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#I just use them as a search resource at this point
chipped-chimera · 11 months
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WIP H A I R update: On the home stretch but currently having a massive fit because -
While I have figured out how to get animations out for bodies (means I could test weight painting IN blender without jumping in and out of the game - muh workflow) - I cannot fathom for the life me how to get the hair dangle meshes exported. I have tried exporting the hair, then exporting 'with rig'. No dice. I have tried exporting it as a multimesh with a whole HEAD + rigs. No dice. I have tried exporting a whole goddamn NPC WITH HEAD + RIGS. NO. DICE. I always get some bone refusal error -
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I have done this on both Wolvenkit builds (stable + nightly). This goes not only for npcs but other hair. Sometimes it's a different bone. I haven't exactly tested EVERY hair for exporting but ... christ is this a bug or am I doing something dumb? why is everyone so secretive about hair modding can someone just tell me how to get the dangles out. Yeah I've read the dangle bones tutorial. It only talks about getting shirt dangles out for a hair, not like ... actual. Hair. I don't even want to use them I just want them for a reference. Also possibly so I can look at UUH4V.
Texture weirdness. But I know the problem is something to do with how what I've made is being processed, because the overly bright stuff here is a basegame mesh I used to fill out a section (or maybe it's supposed to be that bright). Or could possibly be me botching something in custom back-faces (switching back to _doubled to see about that one). That one is still very puzzling to me given all the UV's are mapped to the same stuff, using the same material - looks completely fine in blender (as usual). The UV mapping method may be a bit structurally different though but I don't see how this would cause such a major difference? Could be I did dumb stuff with Hair Tools though, I'll get back to you on that one.
throwing this out into the void cause I'm exhausted someone just tell me how to extract dangles 😭
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lackadaisycats · 1 year
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I’m so sorry if you’ve already answered this somewhere, but how do you design your characters?
I’ve been trying to make an OC from the prohibition era and it turns out there’s basically nothing to work with for men’s outfits, so I’m curious how you made this many that look unique and fitting to the characters
There is so much to work with, though! You will tend to find more of a focus on variety in women's fashion, but there is still quite a lot of menswear to ogle too. I suppose it's just a matter of searching out ideas and inspiration in the rights corners. Here are a few suggestions:
Old Clothing Catalogues -
Collections from Sears-Roebuck and other popular clothing retailers are pretty easy to find compiled into relatively inexpensive books, or just floating online.
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A fair bit of it is in the public domain now.
--Here's an entire 1922 catalogue of stuff to flip through.
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Contemporary Artwork -
Some phenomenal illustrators were working in this field amidst the "Golden Age of Illustration" and featured prominently on the covers of magazines and on the ads inside. There was a lot of emphasis on fashion.
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Collier's and The Saturday Evening Post are a couple of the more prominent and easily searchable resources. The costuming on the cover art always has a lot of personality.
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There's Rockwell, of course, and it's almost impossible to go wrong with J. C. Leyendecker. He's probably best known for his Arrow Collar ad art, but even his sock ads are like…
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There were numerous other amazing and influential illustrators working at the time too. Here's a list of some of them. Here's a bonus Henry Raleigh featuring some of his fabulously-dressed people.
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Blogs and Articles -
There are so many of them! If you want historical accuracy, be wary of write-ups pulling all of their references from film and television. There's nothing wrong with using those for inspiration if you aren't too concerned with historicity, but there are some pretty comprehensive and well-researched things out there with more of an eye on actual fashion history too:
--Gentleman's Gazette - What Men Really Wore in the 1920s
--The Fashionisto - 1920s Men's Fashion
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Digital Collections -
There are numerous digital historic image collections stemming from universities, museums, libraries, and the government that are free to peruse too.
--The Metropolitan Museum has a searchable catalog of exhibits that includes fashion and photos
--Here's some things from the New York Public Library
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Photos at Large -
If you aren't sure where to start, image searching for any of Hollywood's early celebrities will typically turn up a bevy of production stills and promotional photography featuring a variety of fashions. Here's a random Getty images search for Harold Lloyd. A lot of standard 3 piece suits, but a lot of stuff with added character too.
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Photography was generally quite accessible by the 1920s, though, and you can find a lot of authentic photos of people from all walks of life, out in the wild wearing all sorts of clothes.
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This is by no means the limit to the resources available, but hopefully it'll provide some leaping-off points for designing looks for your characters!
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gay-otlc · 1 year
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When people say they struggle with keeping track of all the tone tags (the ones like /j or /gen), everyone who disregards that by responding "it's just memorizing some abbreviations/acronyms, it's not that hard, stop complaining" is ableist and a fucking hypocrite. If you're going to advocate for accessibility, advocate for accessibility for all of us.
You can't claim to be an ally to neurodivergent and disabled people and then shit on us for our symptoms. If you actually care about helping us, why aren't you listening when we say we struggle with something? It's never okay to tell disabled people they should be able to do something they can't, that it's not that hard, but it's especially not okay if you do so while pretending to support disabled people.
Also, in addition to the "it's not that hard" statement being ableist, it's utter bullshit. There are so many tone tags to keep track of and memorize. I did a quick google search and one of my top results had ninety one tone tags. That's a lot. That's probably a lot even for a neurotypical person, and I'm not a neurotypical person. I struggle to remember a lot of basic, necessary tasks, so I really can't memorize ninety one tone tags.
Especially when some of them are incredibly ambiguous- only one letter? Acronyms or abbreviations at least give you some clues, one letter tone tags are so incredibly confusing. Like, what does /t mean? There are a lot of words that start with T! (This is a rhetorical question. I know /t means "teasing," but I only know the answer because figuring that out was a memorably frustrating experience.)
And /t is just one example of a tone tag I learned because I kept seeing it in conversation and not understanding and being really confused and frustrated. I can't tell you the number of times I've been messaging someone on discord, and they say something with a tone tag I don't recognize, and I just open a new tab to google the meaning, which is where I find lists like the one above. I usually rely on google instead of asking the person what they meant, because I feel stupid and embarrassed for not knowing this code that everyone else seemingly gets.
Which is exactly how it feels when I don't understand someone's tone in real life! Confused and frustrated and ashamed. And tone tags were supposed to help neurodivergent and disabled people not feel that way, so I don't know how we reached a point where they cause those feelings in many of us.
I can't deny that tone tags are a useful accessibility tool for some. If you find them helpful, it's genuinely good that you have that resource. But they're not accessible for all of us. It's incorrect to act like tone tags are a perfect way to communicate, and it's ableist to disregard our struggles with them and tell us to just try harder.
Either listen to those of us who say they have trouble understanding tone tags, or stop pretending you actually give a shit about accessibility.
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olderthannetfic · 5 days
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hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused
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A big factor in LJ's greatness is timing and nostalgia.
It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.
LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.
I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.
People often remember this phase but not the early days of suckitude.
This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.
There are people who talk about Tumblr the way my cohort talks about LJ...
And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.
Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.
What life phase you hit a site at matters.
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With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.
The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)
Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.
Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.
But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.
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The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.
On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.
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But could we use Tumblr pretty much how we used LJ?
We could.
I do.
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The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:
Heavily text-based
It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.
You could follow the discussion
Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.
The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"
All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.
On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.
(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)
It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.
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These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.
For me... yeah, Tumblr functions almost exactly like LJ.
Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.
People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.
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So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.
Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.
We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.
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Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.
The missing piece is people.
When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.
--
Threaded comments are different and better.
LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.
A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.
--
So by all means, people, weigh in about what made LJ great or how the culture felt at the time...
But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.
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ultra-violetra · 7 months
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the reason why red team wins isn’t because they submit tasks last minute. that isn’t even the biggest part of their strategy, so let me tell you what red is doing to win:
delegating tasks: each member has spent most of their time collecting whatever resource the team needs. they work together to come up with specific goals (eg. enchantment table, mining iron, getting string) and then send specific people out to do that task, usually whoever’s free at the moment
helping each other: they would all drop everything at a moment’s notice to help a teammate in trouble
sharing resources: red team shares literally everything they own. most notably, bings and personal quest items
personal tasks: they all help each other out to finish these, and they make sure everyone active gets them done. i think a good chunk of their points come from this category actually, since the other teams don’t seem to prioritize it as much
not seeking fights: ok sure, they’ve gotten in a decent amount of fights, but usually the fight comes to them. they aren’t spending their time searching for people to kill, rather most of their kills have been from running into others in the wild or at spawn (foolish did spend time looking for tina today, but that was mostly looking for blue base as a strategic point)
using time wisely: to kind of add onto the point above, they aren’t spending all their time walking thousands of blocks to others’ bases. they also are very communicative about how much time they have left and what to use it for. they’ll ask how they can help the team with their last ten minutes, for instance
communicating: red team spends almost their entire time on the server in a vc together. I know this isn’t exactly every creator’s thing, but they could still type in chat if they didn’t want to talk. red team have even been leaving discord messages to their teammates to tell them info when they’re not online!
varying their points: i think this is the most important thing tbh. instead of only focusing on tasks or kills, etc. they do a little bit of every. they make sure to do well in every possible point category
being silly: it’s the best part!! the silliness boosts team morale
seriously though, the red team doesn’t just sweep the win at the last minute. if that was true then they wouldn’t log in until the last ten minutes. all the active members spend their 5 hours (or however long they’re playing that day) working on gathering materials and being useful for the team. the only advantage they have from being online later is they know how many points they need to get to catch up. so they can sort of measure how many kills or resources they’d need, etc. but knowing what they need doesn’t guarantee they’ll get it. the red team puts a lot of hard work into their wins it’s not just a cheap sweep. they are clever, resourceful, and strategic
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floodkiss · 7 months
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Say "NO" to Genocide - Call, email, mail your reps (Canada)
Me and my friend spent some time today writing letters to the House of Commons, plus we have been calling MPs daily. I haven't seen too many resources for this floating around on tumblr, so here's a lengthy guide on how to do this plus some sample scripts! Long post ahead since I think it will be most helpful to dump everything in one spot to reference. On desktop, use CTR F/CMD F to search for the topic -> Phone / Email / Letter Mail / Contacts / Demands / Scripts / Fax
Update 1 - Nov 23: Updated emails with "mailto" hyperlinks, edited demands, added fax section, added scotiabank pres fax number.
On the PHONE / General Tips
Introduce yourself and identify yourself as a constituent by providing your postal code or address.
Ask to speak to the MP directly, but do not be surprised if you must speak to the MP’s staff instead. Staff can help move your issue forward.
Give the reason for your call and explain your concern.
Focus on one or two main concerns per phone call. Do not unload on the MP or their staff with all of your political concerns at one time.
Ask clear and pointed questions that require some explanation.
Ask for a commitment to action.
KEEP IN MIND Tips for Calling MPs:
Tell the MP that this issue will matter to you in the next election.
Avoid revealing party affiliation or sympathies. If you show that your vote is already cast for a certain party, the MP may not have the incentive to respond to your requests.
Be as brief as possible while outlining concerns.  Show that you respect their time.
Remain calm and respectful in dialogue. Be willing to work with them.
Follow up: Find out what actions were taken as a result of your call, and respond appropriately.
(Source: CPJ.ca)
CJPME Call Tool - Fill in the form, there will be suggested talking point. The tool will call your phone and then patch you through to your MP. If voicemail, state your concerns in 30 seconds. No address input will default you to call Foreign Affairs Minister Melanie Joly.
EMAIL
Be sure you sign your email with your name and mailing address so they know you are a part of their riding.
You will most likely receive a PR-type response or no response at all, but please still send these. It disrupts operations, and it still contributes to pressuring your MP to act on behalf of your riding.
LETTER MAIL
Mail may be sent postage-free to any member of Parliament at the House of Commons address. You just need to use an MP's full title if they are Cabinet members. Cabinet mebers have "The Honourable" attached to their names.
Postcards are efficient in that they are small pieces of card stock and can be a short message plus demands, no need to get use envelopes.
The Right Honourable Justin Trudeau House of Commons Ottawa, Ontario, Canada K1A 0A6
CONTACTS
Find your MP - ourcommons.ca - Contact the MP of your riding, any of the contacts below, as well as any cabinet members in your city or province.
Prime Minister (613) 992-4211 / [email protected] *FAX: 613-941-6900 /*If faxes are closed at the House of Commons line, try their local offices! (See below under "FAX" for fax guide!)
Deputy Prime Minister - Chrystia Freeland (613) 992-5254 / [email protected] FAX: 416-928-2377
Minister of Foreign Affairs - Mélanie Joly (613) 992-0983 / [email protected] FAX: 613-992-1932
Minister of International Development - Ahmed Hussein (613) 995-0777 / [email protected] FAX: 613-995-0777
Minister of National Defence - Bill Blair (416) 261-8613 / [email protected] FAX: 416-261-5286
Canada-Israel Interparliamentary Group (CAIL) Stéphane Bergeron (*he's not a chair or vice chair of this group, but i want to warn that stephane WILL argue with you, so call after hours if you are scared of confrontation 😭☠️) (450) 922-2562 / [email protected] Anthony House-father (Chair) (514) 283-0171 / [email protected] Randall Garrison (VC) (250) 405-6550 / [email protected] Marty Morantz (VC) (204) 984-6432 / [email protected] The Honourable Ya’ara Saks (VC) (416) 638-3700 / [email protected]
Embassy of Israel (613)567-6450 / FAX: 613-750-7555
DEMANDS
Summarized from resistance groups such as H/mas, H/zbollah, PFLP (Popular Front for the Liberation of Palestine), DFLP (Marxist Democratic Front got the Liberation of Palestine), CJPME (Canadians for justice and peace in the middle east), and other anti-war, anti-imperialist, IRL Palestinians.
Canada needs to...
Call an immediate PERMANENT ceasefire to end bloodshed
Send humanitarian aid to Gaza.
Institute embargo on all military exports to Israel
Close the embassies, and sanction Israel diplomatically and economically.
SCRIPTS
Use these as scripts for calling, emailing, and mailing. I suggest adding some of your own sentences and changing the subject lines (for email) so they don't end up in spam.
Example from Canada: Stop Arming Israel - World BEYOND War 
As we mourn the thousands of people in Israel and Palestine who have been killed in the past few weeks we refuse to stand by and allow the only true winners in war — the weapons manufacturers — to continue to arm and profit off of it.
Canada exported over $21 million in military goods to Israel in 2022, including over $3 million in bombs, torpedoes, missiles, and other explosives. - 2022 Exports of Military Goods 
Weapons companies across Canada are making a fortune off of the carnage in Gaza and the occupation of Palestine.
