice or a lawyer opens a private firm, does that render them more bourgeoisie or more proletariat? At what point do the petite bourgeoisie become a part of those who we disavow? I don’t actually have answers to these questions, and I’m sure people much smarter than me or better versed in economics have written on this (one source I found that seemed good while I was skimming it despite its age is this one https://www.jstor.org/stable/2083291?seq=3 ). I didn’t make this point to argue one point over the other on whether Watcher counts as “the rich,” but more to focus on the way that term gets used. The argument could be made that we could have started questioning Shane’s anti-capitalist beliefs the moment he helped start a company, but we didn’t. We only started to criticize him on the basis of hypocrisy after the announcement and its out of touch comments. This raises so many questions about how we use the term “the rich” now – does it refer to anyone we dislike who is financially stable? Has the term become completely divorced from its original meaning? Or were we being hypocrites all along? Has Watcher Entertainment always been incongruent with Shane’s implied political beliefs? Is there a certain point at which the petite bourgeoisie become a part of the financial aristocracy? Or is that term only relegated to the industrial bourgeoisie, is it reserved exclusively for those in financial positions that no artisan could ever hope to reach?
Is it possible that both arguments are correct regarding the Watcher boys, and all other members of small business ownership and management positions? That they are both “the rich” but not a part of the proper bourgeoisie?
I don’t know. I find it fascinating though.
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keirawantstocry · 2 days
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Would a prompt for Tubbo to show up at Fit an Pac's doorstep absolutely fuming work? Like maybe it isn't Tubbo in control it's Tommy here to give the 2 an ear full because Tubbo has been a mess, months of miscommunication building to thinking they have been left behind, months of Tommy hoping he was right not to jump in cause it meant his husband paid attention to him. But Tubbo's a wreck heartbroken it can't be ignored anymore, how could they just drop him like that weren't they steps away from all 3 of them dating? Was that not worth fighting for?
Sorry if it's too detailed prompts are not my specialty it seems 9 w 9;;
I thought maybe a prompt of how left out Tubbo felt would be nice something that gave Fit and Pac pause to see that the hostility Tubbo shows at times to their relationship was because of that but also thought Tubbo would never say it or open up to anyone but I know you also subscribe to Tommy possessing his husband sometimes... I'm going to flee now I'm rambling too much ...
Have a lovely day!
it's been a while but you have a lovely day!
Tommy was mad. Tommy was furious. 
Tubbo was in the back of the mind they were currently sharing, sulking. He was so upset and it made Tommy furious. So he took over. Grabbed the reins of Tubbo's body and took control. 
Tommy stomped their body right over to Pac and Fit's house while Tubbo was too busy keeping his tears at bay to protest. 
“Hey!” 
Pac looked confused when he opened the door. “Ola?” 
Tommy huffed, crossing his arms firmly. “Listen to me, man.” 
Fit appeared behind him with a cautious look. “Hey, Tubbo. What's up?” 
“Listen to me!” Tommy repeated. “You guys are assholes. He's not perfect, okay? He pulls away from affection and he's a little bitch half the time. But he's my best friend. He's an amazing person and he would rather choke than say it but he fucking loves you two. He's been moping in our fucking mind for ages. He won't stop crying and as soon as he figures out I'm saying this he's gonna take over this vessel and I won't be able to tell you. So fucking listen.” 
They both stared at him with wide eyes as he drove his finger forward to drive them further back into their own house. 
“He loves you both. Not the deep platonic bond he has with me. Because trust me,” Tommy scoffed. “What I have with him will last beyond your lifetimes. Completely and utterly. But he fucking loves you guys. I mean the way he talks about you two. The way he thinks about you two. God. It's so fucking annoying. He's mentally collapsing over how attractive he thinks you two are. It's so ridiculous.” 
Tommy took a deep breath. Pac tried to cut in but he made sure he couldn't. 
“No. Let me finish. Right now he's starting to stir in our consciousness. When he takes over I need you to kiss him and make up. Fuck, it's gonna be disgusting and I'm going to hate it but its better then having to see… the most important fucking person in my fucking life… having to be hurt over and over again by people he loves. So do your cringe ass lovey dovey shit and make sure he feels loved. For the love of-” 
He was cut off. Snapped back into the back of Tubbo's mind. Fuck, he swore to himself. Please let those idiots understand me.
Through Tubbo's eyes he watched. Watched as Pac took Tubbo's face as soon as his own words slipped out of his lips and kissed him. Murmured the sappiest shit he had ever heard in his ears while Fit hesitantly took him by the hand.
And Tommy was right. It was gross and he hated it. But the joy that flooded through Tubbo's body was undeniable and calmed his spirit. He could finally rest. 
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604to647 · 11 hours
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Barón Tovar Takes a Wife
First Movement (Adagio sostenuto)
5.5K / Bridgerton AU Regency!Pero Tovar x fem!reader, a childhood best friends to lovers story
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Summary: About to make your society debut and enter London's marriage mart, you don't expect an old friend whom you haven't seen in over 10 years to make a surprise appearance at the first ball of the season.
Warnings: None! Fluff! B, C, D, E, F Bridgerton make appearances. It's me so there's a cute nickname (won't spoil). The masterlist includes a few words about how this reader insert is written - essentially, no reader description other than having hair and wearing dresses in the style of this era, reader has a backstory; much of this part is exposition (so maybe a little slow but we'll get there!😊)
A/N: My plan is to post the entire series before Season 3 of Bridgerton airs, because the story is intended to take place in the background of the same season and if things don't make sense after the show comes out then oh well 🤭 I'm also only 2/3 of the way through Julia Quinn's books, so please forgive me if some of my characterizations of the Bridgertons are not wholly correct 🙏🏻
Wonderful Bridgerton inspired dividers by @saradika-graphics 🥰
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Series Masterlist
The Duchess of Hastings stands behind you, admiring the reflection in the mirror of the two of you together, “I dare say, if you had debuted with me during my season, there is a good chance that I may not have been the Diamond.”
“Oh, shush, your Grace,” you make a funny face at her in the mirror, to which she laughs and pokes you in the ribs, “Don’t you start with this ‘Your Grace’ business with me.”
That Daphne Bridgerton is your dearest and oldest friend in England is something you consider to be one of the great fortunes of your life, of which, as the daughter of a Count, you have many.  Violet Bridgerton and your mother, the Countess, had been dear friends and as such, much of your early childhood in England had been spent at Bridgerton House, running around with not only the same aged Daphne, but her elder and younger siblings as well.  The Bridgertons are one of the most beloved families of the ton, their good natured and spirited personalities recommending themselves to everyone, and accordingly, your memories of when your two families would gather remain some of the most joyous of your childhood.
Sadly, your dear mother passed away from illness when you were only seven years of age and your beloved father, who loved her more than life itself, could not bear to stay in England much without her.  The Count was one of several nobles charged with governance of Her Majesty’s Royal Naval Fleet; a gentle man, his purview was primarily diplomatic (as opposed to militaristic) and he thus travelled widely, often and always for long periods of time.
Though he did not wish to remain where so many of his memories dwelled, the Count could not bear to leave his only child behind, and consequently, you had joined your father on his travels.  He proudly raised a cheerful, spirited daughter who loved the seas and adventure as much as she did reading and music.  Your father found that exposing you to and requiring you to immerse yourself in so many foreign cultures at a young age led you to be the most sympathetic and kind hearted child, one who others found easy to converse with and befriend on account of your good humoured nature and open minded heart.  Unencumbered by the rigid etiquette requirements (and dress code!) of British high society, you happily embraced many freedoms that other young ladies of your age and breeding did not have the opportunity to enjoy.  Your father taught you much about the ships and business of the naval fleet, subjects to which you took a great interest; to this day, you know your way around most ships better than some sailors.  The Count was especially proud of your affinity for diplomacy, understanding the importance of fairness and tough negotiation both in foreign matters and managing fleets.  You loved all of it – spending countless hours pouring over maps and letters of diplomatic matters with your father and absorbing all you could; as you got older, you took great pride in the way your father would sometimes seek your opinion and advice on business matters and delighting when he would praise you on your ideas.
While he was unorthodox, your father could not be accused of being neglectful; he would not forgo your formal and societal education, knowing that one day, you would have to return to live in England.  Hiring only the most adventurous and brave governesses to accompany your travels, the Count ensured that your literary, numerical, musical and artistic accomplishments and pursuits could rival those of your peers back home.  You learned to dance the dances of grand balls, though you had only the few foreign dignitary hosted events to practice.  Your only other occasion to practice came when you would return for your infrequent visits to England, reuniting with your beloved Bridgertons to spend nearly all your time catching up and laughing with Daphne and her siblings, and take in what you could of British society before once again being swept away on another ship.  Though brief, these reunions with your friends, coupled with your frequent letters were enough to ensure your friendships remained strong and cherished over the years.
Two years ago, Daphne had made her societal debut, meeting and marrying her love, the Duke, during the marriage season and you could not have been more delighted for your friend.  That season should have also been your debut season, except that you and your father were in the Far East and would not have been able to complete the Count’s business and return in time.  Since you had postponed one year, what was two?  If you had your way, you would have made it three, not eager to give up the life of travel and leisure that you’ve grown accustomed to.  However, when the Queen wrote to ask why the daughter of one of her esteemed Counts has not yet been presented, both you and your father had to regretfully concede that your life as a carefree sea farer was over.
And thus, you find yourself in your present circumstance: in a luxurious silk gown the colour of swan feathers, wearing what might actually be swan feathers in your hair, about to be presented to the Queen before embarking on your first social season.  To be honest, you’re not terribly nervous, save for whatever nerves one always has whenever attempting something new, and you have good reasons not to be.
The first being that you are in the very capable hands of your great friend, the Duchess.  The now Dowager Viscountess had promised your mother that when the time for your debut came, it would be the Bridgerton family’s honour to sponsor you.  If anything, you felt that the honour was all yours – not only were you to have the support and backing of one of the most respected and revered families during your season, you would also be blessed with their company.  As fortune would have it, due to the timing of your debut, Violet had prepared herself to take on the duty of presenting not one but two girls: yourself and her third eldest daughter, Francesca. 
Fearing it was far too much work and pressure, you had assured Violet, whom you loved as a second mother, that she need not fret too much over you; you’re a woman of twenty-three with more world experience than most men twice your age, and encouraged her to focus her attentions on her own daughter.  Violet had been aghast at the implication that she didn’t think of you as one of her daughters, and you were about to be on the receiving end of a scolding that only a mother could dispense when Daphne came to your rescue.  As the Duchess of Hastings, she herself had the right to present young ladies at court, and she declared herself delighted to be your patroness this season.  This was decidedly a win-win; not only could Violet concentrate on Francesca’s prospects, you could now look forward to spending the season with your dear friend by your side.
The second reason you’re not overly anxious is that despite being older than most of the girls debuting at the same time, you know you have plenty to recommend you to potential suitors.  No, you are not terribly conceited nor do you hold your own attributes in such high esteem, but rather, very practically, you know most suitors will not let a small thing such as age deter them from the handsome fortune your father has bestowed upon you. 
The Count was forever exasperated with the shortcomings of the laws of inheritance and how they prevented his one child from inheriting his estate, but he made up for it the best he could with the legal avenues available to him.  First, he set aside a healthy dowry for you, so that you would be sure to attract a similarly healthy crop of high society gentlemen from which to choose a husband.  Second, via his will, you would be provided for for the remainder of your life with a generous per annum allowance that rivaled the income of many estates; you were to want for nothing even if you never married. 
And finally, known only to a select few, your father had a vast investment in an international fleet separate from the naval fleet of the queen; a beloved exploration and trade business venture that was the Count’s passion project - you and him spending many enjoyable hours pouring over the plans and movements of this fleet.  The dividends from your father’s shares went directly into a trust of which you (and any future children of yours) are the sole beneficiary, though the capital had to be held by a man.  It was the Count’s thinking that in addition to the income, it was only fair that you benefitted from a venture that you had invested much of your own heart and time into.  Naturally, being a part of your father’s estate, this investment could be passed down to the next Count (a distant relative), but your father had other plans.  If the intended recipient was willing, you father wanted to sell his shares to his future son-in-law, allowing for the dividends to continue flowing to you and so that you may remain close to the business via your husband’s involvement. 
In other words, there are plenty of reasons that potential suitors who might otherwise be dismissive of your age and lack of societal presence, may find you attractive (the least of which were probably your charm and wit); you can afford to be choosy and you fully intend to be.  And while you’re not quite so hopeful to wish for a great love like that of your parents, or even Daphne and her beloved Simon, you dearly wish for a husband that will understand and respect you; one who will celebrate you for your mind, experience, opinions and all the reasons why you’re different due to having grown up the way you did.
