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#I need to use more shapes in my art I'm realizing...
sugarhighzombie · 1 year
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I saw @projectsekaiocsblog ‘s Jazz/Swing OCs and for some reason I was compelled to draw what I thought their Vocaloid Leaders would look like! and it was a good chance to try and work on my shape language 
Miku is based on a sort of Flapper girl, with the jangly jewelry and short dress.
Luka was more based on a classic Jazz singer, as well as a bit of Marylin Monroe.
Meiko was what I came up when thinking about a noir type situation, with a tired woman who spends her time smoking skinny cigarettes in jazz clubs that a Private Eye would meet.
I hope you like em!!!
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aidaronan · 1 year
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The years go by. The retail jobs that Steve thinks are temporary keep piling up, but he has no idea what else to do with his life so he just keeps on keeping on.
Until a large tree falls on the lawn of the little house he managed to buy and he gets the quote on removal and the number literally hurts his soul.
He buys a small chainsaw instead. Over the course of a few weeks, he gets most of the branches cut up. He collects some large rocks from down by the quarry and digs out a fire pit in his backyard. On his days off, his friends come over and they sit out back and have a few beers. The pile of wood dwindles. The giant trunk is another story though. His chainsaw isn't big enough for it. Burning it would take forever, and Steve's terrified he'd disappoint Smoky the Bear. He's at a loss.
Until he sees another giant trunk in someone's yard carved into a bear.
He knows what to do then. Not a bear, but something else. Through trial and error, the trunk becomes the rough shape of a woman, the remnants of the branches like a crown on her head. It's not as amazing as the bear he saw, but it's his. He finds he loves the smell of sawdust and the feeling of creating something.
Just like that, Steve realizes what he wants to do. It takes several months and a lot of yard sales, but he scrounges up the tools he needs to start woodworking. He learns to measure twice and cut once. He makes tables and chairs and carves them with art and designs that get better and better the more he learns. Shockingly, people actually buy his pieces.
Even more shocking comes the realization that he's making enough money to do it full time. He puts in his two weeks notice at Melvald's and hands in his assistant manager badge.
He's not sure he's happy, but he is content. It feels good to work hard and actually have things to show for it. It also feels good to work muscles he hasn't used since high school. He carries on for a few years like that, creating and learning and creating some more. Then Eddie Munson blows back into town. Invited back so Hawkins can have their most famous alumnus sing the national anthem at homecoming. Steve's honestly surprised he shows at all. "Can't believe you didn't tell them kiss your hairy ass," Steve says. Because of course Eddie ends up around his fire pit, sipping on Steve's cheap beer like he doesn't have three Grammy awards on his mantel. The years fall away with each drink, reminding Steve of just how much it had hurt when Eddie left. He'd wanted Eddie so bad back then, more than he'd ever wanted anyone. He can feel the echoes of that deep ache across time.
"Pfft. Don't you know all famous people wax our asses now? All the rage in LA." Eddie cuts a look at him and smirks when Steve rolls his eyes, grateful for the lighthearted moment to snap him out of his maudlin nostalgia. "Really though I thought about it, but then I thought it would be way funnier to donate a metric fuckton of money to Hawkins High with the stipulation that it go to the theater and band programs. Kind of bummed they couldn't honor my other request though."
"Which was?"
"My old Hellfire throne. I miss her, but apparently she's not around anymore. Something about water damage."
"Oh yeah. Water main busted a few years back and flooded the theater. I remember that." "Yeah. Had to settle for the promise they'd make a game lounge and stock it with all the supplies a budding young nerd needs."
"That's really nice, Eds."
Eddie shrugs. "I've been known to be nice on occasion. You'll come to homecoming, right? Moral support?"
Steve hasn't been to homecoming in years because he sees the other people who stayed in town all the time, and he has no interest in seeing the people who didn't. He can only answer the same questions so many times. Oh, I'm doing woodwork now. Yep, I still live right here. Nope, still not married, no kids.
He goes though, and he answers the uncomfortable questions. Because Eddie asked him to. Because no matter how long it's been, Steve can't deny that some part of him still...
He says goodbye after, and Eddie leaves again, and Steve tries not to think about that too much in the following days.
He's halfway into the project before he realizes what he's building. He'd seen Eddie's throne quite a few times back when. What he doesn't have memories of, he makes up. He adds his own touches too, making it a throne fit for a rock star, a nerd, a friend.
He carves ornate patterns, he creates scenes of dragons being beaten back by a man with a guitar, crowds of people that could be knights or concertgoers.
It's his favorite piece he's ever done, and his hands are shaking when he dials Eddie's number. He gets an answering machine and stumbles through a message.
"I made you something. I guess it's kind of silly, but it's here in Hawkins if you want it. Or I'm sure you can afford the shipping if you don't want to come. Just, I made you a chair. It's more of a... Well, you'll see. Unless you don't want to... It's Steve by the way." He hangs up before he can embarrass himself even more.
Eddie doesn't call him back. One day passes and then another. Steve tries not to let it get to him. He works on orders and new projects. He enjoys his little backyard oasis. He rents a few movies and thinks they're okay.
He's debarking some wood in his driveway when the rental car pulls up, Eddie stepping out in ripped jeans and an old Metallica tee. "Hi again, Stevie."
"Oh." Steve clears his throat. "The thing's in the garage. I'll..."
Eddie doesn't say anything for a long time, circling the throne, running his tattooed fingers over each little detail.
"You made this whole thing?"
"I did."
"For me?" Eddie looks at him then, one hand still touching the wood like he doesn't want to let go. Even under the harsh lights of the garage, his eyes are such a warm shade of brown that Steve forgets to breathe.
He nods. "For you."
"Why?"
There are a hundred answers Steve could give, but he spent so long not knowing who he was or who he wanted to be. Too long. "Because you'll always be the one that got away. Because some part of me will always want to make you smile no matter how long it's been."
Eddie falls into the throne like he just got the wind knocked out of him.
"You don't have to respond to that," Steve says. "You can just say thank you and take the chair."
"I can." Eddie blows out a breath. "But that would be incredibly stupid considering half my early ballads are about you."
"What?" Unfair. Steve doesn't have a chair to fall into.
"Oh sure, I changed the hes to shes for a while there because..." Eddie waves his hand. "But they're about you, Steve. God, I should've asked you out. I just thought..."
Hearing those words is a lot like seeing that carved bear all over again, something clicking into place that wasn't quite right before.
"Go out with me now then," Steve says. "Or stay in. I've got a frozen lasagna and I rented Contact."
"Steve Harrington? Asking Eddie 'the Freak' Munson on a date? Did hell freeze over?"
"Pfft." Steve takes a step closer toward what he wants most. "Hell froze over in 1986, Eddie. You were there."
Five months and a lot of long distance phone bills later, Steve opens Harrington Woodworking in Los Angeles. That same day, Eddie takes photos for Rolling Stone posing in an ornate throne in his living room. He tells the reporter exactly who made it and what he means. At concerts, he starts singing those ballads the way he always wanted to. More often than not, Steve stands in the wings singing along.
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dcxdpdabbles · 5 months
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So Danny is just a bunch of good that takes a humanoid shape, and we've seen him stretch and warp himself. What is sometimes he just leaves bits of himself behind. He has restoration so he can heal himself and others so when he realizes he left a foot behind he just grows a new one.
Batman: We've found more of the meta, 3 left feet all genetically identical, either were dealing with a cloning operation or someone using a regenerative meta as an organ farm. The most recent finds washed up between Gotham and metropolis.
Meanwhile Danny: I've gotta visit Dani more Madrid was beautiful can't wait to show Jazz the photos, tried to land and eats it, Damn it I though I fixed this!
Danny loves his new power- he likes to call it "Play-Boo" as a pun on playdough because it allows him to shift and change his body as he sees fit.
It was hard to mentally change his appearance as his core was tied to his idea of himself. Still, he can make his hair longer at will, shift to a younger or older version of himself, and even slightly change his coloration, though that takes a bit more concentration.
Danny is sadly unable to shape-shift into someone else. He thinks being able to regenerate is an okay trade-off. Especially when Danny accidentally leaves bits of himself behind with his new warping technique.
It's not the kind of warping he would like- seeing as he could only go a few yards from his original spot- but he hopes with time and practice, he will be able to fling himself from one side of the country to the other, much like opening portals.
But unlike the portals, he won't have to step into the ghost zone as a layaway.
One day, he'll be able to think, "Star City!" and bam will be there without having to destabilize his whole body or lose limbs. Or some internal organs. Like his left kidney.
