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#I will also add characters for people too
jayrockin · 12 hours
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Hi. I'm very late to Webcomic Day. The concept this year was to nicely showcase what the progression of your work looks like through layers of completion on a single page, but because of the way I am, this is not very easy. The first thing I do is sketch the page. This can be anything between thumbnail scribbles, nice pencil drawings with panels, or a bunch of floating character headshots with speech bubbles on a random piece of paper. I then scan these and add them to the page document. I usually do digital tweaks to the scans until I am satisfied with the panel layout and composition. I add vector speech bubbles at this stage too. The goal is (was... it's done) to make the entire book comprehensibly readable, so editors can read it and suggest changes before I put in actual elbow grease. Second stage is modelling important background elements in Blender. I'm not very good at this, mostly because I am new to Blender and terribly impatient. My models are usually a vague sketch of a hardscape environment that I then draw clutter over. My vehicle models are much nicer and that's because they were commissioned from people who have years of learned skill that I don't. Third step is when I actually start the finished page. I usually draw the character lines and flats (unshaded tones) before anything else because I find it fun and easy. I don't recommend this, it sometimes makes the next step inconvenient. I frequently start flats or shading before I've finished lines, because I get bored of doing lines. I don't recommend this either. Last step is backgrounds, and etc. If I need a Blender model, first I load an .fbx copy into the Clip Studio file and position it; then I often have to resize and reposition the characters I've already drawn, and then I grind out all the background lines and tones. Usually shade the characters around this time. This is also the time when I finally fill in miscellaneous stuff I've been dreading; like conlangs, technical details of equipment and props, conlangs, time conversions, and computer screen displays. Then the page is done. And I move on to the next one. Someday, perhaps, I will be done with all of them (so that I can work on the next book). Hope this was insightful. Take a peek at some of the other great artists making online comics, who posted in the #WebcomicsDay tag yesterday. Read Runaway to the Stars over here.
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tarisbackyard · 2 days
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Here's how to write an authentic Grimm style fairytale, brought to you by a Certified German TM:
Forget everything Disney movies taught you, besides maybe Snowwhite, Cinderella, and Sleeping Beauty. But even those are on thin fucking ice. Also ignore modern fantasy literature conventions, especially Dungeons & Dragons type stuff.
Ideally only the protagonist or none of the characters ought to have names. And the names should either be really fucking ordinary, or some kind of epithet. Like, either that's a Franz or a Bramblesock, cause when Bramblesock was a child he lost a sock in a shrub of brambles. Everyone else is either the king, the grandma, or the carpenter.
The common types of protagonist: Regular working class guy who cons his way into a life of riches, poor downtrodden peasant who through hardworking kindness is granted salvation (usually via gaining riches), too pure too good for this world princess who can't catch a fucking break, too nasty too bratty for this world princess who gets taught a lesson in humility.
The characters are generally very one note and the only kind of character growth they can experience boils down to "maybe I shouldn't have been a dick, huh?"
The location is either as vague as possible or super fucking specific for no reason; either the story takes place literally nowhere or in the town of Buxtehude.
Animals and inanimate objects that can talk for no apparent reason and no one bats an eye at are always a great addition.
If you want to add any fantasy races, use giants (large, dumb brutes), dwarves (angry little guys who live in the wilderness and get really angry if you touch their beards), or gnomes (mischievous house spirits who might be helpful but watch out!), but never more than one of these. Fairies are rare and usually the "tall beautiful wise woman" type, not the small annoying pixie type. Dragons are very pointedly no-where to be found, those distinctly belong in sagas, which are their own distinct type of literature.
Weird moral of the story that either boils down to "be smarter than all the other fuckers", "good things happen to good people, bad things happen to bad people", or "don't upset the supernatural".
Random tidbits of gore that no one bats an eye at.
Witches eat children, if a mother gets more than single line dedicated to her she's evil, fathers are spineless and/or assholes who either die or come around in the end.
Ugly means evil, pretty means good. Except when it doesn't.
Optional: Repeated rhyming phrases and numbers. Seventh son of a seventh son kinda stuff. The numbers 3, 7, 12, and 13 in particular.
Ideally a 19th century scholar should be able to read some clumsy Germanic pagan wishful thinking into the story, no matter how big and obvious the Christian overtones are.
Optional: Start the story with "Once upon a time" and end it with "And if they didn't die, then they are still alive today."
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euphorianz · 2 days
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Hi could I request yandere poly romantic, the Bridgerton brothers Anthony Colin Benedict headcannons x gender neutral reader, please and could you add a few quotes of what they would say please and thank you. 🥰😊❤️
❥Bridgerton brothers as obsessed partners
Pairings_ Anthony, Colin, Benedict x reader
possible triggers_ isolation, obsessive behavior, poly like relations
a/n_ thanks for requesting and your patience! I really like this concept and I hope you will too. This obviously has no sibling love in this so anyone who’s upset about this concept for that reason, there’s no need to worry. Please refer to the master list to understand the concept. Anyway feedback is welcome and wanted.
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-the three of them are a terrifying combination. Not only do you have to deal with stalking, outbursts, and suffocating affection. You have three of the most influential men at the of the ton pining for your hand...
-at the start, I dont think either of them would be aware that they all have feelings for you. But when they do things become more of a game. All of them want your hand and they will do anything to gain it. Colin writes letters. Benedict flatters with witty remarks and portraits. Anthony splurges.
-separate from their archetypes in the other concepts, the Bridgerton brothers view you as a prize more than anything. Something to be won. Something to be savored and kept. It won't be until another rival shows that the three will work together. All are scary protective of you and will quickly swoop in if any possible sutor comes too close
-I feel as though at first they will present themselves as your friends. They'll be the ones to invite you to balls, spend time with you in the park, and invite you to family games. if possible, they want you to feel as though you can trust them. It's a total wolf in sheep's clothing thing. They want you to integrate into their life and the people most close to them know you.
-Things are horrible for you if you don't compile though. As a group, they would decide on humiliation to get you to come to them. Whether that be insulting your character or your family's name. They will find a way to drag you down to the point where you are crawling to them. "Aww, feeling friendly now are we?"
-marriage is completely out of the question for your dynamic (and the ton's social climate) with the brothers so you're more of a permanent house guest. Each brother will insist on spending one-on-one time with you and will throw a fit if they thinks one brother had one second longer than they did. So you will consequently be playing mediator making sure you give each brother the attention they want.
-with Colin he prefers to just hold you. I can just imagine him burying his nose in the crook of your neck for hours on end and being totally content. He just wants to bask in your presence and spend time with you :( He wants to take you across Europe but he's too paranoid for that so he'll just settle for taking you around the grounds on his horse while he whispers sweet nothing in your ear. "How does riding for the day sound... just you.. and me... all alone."
-Benedict is a whole different monster. He prides himself on being an artist so everything in his love language is centered around that ideal. You're his muse. his Mona Lisa to his da Vinci. The Juliet to his Romeo. He's just as clingy as Colin, but somewhat worse in a way. He'll have you pose for hours while muttering words of praise. He spends all of his time admiring you. He wants to feel you and crawl into your skin so the two of you can be one. He's poetic that way. "Sh- sh.. Hah- ha ha.. Now, now, don't move darling, you look so perfect at that angle."
-Now Anthony. He's strict when it comes to you. Always wanting you to say and do things in a certain way. He’s the most levelheaded out of the three but also the most isolating. He wants you by his side always and is completely bossy. Want to gaze out at the garden? no, you might catch the eye of another. Do you want to cut your own meat? no, you might choke so the servants must do it. The only word that truly describes him in this scenario is protective. "There's no need to move darling, I have everything covered."