This is a call to action. It's time to stop letting these weapons companies profit off of the massacre of thousands of Palestinians. Find a location near you, get friends and allies together, and interrupt their business as usual to demand they stop selling arms and military technology to Israel.
Send an urgent message to demand Canada stop arming Israel and push for an immediate ceasefire to your Member of Parliament, the Prime Minister, and the Ministers of Foreign Affairs, International Trade, and Defense.
Dear [recipient's full name goes here], We are witnessing genocidal violence playing out in Gaza right now. Thousands of Palestinians have been killed, nearly half of them children. With a blockade on water, electricity, fuel and food, a quarter of all buildings razed to the ground, and over a million people displaced, UN experts have denounced Israel's actions as crimes against humanity. Meanwhile, weapons companies across Canada are arming -- and making a fortune off of -- the carnage in Gaza and the massacre of thousands of Palestinians by selling weapons and military technology to Israel. I am calling on you to do two things: to take immediate action to institute an arms embargo on Israel and to ensure Canada pushes for de-escalation and a ceasefire in Gaza. Sincerely,
Script Sample 2 from Palestinian Youth Movement
^This will open up a pre-written email in your chosen email app or site. Fill in the recipient line with the emails of MPs you wish to contact.
Script Sample 3 from CJPME's Email Campaign
^Complete the form to send an email to Prime Minister Trudeau, your local MP, and the leaders of the NDP, Convervatives and Greens. Canada must OPPOSE A SECOND NAKBA and dispossession of the Palestinians in Gaza by pushing for a ceasefire.
Script Sample 3 for mail:
(a mix of mine and a friend's)
I am writing to ask you to take immediate action to stop the genocide Israel is committing against Palestinians in Gaza as well as the onslaught of those in West Bank.
There is blockade on food, water, electricity, fuel, and the use of internationally banned white phosphorus to exterminate Palestinians. Aid is not able to enter Gaza because of this blockade. UN experts have named Israel’s actions as genocide citing numerous war crimes they continually commit.
While over 10k civilians have been martyr’d (4.2k of which are children), Canada has not even been able to NAME such crimes as genocide or call for an official ceasefire. This is not enough.
Canada needs to:
Call an immediate ceasefire to end bloodshed
Send humanitarian aid to Gaza.
Institute embargo on all military exports to Israel
Close the embassies, and sanction Israel diplomatically and economically.
FAX (NEW!)
Using faxzero.com is simple, just follow up the steps on the website. No fax machine required! Tell officials your demands and customize your letter by noting their complicity based on their role as a politician or gov official. Or keep it brief and simple, in large legible letters. 
Demands could include:
That you are a “Canadian” constituent That you are demanding an IMMEDIATE AND PERMANENT CEASEFIRE IN GAZA; That you demand a total withdrawal of financial (taxpayer) and commercial support and arms for continued occupation in Israel’s 70+ year occupation in Palestine; That it is shameful that [X] is choosing not to speak up for the deaths of more than 11,000 Palestinians, half of whom are children and thousands of others displaced; That Palestinians like all people, deserve life, dignity and justice; That Israel is breaking multiple international laws daily and Canada MUST meet its international commitment to promote and defend human rights under the Geneva Convention; That not putting these actions in place will harm constituents and undo acts of reconciliation with Indigenous peoples and other marginalized communities in Canada by not protecting the Indigenous peoples of Palestine; That unless there is concrete and everlasting action taken place, that there will be no peace until Palestine is free, and subsequently that you will not be voting for them (if applicable) in the next election.
Sign off with your name, address and postal code (if applicable, furthering that you are a resident on the stolen Indigenous lands otherwise known as “Canada”) Extended fax list: Scott thomson (president of scotiabank) - 416-866-5929 joe biden / whitehouse - 202-456-2461
(source: @/harlo.gif on IG)
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brotherconstant · 1 month
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GIFMAKING TUTORIAL: PHOTOPEA (for Windows)
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Screencapping
Gif Width/Size Limit/Ezgif
Loading Frames
Cropping and Resizing
Rasterize/Make Frames
Sharpening
Coloring (not detailed. Links to other tutorials included)
Exporting
Obligatory Mentions: @photopeablr ; @miwtual ; @benoitblanc ; @ashleysolsen Definitely check out these blogs for tips, tutorials and resources, they're a gold mine. Finally I recommend browsing the PHOTOPEA TUTORIAL / PHOTOPEA TUTORIAL GIF tags. DISCLAIMER: English is not my first language and I'm not an expert on what I'm going to discuss, so if anything's unclear feel free to drop another ask.
1. SCREENCAPPING -> PotPlayer (the one I use) or MVP or KMPlayer
INSTALL PotPlayer (tutorial)
Play your movie/episode and press Ctrl + G. The Consecutive Image Capturer window will pop up. Click Start to capture consecutive frames, Stop when you got what you needed.
Where it says "Image Type -> Format" I recommend picking PNG, for higher quality screencaps.
To access the folder where the screencaps are stored, type %appdata% in windows search, open the PotPlayerMini64 folder (or 32, depending on your system) and then the Capture folder. That's where you'll find your screencaps.
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Admittedly MVP is a lot faster but I prefer Potplayer because it generates (at least in my case) higher quality screencaps. MVP kind of alters the hue and it made it harder for me to color my gifs. Still, if you're interested in how to use it, I recommend this tutorial.
As for KMPlayer, every tutorial out there is outdated and I couldn't figure out the new version of the software.
2. GIF WIDTH/HEIGHT, SIZE LIMIT, EZGIF OPTMIZER
At this point you should already know how big your gifs are going to be. Remember the ideal gif width(s) on tumblr are 540 px / 268 px / 177 px. These specific numbers take into account the 4 px space between the gifs. No restrictions on height. Here are some examples:
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You can play around with the height (177x400, 177x540, 268x200, 268x268, 268x350, 268x400, 540x440, 540x500, 540x540 etc) but if you go over the 10 MB limit you'll either have to make your gifs smaller/delete some frames.
OR you can go on ezgif and optimize your gif, which is usually what I do. The quality might suffer a little, but I'm not really (that) obsessed with how crispy my gifs look, or I'd download photoshop.
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Depending on the gif size, you can decrease the compression level. I've never had to go over 35. It's better to start at 5 (minimum) and then go from there until you reach your desired ( <10mb) gif size. Now that I think about it I should have included this passage at the end of the tutorial, I guess I'll just mention it again.
3. LOAD YOUR FRAMES
File -> Open... -> Pick one of your screencaps. The first one, the last one, a random one. Doesn't matter. That's your Background.
File -> Open & Place -> Select all the frames (including the one you already loaded in the previous passage) you need for your gif and load them.
(I recommend creating a specific folder for the screencaps of each gif you're going to make.)
WARNING: When you Place your screencaps make sure the Crop tool is NOT selected, especially if you've already used it and the width/height values have been entered. It will mess things up - I don't know why, could be a bug.
You can either select them all with Ctrl+A or with the method I explained in the ask: "when you want to select more than one frame or all frames at once select the first one, then scroll to the bottom and, while pressing Shift, select the last one. this way ALL your frames will be selected".
WARNING: Depending on how fast your computer is / on your RAM, this process may take a while. My old computer was old and slow af, while my new one can load even a 100 frames relatively fast, all things considered. Even so, I recommend ALWAYS saving your work before loading new frames for a new gif, because photopea might crash unexpectedly. Just save your work as often as you can, even while coloring or before exporting. Trust me, I speak from experience.
Now you can go ahead and delete the Background at the bottom, you won't need it anymore.
4. CROPPING AND RESIZING
Right now your screencaps are still smart objects. Before rasterizing and converting to frames, you need to crop your gif.
Technically you can rasterize/convert to frames and then crop, BUT if you do it in that order photopea will automatically delete the cropped pixels, even if you don't select the "Delete Cropped Pixels" Option. Might be another bug, unclear. Basically, if you crop your gif and then realize you cropped a little too much to the left or the right, you can go ahead, select the Move Tool (shortcut: V) and, after selecting ALL YOUR FRAMES, move them around on your canvas until you are satisfied. You won't be able to do this if you rasterize first and then crop, the excess pixels will be deleted. I don't know why, I found out by accident lol.
CROPPING
(Cropped pixels: the gray/opaque area outside of the selected area. That area disappears once you press enter and crop, but the pixels are retained, so you can move the frames around and reposition them as you like. In this case I could move the frames to the left and include Silver's figure [curly guy in the foreground] in the crop)
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After deleting the Background, you will need to select all your frames (using the Shift key), use the C shortcut on your keyboard to choose the Crop tool. Or you can click on it, whatever's more convenient. Once you do that, a dropdown menu is going to appear. You need to select the "FIXED SIZE" option, as shown in the following screencap.
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Once you do that, you can type in your desired width and height. Do not immediately press enter.
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Your work area should now look like this. Now you can click on one of the white squares and enlarge the selected area until the edges are lined up. You can then move it around until it covers the area you wish to gif.
WARNING: to move the big rectangle around, you're gonna have to click on a random point of the work area, PREFERABLY not to close to the rectangle itself, or you might accidentally rotate it.
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See? When your cursor is close to the selected area it turns into this rotating tool. Move it away until it reverts to your usual cursor, then you can start moving the rectangle. Press Enter when you're satisfied with the area you selected.
RESIZE
This isn't always necessary (pretty much never in my case) - and it's a passage I often forget myself - but it's mentioned in most of the tutorials I came across over the years, so I'd be remiss if I didn't include it in mine. After cropping, you'll want to resize your image.
IMAGE -> Image Size...
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This window will pop up. Now, should the values in the Width and Height space be anything other than 540 and 400 (or the values you entered yourself, whatever they might be) you need to correct that. They've always been correct in my case, but again. Had to mention it.
5. RASTERIZE & MAKE FRAMES
Now that your screencaps are cropped, you can go ahead and convert them.
LAYER -> Rasterize (if you skip this passage you won't be able to Sharpen (or use any filter) on your frames at once. You'll have to Sharpen your frames one by one.
Photopea doesn't feature a timeline and it's not a video editor, which makes this passage crucial. When you select all your smart objects and try to apply a filter, the filter will only by applied to ONE frame. Once you rasterize your smart objects and make them into frames, you can select them all and sharpen them at once. Unfortunately this also means that you won't be able to - I don't know how to explain this properly so bear with me - use all smart filters/use them in the same way a photoshop user can. For example, you can sharpen / remove noise / add noise / unsharp mask... but you can't act on those filters in the same way a photoshop user can. When you work on smart objects you can change the blend mode - which is critical if you decide to use a filter like High Pass. If you simply apply a high pass filter on photopea you won't be able to change the blend mode and your gif will look like this (following screencaps). Or rather, you will be able to change the blend mode by clicking on the little wheel next to "High pass" (circled in green in the 2nd screencap), but you'll have to apply the filter to each frame manually, one by one.
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Then you can rasterize/make into frames, but it's extremely time consuming. I did it once or twice when I first started making gifs and it got old pretty soon haha.
Layer -> Animation -> Make frames. This passage will add "_a_" at the beginning of all your frames and it's what allows you to make a (moving) gif. As I said in the ask, if you skip this passage your gif will not move.
6. SHARPENING
Some people prefer to color first and sharpen later, but I found that sharpening filters (more or less) dramatically alter the aspect of your gif and already brighten it a bit (depending on your settings) and you may end up with an excessively bright gif.
Now, sharpening settings are not necessarily set in stone. The most popular ones are 500/0.4 + 10/10, which I use sometimes. But you may also need to take into account the quality of the files you're working with + the specific tv show you're giffing. I've been using different settings for pretty much every tv show I gif, especially in the last couple months. Some examples:
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followed by
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OR
AMOUNT: 500% RADIUS 0.3px followed by AMOUNT: 20% (or 10%) RADIUS 10px
You'll just need to experiment and see what works best for your gifs.
Some gifmakers use the UNSHARP MASK filter as well (I think it's pretty popular among photopea users?) but it makes my gifs look extra grainy, makes the borders look super bright and it clashes with my coloring method(s), so I use it rarely and with very moderate settings. Something like this:
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Again, depends on the gif and on what you like. I've seen it used with great results by other gifmakers!
REDUCE NOISE
Sometimes - and this is especially the case for dark scenes - your gif may look excessively grainy, depending on how bright you want to make it. Reducing noise can help. Keep it mind, it can also make it worse and mess up the quality. BUT it also reduces the size of your gif. Obviously, the higher the settings, the more quality will suffer.
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These are my standard settings (either 2/70% or 2/80%). It's almost imperceptible, but it helps with some of the trickier scenes.
ADDING NOISE
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Adding noise (1% or 2% max) can sometimes help with quality (or make it worse, just like reduce noise) but it will make your gif so so so much bigger, and occasionally damage the frames, which means you won't be able to load your gif on tumblr, so I rarely use it.
You'll also want to create ACTIONS which will allow you to sharpen your gifs much faster.
HOW TO CREATE AN ACTION ON PHOTOPEA
The Action Button (shaped like a Play button as you can see in the following screencaps) may not be there if you're using photopea for the first time. If that's the case click on the magnifiying glass next to "Account" (in red) and type "actions". Press Enter and the button should immediately show up.
Once you do that, click on the Folder (circled in yellow)
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and rename it however you like.
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now click on New Action (circled in red). now you can press the Recording button (circled in green)
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Now
FILTERS -> Smart Sharpen
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and you can enter your values. Then you repeat this passage (WITHOUT pressing rec, WITHOUT pressing new action or anything else, you just open the smart shapen window again) and, if you want, you can sharpen your gif some more (10%, 10px, or anything you want.)
Maybe, before creating an action, experiment with the settings first and see what works best.
When you're satisfied, you can PRESS STOP (it's the rec button, which is now a square) and you can DOWNLOAD your action (downwards facing arrow, the last button next to the bin. Sorry, forgot to circle it) .
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You need to download your action and then upload it on your photopea. When you do, a window will pop up and photopea will ask you whether you wish to load the action every time you open the program. You choose "Okay" and the action will be loaded in the storage.
When you want to sharpen your gif, you select all your frames, then you click on the Play button, and select the Action, NOT the folder, or it won't work.
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Actions can also be created to more rapidly crop and convert your frames, but it doesn't always work on photopea (for me at least). The process is exactly the same, except once you start recording you 1) crop your gif as explained in step 4, 2) convert into frames. Then you stop the recording and download the action and upload it. This won't work for the Rasterize step by the way. Just the Animation -> Make Frame step.
