Listen, if you were to push Lucifer down on his back, then pin his arms above his head and sit down on his stomach as you smirk down at him, he WILL short circuit so hard that his pride will be temporarily deleted from his brain
For the next century or so, his gaze will continue to hold nothing but complete and utter reverence for You and only You. He will look at You like You are beauty and holiness and perfection incarnate, as if the only purpose of the stars decorating the night sky above—and by extension, the only purpose of the morning star himself—was to bear witness to Your allure and charm. To the brilliance of Your existence
Compared to You, his father has been nothing but a false idol all this time
Also if you lie down on his chest & raise your head just high enough that he can't kiss you he will start to vibrate at 900 miles per hour proof: I'm the skeleton in Luci's room
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On the “it was supposed to be a joke!” theme, is mustard!trey your favorite?
Back when all I knew about Twst was fanart I thought things like fairies not being able to resist Leona (fairy gala), Jack wagging his tail and then denying it while it is actively happening and Rook hunting his classmates for sport was just fandom hivemind stuff.
Every time I come across something from art that turns out to be real I am delighted, like Jamil’s towel conversation with Kalim before GloMas, I was 130% sure you’d made that up and could not stop giggling.
Trey's Mustard Mania is up there, but I think my favorite will always be Azul's robes story, in which -- I know I've talked about this before, but honestly we should be talking about this 24/7 because really -- it turns out the secret ingredient in Vil's fancy high-end moisturizer is Floyd. Vil has been spending the entire story walking around with Floyd Juice rubbed into his face. what does that mean? who knows! they just wring Floyd out like a towel (somehow?!) offscreen and put the drippings into a cute bottle and sell it to Vil for an exorbitant price! this is just something that happens in canon! why not!
also, the birthday boy sashes. for some reason no one ever believes the birthday boy sashes are real at first, and it's always a sheer delight to see "WAIT, IT ACTUALLY SAYS BIRTHDAY BOY?!" on my activity page. :D
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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
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it is raining and dark and dreary and cold and all i want to do is snuggle into a nest of fluffy blankets and cuddle with husk because :((( he looks soooo soft and so warm and i bet you he is the best cuddle buddy to just curl up with and drift dreamily between various states of consciousness. just lulled into a hazy sleep by the feeling of his chest curved around your back, rising and falling rhythmically with his calm, even breaths, the sound of fat raindrops pelting against the windowpanes in heavy swells of wind, the low hum of the television as it murmurs to itself, one of your favourite films flickering on the screen, bathing the room in faded blues and washed out reds ♡
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