Daphne seems to have high hopes that there will be many potential suitors who will live up to your expectations.  You’re less confident than she, but still more optimistic than not.
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Flopping yourself down on the chaise next to Eloise, the two of you heave heavy sighs in unison.  After the nerve-racking presentation to the queen earlier this week, the following days have been a non-stop flurry of ribbons, fittings, etiquette lessons and teas with the express purpose of study in the who’s who of the ton.  In just a few hours, all of Violet and Daphne’s hard work and preparations will be put on display when your contingent attends the first event of the season: the Danbury Ball.
Eloise passes a box of candy to you and you select a treat gratefully.  Though Daphne is your closest friend, you’ve sometimes found yourself having a fair amount in common with Eloise and know her to be a trustworthy confidant; this is one of those times.  While you don’t think you have it in you to hate anything as much as Eloise despises the marriage mart, the both of you at least have the good fortune of being able to be picky with your suitors and moreover, wish to exercise that particular privilege.  For Eloise, marriage is a cage.  For you, it’s the not marriage itself, but a union with an imprudent match that you wish to avoid.  If you can no longer be free to sail the seas and wander through the valleys and streets of the foreign lands that call your name, you must insist that the home you’re being called home to roost is at the very least, pleasant.
“I beg of you,” murmurs Eloise, “Please let all the fashionable young men fill up your dance card so that there shall be none left for me.”
You steal another piece of candy, “I’m afraid there’s more than enough young men to go around, El.  Plus, you really ought to beseech Franny for your request, my dance card may struggle for applicants on account of me being such an old maid,” you giggle.
“None of that negativity now,” chimes in Daphne from the open door, “tonight is full of possibilities.”
During the season, you’re staying at Bridgerton House so to be close to all the finery of dresses, jewels, shoes, ladies’ maids and moral support that you may need.  Your father is staying nearby in another house on Grosvenor Square, and comes by most days to see his daughter and dear family friends for breakfast at the very least.  You have loved your life with your father, but at times like these, when you are laughing at and listening to the loving snipes and bickering of the Bridgerton siblings, you often wonder what it would have been like to have a more traditional upbringing.  Pushing that thought out of your mind, you stand and pull Eloise up with you so that the two of you can follow the Duchess to the next room where you’re expected to choose from the glittering selection of dresses laid out for tonight.
As you lean towards selecting a pretty lavender gown, Daphne fills you in on the processional arrangements for your entrances tonight, “Mama, Franny, Anthony and Kate will take the first carriage, then you, Eloise and I will follow in the second.  We will enter the ball in that order as well.”
“What about Colin and Ben?”
“They’re meeting with some friend from Colin’s travels whom he met in… I want to say Greece?  They will make their own way and meet us at the ball.”  You nod agreeably; as long as everyone is together at some point or another, your first season event will feel a lot less daunting.
---
As you walk into the Danbury estate, you cannot but feel a bit overwhelmed by all the elegance and glamour on display.  Though no stranger to luxury and finer things, it’s not very often that you find yourself amidst so much opulence.  Eyes shining as you take in the finery, your voice is full of excitement and genuine awe as you compliment Lady Danbury and thank her for hosting tonight’s soiree.  Hand clasped tight in Daphne and Eloise’s as you make your way down the main hall to the ballroom, you see Colin further down on the right side of the hallway, waving alongside Benedict.  Waiting by the wall with the Bridgerton brothers is a third gentleman, tall and broad shouldered with soft, curly brown hair who currently has his back to you; Colin has on a mischievous grin and he’s speaking to the stranger quietly, eyes flitting back to you and his sisters periodically as you approach.  This can’t be good, you think with suspicion.  When you’re a few steps away from meeting with the brothers, Colin gives the stranger a slight nod and he turns around; before you even have a chance to look upon the newcomer’s face, you hear a familiar sweet baritone voice say, “Hello, Dulce.”
At first, you’re in shock; the Spanish word for candy is not a nickname people commonly call you and it’s one you haven’t heard in over ten years.  Then joy of recognition and realization overtake you and you completely forget where you are, crying out, “Pero!!!”  Your arms behave of their own accord and fly open to wrap around his neck as you launch yourself into the handsome man’s arms.
He hugs you back firmly and whispers low in your ear, “Happy to see you, too” before releasing you, the both of you immediately stepping apart and drop your hands to your sides, remembering where you are and that the eyes of the ton are always watching.  But you can’t help but beam; nor can you look away from Pero’s face. 
Pero Tovar had been your most constant and beloved friend for many of your happiest childhood years spent abroad.  Pero’s father, a Barón of Spain, was in charge of naval governance for his country in a similar capacity as your father was for England and accordingly, their paths crossed regularly in foreign countries.  Both men of gentlemanly dispositions, the Count and the Barón had forged a deep and lasting friendship as they conducted their business.  Another thing that they had bonded over was the fact that they were both widows who uncharacteristically chose to bring and raise their children with them on their travels. 
So, although Pero is eight years your elder and already in his early teens when you first met, being the only two children of sea loving foreign diplomats in the strange lands you found yourselves in readily recommended you to each other and you had become happy and frequent playmates.  Pero devoted hours and hours to your amusement, allowing himself to play more juvenile games of pretend that he may not otherwise with compatriots of his own age, and with his encouragement you grew to be brave and curious, always wishing to keep up with the older boy.  He helped you with your studies, and you played music for him, learning and mastering the pieces he enjoyed the most.  The two of you shared a love of literature and it became your special version of a traditional hunt in each new country you landed in to find foreign language versions of the other’s favourite books so that you could read the translations alongside your worn English copies.  Some of the most cherished copies of your favourite books, ones you carry with you from country to country still, were gifts from Pero. 
As you got older, your shared adventures expanded to include exploring the streets of new cities, trying local cuisines and frolicking on the beaches of the coasts of Italy, Portugal and even India.  The last time you had seen him, he was a strapping young man of twenty and you had been twelve.  His father was returning to Spain for an undetermined amount of time to deal with affairs of his estate, and Pero would be entering university, having postponed his acceptance for two years already.  Although you had each promised to write, the letters were far and few between and eventually you lost track of Pero – you can hardly blame either of you; you were travelling with your father and not always easy to find, and you didn’t really expect a young man concentrating on his studies to have the time to write to a young girl despite having been her very best friend for so many years.
But now he’s standing right in front of you and you can hardly believe your eyes.  He’s impossibly tall and wide, a far cry from the lanky boy with whom you scrambled over rocks on the beaches of Portugal, but he’s still tanned, leading you to surmise that he must still sail or at least get a healthy amount of sun regularly.  And while his face is older, devastatingly handsome with a cutting jawline partially hidden by untamed facial scruff, he’s completely recognizable to you.  An easy clue is the scar that runs from above his left eyebrow down past his eye, though faded from when you saw it last, but it’s the indulgent smile he’s giving you right now that gives him away to you.
“What are you doing at this ball? Did you know I would be here?” you can’t help but continue to stare at Pero wide-eyed, grinning like a fool.
“Oh!  We made the connection earlier this week at dinner,” chimes in Colin, “We were going to bring him over to the house but thought this would be more fun.”
You make to swat at Colin’s arm. “How did you meet this scoundrel?” you jest, with absolutely no malice in your voice, pointing your thumb at the still laughing Bridgerton brother.  As your group starts to move towards the ballroom, Pero falls into an easy step by your side, “We met when Colin was taking in the crisp sea air of Mykonos, and then again last year in the vineyards of Tuscany.  He made for excellent company after a long day of helping the locals prune grape vines.  Naturally, when I arrived in London for business this month, I had to look him up.”
Daphne is now tugging you towards the ballroom by your hand, and in turn, you’ve grabbed onto and are practically dragging Eloise down the hall with you.  You shout back to Pero, “I want to hear everything!” and can’t help the smile that spreads across your excited face when he nods after you.
“Oh!” you breathe, invigorated from the surprise of seeing Pero, as you come to a stop right before the entrance way.  Daphne smiles over at you, “It was so hard keeping it a secret from you!”
You’re astonished, “You knew about Pero as well?”
“Yes, I thought it might give you an additional boost of confidence to have another friend’s support during your first event.” 
You smile at your sweet friend and squeeze her hand affectionately, “Thank you!  It does and I’m delighted to see Pero again.  But in truth, my confidence could never be lacking when I have a friend like you next to me.” 
Daphne gives you her biggest smile and squeezes your hand right back.  A moment later, the three of you step into the ballroom and meet the gazes of the other attendees as you’re announced.
---
The ball is a whirlwind.  It seems you hardly have a moment to even catch your breath, never mind catch up with Pero.  From the moment you walked in to the grand hall, you were pulled in this direction and then that, introduced to new person after new person, some of whose names were familiar from your visits home over the years, and others only from the copious amounts of study you’ve done on the ton over the past week.  You’ve certainly forgotten all their names by now. 
Then it’s dance after dance after dance with the young gentleman that Daphne parades in front of you.  The dancing itself is quite pleasant and a lovely way to shake out some of your jitters, but you find the small talk hardly enough to get to know your partners, and when the dance is over and you’re once again being whisked away to another introduction or meeting that the Duchess has lined up for you.  The few opportunities you’ve had to take a breather and indulge in a glass of lemonade, you’ve been happy to retreat back to Pero and your small familiar group; but just when you’ve started to entreat your old friend to open up about his adventures since you saw him last, another potential suitor will be introduced and the entire cycle starts over again.
It’s only when you’re halfway through the evening that the frenzy has died down enough that you can observe and be amused by Pero’s behaviour at the ball.  While you’re constantly twirling around the dancefloor, you notice that he never leaves his position against the wall and doesn’t dance at all; he mainly scowls and looks displeased, hardly speaking to anyone other than the Bridgertons or you when you have a free moment.  You feel his eyes follow you as you glide across the dance floor with the young men that have asked you to dance, and even when you’re making your way through the room on Daphne’s arm, meeting and making small talk with the other families of the ton.  When you do happen to look up and search for him, you often find him glowering and looking dissatisfied, though if you catch his eye, his expression will soften slightly. 
Once while you were dancing with Lord Whitfield, you had caught Pero’s eye mid-turn and made a silly quizzical face at him, as if to ask What’s going on with you? and you think you see him laugh briefly before the steps of the dance require you to turn away from him.  You wonder why frowns so fearsomely and if there’s a reason for him to be so stoic and curt with the rest of the ton.  It’s so odd to you as you’ve never had so much as a cross word from him in all the time you’ve known him, not even when you had snuck out of the compound in Singapore when you were nine so you could watch the fireworks display.  Pero had come looking for you, his face serious and eyes panicked when he finally found you in the busy square, but he never once got mad.  Instead, he swore not to tell your father, and promised that if you had wanted to see the fireworks up close, he would accompany you.  And then he did just that the next night and the night after that.  But here, when not engaging the company of his friends, Pero’s countenance is positively sour.  Any hopes harboured by the mamas of the ton for snagging a Spanish nobility son-in-law this season are quickly dashed.  Barón Tovar is decidedly not here to find a wife.
With the evening more than half over, you realize that unless you make the point to do so, an opportunity to speak more than a few minutes with Pero will surely not present itself.  And while you are having fun meeting potential suitors, your mind consistently wanders to Pero throughout the evening.  Aside from simply wishing to catch up with him and be in his comforting presence, you do have something important you feel compelled to speak to him on.
After a particularly spirited quadrille, you curtsey your gratitude for the dance to Mr. Sedgewick, and before any of the young men you spy hovering nearby can approach you, you hurry as elegantly as you can toward where Pero is standing awkwardly pressed to the wall. 
Pero, having seen the look of determination on your face when seeking him out, asks with concern when you come up to him, “Is everything okay, Dulce?”
There he is, you smile when you see the kind, gentle expression of the boy that you knew for so many years, “Everything is fine, Pero.  Although I must admit to needing a respite from all the endless socializing.  Do you think we could get some lemonade?”
“Of course.  I would be happy to accompany you in fetching a glass.”
With Pero by your side, any person who previously had designs on engaging you during this brief break between dances now thinks better of it; you chuckle to yourself as his fearsome expression comically paves a clear path for you to the refreshments table.  Once having secured your drink, you ask Pero if you can speak to him privately.
Careful not to lead you from view of other people lest it incite a scandal, Pero finds a quiet place in the entrance hallway and turns to find you looking up at him rather seriously.
When you’re certain you have his attention, you launch into your confession, “Pero, please allow me to tell you how sorry I was to hear of your father’s passing.  I remember him as such a kind, generous man, and such a wonderful friend to my father and by extension, me.  I will always think of him with tremendous fondness.”
“Thank you, Dulce.  I know he thought very highly of both you and your father and forever treasured your friendships.”