7. COLORING
Now you can color your gif. I won't include a coloring tutorial simply because I use a different method for every tv show I gif for. You normally want to begin with a brightness or a curve layer, but sometimes I start with a Channel Mixer layer to immediately get rid of yellow/green filters (there's a tutorial for this particular tool which you will find in the list I mention in the link below)
[Plus I'm not really an authority on this matter as my method is generally... fuck around and find out. Two years of coloring and I still have no idea what I'm doing. 70% of the time.]
Simple Gif Coloring for Beginners -> very detailed + it includes a pretty handy list of tutorials at the bottom.
8. EXPORTING
Now you can export your gif. Some gifmakers export their (sharpened) gifs BEFORE coloring and then load the gifs on photopea to color them. I'm not sure it makes any difference.
FILE -> EXPORT AS -> GIF
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(not colored, just sharpened)
As you can see, unlike photoshop the exporting settings are pretty thread bare. The only option available is dither - it sometimes help with color banding - which, and I'm quoting from google for maximum clarity:
"refers to the method of simulating colors not available in the color display system of your computer. A higher dithering percentage creates the appearance of more colors and more detail in an image, but can also increase the file size."
SPEED
When you export your gif, it will play at a very decreased speed (100%). I usually set it at 180/190%, but as for every other tool, you might want to play around a little bit.
GIF SIZE/EZGIF OPTIMIZER (See Step 2)
And that's it.
P.S.: worth repeating
Save your work as often as you can, even while coloring or before exporting.
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wip · 9 months
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just how many official tumblr blogs are there? i just recently found out that this one and changes exists which seems less than ideal
Hey, @limelocked!
Great question! We have, we hope, a great answer for you. First up is a comprehensive list of all of current active staff blogs.
You can find ’em by simply searching each name, + @, in the search bar. (i.e., @action)
@action: Highlighting Tumblr’s long-standing social justice priorities of racial justice, mental health, equality, and beyond.
@art Exploring and featuring original artists on Tumblr.
@artistalley: Supporting local artists on Tumblr by buying directly from their storefronts.
@artistpicks: Monthly curated experience by artists and creators on Tumblr.
@best-of-reblogs: A curated collection of some of the best reblog threads on Tumblr.
@bigweekon: Tumblr’s beloved podcast highlighting recent trends, memes, and more.
@blackexcellence: A showcase of things all Black, all excellent, past and present—literature, fashion, music, historical spotlights, and beyond.
@books: Exclusive interviews and curated content from authors, publishers, and book fans.
@changes: Your go-to for new Tumblr launches, bug fixes, and updates on platform.
@creatrs: A network that connects artists, makers, and builders with brands.
@emporium: The Official Blog of the Tumblr Shop™, run by Brick Whartley back from the Island.
@entertainment: Exclusive content and features from across TV, film, and streaming.
@engineering: Behind-the-scenes work on how Tumblr engineers build Tumblr.
@fandom: Home of Fandometrics, Tumblr’s weekly ranking of entertainment properties.
@fashion: Runways to streetwear and every style in between.
@featured: Featuring exclusive content from Tumblr’s many good, good blogs.
@gaming: Exclusive and curated content across mainstream and indie games.
@getloudr An in-kind ad donation program dedicated to amplifying marginalized voices.
@happytuesday: A blog dedicated to all our Tumblr Tuesdays, posts featuring users based on a weekly theme.
@humans: A blog we use so we can reply in the notes of various posts.
@kpop: Exclusive content and a curated experience of K-Pop on Tumblr.
@labs: A way for engineers at Tumblr to experiment in public.
@music: Exclusive content and features on all your favorite musical artists.
@postitforward: Supporting the community with resources for mental health, self-care, and wellness.
@prideplus: Your home for all things LGBTQIA+ on Tumblr.
@radar: Sharing four pieces of original posts from Tumblr artists per day, hand-curated by our team from across the globe.
@staff: The ultimate source for big news, platform updates, and everything that makes Tumblr, Tumblr.
@support: News, tips, and nerdy details from Tumblr Support.
@tee: A blog from your friendly neighborhood Tumblr user, Tee.
@todayontumblr: Daily curated content around trending topics on Tumblr.
@wip: Dedicated to feedback and questions from Tumblr users to Tumblr staff.
There’s more. For our global audiences, you can find all the localized Staff blogs. They’re linked here!
We also have a carousel in the feed somewhere called “Official Blogs,” but it might be that we need to make that more obvious or provide a dedicated feed or page somewhere.
Leave that last point with us, but we hope that helps! Thanks for your question, and have a good day.
(And a tip of the hat to you, @lizzieonka! Consider them tagged)
Best,
—Caragh, Cates, and Cyle
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hiddenhearthwitch · 3 months
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📚 Small Intro To Polytheism📚
One of the most frequent asks I receive is how and where to get started when it comes to polytheism. This is a fairly broad subject and I’ll try to be as general as I can for advice but I will include specific references for Norse polytheists as that’s my shit. This information can be used to help you find a pantheon or to help you pick deities to work with it. If you’d like to use it to pick a patron deity that’s super, if you want to worship 20 gods and not have a patron deity that’s cool too. You do you dude. Please keep in mind this is all reflective of my research and personal practice. 🌻
Picking A Pantheon/Deity
This really boils down to personal preference. You’ll read a lot of posts and books that tell you many different ways and it’s entirely up to you because it is your practice.  That being said, there’s a couple of different ways to go about it. 
Research! This is one of my favorite ways to delve in. There’s absolutely nothing wrong with reading the stories of multiple pantheons and picking on that calls to you. You can also talk to other devotees and see what they have to say about deities and their religions. It is important to keep in mind that some religions are closed so please do proper research!
For example, I wasn’t originally a Norse pagan. I read some stories and thought the Hellenic pantheon would best suit me. I reached out to Eros for a while but after feeling no real connection to the pantheon I continued my research! After reading up on the Norse pantheon I decided to reach out to them out. Obviously, I fucking loved it because here I am. Point being, you can pick a pantheon based on research and not some divine message or whatever. You are also more than welcome to try out a religion, decide it doesn’t suit you, and move on. 
Divination! You can use runes, a pendulum, tarot, etc.This can go a few different ways. You can write pantheon/deity names on separate pieces of paper, mix them up, and place them face down then ask the pendulum to pick. You can assign a deity/pantheon to each suit of cards or major arcana card or even do the same thing with runes. 
For example, this is how I found a devotion to Frigg and Hel. I asked if there were any deities who were interested in working with me and pulled the runes Hagalaz and Berkana which read as Hel and Frigg to me. I followed up with tarot cards and pulled Death(Hel) plus the Queen of Pentacles(Frigg).
Asking/waiting for a sign. This isn’t something I’ve personally done so I don’t have much to say on the subject. You can go about meditating, praying, doing a ritual, or whatever and essentially wait for a sign after. It can come via a dream, something you experience, symbols you see in your daily life, it’s pretty much up to your intuition to decipher it. If anyone has information they’d like me to add in here please let me know!
If there’s a god you’re curious about and don’t want to do any of the above it’s totally cool to just reach out and ask if they want to work with you. 
Idk How To Research
Same, tbh my keyword search game is weak. Anyways, good portion of us are looking up dead religions with little reliable resources. To give those curious about the Norse an easy head start here’s a compiled list of  books by yours truly(click me!!) . It’s important to take everything with a grain a salt of salt when doing research. In my experience a lot of the retold Norse sagas have been Christianized or written under heavy Wiccan influences. It’s a good idea to do research on the author before reading one of their books.
Other blogs! There are tons of great witches and pagans on tumblr that have information waiting for you. 💗 You can search their blog/tags for good references for books, websites, podcasts, etc. Plus lots of blogs are open to answer asks. If you don’t know where to start for searching it’s best to try things based around your interest like: “norse polytheist”, “hellenic witch”, “gaelic polytheism”, etc.
Media! How lucky are we that we live in the age of technology? Knowledge is right at our fingertips! There are countless documentaries, podcasts, and audiobooks on youtube full of information for different cultures and religions. I’d personally recommend almost anything by BBC, Myths & Legends, and World Mythology!
Books! I love starting on goodreads to find good books and trust worthy authors. They’ve had almost every book I looked up with bunches of different reviews so you can get varying perspectives. Check out your local library as well! A lot of city libraries have online databases now of all of their books so you can “check it out” online and read the PDF(personal fave). 
Feeling Lost Still?
That’s completely reasonable and your feelings are more than valid. It can be overwhelming and lot of information to soak up. Just do your best and take it at your own pace, there’s no rush to find a deity or pantheon. 💞 Below are a few other general concerns I hear a lot that I was hoping to address.
“I’m leaving a monotheistic(Christian, Catholic, Jewish, etc) religion and it’s giving me anxiety.” This is entirely common and almost expected in my opinion. I was raised Roman Catholic and my first year to two looking into polytheism riddled me with anxiety. I was constantly concerned that god would smite me down or I’d face an eternity in hell for worshiping false gods. While I can’t speak for everyone that fear was entirely erased for me when I found my gods. I’ve never felt so safe and strong and hopefully with time you can find the same in your gods!
It’s okay to want to learn more or to seek something more. I can’t tell you how to handle your anxiety but please know you’re not alone in that fear. There’s whole communities out there willing to support you and help you find your safe space(including me)!
“What’s UPG?” You’ll see a lot of posts, mine included, that mention UPG - UPG is Unverified Personal Gnosis. This is essentially someone’s personal thoughts and beliefs about a deity. For example, I associate Sif with hazelnuts. There’s nothing in the lore or any book that says that she likes hazelnuts; that’s just a personal opinion(aka a UPG).
“How do I reach out to the gods?” I have a lot of information on my blog about this topic although a lot of it is Norse specific. You can check out my beginner polytheist tag here and my beginner norse post/ask here.
Altar! This is my go to typically. Altars aren’t limited to the cookie cutter image that comes to mind(no hate though I have a few); one thing you can make a side blog dedicated to your pantheon/deity, make a small one in a tin can, or even make one in a video game like Minecraft or some shit. You can be as creative or as to the book as you want. It’s up to you.
Prayer! You can totally just sit down and be like, “Hey man wanna work on some shit together?”. While I’m not 100% that all gods would be down with you being that casual it’s still something you can try.😂 You can reach out to them by sitting down in a quiet space and meditating into prayer, praying in the car or in the shower, or just pray at the altar you set up if you did. Again, I can not reiterate this enough, it’s your practice, reach out to them as you please.
Do something personal! This is more like devotional work in my opinion. Let’s say you knit and you want to reach out to a creative or domestic deity, you can knit something as a devotional act to them and as a way to reach out. For example I pick up litter in honor of the Vanir and Jörð, or I play Skyrim for Thor and Týr.
Most importantly just be honest and up front with the god that you’re reaching out too. Considering that statement be honest with yourself as well. There’s no point going into a relationship with a god if you can’t be upfront, it’ll end up in nothing but grief.
“Can deities reach out through gods/signs?” They totally can. However, it is up to you and your intuition if a deity has and it’s not likely another witch will decipher that for you. Sounds, experiences, images, all have different meanings to each of us - they may show you something that’s very personal to you but would be mundane to someone else. Trust your instincts. However, please remember that not everything is magical, sometimes a raven is just a raven and not Odin.
✨Take everything you learn with a grain of salt. Including this post.✨
Patreon | Shop | Instagram
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ds30below · 3 months
Text
30 Below: resources & AO3 collection
First things first: here's the AO3 collection for all your future fanworks! Yay!
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Now, some links to get you started.
🐢Where can I watch due South?
Well, we're all in luck — it's on youtube!
There's also Slings and Arrows and Hard Core Logo, both great—but not only—points to get into Canadian 6 Degrees. You can DM this blog, flownwrong on DW or emotionalrisotto on Discord for a better quality rip of HCL, or something more obscure ;)
🐢Are there transcripts?
Why, yes, there are — wonderful and detailed, on Dreamwidth and AO3. Courtesy of @agentreynard!
🐢Where do I look for history and discovery?
@juniperpomegranate's lists of Livejournal and Dreamwidth DSC6D communities are an endless rabbithole of joy (note that some of them are alive on DW, pop in to see what's up!)
LJC's due South page is just one example of many, many fansites of yore. This one is still up, offers lots to see, and links to many other fansites (see: Wayback Machine)
Fanlore. Linking categories, not just fandom articles, because there's a lot more: due South | Canadian 6 Degrees.
Official site, archived. Honestly, this one is just cute. This is a link to a random snapshot — if it doesn't work, see below.
You'll have to deal with a lot of broken links. Most often, Wayback Machine has your back: paste the link into the search bar and click around on the timeline until you find a working snapshot!
These links are just a few ideas, and mostly concern the online era of dS fandom — please feel free to share your own suggestions.
Otherwise — just pick a link and go from there. Use whatever you find as inspiration. You'll likely see something I didn't and do something I haven't thought of. That's the point. Enjoy!
🐢fest info
🐢themes & prompts
🐢navigation
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avoxrising · 5 months
Text
The Feral One • Ch 25
Finnick x Y/N
Series Masterlist Link
The angst is real lol
Content Warnings - blood/injury
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Finnick watches as your bloodied body collapses into a heap at the base of the ladder. Maybe if he tells himself it’s just the sedative doing it’s job then you’ll be fine. Maybe you’ll be ok.
Gale hops back down to help Finnick pull you up to the rest of the squad. Everyone who made it up the ladder seems relatively fine, minus some fresh trauma and minor flesh wounds. You, however, looked more dead than alive.
Finnick’s fingers brush your neck as he feels for a pulse.
“It’s faint but it’s there,” he tells the group, trying to keep himself together. “I’ll carry her.”
Squad 451 exits the sewers, following Cressida to the shop of a woman named Tigris. She leads them to the basement where they can hide out for awhile.
“Have you ever seen this before?” Finnick asks the cat-like woman, referring to the inky nature of your body.
“Hmmm,” the feline purrs. “It looks familiar but I can’t quite put my paw on it. It reminds me of an experiment one of the former game makers used to do on animals but I’ve never seen it in a human before.”
“Do you know what the experiment was?” Finnick asks.
“No,” she hisses. “I only saw the creatures once. My cousin worked with that game maker but he wouldn’t willingly divulge that information to anyone, and certainly not to you.”
“How do we help her?” Katniss asks, looking at your limp form.
“You win this war,” she tells the two victors, slinking her way back upstairs.
Finnick doesn’t sleep a wink, constantly checking your pulse to make sure you are still with him. Katniss used what limited supplies the group had to clean, stitch, and bandage your wounds but she couldn’t do anything about the internal damage using the resources available.