-they all bring out the worst in each other but also weirdly they keep each other in check. You're way less likely to be yelled at or endure any extreme outburst from any of the brothers simply because the others will swoop in and shelter you. Competition is still present in your guy's relationship but when they are operating with each other is more harmless, like impressing you in family games, or seeing who can find the dress you'll like best. You basically just have three very unstable guard dogs at your side who will do anything, but let you leave, for you.
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essycogany · 2 days
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Amy Rose’s Quills
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Yes, it’s that time again! Where I ramble about character designs and why I adore them so much. In this post, I want to talk about Amy’s quills and why I like the different ways it can be represented in official and none official media.
Just like Amy’s eye color. I’ll also make guesses as to why her overall design changed officially and in canon to make things interesting. Let’s get started!
Long Quills
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This style is in Amy’s first design. Being the Minnie to Sonic’s Mickey, she had the same quill style as him. Aside from her bangs. While I do think the quills look cute, it almost makes Amy look like Sonic’s sister. I guess that’s why they changed it later on.
I say this only in comparison to her modern design. The Minnie inspiration is the reason she’s here. I’m only talking about her changing designs and making it less identical to Sonic.
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My favorite iteration of her classic look is in Sonic Mania Adventures Christmas special. Just look at the differences. It may not be a HUGE change, but even her nose is slightly smaller. I just love the Mania’s designs in general. They’re awesome! I still do love the OG design too. Classic Amy is so precious.
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Look at how Sonic’s quills are messier then Amy’s here? I think it gives them more dimension. Showing how one cares more about grooming themselves than the other.
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It’s kind of cool and I wish it was integrated in canon more. Not because it’s “important” but it’s a fun idea.
Short Quills
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Ever since Sonic Adventure, Amy’s design changed immensely. Even Sonic himself noticed it in Adventure 1. Her outfit, eye color, nose, and quills (besides her iconic bangs) are different. Giving her an older more teenage look. I say this because Amy doesn’t look any older or younger then Sonic.
(Or any other teenage/young adult character for that matter)
They are sometimes even shown to have the same hight at times. Back to the quills, Amy now barely resembles her classic design and definitely looks less like a Minnie Mouse inspired design. Her classic design is still amazing, but I believe the change was a necessary one. The differences between her and Sonic are more apparent and noticeable and I think that’s a good thing.
Mixed
Here’s my own example, but there are many other fantastic fanartist who does something similar with both styles together.
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Why do people like this quill style a bunch? I’d say it adds more flavor to her personality. Her having the classic long quills along with the short front dreads could symbolize her adventures side along with her girly side. It blends the two nicely and overall looks visually interesting. While I will say her shorter quills does differentiate her better, I’ve seen plenty of artist change it up a bit in unique ways. It’s fun to create and see what ideas an artist could have for Amy.
Why Amy’s Quills Were Changed?
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I’d say the official reason is because of the things I said before. But the in canon reason could be Amy wanting to look pretty enough for the next time she sees Sonic. Or perhaps she thought to change her appearance simply because she wanted to look cuter. Though I’d say the first answer is the most likely because her love for the blue blur was much more prominent in the past.
Conclusion
Did I use this as an excuse to gush about Amy again? Yep! I regret nothing. I love love LOVE Amy Rose and how interesting her design is in the past and present.
Stay Creative! 💜
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bi-badass-geek · 3 days
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Hades 1 vs Hades 2 Designs
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● Hermes besides Hypnos was first character that made me think when i saw him oh some time has passed since Zag's escapes indeed, makes you feel that time skip. In this particular debate between those i'm really digging both but if needed to say which i prefer would go with second. I feel it should be said he sure rolls nicely with longer hair i would say darker outfit too but that's probably because pallet that's used for levels.
Ps. I saw post that mentioned how his ring is the same as ones Charon is wearing in first game and if it's a hint at something i'm here for it!
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● Zeus for this god specifically there is discourse about how his pose is less dynamic and oh boy if i don't agree with that so much. In first game you see him and his look makes you think yeah this is the king of gods while in second game man is just there with posture i take often because i'm useless gay that don't know what to do with my hands and feels like they took all this might and put it into chiseling his nipples & abs into his golden chestplate. Not to mention the detail of missing the iconic bolt! Don't think it needs to be said but 100% would pick Hades 1 design out of those options.
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● Poseidon the King of the Sea another example in my humble opinion where they went with flattening that dynamic looks exchanging it for man that just standing there chilling which is good for him but where first screams cool uncle second one goes uncle that wants retirement. I really like how we can see the trident now tho and need to point out his outfit sure got more print on it. When it comes down to pointing out which one is the winner in my eyes it would be 2020 one.
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● Aphrodite if she wasn't the one that got thrown into drama because people double standards and hypocrisy. Design from first game and the pose straight up makes you think of love, lust, seduction all the things that are associated with said goddess. As for Hades 2 version i have no clue why it feels like this considering it's actually the opposite because we can see armor on her legs now but she feels less covered for me, do i find it negative or in any way problematic? Not one bit let the woman show off all her assets all day long! Really love the adds of her weapon and shield makes you immerse in the store of oh fights are happening around these parts. From seduction to i stand here at the ready kinda vibe and i'm really digging it.
Ps. Another post i read was about fact that her war paint i will call it (not 100% sure if that is it or just line for the giggles) is reference to Ares and considering her myth i really like that touch!
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● Hypnos was the first OG i saw and was like man not only catching up on his sleep but also got such glow up i absolutely adore the design. Not to say he looked bad in Hades 1 but there it was like okay nice to Hades 2 like Damnnn and his lil helpers that keeps him up! Love the fact that of all things they made him be tucked into his cape like burrito.
Ps. I really do hope by the end of the game we get to wake him up so he can try out that nectar that we all leave there waiting.
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● Chaos so many things to say and at the same time silence says it all. Seen people focusing on fact some out there call them he or how it's a downgrade from previous but don't even elaborate why they think that because everyone has right to have their own preference but at least put it into words instead of going trash next..there was also notion how they resemble Meg and while i see where people get that idea from for sure before reading that my mind didn't went there at all. I think both designs really work with someone who is primordial originator and how time goes so can their form. I find it very fascinating that they put old skeleton with new one and adore galaxy under suit makes me think of Nyx right away and how they're connected. Can totally see how between those two gamers got major stance that left reminds them more of male and right of female beings but at the end of the it chaos is chaos. Gotta take chair routine from Meg while they at it! The face on the shoulder surely throws me in loop tho fits? Sure. Does it disturb me in micro scale? Yes. About frames and poses don't have much to say cause both caption the essence of i mind my business everything unrelevant until i say so.
Ps. I know it's about physical aspect but let me say Chaos roasting Mel about how her brother is amusing one out of two Hades spawns is living rent free in my brain.
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lazy-b1rdy · 1 day
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UUUUHHHMMM (pls read)
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HELP WHERE DID THIS MANY PEOPLE COME FROM??!1???!!
I AM SO HAPPY THAT YOU GUYS LIKE MY STUFF BUT ALSO KINDA OVERWHELMED BUT OTHERWISE-
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GIVE ME YOUR TSP CHARACTERS TO DRAWW!!!!!!!!!!!!