But you’re not done and start to shake your head, eyes filling with tears, “And I’m so very sorry that I did not write to you at the time.  I didn't know where you were, but I should have been more diligent in my efforts to find you.  I deeply regret not being there for you if you needed someone.  I hope you were not alone during that difficult time.”
You hang your head in shame.  Pero feels a deep affection for you blossoming in his chest; before him is the same sweet and compassionate girl he knew when he was a boy.  Tender-hearted and endlessly considerate of the feelings of others, you always had more empathy than you knew what to do with; he himself had been on the receiving end of your care and concern more times than he could count.  Pero gently tips you chin up with his gloved finger, “It was a tough time and I miss him a great deal.  But he was an incredible man and I strive to follow the example he set for me everyday.  So, in many ways, he is still with me.  No need for any apologies.”  He gives you what he hopes is a soft and reassuring smile.
In return, you grin, “Who are you and what have you done with my friend?  The boy I knew would have made me pay dearly for even the slightest offense - my portion of dessert for a week, at the very least.”
Unable to hold back his own grin, Pero is finding it easy to slip back into this familiar type of playful banter with you, “Well, I was trying to be a gentleman, but since you think me nothing more than a brute, I shall have no trouble devising an appropriate punishment.  For your transgression against me, I demand… a dance.”
You laugh whole-heartedly and it feels wonderful to laugh loudly at something genuinely funny rather than the quiet polite laughter you’ve been making most of the evening. “A dance?  Well, that is hardly a concession for me!  One dance with you means one less spot on my dance card for some lord I don’t know but who Daphne thinks I might find charming,” you joke.
“Are you finding your potential suitors so far to be villains or are they all just very boring?” smirks Pero.
Giving him a little punch in the arm to show him you’re not really complaining, “I am not so terribly unfeeling.  They are for the most part fine enough gentlemen.  The particular circumstance we find ourselves in just makes them so very eager.  It can feel terribly awkward.”
“None of them are good enough for you anyway.”
“Oh, and you are?” you jest, eyes full of mirth.
“Dulce, I’m the worst of the bunch,” counters Pero, leaning in close.
“I don’t doubt it,” you haven’t smiled this wide all evening.
“Be that as it may, the price you must pay to regain my favour remains the same.  Shall we?” Pero holds out his arm, waiting for you to accept his dance invitation; you hold on to him gratefully and head back into the main ballroom, realizing this is the first dance of the ball that you’ve truly looked forward to.
When Pero takes his place across from you, the tittering from the crowd that the Barón has finally taken to the dance floor can be heard over the opening notes of the music.  You can’t help but giggle, and Pero beams back at you – your light laughter more melodic than any music he’s ever heard.
Hand firmly curling around your waist, Pero sways you to the beat and the two of you carry out the steps of the dance comfortably together.  You hadn’t realized how much stress you’ve been under or how much tension you’ve been holding in until now, when you find yourself actually relaxing in Pero’s strong hold.  For the first time this evening, you’re dancing without nerves or the pressure of having to make polite conversation or a good first impression; you can simply be.  You sigh in contentment.
“What is it, Dulce?  Are my dance skills not to the standard set by your other partners this evening?”
“Hardly,” you chuckle, “I know for a fact that you dance remarkably well.  And if I were to have any complaints, the blame would rest squarely on my shoulders since we learned these dances together.”
“That’s true, we can only be as good as the partners we practice with.”
“Exactly. At least that’s what Madam used to say, right before she would rap you on your shoulders with her rhythm baton,” you muse, nostalgic.
“That weapon had a name?  I have not thought of Madam for many years now, but upon my word if I did not straighten up and stiffen my arms just now.”
You share another chortle as only two close friends with a long history of fond memories and inside jokes between them can.  When you sigh again, Pero cocks his scarred eyebrow at you.
“Do not think me dissatisfied, my Lord.  It is simply just so comfortable dancing with you, as if it has not been over ten years since we last did so.”
“I feel the same way, Dulce.”
You smile sincerely at Pero; although you could explain yourself further, you somehow know that he understands your meaning without you having to do so.  Feeling content, both heart and mood light in the safety of Pero’s closed frame, you find yourself wishing that you could spend the rest of the ball dancing with only him.
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I've never done a tag list before so please let me know if it doesn't work, or you don't/do want to be on it, or it sets your phone on fire 😅 @drewharrisonwriter @inept-the-magnificent @tuquoquebrute @titabel
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notapersob · 1 day
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@mcythorrorgiftexchange
@turtlecase
Grian watcher god fae reference? Mayhaps?
I hope this is horror-y enough? Sorry I really struggled. Turns out this event collided with the last 3 weeks of college and I got super busy and struggled to come up with ideas. Thus drawing does have a short writing thing attached to it (under the cut) but I wrote it a year ago so I didn't wsnt to submit it for this event all by itself.
The writing thingy --->
Its neck snapped and cracked, contorting itself. The thing swiveled it's head around to stare at Scar. Six black wings tore out of its skin. They were covered in eyes. They all stared at him, glowing a dim violet.
"What a peculiar little thing you are" a voice echoed. It sent chills down his spine. He had never felt so small.
Scar could make out what resembled a human face but it looked wrong. It cracked when the thing moved, stitching itself back together. Scar wondered what was under the mask. He couldn't seem to look away, he wanted to know. Like a moth to a flame. Not realizing the danger till it was too late.
"What are you?" Scar tried to back away.
The creature trilled, it laughed at Scars ignorance. "That is of no importance to you,"
"But-"
"Hushhh, you've ran yourself into something you do not understand. What is your name?"
He wasn't sure how he should answer. "You may call me Scar"
"You're funny," it smiled. A talloned hand reached out. It's whole hand was covered in what looked to be a sort of mold. It was black like the sky. Where it warped a deep purple grew in place. The fingertips were sharp. They gently traced the scar across his lip, then moving to his hair. It was curious. Well, so was he.
"What can i call you?" Scar tread carefully. He may be curious but he would like to stay alive. Though, he heard stories where unfortunate humans became eternal servants to the fae they angered. But that's not the worst they can do. Maybe death would be a gift.
The hand left his hair, leaving it a mess. He pushed it out of his face. "Hmm, I dont know, why don't you choose"
"Oh" Scar was surprised. "Uhmm."
"Is something wrong" it's head tilted, or twisted. It was a little unnerving.
"Well, to be honest I wasn't expecting to still be alive, let alone have enough time to think of a good name to call you."
"I could change that" it smiled deviously, the glow of its many eyes flashing bright purple and dimming just as fast as they appeared.
"As much as I appreciate the offer, It would be preferable to avoid death for the time being." Scar laughed nervously. He racked his brain for a good name for his new... friend? He tapped his fingers nercoulsy together trying to think of anything… bread.. Butter.. Wheat.. Grain. Graaiin.. Grian. Grian? For the life of him he cant understand why bread was on his mind. He thought of food when he was nervous and right now a nice good loaf of bread might just make him forget he’s face to face with some sort of eldrige god or something. "Hmmm, does... Grian work?" Scar offered.
"Yes, I think that'll do" it said excitedly. "Gri-an.. gria-nnn, grian" it tested the sound of the name.
Scar laughed. "So are you a girl, a boy? Neither?"
"None, all. It changes, does that even matter? I am a being beyond your mortal rules."
"Cool ok" Scar whispered, wiping his hands on his dirt covered jeans.
The wind picked up. The purple leaves spun up in the air. Grian slowly lowered himself from where he was hovering. His wings folded inward. Scar thought he could hear bones snapping. Grian landed on the ground. They looked a lot smaller then they had before.
He now only had one set of wings with significantly fewer eyes. Scar looked at Grian's face. Where the white of the eyes should be, they were black. He had short golden brown hair, the longest unkempt strands reaching his shoulders. He was a whole head shorter than Scar. He used to stand at least seven feet tall. He was beautiful. His pointed ears were decorated with silvers and golds.
"I owe you now." Grian grabbed hold of Scars hand, all too eagerly. His grip stung, the humanoid bird not quite understanding what a normal amount of strength is. A bright ring of light surrounded the point where their hands joined. The white swirls landed on their arms creating a beautiful pattern. The light disappeared into his skin. He blinked his eyes, getting used to the dark again. The swirls left white marks on his arm, it looked like some sort of abstract tattoo.
"Whoa". He knew he should probably be concerned by what just happened but this was the most spectacular thing to ever happen to him.
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otakubimbo · 2 days
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Now I'm All Messed Up
Shoko Ieiri x F! Reader.
You and Shoko "break up"?
Hurt No Comfort, Not Proof Read, Wrote This In 30 Minutes.
OB talk: Inspired by the song Now I'm All Messed Up x Tegan and Sara. I couldn't get the idea out of my head after listening to Heartthrob for the 75th time. In my mind, it was written for a female reader but nothing is gendered.
The butt of her cigarette gets smashed under her shoe as Shoko enters into her empty apartment. It was devoid of life, devoid of joy, devoid of you.
Now I’m all messed up. Sick and tired of wondering where. Where you're leaving your makeup
Flashbacks of your terrible singing coming to her mind while she drops her stuff at the door, not even bothering to hang up anything properly. You should be dancing around in her kitchen right now, trying to stay awake as you make her a late-night dinner that she continually told you, you didn’t have to. But you always insisted. Before you, she barely ate dinner, she barely ate anything surviving off of cigarettes and coffee, but you made sure she ate, you made sure she took care of herself. You took care of her.
Now I’m all messed up. Sick and tired of wondering who Who’s life you're making worthwhile?
But now you were gone. Your light had left the cold apartment not long ago and she missed it. She missed you. You were her everything, and yet she was the reason you left. You were her everything, but in those last moments, in those last months, she treated you as if you were nothing to her but a burden. The genuine care you had for her was seen as nothing more than a nuisance as she was putting in overtime, barely sleeping, barely eating, and barely doing anything else besides work. The last words between the two of you still feel fresh in her mind.
Go (Please stay) Go, if you want, I can’t stop you.
You had brought her dinner to the hospital, another 24-hour shift.  She met you in the parking lot while she was taking a smoke break. As you handed her the dinner you packed you fiddle with your sleeves nervously as if you had something to say. The sight of it annoyed her for some reason, making her roll her eyes.
“What” her voice coming out in a huff.
“I know you’ve been so busy lately, and I understand that I do but I was wondering if you could take some time off to come to my art showing. This one’s kind of a big deal and you haven’t really had the time to go to the last few, which I completely understand I know how busy you are but if there was any way you could see if you could maybe take some time off and come. I understand if you can’t I do I was just hoping that maybe you could. If not it’s fine.”
You ramble on trying to downplay how important this galleria was to you. She had missed the last few ones, well more than a few the last several ones, and those were the ones where you had made some big connections that procured you a spot at this huge important galleria opening. Several of your paintings were going to be displayed and some of them were even going up for auction. This was actually a really big deal for you, an important step in your journey as an artist, and all you wanted was your girlfriend there.
Shoko stomped out her cigarette in annoyance, “If it’s not that important then why even ask me to come? You know they’ve been having me work triples here and what kind of time would I have to go to something like that.”
She was stressed and annoyed. Shoko knew that she shouldn’t be taking it out on you, shouldn’t have been constantly taking it out on you but she just couldn’t help it. No matter what she said or did, you always were so understanding, so forgiving, so ready to hold her after a long day stroking her hair as you told her how proud you were of her—kissing her head softly, comforting her until she fell asleep in the middle of the morning before you got up to take care of the house and the rest of your day. You loved her, you loved her with all that you had.
“Yeah no, you’re absolutely right. Sorry for even asking. I completely understand” Your eyes burned with the threat of tears; your voice wavering as you tried to keep your composure. Every word that was said to you, broke your heart bit by bit.
“I’m sorry I’ve been such a bother to you, maybe I should stay back at my own place for a while.” You suggest, hoping that she would come around, hoping that she wouldn’t agree.
“Yeah, probably if you want.”
You give her a sad nod, before trying around the tears already streaming down your face.
Just go if you want to. Go if you want, I can’t stop you. Go if you want, I can’t stop you.
That was the last time she had seen you in weeks. Now here she lay face down in her bed, somehow the sheets still smelled of you, everything in her room smelled like you. There were still bits of you in there, some things that you missed. The little frogs you sculpted for her still sat on the bedside table. There were a few unfinished canvases in her closet. There was still so much of you, except without you. All she was left with was the scent of cigarettes and you.
Now I’m all messed up. Sick and tired of wondering where. Where you’re leaving your makeup.
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catullansparrowlet · 1 year
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Who goes to a university library to have a half hour phone call over speakers at their top volume? Sir???? Some people here are trying to work????