Your fever was gone, signaling to Katniss that the substance had stopped its spread for now. Maybe you bled enough of it out. She could tell, however, that your sleep was not a result of her arrow, but of wounds she couldn’t see.
“Get some rest,” she instructs Finnick. “I’ll watch her.”
The look he gives tells her exactly what his fear is. He can’t lose you.
“If anything happens I’ll wake you,” she assures him.
By morning, nothing had changed. You hadn’t gotten better but you also hadn’t gotten worse.
Snow made an announcement that refugees were being welcomed at the mansion and Katniss made her decision, she had to end this.
The group decided that Katniss and Gale would head out first, followed by the able bodied members of the squad. Peeta and Finnick stayed back with you, unable to stomach the idea of more bloodshed.
After they were dressed in capital disguises, the group began trickling out to join the masses making their way to promised safety.
Katniss had left Finnick the holo in case he needed to be out on the streets. He wanted to carry you to the nearest medical camp but Katniss said you needed to stay put due to all your stitches. She promised to send medics when she could but Finnick was growing impatient.
It was too risky to try and radio for help. If the signal was tracked to your location then you would be swarmed instantly. Finnick had to think of another solution.
“I’ll go find help,” Peeta states.
“No it’s too dangerous,” Finnick shakes his head.
They younger victor doesn’t have time to debate as the building is shook by a nearby explosion. Screams could be heard from the street above and a few bits of plaster fall from the basement ceiling.
“We need to move her,” Finnick states. “Grab a blanket!”
The men wrap your body up in a blanket, hoping it would cushion your stitches enough to move you. They then quickly pull on some capital clothes and venture out onto the street.
People are laying dead everywhere as smoke fills the air. Parents are screaming for their children as they search the rubble and debris.
“I think we should go that way,” Peeta states, pointing away from the chaos. He grips the holo tightly and leads Finnick through a series of alleyways.
Finnick hears a pained moan as you stir in his arms.
“Shhh stay still,” he tells you. “I’m bringing you to medical.”
Your restless bouts continue as the duo of victors makes their way towards the closest known medical station. They make it about halfway when Finnick feels his hand getting wet.
“The stitches,” he mutters as he looks at the blood coating his hand.
“Peeta!” he calls, no longer worried about being recognized. Peeta turns to see the blood seeping through the blanket and makes his decision.
“Stay here with her,” he states. “I’ll go get help.”
Finnick gives the boy a nod before he runs off to find help. He sets you down on the pavement and slowly unwraps the blanket.
One of the gashes in your side had reopened, gushing blood at an alarming rate. Finnick rips a piece of the blanket off to put over the wound, hoping to slow the bleeding.
“Hey,” he says as he notices your eyes opening. “Don’t move.”
“It hurts,” you groan.
“I know love,” Finnick sighs. “Stay with me, ok. Help will be here soon.”
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millerscoffee · 11 months
Text
dancing is a dangerous game | part one
you're a bandit like me, eyes full of stars.
5.5k | joel miller x f!reader
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masterlist
rating: 18+ MDNI
tw: brief mentions of using your body for trading purposes, you shoot at joel miller????, light dub-con but that goes away quickly
warnings: post-outbreak au. no ellie. angsty smut, semi-dom!reader and dom!joel so that's fun, power struggle, age gap (joel is 56, reader is late 20s or early 30s), enemies to lovers, voyeurism (f watching m), masturbation (m and f), pet names/degrading names (baby, honey, darlin', brat, bitch, slut, etc.), dirty talk, choking, oral (m receiving), fingering, spanking, p in v (unprotected - wrap it up folks), joel is mean but not unkind. no use of y/n.
summary: inspired by "cowboy by me" by our lord and savior taylor swift. this is a post-outbreak world and joel has his own land. think bill, but a little less... deranged. kind of. you essentially are a raider, but make it fashion. when you stalk joel's cabin for the third day, that's when you get interrogated by none other than joel miller himself.
A/N: hi, i'm bee! this is my first fic on tumblr, and my first stab at this whole stratosphere. longtime listener; first time caller 💅. i was ALSO inspired by an ask i saw on @swiftispunk's page (hi! i love your writing sm??) and kinda just... ran with it. i honestly wasn't anticipating writing stuff during the outbreak, so i apologise if it's not quite right. imagine me living during that time with a tube of lipgloss and one (1) bullet in my pocket just in case. this... may be a series. i don't know yet. see ya! enjoy!!!
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The first time you meet Joel Miller is down the barrel of your gun.
You can hear your father's voice telling you 'Back out, girl. Don't get too big for your britches.' Look where that got him. His ashes against your chest in a makeshift pendant necklace, buried by your clothes.
Still, you listen.
"It don't have to be like this," you drawl with index over the trigger guard. You've heard of him. Joel Miller. He's notorious, and even though you've kept to yourself most of your life, his name still roamed throughout the abandoned towns you passed. Someone always owed him, and he always owed somebody.
Your dad would've been older than him, but not by much. You knew of the world before this, was just a little thing. Still, you heard stories undulate from your father's southern voice that mostly left you bored on long days searching for food or shelter. You'd give anything to hear them now.
Part of you died when he did.
You were young when the outbreak happened. Resourceful, your father made it work in raising you. Taught you how to fend for yourself, rely on no one. Which was no easy feat considering how unbelievably stubborn you were. Were? Are.
Maybe he loved you. Maybe it was the chip on his shoulder. The kind of anguish that comes from not being able to give your mother the same kind of life. A promise to her.
Yes, you were young when the outbreak happened, but flashbacks of her getting attacked by a clicker burn you alive at night.
"Y'er on my land." A gruff voice calls you back to reality. Few words for someone who held your life in his hands. His own gun pointing back at you. Of course it would be.
"I was just passin' through." The lie flies through your teeth. You had been circling the place from a reasonable distance for a few days now. Scoping out when this man in front of you was his busiest, when he patrolled, when he slept. This was a heist situation, no doubt about it.
"Bullshit. This s'the third fuckin' time I seen you 'round here. And it's y'er last."
Shit. Fucking shit.
Your eyes dart to the side, really trying to pattern a plan in escaping but your breathing would say otherwise as calm and collected as it was.
In any other situation, you wouldn't be so willing to comply, but considering he's got you cornered and his gun is quite literally cocked and ready to go – you're not exactly in the position to make hasty decisions.
Goddammit if there wasn't something about him that made you nervous.
"Listen. Just was lookin' for somewhere to sleep. It's fuckin' cold and your stables look warm." Your head tilts in the direction of a lone horse's home in a bed of hay, and you're not fully lying. It's not that you have set up camp by any means, but you've noticed.
"We could trade. You give me y'er ammo, and I g–"
"You give me your cock, I get it. You really could be more original." You were used to this. Bartering, some might call it. Living out here on your own was dangerous, and running into men who wanted to use your body in order to get supplies wasn't that uncommon. If they were that kind, even. You'd heard the horror stories.
Albeit, most of these men met your gun in the end. Enabling you acquire their supplies, keep all yours, and your dignity. Win/win.
"...I give you the pleasure of livin' another day. Really? Y'think it's that easy?"
There was something in the way Joel says this that makes you grateful for the jacket you're wearing. Goosebumps prickle your skin, bile creeping up your throat and you will it back down again. Y'think it's that easy? As if he thought you wanted it.
If circumstances were different, you'd be rubbing the crimson off your cheeks. Flashing him a sheepish grin in an attempt to resolve whatever misunderstanding there was... but this wasn't the environment to elicit such conversation.
And you weren't that type of person to begin with.
Instead, your index sweeps from guard to trigger when you fire off at his leg. Hasty decisions be damned. You're quicker than him, so why're you tryin' to save him? You're a 'shoot to kill' type of person, and as the bullet grazes past his calf – part of you wishes you had.
Because not only did your bullet not make contact, Joel gets worse. You two lock eyes. His rifle is thrown over his shoulder as he grunts and walks perfectly fine over to you – despite the way his eyebrows knit together, jaw ticked. Was that a grin? Do something, anything – run.
Joel grips the nape of your neck, and you yelp in surprise.
Who the fuck does this man think he is?
His large hand eclipses your wrist as he maneuvers the gun from your hand. The action makes you writhe in pain, and it sends a shiver down your spine to know he's only using an ounce of his power.
You dig your elbow into his ribs despite him stronger than you. Stomping, kicking, punching anything you can find.
"What the fu–"
"Little girl, you picked the wrong one." His breath edges at the shell of your ear, and every sign should be pointing for you to hate this, but it almost feels familiar. Like yourself. It's only then when you worry.
---
You don't realise it, but Joel is pushing you inside his cabin. Keeping your head in direction of the ground, thud of the door heard somewhere behind you.
"You want to be treated like a big girl? Get these fuckin' pants off."
"What... what? No I'm fuckin' not–"
Joel chews up the space between you when he pushes you to the nearest wall. Your back at his chest, a cheek flush against the cabin's support.
Pine, tobacco, and whiskey fill your senses and you bite back the urge to whimper. He wouldn't see you like that.
"You're not? That why you were watchin' me jerk off last night? 'Cuz you don't wanna give it up?"
That alone makes blood creep up your neck and spill over your cheeks. You have to squeeze your legs together to quell the ache.
It was lonely on your own.
Most nights were spent half asleep on a cold, hard surface. Tired and hungry more days than not. You don't remember the last time you got a hot meal, much less been touched. So when you heard Joel's low grunts coming from the window (a window from a cabin you don't know quite yet that he built with his own hands) you become intrigued.
It's in this moment you're certain it must have been the rustling of branches just outside his room. You remember it happening last night, cursing to yourself for making noise. His fist stalled around the girth of his fat cock before spilling his seed over his stomach. As if that is what caused him to come.
It makes sense now, and it equally causes you to become dizzy and filled with rage. You bite your bottom lip, unable to think of a response.
"Mouthy thing ain't got much to say now. Now c'mon. I ain't taking these off you, doin' it y'erself." More of a warning, Joel lets up on his grip on you, but you're defenseless. No weapons, no pack. He's got your world in his hands.
With the newly found space between the two of you, you turn around – back of your head against the wall as your eyes find the other set for, perhaps, the first time. And they're deep. Deeper than you were aware of. Dark, impossibly round. Wrinkles reside on the sides of them, and if you knew any better, you wouldn't admit they were doing something to you.
But not only are you stubborn, you're too forthright to beat around the bush.
"I shot at you, and you want my cunt? You must be lonelier than I a–"
"Now."
Your words don't match your actions as your hands fall by your sides. Fingers play with zipper of your old, faded jeans that have seen better days.
You can't help but snicker an awkward laugh from how he's just watching you. Insecurities rise when you realise you're not laughing at him, but more his eyes on you. How intense it feels suddenly. He wants this. Wants you.
His eyes draw impatiently, broad frame leaning against the opposite wall, arms crossed.
"Ain't got all day. Still considerin' your death."
His arms. Bulging through the fabric of his shirt, his body was built in a way that you could tell he worked with his hands... maybe in his past life, too. Throat dry, you shimmy out of your pants until you're left in your cotton panties.
Ones that you are becoming more aware the condition of. A small pool of wetness forming at the core of you clings to the fabric.
"Top, too."
Is that? It is. Your eyes wander down to see the growing bulge in Joel's pants. Not even the hem of his flannel could hide it. Sure, you'd seen it in its full form the night before, but that was with distance and without the heat rising between the two of you.
You bite your lip without hesitation, pulling the layers of jacket and a handful of tops onto the ground until you're bare. The cool air passes over your nipples and wills them into stiff peaks.
"Ain't you somethin', baby."
That's the first time Joel Miller draws a shaky exhale out of you. All from a single sentence.
When Joel steps over to you, that calm and collected breath is nowhere to be found. Your chest rises and falls at a random pattern, feeling more and more naked by the second as his clothes are completely kept on his body. A purposeful tactic.
He bends down to collect your clothes along with everything else that yours, and you are truly at his will. So busy on the precipice of pleasure that you don't even think about trying to get away.
"Stay."
"Ain't a dog." You glare, standing with your legs brushing together.
"Then quit actin' like a bitch. And quit movin', I'm gettin' to you."
It shuts you up quick, jaw snapping shut. You're certain if he told that to anyone else they'd be reduced to tears, but you can take it. It coils a heat inside the pit of your stomach that you've never felt. Causes your clit to feel as if it's on fire from the need to touch it.
Joel turns on his heel to walk away and it's as if you're able to breathe fresh air from the humidity he brings. You notice he's putting your things and his rifle away on his kitchen counter before coming back to you. He must really trust his ability to keep everything out like that.
Then again, have you even moved in the last five minutes?
The last thing he is, is worried.
You're able to look around, if only for a moment. Though, is it really looking? Your adrenaline is pumping, pupils blown from the fact that not only are you in the house you'd been stalking... you're about to fuck the man in it. And you almost tried to kill him. You definitely didn't miss on purpose. Couldn't have.
All the same, the cabin was nice, and you could take in briefly the light wood – old and weathered. A record player in the corner beside a guitar. This stuff could get you a lot in return, but for whatever reason that doesn't even cross your mind. Maybe your heart beating in your ears is a handy distraction to keep you walking the line.
Your eyes track the rugged man instead.
---
"Here's how this is gonna go," he announces, coming back to you and not phased that you haven't moved a muscle. "You are gonna take your ass over there on the couch. You're gonna make me come, then you're gonna go. Understand?"
"Well... I guess it is that easy."
Your bratty mouth getting you in trouble again. As if you're in the position to say anything. Naked as you are.
---
Joel's jaw ticks forward in a way that makes you feel fear, yet there's a direct correlation between it and the slick gathering between your folds. The same wide hand that gripped the nape of your neck wraps around the front of your throat while he pushes you against the wall, and your shoulders slump – all but folding instantly.
His mouth is inches from yours, forcing you to look him in the eyes.
"Listen here. I've been real kind to you. Coulda killed ya day one, tryin' to steal my shit like that. Was gonna be real kind in where I fucked ya, too. Now we're gonna fix that mouth a'yours and fast. Knees. Now." You soon come to know this isn't a suggestion. It's not even a warning. It is what's happening.
It's in the way Joel's hands guide you down onto your knees. He goes for his belt and you hear and see that distinct clang of metal untangle before your very senses. Your mouth waters instantly, teetering into fully giving into this struggle of power.
Joel's hands are calloused. You can tell he takes care of them, but that doesn't hide the wear and tear. Specifically on his fingertips. They grip your jaw roughly, and you choke back a moan as your mouth hangs open pliantly from this. Every nerve ending buzzing to be touched.