Which was currently somewhere in Gotham as his warping has developed to the point that he can send himself to the area within eyesight, and he had traveled to metropolis in this method instead of flying to try to perfect it.
"Shoot," He grumbles, falling into a booth across from Dani. She had asked that he visit the big city with her, do a few sights, and then the two would fly downstate to check out some national parks.
"Lost something again?" She asks, sipping the soda she had ordered while waiting for him. Dani had been in the city for about three days and had fallen in love with the diner they were eating at.
She insisted they meet up there just so Danny could try some of their roast beef sandwiches. The favorite food of the two siblings.
"My left Kidney." He sighs, patting his side. Thank goodness his Play-Boo allowed him to not feel pain. He hated to have to feel every time he lost one of his body parts. "I need to eat my troubles away until a new one grows back."
"I'm not paying for your meal."
"But Dani! I'm down a kidney!"
She snorts. "It'll grow back by the time we leave, and you know it. But fine, you big baby, I'll pay for lunch. You have to cover the diner."
Satisfied, he lets her call over a waitress who quickly takes their orders and vanishes to the back, where the cook will likely make "the best damn roast beef" for him. He leans back, asking Dani about her travels.
She eagerly starts talking about the local art she has taken pictures of. At one point, her travels had turned into photo albums, documenting everything she saw and experienced.
She made some money this way, selling some of her photos, but mostly, Dani preferred to keep them for herself or the family.
As she talked about the light reflecting on some large News building- the daily planet- and the great lengths she had to go to get close enough to capture the sunlight, the door to the dinner chimed.
Two men in suits ushered in, one wearing a dark blue that seemed far cheaper than the deep black of his companion. Danny instinctively turned towards the sound, but he quickly looked away as the two men found a seat in a booth furthest away from him.
"I met this guy, Jimmy, who promised to have my photos submitted for a junior photographer contest. It's to help promote tourism, so it's based on the "Metropolis' beauty," but first place is five hundred!" Dani eagerly tells him, her eyes sparkling.
"I know you'll win. You'll make a name for yourself in no time as the best photographer of our era." Danny smiles at his little sister. He lowers his voice "Maybe with that money you win we won't have to sell my organs for a while."
She laughs, adding to the joke like it's second nature, "But you're so fun to harvest! Side's it's not like Vlad will allow you to walk away from the operation. He already has two more kidney orders from Gotham waiting for you."
Danny grimces. "I just lost one this morning. Why does he overbook me so much."
"I can do it if you-"
"Not on your life. I can regerate. You can only cry."
Dani kicks him hard in the shin. She waves her coffee spoon at him like a wizard banishing a wand. "Are you calling me a crybaby?"
"Well, I'm not calling you a cry-lady." He laughs as she scoffs. She opens her mouth to say something when her eyes lock with something over his shoulder. Her face closes down at once, hardening into someone who has traveled through the roughest parts of cities and towns.
Danny used to be worried that her instance of traveling alone at such a young age would ruin her childlike wonder and innocence, but he knew it would be worse to keep her at home.
Even with Vlad finally getting the much-needed help, the fact that Dani has existed for two years now didn't mean she was comfortable with being tied down.
Twisting around, he doesn't see anything out of the ordinary. The two men are casually eating their meals by the far window- too far for them to hear, the waitress is sitting behind the counter flipping through a magazine, and the chef can be seen through a little window making something at his gril.
What had alarmed Dani so much?
"We have to go," She hisses in ghost speech, eyes never leaving the man in the blue suit. Was it him? He seems to unthreatening with his big bulky glasses and easy smile. "I don't know why, but I don't like that guy's vibe."
Well, he won't argue with her about her gut feelings. Those were never important to ignore. "Let's take the rest of this to go."
She raises her hand, calling over the waitress, flipping open her wallet to leave enough to cover their bill and leave a generous tip. Danny quickly gathers their food in take-home boxes, keeping his body in front of Dani to block the men's view of her.
He's grateful that he had pulled on his hood, as his ears had gotten cold from the warping. With the fact he never turned around once since they walked in and his trusty hood, his face has been kept hidden from the men.
A small victory.
Hopefully, he won't see them again after this.
"Come on." He tells Dani, as she quickly gathers her stuff. "Vlad is going to have my arms and legs if we late meet him. I don't want to be just a torso again."
"I mean, it's your fault for trying to run away." She sighs. "You know how he gets. At least you didn't have to entertain his guests."
"Yeah laying in a dark room hoping to regrow my limbs is much better than letting those freaks touch me." Danny agrees thinking back to the big gala Vlad had invited them to.
To show goodwill and try to move past their hostility, the Fentons' children- Jazz, Dan, Danny, and Dani- had all agreed to go with him, under the condition that they be on their best behavior.
Danny had been running late due to a ghost attack and had chosen to use his wrapping far past the agreed limitation his parents, and Vlad had set for him.
He got to Vlad's castle but none of his limbs had followed him. Mom had been so outraged by his reckless behavior he's been grounded staying in one of the guest rooms without tv to "think about what could have happened!"
Dad and Vlad had merely nodded to their wife's punishment for their child. (And he was still getting used to the idea of Vlad being married to his parents.)
Jazz, Dan, and Dani were left to the gala, where Jazz had intellectual conversations with college professors Vlad was funding or where Dan was talking up some pretty men and women with a drink in hand, Dani as the youngest was left to affluent old ladies pinching her cheeks and giving her backhand compliments on being a "lady."
The Dannies hated being touched by strangers, and those higher-class old ladies had no concept of personal space.
"Don't worry, I'm almost too old soon." Dani chirps, holding the door open for him. "Soon Vlad will have to find other kids to flaunt in front of rich people."
"That would be the day." The two exit the dinner, switching the conversation to the idea of dessert- deciding to search on their phones a local frozen yogurt place.
Neither notice the two men- one whose fork has crumbled in his grip and another who is clicking away on his phone with a look of outer disgust on his face
"Bruce?"
"I'm already messaging Babs. She's following them with the city cameras as we speak. Don't worry, Clark, this "Vlad" isn't going to get away with it."
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colleendoran · 1 year
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How Do I Do Stuff
The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.
I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.
Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.
I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.
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I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.
This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.
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I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.
This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.
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But this page of Sir Galaad was drawn and painted without reference.
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He's pretty, too.
If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.
Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.
Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.
Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.
However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.
Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.
The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.
Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.
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I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.
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While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.
So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.
If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.
Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.
Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.
So the origin of the word cartoon comes from a process often used...for tracing.
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heyhihellosworld · 6 months
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𝐇𝐦?
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Lando Norris x reader
Word count: 2.7k
Warnings: Smut
Notes: This was really fun to write but something completely different from what I usually do and probs not as rough as the request maybe sounded but hope it's fine! Thank you for the request! Also I have cero knowledge about frat-life or anything like it but I tried! I literally had to google the term frat :) I'm on a Lando stint rn apparently, third fic in a row so I hope you all like Lando :D
Request: Could you do super cocky frat Lando? Y/N dosen't like him cuz of his attiude. But after lots & lots of flirting, she starts giving in to his charms (and hotness). He's a bit narcissistic, so when he knows she's in the palm of his hand, he has her undress him, asking her how much she likes his muscles, and then he has her get on her knees and kiss him through his underwear, and then he pushes his c*ock down her throat until she has tears in her eyes, and he's smirking and boasting non-stop. Ahhh!
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The first time you laid eyes on him was in art class.
He had been sitting up front, dangling his feet in the air whilst playing with his pen on the tree-desk. Something you found so incredibly annoying as the thumping sound never seemed to stop.
His face held a cocky little smirk and despite his obvious good looks which you couldn't deny you disliked him from first sight.
His brown curls dripped into his eyes and his well shaped face eased into a grin as he talked with his friend. Fuck he was pretty.
As time went you saw him more and more often. It was like everywhere you were, he was. You learned his name was Lando, the same age as you and you also learned that your gut feeling had been completely right. Because Lando was not for the weak, he was cocky, bratty, straight forward and thought he was a celebrity along the halls. Arrogant was what he was.
For some reason though he had set his sights on you, why? You had no idea but at every party, every break, every art class, he was there. Trying to flirt his ways into your bed. Maybe it was just the fact that you weren't falling for your knees for him, maybe it was the need to get what he wanted or it was just pure arrogance, but he never gave up.
He was used to getting who he wanted and you couldn't judge, you guessed he was pretty attractive and also pretty charming when he tried but still. He was Lando, the arrogant, cocky guy who was known for sleeping around and getting his way. It was not qualities you were looking for in a man, not even one to only sleep with.