I will admit that i didn't do the last one and left it in the dust, which was entirely my fault. I had pushed myself too much and was sick at the time. BUT THIS TIME I WILL DO IT I PROMISE.
It will be a bit before i post them with school and other stuff in the way and will also probably take my time with these so you guys have plenty of time to reblog this with them!!!
Stuff you should know:
If you can, please tell me a bit about their personality or at least what kind of expression they usually have. this will make it easier for me to draw them. (i have a hard time reading people :'-) )
you can give me up to 2 characters (pls add their names too)
I might do the older ones too but you can still resend them to me if there are any changes to them or if you want me to do different ones!!! (if you don't want me to draw your charecters, you can tell me through my ask box, i won't publicly respond to them)
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Why hello there.
Listen,I don’t have much to say about the newest LO episode so here’s an ares ranking to go along with the other ones.
Spoilers.
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Percy Jackson:
6/10
Look,Ares is a really weird figure when it comes to how the media presents him.
Almost always they present him as this sexist frat boy when in mythology he is:
A reported protector of mistreated woman.
The patron god of the amazons and was worshipped to the point that their leader had 2 babies with him.
Scored the GODDESS PF LOVE AND BEAUTY and there is no way you cannot convince me she doesn’t have some pretty high standards(even though apparently you can convince most of the writers on this list)
And as much as I love Percy Jackson,it is not devoid of crimes.
In the first book,he helps Luke/Kronos steal Zeus’ master bolt and Hades’ helm of invisibility as to start a civil war within the gods.id say this is a pretty good portrayal overall.
…until we get to the second book.
This myth will be very important so long story short:a daughter of ares got r*** by a son of Poseidon so Ares,like any reasonable and bloodthirsty god of war,fucking killed him.
After this,he got put on trial for murder as if he wasn’t the literal god of bloody war,and all the ladies vouched for him so he got set free.
Let’s just say,Rick Riordan didn’t know of this myth.
In the second book,there’s a scene where Clarisse La Rue,a DAUGHTER of ares talks to him through a magic mirror.
There,he threatens her and says he should have sent one of his sons on the quest.and keep in mind she is his FAVORITE DAUGHTER.
So yeah.
I don’t really like this portrayal but he gets points for bringing Clarisse and (technically)Frank into this world since I like them both.also the fact that Percy could tell he had beef with him even without having any other memory.
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Lore Olympus:
1/10
FUCK THIS GUY
Remember when I said that modern Ares was more often than not a sexist frat boy?we’ll add “predator” and “Reddit nice guy” to that list because RS can’t write.
If in Percy Jackson Aphrodite had terrible standards here said standards are so much worse.
He spends MONTHS trying to seduce a 19-YEAR-OLD and then tries to marry her without her consent.
Also,sir,YOU HAVE THE GODDESS OF LOVE AND BEAUTY FULLY AT YOUR DISPOSAL AND YOURE PICKING A GURL WHO DOESNT EVEN KNOW HIW TO USE A COMPUTER????
Great.this guy is a predator,Reddit nice guy,AND stupid.
I remember saying that the only character who could get a lowers rating than LO Persephone being LO hades and then I remembered this fuck existed.
Fuck him.
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Hades:
10/10
Your know when you see something and then immediately want to wash your eyes with soap?this is my soap.
He is my third favorite Olympian in the game,coming third to Hermes and Artemis.
So here’s a few reasons why I like him:
Doom anything with impending doom and the increasing doom damage boon does absurd amounts of damage.
Curse of nausea is one of the best duos in the game.
He respects woman.(oh look they finally Aphrodite standards)
His quest is stupidly easy and he was the first Olympian who’s bond I maxed out.
I know this joke has been made so many times but.he really is a Chthonic simp.
He doesn’t get too pissed if you don’t pick him is trial of gods.hes just here for the bloodshed.
It may be just the fact that almost every other interpretation of ares is bad,but I really like him.
Also Aphrodite wearing his face paint in hades 2-
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OSP:
7/10
He’s cool.
I really don’t have much else to add except the helmet stays on during sex.
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Gods school:
5/10
Welp Back to the incels-
Him straight up telling Aphrodite that he can do whatever he wants because she won’t leave is just.why.
I don’t get why people go to this myth,turn it around,and act as if they’ve done a service by making Ares miserable when in the myths it was already a good ending.
What is with the obsession with making ares a toxic ex boyfriend when in the myths him and ‘dite were literally love and war.
Another issue I have with gods school is the fact they made Aphrodite a Karen Smith when in the myths shes a Regina George but that’s a problem for the Aphrodite ranking.
Also I just realized the Aphrodite Hephaestus ares myth is the og “I fell in love with a bad boy story”-
Epic:the musical:
8/10
I don’t have a physical picture of him but I already like him.
The only time he he appears is during a bit of an unfinished song but he does bring up some pretty good points,like the Scylla thing.
Also the fact Athena didn’t directly refute any of his points but instead persuaded him with the fact that the moment Ody gets home the suitors are going to be fucked is surprisingly great.
Also can I just say how absolutely hyped I am for god games?Aphrodite’s part fucking rocks and I’m excited for Apollo and Hephaestus.
Also here’s my ranking for epic Hermes since I wasn’t part of the fandom back then:
10/10
*insert dolphin laugh here*
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team--edward · 15 hours
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Female Poll
NPC SMOOCHING POLL UPDATE:
I forgot that everyone isn’t bi so I’m separating the poll I did before into men and women for better range (sorry to any of your enby hcs). I consulted the notes and tallied the characters people asked for who to add. (Leaving out Alfira, Dammon, and Aylin because I know they will sweep the competition) (by that logic I should probably leave out Rolan but I am a member of the Holy Rolan Empire and cannot bring myself to)(some people mentioned I should take out the emperor and Mizora because you can smooch them in the game, which is fair, but they have a low enough fan base that I’m gonna keep them in) (I’m also putting in Jaheira and Minsc who arnt NPCs but arnt romancable)(ALSO I KNOW OMELUUM USES “it” PRONOUNS BUT I DIDNT KNOW WHERE TO ADD IT SO ITS GOING IN MALE SORRRYYYYY)(EDIT: HAARLEP TOO, THEY ARE NB)(also people weren’t sure what kissing means so I’m gonna clarify in a romantic/sexual way, not like a comfort kiss)(if you are ace I guess you can do comfort kiss)
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lxmelle · 16 hours
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“Best Friend” / 親友
I’ve been mulling over this for a few days, wondering if I’m overthinking things, or if there is actually something to it.
Gojo and Geto are like a pair of parents. And I think it’s deliberate. Hear me out.
See, from a non-native pov, I can pick apart this coined phrase for best friends, shinyuu “親友” or “family friend” into its individual kanji: 親 and 友
The first kanji on its own, oya “親” can be read as “parents”. The second kanji on its own is tomo “友” can be read as “friend”. How a kanji character is read changes according to context within a sentence, topic, or what it is paired with. It can be difficult to explain if you’re not used to the language, so I’ll leave it at that for the purposes of not complicating this post.
They both considered each other their 親友 - best friend. There is only one pair of people who considered each other this “best friend” terminology in the series. Gege could have used Nakama 仲間, or Brother, or even just Tomodachi 友達. TaisetsunaHito 大切な人 is definitely a step too far. No other best friend. Yuji is several people’s “brother” but not best friend. Gojo and Geto are a pair. A duo. The canon-confirmed “たった一人の親友” my one and only best friend status is mutual.