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jedie · 2 years
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i find it so funny that whenever vader has any interaction with luke it’s always met with joy, affection, and love. but whenever vader interacts with leia it is always kill kill bite bite dont feed after midnight.
Vader used the force to telepathically call out to his son from the executor, 
“Luke” Father, Luke called back. “Son” Vader and felt a thrill as he realized Luke had accepted the truth.
...
For a moment, Vader allowed himself to imagine a future with his son. He imagined Luke as his apprentice - I would teach him everything - and as his partner - he would keep me strong! There would be no rivalry or secrets between them. With their bond of blood and shared power, they would be the greatest of Sith Lords.
...
Soon, Vader was breathing hard through his respirator. I can't let Luke defeat me, Vader thought. I won't let the Emperor have him!
...
Vader had no doubt that Luke was about to die. His son screamed. Not just my son . . . The Emperor unleashed another round of lightning. . . . or Padme's son . . . Luke screamed louder. . . . but my son . . . who loves me.
vs.
there was an electric hum from behind Vader, then a spherical black interrogator droid hovered slowly into the cell...Leia's eyes went wide at the sight of the droid. Vader could practically taste her terror. She said, "Keep it away from me!”
...
Growing impatient, Vader used his own psychic powers to make Leia believe she was in excruciating pain, but after several minutes, he ended the interrogation. He sensed that her inborn willpower was not only formidable but must have been augmented with certain physical and mental disciplines. She would not be broken easily.
...
Tarkin scowled at Vader. "Terminate her ... immediately!" Vader moved across the conference room to a communications console. With his helmet facing the comlink, he said, "Detention Area Security. Schedule the prisoner in cell 3187 for execution in one standard hour.“
...
Turning his attention to the Princess, Vader said, "I expect no such difficulty in restraining myself (in killing her) where you are concerned, Leia Organa. In several ways, you are responsible for my setbacks much more than this simple boy."
#「  REFLECT.  」  i have felt it.#「  LUKE.  」  the sun.#「  LEIA.  」  the moon.#he would die 4 luke and die b4 breathing in leia's direction#shame we never got a chance to see vader develop a relationship with leia outside anakin saying 'my b' in legends#luke was so important in his return to anakin (i have that written already on carrd but ill say it 500 more times bc its about FAMILY)#i find it odd vader never had any connection to leia despite her force powered super will and stubbornness#which he attributed to augmentation and training lmao like what senator would undergo torture training#and go so far as to alter their mental and physical state in such an unlikely event#especially when they were never even a high level target?#vader really thought leia (knowing next to nothing about her except that she came from aristocracy of all origins)#would be that hardcore at 19 years of age like she was training with the space see ai ay#though i will say his relationship with her wouldve been really important to see#bloodline did a good job in comparing them in their anger and drive for justice#anyway i dont think anakin expected forgiveness nor would he believe it would come or even come easy#but it mattered that he'd offer his regret and apology he had to put it out there and try#its not like he could say 'hey dont hold on to ur anger for me bc im sorry :( suffering leads to hate leads to fart w/e#he had no business telling her she should forgive or understand him but he did need to ask for it knowing it wouldnt come#he better than anyone would understand her feeling towards him 100%#its a guilt that couldnt let go bc he did all that to his daughter#anakin is at peace in and with the force but certainly not with all his actions as vader#his fulfilling the prophecy was what saved him bc thats why he was born lol#so the 'not being able to let go doesnt preserve your spirit in the force' does not apply#going off legends if just for this: when anakin came to leia it was out of making amends but motivated by guilt#guilt for what he did and guilt that if he didnt he wouldnt do right by his children
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lehguru · 5 months
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THINK YOU NEED SOMEONE YOUNGER + ONE PIECE MEN
they start to realize they might be a little too old for you ft. crocodile, mihawk, smoker, shanks, doflamingo, corazon
info: will do this for other fandoms too i think, angsty on some; not proofread
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crocodile never felt insecure, at least when it came to your relationship. after he left impel down and came to look for you, things got a little... weird. he was avoiding you. you knew it wasn't because he didn't want to bring you into his business (he did it more than once), it was something you didn't really understand. before you could even confront him about it, he said out of nowhere one day: "did you... get with anyone while i was away?" he looked at you with a hard stare. "someone... younger?" you almost laughed at his question, but you held yourself back. your arms circled his waist and you rested your chin on his chest. 'i don't know anyone younger that is as attractive as you, sir.' he grinned, holding the back of your head with his hand. "good."
mihawk noticed how you and zoro interacted during his time at the island. he wasn't suspicious that something was happening, he knew you would never cheat on him or break his trust; but... a thought started to spread in his mind like poison. once zoro and perona left, and you two finally managed to carry on with your married life alone, he asked you one day while you drank tea together. "how do you feel about me being... older?" you looked at him with raised eyebrows and 'the only thing that matters to me is you. i fell in love with your personality and the way you treat me, not your age.' he hummed, a deep sound that you know reverberated on his chest. even if it was faint, you could see a soft pink dusting his cheeks.
smoker didn't think about your age gap until he overheard some of the new recruits talking about you two. captain smoker having a younger partner is a little weird isn't it, was what they said. when he was back home and you were resting against his chest, softly playing with the hair on the area, he told you about it. you looked up, your eyes shining, 'old pan makes good food'. the laughter that left his lips was one that he always reserved for you, his most sincere and genuine laugh; he pressed his lips on the top of your head, murmuring praises and love confessions against your hair.
shanks really didn't care about it, not as much as other members of his crew did – with how well they knew their captain, the man would be destroyed if you decided to leave him. 'she might go for a younger guy, when your thing doesn't get up anymore.' they usually voiced their concerns in the form of jokes, so they wouldn't be too harsh on their captain, but it was effective. those comments made him start to realize what you two were – lovers. one day, without telling you, he and the crew left. simply left the island, leaving you behind with only an note written "don't look for me." in a messy manner.
one thing about doflamingo is that he gets whatever he wants whenever he wants. and since the moment he laid eyes on you, you were his. the people that tried to comment on your age gap always "mysteriously" disappeared, even if they were from inside his organization. no one could talk about him and his partner like that. if he ever brought up the topic, it was only to test if you were seeing anyone or wanted someone younger (he knows you don't. he knows everything); your praises towards him and your love always left him pleased – he would give you the same in return.
corazon is frequently insecure about your relationship. he wonders if you really love him, if he's good enough for you, if he's being a good boyfriend, if he missed any important date that he should've remembered – your age gap (made worse by your height gap too) is only another one of those concerns. no matter what you say, he often asks you if you wouldn't want to be with someone younger and with a better family than him. one day, after he asked that for the millionth time, you answered: "we can have a family of our own, rosi. you deserve happiness. you said once i made you happy, so i will stay. the only way you're going to get rid of me is if one of us is gone." he chuckled and smiled widely, as he often did around you and law, hugging you tightly against his body. 'i adore you. with all my heart and soul, i love you.'
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2023 © content belongs to lehguru, but the characters used in them belong to their respective creators!!
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sttoru · 5 months
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‘if there’s anyone in this world who loves being a girl dad the most, it must be your husband — gojo satoru.’
☀︎|tags. girl dad!gojo x female reader. fluff. you’re married. reader gets called ‘mama, sweetheart’. wrote this at work so not beta read. fic one out of two for satoru’s birthday!
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giggles fill the living room — familiar laughter that sounded like your daughters’. a more sultry and manly voice also resonates in the background. one that you could recognise from miles away.
your curiosity leads you to investigate the source of the joyful sounds and soon enough, you find your dear husband and daughters sitting on the couch. though, in a situation you hadn’t quite foreseen.
satoru was talking on the phone about important business whilst your little girls were giving him a rather sparkly makeover. the most heartwarming thing was satoru’s surrender to your daughters’ antics — allowing them to do whatever to his face and hair.
“mhm, yeah..” the white-haired sorcerer hums over the phone, not having the slightest idea about what ijichi was yapping about. probably something that has to do with the recent sighting of a special grade curse in the city.
but, that wasn’t satoru’s priority at the moment at all (even if it should have been). his focus was all on his two daughters that were enjoying their playtime with him.
“papa’s so pretty.” one of them comments with a big smile — a smile satoru wishes to protect until his last moment on earth. her fingers push and pull on a small strand of his hair, trying to tug it into another ponytail.
satoru had already lost count of how many messy and half-done ponytails his snowy hair got divided into. the same goes for the amount of stickers on his face and neck.
the two sisters work together to put another pink and glittery sticker on satoru’s chin — though were no match to their father’s playful attitude. he jerks his head forwards and teasingly nibbles on their tiny hands that came in touch with his face.
this causes almost ear deafening squeals to reverberate through his ears. not that he’s complaining — satoru loves to hear them.
“. . .gojo, are you listening?” ijichi’s shaky voice over the phone interrupts the squeals. satoru doesn’t even try giving a proper response and only mutters a quick ‘yeah’ between snickers. that was enough of a sign for ichiji to understand that he couldn't get through.
everyone knew how much satoru loved his little family. he cherished them and put them above everything, including his work. sometimes it was necessary for you to remind satoru that he's needed outside your home - that he was and will keep being the strongest sorcerer that people depend on.
"wow, you two really made papa super pretty!" satoru coos as his daughters bring him a hand mirror. his phone had already been discarded somewhere on the couch - not even bothering to hang up on ijichi first.
your husband effortlessly picks the children up and cuddles them close to his body, smothering them both in sloppy wet kisses on their cheeks and necks - making them giggle uncontrollably. "y'know, papa will give you both a nice little reward for making me so beautifu—”
a faint cough echoing from the mobile device next to them reminds satoru that he was still on call. he reaches out and grabs his phone, rolling his eyes in a sassy way before clearing his throat;
"i need to attend important business. see ya." the sorcerer declares and hangs up right after. to him, playing around and taking care of his daughters was more than necessary. even in comparison with an actual critical situation: it wasn't like there weren't any other special grade sorcerers that could take on the mission.
the second his phone plops back down on the couch, satoru's hands fly over to tickle his little girls' bellies. they wriggle and squirm around in his lap - squealing for help from their mama.
you had been watching the scene unfold from the doorway and decide to join in on the fun once you hear your daughters’ call. you gasp dramatically before scurrying over to the couch, acting like you were genuinely scolding your husband for his 'torturuos' tickles;
"oh no, my little girls!" you pout, taking in the way your daughters laugh and outstretch their tiny arms towards you, searching for an escape in your arms. you gladly help them away from their dad's grasp, though not without getting a whine out of satoru.
one of your daughters sticks out her tongue at the sulky sorcerer on the couch, the other mimicking her sister's actions. you chuckle and decide to do the same; frowning and sticking your tongue out.
"ack!" satoru clutches his chest, fingers curling around the material of his shirt like he just got shot. he topples over on the couch and acts dead with his eyes half closed, "i can't. . . believe. . . it. my girls hate me. ugh, my heart - can't take it."
you scoff at his exaggerated act. you were used to it after years of dating and marriage, but your daughters seemed to still take the bait. they writhe around in your arms and once you put them down on the floor again, they run back to their 'fallen' dad.
they shake him by his shoulders and harshly pat his cheeks in attempt to bring him back to life. a constant loop of 'papa!'s and 'wake up!'-s echo throughout the house. even some 'we're sworry!'-s thrown in-between.
satoru couldn't take it anymore and his arms move at the speed of light so he could pull both of his daughters in a big hug. he squeezes them a bit too tight to his chest, causing them to shriek and laugh.
"are you not joining us, sweetheart?" satoru asks with a shit-eating grin. it's then that you realise that he was blushing from pure joy — his cheeks rosy. well, you couldn't possibly deny his request when he was this ecstatic.
the high-pitched 'mama too! mama too!' coming from both girls mellowed your heart even more. and thus, you give in.
you happily join the pile - climbing on top of your husband and between your daughters which lay on each of his sides. your head rests on his chest, your eyes closed and your ears filled with laughter.
satoru eventually relaxes, however that genuine smile never leaves his lips. this is where he belongs. with his family - the most important thing of all.
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weasleyreidstyles · 2 months
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on a night like tonight
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wrote this for @thatdammchickennugget's hogmarch challenge using the dialogue prompt!! just a fluffy (debatable) one shot for my favourite slytherin boy🫠🫠🫠
prompt 2: "are you speaking parceltongue or am i really drunk?"
pairing: mattheo riddle x fem!slytherin reader (although its not that important to the one shot, honestly)
warning(s): slightly suggestive (towards the end), alcohol consumption
~∞~ i love writing for mattheo😫 idk how i feel about this one but i enjoyed writing either way lol. and yes i titled this after a niall song (im still not over the fact that i saw him in the flesh like a whole week ago!??!?!) also happy international women's day to all of you sexy, beautiful women xxxx
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The Slytherin common room was ripe with activity. The Quidditch team had beaten Gryffindor by an utter landslide (250-110), so it was only appropriate for them to throw a huge party to celebrate. The team were in the middle of the room, surrounded by their most loyal band of lovestruck followers, as they drowned in all sorts of alcoholic beverages.