"Where'd that bratty girl go, huh? You done bein' big and bad – wanna be a slut, don’tcha?"
Your eyelash splay along your cheeks as you nod, and you feel his grip tighten, tugging your chin up higher.
"Look at me. You want this cock? I need your words. Tell me you wanna be a slut."
You're not sure when it happens, but hot tears run down your cheeks as everything comes to a head. Your body is trembling with raw desire right at your fingertips, just within reach. You can't hold back anymore, it physically hurts to.
"I wanna be a slut for this cock... please."
"Fuck, even a please. Oughta eat you out for that, sugar. Maybe next time."
Your brain is swimming at the thought. Next time?
With his free hand, Joel sets his cock free from his jeans, giving a satisfying smack to his abdomen quickly. No need for another piece of fabric keeping him from getting what he wants as you soon take note he isn't wearing boxers.
There's no denying what you're met with as you get to view it from this close. Joel Miller has a pretty cock. There's a soft, but bulging vein on the underside to match how big and thick it is. The rosy tip greets you, and it's the first time you get to see how much you've turned him on.
Your mouth is drooling while it's pried open and meets the tip of him. A moan from you is instantaneous, yet feels so distant from yourself, it doesn't affect you until much later. The taste of his precum coats your tongue as he slips past your lips and it's all you can experience. Your moans slip in and out of the sloshing sounds of your mouth. Keeping your hands by your sides, you don't tempt to touch him in fear he would pull away, so instead you twirl your tongue around his leaking head. Bob your head up and down in a slow, but sultry rhythm that causes him curse under his breath. He's not stoic above you, he's reacting.
He's clawing for every last bit of the upper hand.
"S'a lot, innit, babygirl? That's alright, you can take it." It's then you can sense Joel's guard slipping. Could be the fact that your mouth is suctioned perfectly around the length of his cock, but his voice gets damn sweeter the longer you go like this. His hips also have no problem in thrusting shallowly every now and then to knock the drool off of your dripping chin.
Even if you could form a thought, you don't know you would.
His fingers tangle in your hair, pulling it out of your face as you maintain eye contact. Intuitive in your approach, he told you to look at him earlier, so maybe he likes it? The groans filling the room lead you to believe you are correct. It feels so removed from who you were moments before: snickering because his gaze felt intimidating. Now, his pupils are blown as they pour into yours and his neck hangs back when your mouth makes those pretty, sloppy popping noises – testing your gag reflexes as you will them to relax.
It's way more intimate than anything you've ever done with anyone you've ever been with, and this stranger is pulling it out of you. Within the mess your brain is in, you remind yourself if you want to stop you can, and not a bit of you does.
The hot tears that were once down your cheeks swell in your eyes once more, but this time from the sheer size of him. You moan vibration after vibration against him, shifting and pushing your cunt against your calf, thigh – anything to feel some sort of friction.
He lets out a growl when he notices you, "Honey, if it's that bad, touch yourself." If your cheeks weren't red before, they are now.
It's him calling you out, slight embarrassingly, but not letting up with his hips. It's the way the embarrassment builds the fire in the pit of your belly. It's your hand pushing inside your panties at the sound of his command. And it's you practically choking on his cock from the gasp you let out through your nose – stunned at how wet you are.
Your fingertips barely brush over your clit when you notice the slick collecting, bubbling right at the very top of your slit and slutty moans fall out of you. Your eyelids droop as you try to keep your gaze up to Joel, but the way your fingertips roll over the hood of your clit in satisfying circles sends you over the edge way quicker than you anticipate.
"Shit, baby. Just like that. You filthy thing, can't hold off another minute longer, can ya? Need it right fuckin' now."
The sound of Joel's deep voice looms overhead as you come completely undone.
Unable to stop yourself, the suction on his cock pops free for a moment. Your moans hitting the air as your eyes roll back. Your body rushing to find each wave of pleasure roll off your back. Joel's cock still nestled in your mouth, but his hips still. "Goddamn, look at that little slut come out. Such a needy fuckin' kitten."
When Joel makes sure you've ridden it out, he pulls his cock from your mouth. Your body feels weak despite how eager your mind is now, face-to-face with Joel's cock, you watch as his scarred hand glides your saliva over his length entirely. It puts you in a trance, quickly getting out of it when he taps his cock against your cheek. "Pretty kitten want this? C'mon."
If your moans felt foreign to you, you don't even know what to do with yourself at the twinge of a grin that spreads on your face. The sheer audacity of his taps right against your fucking cheek. Orgasm-drunk, you shuffle to your feet and Joel has no problem in tossing you – finally – to the couch.
Your back is to him while the front of your body brackets the width of his couch, arms hunched over the back of it, knees dig into the cushions. You're grateful for the lack of eye contact in this position as it gives you a moment to press your face into your bicep, an attempt to collect yourself. But all of it obsolete when you sense Joel's presence at your ass.
His body heat unmistakable to miss. You bite at your own skin, neck craning to behind you to watch him.
"Shit, darlin', look at you. Ass up like this like y'er in fuckin' heat for me." You whine at the fact his clothes are still mostly on, and you know he must be sweating underneath them, but he won't give it to you like that. Not yet, 'maybe next time'. "You know I can't go any further 'til you get a spankin'. Need to be punished for tryin' to hurt me like that. For tryin' to take my things. Ain't right. Need you to learn your lesson."
Where are you? A part of you knows this is a tactic. That Joel is lulling you into a position you can't say no to. It already shows itself in how you're splayed on his couch. Yet, you can't find the person you were before you stepped into the cabin. Not yet, not like this. You nod weakly, and Joel swipes the cotton undies down to your thighs so quickly the rush of air cools the heat of your folds. A flutter runs through you.
"Count. To ten. If you don't, we start over. Say, yes sir."
"Y-yes... sir. Yes sir."
A searing, mind-numbing spank wallops over your ass and it causes your hips to jut forward. Whimper hitting the top of your throat, you almost, almost, forget to count. Everything in your senses distracting you from completing the simplest tasks such as fucking counting.
"O-one." Another. "Twooo." And again. "Th-three!"
You start sniffling by the third smack of his wide hand, and you hear mocking sniffs behind your head. "Aww, pretty baby can't take the hurt she tries to give to others? That must be really tough. Y'heart's bleedin' all over my couch, honey."
Your cheeks burn, you really feel sorry for what you've done. Or at least, what you were planning to do.
The next spank leaves a welt of Joel's handprint across your skin. "FOUR!" Your body begins to feel weak, sliding against the couch, you know talking back is useless as you silent tears stream into your arm.
There are six more blinding slaps to your ass by the time he's done with you, and you feel him pull back when he's through. You imagine him wringing his palms, the roughness of them. You begin to wonder if that's how they got to be so weathered, and pretend not to be weirded out by the ache of jealousy.
"Y'know for somebody whinin' the whole time, your pussy is just droolin' from that," any narrative you wandered off with disappears in its replacement of Joel's fingers gathering slick between your folds. No announcement, just go. It was just within reach, feeling him inside you. You ride the shudder your body makes, licking your lips as you realise the unspoken rule is free and you can speak. "N-need it. Need your cock, please... please." "Need it, and you don't even know my name?" His index and middle finger waste no time in pressing into your aching core. Sounds of your wailing mix with his words as he lurches over, lip close to your ear. "Or maybe you do already."
"Please, please, please," your fingertips grip for the worn fabric of his couch while your hips that try to jut back are quickly halted by his other palm, a strong stopper at the base of your spine. "Not 'til you tell me my name." "I-I don't know. I don't know it, I swear." Joel's thick fingers slip completely out of you and you mewl pathetically, pussy clenching around nothing and he can see every last detail of it behind you. "Last fuckin' time, better tell me the truth." "It's Joel," you cry, hips pushing back against the resistance as much as possible. Anything to be filled again. "Joel. Joel. Joel. I was... I was– I don't know anybody. Not with anybody, I swear! Joel, I swear. Please! Just grew up hearin' your name. I swear on my life, Joel, please! I know I lied, didn't think you'd believe me."
You don't know why you're begging like your life depends on it, but your pleasure surely does, and there's a longer pause than you want lingering behind you. As if you can palpably feel Joel contemplating whether you're being truthful or not. But if there's one thing about you, aside from this moment in this compromising position: you don't answer to anybody.
Joel's cock bottoming out inside of you at the drop of a hat is confirmation enough that he believes you.
And you not only wail, but scream at the stretch and irresistible contact that punches you straight to your gut – right where you can feel the tip of him. Half-moon prints dig into your hips by his short fingernails when he grabs ahold of you and you're on your forearms, head hanging between your shoulders. Your panties keep your thighs straying too far apart if there is such a thing.
"This what you wanted when you watched me?" Joel grips your torso now, pulling you closer to him as you become more upright, his cock more accessible to the spongy spot inside of you and your nipples stand erect, eyes rolling back as it takes all of you not to rest your head back against his shoulder, and you fail. Hard. Your occiput makes contact with his shoulder. Joel brushes your hair back to the side, lips graze but never fully touches the column of your neck. "Thought about this tight cunt last night. Left the window open on purpose, but you knew that already, didn't you, pretty girl? Clever little thing and so fuckin' dirty."
Joel's hand snakes around the front of you, spreading your folds as he dives his fingers over your glossed-over clit your wetness claimed and that sends a whine off of your depraved lips. "That's it, honey. Show me what this cock does to ya. Makes you downright brainless from how well you take it." While his skilled fingers, toy with your clit, the other set of digits graze over your breasts on their way up to your mouth. You take them inside the warmth of your wet mouth easily, rolling your tongue over the digits until you can only focus on the white hot pleasure beginning to boil over. You keep his fingers between your teeth, a faint realisation that you can taste yourself on them. That's what does it.
His hips are relentless as they pound into you, the repetitious slaps of his skin against yours, of his balls tapping your cunt again and again sends you into a place that he knows you're approaching when you tighten and pulse.
"Y'know how tight and wet you feel around me, darlin'? Never had a fuckin' cunt like this. Let it out, let it out, just like you wanna. Just like you did last night around your fingers. Nothin' like this cock though, and you know it now, don't you? Oh, fuck yeah– thaaat's it. Look at you." "Joel... Joel!!!" Joel talks you through it, sending your body diving off the cliff that is your second orgasm. The undeniable gush of your fluids around his cock. His name stays stuck at the your tongue, the constant thud of it vibrates your lungs.
It starts at the attention on your clit. The raw bundle of nerves send signals outward as it spreads down your legs, up your stomach, to your nipples and down your spine. Your brain feels effervescent, toes curl, and it comes back again right to your heart. Your beating heart, wild, and every moan, whimper, scream that comes from you sounds like it is from someone else's chest. But it's yours, and you know that when you start to feel hazy, unable to hold yourself up anymore.
"Good for my cock after all. Ain't ya, baby? Shit."
Your torso leans forward while your cheek rests on the top of your hand that's gripped on Joel's couch, and your body is relaxed and fucked. Comfortably silent, just the way Joel would want you. His cock slips out of you, unable to stop the slew of grunts and groans that acts as an anchor to keep you from slipping under. You lick your lips, looking back at him with a nod, unable to stay silent for long. That struggle of power coming back for vengeance. "That's right. Come all over this ass you ruined. See those handprints? Dirty fucking man, you just met me. Show me how much you enjoyed doing that."
That's as far as you get when you feel the heavy streams of his hot, white come rope over your skin, and for someone who is no position to be smug, you sure do have a shit-eating grin on your face. Pure, and the simplest thing the two of you accomplish.
Joel shakes his head, shallow breaths become him as he staggers back and you pretend not to notice. "Gonna kill me, kid."
"Almost did."
---
You don't know why, but neither of you hold the promise of you leaving right away. You linger, both of you half naked and spent. You take your time cleaning yourself off, slipping your clothes back on. Day becoming night.
You tiptoe into the living room where Joel is unfurled on his couch. His eyes are closed, the back of his head inches away from where the two of you just had sex.
Planning your goodbye, you sit at the edge of the couch cushion, knowing he wasn't really asleep. Just restin' his eyes.
"I am sorry...," you finally say into the dimly lit room, pangs of annoyance fizz at your tongue for even apologising. For shooting him, for trying to steal from him. All of it.
It's not his fault. It's just how you are.
This is dichotomous in relation to your eyes. They're bleary when a yawn pulls deep from within you. As if rest had been climbing up to the surface this entire time.
"Maybe you should be apologisin' 'bout your shitty aim. Could teach you a thing or two." Joel's eyes remained closed, arms crossed. If you could let yourself experience this, you would notice how soft he looks in this moment. Instead, your stomach is recoils in fight or flight.
You're glad he can't see you swallow the knot in your throat.
There was no magical solution for your life, and a part of you wishes you hadn't chosen his cabin to raid. You wish you hadn't met him, because now you could feel yourself want to notice the small things in him. Already.
You felt it dangerous to let anything that close to you.
You scoff to play it off, giving his chest a light shove and very accidentally getting lost in the light landscape of hairs that resides at the top of his flannel. "I could teach you a thing or two." A pathetic response for a pathetically spent human.
"We could both teach each other," he resigns and you're grateful he doesn't point out your lack of wit for how worn out he's made you. Perhaps the smugness settles in the things he doesn't say. Really, it's in what Joel spouts off next that throws you upside down.
"S'why you should stay. One month. That's it."
"Excuse me?"
"Didn't stuttered," your eyes roll and somehow, despite Joel's own being shut, he tuts his teeth. "Don't roll your eyes at me, little girl. You need a place to sleep. Besides, I could use an extra set of hands. Way I see it, best offer you've had in a while. Got a shelf life, though. Don't like to wait."
A part of you is suspicious, and if this man didn't make sure you orgasmed twice, you would suspect yourself to be dead within a matter of minutes.
There's something true about him, though. You're unwilling to look at it directly, but you trust him.
"Fine."
"Gonna need clearer confirmation, darlin'. Really need you to want this if you're gonna stay with me." He knew exactly where to press.
"Fuck, I shoulda killed you when I had the chance. I want to stay with you. One month." You try to ignore the grit between your teeth as speak, but your shoulders eventually soften. And you really do mean it. It's just... you're hardened from years of misplaced trust.
Your hand goes to the pendant around your neck subconsciously.
Joel either doesn't notice, or gives you the space.
You're grateful either way.
"That's that, then."
If anyone could understand the concept, it's Joel.
"That's that."