As friends, we know they split up. There is no mention of 親友 / best friend-ism at this point. But they unequivocally considered each other as such, and they never ever had another 親友 until their dying day.
The fact that there is the kanji for “parent” in the phrase for “best friend” is poetic. “Oya/親” is obviously the same word used by Gojo in the kfc breakup scene, because that’s the kanji for it, and that’s what Geto did - kill his parents.
I’ll use this to illustrate:
親 = parents (consisting of mum + dad).
親友🤍 + 親友🖤
To add to the latter, this potential theme, they both go onto adopting kids. Their different parenting styles speak for themselves ofc, but that’s by the by.
Gojo and Geto’s separation played a part in setting off this huge domino effect too. Geto also described how his parents are not his only family now. We also know he considers close non-blood-related persons to be as “family” - like how he offered Kuroi the acceptance of her feelings towards Amanai as “family”. He saw Gojo and the school as family - that is, until he saw how the system was willing to sacrifice their own kind. It isn’t a stretch to see the parallels between what Geto is sharing about severing that bond with his parents (and also with Gojo) and finding another “family” by choice.
Obviously Gege isn’t drawing the parallel by bringing parents into it just due to their best friend status. I headcanon that it was to start anew, not be a hypocrite, to spare them from the monster he’d become, and to eliminate the likelihood they’d be used against him in any way. The last 2 reasons would be to drive in the emphasis that there is a similarity with Rika (who was rumoured to have been the reason for her parents’ deaths although they occurred separately) and... that this would mean that Geto was also separating from his “family” in HI - the duo that was Gojo and Geto. Gojo ascended without him in his quest to become the strongest, and Geto descended to pursue his twisted form of meaning to make his ideal a reality.
It might just be reaching and a coincidence, but I remember that Gege loves these little itty bitty details in character and lore design - like birthdates, dates, flower language, religion, specific kanji used for names, etc - just to name a few. It helps him illustrate significance and I guess adds a touch of sophistication and layering in his storytelling. I absolutely love it. We know by design SatoSugu / Gojo and Geto are meant to be counterparts, so black & white, yin and yang, light and dark, elite and common, even their names are quite fitting, GojO SatoRU and GetO SuguRU .
The kanji / characters selected are also deliberate - Satoru 悟 being “enlightenment” and Suguru 傑 being “outstanding”. The Gojokesa 五条袈裟 was also deliberate, Geto 夏油 has the word “summer” as part of his name and his birthday is setsubun (1st day of spring) where ghosts/evil spirits are chased away. Gojo’s is the heaviest snowfall.
My examples are limited to just satosugu, but you know other characters have similar situations with how the kanji for their names were chosen - e.g. simplest that come to mind is 七海建人 Nanami : 七 = 7 and his ratio technique 7:3 and his hair style too 70%30% parting, 海 = sea, 建人 = human builder (…lol, Gojo entrusted Yuji to him after all…); utahime 歌 = song/music, etc.
My point is that there are a lot of little details like these, so I concluded that I’ll just share this thought I had. The pair of 親友 breaking up is a bit like “partners in crime” no longer being partners anymore, and went about their separate ways but fostered “families” of their own.
TLDR: scene in front of the KFC was really a breakup (◞‸◟)
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vickyvicarious · 3 days
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You may be interested in this article about ine if the "unpublished" letters in Dracula. It's the letter from Mina to Lucy that we don't get to see.
https://www.mpw.ac.uk/2021/03/18/the-suppressed-letter-in-dracula/
(I've not read all of it yet, but the author takes jabs at the literary critics who call Lucy frivolous and empty headed)
(Link for ease of clicking.) Okay, so this is another instance of the author raising several interesting points but then interpreting them in ways that go wildly against my view of the book and the characters.
Mina's missing letter to Lucy is indeed interesting. I love the defense of Lucy's intelligence. The idea of condolences being given in some capacity as well is quite interesting. There are certainly hints towards bisexuality/polyamory throughout the story. Lucy's search for the key vs. Jonathan's search for the key is something I've noted myself.
However...
Then the article begins to suggest that Dracula/vampires are liberating in some way. They don't come right out and say it but there are hints with the suspicion at Mina's description of her attack (I read it as her guilt complex, not her in denial about having actual complicity) or remarking that Dracula is Lucy's key and generally leads to freedom in the various escape scenes except with Jonathan (Lucy tries to take a literal key from Mina; when she leaves she is put in a position of danger. There is something to be discussed about 'freedom from the cage' with Lucy, Renfield, Bersicker leaving the home/asylum/zoo... but it's notable that they never actually become free, just puppeted by or drawn to Dracula, and they're all hurt in the process). I don't think Mina blushing in that scene where she asked if her entry was necessary to add was because she felt guilty about possibly having cheated/wanted to with Arthur - I think she didn't want to embarrass people, and also maybe was embarrassed at her own excitement/gushing. I don't believe Mina's letter about her wedding was trying to convince Lucy to follow her duty and marry a man she doesn't love, but instead meant as a comfort in advance for the loss of her mother that Mina knew would soon occur.
I don't think that Lucy doesn't love Arthur. If anything, I think her difficulty speaking about him in too great detail suggests her love for him is deeper and more genuine. The lack of detail in the proposal scene is actually a match with a pattern in books like Jane Austen, where bad proposals are delivered exactly and good ones are summarized. I think Lucy loves Arthur a lot, and her line about marrying three men is more reflective of her not wanting to disappoint them than her genuinely being romantically inclined towards them. I did a whole analysis of that entry last year, talking about how Lucy and Arthur are shown to be more in sync than she is with either other suitor.
However, his alignment with Mrs. Westenra is really interesting, and I do agree that he is the definitely the one that there would be pressure towards. Quincey is rich, Jack has had an impressive career - but Arthur is rich, titled, established in local society, and of the same/greater social class. I think, however, that the tension here revolves around Lucy and Mrs. Westenra, not Lucy and Arthur. Mrs. Westenra clearly wants them to be married, and I suspect is going to a fair bit of effort to push them together. I wonder if she is the chaperone for them, and in fact is not allowing them alone together (something Lucy mentions about Arthur's proposal, that he had tried a couple times but didn't get the chance). But Lucy's mother isn't just pushy about Arthur. She infantilizes Lucy and doesn't tell her things, and I think is a major contributor to Lucy's own difficulty about speaking up about her own feelings.
I've spoken in the past about how key the fundamental truthfulness of our authors is to this book. And that's something the article discusses as well, remarking how they all align with one another to tell a single agreed story despite different authors. However, I don't think we're intended to try and read between the lines to find places where they are lying/hiding from one another. And I also just don't think they are for the most part. It ties into the themes of the book more for them to be open where they can, and thus makes them sharing these documents more significant as well. Admittedly, the author of this article isn't suggesting that Lucy is outright lying to Mina here... more that she is forcing herself into playing a role, and Mina sees through it. But I still think that undercuts the primarily happy tone of this letter in a real way.
I do love the idea that Mina's letter does have some actual commiseration about things that are bothering Lucy. But I would read that as being much more about Mrs. Westenra and Lucy's expected role in society. Lucy wants to speak more of Arthur but she can't, because of the type of restrictions a lady has to follow. That sort of thing, more than doubting Lucy's feelings for Arthur are genuine. She's obviously stressed about marrying him, hence the sleepwalking, but again I don't doubt her feelings for him. I think it's the major shift in role and also concern for her mother, possibly mixed in with resentment of her.