Spheres of magical light littered the high ceiling, glittering like stars and creating an eerily green glow as they reflected off of the murky waters of the Black Lake. The seating areas had been cleared, and in place was a makeshift dancefloor of sorts, filled to the brim with students dancing, singing and laughing to whatever music was playing on a stereo that Blaise had brought in from his Ravenclaw friends.
You were stood against a wall beside Pansy, who was busy glaring at the girl who had draped herself against Theo's arm as he laughed heartily at something Enzo had said. Your best friend was seething with jealousy, but she was far too stubborn to do anything about her feelings for your Italian friend.
The two of them had been dancing around their feelings for months; it was downright infuriating.
"I don't understand why you won't do something about it, Pans!" You say to her loudly, so that your voice could be heard over the earshattering bass music. "I'm getting sick of the back and forth between the two of you!"
Pansy finally takes her eyes off of the floppy haired brunette, who is now whispering in the ear of the girl, with a suggestive smirk on his face. "I'd say the same for you." She scoffs and you turn to her with furrowed brows.
"Oh don't act dumb." Pansy says with a laugh as she turns towards you fully, the drink in her hand sloshing over the rim of the cup as she does. "I see the way you look at Matt. You're very obvious. Both of you are."
"I don't know what you're talking about." You say reluctantly, taking a lengthy sip of your firewhiskey to avoid her knowing look.
Had your affections for your friend really been so blatant?
And did he really return them?
You turn towards the middle of the room and the liquid in your cup is suddenly drained to empty as you watch Mattheo dance closely behind a pretty Hufflepuff girl.
You and Pansy return to your mutual solitude, letting your friends revel in their win against their greatest rival, while simultaneously becoming more and more drunk, the more you watch as Theo and Mattheo obliviously break your hearts some more.
~∞~
It's much later into the night, and the party has not died down. In fact, it only seems to have gotten busier as more and more people from the other houses joined in on the debauchery.
You are so drunk. Practically stumbling along behind Pansy as she drags you to and from the dance floor to get more drinks. The two of you are dancing on each other, her hips grinding against your's to the beat of the music as you both giggle tipsily. You're unaware of your surroundings and have surely pissed off many other partiers with your drunken moves. But it doesn't bother either of you, content to enjoy each other's company, until there is a presence behind you that has Pansy smirking cheekily at you.
You narrow your eyes at her, vision hazy as you feel hands cradle your waist, almost possessively. Looking up, you come face to face with the underside of Mattheo's sharp jaw as he says something to Pansy that you don't comprehend. Whatever he says has her disappearing into the crowd, leaving you to his mercy.
"Hello, Princess." He mumbles lowly, mouth brushing against the soft shell of your ear, causing a shiver to run down the length of your spine.
"Matty! Hi." You say, voice slightly slurred and you grimace at how drunk you sound. He only smirks before he's gently spinning you to face him.
"Haven't seen you since the start of the match. 'S been ages." He replies, voice raspy from how much he'd shouted and cheered during and after the match.
"It's not been that long." You say with a teasing smile as you take in his appearance. In place of the emerald quidditch robes he'd been sporting that afternoon, he's wearing a dark, black t-shirt which stretches tightly across his torso, emphasising his Beater physique and a pair of dark trousers drapes over strong legs. Your observation is slow and purposeful and the smirk on his face widens even further as you admire him more openly then you ever have before.
He's chuckling to himself and then says something that you can barely hear over the loud music that reverberates through the room. But the cadence of his voice and the way they almost seem to have been hissed out in a way you do not understand, makes you tilt your head to the side as he smiles.
"What did you just say?" You ask him, or rather shout so that he can hear you. He copies you with a tilt of his head as he looks down at you with his captivating onyx eyes.
He repeats it again, his hands tightening against your waist when you stumble slightly as someone jostles you in an attempt to get past, smirking when your face scrunches in confusion.
"Are you speaking parceltongue or am i really drunk?" You ask, your hands coming to rest against his firm chest when you were pushed into him.
"Gods, Princess. How much have you had to drink?" He asks with gleaming eyes. It's the mischief in them that has you opening your mouth in feined outrage.
"You were speaking parceltongue!" You accuse and he lets out a laugh as you lightly whack his chest. "What did you say!?"
"Now why would I tell you that?" He replies, his face leaning closer to your's. You can smell the alcohol on his hot breath, mingling with your own and you can feel every breath he takes as it fans across your face.
"Because I'm your best friend?" You say with a smirk as you unconsciously wrap your arms around his neck, leaning on your tip toes slightly so that you can be at eye level with him. The move has your hips brushing against his. You swear his eyes darken as you do.
"Theo's my best friend." He says in a tone of faux obviousness, mischief laced in his rough voice.
"But I'm your favourite, right? If you admit it, I promise that Teddy will never know. It can be our little secret, Matty." You tease and he's laughing again, before he says something else in that strange, reptilian voice, eyes flicking from you eyes to your lips.
You've always been my favourite, darling.
The ways his eyes sparkle, despite the harshness of the sounds against his tongue have you acting upon instinct as you surge forward and press your lips to his. It's as magical as you've always imagined, despite it being tainted by your twin inebriation. But you'll take what you can get.
Because Mattheo Riddle is finally kissing you and you reckon you could fall into a abyss of happiness as his pillowly lips caress your's with loving grace.
~∞~
The next morning, you wake up in an unfamiliar, yet familiar dorm room and Enzo is smirking at you with glee. A tanned, muscular arm is draped across your middle and you're using the other as a makeshift pillow. Your face warms as you recognise the large, veiny hand that stretches across your stomach.
"Fun night?" Your friend asks with a snicker and you flip him off in response. He leaves the room after he's done teasing you, his loud laughter echoing in the corridor. You move to stand but an arm tightens around the skin of your waist.
"Where do you think you're going, Princess?" Mattheo mumbles, his voice low and raspy from sleep.
"Well good morning, sunshine." You reply, a smile spreading across your face as you turn to face him, to find that he is already staring at you, with adoration in his onyx eyes.
"Am I still dreaming, or are you really in my bed right now?" He asks as you trace a finger lightly over his naked chest.
"Oh it's very real. And I'm sure Enzo has already told the others what he just discovered." You reply with a giddy laugh.
"About bloody time, don't you think?" Mattheo's question is muffled against the skin of your neck as he nuzzles his face there. You smile in response, giggling as pieces of his curly hair brush against your soft skin.
"I'd still like to know what you said last night." You say but he doesn't give you the answer. Instead, he rolls the two of you so that you lie beneath his toned body, strong arms caging you in.
"That's my little secret, Princess." He mumbles as he presses languid kisses down your neck and chest, travelling lower until your rendered a moaning mess beneath him.
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nope-body · 1 year
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#maybe I’m autistic and just bad at social cues#but when your roommate comes back and starts a conversation with you and you respond and start talking that’s basic conversation etiquette#which is what I did even though she was being loud#but it turned out she had been sending voice messages back and forth with a friend and wasn’t listening to me at all even after she made a#verbal indication of acknowledgment and was instead listening to her friend’s voice message and cut me off to say that#1 texting exists#2 if it’s as long of a voice message as she said it was they can just call#3 if it wasn’t urgent enough for a call then she didn’t have to start listening to it while we were talking! she could have waited!#I just don’t understand her#and usually I don’t care if someone’s method of communication is different from mine- I’m pretty flexible and I’m more than happy to adapt!#but when you start a conversation it’s common sense to not stop listening and basically start talking to someone else in the middle of it!!#like that’s barely even social skills it’s just finishing one thing before doing something else#and I wasn’t just talking about nothing either! I was talking about something that impacts both of us! it’s actually important for her#to know what I was talking about!#maybe it’s RSD getting the better of me but it’s just frustrating and hurtful when she keeps cutting me off during a conversation and says#some excuse that all end up amounting to what feels like ‘I don’t want to hear what you have to say’#she’s perfectly happy to talk to me a bunch but if I do the same thing I’m either shut down or she stops listening and I only know when she#tells me that she stopped a while ago and that’s usually after I finished talking and I don’t have the energy to repeat myself#if she could just tell me that she’s busy or something when she comes in or whatever so I know not to actually respond in a way that would#start a conversation that would be really helpful#but I don’t know how to ask her to do that without explaining that it’s hurting me every time she interrupts me to tell me she’s not#listening because it implies that she doesn’t care about what I have to say
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capslocked · 4 months
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HONNE, TATAMAE & THE OTHER ONE
male reader x shin yuna
9k words
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Yuna shuffles into your office with the same sneaky smile, the same easy slouch, and she settles into one of the chairs across the table. There is, apparently, more to talk about.
It's a matter of image, of perception, is what she knows. 
You know every good lie starts with the truth.
So you swallow. You pause. Some other part of you understands Yuna can't ignore who she really is, and you’re not sure you can either.
-
Look - Shin Yuna is the kind of woman that turns heads, even with the best of intentions. A long, lithe silhouette; an easy, rosy sort of youthfulness clinging to the swell of her cheekbones, the curve of her waist. Take a dress that's cut to show a little thigh, or a hairstyle pushed back on one side - earrings, or heels, or just the subtle swipe of red over her lip - it doesn't take much for men (or anyone else) to figure that out. A girl who, more times than not, really ought to have a boy's hand planted on her ass, in possession.
So the opportunity to capture such a form perfected - all toned and graceful and flush for curves, her legs never seeming to end, the slithering fit of the dresses - these were the things they wanted. Package it, put a logo on it - better yet, a ribbon or a bow - and ship it straight to the consumer.
Somebody everyone wants, somebody no one can ever have.
“So,” Yuna asks from the other side of your desk, lips slanting halfway coy. “Are you going to treat me like an adult?"
Her fingers play idly with the hem of her skirt, and she lets a long, slender leg slowly slide out from beneath her.
“In what way,” you answer, half paying attention.
"The photos." She doesn't have the slightest qualms about lifting it higher. The soft creak of leather, and a deepening smile. "Am I not allowed to be a little racy?"
"That's certainly... one way of looking at it."
You glance away from where her stockings wrap around the soft curve of her thighs to flip back through the photos in your lap, one after the other, each a little different from the last. The beach, the sun, a flimsy white slip of a bikini top that hides exactly nothing, her muscles wet and glistening and perfect. Beyond suggestive, it's considerably inappropriate.
But then to a lot of people, Yuna is a lot of things. 
She’s more clever than anyone gives her credit for. And she’s fucking gorgeous, sure. That’s definitely not up for debate, but god is she young - she's barely twenty. And here’s some rather uninteresting food for thought: you couldn't even technically take her for a drink without faking an ID or breaking some law or another, like a real one. So go ahead, chew that down. Girls her age are typically studying, or working a retail job and getting wasted on the weekends. And they aren't typically making six, seven figures turning their head to the camera and asking how much more skin?
You have some thoughts.
Prudently, you’re her publicist, and it’s your job to make sure that the public gets a good look at her and sees exactly what you want them to see. It's unfair. She wields sex like a weapon. She's got the face, the body; it's an easy sell, commodified and commercialized down to the finest detail, the softest curve, the slightest arch of her brow. The idea's to not let anyone look too long, should they catch something you haven't approved yet, or the fact that she's quite possibly a real person with a real life and real feelings, which could easily fuck up her brand, so unfortunately, that's a bit of a no-go.
Sign of the times maybe, no ethical consumption under another something, yadda yadda - it's a shitty business, really, and the whole thing usually leaves a sour taste in your mouth.
(And just to be upfront, as an important disclosure: you are fucking her brains out on the side, which is a different kind of ethical dilemma, with a different kind of flavor to it. 
You’re supposed to be something of a role model - and she’s gone and fucked up bad by falling for you. From her perspective, it probably makes sense. Girl gets boy, bespoke song, credits roll and it's fine. No sin to atone, no 'after'. 
It was supposed to be a one time thing. It’s metastasizing into something you’re not even going to attempt to put into words. It’s a lawsuit waiting to happen, you know that. And you know the girl has daddy issues, but then you've never had a problem whatsoever playing into it. The possessiveness, the control - she gets off on it. You're pretty sure that she'd do just about anything if you asked her, and you'll admit that the thought alone makes your stomach stir, your mouth run dry.)
Yuna taps her knuckles on the wood of your desk. “What’s the verdict?” 
"Well, professionally," you say, caveat in hand, and you give the photos one last flip through. "I'd say they're fine.”
