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#I suppose this could be seen that way!
rawrbot · 9 months
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Little guy gets a little scritchy! :)
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inkskinned · 9 months
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you were raised in comparison.
it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.
you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.
you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.
what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.
it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.
you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.
you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?
a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.
you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.
it's just - when it died, it curled up into a tight little ball.
something kind of uncomfortable: you do that when you sleep.
#writeblr#warm up#my dad was actively doing bad shit to us and we STILL were told we were lucky . and to a point i do think im lucky#i just think also there's somethin to be said about like. how about we stop using comparison to dismiss ppls individual struggles#yes there are people who have no perspective. for the reference tho having perspective actually made me really unwilling to get help#for what was a serious and debilitating mental health issue. bc i thought i didnt DESERVE IT#and i would rather have 600 ppl who aren't THAT bad get help and get heard and get seen#than make any 1 kid. do the math that i did: look at the world that is dying and the people who are hurting and say#''oh. okay. others have it worse. they are probably better people than i am. i am being unreasonable. i cannot ask for help#i am not good. i am taking too much space. i am not worth saving.''#bc our WHOLE lives we are taught a scarcity mindset - that you can 'steal' from someone. so that instead of changing a system that doesn't#actually offer fair support to everyone#we put the impetus on the individual to just... demand less.#and here's something - there are probably ppl who think i DIDNT deserve to get help#bc i DID have it better than other people#and something about that is ... so sickening. bc i think all of us in some way at some point WILL need help.#we were supposed to make communities. we were supposed to offer our hands. we were supposed to raise the barn#instead we said: it could be worse. now handle it yourself
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itkrnowsyou · 2 months
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the way people are inclined to believe jonah magnus who doesn’t believe in fate/bloodlines and who longed to become an immaterial extension of a fear ‘deity’ is more likely to be tory-aligned than og!elias who was raised to believe he is better and more deserving simply because he is a bouchard is honestly. very strange
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stuckinapril · 2 months
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I’m finally biting the bullet and contacting a therapist today after being ambivalent ab it for so long… this hellsite has its many disadvantages but one thing I can say is it has truly helped me be less scared of pursuing therapy. Silver lining etc etc
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tapakah0 · 11 months
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Okay, that's it, I won't say anything else and no more spoilers
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gregoftom · 1 year
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TO ME, THAT’S CINEMA
#tomgreg#so i've seen this around a lot and ppl have already made points but like holy fuck. hoooly fuck lmao where do i begin#TOM THOUGHT THE ROOM WAS EMPTY FOR UH ... FOR WHAT BITCH??#empty for what. you two just going in there ALONE. what for. strategizing? ok but then why was greg showing you tonight's selection.#even if it was girls it's still sus bc like who tf goes specifically to a room to show that shit.#oh by the way i  listened again and tom says first ''why do we have to...'' so GREG asked for the room?#greg asked them to go to an empty room. slut.#anD THEN AFTER SAID ''I WANNA GIVE YOU'' BITCH!!!!!!!!1#are we sure it's girls though...... like does it say later. i'll keep watching but Christ. LIKE. WHAT THE FUCK#how am i supposed to read this other than an affair lmfao and then he says ''go on'' and sends greg off away like a little pet#sick to bastard death of them god#so it's like. greg says can we go somewhere private and tom says why do we have to#greg says i wanna give you... and tom says what do you wanna give me annoyed like#girl we are at work and we are trying to stay alive can't you wait til we are at home for me to clap them cheeks#and then greg says a preview of tonight's selection...  of what? could be alcohol could be sexy stuff could be mf. clothes idk#and then they look up  like O FUCK the room is in use and it's fucking SH*V and immediately tom is like GO ON and greg#doesn't even stutter or say anything like usual he's just like SORRY and leaves immediately bc he KNOWS he gotta gtfo#sorry i'm just. poetic cinema indeed
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time-is-restored · 7 months
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btw not to make everything about My Fucking Guy but i honestly think one of the things that seperates q!phil out from the other islanders is the approach he takes to dealing with the lack of agency + control all the islanders have over whatever the fuck the federation's doing.
it shows up most prominently whenever tubbo is excitedly telling him about the 'progress' he's made with cucurucho or various investigations (ie: trapping him into a corner with the 'do you have free will' questions), and phil always shoots it down w an immediate 'that doesn't mean anything. curucuho will say anything to mess with you. you can't take anything he says as true.'