Mina and duty is also an interesting topic and there is plenty to discuss there. But I don't see her as forcing herself in her various relationships. She genuinely loves Jonathan, her support for Lucy and Arthur is genuine too. She actually assigns things she does for fun to dutiful reasoning several times. I just... don't agree with the way this article interprets its topic.
Relatedly, there are several other letters alluded to that we never get to see. I recently noticed Jonathan's short letter to Mina before arriving at the castle, but there are more to come. Some of them also seem relevant to the plot, perhaps even more so than some of these letters between Lucy and Mina. But I think these are included because they establish things that become relevant, such as Mina's plan to keep a journal, Mina's knowledge of the three suitors before she meets them, Lucy's health at various points, and such details. Why things make it in or don't can still be interesting to discuss, but I just don't interpret them as ever holding some key that will unlock a secret hidden in the rest of the book. Whether that be about relationships or events.
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dcxdpdabbles · 2 days
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Hi!! I love your writing. And every idea you have is so well done, i admire you. Do you have any tips for writing?
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Thank you so much! I'm glad my writing and random rambles entertain you. It's always so lovely to realize people generally like how I write!
Tips: Pick a POV you understand.
It's always been easier for me to pick one character and tell the story from their POV. The best way to do that is to try to think how a character would naturally think compared to the characters they interact with.
For example, Dick- He's much more emotionally aware than his family only because he is often times trying to mentally calm himself down. He tends to have severe anger issues- not that he flies off the handle quickly, but more like when he gets mad, he gets dangerous.
He doesn't like that part of himself, so he's always trying to control his emotions. Dick just happens to be a really emotional guy.
That's why his thoughts tend to be more about observations of people's behavior, compared to Tim, who is always mentally connecting facts and thinking objectively about observations. Tim will more likely notice things like what someone is wearing, how likely that person is to be in the area they are spotted in, and how he can use this information to his advantage.
That doesn't mean either they are dumb or dense; they just tend to notice different things in different order.
This helps you know when to make key plot points appear and when to announce them to the audience in a more natural setting. Foreshadowing, too- You can drop it in an observation like Dick noticing Danny's face brightens when talking about ghosts or Tim noticing Danny never pays attention to how cold it is by never wearing warm clothes. It's not enough to make a leap that Danny is a ghost, but little things like that can add up until the Character has an A-ha! Moment.
It makes it easier for you to make the characters feel different and not just copies of each other.
Also, when describing what your character is noticing, you need to start off with one thing and build your way out. When you walk into a park, you don't usually take the whole place in at once- bombarding your brain with everything.
You usually launch onto something- say the big tree in the middle- and pan your eyes around the park, taking notice of other things after that. The children are playing, the birds are singing, the cars are passing by, etc. As the character moves around the setting, write what they see one by one with actions in between, so it's not a wall of description.
That is if you like a wall of description. It's some people's writing style, and each their own! Writing is a form of art, and all art is self-expression. There is no right or wrong way to go, so enjoy yourself too! Technical skills are built on, but passion is fundamental and you can't have passion without enjoyment.
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randomnameless · 2 days
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It's crazy how SoV preluded 3H by making one of the protags have a tremendously contradictory mindset of humanity being better off without gods, while also relying on those same gods to fulfill their goals, the hypocrisy of which goes completely unadressed throughout the game; truly masterful foreshadowing
Who directed FE15?
lol
I've recently tried to think about this "gods BaD" shift in more doylist terms - especially since I've finally played a Squenix game recently and...
FE13 was the FE series last ditch effort, it will either work or end up as the F-Zero series, FE13 worked and FE14 followed suit.
Lolcalisation aside, FE14 had a nice plot and I engaging characters - to some people but not me, different tastes and all - but FE14 and FE13 were still FE games, as in part of the old FE series, aka a niche series. Adding dating sim/interpersonal relationship through avatars might have helped a bit, and yet, imo, it was still the "niche" FE series.
Comes FE15 where we basically have a remake, and can't add the interpersonal thing because Alm isn't an avatar (even if the game spends a lot of time praising his oranges) - how to make the game work? Sure, some weirdo fans of the FE series will buy it, and it was never supposed to sell as much as FE13/14, but if it was a 1:1 remake or just with minor adjustments? It might bomb like the Archanea remakes, and good luck coming after that - will they need another "FE13" to reignite the sales or??
And here I thought about it : FE15 was retconned with the "GoDs BaD" spiel, to make this game more in-tune with what I'd call "traditional" JRPGs where the protagonists often defy a corrupt church and "divine" being.
("Traditional" imo being the Squenix way, because while I didn't play all entries of this series, the Tales series never striked me as being particularly as, uh, vindicative against organised religion, maybe save for Symphonia 1 - Abyss' Church really wishes to help the people even if it is corrupted from within by some dude who doesn't want to let the world die and played by the big bad, Xillia has no church, ditto for Zestiria and Phantasia had Mint and... that's it? - compare this to Squenix's Triangle Strategy and Hyzante being comically EvIl and without any redeeming traits/points when all of the other major parties of the conflict have "token good NPCs" as forced as they are in the game, to make it very clear that they might have done questionnable things like invading and slaughtering civilians from a foreign nation who welcomed them at their wedding, but at least they have "MoRaLs" unlike those bozos in their desert...)
And this "let's make FE mainstream by kicking gods" mentality completely runs at odds with the rest of the FE franchise, and while I know RD basically ends like this bcs "uwu Ike defeated a GoD with the help of another who used the lead of that game as a soul jar and granted him exclusive powers to put her sister to sleep" the morale of RD's story - as seen in the perfect ending but in Ike's speech to Yune itself - is that everyone can and should try to live together, asking Gods not the fuck out to let Humanity alone, but to believe in them just like humans believe in gods.
So FE15 ends as this big, uh, mismatched clash of narrative directions - being a remake it cannot stray too far from the source material and Archanea verse : Dragons and Humans can live together (even if it means dragons must sacrifice part of themselves to do so because fuck them I guess) and dragons can help humans just like humans can, uh, not be asses and not target them because their ears are pointy or when they are weakened...
And we had the new Squenix direction where GoDs BaD and HuMaNiTy fuck yeah, which leads to FE15's hypocrisy : please trust and rely on us Gods/dragons and kindly help us when we're in deep shit, and at the same time "HuMaNiTy FuCk YeAh".
Interestingly, the Squenix direction loses in the post game campaign (the one where we discover Thabes) but is reintroduced in the official (tm) timeline, depicting basically how BaD Duma is and how much of a chad Rudy was, before his very tragic (bring the onions!) death.
But yeah, I agree anon, FE15 was crazy foreshadowing and I guess is part of the reason why Tru Piss has this message "Humanity doesn't need Gods" targeted at... Rhea, aka a Nabatean (while Supreme Leader got there thanks to Sothis' powers!!) because the "Humanity Fuck Yeah" narrative is a staple of Squenix JRPGS, and if FE has to become mainstream, I guess to some devs, it has to copy what sells.
That would also explain why FE16 went so off the rails and forgot the tradition FE series message about coexistence, because what the fuck do you mean by "Humanity doesn't need Nabateans", after parroting for the entire game "Nabateans are to blame for the irrational world we live in" and blame "Nabatean blood" for everything wrong in Fodlan, without ever acknowledging the "evilness that lurks in the heart of men" (who aren't called Dimitri) ?