"Oh?" Yuna cocks her head to the side. Her long, blonde hair curtains over her shoulder, and the smile that shadows in at the corner of her mouth is almost wicked. She leans forward, chin propped on a palm, and you see that her expression is bright, glittering with interest. "And unprofessionally?"
Sure. It's a fair question.
Though she's wearing her stage face, the one that looks all big eyes and doe lashes, a hint of a pout on her plush bottom lip, and she's staring at you expectantly, the way she might look at a man she's just asked for the time.
You've seen her look a million other ways. You've seen her with her knees spread, her cheeks flushed, on all fours, straddling your lap, face pressed into the sliding glass door of your shower, her eyes screwed shut as she chokes out your name. And god, doesn’t she look good in all of them.
Your fingers tap against the photos.
“Unprofessionally," you tell her, and the smile on your face is tight - unknowable. "I think they’re a little… gaudy."
Yuna frowns, and it's just a flash before her expression is carefully blank again, the stage face back in full swing. She's been doing this since she was a teenager, so the mask is impeccable, but you know her, and you know that she's thinking: about the photo shoot, the way the photographer was looking at her, and the way you had looked at her later, too.
She knows what you've seen. She's wondering if that's why.
"Really," she asks, a note of disappointment in her voice.
"Really," you confirm with a small sigh, though you're still smiling. It's a small, private sort of smile, like you're remembering a joke. You don't miss the way she glances down at your mouth either. "Let me be clear, you have a shot at real success. I mean, you have a chance at a career. A real, sustainable career.”
She's sitting there with her legs crossed, her foot tapping restlessly, and when she's silent for a moment too long, the way her eyes narrow just a smidge, her head tipped slightly, you realize how it sounds. Patronizing.
"Look," you amend. You're not the best at apologies, but you try. "I just mean - I think that you could be doing something that you actually enjoy."
"Who says I don't enjoy this," she says, and there's a bite in her tone, a challenge. She's leaning back in her seat now, arms crossed.
"What, taking your clothes off for the camera?" You laugh, a quick bark. Isn’t that a cruel question, and you can see it in the way her eyes flash. "You could do a lot more than that, I'm just saying."
"Right," she says, and she doesn't blink, doesn't even move. Her gaze is fixed, unwavering. "Because I'm not pretty enough."
You open your mouth. Close it.
It's not a question. It's a statement.
"That's not what I'm saying-"
"Do you know what makes me different from the IT-girl-of-the-month? The Jang Wonyoungs, the Bae Irenes, the Kim Jisoos of the world?" Yuna cuts in.
"Yuna, this isn't-"
"You should know. " She laughs. "It's your job, knowing things, isn't it?"
The silence stretches thin between you. She's not wrong. There’s the quintessential beauty, the timeless classic, the fantasy-wrapped-up-as-a-daydream - oh, it's all sexual, but the product there is palatable (read: marketable). An idea the general public wants to take home to their mother, not take to bed. A beauty so docile and innocent, you feel guilty harboring those untoward thoughts it makes you have.
Yuna is somewhere possibly, someway probably the opposite. You’ve sold her as such, as fantasy in sheep's clothing. She's neither afraid to put the images to words, nor speak her desires aloud. It's her own brand of sensuality, and it's what the public wants - has always truly wanted, since the dawn of man and of popstars fucking their publicists - what the public wants but turns itself in knots just to pretend they don't. The only way it’ll end up in anyones’ parents' home is under the guise that it will be smuggled upstairs and held down into the springs of a mattress. Hand over her mouth, or maybe around her throat, just so she'll shut up.
She's not a nice girl, or the girl-next-door, a bride-in-a-box, but you'd known that before. The line between fact and fiction is fine indeed.
"You're different," you tell her, finally.
"When I first came in here, you had no qualms, no issue to raise, and now all of a sudden, everything is too much," she says, and she's not smiling, her tone flat. "If it was a problem from the jump, you would've said so."
“I just think a little subtlety would be a nice change of pace. It could go a long way, I mean, I could show you the data- "
"So you're going soft on me, is that it?"
You blink, and the realization hits.
"Just where was this noble version of you when we first started out? You had no problem then, remember? Put a sixteen-year-old in front of a camera, in this industry, and all of a sudden-"
"Don't."
“And suddenly it's all 'oh no, that's a little too much, we need to dial it back'." She sighs, a single sharp burst. "Why is that? Is it because you think that now you own me? I fuck you, swallow your cum and call you daddy, and now these are your decisions? Is that it?"
She’s standing now, her chair shoved back so fast it nearly clatters to the floor. There's a storm on her face, almost a rage. This now become a familiar story. The one where the girl's too pretty for her own good. Too much, too soon.
"I'm not a child," she tells you, her tone measured, a sharp contrast to the fire in her eyes. "I know what I want. I know how to get it. You're not telling me anything I don't already know. I'm different. You're right."
She's different, but the girl's clever, too. And she's stubborn. It's a dangerous combination.
You breathe slow. "Then why don’t you act like it."
“If they’re going to call me a slut,” she hisses, and she's walking forward. Her palms land on your desk, hard, and you glance down at her clenched fists, at her neatly kept nails, "you know, after we leak them all those steamy photos online-"
Your mind clicks. You reach to slam the cover of the photo book shut. She's caught your hand, though, in hers, holding it firmly to the desk.
Yuna glances at the photos over again, at the tight fit of the swimwear, or how the ties slip in an invisible breeze. And she's biting her lip, trying not to smile, you can tell. "You know it might be worth it for once," she says, slipping a finger between the buttons of her shirt.
There's a long, tense moment, and before you can register it, Yuna has rounded your desk; she’s closing the distance, fast. 
And she’s lowering her eyes. Putting her lips on yours.
It knocks the wind from your sail, for just the instant. You're speechless.
Because her fingers. Her mouth. Her hair. Yuna's everywhere, and she's warm. It's utterly selfish, you understand: you want her to be yours. You want her to be yours and no one else's.
She’s realizing she might be.
You feel her grabbing for more of you. Wanting. She tilts her head, her breath hot, and you kiss her back, her mouth slick against your own, and the kiss is a fast, deliberate kind of messy. Your teeth catch her bottom lip, and her tongue slips past yours, licking into your mouth, her hands clutching at the collar of your shirt. It's not like it is when you're fucking, which is slow and hot, and she's on her back, legs around your waist, her nails biting into your skin, or when she's bent over the arm of the sofa, her ass in the air and her back arched, her breathless moans a chorus of yes, yes, please. This kiss is more battle, more heat, less gentle and less finesse. It's the kind of kiss that's just short of an argument.
"You're an asshole," she breathes into your mouth, and it's not a compliment.
You smile against her.
"So are you," you murmur, and her lips are parted, her eyelids fluttering shut, her breath coming quick and hot.
"Then maybe you should just fuck me," she says. She's not asking. “Yeah.” You press your words right into her neck, her collarbone. “Maybe I should.”
Your hands are on her hips faster than you can realize what it is they’re doing, palms pressing into her, and then you're walking her backwards, shuffling a few steps until the small of her back collides with the edge of your desk, and you're lifting her up onto the surface, the photographs falling to the floor, scattering.
"I thought we weren't supposed to do this here," she murmurs, pulling away for just a moment, her mouth swollen and wet, her eyes dark. She knows exactly what it does to you: the goading, the taunting - the looks of faux-innocence later over a bare shoulder, her ass in the air. How it can get you to fuck her within an inch of her life. What it’ll get her, the return on investment.
"And I thought we agreed to longer skirts."
Her thighs are smooth, silky, and they part, the lace of her underwear stark against her skin. You slide a hand beneath the elastic band, sinking down, and down, until she inhales sharply.
"The fuck do you end up doing going up the stairs?" you add, and your fingers are tracing the swell of her hip, and you can feel the goosebumps on her skin.
She bites her lip. You sink down to press a kiss to her thigh, and then the other.
"Nothing," she tells you, and her eyes are wide. "I guess it all just hangs out."
She simply smirks right back into you, throws her arms over your shoulders. You’re snared, caught - she’ll always be able to fuck what she wants right out of you.
"Jesus, Yuna." Your hand curls around her wrist, thumb pressed to her pulse, and her shoulders roll back.
You push her down, and she's sprawled across the desk, legs stretching wide, her head tilted back and her chest heaving. “God, you’re so fucking wet, and I've barely touched you. That turns you on? Being a brat?"
She sucks air past her teeth, and you can measure each rise and fall of her chest. The lace under her hips is soaked, her pussy swollen and pink. Like if she doesn’t get your hot, open mouth on her clit this instant, you’re both going to have a problem.
You slip two fingers into her instead, and Yuna keens.
"I know it does," you say, and your voice comes out lower, drier than you expect. She's hot, so wet around you, her pussy fluttering. "It fucking turns me on, too."
"Please," and “god,” is what all you receive back in half whispers, while her legs are spread, her heels now really dug into the square of your back, and she's got a fistful of your hair like she owns it. Her voice is high, her eyes squeezed shut. “Don’t be such a fucking tease."
You're not going to make it easy. She's not going to make this quick.
"What, and you aren’t?"
You curl your fingers inside her, and the noise that leaves her is positively obscene. She's grinding against your palm, her hips bucking, and her lips are parted, her eyelashes dark and thick, fanning her cheeks. She's panting, her thighs trembling.
"No," she breathes. If she’s shaking her head, you can’t tell. "I'm exactly what you tell them I am."
Your hand stills, and it takes a moment for her to realize that the pressure inside her is gone. Her eyes snap open, her mouth twisted.
"Fuck you," she spits. "Put them back."
You're already sinking down to your knees, and you've got her skirt shoved up, the lace panties pulled aside, her hips canted, her pussy glistening. The stockings can stay, fuck, the heels, too. She's so fucking hot, her legs spread apart and her lips red. Her palm shoved into her brow, and her breath just barely more than a ragged huff of air. You can feel her body wound tight and ready, her eyes on the ceiling.
You put your tongue against her, flat and slow. Inaccurate, indiscriminate, licking up her wet cunt. And her whole body arches off the desk, a cry leaving her mouth with her head thrown back. Her thighs are shaking, and her heel presses into your shoulder, and god, she tastes incredible.
"Please." It comes like music, really, a song of desperation. You can hear it. She's singing it for you now. "Oh god, please, fuck-"
So you do her one better. You put your whole mouth over her, and she fucking shivers. You don’t even try to ease into it - you're devouring, ravishing her, working your lips and tongue all over her pussy, lapping the length of her in broad, hot strokes, and she's almost shrieking, her body going taut. You suck on her lips, pressing your tongue into her clit, and when you pull off her, your hand takes over the place where your tongue can't quite reach, her wetness slick around your fingers. Yuna's close - you can see that she is, you can hear that she is, and it's her gasp that lets you know.
"I'm -" she says, her voice reaching higher, her nails digging into the flesh of your shoulders, the wood of your desk. The sound she makes is wretched and beautiful. "God, I'm cumming, I'm cumming - fuck!"
The licking, the lapping, the fucking fingering. You can feel her slicked cunt pulse and throb in a satisfied, anticipatory kind of way. Even if she wasn’t audibly wet around your knuckles, you’d read Yuna like a map.
Your thumb taps across her clit, once - twice, thrice, and it’s just that.
She arches off your desk, thighs trembling as your tongue works her over, This hard, hungry kiss, and she tastes as sweet as she looks - as filthy as she acts, too. Her pussy is slick, her hips rolling, her body trembling, and she's making soft, little ah, ah, ah, sounds into the wet seal of your mouth. She's trying to keep it quiet, because she knows as well as you, everyone in the damn office does, probably - it's one thing to play at being a slut. A complete other to really fuck like one.
Your finger slips in and out of her pussy, and then another. They fill her up. The knuckles bending and pushing deeper. Yuna's fucking ruined - your desk is ruined.
But then there you are, complicit, and perhaps a little evil: licking and licking and licking right into her, making her grip twist in your hair and her thighs clench around your face. You can feel it in how her breathing is coming fast, faster, her whole body growing taut, and it was never going to take long, you figure, the way her hips were rolling the moment you got your hands on her. You can tell. She's close, and she's so pretty, all flushed and writhing, her skirt hiked up, her ass perched on the edge of your desk, and when her mouth falls open and her breath catches in her throat, you pull yourself up to watch her, the heel of your hand pressed against her clit, and she's shaking.
"Look at me,” you tell her, a kiss trailing unsatisfyingly into the crease of her thigh, your voice running coarse.
She does, her gaze glassy, and the sound that leaves her mouth is a sob. That’s all it really takes.
“Show me. What face you make when you cum on my fingers sweetheart, show me what a slut you actually are-"
You can watch it all in real time, the panting, the heaving. The sculpted lines of her pretty face screw up, real tight, and she lets out another moan, breathier this time, her mouth hanging open. She does it again when you press down. And Yuna fucking shakes, her hands balled, white-knuckling, and the desk rattling beneath her.