Lando was persistent though, you had to give him that and regardless of how much you hated to admit it he got under your skin. His sweet words of praise, compliments and small not so innocent touches made your heart stutter and heat crawling up your skin.
For every day that went the more you realized how fucking good he looked. His eyes and face so innocent in a way but still so not in other ways.
His body, fuck his body was perfect. Eyes not able to ignore the way his arms flexed or the times he was wearing that stupid t-shirt that made his abs show through the thin fabric. You hated him on those days.
This was one of those days and as every other day so far Lando threw himself down in the seat next to you. Eyes raking your tired outfit for the day.
"How are you beutiful"
"Hello Lando, I'm good thank you" you answered casually. It was weird how this had almost started to become like a routine now, you got used to his company.
"No how are you? Pft Y/n! I thought you were raised well!" Lando spoke teasingly, fingers softly tickling your waist as your eyes rolled. "My deepest apologies Lando, how are you my prince?" "Ohoo here we go, that's better. I'm good thank you very much my princess"
Your eyes rolled again but you couldn't help the heat you felt spreading up your face as a giggle left your lips. Fuck.
"Are you gonna come to the party at friday?" he asked then, looking you straight into the eyes telling you this was an honest question. "Yeah I think so, why?"
"No no, no reason just wanted to ask so I know where to have my focus"
"Oh how charming you are" you huffed but Lando only shrugged "You know I'm popular baby" he spoke teasingly, smirking as you turned your focus away from him.
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"You are so pretty baby" he hummed, the line making you grumble to him but you couldn't helpt but to feel the pet-name stirring something deep within you.
You didn't want him to affect you the way he did, you loathed him. Had always done. The way he snapped his fingers and got the things he wanted. The way he acted around, like he was the king of the world and everyone had to adjust and accept his ways. You loathed him, you told yourself, repeating all the reasons over and over to not forget them.
"Sure Lando" you murmured, gently pushing him away from you with an eyeroll. He only sniggered, that smirk that made your skin prickle making it's way onto his face.
"Is that so darling?" he chuckled, placing a hot hand on your hip. By the looks of it to walk past you but you knew it was only another way for him to show his dominance to you, show how much he actually affeccted you despite your tries to hide it.
"How long are you going to deny it hm?" he said lowly, his head bowing to reach your ear-level and it only made him grow cockier, feel more dominance.
"Deny what exactly? That you are a jerk? A jackass?"
Lando chuckled, finding your words more amusing than hurtful as he found your eyes. The colour in them shining with delight and competition.
"Deny that you somewhat find me attractive" he said lowly, watching your eyes blink shut, trying to shut out the hot feeling developing in your core. "I will stop denying it when you stop being such a jerk" you countered, a smirk making it's way to your lips as well as you felt the confidence surge back to you.
At that you left him, blinking sweetly at him before rounding him with an hot hand on his shoulder.
-
It wasn't even an hour until he was next to you again, his hand snaking it's way to your waist as he leaned in to talk directly in your ear. Something that made you all hot and bothered, it had no right to be so hot.
"Why are you acting so hard to get baby? I know you think i'm attractive"
"Attractive sure but I still find you a jackass"
"Hmm I don't think so sweetie"
"You think you know what I want better than I know myself?" you spoke softly looking at him with an innocent flutter of your eyes.
"I know you want me baby, you can't hide how flustered you get when I call you baby or how your eyes grow all wide when I say something dirty to you"
When you said nothing he continued talking again. Voice an octavle lower than before, his breath fanning the side of your face making it even hotter.
"I can't stop thinking about you baby, I don't know why but I can't. I want you, so bad"
Cheesy, the line was cheesy but you still felt the words make you crumble. Slowly but surely giving into him, because afterall, he was so hot.
Lando saw it to, the grin on his face only getting bigger as he continued, knowing that you would soon be eating out of his palm, just like he wanted but at this stage you didn't care. The man was a fucking flirt and he could flirt his ways into people's bed, yours included.
"Yeah? You like this baby, don't you? Picture your cute little mouth stretched around my cock, your sweet sounds as I make you feel good after I've come down your throat"
You felt heat pour into your stomach, all the way through your veins, building up slowly but steadily until it was all-consuming.
Fuck he was good
"You like that hm? I'm gonna have you so lost for me baby, sucking my cock like the good girl you are. Gonna have you undress me and ask for it, would you do that for me?"
You could practically feel the shit eating grin on his lips as you let out a small huff, dangerously close to a moan as you grumbled on your breath.
"Fuck Lando, how are you so good at this? Have you practiced this before?"
Lando laughed at that, his hand on your waist squeezing slightly harder as he hummed. "No, you are my motivation" "Oh gosh that's so cheesy but it still makes me fucking wet" you groaned in his ear, the words making him hum.
"Bet you taste fucking amazing" he mumbled and that was it, you crumbled.
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"You gonna do as I say hm?"
You swallowed thickly, he knew all to well how he made you feel, feeding of of it but you couldn't deny it either, couldn't deny him. So you nodded, giving in to your pride for this moment and giving him the power he knew he had over you.
"What was that? Need your words baby"
"Yes" you almost whispered out, his smile big and cocky regardless.
"Yeah? Then undress me sweetie"
It took a moment for you to register his words but when you did you immideately reached for his shoulders. You gently squeezed his shoulders before letting your hands trail down his chest to the zipper of his hoodie.
"Come on baby, get on with it" he smirked, voice rougher than usual as his eyes pinned you down, gleaming with cockiness and victory.
You gently pulled his sweater off before letting your hands run under his white t-shirt. Feeling his muscles tense under your palms as you pulled it over his head.
He was so stunning you couldn't stop staring at him. Everything was just.. yum.
You stood infront of him, eyes fleeting over his toned torso, only feeding his ego and smirk.
"You like what you see hm?" he teased, gently grabbing your hands to settle on his muscular arms. Saliva gathered up in your mouth, swallowing thickly you let your hands slide down his arms and then up again. Your hands moved on instinct, coming up to his shoulders before sliding down his stomach.
"Tell me how much you like them huh? Tell me how much you like my muscles"
"So much, look so good Lan" you hummed, not being able to resist to let your hands wander over his body once more before settling them on his waistband.
"Go on, take them off" he nodded, watching you as your shaky fingers unbottoned the button of his jeans before helping him out of them.
Lando looked at you for a moment, seeming to think over his next move.
"Get on your knees baby"
You fell to your knees before you could even think it through properly, why? You couldn't answer that but all you knew was that for Lando, you wanted to do whatever he said, wanted to please him and his desires.
"Good, come on baby, kiss it" he prompted you, strong hands finding the back of your head and gently nudging your face to his boxer clad cock, straining hard inside the fabric.
You did what he asked, gently leaning forward to kiss him over the material. Your lips softly touching over the visable print of his hard dick, looking up at the Brit's face which looked taken over with lust and cockiness
"Look at you baby, doing everything I ask hm?"
"So gone for me already pretty girl?"
You could only hum, kissing up and down his dick once more before he hooked his fingers under the band, pulling his boxers down swiftly.
"Gonna let me fuck your little mouth princess?" You could no longer find your words, nodding desperately. All the various nicknames making you feel all dizzy and wetter then ever.
You leaned in kissing his dick again but this time without the fabric in the way, basking in the sound he let out before his hands tangled in your hair, not letting you ease into it at all but coaxing your mouth open with one hand before pressing his cock into your open mouth.
You did your best to stop your gagging, breathing through your nose as he set a brutal pace.
"You like that huh?" he smirked at you, not bothering letting you answer, looking into your eyes was answer enough. "Like having my cock down your throat hm?"
"Fuck y/n, taking it so good" he groaned, eyes never leaving yours, loving the way they were tearing up.
You tried your best to keep your mouth open without choking on his dick, marveling in the sounds he let slip past his throat but it was a struggle when he kept his relentless pace up, not letting you paus unless you tapped out.
You blinked through the tears trying to focus on your breathing but it became too hard, instinctively you tried to pull your head back but his grip was strong, keeping you seated until you tapped his thigh, depserate for some air.
He let you up immideately, watching you closely as you panted hard, trying to get your lungs filled with air, calming down your breathing slowly
"You okay baby?" he asked softly, his hand gently rubbing your cheek as you nodded "Yes yes, sorrry"
He shook his head firmly "don't apologise", at that you hummed, locking eyes with him, feeling your insides melt as his sweet eyes looked at you with such care and lust.
When you felt fine you leant forward again, licking a bold stripe from the base up to the tip, letting your tongue lap up the small droplets of pre-cum before opening your mouth, inviting him in once again.