In a series that, albeit hazaphardly at times (FE8's manaketes feel forced in the lore! and the less is said about Nowi/Panne in FE13 the better we are), tried to push the "coexistence between all inhabitants of the land is the key to peace!" card - this Squenix direction feels all kind of wrong, especially when friendship with the divine beings (dragons) have been a staple of the franchise (Y!Tiki's number of alts, imo, is telling : for better or worse, Y!Tiki is, along with Marth, the figure of the franchise. She is a dragon, and she's a kid who wants to make friends. Sure it brings the loli crowd, but all those dragon children in the different games? They are a direct throwback to Y!Tiki!).
In a nutshell, I'd say the first crack was FE10's writing that made things seem like the Hero defeated a goddess and its subsequent wanking.
But I agree with you anon, FE15's change in direction and retcons were absolutely gunning for that Squenix "GoDs BaD" while keeping the "traditional" FE message which resulted in hypocrisy that showed in the writing but I guess no one really paid attention because FE15 has other issues too (I didn't before happening on FE16... even if I remember wondering why the fuck the game kept on hammering how BaD Duma was when we had people being asses right and left on their own).
FE Fodlan completely ignored the "we can coexist" message - save for subtext you can have where the optional lords who win the war and aren't Supreme Leader can have half/quarter-nabatean heirs through Flayn but her heritage is never ever mentionned in the ending cards - by completely shitting/ignoring the local dragons, they're blamed for everything wrong and don't get their voice to the chapter.
Masterful writing lol
I can't wait for the next game, let it be a remake (pls not Jugdral!!) or a new entry (Engage was developped alongside Fodlan, not after!) to see if IS will continue with the Squenix developments or return to their roots, even if they seem milquetoast, of "humans and lizards can hold hands".
---
NGL anon, during 2020/2021 and the daily "Supreme Leader was right though" threads in SF, I kind of realised that what I took for granted, aka "coexistence between humans and dragons!" being the message of FE in general, wasn't, even in what used to be the most serious board/thing.
FE as a series came to the West through FE7 where Dragons and Humans were at war, but ultimately the cast learns that dragons aren't evil incarnate and the best ending reveals that the big bad went mad because his dragon wife was killed and he tried to reunite with their dragon-human children he hid away for their safety.
So it was kind of surprising to see long-time, or at least not "Fodlan introduced" members of SF parroting the "well they can't live together" by buying the most ludicrous headcanon/fanon arguments you'd find in other series like "different lifespans" - this argument is pretty much non existent in the FE series, and I've never seen it opposed to Miccy's rule in Daien when, as a Heron Branded, she will outlive her citizens, or what, are we supposed to believe that Myrrh shouldn't interact with humans and remain in her forest because she will outlive humans, or is too "different" from them thus wouldn't have the same considerations?
FE13/14 brought the fandom wars of "new fans" vs "old fans", but FE Fodlan? Brought "casual JRPG gamer" vs "FE gamer" which usually boils down to "Supreme Leader fans" vs "everyone else".
Sure, we had the religion hate boner because the dragons in Fodlan verse made a "Church" with catholic imagery which is a deadly sin to some - but the "dragon blood is indeed the reason why everything sucks in the world" being parroted? "Dragons cannot have power over humans because of the sheer inbalance"? What, are you implying Nergal was forced by Aenir to mate with her twice or what? Ninian was oppressing Pherae in the endings where she marries Eliwood, and humans were finally liberated when she died?
Kana is, by nature, someone who will oppress humans because they're part dragon and their blood will bring strife to the world?
So unless IS doesn't fully commit to one narrative - because yes, for all of its flak, FE Fodlan still takes time, when it remembers, to portray Nabateans in a relative positive light when it comes to them as characters and in the general background, it's just that, they're never given a voice when it comes to discussing about the plot - we're bound to have this hypocrisy :
Dragons BaD bcs Humanity Fuck Yeah
and
Dragons and Humanity can coexist and make babies for scalies/monsterfuckers out there because acceptance/diversity is a way for peace.
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maleyanderecafe · 13 hours
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not sure if anyone has recomended monster x mediator yet but its such a fun game despite being quite short. the game is supposed to have mutiple routes eventually (which I'm not sure are supposed to be yanderes) but the one it has rn is complete and definitly fits the yandere vibes. If u like things that mix horror with humor and have a funnily pathetic but still terrifing yandere this one is a trip. Also the fact that the guy is a monster that looks like a madness combat character adds to the charm of it in my opinion lol
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I'll be honest, I was a little skeptical about this game, but I saw how pathetic he is and now I'm very much on board. This game is supposed to have four different routes, but currently only has one for now. The comedy and horror is well balanced in the game itself. If you want to try out the demo, you can play it here.
The story starts out with the MC taking on a job for a large sum of money. They are currently in debt and need money quick. After receiving the first half of the money, they are directed to go to some abandoned building to get the other half. After receiving it, they are then told their task to go inside of the building. If the MC tries to run away, they will be shot on the spot. If they accept, they will be faced with a couple of doors. Their boss will then tell them that there are monsters that behind each door, and that the MC's job is to get all of them out of the room without dying.
Going into the red door, the MC is pretty much immediately knocked out before waking up and finding a large monster hovering over them and thousands of things pasted up in the walls. You can successfully get him out of the room in three different ways but can also be killed a couple of other ways as well. The first thing he does is declare himself as the MC's biggest fan, getting so excited that he grips his axe menacingly. If the MC gets him too excited, they will end up killing the MC. The monster (later revealed as 404), talks about how much he loves the MC's fanfiction blog and how he was really sad and depressed when the MC blocked him and even sadder when they stopped writing all together. 404 also reveals that he is such a big fan that he also knows all of the MC's passwords and even their bank account, with all of the fanfiction that they written pasted on the wall. 404 then asks if they want to see where he kills everyone and if they can write a fanfic for him.
If the MC is curious about where all the dead bodies are, 404 will bring them into another room to show them. We learn a lot about 404: he doesn't know what kind of monster he is, doesn't really need to eat, loves to kill with his axe and seems to have regenerative abilities considering he was shot in the head and was completely fine the next day. The MC can have two ways to get him out of the room, both of which are hilarious. The first way is to literally beg 404 to leave by pleading desperately (do you know that let me rizz you up meme? That's what you do) until 404 gets tired and does it for his super star. The other way is to seduce (?) 404 by telling him that it would be sexy of him to leave the room, which works well. We also learn about the facility itself, that 404 has been living there since as far as he remembers, that he loves killing the various people that come in, doesn't like the MC's boss (finds them annoying through the walkie talkie) and pretty much only kills and reading the MC's blog.
If the MC decides to oblige 404 with his obsession, they will start to write on a typewriter as 404 stands behind them excitedly. He keeps on asking the MC to add more and more things, making it 100 pages instead of 10, making the story a romance, making it a romance between him and the MC (noting that "the name Nick is the same as his username", which is a huge stretch).
If the MC refuses to write 100 pages, 404 will end up getting extremely angry and hold the MC by the throat, calling them and humans "bitches". He will start to kill the MC, crying and feeling despair as he kills the MC by choking them to death.
If the MC does oblige, they will write the most god awful fanfiction (their words) and end up pretty much just holding the a key until it fills all 100 pages. 404 ends up crying out of happiness at such a beautiful gift and leaves the room, just as the MC wanted.