and it's not that phil is... a paticularly pessimistic character? he's just EXTREMELY practical. like, he's yet to give up on anyone EVER finding ANY answers (he was the one who initially gave the federation that one week ultimatum w the cage for a cage stream), he just doesn't trust the idea that curucuho is ever going to voluntarily give them. they're uncontrollable + senseless - you might as well argue with the weather.
and like, if that's how he sees the one (1) and only point of contact the islanders HAD with the federation for months, it explains a lot abt his characters lifestyle! ofc he sits on the wall all day, talking to his kids, and keeping his head down. he believes that the federation wants nothing more than to drag the islanders into sick games + tasks just so they can fuck with their head (ie: curucuho revealing he was the one cellbit gathered all that information for). and while he can't totally PREVENT any of that from ever impacting him, he can make sure his kids are well fed, well protected, and as happy + comfortable as he can manage. this is objectively not a perfect situation, there is a guaranteed amount of suffering + fear that he can't mitigate, but he can at least account for it.
like, he REFUSES to engage. whenever curucho shows up, he treats them with total ambivalence. he's not going to get riled up by anything they do, he's not going to get super attached to the guy, he's just gonna laugh it off and irish goodbye it when things drag on. the ONLY time he's strayed from that general guiding principle has been since he's lost his eggs, and can no longer afford to let the federation's fuckery go: those are his fucking kids.
hence the completely unprecedented levels of outward rage and sadness and terror he shows throughout the birdcage streams - almost all directed directly to cucurucho. it's all a completely fair + proportional response to the horror the islanders are being subjected to, but it feels so different bc until now, q!phil has been so dedicated to not reacting, and not giving the federation any sign that they're actually getting to him.
#qsmp#q!phil#LIKE. does anyone else think this! i genuinely believe its like one of the major#traits of his character i feel like u can trace it through Everything.#the man lives with the constant knowledge that sometimes all it takes is a tempting ravine and a badly timed creeper to end a life#whether that life belongs to a stranger or someone you love more than anything else in the world#you COULD rage against that. you could scream and shout and tear your hair out and grieve for the futility of it all#but what does that change? the days march on. death waits either way#and that's not to say he's a laizesfair kind of guy. anyone who's seen him stress out abt chayanne's risk taking + freak out#whenever his kids don't have enough autofeed grist can see that he cares DEEPLY. which resolves into his very distinctive#defensive + protective playstyle. the goal is not to win the fight the goal is to *survive* the fight etc#but the only way that mindset doesn't spill out into unchecked paranoia + complete agoraphobia is with acceptance#'shit happens: the philza minecraft story'#i also think it even manifests in the nightmare sequence w his last words to chayanne? 'they didn't want us to live. we were never supposed#to survive' or whatever the exact wording was#he is FURIOUS and deeply hurt and sad abt the deaths he says so explicitly later#but at the time the first thing he reaches for is. exhausted acceptance. it wasn't their fault. it wasn't his fault. they did their best.#they could only do so much in the face of the federation's Overwhelming Hostility. y'know?#mine
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shadowxamyweek · 13 days
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Whenever we talk about ShadowxAmy in the context of Shadow's immortality (whatever form that may take), I feel like a lot of autonomy is taken away from Amy.
We always talk about what Shadow would do, how Shadow would feel. We talk about their greif and rage and sorrow. We never talk about how Amy thinks or feels about the situation.
Worst still... there seems to be this general unspoken assumption she'd just... let whatever happen, happen?
Like, do we not think that The Amy Rose, rascal and romantic, would do everything in her power to stick around? To spread love to every corner of the globe, to share that love with her partner- why keep that to a singular lifetime? She's taken her fate into her own hands more than she can count. Why would taking her life in her hands in this way be any different?
Amy Rose wants to live. She wouldn't just let anything stop her.
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cripsynapkinskin · 1 year
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C.C. Babcock, ladies and gentlemen and those in-between and neither
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fisheito · 5 months
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SCREMS my snautsticic child he is trying ok!!!!!! one tiny snake human hybrid built from the cave-ground-up, , attempting to learn all the implicit rules of humanness?! as if it isn't already tough enough out here!!!!