"Fuck, look at you baby" he groaned "Like being used like this hm?"
You couldn't asnwer coherently, just gagged on his cock in response but he seemed to like it enough by the long groan he let out. His head had tipped back and his arms flexed as he held your head steadily.
"Fuck Y/n"
You tried to be at your best behaviour, Lando pulling that out of you. Swallowing around his dick, breathing through your nose and letting him use your mouth. Focusing on the salty taste on your tongue and the proper fucked out look on his face. Arms flexing, face twisting and abs clenching as he got closer and closer to his release.
Fuck he was a sight.
You felt his hips stutter as he fucked into your mouth a few more times before letting your head up.
You looked up at him softly, eyes swam over with tears and saliva dripping down your chin, gasping a few moutfull's of air before you sank down on his dick again, feling his dick twitch in your throat. Apparently he liked your fucked out look.
You had never ever enjoyed giving head as much as you did now, watching his mouth hang open and thighs shaking slightly. His hands came back to the back of your head, holding you deep as he came with a long groan.
He fucked up a few more times grunting words you couldn't understand, voice holding a tinge of despearation as he emptied all he had in your open mouth.
His eyes that had drooped closed open slowly watching your lips as he pulled out of your mouth with a wet pop.
Eyes almost hazing over as you swallowed, licking your lips as you blinked up innocently at him, he was just as effected by you as you were by him.
A wry smile made it's way up your face at the realization, looking at his fucked out face before speaking up in a sweet soft voice that made his softening cock want to harden again.
"As good as you imagined then baby?"
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kozachenko · 13 days
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Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).
Artist's Notes:
Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).
The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).
Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.
Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.
As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).
And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.
If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.
Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.
And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.
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goddessxeffect · 11 months
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« INTRO: AWAKEN TO (YOUR)SELF »
A BEGINNERS GUIDE TO ALL THINGS CONSCIOUSNESS
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This blog used to be a journal in the process of self realization of it's creator but has yet turned out to be a collection of sources and information guiding you too on your way back to your true Being. It all started with the question: “Who are you really?” and the realization that reality is not what it seems. I'm at a point now where I do not follow any teachings or concepts anymore nor did I consent in strictly deviding law of assumption from non dualism in the past. Nowadays, I see myself as an advocate for Self-realization. That being said, I really want to distance myself from any "new age manifestation/law of assumption" (do this to get xyz) teachings practised on youtube or tiktok.
I did create my own content in the past but stopped because there is nothing new to say and my understanding has deepened. Posts and annotations written by me are easily recognisable by my typical colour code, which is obviously displayed here. I only answer questions for understanding or clarification, guidelines here.
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HOW TO START
Advaita Vendata (Non Dualism): an Introduction
Core of non dual understanding
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If everything is consciousness, I am everything and everything is me? I still feel like "me", I don't feel like god of my reality How to become aware(ness) How to control the thoughts How to be free from emotions and thoughts Stop concerning yourself with the wants and needs of Ego How to loose attachment to Ego What you really are How to be Consciousness/ Awareness
In the end, the only question remaining should be who you are without all the labels attached to "I am". You will come to discover you do not want freedom from this shape alone, but from all shapes. Be aware of your past being over. "External world shows otherwise? Just be like "for how long do you think it can keep this up when you have nothing to do with it?" @Ada
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MY CONTENT/ EPIPHANIES
You can experience pain in your life but you don’t have to ‘suffer’ the pain.”  - Anon I mus
#masterpost, #goddessawakening
» Mosaic » Be yourself first »"Manifesting" » Freedom » Being » Why everbody misinterprets Self concept » Is there a real difference? »Misidentification » Consciousness & Limitation » No others » Question Reality » Missing » Ego & Time
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ADDITIONAL MATERIAL
... what to find on my blog through the tags
Advise/FAQs: Koda, Nova, iam-you, Cassie, Bry, Jag, Vesora, Lain, more What is Ego? How it feels to be Self / Awareness All on Self Realization and Detachment All on LOA trough a non dualistic view Books
If you still want to focus on "getting your desires" after been through all the info, search Neville Goddard (all his books and lectures). If you have a hard time understanding Neville, I advise some people who break down his teachings in a short and modern way of speaking: Edward Art (Reddit(Series), Audio), embodythestate, niclasupgradetolife, Josiah Brandt on YouTube
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jacevelaryonswife · 1 year
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ㅤCatch me if you can, working on my tan, Salvatore.
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The summer's wild and I've been waiting for you, all this time, I adore you, can't you see you’re meant for me?
∴pairing: Sugar Daddy!Daemon Targaryen x fem!reader
∴warnings and notes: age gap, reader is 20+ but her age isn’t mencioned, smut. Inspired by Salvatore from Lana Del Rey.
The first time you saw him was at an exhibition at the Targaryen foundation, which depicted life in Old Valyria. He was magnetic, intense and almost too attractive. Truly inaccessible, you thought, however, life wanted to positively surprise you with the opposite of that. You weren't used to going to sophisticated places, although you were a girl with expensive and demanding tastes, so when your friend invited you to the event your heart almost jumped out of your mouth. It was so exciting to be among such a select few of New York's elite, you could almost relax for a moment. Almost.
Underneath the subtle makeup and cheap clothes — perfectly chosen for the occasion —you were scared. Not out of fear of discovering your humble nature, after all that never embarrassed you, but fear of rejection, of the superb and elitist look in your direction, fear of humiliation by unhappy and mean people. At the start of the exhibition your figure stood alongside your friend and her friend, Aegon Targaryen, a fully representative specimen of the rich fuckboy stereotype — at least he was funny. However, as the evening progressed and people became more relaxed, you assumed you could move around and mingle with less tension around people. You've talked to some of the Targaryen/Velaryon youths closer to your age. Two of them, Jacaerys and Daeron were genuinely adorable and even a little flirtatious, which made you slyly recoil upon realizing their interest.
In this way, finding yourself in a corridor away from the small crowd, you began to contemplate some paintings placed on the wall that didn’t belong to the exhibition. One of them caught your attention and captured you for a long time, it was a night city in a cyberpunk aesthetic in the shape of the upper part of a male silhouette. You've never seen anything like that.
"Do you like it?" A male voice asked very close to you, on your side actually.
And then he appeared. Tall, thin, short hair, with a discreet smile.
“Uh, I'm not a big art connoisseur, but I appreciate a beautiful painting,” you said.
“And what do you think of this one?”
You returned to contemplate the painting again, before replying: “I like the futuristic aesthetic. It's aggressive, rowdy and intimidating, it reminds me of works like Altered Carbon, it's chaotic and dark and I can't stop admiring it. I don't really know if it's futuristic at all, but it resembles me. I think it was my favorite so far.”
He didn't hide his satisfied expression upon hearing your opinion, looking away from his handsome face to the screen in question.
“The reference was a troubled phase of my youth, I spent nights awake in galleries in downtown New York, Chicago and Paris. It was more underground than it is today and I certainly have some scars, but nothing that time can put us back on track.”
His eyes sparkled in self-realization. That was not only the author of the painting, but he was also a Targaryen. How did you not notice before? The short gray hair and violet eyes were distinctive enough to give away a Valyrian for miles. Maybe it was some mechanism in your brain to avoid associating him with a descendant of the dragon and making you nervous again, but it didn't matter now, not when he was already beside you in that beige linen shirt with the long sleeves and collar and sophisticated posture.
“Daemon Targaryen,” he said, holding out his hand.
You introduced yourself with a shy smile, greeting him back. “Are these all yours? They are very good."
He didn't need to look at the other pictures in the hall to nod. “Only a few, most are in my gallery.”
“Oh,” was all you said. “How long have you been painting?”
“I like to say I was born with brushes for fingers,” he chuckled with a hint of smugness. “And as for you, what were you born to do?”
"I don't know. I never really knew. I like my field, although I haven't graduated yet, but I never had a big dream or talent for arts in general.”
The look he gave you was understanding, almost affectionate, nodding. You stayed the rest of the night together, and even though you hadn't lived a third of what he had told you, the oldest Targaryen didn't make light of your experiences and aspirations for the future, quite the contrary, he asked a lot about your tastes, your dreams, your preferences and desires. Even if you were apprehensive about being around the most charming man you'd ever seen, Daemon was good enough to break through your preoccupation and wrap you up in a spiral of seduction veiled in sophisticated words and good conversation. By the gods, how you longed for that night not to end and you had to return to your simple and unglamorous life, to your heavy routine of studies and tiredness with uninteresting boys unlike the handsome man at your side.