First of all, I think that the game does a good job of balancing the horror elements with the comedy. I did not expect to like 404 this much and definitely did not expect his personality to be like this. I did feel it was interesting that 404 believes that the MC's writing would "fix him" and even laments that even though he knows it wouldn't, he still wanted to try when he was killing the MC in a choke hold. He basically is a very feral online fan who meets their super idol (which gives me a bit of incel vibes), but not enough to be extremely obvious, much more than other yanderes, with him saying like he's a gentleman, or that he isn't angry at all despite the fact that he got blocked. I also love the various ways that you can get him out of the room, and just how obsessed he is with the MC. He seems to mostly be an obsessive yandere, with him pasting the fanfic of the MC's work all over his walls, delusionally believing that he is the same character that the MC writes, confessing his feelings to the MC while they're writing, not killing the MC (since apparently he's killed every other person that came in) and wanting the MC's writings to fix him. He is also a pretty pathetic type of yandere, hoping desperately that the MC (and their writings) would fix them, crying when he does kill the MC and generally seeing himself in their writing, but also rather dangerous just due to his violent nature. It's fun to see dangerous but pathetic yanderes since I feel like that's something that I haven't seen to much.
I am curious about how the other monsters will be like. It seems that as of writing this, the Knight Monster is currently delayed, so I guess we'll see if he ends up being a yandere too. I would recommend this game just on it's humor and interesting kind of intrigue about why these monsters are in the buildings themselves. He does look like a madness combat characters, you're right.
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sleepyconfusedpotato · 13 hours
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Question; is it okay to write a series with your Call of Duty Ocs? (Jade and her kids as well as your mother CoD Ocs.)
It wont be any x reader, nsfw, or sexualization since I too feel uncomfortable sexualizing someone's Ocs.
The series is called: Call Of Duty: Modern Warfare - The Next Generation of Soldiers Fighters.
Also, full credits are handed to you since I really don't like making series and not crediting the creator of the original Characters.
The series sounds good, but I want to get permission from the creator before I do it since I don't want to be disrespectful.
(Ps, hope my British English sounds good since it's not my first language <3)
Hello! I just read this today, and I'm grateful and thankful that you admire my work, but I'm afraid I must decline and say to you to not do this :(
I think I got tagged in a post today, and I saw your post of your OC's introduction and the story that involves Jade and Andrew. While I'm flattered, it appears to me that the OC bio has a lot of similiarities to my Jade Bio post, and the fact that GhostJade's kids is still in the far future and I myself haven't even written much about them, and Andrew is still written as a kid -- it's just that you're a bit ahead of me of my own characters here 😔
To add to that, I didn't remember giving permission to use my character and create stories with them to anyone except a few people I'm close to and put trust into.
And if you're indeed the one that tagged me in that one post, I saw that your present story revolves a lot around my own OC universe. While, again, I'm glad I inspire you, I would encourage you to create your own OC universe first without it orbiting around other creators' stories.
With all that being said, I'm sorry, but I can't allow you to do the story you mentioned. I kindly ask you now to please change your post to not include my characters, including Jade and Andrew. Like every person in the fandom, you're totally fine to make content with the canon characters, but Jade and her kids are mine. Sorry to disappoint 🥲
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P.S. - If you wish to make a fic that includes my characters, please ask me first, and please, PLEASE don't use anon. I don't know you. It's like you're wearing a mask and hoodie and then ask me to trust you with my character that I've built for a long time. I need to see how you write first to make sure it's not out of character. Again, my apologies, but I hope you understand. Thank you!
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diedikind · 20 hours
Text
xie lian character study part 2
Part 2: "Are the common people worth saving?"
“TGCF is an allegory written for those children who were born in the best of times and grew up in happiness and smooth sailing:
"One day, you will step out of your fortress, see the world, and realize that the people in it are far more complex, chaotic, common, and vile than you ever imagined. Without a doubt, you are one of them; you all share feelings of contradiction, timidity, confusion, self-doubt, and even harboured resentments.
"But everything that you once believed in, and still desperately want to believe in—though naive, is also grand.”
— Peking University Online Literature Forum
(you can think of Peking University as the Harvard of China)
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with the fall of xianle, xie lian experiences "body in abyss". he understands the taste of hunger, poverty, and filth for the first time.
from 33 heavenly officials fighting over the spiritual land, to a hundred swords piercing through the heart, to his parents and feng xin leaving -- the progression of events shows xie lian the darker side of reality.
so, was he able to keep his heart in paradise?
he curses, attempts to rob, and initiates the second wave of the human face disease.
-- yet he still waits for a bamboo hat in the rain.
“Xie Lian didn’t become the next White-Clothed Calamity, not only because of the bamboo hat man, but also because he chose to postpone his revenge and wait for kindness in a world of cruelty, to carve out a third path from a forced dichotomy, to search for the flower in a ruined city. Xie Lian didn’t become the next White-Clothed Calamity because he is Xie Lian. ” — me, in the author's notes of a fanfic hahaha
xie lian learns two things that directly contradict his ego structure as a type 2:
A. "saving the common people" is not as easy as he thought.
in part 1 i mentioned that type 2s have a tendency to deny the real efforts and sacrifices required to achieve goals. now xie lian realises that his dream is easier said than done. the third path is a difficult one to walk. but he decides to walk it anyway.
B. gods are human, too.
in part 1 i mentioned that type 2s repress negative emotions like resentment and hurt, which is to support the idea that they're limitless, which in turn sustains their "pride" -- that they are here to save common people, that they themselves are not common.
now xie lian realises that he can hate as well, that there are things gods can't do, either, that maybe gods aren't unlike everyone else after all -- and that's okay.
perhaps, it really isn't about the outcome of "saving the common people" as it is about aligning every action you take to a set of principles, as it is about being a good person.
in effect, xie lian no longer talks the talk of his dream. he lives this truth by walking the walk.
“to save the common people” is hence an abstraction of something much more concrete: being a kind and gentle person.
-
there are several symbolisms in canon to support this second growth arc of xie lian's.
let's start with his name.
the "lian" in xie lian is a homophone to "lotus flower".
there is a phrase in chinese called 出淤泥而不染, which translates to "emerging from the mud without being stained." it describes someone who maintains their purity and integrity despite being in a corrupt or morally challenging environment. it originates from a poem by the Chinese poet Zhou Dunyi (周敦颐) called "Ai Lian Shuo" (爱莲说, "Ode to the Lotus"). The lotus flower grows in muddy waters but blooms unstained and pure, symbolising this concept.
moving on.
【With a sword in one hand and a flower in the other, it symbolizes "possessing the power to destroy the world, yet retains a heart that cherishes flowers."】
this is quite self-explanatory. the only thing i'll add: xie lian has a tender heart.
finally, another chinese proverb 真金不怕火炼, which translates to "real gold does not fear the test of fire."
to see the metaphor, xie lian is the gold, while jun wu the fire.
we can pick up on gold from "noble, gracious, special someone", which comes from the original text 金枝玉叶, which literally translates to "golden branches and jade leaves".
additionally, in the revised version, hua cheng gifts xie lian a golden flower.
on the other hand, jun wu is the fire because volcano + the burning of the heavenly capital.
"real gold does not fear the test of fire" means that true quality or genuine character stands up to trials and challenges. just as real gold remains pure and undamaged when subjected to intense heat, a person or thing of true value will not be diminished or corrupted by difficult circumstances.
we can see the entire metaphor at play when bai wuxiang traps xie lian in the kiln (volcano - fire) but xie lian (gold) emerges as Him Self.
he rejects the mask, just as the golden mask of the god-pleasing warrior fell off, revealing the true face of Xie Lian underneath.
he is not Jun Wu, because he made different choices, he walked down the third path, vowing to never change.
he chose to be gentle and kind.