#ALL he has to work off of is the Great Serpent's memories? fuzzy clips of ppl he might have seen or interacted with??#depending on the kind of snake he was he could have a variety of defense mechanisms#he could have had to suppress his hissing instinct. or maybe he contorted his body in that adorably vertical corn snake way when he scared#big baby eyes trying to mimic the ppl around him but they are busy being judgemental#so many stupid little human things that villagers try to explain to him as “that's just the way it is” or “never really thought about why”#and yakumo just stares in disbelief bc how could u have never thought about the concept of goosebumps#you're telling me ur skin turns into plucked-bird-skin when you're cold or frightened and that is completely mundane?#you're telling me that when ppl try to hug you it is NOT because they want to strangle u to death and eat u????#how much strength am i supposed to put into a hug then. NOT bone crushimg??????#WHAT EMOTION IS THIS GESTURE SUPPOSED TO CONVEY#yakumo#the tags tho#now imagining blade and yakumo shaking hands and discussing “why are humans such funky lil guys and why do they do the things they do”#several of the non-humans gather in a monthly meeting like:#on today's agenda: WTF is kissing. why are they smashing their food holes together.#one week they bring in a guest human (edmond?) and ask him all of humanity's big questions from non-human POV#and edmond's just like ??? i don't know???!?!??#and eberyone throws up their arms in frustration bc if humans don't make sense to the humans then what are we supposed 2do
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aceredshirt13 · 5 months
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We'll never get a third Ritchieverse Holmes movie. But if we somehow did, this is what I like to think should happen.
I would absolutely love for the inciting incident to be that, since the reason Holmes faked his death was because he wanted to keep Watson and Mary safe, the reason he has returned from faking his death is because that backfired and Watson and Mary are very much not. Why aren't they safe, you ask? Well, because Moran is on the revenge trail. Typically, he didn't have much personal investment in the killing of his targets, but we all saw how absolutely furious he got when Watson nearly killed Moriarty and escaped with Holmes. Now Moriarty is dead, and Moran has no job, no purpose, no one in the world - nothing, save for anger and grief. He cannot kill Holmes, because he does not know Holmes still lives. But if Holmes took the life of the only person Moran ever cared about, then even if he's not around to suffer for it, he will do the same to him.
Except, naturally, Holmes is around to suffer for it, and this cues the ending scene of the movie where Holmes coyly reveals he's alive, and would pick up right from there. There would be action! There would be shenanigans! Holy hell there would be character drama! Watson and Mary are absolutely going to beat Holmes's ass within an inch of his life, but also Watson is so, so very glad to have him back... Mary's not forgiving him ever for what he put Watson through, but how can she - how can they - bring themselves to be fully angry when he went through this to the end in an attempt to ensure their happiness? Especially when, if one considers the reason he closed his eyes to be for Watson to be the last thing he saw if he died, Holmes wasn't even completely sure he'd successfully fake his death... And they can't just unpack that while sitting in a house somewhere talking about their feelings, because Moran and the remnants of Moriarty's wide-reaching organization are very hot on their heels.
How does the movie progress? Well, I'm not entirely sure. I would love for Moran to get betrayed by those he conspired with, and be forced to work with Holmes and Watson (and Mary, who is adamantly refusing to let these two do all this on their own when her life is as endangered as theirs) on some level, thus forcing everybody - including Moran - to actually talk to each other. I also want to show that Holmes is beginning to get tired of all this - he loves the adrenaline, he loves to exercise his genius, he hates being bored, but he's also tired of the people he cares about constantly being in danger because he knows he can't always protect them. He knows that, because of what happened to Irene.
How does the movie end? Well, I can certainly tell you that. As a significant portion of the fanbase and Jude Law himself will tell you, the Ritchieverse Holmes movies come off very, very strongly as romances. In most cases, I am not the sort of person who advocates for any given ship in a medium to be acknowledged as canon just because a lot of fans like it, especially since that can often lead to disastrous results... but Christ alive, these movies are leaning so ridiculously hard into Holmeswatson vibes that I can't imagine it was an accident. And, well, part of the reason I want Moran to figure so heavily into this movie is because I think there was quite a bit of potential exploration of what exactly his relationship was with Moriarty just in the few tidbits you saw of them together... perhaps through a few flashbacks sprinkled in after Moran confesses what they really were to each other. Because if there's one thing I love, it's parallels. Watson and Moran, the military veterans and crack shots who are so very attached to the often-difficult genius masterminds they love. Unlike the singly-devoted Moran, Watson's affections are torn, because he adores Mary with everything he is, and is constantly fighting himself and pretending he can give up Holmes for her even though he can't imagine a life without both of them in it - but he is no less devoted for it. In different ways, they both cannot see a way forward - Moran cannot without Moriarty, Watson cannot because he cannot choose. So, in terms of an ending, I want Moran not to have to be killed by our heroes, or die in some sacrifice, or take his own life. I want him to have to live, without taking revenge. To figure out some kind of life, now that he's been spit out by the Queen's Army, and has lost the new life he was given now. It's more interesting, and less cheap, especially if this movie serves to build up and add depth to his character. And as for Holmes and Watson, well, it's not 2009 or 2011 anymore, so what's to stop your loose action movie adaptation of century-old, now-public domain stories from just going ahead and having them admit they love each other? (Or, potentially, having Mary admit it for them, to one of them, because she is sick and tired of their bullshit?) Why not let them, after all this is over, finally, finally share a kiss?