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Why Writers Should Consider Giving Blind Characters Canes, Guide Animals, or Other Mobility Aids + How To Choose One
(Note: This post is admittedly long and full of information. Make use of the headings to read the parts you are interested in. I have provided many links, which you can read as you go or save for later. I suggest saving this post and taking your time with it. I am also willing to answer any questions for people who have difficulty reading long posts. While I considered breaking this post into parts, I decided to keep all the information in one place for ease of sharing and reference, especially because multiple sections of the post refer to other sections contained within it.)
When I read for blind characters, my most common suggestion for writers is to give their character a cane, guide animal, or utilize another mobility aid. Most stories I beta read feature totally blind characters or people with very little vision, such as only seeing colors. Despite this, it is extremely common for me to suggest giving them a cane or guide animal because they are rarely portrayed using mobility devices. Because this is such a common suggestion, I wanted to create a post about it.
Most of this will be about mobility aids for people who aren’t familiar with them or are still deciding what tools are best for their character. It will also be mostly for modern, realistic, or semi-realistic stories. I will create a separate post for fantasy and science fiction mobility aids, use of magic or magical items, and writing stories set in or inspired by times before formal mobility tools existed. However, I believe this post can benefit anyone who is writing a blind character or anyone who wants to learn more about blindness. Mobility tools are a big part of blind culture, blind communities, diversity of blind experiences, and accessibility.
Learn About Mobility Aids
Here is a comprehensive post by visually impaired fiction writer and blogger @mimzy-writing-online which contains information about canes, O&M, guide animals, etc. If you are not familiar with canes, start there. It contains helpful information for body language, use of canes, and resources for descriptions that any writer will find valuable. The post also has a section on guide animals and sighted guide.
Here is a post I made about crafting fictional guide animals, although I have no experience as a guide animal handler myself. I made sure to research and include links, so it should still be a good starting point. It also has information about differences between service animals and emotional support animals.
Sighted Guide / Human Guide
First, terminology discussion. Sighted guide is a more common term and more examples come up when I search this term. Sighted guide refers to when a person with vision helps guide a blind person. The guide can be abled or also blind themselves. I have guided my friends before and they have guided me. I have often said that, in a way, sighted guide is a misnomer because someone who has less vision or no vision can also guide someone with more vision just as well.
The term human guide makes up for this misnomer by being more accurate. A TikTok by AskABlindPerson or @askablindperson on tumblr, explains this well. Here is a link to the video. The video states the following:
“I’m blind and I definitely prefer to say human guide rather than sighted guide because you don’t inherently need vision to guide and a blind person can do it too. And it doesn’t have to be that the blind person who’s guiding has more vision than the other person either. It can just be that they know the area better than the person they’re guiding, or it could be that they just have better cane skills or independent travel skills than the other person. Because not everybody has equal access to the same exact opportunities for training. So a blind person can also guide, which is why I like to say human guide because it’s more inclusive.”
Not everyone minds which term is used, however. Some people also only use one term because it was taught to them first, rather than because of any particular meaning.
Below are some examples of sighted / human guide and when it is often used.
Here is an article titled How to be a Sighted Guide
Here is another helpful page with information on certain situations such as narrow spaces.
Here is a video by London Vision.
While human guide can be someone’s main mobility aid, it is often used according to the situation.
Situations in which your character might want to use sighted guide include:
-crowds, where a cane might be difficult to use or someone has a companion they would like to avoid being separated from
-while in lines, mostly to provide descriptions of what happens around them or to let them know when to move forward in the line
-ground that is uneven or steep may cause someone to want to use sighted guide rather than a cane, although this will depend on the person. Using a guide and a cane is also possible. A guide animal may go around the obstacle
-when going inside an unfamiliar house or indoor location, usually for locating a specific room
-navigating unfamiliar areas
-public transport
-guide animal handlers may choose to either do traditional sighted / human guide while using the guide animal or give the command for their animal to follow the person without holding onto them
Guides allow the blind person to gain additional information about their surroundings through conversation with the guide. Human guides can also aid in navigation by providing helpful directions or landmarks. Human guides can be used with a white cane or guide animal. They can also be used without any other mobility aid.
People from cultures who place high value on interdependence, especially on family, may wish to use more human guides. People who have anxiety or disorientation may prefer to use human guides or simply travel with someone else for security. Other people who might tend to use more human guides include: people who have moved to an unfamiliar area, people who are losing vision, people who have recently become blind, people with other disabilities or health concerns, or people who prefer the company of others.
In stories, human guides can portray character relationships, establishing trust and respect. Perhaps a character already knows how to guide, showing familiarity with blindness. This mobility tool can display the helpfulness of a stranger or be the start of a meet-cute. Additionally, showing how good or bad a character is at guiding can show compatibility between characters. I also believe that writing guides into a story can allow for detailed visual descriptions or conversation between your characters.
Imagine character A slowly learning to trust character B, culminating in letting that character be a human guide.
Sonar Devices
I wanted to include a section for these because they aren’t often discussed.
Sonar devices are intended as a supplement for use of a cane or guide animal. Unless the sonar and cane are paired together, such as with the WeWalk cane. While they could be used by themselves, this should probably only be with the addition of a guide and in non-crowded, familiar area.
Here is a video review of the Sunu Band by TheBlindLife.
Here is another review comparing two devices: the Sunu Band and the Buzz Clip.
Note how the devices are used, especially with a cane. The cane is used to detect objects from the waist below, whereas the sonar device is used to detect objects above the waist. This includes objects like tree branches.
Sonar devices work by detecting objects in front of the user and giving a tactile alert, such as a vibration. Vibrations increase the closer one gets to the object, giving a continuous vibration when right in front of it. Moving away from the object, such as stepping to the side, will stop the vibration.
This device could allow blind characters to be more active an create interesting opportunities for descriptions.
Why Does My Character Need a Cane, Guide Animal, or Human Guide?
A few reasons include:
1. It will be more relatable for blind audiences if characters move through the world like they do
2. It is more realistic for stories set in our world or worlds meant to be realistic save for a few elements
3. It allows audiences who aren’t blind to understand how blind people move through the world. In the case of sighted guide, it also offers depictions of politely and efficiently offering help to a blind person, which may include not offering help at all.
4. Canes and guide animals give your blind character some visibility, as the cane, and to some extent the guide animal and harness, signify to others that a character is blind or otherwise disabled in some way. As for sighted / human guide, it offers an extra voice for advocacy purposes or the added visibility that someone is being helped.
5. Mobility tools allow blind people to participate more in a world that is rarely accessible for them at a basic level. I almost always find this is true in books as well unless the writer makes a point to include universal design.
6. Mobility aids improve navigation, increase safety, and increase interaction with the world.
Why Would Anyone Need To Know My Character is Blind?
Safety is a big factor.
In this video titled Using A White Cane While Legally Blind by Cayla With a C, Cayla discusses some of the benefits of using a white cane. One of these is that the cane works as an identifier, letting people know the person using it can’t see so other people need to watch out for them. She mentions it is also important for cars and bikers to know cane users can’t see them well or at all, meaning they don’t expect a cane user to move out of the way.
Both Cayla and Molly Burke share in their videos that people are more likely to offer help when they use a cane.
How Do Mobility Aids Help Blind People Navigate?
It depends on what mobility aid is used.
Canes offer more tactile information and direct contact with the environment. Canes allow someone to feel changes in the ground, such as going from carpet to tile. They make it easier to feel steps or broken sidewalk. They allow blind people to be aware of obstacles, such as a chair, rather than simply going around them they way they might with a guide dog. They help blind people locate landmarks they need in order to be oriented in their environment and navigate their way to different places. For example, they may search for a bench, knowing a drinking fountain is across from it.
As for guide animals, because I am not a guide animal handler myself, I wanted to include quotes from a few sources.
The Guide Dog Foundation says the following in a very useful Q&A:
“In short, guide dogs are taught how to find and follow a clear path, maneuver around obstacles, and stop at curbs. They follow their teammate's directions, and they know that they can disobey only in the face of danger.”
And according to International Guide Dog Federation:
“A guide dog is trained to guide its owner in a straight line unless ordered otherwise. The dog will avoid any obstacles en route, above or around you. It will stop at stairs, doors and kerbs. The dog will not decide where to go; it is up to the vision impaired person to instruct the dog on the direction for the dog to go and the dog will safely guide the person as instructed. The vision impaired person will already be familiar with regularly travelled routes and the dog will quickly become familiar with these too.”
And International Association of Assistance Dog Partnership has a page that explains the categories of tasks performed by guide dogs, as well as other types of assistance dogs.
Sighted / human guide can be used with a family member, friend, or helpful stranger. It can be a primary mode of O&M or used when needed, meaning it be used even if someone already has a cane or a guide animal.
Usually, human guide involves contact with the guide. It can also include the guide orienting the person they are leading by describing surroundings such as “there is a bench to the right” or “we’re near the door” or it can involve telling someone where steps are.
How Do I Know What My Character Should Use?
What your character chooses will depend on their lifestyle, level of vision, age, where they live, culture, religion, and their needs as a blind person.
In the post on guide animals, I went over a few reasons someone might choose a guide dog or a guide horse.
Here are some articles about canes vs guide animals. Although the ones I found focus on dogs, I believe many points made about guide animals can be applied to miniature horses as well.
Guide Dogs vs White Canes: The Comprehensive Comparison
The link above includes the following:
“One of the biggest and most obvious differences between a guide dog and white cane is that a guide dog is trained to avoid obstacles along their pathway. A white cane helps locate impediments so that the blind person can decide how best to maneuver around them.”
Another article that may help:
White Cane vs Guide Dog: Why or Why Not?
White Canes and Guide Dogs - What’s Actually the Difference?
Here are some videos:
Guide Dog vs Canes - Pros and Cons by Molly Burke
White Canes vs Guide Dogs by Challenge Solutions
White Canes vs Guide Dogs - Which is Better? 21 Pros and Cons by Unsightly Opinions
Guide Dog vs Cane, Which is better? by Ashley’s Advice
I also wanted to discuss a few more points.
1. Multiple disabilities
People with multiple disabilities may prefer different methods. For example, those who use a stabilizing cane may have different reasons for choosing their mobility aid. I went into that more in this post here.
It would be difficult to cover all other disabilities here, but I will attempt to include some things to consider.
Consider any pain, weakness, or other difficulties your character may have around their hands, wrists, arms. Canes require repetitive use of these areas.
Consider any sensory issues your character has. Sensory issues may come into play with cane vibration and the tactile information given by canes, especially as it differs between surfaces. The video by Challenge Solutions listed above discusses pain caused by vibration and repetitive movement, for someone who already deals with this. It goes into more detail, mentioning that a dog may lessen this difficulty compared to cane use.
Consider phobias or traumas that may make service animals, especially dogs, a bad choice for the character, their loved ones, or community. In contrast, consider how a service animal may help provide comfort to characters with traumas unrelated to animals
I hope that provides a starting point for thinking about how other disabilities may impact someone’s choice when deciding what mobility aid is right for them. I hope this is helpful is choosing a mobility aid for your character.
2. Financial Considerations
Consider financial difficulties. While guide dog schools often provide highly trained dogs, weeks of training, a harness, and some essentials for free, it depends on the school. Some schools may cover the dog’s veterinary care, while others may not. Some may provide one bag of food. Some may cover costs of transportation to the training school, but may not cover the cost of missed work. Challenge Solutions lists several costly areas that go with having a dog, such as grooming or toys.
The amount the training schools cover is so varied that one cannot assume anything about how the blind person keeps up with care of their dog. They may have trained with a school that covers the most costly things, leaving them to buy the occasional treats and toys, while other schools may not cover much after the dogs and handler leave the school, causing financial difficulties that may or may not have been fully anticipated. Financial situations of blind people with guide animals cannot be reliably assumed.
Canes, on the other hand, are a one-time payment per cane, if they aren’t already free. While canes do require replacement tips and while people do go through canes quickly, the cost is not comparable to that of caring for a guide animal.
For writers, it may make sense to have your fictional world contain schools that continue to cover costs over the guide animal’s life. Or perhaps veterinary care is free in that world. Either way, this may be something to consider. The character’s financial situation can show a lot about them and the world in which they live.
3. Additional thoughts about safety and discrimination
Safety has many different connotations in blind communities. Some people consider safety to mean social safety, as alerting others to blindness may explain any behavior that would be considered strange or rude.
Some consider safety to mean physical safety from tripping, falling, running into objects or people, or having them run into you. This is especially important with vehicles.
Still others consider safety to mean being able to navigate and orient oneself, such as when traveling alone.
Some people consider safety to mean interpersonal safety and the fear of being harmed due to being perceived as vulnerable.
Molly Burke mentions this particular subject at around 19:22 to 20:47 in her video here. To paraphrase, she says that having a big dog with her makes her feel safer as a blind person. Molly states that the white cane may increase her vulnerability as it identifies her as a potential target due to her blindness.
I mentioned that it is helpful for people to be identified as blind, such as with a cane and, to a lesser extent, a guide dog. That is still true. This may provide protection by alerting others that they may need to look out for a blind person instead of expecting that person to avoid them or their vehicle.
On the other side, a cane may alert others to vulnerability in a way that is harmful to the blind person. Due to this factor, blind people may feel safer with a guide dog because the presence of a dog may make others hesitate before doing them harm. I am not sure if the same can be said for those with horses, but it is possible horses may still act as a deterrent. In the video by Challenge Solutions, Caitlyn says that while guide dogs are not trained to be guard dogs and should not be aggressive by nature, it can feel safer to travel with a guide dog. Caitlyn says the following: “They are dogs and I would like to think that they would have a protective instinct if a situation arose where that was needed.” She adds, “I think there is more of a protective aspect to guide dog usage than white cane usage. At least I always felt a lot safer with my dog than I do with my cane.”
I also wanted to include thoughts about discrimination.
Some blind people may worry they will experience more discrimination using one mobility aid over another. This may influence their decision. To give brief examples, people with service animals may be turned away from places they are allowed to go. They may need to advocate for themselves more because of this. Another example might be feeling like people judge them or stare at them more when they use a white cane. They may be grabbed or shouted at more often when using a white cane, as described by Challenge Solutions, or they may be ignored or go unnoticed in other cases. In fact, some blind people are only spoken to in public because of guide dogs acting as a conversation starter.
However, feeling invisible in society seems to be a common issue for many disabled people. Some people also talk about being invisible in some areas and uncomfortably visible in other areas. While a blind person’s choice of mobility aid may influence this, the common disabled experience of both invisibility and hyper-visibility might still follow them.