“You have a beautiful face, you know, I would love to have you in one of my paintings,” he said as he rested his glass of white wine on the shelf beside him, “and I can already imagine how.”
"How?" You smiled in ecstasy, especially when he moved a piece of your hair to your ear and caressed your face. Your heart froze a beat and your mouth parted, a part of the smile still visible. It seemed too unreal to be true, but you would never object to what was about to happen.
“I'd love to show you,” he said before cupping your face and pressing his lips to yours in a kiss that made you float. You grabbed the back of his neck to pull him closer and rose on tiptoe to reach him properly, only to find yourself deliciously pressed against the wall as he stole the breath from your lungs in the sexiest, most demanding way possible. It wasn't an exaggeration to say that your reality seemed fully magnified as he pulled back and stared into your face, still so close you could only get intoxicated on his expensive woody cologne. “Come to my apartment, I need you babygirl.”
Oh dear, an indecent sound nearly escaped your mouth at the nickname, your breathing turning into wheezes immediately. You've never been in a relationship with an older man, not for lack of interest, but there weren't any such attractive options close until tonight. It felt like a sensual dream, especially when he traced circular patterns on her neck with his thumb.
“Yes."
Daemon glared fiercely before pulling you gently around the waist and out of the room, opening the door for you to say goodbye to your friend and Aegon, hating the knowingly slutty look he directed at your figure. Your heart pounded with each traffic light the luxurious red convertible crossed, impressed by the ruby, blue and green lights that illuminated that part of town and even more by the large hand that was on your bare thigh. How you wished it would rise a little higher...
Luckily his dazzlingly modern apartment wasn't far away, with beautiful floor-to-ceiling windows that looked out over the sea of buildings and skyscrapers of the world's greatest metropolis. It was breathtaking. You couldn't help but walk to the center of the room, gently tapping the glass as a smile left your lips. "It's so beautiful."
“No more than you, I promise,” he whispered into your hair, next to your ear, sending shivers through the body. He curled one hand in front of your body, caging you between the glass as he brushed your hair away from your neck to sensually kiss your erogenous spot, making your eyes close and your hands rest on the glass. His vague hand ran over your waist and breasts, squeezing your flesh deliciously. “Have you been with a man before, babygirl? A real man, not these fuckers who don't know how to satisfy a girl properly.”
“No, I never have been,” you replied breathlessly, looking at him through the reflection.
“I will make sure you never forget this night.”
Daemon turned you around to kiss you, demanding to taste, lick, suck, and bite each of your mouths. He'd like to taste your sweet pussy right there, fucking your beautiful body against the glass, but he wanted more, so much more, he wanted to lay you on the bed while the blue light outside illuminated your body just like the painting he'd imagined. And so he did. He stripped you of your clothes before laying you on the white sheets, drinking in the masterful image before you. He leaned down to kiss and suck on your neck as he slid his hand down the length of your body to the wet spot between your legs, spreading your wetness with his fingers before massaging your clit incisively with the palm of his hand, making a long, breathy moan out of your throat as you held him from behind, desperate for more friction. He removed his hand from your legs to grab your breasts and bring them to his mouth, but was quick to repeatedly grind his clothed manhood against your needy, wet pussy. He smeared saliva on your breasts and continued to tread south, kissing and stroking your stomach with his big hands.
“Fuck,” he growled at the sight of your shimmering femininity, so eager for his attention. “So fucking pretty,” he said before kissing the inside of your right thigh, holding your hips in place to dip like a bee on your flower, eating you like no other has. You moaned loudly and squeezed your eyes shut, holding onto his hair as your legs unconsciously tightened around his head. He never wavered, devouring your pearl like a starving man only to feel your body relax beneath him, your orgasm coming so hot and wet it had you moaning pathetically as he licked for another moment. A proud smile appeared on his features, which was met by a shy and satisfied smile before your hands struggled to remove the last physical obstacle that separated them.
“Ready for me, love?”
You nodded during the long look at his beautiful member. How he would love to thrust into you with no hindrance, but that would be asking too much for a first night, he knew that. So when he returned to the bed with the condom on and settled himself between your legs, his hand on your knees, there was nothing to look forward to but losing himself in your wet heat, so deliciously hot and tight. He let out a guttural growl as you let out a sly moan, sagging in glee as your pussy was filled in a steady rhythm.
“Daemon,” you cried breathlessly, pulling him in for a sloppy kiss. He became deeper and faster in his movements. “Oh! Don’t stop!" Your whisper had him moaning in your ear and biting down on your bottom lip, fucking your sensual body hungrily.
“Fuckin' hells,” he growled as you squeezed him and milked him wet all over his cock, kissing the sensitive spot on your neck. He didn't last long after that, allowing himself to fully enjoy your heat to come hard over your body, rolling over to discard the condom and lying next to you, pulling you into his chest.
“That was amazing,” you said, smiling wide and tired, feeling your warm intimacy relax completely.
He just smiled and nodded silently, draping an arm over your shoulder. You didn't bother too much to stay awake, however, Daemon's low voice caught your attention.
“You said you never had great aspirations, but you also told me of dreams to be fulfilled, desires, everything you would like to have, see and live. Let me do it, babygirl, let me help you.”
Your eyes widened, looking up to meet his calm features. "Are you serious?" We don't even know each other well, this is a big step for both of us,” you said.
“We have enough time for that, I just need to know if you want it.”
This is definitely the best night of your life. Of course I do, holy shit I want it so bad. “Yes! I want it! I want it so much!” You kissed him sleepily, smiling against his lips. And that's how the dynamic between you began.
tag: my bestie @valeskafics cause she planted the idea of sugar daddy daemon in my head with this work here, check out her work! She's the queen of hotd content.
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bamsara · 2 years
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i know "When did you stop loving me?" is an angsty one, BUT what if it was actually an overly dramatic lament bc someone didn't get their way?
(I love that twist! Note: This written prompt is fluff/domestic shenanigans with Y/N having a habit of poor self-care, but the DA helps that.)
(This is a bit long so maybe not a drabble but a one-shot, but I hope you guys enjoy it anyway!)
You're a college student with a hetic, inconsistant schedule job and more stressers in your life that would make a therapist whistle, so you're not exactly the best at self-care, or even regular human maintence. Your eating schedule was flakey at best and the contents of your fridge wasn't anything healthy if just something to pop into the microwave very quickly to save time. Sometimes your apartment would get dirty quickly and with no mental energy or time to clean it up, you just lived a little gross for a while. Don't even get started on your sleep schedule.
The Daycare Attendant, you realize, became quite aware of your situation more-so than they already had after their 'permanent moving' into your home, and thus you've been subjected to more life changes in the last week than you'd ever be prepared for.
Sun uses your phone to order healthier groceries and and tsks at the instant-microwave meals in your cabinet. He's gotten into cooking, which is both incredably odd considering he's a robot, but amusing when you walk into the living room and he's watching an a show of middle aged women teaching the viewers how to make veggie pasta.
Maybe he misses arts and crafts back when he was at the pizzaplex, and just liked to work with his hands. Something hints at you this is a correct assumption because the fruit he cuts for you are star and heart shaped and he likes to take pictures with your phone afterwards. You don't get it, but it makes him happy and keeps his mind occupied elsewhere, so you don't mind.
Moon cleans up after your mess and threatens you (in a friendly manner, of course. You think.) to go to bed at a proper time or he becomes rather aggitated.
Any attempts at using your phone underneath the covers will result in a small EMP attack that takes out your phone and the neighbor's Television. You know, because Gramps mentioned that her TV only seems to cut out around the same time every night and nothing he does seems to fix it until morning. Moon holds no remorse, obviously.
It's nice. Even if they're a little bit pushy about about it. Honesty, you think these acts are just remants of their care giving programming, the need to feel useful after everything that happened or just trying to busy themselves with the human they're invested in. Maybe a mix of all of those things, but that's to be unpacked later.
The exchange wasn't unequel either. You've learned more about robotics in the last 6 months than you'd ever expect to know, for sure, along with some other things. You're an adult, you can keep yourself alive just fine, but it's nice to have the extra support.
It does, however, get a touch on your nerves at times.
"Moon, c'mon, I'm like, so close to the end-" You make a lunge for the remote, and it's closer to you than it was before. The animatronic holding it over your head doesn't even blink as you make a grab for it again and your fingers only brush air. "Dude! The season finale came out today. It's literally the last couple of episodes!"
"Sit." Moon states plainly. "Kitchen table."
"I'll eat later. It's not like the fridge is going anywhere, Moon. C'mon. Everyone has seen it but me and I'm already getting spoilers on my feed. Just another episode? You two said you've watch it with me anyway."