And as for the epilogue, I think it would be super fun and endearing if it cuts to Watson and Mary finally moving into that country house in Sussex together. He and Mary love each other, they're happy, they'll do so very all right. Then they get a knock on the door to find that the old woman who lives in the house next door has come to bring them a housewarming gift.
Except it's not an old woman. It's Sherlock Holmes dressed as an old woman. He has gone into early retirement to keep bees, and he just so happens, by pure coincidence, to have bought the house next to theirs.
Watson and Mary are exasperated. Then they probably think it's really funny, while still being exasperated. And ultimately, what Watson needs to realize is that there is something in this world that is insistent upon keeping these three together. If all of them can put up with each other - as they have shown they can just manage to do, this whole movie - and if all of them care for each other - as they have shown they undoubtedly do, for this whole movie - then no matter what he was sure was the "correct" and "right" thing to do before, he does not, and has never had to choose. Holmes doesn't have to steal him away from Mary any more than Mary has to steal him away from Holmes, because the great lesson of the Ritchieverse Sherlock Holmes movies ought to be that sometimes, polyamory is the best solution. And they all live in Sussex together, and quibble incessantly, and remain there for the rest of their days.
P. S. The number one thing this movie is absolutely, positively not allowed to do is kill off Mary. I don't care if she dies offscreen in the books, these movies did not have so much of their character conflict be Watson's inability to choose between her and Holmes for that to conclude with the immensely cheap act of offing her - not to mention that that would mean killing the only remaining major female character left in the series, and that these movies are so far removed from the ACD canon anyway that they can literally do whatever they want.
P. P. S. I don't have anywhere else to put these since I'll certainly never finish an entire screenplay concept for this without help, so here are a few disconnected, inaccurate-screenplay-format snippets using this idea that I jotted down on my phone way, way, back. Enjoy?
~~~
Opening shot: pigeons.
It’s early morning, and a man sits on a bench with a small bag of birdseed. He takes a handful of it, and reaches out to them. They flock around him with enthusiasm, some perching on his arm and hand.
The pigeons know him, clearly. It is SEBASTIAN MORAN.
He turns to look over his shoulder.
Moran: Hey, Professor, do you -
He stops. There is no one beside him.
Something hardens in his face.
He continues sprinkling birdseed. But his movements are listless, and it is clear the act no longer brings him much joy.
~~~
Holmes: It appears that Moriarty’s death, while ultimately a public service to the human race, has unleashed a far greater and more unpredictable danger to you than I could have imagined.
Watson: A danger?
Holmes: Indeed. And so long as I was believed to be dead, I was sure you and Mary would be entirely safe from it.
Watson: What - ?
Holmes: But I am now very much aware that that isn’t so, and so I have returned.
Watson: What danger, Holmes?
Holmes: Sebastian Moran.
Watson: Sebastian Mor- What, Moriarty’s right-hand man?
Holmes: The very same.
Watson: But why would he come after us? His superior is dead, he hasn’t got any orders -
Holmes: This has absolutely nothing to do with orders, Watson, and everything to do with the precarious and emotional nature of the human condition.
Watson: For the love of God, Holmes, can you just explain -
Holmes: I mean to say that this is entirely personal. Moran did not just work for Moriarty, he cared for him. Though to what extent, I haven’t the slightest idea.
Watson: For Moriarty?
(A disbelieving chuckle.)
Watson: Delusional bastard. I can’t imagine Moriarty cared for a soul in the world.
Holmes: And he may not have. How fallible man is, hm?
Holmes: Nevertheless, I believe that the colonel is seeking revenge. And if he cannot get it on me, then he will not stop until he has slain everyone I have ever cared for.
Holmes: Thus, my return from the grave. But I’ve already said that, haven’t I?
~~~
Holmes: No. No more deaths. No more lives lost because of me.
Holmes: …Not after Irene.
~~~
Moran: You should have died like the dog you are.
Holmes: Perhaps I would have, if I hadn’t known that Moriarty’s dog still lived.