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so if MXTX wrote xie lian to be much kinder and gentler in the revised version, it's because that's who he is.
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antimisinfo · 3 days
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as someone who has maladaptive daydreaming disorder this pisses me off so FUCKING BAD. im too shakey to type much less read this fully but oh my fucking god. oh my god. what the FUCK. how fucking DARE this person take MY DISORDER and twist it to conform to their DISGUSTING ABLEIST BELIEFS?? im reFUCKINGvolted
https://www.tumblr.com/alyssasmaddworld/741046067507904512/theres-this-level-of-dissociation-that-goes-hand?source=share
i- this post is a lot, but i'll try deconstruct each point here.. i'll be focusing on points that i can debate here / can disprove or try to disprove here because otherwise this will be a really long post,, longer than it already is. also i'll be referring to maladaptive daydreaming as MD for simplicity's sake. if i get any information on MD wrong please let me know as i do not have this disorder(?) nor do i know much about it outside of the research done for this post.
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the source linked here does say that it is a dissociative disorder and it does say that it might not be caused purely by trauma " Although trauma may be one causal factor, we indicate several other etiological pathways to the development of MD. We discuss associations with related concepts and suggest directions for future research " so there isn't much for me to say here other than the part about plurality, but we'll go more into depth on that below.
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this.. the source they used is pluralpedia.. which used the source of a tumblr blog.. so lets get into this. the first source also mentions maladaptive characters / MD characters but it also says that it is not like DID " We discuss and exemplify with clinical vignettes the shared phenomenological characteristics between MD and dissociative phenomena, such as double consciousness, vivid visual imagery, and the creation of internally narrated characters. MD characters can be experienced as somewhat independently-agentic, although unlike dissociative identity disorder (DID), they typically do not take control over the daydreamer’s behavior "
so lets look into MD characters, shall we? the only source i can find on MD characters ((other than the one they linked / tumblr posts)) consider them more of a form/type of daydreaming (experiencing the daydream as yourself or as a character, daydreaming about a character, ect). these characters are not at all similar to alters and the "closest" i found was the foreign character
" For those who heavily engage in maladaptive daydreaming, they often will begin to develop "The Foreign Character" type of maladaptive daydreaming. In this type, you daydream about a central character who you believe is yourself, but who is fundamentally different in almost all respects. " — maladaptivedaydreaming.org
however these are not at all similar to alters which are
"  two or more separate identities called “alters.” They control your behavior at various times. Each alter has its own personal history, traits, likes, and dislikes " — WebMD
the same source on foreign characters also states that " The reality is that for most people, they engage in these kinds of daydreams because they want to daydream about things entirely devoid from themselves and their real world experience. They don't want to daydream about themselves being a doctor or being better looking (to use the prior examples I used), but instead they want to dream about themselves being entirely different people so they can escape from who they really are. ". other than that source there is very little evidence on these characters being separate identities, even then it's important to keep in mind that it is not the same as having a split identity as it only appears during daydreams i would assume and would not be able to control you, how you think, how you behave, ect. ((which the first source literally said,, do endos even read their sources??)) i would also like to add that if these characters feel real and you believe all your daydreams to be real then it might actually be a delusion. there's nothing wrong with having delusions but it is also important to recognise that it's not real and that it does not at all compare to being a system.
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the first source they used to claim that having MD is the same as being plural is a pro endo source, it defines being plural as " The most simplified definition of the term plural that includes all people who take the label is “someone who shares the same physical body with other individuals.”  Such a group is sometimes referred to as a system, though many plural groups use different terminology. " which,, again having daydreams are is not the same as having separate identities, so really this source means nothing.. and the second source is.. just insane really. its a study done on the experiences of those with multiple identities. they did two things, one was an online survey that had 200-300 results and then 6 interviews.. which is definitely not enough evidence, since they cannot know if people are lying on those online surveys and 6 people are not enough to make it a reliable source. but lets focus on the part they pointed out, which was:
" Empirical measurement of multiplicity is sparse. The first inventory published in the field was the Plural Self Scale (Altrocchi, 1999), which assesses the structure of the personality. High scores indicate that thoughts and feelings are different through time and situations. The other inventory to assess multiplicity was developed by Carter (2008) and consists of 20 items, such as “Does your handwriting change noticeably at different times?” or “Do you swing suddenly from one mood to another for no apparent reason?.” However, these scales measure the integrity of the self and rely on the assumption that there is a “you” or “I” who is able to self-reflect. Individuals who consider themselves multiple refer to themselves as a group of selves (“we”). Thus, questionnaires that assess the extent of self-integration fail to assess the experience of individuals who claim to have multiple selves who all have different thoughts, feelings, motivations, and levels of complexity. " which-- just isn't much of a criteria other than the questions, of which are "does your handwriting change at different times" and " do you swing from one mood to another with no apparent reason", but it literally says this fails to asses those who claim to be plural-- so i don't see what their point was here really. it just seems like they're saying words for the sake of saying words.
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i don't think this person realises what closed culture is.. tulpulmacy is not a form of being plural nor should it be considered that, thoughtforms are usually used purely for meditation or for your spiritual journey, not for fun,, unlike "tupla systems" which are often not even Buddhists, which is the main issue. a closed practise, which is what tulpulmacy is, is a "practice in which you can only take part in their craft if you were specifically born into the practice, or went through an initiation process.". while i'm not 100% sure what exactly they mean with the last part there isn't much for me to say here other than the fact that tulpulmacy is not the same as being plural and we did have a former Buddhist actually talk to us about this here! and while it isn't exactly sourced i feel its still an important read.
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i believe they're speaking about the word plural here,, which wasn't made by endos?? the word plural just refers to more then one. unless they mean traumagenic?? which then confuses me because their source doesn't really mention it--
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culture is dynamic yes, but some cultures are closed and it's important to understand that-- just because the culture is shifting doesn't mean you can steal closed practises.
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"endogenic sphere" makes me shiver but okay, lets talk about this too. there isn't a lot of research on MD, so i cannot say what the direct cause is. "Experts don’t know exactly why maladaptive daydreaming happens. However, they suspect it happens because maladaptive daydreaming can be a coping mechanism for problems like anxiety, depression and other mental health conditions."
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no?? what?? as i said above, many times, having MD is not the same as having DID / being a system and also the image only refers to feeling disconnected from the body and sense of identity which is pretty common with dissociation and doesn't exactly prove anything related to endogenic systems..
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i- ?? i mean as i said before we don't know what exactly causes MD but i don't believe people chose to do this?? not really??
" maladaptive daydreaming is often compulsive, which means a person feels like they need to do it. Because the need to daydream is similar to an addiction, daydreaming more often can make it a strong habit, so it’s very hard to stop doing it. That’s why seeking mental healthcare for it sooner rather than later is important. "
but all being said, its not a vaild form of plurality because its nothing like having separate identities?? sure when daydreaming you might identify as a different person but you're still you. your overall identity is intact and i'm pretty sure most people with MD do not think their daydreams are real, i believe that would be a delusion instead of a daydream-- and an important separation is these characters would only show up in daydreams i assume, while alters are always there, infact in DID you yourself is an alter but in MD one of you is a person and the other is a character created through daydreams,, which is not comparable to genuine parts / alters. ((also please do not harass the person who made the original post, our post / response is purely meant to educate and correct misinformation and we do not intend for people to go to the op's blog and send them things))
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