Moon blinks dully at you, and stuffs the remote underneath his hat. "No."
"C'monnnnnn"
Fingers find your collar and hook underneath the fabric, and routinly, you are dragged away from your unhealthy habit of binging new series of media to attend to your oh-so-delicate human needs that are far too demanding for your liking. The Daycare Attendant has long become acustomed to your whining.
The dinner table chair because your metaphorical prison as Moon lightly pushes towards it, sitting with a slump and a over-the-top dramatic sigh as the animatronic walks through your kitchen. The lights are dimmed, but he still squints at the refridgerator lights that greets him when he opens the door. "What do you want."
You resist the urge to snatch his hat and run. "A robot that doesn't nanny me."
Red eyes and white pupils side eye you, and Moon pulls out a a few items. He speaks deadpan. "Cry about it."
"Maybe I will." You snark back. He makes a noise somewhat akin to a snort, and you pretend your pinching his head inbetween your fingers from across the room. You raise from your seat, resigining yourself to your fate and getting yourself a drink. It's a sugary soda (caffine free!) that Moon glances at but leaves be. Sun would have polietly recommended water by now.
It's almost a funny image: a tall, clown robot standing in front of your microwave in a t-shirt and slippers, just staring at the glass with mild dissassioance until the counter goes down. You duck, popping your head underneath his elbow and his arm raises to allow you. "So." You sip at your drink, and Moon makes a face above you. "What's on the menu, Starboy?"
"Leftovers." A pause. "That we made this morning."
Right. Sun must have made a meal set during the day for the opposite half to make for you at night. Clever bastard. "...Can I have the remote now?"
Moon, without looking at you, adjusts his hat to sit better on his head.
"Bitch."
"Sit." He shoos you to the table. "And sleep after this. It's late."
Very late, actaully. Around the wee hours of 1AM and half-past god knows what. You'd been so caught up in your favorite show that you just sorta forgot to do everything else for the day, so eating, showering, studying were all at the bottom of the list. Regaurdless, your TV called to you.
You heave a dramatic sigh, falling back onto the kitchen chair and resting your elbow on the table, cheek resting in your palm. "I can't believe you'd treat me like this after all we've been through. Denying me the simple pleasures in life, for shame."
The microwave counts down to single digits and Moon's fingers hover over the handle. You can't see his face from this angle, but a faint chuckle is in his tone. "Tragic."
"Ugh, how could you?" You sigh again, more dramatically this time, and even go as far as to place the back of your free hand against your forehead and calling back to all the cheesy soap operas you and Sun watch in your free time. "I feel soooo betrayed. When did you stop loving me?"
The microwave starts beeping and Moon's fingers lock onto the handle, and freeze.
A couple of beeps ring by. You hand lowers and you raise a brow at the animatronic's still form. You give him a moment, because sometimes the Daycare Attendant stalls sometimes, and you chalk it up to being a robot thing. But the beeping was starting to get annoying. "Hey, man. The food's done."
Another two seconds. His fingers move and pop the microwave door open. You can smell heated up veggies and broth from across the room. "Funny."
"Yep. I can be a jester too."
"One episode." Moon grabs your dinner with one hand, and pulls the remote out from under his hat with the other. "To eat your food with. Then sleep. You're lacking."
The smile on your face comes naturally, and you swipe the remote from his hands. "Yeah, sure. Like I'd let you boss me around anyways. Come lay with me on the couch and watch it with me. There's aliens in this episode."
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skyacya · 6 months
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Hello! I got into transformers recently and I've been scrolling through Tumblr for awhile to find TF related content. I happen to come across your blog and dare I say your illustrations are stunning!🧡 The color choices and the line work is absolutely amazing.
You can say I'm a little motivated to draw some robots now—but as someone who only drew humans in the past and someone who just joined the fandom. I've come to the realization that drawing robots is much harder than it looks🤲..
If it's not too much to ask, would you mind sharing some tips or experiences on how you started drawing them? Thank you🦐
Man, you have no idea how much seeing this made my day (〃´∀`)! But sure!
The general idea I use is to break down characters into their most basic shapes, fx Transformers Prime and Animated has super strong shape language especially compared to G1 where everyone are squares
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Before drawing a new character, I like to practice my muscle memory by isolating these basic shapes on top of a reference image. To get that proper giant alien robot feel it's especially helpful to practice big, squareish shapes (though depends on the character, some have more fluid shapes similar to humans).
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With the overall shapes you can draw your desired pose much easier because you don't need to think about details yet.
When you have the pose down, you can continue on with the details. These are also just shapes broken down into smaller shapes. You just continue to break everything into shapes until you have achieved the level of detail that you want. Everything is shapes
When adding details, it's a good idea to have a bunch of references ready. I usually just go through an episode/chapter with the character I want and take a shit ton of screenshots
⊹⊹⊹⊹Some general tips I have are:⊹⊹⊹⊹
Find inspiration from different artists you like and see how they break down the characters (and try doing the shape practicing to get used to the feeling of drawing bigger shapes)
This is a strange addon tip but hear me out, a lot of R18 tf artists are insanely talented, like to an unlawful degree. Welcome to the rust sea of sin, I would add recommendations but I am a coward
Varying lineweight is especially useful to separate bigger shapes from details, otherwise it can quickly look busy and messy (look at Alex Milnes art before coloring, there it is very visible)
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Alex Milne also uses full black in certain less visible/high contrast areas to create focus on the more important details. It helps to create a more balanced drawing. Also helps to hide areas you aren't confident about such as joints lol
Don't be afraid to exaggerate the lines, robots have a tendency to look stiff
Do not fear the shapes, the shapes mean no harm.
And lastly, thank you for your kind ask! There are many ways to begin drawing robots and I hope this may help in your journey down the rabbithole of giant sexy gay alien robots (ʃƪ˶˘ ﻬ ˘˶)♥♥
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'Oh I'm Really Dune-it Now!' Masterpost
Welcome to the blog, the usual mishmash of nonsense will continue but for anything I'm creating myself lately it will likely be for the Dune Fandom, mostly a hodgepodge of Villeneuve Movie & Book Canon.
If you want to opt-out of this, all my original posts related to Dune will be tagged #duneposting for blacklisting.
Finally, add me on twitter @montager7 & Discord as montager if you use either for fandom stuff. I'm trying to get a feel for the size & shape of the Dune fandom, I think we can get writing & art events going in hiatus!
My Live & Updated Fiefdom of Dune Creations:
Dune Meta Rants, AKA:
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Dune Fandom, We Need to be Hornier About Fluids
The One Where I Scream About Sand and Balance in Dune's Rigged Fights
Brian Herbert's Bitchy Dune Messiah Intro
The One Where I Talk About Feyd-Rautha's Introductory Scene and How We Were Too Distracted By Rizz to See Trauma UPDATED: The DEFINITIVE Version With Duke Leto (2.0) (New)
(Optional Alternate Early Cut): (1.1) Where I Went Back & Had Even MORE Traumatic Realizations about Feyd-Rautha that later got validated somewhat by Villeneuve's interviews confirming he wanted the final fight to be a 'consummation' of what never was.
Hey Do You Guys Remember in the Book Paul Was Going to Let Gurney Halleck do War Crimes on Feyd-Rautha? (New)
Meta Coming Soon - Yell at Me in DMs:
Heavily Academically Source-Cited Essay on Why Blacking Feyd-Rautha's Teeth was a More Insane and Correct Decision than Even Villeneuve Could Have Probably Considered.
Pollution, Shaving, Hierarchy of Nobility, & Gendered Clothing on Giedi Prime
The Detailed Breakdown of Bullfighting Imagery & Metaphor in Villeneuve's Dune 1 & 2.
The Impassioned Defense of Why Villeneuve's Feyd-Rautha Actually Might Like Rabban, Siblings in Abusive Homes, the Relationship Therein, and Fandom Mischaracterizations.
Dune Memes & Misc Shitposts:
The Arrakeen Royal Ballet AU (Fair game to write or draw) (New)
FeydPaulChaniIrulan needs to be called 'The Paulycule' (New)
Dunewave Exists, It Fucks, and I Need You All To Listen To It (New)
Paul Atredies, Cinnamon Roll Evolution (New)
Dune: MerMay Edition (New)
"Feyd-Rautha is a Cannibal"
Focused Feyd-Rautha Meme
RIP NoHo Hank i know you would have rocked just the sluttiest little couture Feyd-Rautha Halloween costume
Dune Fanvids / Crackvids
Big New Feelings Paul Atredies & Lady Jessica w/ PaulChani & FeydPaul Comedy/Crack - 2:41
Family Secrets Always Come Out... (1.0?) Lady Jessica & Paul Atredies/Muad'dib & Glossu Rabban Comedy Crack/Character Study? - 0:50 CW: Canon-Level Emetophobia & Violence
[BIG WIP - REDACTED] (Coming Soon) Kwisatz Haderach General / Drama - 3:30+
Dune Fanfiction:
Detailed Outline Stages, yell at me to stop making low effort memes and write.