Holmes: I had - foolishly, perhaps - thought that were I to die, Watson and Mary would be safe. A life for a life - my life, for Moriarty’s. No more.
Holmes: But you weren’t content with that. Were you?
Holmes: You wouldn’t stop until you’d killed everyone that meant something to me, even though I wasn’t there to see it.
Holmes: What will you do, if you succeed? What will you have left? It’s not as if revenge will bring him back.
Moran: You’d do the same if you lost your bloody Watson, wouldn’t you?
(Holmes is, rarely, silent.)
Moran: …And I don’t know how to do anything else.
~~~
Moran: …You’re wrong.
Moran: Nobody was kind to me. Not until I met the professor.
Holmes: But of course. It behooves a smart man to take good care of his tools -
Moran: You don’t know anything! It was real, what we had!
Moran: …It was real. I know it was. Because he told me that he didn’t even want to like me, at first, let alone…
(He trails off, as if thinking better of it. But then he shakes his head with a bitter chuckle.)
Moran: …What’s the point? I’ll hang for all the murders I’ve done. Another felony won’t mean much.
Moran: I loved him. And you’re the reason he’s dead. So I’ll kill everyone you love, and then I’ll kill you, or I’ll die trying.
~~~
Okay, that's it. If for some reason you read this far, thanks for sticking around! And if you have any personal thoughts on a third Ritchieverse Holmes movie, I'd absolutely love to hear them. See ya!
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aro-culture-is · 1 year
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Aro culture is doing a project for a social communications class that involves how close you are with a person, with "romantic partners" being the highest. And being so deeply deeply pissed about it that you just put that romance is fundamentally different from platonic attraction and not completing the slide.
.
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pensymbols · 4 months
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if u believe that jason grace is lame gtfo this is NOT safe space for you
#everytime someone claims hes a boring character and a blank canvas i losd up a gun and#like jason ISNT a boring character hes actually incredibly interesting#but rick riordian fucking hates his guts and refuses to give him anythin#like genuinely#like first of all jason getting his memory wiped but hes never able to regain them???#so despite people knowing WHO he was and him having the general feeling of knowing who he is he genuienly cannot remember shit#and those memory problems persist all the way up throughout toa#second of all his general past??#like the grace siblings had such good backstories in the sense they were intriguing and actually defined everything and every choice they#-make#like jason who was proclaimed as heras/junos since he was born stolen from thalia who was raising him and she cant wver find him again and#-so she assumes shes dead and being reluctant to take in annabeth whos supposed to be around her baby brothers age#that shits peak#and then theres jason who was raised by wolves and then eventually found his way to new rome where he was only ever seen as jupiters son or#junos champion and he was only ever going to be the praetor and no one there truly saw jason for who he is#like thats PEAK#AND DONT GET ME STARTED ON THE JASON VS PERCY THING BCS A) I THINK ITS DUMB AND B) ITS STUPID#also rick DOES hate jason grace bcz they killed his character long before toa when thwy tried to make jason more like zeus so the rivalry-#-could make more sense#pjo#percy jackson and the heroes of olympus#jason grace#percy jackon and the olympians#heros of olympus#trials of apollo
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the-priestess-of-dawn · 3 months
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I went looking and couldn't find any record of me ever actually posting this on tumblr, oops, but a couple years back I wrote this thread on twitter about how Emmeryn's sacrifice absolutely is not supposed to teach Chrom (or Robin, for that matter) that "sacrifice is necessary" or anything like that and mmmm for reasons I am getting Upset about it again so asdfghjkl I'll actually share the Rant with my tumblr followers this time.
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#i'm sorry i'm sorry it's just then whenever i see anyone say that chrom didn't “learn his lesson” about sacrifice from emmeryn i freak out#it's such a common take too??? well okay idk if it's “common” or if i just keep running into a niche take but either way i've seen it a lot#i could also get into (i think i have before at some point) that when robin says “what is one life when weighed against millions?” it's...#it's actually a misquote of emmeryn's “you each have but one life and i do not wish it weighed against mine.”#and despite sounding similar it actually has a directly opposite meaning#emmeryn's saying her life is not more important than anyone else's but robin's saying that their life is less important than everyone else'#also robin does NOT in fact believe in sacrificing for the greater good. look at their supports with virion. and walhart too actually#when chrom tells aversa that one person's life means nothing in the shadow of millions he's basically parroting robin#except neither he nor robin believe that. that's what they say when they feel powerless. like when emmeryn was on that cliff#(also the game literally does call out the hypocrisy? aversa points out he didn't feel that way when his sister was on the line...#like... you're supposed to notice...)#anyway sorry for vagueblogging but do note that i've had this take for 2 years (and well... longer but it took me a while to write it out)#and dang it i have a certain blog BLOCKED but sometimes i go to my mutuals blogs directly and for some reason tumblr still shows me reblogs#anyway normally i would keep my mouth shut it's just that i already had this one ready to go from 2 years ago asdfghjkl
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helianskies · 2 months
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11 and 3 for nedport!