Additionally, myths about blindness, which I wrote about in this post here, may also cause people to accuse cane users of faking if they have residual vision, which can lead to them feeling unsafe or like they cannot use their residual vision without receiving negative attention. This may cause some people to want a service animal, as in the case of a guide dog, some people may assume they are simply walking their dog or training a guide dog. This may be a way some blind people try to avoid being accused of faking blindness. However, blind people with guide animals may also be accused of having a fake service animal or be accused of not really needing their service animal. Additional barriers may include general public ignorance about laws around service animals or differing laws around access per country.
All of the above can put a lot of strain on people who are just trying to get from point A to point B.
Sighted guide may come with some issues as well. Finding someone who is willing to guide and a helpful guide may be challenging unless a blind person is already using a trusted friend or family member. In social situations, other people may misunderstand use of human guide, believing that they should address the guide rather than the blind person. Use of this mobility aid may also come with judgment from others about the blind person being incapable, lazy, or a burden on others. None of these are true, but they can be judgments people make.
Sighted / human guide may be a preferred form of O&M for people who have recently gone blind or are in unfamiliar areas. Additionally, blind people who come from cultures where interdependence is valued may prefer to use a human guide with or without another mobility aid. It is also important to note that the nature of the blind community also celebrates both interdependence and dependence, and these may not always mean the same thing as they do to people who aren’t blind. This is also true when it comes to using mobility tools and techniques.
What Should My Low Vision Character Use?
The majority of blind people have some residual vision, including low vision. Which is part of why most of the blind community doesn’t use canes, along with lack of training. Unfortunately, many people with residual vision are, however subtly, turned away from using canes or other mobility aids. Based on stories from friends, suggestions in this post by @mimzy-writing-online, my own experience, and information online, I will suggest a few reasons this might be the case.
A big reason has to do with believing they have too much vision to require a mobility aid. The idea of not being disabled enough is both an internal an external issue for people with residual vision. This is because people often claim that if a person can see some, they must not require mobility aid. Mobility aids are seen as a last resort, rather than a way to make life easier. This can lead to self-doubt, confusion, or guilt for a blind person. They might feel as if they are ungrateful because they believe other people have it worse. Conversely, some people may have been taught that relying on a mobility tool is shameful, giving up, or reveals a lack of independence. And sadly, some blind people with residual vision may be afraid of rejection or standing out from others.
This leads me into another reason, which is: believing they will experience more discrimination or social exclusion when using a cane. Unfortunately, this can be true. However, it is also true to that not using a cane can cause others to judge someone for things they do or don’t do as a blind person.
Disclosure is an option that works for many. However, blind people cannot always disclose to everyone they interact with, such as to strangers spotting them outside. Disclosure of blindness can also be fraught with accusations of not really being blind, not looking blind, or not being blind enough to count as blind. These accusations sometimes happen when using canes as well. Denial of help, denial of accommodations, and accusations of faking are common.
In some circumstances, the opposite can happen. Instead of being accused of faking, the choice to use a mobility aid might bring about helpfulness from strangers or concern from loved ones. There may be concern that the vision loss has progressed or that something is wrong. After all, suddenly using a mobility tool can inspire alarm in people who aren’t used to them, because the prevailing thought is that mobility tools are only for totally blind people. And the incorrect message behind this is that being totally blind is negative.
Characters choosing to start using a mobility tool could ease themselves and loved ones into it by being open about their plans. They could experiment with cane use, marginally increasing use over time. Or they could simply use a cane as often as they need to, addressing concerns as they are brought up. Portrayal of communication about mobility aids between a blind character and their family could be a lovely addition to a story.
Lastly, blind people are expected to rely on residual vision for as long as possible, in as many situations as possible. Even if it causes pain, disorientation, or anxiety. Even if seeing is exhausting or frustrating. Even if it isn’t safe. However, the other side of this is that many blind people with residual vision enjoy seeing colors or shapes. They may enjoy being able to describe things to friends with less vision.
But their sight may not always be enough to forgo using a mobility tool safely.
It is my opinion that anyone on the blind spectrum or with declining vision can benefit from use of accessibility tools, whether it be learning Braille or training with a cane.
People with low vision can use canes when they feel it is necessary. Examples may include times where they may need extra visibility or extra contact with the ground as they walk. They may choose to use a cane when crossing the street for added safety. Same applies to using stairs. They may bring their cane only to unfamiliar environments or out with them at night. They might feel like using it one day or in one place and not the next. They may have a condition that is not stable from day to day. Overcast weather or dim lighting could make it necessary to pull out a cane. They could simply want to use their cane or decide to leave it at home because they felt like it.
A blind person does not need to a full-time cane-user to be allowed to use one. It doesn’t have to be all or nothing. If they need it, they need it. It is that simple. It will be the same with your low vision character.
Characters may also switch up mobility tools depending on what is best for where they’re going and what is accessible to them. For example, someone may use a human guide for extra safety while in a new city.
Why I Want More Mobility Aids in Media
This is just my opinion, but I would like to see more characters using mobility aids blind people use in real life. This helps to normalize use of these tools for people who are not familiar with blindness. This allows blind people representation that is more true to life. It also adds more detail to stories that wouldn’t otherwise be there.
There is also something off about blind characters who don’t use anything, specifically because most portrayals of blindness involve characters who are totally blind. Why are these characters walking around absolutely everywhere with no familiar way to navigate? Why are tools used by the blind community rejected when it comes to stories about blind characters?
I suspect it is because of a few factors:
1. Not knowing how mobility aids work. Another deterrent could be the difficulties of research and, in live-action media, wanting to avoid training usually sighted actors in use of these mobility tools.
2. Not wanting the blind character to seem too hindered
3. Wanting the mobility aid to be cooler or more interesting if it does exist. This varies by genre and the period in which the piece of media is set.
I find it strange that most stories about blind people do not feature blind characters using tools or techniques blind people use in real life. It sometimes feels as if blindness is a decoration writers add to their story without thinking about how it would impact their character.
My suggestion is to consider the amount of vision your character has, along with their lifestyle, and choose a mobility tool that works for them. I know that some of you are writing characters who can technically move through life without using a mobility aid full time. In these cases, it would be fun to see characters who are transient mobility aid users.
Closing - Not Everything About Blindness is Difficult
I hope this post was informative. I know that some of it may feel contradictory in nature, but that seems to be part of diversity of experience people have with mobility aids. Not everything has to be true for your character or will be true to their experience. Additionally, don’t feel pressure to portray the difficult aspects of mobility aids or being blind in public spaces; it is good to have stories where blind characters are treated well by everyone. There are days when blind people have nothing but lovely interactions with others and when safety is not a concern.
While I mentioned some negative aspects of being blind in this post, there are many positives as well. This can include opportunities to meet new people and have conversations. This can mean getting the chance to use cool gadgets other people don’t get to use. It can also mean being able to experience the world in unique and fun ways, such as noticing little details about the world. It can mean appreciating colors, lights, smells, sounds, or sensations. It can also mean cool navigation tools and techniques.
I will post a part 2 soon. It will include information for writers of science fiction, fantasy, and stories set in historical times. As always, if anyone has anything feel free to share. I will add any responses here as edits to this post.
If you found this post helpful, my pinned post has many more links. I accept asks or messages with questions. I also offer beta reading for blind characters.
-BlindBeta
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Yandere Brother Pt 3
Tw: suffocating unbearable love, violence, general yandere, female reader shenanigans, infantilization, and of course incest. also christmas
minors and ageless blogs dni please <3
click here for part 1 and part 2
Click here for my new oc Yves (PLEASE READ IT I LOVE YVES)
plotholes and emglish errors everywhere and i could not be bothered :100emoji: please dont point it out thanks xoxo
Caught the Covid fuk now i cant leave my bed im so damn sick and pukey all the time, i dont fuckin know where my roommate is but at least they're not here to get infected, feeling like a busted up rustbucket rn
So this was originally written last year, couldnt find what else to write but this christmas time is perfect, so like dont mind the shoehorning of Christmas somewhere in this fic
You're having your summer break and you plan to pick up on a new hobby. Crocheting, perhaps.
Fuck, your brother picked up your search history from his spyware. Now you're left to deal with $1000 worth of wonderful quality crocheting materials and your big brother being your personal crocheting mentor.
This is where it gets frustrating. Yes, if you have the resources, you would enjoy your hobbies more. But, just like... What if you didn't like crocheting in the end? You're stuck with all these.
It happens to every single potential hobby. Stamp collecting? Your big brother will bid to the death for an extremely rare stamp from the 1900. You're not even fucking collecting the stamps, the stamp book already comes arranged with all the stamps ever produced. A collection that would only give a hardcore stamp collector an instant orgasm upon sniffing it.
Nail art? Where the hell should you keep all the acrylic powders, fake nails, drills and drill bits? Not to mention the dizzying numbers of nail polishes, nail brushes, nail stickers and cuticle sticks. Of course, your big brother is going to hire a professional nail artist to make sure you're practicing your hobby safely while he's learning how to do it himself, so he could replace your mentor too. He would become so skilled that he could qualify to open up a 5 star nail salon. But he's not interested unless you are.
Painting? you absolutely do NOT need all of those tubes of paint. The difference in shades for some of them are so small that you mistook it for the same colour. You would have a headache choosing the right type of paper, right type of primer and right type of fixative to use.
Are you having troubles on painting? Let big brother teach you. You would sit on his lap as he guide your hands across the canvas. Don't you think his warm hand enveloping yours feel nice? Doesn't his free hand feels nice sensually rubbing your thigh? Don't you just feel protected in his hold?
Makeup? Same situation with your nail hobby. You're essentially being babied by him and experienced celebrity makeup artists, you would drown in a mountain of eyeshadow palettes, primers, setting sprays, skin care products, anything and everything related to makeup.
Every instrument ever? Big brother would insist lovingly providing all the music lessons you need. He is a musical prodigy after all. If it's something ridiculously obscure like a Glass Armonica or the Theremin, big brother would master it in a couple of weeks, earn a fucking pHD in it and THEN teach you. No instrument is too expensive or hard for him. Your big brother is crossing his fingers HARD for you to have this hobby.
Chess? Oh, he is also a prodigy in it. He could teach you. Your chess pieces would be custom made to your liking, by the way. It would be the perfect density, perfect size, perfect texture for you. He knows what you like and you hate that.
Sports? Take a look at his "achievement room". It's filled to the brim with golden medals and trophies of every sport competition ever. He's not leaving you alone for this one.
Pottery? Welcome to your very own personal pottery studio, furnished with all types of drying racks, ovens, kilns, turntables and equipments you have never heard of. Big brother is always there to supervise you, making sure there won't be any accidents.
Cooking and baking? You get to have an industrial sized kitchen all for yourself. Everything is decorated such that it looks like you would be on television, starring in a cooking show. You don't need to clean anything, or prep anything, or actually do anything, really. There's a team of professional chefs and assistants to do everything for you. They're paid to cheer and clap and celebrate when you pour cake batter into a pan.
Gardening? Well, there's a massive plot of fertile land for you to garden to your heart's content at the house he bought as your 18th birthday gift. If you want a big project, it will be done overnight. You wouldn't hear the gigantic machineries and vehicles tumbling about due to the soundproof walls he installed. No one would be able to hear you both either, doing god-knows-what inside.
Video games? Your big brother personally do not encourage you to pursue this. But... Nonetheless, he would spoil you rotten with all the latest gaming consoles, limited edition merchandises, pre release copies of your favorite game franchises and whatever your gamer heart desires. All at a hefty price of... Daily cuddles and kisses. And you also have to move in with him. And he gets to decide what game you're playing, if he deems it a "bad influence"? It is not staying in his house.
You rather not.
Nothing is fun because the fun parts are already done for you. You don't get to experience the highs and lows of picking up a hobby, you don't get to explore and experiment. You're literally cursed with luxury.
So imagine your boredom, stress and paranoia during summer break. All your friends are spies for your brother, your hobbies aren't even "yours", leaving your house would inevitably lead you to your brother and all digital footprints are heavily scrutinized by him too. No privacy, no autonomy, all monotony.
You juggled three smartphones at once. Throwing one up in the air, catching the other one with your dominant hand, throwing the last to your other hand. Who gives a damn if one, or all of them breaks? It's riddled with spyware and your big brother would buy you every time a new model is released anyways. Which is... A new phone, a month?
You stopped caring where he gets the money. Obviously he has an assload and can afford to wipe his ass with thousand dollar bills regularly.
It's summer break. One last resort to try and spend your time like a regular ol teenager is taking up a part time summer job. There is a wide variety of jobs to choose from with your qualification. Granted, it's minimum wage and mostly customer service.
If you work as a barista, the cafe or juice bar you'll be working at will LOVE the crap out of you.
Your older brother will visit daily and increase their sales tenfold. Of course, he would pick the drinks that you like doing. It's okay if you fucked up, its only your beloved big brother's order, you can add as much sugar, salt, pepper, cyanide as you want. He will never yell at you, never tell you that you made anything wrong or never even die.
The management will suddenly see a surge in daily customer count. Thanks to big brother's networking. And like him, they also will accept anything you make with no complaint... As per his instructions. You could go full on ridiculous and give them a cup of ice drizzled with strawberry scented dish soap and call it Tutti Frutti, they would still pay for it and take it with them. Though, you're not sure if they ever consumed anything from you.
Without fail, your brother would visit you during every break and hand you your meal along with a kiss on the forehead or the cheek. He would bring you out to eat but you would refuse everytime. You also didn't want his company, which made him pout and whine without fail. But it's nice that he would actually back off after the sixth "no".
However, you know that fucker is watching you from a hidden camera somewhere in the nooks and crannies of whatever breakroom you're resting in.
He would engulf you in a big hug when you get off work, telling you how proud he is of you for getting through another workday like a champ. Praising you for all the hard work and excellent performance, making sure to soothe and comfort you if you happen to come across a rude customer earlier in the day.
You try not to think too much about their fate.
You will be fed, bathed and loved after every shift.
Hell, he would even build up a company from scratch just to hire you. Any position you want, barista, manager, cashier, back office work, janitor- you name it, you get the "job" and get paid a pretty penny. All your other coworkers and customers are probably paid actors and actresses to simulate a "real life working experience" safely. He controls it all, making sure you have just the right amount of drama, the right amount of diplomacy and the right amount of gossiping. You're rarely pushed out of your comfort zone, though. Big brother always has your safety and best interests at heart.
Of course, he will never tell you all of this, to keep the immersion going. You're going to feel sad that you're not exactly experiencing reality. But a bastardization of it. Might as well star in a trashy reality TV show instead, at least, it's much more authentic than whatever your big brother has going on for you.