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mrghostrat · 5 months
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i wanted to say thank you for normalizing (for me) tracing refs and models for things, i'm from the deviantart era of "using references is cheating" which set me back YEARS lmao so to see you unabashedly using references so directly makes me feel so much better for when i do! i need to better realize that you still have to be a good artist to make a traced photo look good, and there's SO much you add to a drawing that isn't from the reference, so it's not like i'm lying or secretly a bad artist just cuz i use the csp 1.0 models for poses sometimes....... so thanks for sharing your process!!
of course!!! and 100% agree! that's what i have to remind myself whenever the imposter syndrome sets in: there's so much you gotta add to a thing beyond the traced pose, and the reason i can do it how i do is because i'm at a very comfortable stage of my artistic development. but man i've gotten so much better at freehanding so many poses and limbs and fabric details since i started tracing more frequently, it really does help your muscle memory and help build the skill!!
and. it's just, fun. when you want to turn your brain off, like that richard ii sketch i posted. sometimes i wanna draw just for the fun of it, for the tactile experience of putting down lines and making pretty shapes appear. tracing is a godsend for that. just be transparent about your process ✨
i have all kinds of opinions abt when and where tracing is helpful as u develop as an artist, but at the end of the day everyone's art journey is their own, and they should be allowed to use whatever tools are available to them. remember that artists and animators have been tracing as part of their professional workflow since the photograph has been invented.
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bluginkgo · 5 months
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"Nice Corpse House My Guy" Remastered Behind Scenes!
The most glaring and obviously annoying thing that's evident in this comic- if you even wanna call it that- are the god forsaken BACKGROUNDS. There was a lot of experimentation going on for backgrounds here. Because the first couple pictures, THAT is what I used to draw backgrounds as. Trees are sticks and grass is flat. I realized that wasn't gonna cut it. I didn't like it at all. So I started experimenting and boy was it messy. It finally sorta settled on the style by the end of the comic. I'm still unhappy with it, but it'll have to do for now.
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Here's a small comparison
One thing that I ran into was how I was gonna show that N was in his "killer mode." I could have placed the X's over the pupils, but found it unnatural looking in my style. So instead, it was settled to a concentrated light in the pupils.
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Best seen between these two. The second N snaps out of it, the X/light in his pupils disappears, and the normal light returns to his eyes, which is similar to Uzi's.
Another thing I started slowly including was Uzi's little tooth on her beak.
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The jutting out portion on her beak is a personal touch. Although it doesn't really matter, I included it to separate her from the rest of the "worker drones." Seen as she's an absolute solver host and has a solver form, something was going to creep up in her crow design, hence the little teeth. Doll would have them too, given I draw her in the form I've been thinking about.
Another thing I ran into, was WHAT WAS UZI GONNA TAKE N DOWN WITH?! This is a bird vs. a dog! No way was a bird gonna decommission a whole dog! Then this scene came up in my recent rewatch of Murder Drones.
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And it clicked. Loooong long time ago, I had a very specific hyperfixation: birds. One thing I learned that some pigeons do, was they're capable of doing a somersault. And in mid-air, too!
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I was finally set. The SICK AS HELL RAILGUN was downgraded to a simple piece of shiny glass/pebble that attracted Uzi- and crows love shiny things. And the same pebble will be used to launch at N's sensor that made him trip over. Because I was also not going to draw N doggo losing his head. I love gorey and bloody shows and art- hence why I watched Murder Drones- but I honestly had no idea how to recreate that, and I suck at drawing gore in general, I mean, did you SEE the crow N was chewing on? That was my best try honestly.
Here are some progress shots and how the layers worked in the scene where N is bonked with a stick.
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As per usual, start with a sketch, this is actually 2nd sketch. The first is much rougher, just some circles and random shapes to outline his body form.
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Then, this is all outlined and rendered. Along with some additions like the stick and the little rock.
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The background was the hardest, aside from some weird angles I picked to draw Uzi and N at. I suck at backgrounds, like I've mentioned many times before. So, this needed a lot of testing and experimenting. Most of this works because I found some cool brushes to use. But aside from that, I honestly still don't like how it looks. It's slightly better than my stick trees and flat grass though, I guess.
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Put it all together, add a black layer to simulate nighttime, put some lights to show moonlight through trees and voila, you've got an N doggo that got bonked by a stick! I see this project/comic mostly as practice and testing. Background testing mostly, and some brushes. The background/brush testing actually spilled over into another post of the solver Uzi I made a bit back. I'd say I was pretty happy how it turned out, but brush wise, I was going to test around a little more.
NUzi comic 'Sleep' is my next project. Uhhh, don't ask me when I'm gonna have it out, I have no idea. I'm guessing sometime end of Jan and beginning of Feb. But that might be delayed seeing as Murder Drones ep7 should be out sometime soon too, so I'll need to go crazy about that for a bit and then I'll go back to my usual thing ^_^ 'Sleep' will take place still between the Pilot and Heartbeat.
P.S. I have all 26 pages story boarded... good god what happened to the 'mini' part of the comic 😭
Anyways, why are you still here?! Have a cookie ^_^ you made it! Have a nice day now, bye bye <3
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avaantares · 7 months
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Wait, Zhao Yunlan's gun is actually a...?!
(I've never claimed production meta for @guardianbingo before, but after the amount of time and research I put in on this, I feel like I've earned the "Zhao Yunlan's Gun or Whip" square, haha)
SO. GUYS.
Maybe this is something fandom as a whole figured out back in 2018, but I, who didn't hear of Guardian until 2020, did not realize until now and I need to share the knowledge because when I finally noticed, I made an unholy sound.
I've tracked down where Zhao Yunlan's gun came from -- or at least, what it most likely started as. Not the in-universe dark-energy-maybe-uses-bullets-maybe-doesn't-device-that's-best-not-thought-about-too-long, but rather the actual fake-steampunk-revolver-that-is-best-not-looked-at-too-long-because-it's-awful prop.
Y'know, this disaster:
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I was actually working on a different Guardian Bingo fill and needed to look something up for continuity, so I'd flipped through a couple of episodes at super high speed trying to find a scene. As luck would have it, one of my skips forward happened to land on the scene I screencapped above, when ZYL confronts Zhang Shi.
Normally we don't get this clear (or this stationary) a shot of the godawful gun prop. I'd assumed all along they had just taken a plastic gun, glued some extra bits and bobs on it to make it look fancy, and hit it with some dry brushing (fun fact: you can watch the paint flake throughout the series; check out the top of the barrel and the side of the cylinder in the above screenshot!) to make it look #steampunk like the abandoned aesthetic of 25% of the show (as I've said before, I have theories about what happened in preproduction, but that's another post). This sort of thing is exactly what I've done for cheap cosplay weapons or background props for film work that aren't going to be seen at HD detail range.
Anyway, since the detail showed up better here than in other shots, I paused the video to look at the random screws and hex bolts (why??) they'd glued on it, since I recalled that I had the aforementioned gun/whip bingo square to fill.
That's when I noticed a detail that had eluded me before: An inverted V shape at the bottom of the grip.
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Only looking more closely, that's not an inverted V. It's a symbol that I've seen a whole series of variations of over the past 15+ years... every time there's a new installment of the Assassin's Creed video game series:
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So I started hunting. The principal weapons in each game turned up no matches, but eventually I found a gun that looks almost exactly like ZYL's:
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It's not a perfect replica, but the details are certainly all there: The stylized logo; the leaves and swirls on the grip; the feathers up the back; even the Victorian scrollwork beneath the barrel.
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Now, what's really interesting is that this gun isn't actually from the AC game series. It's part of an elaborate fan project by artist David Paget that started as a class assignment back in 2014. Even though it gathered a bit of steam in the AC fandom and generated a couple of forum role-play groups, OCs and the like, nothing about this artwork was ever connected to a real Assassin's Creed title. So why would there be a physical version of a gun that was only someone's fanart?