i got excited for a second and then i realised you picked number 3 and :(
...but fine. if you insist >:3
11. what are their first impressions of each other?
ned: oh god please not another one—
port: um who let in the street urchin??
but really, ned would be wary of portugal at first by all accounts. he's already got strong opinions on spain when they meet and this young nation can't handle another toni. he therefore plays it carefully and keeps his mouth shut around the iberian, cards close to his chest. port might be calm and lax on the outside, but ned can see there's more to him than meets the eye. he doesn't want to test him.
meanwhile, port probably looks at ned and is briefly pitiful of this other poor kid toni has dragged home with him, but is not too heavily invested in ned as an individual. still, he first sees ned and labels him quiet and timid. no threat. mild. just... there. he's just a little lost lamb trapped in the lair of an iberian wolf. coitadinho... (shame he couldn't see the future, huh!)
3. which one outlives the other and how do they cope (this hurt to write but...)
ned outlives port.
port is not too surprised as the times draws near and he feels his connection to his land becoming tenuous, weaker, frail... it starts with the grey hairs, the aches in his body that won't go away - that only get worse, rather than get better. it scares him, but he isn't the sort to say what's wrong. he doesn't want to burden anyone with worry. which is why, when ned realises what's happening - why port is quieter, more distant - he is sworn to secrecy.
not that that makes it easier for ned, of course. but he also knows that if their time is destined to become limited, then he will do what he can to keep port happy.
so, they'll go travelling. no explanation is given to anyone who asks beyond, 'we just thought it was time to have a break'. ned and port will revisit old haunts. they'll try new things while doing the things they've loved doing together for years - maybe even centuries. ned will look after port, and port will make sure ned knows exactly what his wishes are for when the time comes.
of course, port can't keep his condition a secrst forever. but ned helps him keep it for as long as he can. then, once the cat is out of the bag, port packs up and moves in with ned (after ned nags him about it for a while). they continue to live. ned does everything in his power to keep port comfortable, and to spend as much time as possible with him. years will go by. the hairs turns more grey, the bones become more brittle. but ned stays. and port will always he grateful.
when the times comes for ned to be on his own again, 'coping' does not come into it for a while. everything feels empty - his home, his life, his soul. he's lost. he's a wreck. he breaks things in roaring tantrums and stays in bed for days on end. really, port would be having a go at him if he were still around, telling him to pick himself up, to stop being so melodramatic (which would be rich coming from him!).
it's only when ned finds himself in the presence of others - toni, arthur - even luciano - that he can start to try and come to terms with it. they have to be there for each other. he can't get through it alone.
the wounds never fully heal. but every year, once a year, he'll take himself on a trip to a place that port loved or would have loved, and he'll find somewhere peaceful and beautiful to sit down and rest so that he can share it with him. because port will never truly leave him. he's always there, watching over ned. he's in every breeze, every sunset, every wave. port will be with him right to the end, and evetually, ned finds peace in that.
[ ship ask game here! ]
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trigunbookclub · 6 months
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I don't think it's okay to use nightow's artwork to make yourself some money selling stickers of it.
While funny edits and memes of official content are commonly made and sold by creators and I understand it is a topic of debate for many reasons, as I say in the post and on the page, it isn't about the money and I think I'd have to sell hundreds to even make much profit! I did a lot of calculations and the price is close to the supplies/costs/the size of the small print run/etc., and while I'm not the best at math, the cents leftover per sticker aren't adding up to much and--again, like I said in the post--will be spent getting leftovers in case of errors if it's enough. If someone chooses to leave a tip for running bookclub, I'm grateful, but a vast majority of people don't and that's fine and what I expect. The point is having fun and celebrating bookclub! The amount of people who wanted a sticker/badge of completion was enough that I really wanted to do something for you guys.
TL;DR: As I said in the original post, this was designed for fun, not money. Transparency is personally very important to me and I try to be as honest as I can whenever possible. Of course, I'm a stranger on the internet, you should take that with a grain of salt, but I do try to be clear about my intentions.
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