It's all a matter of slight degradation, you’ve learned, the barest humiliation. Like the paradoxical freedom she knows she can find in a hand clenched tight around her throat or her hair pulled and twisted into a fist or the sharp sting of a smack across her ass. Her pretty face. She likes a little something that burns. Something sinewy, visceral, raw: you call her a whore, a filthy fucking cumslut and it makes her body curl like she has hot metal pressing into her skin. Makes her breathless, like she wants you to own her.
Sometimes it's better than being fucked.
(Sometimes.)
Because just look at her: she’s in the middle of coming apart, mouth fallen slack, brow furrowed - and she gets real quiet when she cums, the absolute opposite of the journey she’d taken to get there, all those loud little, uh-uh-ah, fucking please god, her moans, her whimpers - her orgasm ripping right through the middle of her, the hourglass of her entire body stiffening on borrowed time as it washes across her features.
You let out a loud sigh, something she can moor herself to that isn’t your fingers, the desk, or your hair at the roots. Yuna can be every bit as uncomplicated as she can be complex, but god, you love her most like this: an unrehearsed, beautiful mess.
"Baby," you tell her, because it's easier to just call her that, and because you don't know how else to end the statement, because you know if you ask, she'll let you - hell, she'll beg for more, and that’s got your brain feeling rather mushily incoherent at present.
"Daddy," she responds - because of course she fucking does; she’s gasping, and her cheeks are still so pink, her body sated, and your heart leaps into your throat. 
It's a problem; you've been trying to work it out for a good few months now, and by this, you mean the little moment you have right after you're done, where your eyes meet, and you smile at her. A problem, too, her lips. A problem, because she kisses you, soft, and slow, and easy. A problem, because her heart's probably already yours.
If anyone were to ask, you would have said there's no greater pleasure than knowing a girl that's almost died to take your cock, but maybe that's the point: it's just supposed to feel a bit better if you're a little head over heels, a little stupid about it too.
"I'm going to use this perfect pussy now," you warn her - just simple formality - because you're already rolling her down onto her back, your cock hard and aching against your trousers.
You've got your hands on her stockings, tugging them down to her ankles, the lace of her panties around her thighs, the neat garter of her garter belt wrapped around her hips, her cunt bare beneath it. You unzip, too slow. You tug yourself out.
“I’ll be good,” she says to you, a promise.
“Yeah,” you return to her, “I know.”
And you slip your cock into her cunt, just barely - maybe an inch, maybe more - and you hear a little noise leave her throat, low. Broken. 
“Fuck,” she murmurs, and god, you just can't help it, it's easy; you sink deeper, nice, slow, everything smooth inside her, until another broken sort of gasp spills off her lips. 
And then another: "oh my fucking god."
You snap your hips back in, bottoming out this time in the wet heat of her perfect cunt, and she just fucking collapses. Yuna looks like an absolute dream in this state of half-dress, half-distress: black suede around the ankles, stilettos, with just the perfect heel. There are worse things, you can imagine, and she looks perfect sprawled out against your notes and portfolios, all this hot, aching want. As gorgeous as she is fucked. You tear into her stockings, a little. You’ll tear more. 
You already know you're going to hell. Or at least that’s where you should already be, but you hips crash into hers again, fucking her legs wider apart, spreading her open across your desk for you, getting her slick all over the photos, her career - it’s all so perfectly unfair.
"You have no idea, the things I want to do to you right now," you breathe, your tone hushed, and you're talking again, like you often do. There goes your mouth - but your hips drag back, and then again, her pussy clenching, vice tight and impossibly wet.
It's a long, torturous, lazy sort of a pull, that draws these pretty thin moans from the very center of her.
And the way that feels, your cock buried deep in her cunt: better than good - heaven, if you care enough about labels for it, or the names of things. You haven’t any real way to tell; the gates haven't opened or anything, so all you're working from here is an educated guess. From the fact that Yuna’s eyes have slid closed, her lips parted, and her whole body starting now to tremble gently with it.
"Jesus, this perfect, tight pussy grips me so good, god - such a good girl, always so fucking wet for me," and your mouth is pressed to the arch of her ear, whispering every last thing you know will make her cum again, like a dream.
And she is, she does.
She's twisting up to grip at your hips, her head falling to one side. When you drag your cock through her cunt, slowly, you watch her lips purse and the way the flush moves all the way down the column of her neck, past her collarbone, her shirt half undone and her tits heaving against the white, sheer fabric. You fuck her for a little, and then you roll your hips slow, so slow. 
Until your pace is fucking punishing, deep, and so hard. You can’t help it.
Because it's unbelievable - she's so perfect, so tight around you. Fit snug like a glove, like she was made to take your cock, to whimper and mewl at your mercy. Her lips part further and she keens, her brows twisting in similar disbelief as you pound your length into her. The heat pooled in your belly, the way she looks under your desk: fuck, she's so beautiful like this, properly fucked. 
You'd let her ruin you for life - it's that simple.
"Yuna, you - fuck," you barely say, and you sound more than slightly stunned, so she’s filling in the gaps, elaborating in the spaces you cannot - that she loves it, that you’re so good for her, and so is that, and that, and that - the way it hits, right there, keep fucking her just like that, because right there, right there, right there, right there - the way she props herself up on her elbows to tell you, "you're fucking me so deep, oh my god - yes, oh my god, fuck."
By the time Yuna shudders through another orgasm, a silent ghost of a wail leaving her pretty frozen mouth, her lashes are batting against her cheeks, and she's biting her lip, so hard you're certain she's going to break the skin, her back strung like a bow. It's the look on her face, that soft sort of reverence, and how her lips are swollen and spit-slick, the pretty hollow of her throat. Your thrusts become faster, shorter - your own moan thick in your throat, your jaw hanging slack.
“Here,” you say, and she’s just putty between your fingers, on your cock.
You’re flipping her around, onto a different angle. You know she likes it, the way her tits are pressed against your desk, and it's hot the way her ass tilts right into your hips, arched. Proffering. "Be good for me, and spread yourself open."
She's already so meek when she complies. "Anything, sir. Stretch me out; I want you to make me yours."
God, she's practically purring when she talks like this. She knows exactly what that fucking does to you. Knows that when her eyes draw back, big and watery and full, you're a goner - if your cock wasn't deep in her pussy, fucking her open and raw, the view would nearly be enough. And all of this, the pretense, the pantomime, she knows how to bend the line of your body to her own, because when she turns, and presses her red mouth to the crest of her shoulder, you are hers.
You could probably cum, right now, deep down into the molten hot of her cunt: if your hips keep up their ruthless pace, if her ass was sticking up the slightest bit more - the sound that would come from her.
"Take that perfect cock - and fuck my pussy up," Yuna mewls, her voice saccharine and slurring, a touch whiny. She rolls her hips. Your cock grinds, still, though it stutters now - shallow and quick.
"All this pussy, for daddy's cock," and you're sure that the entire office can hear her now, the moans that escape from her mouth - but you can't even find it in you to care. You're caught, all of her a net you've willingly been ensnared by, and here you figure that's the slightest bit appropriate; you're so fucked, and it's funny, too. Funny enough to laugh about, later. "Nobody fucks this tight little pussy the way you do, sir."
It's a smile she hears in your voice when you say, "is that right? Go on then, let’s hear all the things you'd have me do to your slutty little cunt."
The line's crossed again, in some indecipherable direction. Where, again, exactly, does it matter? There are lines and lines, and none of them quite mark the beginning, the end, the periphery. This time you don't pull back; you dig deep, and it makes Yuna cry out like you’re killing her. Which, in a way - you already have.
So your hips stutter forward again, once more, and you lean into the slant, so fucking deep it's practically impaled. There’s nothing quite like holding this girl’s hips and pounding her from behind. Her pussy alone is fucking incredible. And the sound her ass makes against the flat of your stomach, the crease of your thighs - it's unimaginable, the way Yuna makes these little squeaks of a noise, like half-broken moans, when you fuck deep, deep, deeper into her. The way her arms splay wide and search frantic across your desk. And as you grab her slim, dainty wrist, pin it back and pull her tight - fixing her upright until you have her head lolling back against your chest - you simply fucking pound away.
Fucking all these little curses and sounds of appreciation out of her throat. Your cock forcing out each syllable, "yes," and "fuck," and "god, oh my fucking god - I cannot believe," now on repeat, how her tone grows tighter. How she moans - a lot, like something's being worked loose.
"Uh-uh," and you're holding her steady now, with one broad, strong hand at the back of her neck. "Keep telling me, and maybe I'll let you cum."
Your free hand finds purchase in her hair. Yuna's groan coming out pathetic and wanting, her mouth half open. You wrap her silky golden locks around your fist, her hair thread neatly through your fingers, and then give the slightest of yanks.
Christ, her pussy just fucking soaks onto you. Greedy. Needy.
"Shit," and Yuna gasps when she can, where she's allowed to.
"Oh, is my little girl into getting her hair pulled?" and you can see the signs of affirmation: the muscles inside her flexing, grasping you as you roll in, a small, soft nod, and the way she sighs your name, like a prayer on her lips.
Listen, she can barely speak, the way you're fucking her apart. Yuna's body is wound like a bow, like string and taught wire. Bent into the side of the desk and open for you, her pussy pulsing tight around you with every stroke.
"Sir, I'll do - whatever you need, just - just - let me have your cum, please -" and there, she's begging now, and her voice is tinny, breaking, breathless and airless.
Then it’s her fucking hair. You pull so much on it harder this time, with another measured thrust inside her, your body flush against her ass. Fingerprints searing down onto where her hips flare and taper, impossibly narrow.
You’re probably hurting her. You’re probably ruining her for anyone else - nothing will ever satiate her more than the way she sobs as your fingers twist tighter through her hair. Around her fucking miracle of a waist. It's an obscene sound that echoes down to your cock, as deep, hot and fucking filthy as her cries when she cums for the third, fourth?
"Just," Yuna barely makes, her eyelids heavy, her gaze flitting somewhere behind her. "Just look at you, fucking me so hard, filling up my tight little pussy, making me take everything your cock has to give. God, you love wrecking my perfect little hole, don't you?"
No, or yes, or probably. You’ll figure out the details later.
"God, I love it when you get real messy, when I get you like this-" your words run seamlessly into the searing heat between your bodies, like punctuation, like the end of days -
"Use me." She doesn't just say it. "Take me, and cum in me, wherever you want. Daddy, you can have my mouth, or, or, you can - you can finish inside me."
And god, you could, you really could: just the timbre of her voice does things to you, the way that it curls around the words daddy, and sir, and you're fucking me so goddamn good. She's saying them now, her whimpers breaking into outright moans and all: shit, please, please - you're gonna make me cum - oh - oh fuck! And when she's wound that tight, a quivering, sopping mess of a girl, you put your fingers against her clit, circling and pressing in tempo to the thrust of your cock.
The cruel metronome that makes. Hell, it fucking sends her.
She’s begging you to finish inside her. It's fucked up - and she knows it. She wraps her heels around the square of your back, and the tension rises, and rises, the coiled spring tight and waiting - just a push away, so you slam into her once, then twice more, the push of a hand splayed between her tits and your fingers digging into the muscle of her thigh. She wants you to cum in her pussy, fill her right up; she tells you that, again, that she wants it, and her voice is raspy, high. That she wants you now, as if she didn't before, and how does this compare, because she needs it now.
You hold out for just a little. You’re holding your breath. Just a little, just until Yuna’s eyelashes flutter open over her shoulder and she says your name, so sweetly, and says, "please, just, inside."
You shouldn't.
You can't.
So here, barely able to think at all, you end up doing the unthinkable - thinking all the while of pumping her right to the finish and draining your balls straight into the deepest reach of her cunt, how fucking tempting it may be - you muster an ounce of good judgment still adrift in a sea of lust. Your throbbing cock draws out of that wet, inviting heat and into your fist, and watch how that makes her begin to unspool: the way she tries to press her knees shut. She's sobbing for it, pleading, her lashes dark with tears. "No, no, fuck me, please, I'm begging you. Please, I'm going to be so good - god, please -"
You tug her back, look her in the eye, and let out a loud, shaky exhale. "Knees, princess."
She's too wracked with need to do anything other than comply. Her jaw drops. “But-”
"Mouth," you cut in, sharp enough that her gaze lifts, and you're right there - on the precipice, so close, watching her tongue dart out of her mouth to run across the swell of her bottom lip.