This is where the smoking gun (*rimshot*) goes missing, because I can't prove any of this, and it's been long enough that digging through the archives of the internet to find answers is going to take way more time than I can afford to spend on a project I'm not getting paid for. But there are two likely possibilities:
Scenario A: Some employee in a toy factory somewhere in China got told, "This Assassin's Creed franchise is really big, so we need to be producing replicas from those games to sell. Work up some designs." So the employee Googles "assassin's creed gun," finds David Paget's very professional-looking art, and whips up a replica to mass-injection-mold without realizing it's not actually from a game. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and finds a cheap toy revolver on clearance after several years of sitting in storage because there was little demand for a replica of a gun that was never in a game. They buy several, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!
Scenario B: Other fans were involved in the design. Someone did build a 3D model of David Paget's design that's still available on Sketchfab (screenshot below), and it's not unreasonable to assume that other fans could have thought it looked cool and built 3D printable models. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and acquires the 3D print file of one of those models from the interwebs. They mod the file a bit, print some, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!
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Personally, I find Scenario A far more likely than Scenario B, for two reasons: First, the hero prop looks more injection molded than 3D printed, especially given the technical state of 3D printing back in 2017-8. And second... Budget-challenged dramas do have a history of picking up bulk video game replicas and using them as cheap props. I made a post back in 2019 about the WoW Horde shields we spotted in a different drama...
Anyway, no firm answers about the source of the hero prop -- the world may never know! -- but we have now confirmed that in some alternate universe (possibly one of the first eighty?), Zhao Yunlan and/or Zhao Xinci is an Assassin.
Wait, wait, wait... *recalls mechanics of how the whole Assassin's Creed frame story is supposed to work* Uh... so... who wants to write a genetic memory explanation for the whole Kunlun -> [lots of lifetimes] -> Zhao Yunlan thing?
.
(I did actually check the catalogue of a friend of mine who makes replicas of props from various media franchises to see if he'd done a commission of the David Paget design, since a surprising number of his custom pieces actually do end up on film and television, but while he has a gorgeous replica of a revolver that actually appears in an AC game, it appears he has not done the Zhao Yunlan gun. I didn't really think it likely, since he's in the U.S., but you never know.)
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captain-mj · 6 months
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Hiiiiiii I was wondering if we could get some more of that fic where ghost and soap switch traumatic back stories ? The story has been playing on my mind for ages and I would really like to see more! (: 
Part 1 Part 2 Part 3
Jumps straight into Soap drawing a naked Ghost. You've been warned.
Simon stripped slowly in front of him before sitting on Soap's bed.
Johnny swallowed. He was still fully clothed, but it felt weird. Slowly, he peeled off his gloves and grabbed his art supplies. "Sit naturally. No need for ya to pose."
Ghost sat back, in just his boxers. He adjusted until he felt comfortable. "Could you live out my scars? I know they're probably not the most attractive."
Soap felt his heart squeeze. He'd never undress in front of Ghost. That was decided immediately.
"Alright. Any other adjustments? Want me to make you skinnier and your tits bigger?"
Ghost smiled at him. "I love how witty you are."
Soap quickly looked at his paper. He started to sketch the proportions and basic shapes of him. His eyes kept glancing up to scan over him and then guide his hand where it needed to go.
Slowly, he found himself lost in the artwork. It wasn't as realistic as he used to be able to do. Something a little off in the proportions. Time passed by and his alarm went off, indicating it was now 7 am sharp. He blinked, realizing they had stayed there for about two hours.
Ghost's eyes had slid shut and there was something restful about him. However, the moment the pencil stopped scratching at the paper, his eyes opened again. He looked at Soap with a smile. Dimples showing. "Can I see?"
"No." Soap closed his notebook. "Get dressed. You're on duty now."
"Yes, sir." Ghost got up and got dressed. "If you want to do this again though, I'd love to." He walked out of Soap's room and directly into Gaz.
Gaz stared at him and Ghost went from the confident, sweet guy he was around Soap to the regular Sergeant he was around Gaz. Soap wondered at times on which one was the real Simon. Maybe neither were. He didn't like that idea, deciding that the Simon he got behind closed doors was the real one.
Ghost turned bright red. "Sergeant Garrick!" He almost saluted before quickly putting his hand behind down.
Gaz look at Soap. "You fucked him??"
Soap stomped past them both. "Enough, Gaz. I'm going to go eat."
-
Soap knew exactly what Price wanted to talk to him about. He just didn't want to talk to him.
Price looked concerned. "What made you change your mind?"
"There was no fraternization, sir."
"Really? He was leaving your room with his shirt inside out."
"I was drawing him." Price paused and stared at him, a clear indication for him to continue. "I was... drawing Ghost. We were hanging out, like we do most mornings, completely platonically, and I got the urge to draw. He posed. That's all."
Price softened. "Alright."
"What? That easy?"
"Yeah. I just wanted to check in. I'm glad you two are friends. You deserve someone simple, just nice to you."
Soap nodded, tugging at his mask. He wanted to tell Price he was wrong. Ghost was a lot more complicated than he let on.
Price smiled. "MacTavish. We have a sniper mission. You and Ghost will be going."
Soap nodded. "Understood, sir."
Price dismissed him and Soap gathered Ghost up. Ghost was the sniper and he was lookout.
Simon turned off the moment he was on scope, eyes sharpening to look for everything. He stayed laying down.
Johnny wanted to draw him again.
"We going to talk about it?"
"What?"
"We kissed."
Soap grunted. "So?"
"Did it mean anything?"
"What are we? School girls?"
Simon looked at him for a moment, frowning. He looked a bit hurt but he turned back to his gun. "Sorry, sir."
Johnny watched him. "Dating me... it isn't a good idea for you."
"I know."
Johnny winced, almost instinctively snapping at him before realizing just how hypocritical it could be. "If you met me before..."
"Don't." Simon said softly. "Just... please. I can handle rejection. I can tell myself you just don't see me that way. That becomes a lot harder when if you tell me maybe another life. Another time. Please, just... reject me and move on."
Johnny wanted to take off his mask. Wanted to kiss Simon again. Feel those plush lips.
As if his mind knew happiness was in his grasp, he remembered the last time he trusted someone. The last time someone kissed him. Skull makeup staring at him.
It was for the best. He didn't want to taint Simon.
A bang.
One bullet.
Simon sat up, taking apart his sniper rifle. "Target down, sir. Mission complete."
"Good job, Sergeant."
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AITA for telling my ex I had sex?
This has been rolling around in my head for a while. I'm pretty concerned I did the wrong thing and was needlessly cruel.
My (20X) ex-boyfriend (25M) was pretty self-obsessed the entire time we were together. We has known each other for 8 years and got together when I was 17 (I know this part is fucked up, I've come to realize it since).
He always expected me to be there and spend all my time with him. Example: One time he got mad at me for falling asleep when I had a crown on my island in animal crossing and made a public show of it on the group I was opening my island to, consisting of both my brother and my cousin. He's overall just very clingy and doesn't really seem to think anything is ever his fault from my friends' perspective, and eventually mine as well.
Anyway, I tried very hard to get away from him, but since we had been using the same Skype group for years and he was the one I told everything to, it was pretty difficult to do, until my current girlfriend (21X) came into my life and I could cling to them instead of this dying, toxic relationship.
I ended up deleting Skype and not initiating conversations with him. He started using Discord to talk to me occasionally, and I kept it polite but distant. He kept trying to work his way back in though, and I could tell. Largely innocuous things, like sending little hearts and stuff, and continuing to make sexual remarks after I told him I didn't want him to anymore.
So here's where it gets rough.
My ex had this girlfriend who left him and stopped talking to him altogether. Eventually she got married, and he took it very personally and hated her husband. I promised I would never leave him the way she did.
Well, I met up with my girlfriend for the first time and we immediately clicked. That night, like the title says, we had sex.
(I need to make it clear that I had told him at this point multiple times I wanted to break up and just be friends, trying FwB at one point just to ease him into it, but at this point I wanted nothing to do with him aside from polite conversation. I had also told him he needed to get therapy before I would consider getting close to him again, and he still hadn't attempted to get therapy.)
The next day, while I was trying to enjoy the event we were at, my ex sent me a picture of a heart-shaped stone. I sent back a picture of the two of us at the event.
He asked who it was, and "I can't believe you went without me smh" (probably a joke. probably.)
I responded back, "we had sex last night"
He immediately got more formal, asking why I would do this to him and saying his ex and I have a lot more in common than I think. I then explained to him that I was sick of him doing the things he had been doing, and he claimed it was all platonic.
We haven't spoken since, except once when I let him know his art was in an AI database.
So.... AITA?
What are these acronyms?
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