Watching her knees fold into the carpet, her stockings down loose around her thighs, her underwear hanging off an ankle. The rise and fall of her chest like rolling waves, and you can see her hands fisting on her knees, and her face: you watch the emotion flash over, like water on glass, and a moment is all it takes. She leans her face forward to your hand, as you wind her hair into your fist, her lips parted and her gaze lowered. She's obedient, taking the weight of your cock with her pretty pink mouth like the fucked-up-little-fantasy that she is, opening so nice and wide.
Her eyes flit up to yours, her mascara-ringed lashes fanned against the pink of her cheeks.
"My face," she tells you, or something close to it, "fuck my face. Go ahead, use it - cum all over me."
Your cock slides halfway home, her cheeks hollowing, and when it presses to the back of her throat, she gags. You curse and tip your head back, the wood of your desk digging into the flesh of your palm.
"What did you say," you half groan out. "Baby," you add, just for good measure, just to play along, "c'mon."
The tip of Yuna's tongue sweeps and swirls just beneath your cockhead, and she moans her answer around your length, lapping at a leak of precum. "I said," she's repeating now, her cheek brushing across your shaft, and you shudder. "Fuck, what I said was I want you to cum all over my face.
Jesus.
You bury your cock into her mouth once, twice. Let it sit there. Let her really struggle for it, the angle just a tad awkward from above. Let her lips stretch wide, and her shoulders shake a little - tears start to gather, pricking her eyes, her lipstick a mess, the way your cock fits, plugging up her throat so full. You hold her like that for just a second, a little less - until Yuna's moaning, the vibration low in her mouth, and her eyes flutter open, closed.
"Fuck," you spit out, and "perfect," and your voice is shot, your whole face warm, and you're going to cum on her - everywhere on her. Yuna, who’s been staring up at you in wide-eyed submission, gives you a little nod, like she means it.
Like she’s earned it.
And maybe she has: it only takes one last look to seal it - her hand curled around your cock, her cheek matted with her own spit and lipstick, the bright smudge of her own cum from the point of her chin to the cleft of her cupid's bow, and her eyes are locked on yours, eager and hot. Maybe she hasn't - and maybe you should make her beg, fuck her mouth some more - it's almost cruel, how she looks. A perfectly pretty picture, poised and pliant and waiting, and she's right there, beneath you, and fuck - this is so wrong, and you'll ruin her, you'll mark her up like this. She'll be painted like a work of art.
Your pulse thickens. Stands right up in your veins.
Then, your control, snapping: her pretty lashes flutter, her mouth gone slack, her jaw still tilted up like she expects a gift, an offering, her palm wrapped so nice and snug around the base of your cock, her expression dazed, and so easy, and perfect, so eager. You tilt your hips just a fraction further, and she fucking swallows, her tongue tracing the underside where you throb harder, heavier - her body lilting up as you press in so deep.
“God,” you breathe in, out. It hits hard. It hits fast. “Yuna-”
A tensing of your stomach coils up through like smoke, and your grip tightens on the edge of your desk, the other in her hair, a helpless, desperate thrusting, and there - it's a wonderful, brilliant sort of explosion, like light, the white-hot burn of a fever breaking. You cum all over her face and into her hair, spilling out streaks of hot, filthy white onto her sculpted features and the sweet line of her throat, and god, there's so much, she's taking it so easily, all her breathing hot and heavy and loud.
Her skin alabaster and porcelain; cotton and canvas; she lets you fucking paint her, all messy and ruined.
In fact she’s even smiling like she’s holding in a laugh, all gooey-soft with satisfaction, and you're jerking your cock slow through her slender fingers, even after there's nothing else left to give and every inch of her face is marked - the way she wears your cum like new skin. You feel the shockwave tear your nerves open, and then the calm, right on its heels, spreading out from your core to your fingertips, out through the roots of your hair.
"Ah," you exhale, a tight gasp. Yuna takes the entirety of you into her mouth, sucking down your length - harder - as she swallows back a final, sticky load, her own hair sweat-slick to her face.
Just look at the damage: that’s a story not even you’d be able to spin. There's cum on her nose, dribbling past her cheek. On her jaw and on her cheek. Filthy white streaked all over her parted lips, her neck. Down her shoulder blades, and soiling her hair, and leaking down past her collarbones.
(Christ, was this better or worse? You can't even tell. Every version of her that's been served on a plate for you has seen fit to make you sweat.)
When the dust begins to settle, you’re left panting and spent. Yuna, the collateral on this fine, whiny, disaster of a deal. A collection of photos, and some thoughts and ideas, that now sit disheveled on the ground. There's a scathing voice inside your head that's demanding to be heard, reminding you all-too-casually that this is not any way to manage a client. She could snap her fingers, call out to that sycophant at the top floor, and your career would be over - she could do anything she should ever desire.
You know, on a baser level, this, and worse: the duality of the thought. Her tight cunt on your desk, you on your knees; the sharp gasp you can steal from the top of her throat, perhaps when she feels the gentle pressure of teeth around one rosy nipple. The pinch of your thumb and index finger around the other. Her nails down your back in ten angry lines, and the throb in her throat, while you slide the whole width of a hand, rough, over the flesh of her ass.
Maybe the desk, like everything else, can just join the pile on the floor.
"Yuna," you say, the vowels pitching like a sigh.
Her palms find the sharp crease in your pants and slide upward. She's gazing up at you, bright, her face sticky with you.
"You can't send me out like this," she tells you, matter-of-factly, letting a smile cross the lines of her lips - or a smirk. A wordless extension of the previous sentence - of a few.
You pull out and away from her: a white and gray dotted tie hanging loose, unknotted; a button still fastened somewhere mid-center, your trousers pulled off and loose down just below your knees, the fly gaping open. She's in a similar state, the cups of her bra slipping loose, her mouth flushed, lips swollen and red, the outline of how she’d let you use her in a smeary, runny stain across her cheek.
"Maybe let your manager know," you tell her, pulling your belt in place, and you think you catch her eye rolling. "That you're going to be late."
Yuna doesn't hesitate.
"Tell her yourself," she responds, "I'm sure she'll be relieved to hear I'm not actually dead - just having gotten fucked stupid on my PR person's cock."
"I might forget to include a couple details."
"You shouldn’t." Her eyebrows jump. And she's chewing, lazily, on the full curve of her lower lip, her teeth glinting like razors. "Here, before you throw all this to the sharks -"
So, so very dramatic, and with this: her thumbnail pressed beneath your chin. It draws your gaze up - up, and down: from the splay of her legs and the gleam of wetness between them, a brief rest along the arcs of her chest - the room's a total fucking wreck. Your necktie, her skirt, her blouse, her pantyhose. The papers and books all spread, bent, broken, the stack knocked clean onto its side. The skirt's probably still pulled too far up her hips for decency, her breasts shoved up to her neck and the collarbone, and then there's her face - her chin streaked with cum. Yuna smiles then, the corner of her mouth pulled upward.
She might kiss her if you'd let her.
Cum on her lips be damned, she's beautiful like that, like she isn't even trying. And in fact, she never really had to - this girl, she'd do it alone. The idea that someone could be as universally loved as she, is enough, a marvel even, but here she is in front of you, every atom and curve a siren, a study in perfection and composition. Like she’s not just all your mistakes laid out to bear.
"Take a second to take a proper look, hm? Get all the memories in, while they're fresh."
"Because?"
"You can remember I'm only the person you say I am, for you."
"You can remember I'm only who you say I am, for you."
"Oh, of course," and the laugh that leaves your throat sounds dry, cracked open. The band of her skirt stretches, snaps back, so neatly that it leaves a pale line on her flesh. And now there are your hands, fitting around her hipbones, a sigh: a short, sudden motion, tugging her up. Yuna gasps: something surprised, delighted. She's all grins and teeth, all clean, bright incisors. 
"Mine," you're breathing, the flat of her stomach underneath the fingers you've placed upon it. "This is mine - you. Yours - you're all mine."
It’s possessive, but, you’re not all incorrect.
"Yeah," she more than agrees. 
There's a ribbon-taut quality in the way it leaves her mouth, the tension in her body coiled up through to the bones. She makes it sound like the beginning of a promise, the beginning of something much larger.
And by the way." She’s still buttoning her shirt. Putting herself together. You’ve seen the triage, the damage control. This is the Yuna you get. 
So, she needs the second - a respite to lick a stray stripe of slick and cum off her wrist - blotting her cheeks with a ball of wet tissue, until all that's left is the smeared lipstick, her stockings splayed around the floor. The pattern you've worn, where your fingerprints would've shown, gets covered up under her skirt and her coat, wrapped up in a scarf.
The smug satisfaction in her tone pulls your focus, just in time, her hair's falling in waves down her shoulders - perfect, but not flawless: there's a creased line, a hint of her throat, just beneath the collar. There's a slight wisp out of place. The buttons aren't arranged all the way from her collar to her sternum.
"I'm going to go with that photoset, with the white top, in the sand - gonna post 'em online and generate some buzz. You even said it yourself: they're fine. " She pauses, pushing away a strand of hair. "Professionally, of course."
"Professionalism." You smile. "Of course."
She walks out carrying the stilettos: pumps in either hand.
"Always. Catch you soon," she promises, and you do catch a last flash of her expression, lips parted, the lower curving into a satisfied smile, right as she flicks the lock on the door open and your office goes back to quiet.
For a split second, it's unbearable: the silence.
And you think again.
She can have anything, get any boy, girl, whoever, any designer, photographer, make-up artist in the world; there's something so unmistakably intoxicating about the fact that the thing she's decided she wants, is you.
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abnerkrill · 1 year
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fantastic rebuttal to "writers don't deserve better pay because the stuff they write is terrible/unoriginal", full thread here
(to explain, the "Unknown" under his name is from a add-on bot detector; it usually can assign a percentage likelihood that a user is a human being and not a bot, but I think the blue check system disrupted the add-on so it says "Unknown" underneath his name now.)
[image id under the read more:
May 7, 2023 tweet thread from Tom Vaughan @/storyandplot
With #WGAStrong rightfully in the spotlight this week, I've seen some less-than-sympathetic comments focusing on the lack of originality in our projects. This is a fair criticism of the system, but not the writers. A quick history of how we got here (thread emoji)
The first thing to understand is that Hollywood has NOT run out of new ideas. The studio’s preference for I.P. has nothing to do with regurgitating ideas and everything to do with MARKETING.
The late 60s-70s is generally considered the artistic high of the studio system. Ironically, many contribute this to corporations buying up the studios! The corporations knew they had no idea how to run a movie studio, so... they put creative people in charge.
This is how you got the run of so many great films the studios would never make today. They also took bigger chances on young, promising talent (the first "film school generation" of filmmakers.)
But with the success of JAWS and STAR WARS, the corporations demanded more of those kinds of hits. The creative folks insisted such things were unpredictable, and the business folks said let's make them less so.
(Sidenote: This was also the same time a completely different phenomenon was happening. A/C was becoming the norm for theatres, making summer movie-going much more attractive.)
Over the next decade, more and more MBAs and marketing people gained influence in the studio system. Being business folks, huge hits were not a creative problem as much as a product/marketing problem.
The 80s is when the “high concept” became pre-eminent because it narrowed a sales pitch to one sentence, a trailer, and a poster. This made everyone a marketing agent for a movie because everyone could explain what it was about!
In the 90s, marketing became just as important as the film itself (reflected in their respective budgets) when Hollywood discovered they could profit from fifty years of pre-existing awareness for old TV shows and movies.
This allowed the marketing department to move away from pitching a movie and convincing you to go see it (lower success rate), to simple “audience awareness” and building anticipation. (higher success rate.)
The audience knew what THE FLINSTONES the movie was. They just needed to know the casting and when it opened. No one needed to have the remake of GODZILLA explained to them. They just needed to know when it opened.
The marketing department prefers AWARNESS over SELLING because awareness is something you can throw money at. Selling is harder, and it’s less predictable. This is why franchises are so valuable.
Whenever someone says, “That’s something I can sell!” It’s usually something that can sell itself. What they mean is, "I just have to let people know about this!"
Hollywoods's reliance on property the audience is already familiar with is 100% because... the audience is already familiar with it. It is easier to market the product and this increases its chances of success.
This focus on I.P. has become so pervasive, many, including executives themselves, have forgotten WHY it's valuable. They'll option an unknown comic BECAUSE it's I.P., forgetting that it's unknown and lacks the main asset of I.P.
Writers do love writing on an I.P. that means something to them. Every Star Wars fan who became a filmmaker would love to work in that universe. But we do not love it more than our own original work. We would always rather work on that.
So when you see another remake, or reboot, or adaptation, and think, "Can't they come up with something new?"
Remember, the answer is yes. Yes, we can. And we want to. You can blame the market or the marketing, but either way, the widespread production of truly original content is just not the studio business model we're in right now. #WGAStrong
end ID.]
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