He doesn't need to even tell you though. You would pick it up easily and quickly especially if you already watched the Truman Show. Don't tell him you did, god help you if he ever gets an inkling that you knew about the existence of the Truman Show. He deemed that movie as demonic propaganda and he needs to lecture some sense into you. If you want out, just say that you're 'bored' and want to do something else. Your big brother will gladly drop everything and do anything in his power to help you "achieve" what you want.
But for the sake of "plot" in this latest installment, you agreed to work in a quaint little bubble tea stall. Where you're the only employee, making drinks for whoever is ordering in front of the shop's decorated window.
Of course, your big brother miraculously happens to work in a nearby skyscraper as one does. It's not that you didn't do your research, you were a hundred percent certain he didn't work in that building, because that fucker never goes to work... At least, physically. Perhaps he does his job, whatever that may be, through online means.
You were planning to use your bicycle to get there that you got yourself with "your" money. He never bought you a car or a bike or anything that would get you around, he saw it as something unnecessary. Why would you need it when big brother is available 24/7 to bring you anywhere?
Actually, you could have gotten yourself a car with the allowance he gives you every day for being cute and adorable, and being patient with his incessant kisses and hugs and cuddles and love and touches and his fucking insanity in general.
But you know that he's going to kick up a massive fuss about driving alone. It was hell to even get your license with him actively trying to sabotage you at every exam- which includes him stooping so low to bribe the examiner to fail you. However, you persevered, and you got that stupid license. All the while, he was lamenting about how you're going to leave him all alone, how you don't need big brother anymore, how society pressured you to grow up too fast and recklessly drive off wherever.
You knew better than to fall for that. Or even entertain it either. Eventually, he gave up trying to guilt trip you into crying, apologizing to him and sobbing in his arms, promising that you won't leave him.
It's not like he DIDN'T kick up a fuss when you said you're using a bicycle either. He began freaking out about your safety, fearing that you might get run over.
Well. You admitted defeat. He's driving you to fucking work and back. It's not worth it to fight this battle.
So you began working in the stall. You had someone train you for your first 2 weeks. Then you were on your own.
The owner, who is also the person who showed you the ropes around there, said business isn't good, but it isn't bad either. So you didn't need to worry about rush hour where hoards of thirsty, sleep deprived office workers trample over each other to get their daily boba fix. It's pretty peaceful working there.
But what you do need to worry about, is your fucking big brother.
He would come and buy a drink, whichever you like to make. It can be the most expensive one, or the cheapest one, the most elaborate one or the simplest one. It's up to you, he will pay for it and happily drink what you made.
You could make him pay for the most expensive drink there is but serve him a cup of lukewarm water, and he would still drink it with glee and fork over his money, telling you to keep the change (which is usually a hundred bucks extra).
Let's say you want to be decent and make him drink that you know he would actually like. Which is anything that tastes generally fruity. And insist that you like making it even though it actually sucks.
He knows. He can tell that you're specially making his favourite drink. And that makes him happy and more obsessed with you if that's even possible at this point.
He would leave a massive tip and a kiss on your forehead.
Although your brother is fucking gross and weird like that, you still love him. Probably a bad idea but you're working so hard, trying your best to earn money honestly just to get him a Christmas gift.
Despite the restraining order between your parents and him, your brother is still invited back home each year to be jolly together. Preparations start a few days before Christmas, where you would see an unusual sight.
All of your immediate family members in the same room, or at least in the same house together without fighting to the death. Your dad's bones are intact, your mom didn't have her insecurities jabbed on for once. They're not exactly on speaking terms, per se.
You woke up one morning to see an... appropriate sized tree for your parent's house, erected in the middle of the living room. Adorned with beautiful ornaments and... are those pictures of you on the ornaments?
Wrapped presents were patiently sitting under the tree. There was a small box with your father's name on its tag, another small one with your mother's name on it. A decent sized box was addressed to your brother, must be a combined present from your parents.
Your shoulders sagged in defeat when you saw your presents took up the perimeter of the tree and even conquered the couch, the back of the couch and under the coffee table. You lost count after gift box #27.
Since everyone is in the kitchen, you quickly place the presents you got for your parents... and your brother.
You panned to the fireplace. Your Christmas stocking is filled so much to the brim that your brother must have added 5 more next to your original one. Your parents' and your brother's stockings are relatively empty. You stuffed them with candies and nuts to make them look less embarrassing.
You straightened your back, that should do it. Your ears perked up when you heard some clamoring in the kitchen. It must be your brother.
You let out a surprised yelp when you're yanked back by a pair of arms that snuck around your waist. "Merry Christmas, my little wittle precious baby!" You squeezed your eyes shut and scrunched your face as he attacked you with a barrage of kisses.
He giggled and squealed as he held you in his arms and twirled you around in glee. You let out a scream of horror as your feet dangle off the ground. He does this every Christmas morning when you were a child to wake you up further and get you excited for the holiday. But you're not a kid anymore, and this is horrifying.
Finally, he stopped and put you down. Your hair is frazzled and the world around you is gyrating. He squeezed you in another hug and gently rocked you side to side.
He immediately unlatched when you said you're hungry. Your big brother gleefully lead you to the dining table, where he fixes up a napkin around your neck like a bib. You asked him why is he tying a ribbon on your hair, he said that you are his Christmas present and he is spoiling himself this year.
Before you could respond, he gave you a brief peck on the head before frolicking away into the kitchen.
Your parents came out of the kitchen, greeting you. They're holding a tray full of steaming hot breakfast foods, no doubt your brother forced them to make it for you. Every Christmas generated a metric ton of leftovers. It's because your brother wanted you to try all of the foods from all over the world. But don't worry though, the leftovers could be so intact that it was given out to neighbors and friends and extended families. Some didn't even need to cook after that, the sheer amount of leftovers was enough to fuel ten more Christmas gatherings.
Croissants, quiches, various types of bread, eggs, ham, bacon even panettone made from scratch. Looking at the spread in front of you is dizzying, your big brother sets down the last plate right between your hands. It's a breakfast plate your brother customized to fit your usual preference, everything is shaped into a heart. He patted your head as he took a seat next to you.
Everyone ate in silence. Everyone was focusing on their own meal except... your brother. Who else would rather stare at you adoringly instead?
He asked if you wanted to go make snowmen outside. Not without proper winter protection, that is. You shrugged, it's not like you could escape your family anyway. Your friends are all busy with their own families, and you don't even have friends. Everything is closed and if you lock yourself in your room, your brother will just pick the fucking lock and force his way in.
Your parents tried making small talk, this earned a feral glare from your brother because it interrupted the connection between the both of you. They paid him no mind and began asking about your life. You tiredly replied to their questions and asked some back yourself, to try to find any sense of normalcy. Your brother would be disengaged with the words coming out of your parents mouth, but highly interested in what you had to say.
The rest of the morning went by uneventfully. You offered to help clear the table and do the dishes. Your brother just 'aww'd at you and gave you an appreciative kiss on your forehead. That wasn't an explicit yes, he appreciated the gesture, but he wouldn't allow you to dirty your hands doing chores.
He told you to wait for him to clean up. In the mean time, he gave you permission to open some of the gifts he got you. Frankly, you don't even want to deal with it at all, it's just too much crap. You decided to go through the stockings instead and grab some snacks for yourself.
As expected, he filled it with the most expensive treats and the freshest oranges. These types of foods are usually served in a formal setting, like eating gold crusted caviar at a 10 star restaurant, all dressed up in fancy clothes. But he just... shoved it in a Christmas stocking as if they're mundane chocolates.
Whatever, you shoved some into your pockets.
You turned around to see your brother smiling lovingly at you. He wrapped a puffer jacket around you, his scarf with his cologne on it, a pair of thick mittens on your hands , a winter hat snuggly fitted to your head, and a pair of thick pants he made you wear in front of him.
He picked one of your numerous christmas presents and handed it to you. He clasped his hands together expectedly as he watches you.
Your brother urged you to open it, go wild. Rip the wrapping to shreds. You felt so bad seeing how well wrapped it is and the quality of the wrapping paper is... indescribably good. It doesn't even feel like paper, it feels like silk.
So your carefully dismantled it, trying not to tear anything. You look up to see that your brother is pointing his camera at you, capturing this very precious moment. He encouraged you to go on.
You managed to remove the packaging and revealed a box of expensive winter boots. These are high quality and you would have been the source of envy even though most of your "friends" are also from wealthy families. Not everyone gets to have these.
You appreciate it but... You already had a pair of winter boots, the ones from last year, and the year before that. And the year before that, and a week ago where your brother is freaking out about you potentially having frostbite on your toes.
"It's the latest model! It was released as a part of a Christmas special, it will keep you warm and protect your feet too. It was selling out fast, I'm so glad I managed to get a pair for you, I can't have my sweetiepie sad on Christmas day!" Gushed your brother. You slipped them on.
You can't tell the difference between the one you had last year and the one on your feet now. Maybe some minor difference in it's stylistic design but... they're equally as comfortable.
You thanked your brother and finally gave him what he actually wanted from all this: a hug. He put away his phone and returned the embrace, sinking so deep into your jacket that neither of you can move without stumbling. You know he expected you to show gratitude for all his gifts through his main love language; touch.
It is exhausting.
After that, he brought you out to his private plot of land which he made into a park, complete with swingsets, monkey bars and slides. But these aren't for the public, it's for you. All the equipment are well maintained and look brand new even though you know it's been there for years.
He's not fond of throwing snowballs because it could hurt you. But he allows you to throw as much as you want at him. Even after the stunt you pulled last year.
You packed snow around a rock and hurled at him with all your might, it went straight to his head and his right eye was busted for months. Your brother didn't see that as something wrong, though. Even if you tried to apologize, he said that it was an accident and it was alright, he still loves you dearly and you did 'nothing wrong'. The first thing he did after recovering from his injuries at the hospital is to take you out for hot chocolate and then give you a backrub back home because winter could make your muscles stiff; and hence you must feel strained and sore.
He was still mildly bleeding from his gauze at the time, it was covering at least 70% of his upper head. Your brother was clueless when you asked if he needs any painkiller for his recent injury. He claimed to not feel the pain, but his wincing tells you otherwise. He rewarded you for your concern nonetheless with hugs and kisses and another massage.
You laid yourself on the snowy ground and started making snow angels. Your brother had his camera out and began capturing every moment he has with you.
You felt uncomfortable. And the cold is nipping at your bones even though you're thoroughly insulated by the sophisticated winter gear your brother made you wear. You're ready to go home now.
It shocked your brother and made him a bit desperate. He stammered and stumbled over his words, asking you if you wanted to play on the swing, build a snow man, play on the slides, the merry go around and... throw snowballs at him. Are you cold? He was in the middle of removing his own jacket to layer it onto you, but you stopped him.
You said you're tired. You don't find this fun and you're too old for this.
Maybe you're thirsty? He packed a flask filed with steaming hot chocolate for you- no? You're not thirsty or hungry? Maybe you wanted to use the bathroom-- no? You don't have to go?
He tried listing out all the possible reasons you wanted to go home and all its' solutions. Desperately wanting you to stop growing up so fast.
You got sick and tired of this, you yelled at him at the top of your lungs that you wanted to go home. You then stormed away towards the car, leaving your brother to stand there in silence, his camera capturing your explosive outburst.
Your brother saw you slamming the door angrily as you got in.
He sighed, gulping and hovering his finger over the delete button. But he ultimately decided against erasing the footage, it's still a video of you after all. Your brother assured that he's coming to the car, he wipes a stray tear away as he heads to his vehicle.
The both of you stayed silent as he drove you home.
Once you arrived, you bolted out of the car and ran back in. Locking yourself in the bedroom and barricading the door with random furniture. Hugging your knees close to your chest as you pray that your brother does not go after you by climbing into your windows.
And... he didn't. He left you alone for once. For a few hours too. It gave you the much needed relief, you felt like you could breathe now.
You're starting to feel a bit hungry. And you're hungry enough to be willing to face your older brother. So you began unbarricading, placing your dressers to it's original place.
You carefully unlocked the door, fully expecting him to be waiting outside for you. To your surprise, no one was in the hallway. You could hear some noises downstairs, in the kitchen.
You cautiously went down, the tree is still intact. Nothing is broken and there doesn't seem to be signs of a fight. You released a breath that you didn't know that you were holding, happy to know that you don't need to spend another Christmas at the hospital visiting your badly battered parents.
You whipped your head to the sound of your brother calling your name softly. He's holding a baking tray and a bowl, you can't tell what is in there because he's too tall. He smiled at you as he set it down on the dining table. The tray contained freshly baked parts of a gingerbread house and the bowl contained vanilla frosting.
You scanned the rest of the table. There are numerous small glass bowls containing different types of candy and snacks; from pretzel sticks to colourful chocolate rocks, to real gold leaves. Piping bags with metal tips are present too next to a box of plastic gloves.
Your brother pulled your chair out and invited you to sit there. You did, and he called you a good girl. His good girl. As you put on a pair of plastic gloves, he kissed you on the temple.
You asked where your parents are. He said that they're preparing the food for dinner, which includes ham and a roast turkey. And 15 other dishes.
You quizzed on, asking if there will be more people coming in. He shook his head: no. It's only the four of you. In the meantime, you should enjoy yourself building this gingerbread house. He puts on his own pair of plastic gloves too and began filling the piping bag with icing.
The two of you worked in peace, you opting to decorate the house while he pipes the details on the gingerbread men.
There is only two, a large one and a smaller one. You can guess which represents who.
You noticed the odd choice of attaching the small one to the large one's torso. With strategic use of the candies and frosting, he made it look like the larger gingerbread man is carrying the smaller one on its hip. He piped your defining features onto the baby gingerbread, and piped his features on the larger one.
He noticed you staring, your brother asked if you had a hard time connecting the pieces with frosting and if you needed his help. You said no, you just need a spatula from the kitchen. He tried to get up from his seat, but you pushed him back down, saying that you can get it yourself. He pouted, telling you to be careful and not touch the knives or stoves. Your brother went back to obsessing over the details on his gingerbread men.
You went inside the kitchen and greeted your parents who are busy cooking. You go through the drawers to find a silicone spatula and decided to help pick up some stray food scraps on the floor, throwing them into the bin. But as soon as you step on the pedal and have the lid swing open, you saw two crushed, but perfectly edible, gingerbread men in the garbage bin.
You returned to the dining table to see that your big brother is proudly presenting his work. He said this represents you and him... as if you already haven't figured it out. He said he dreams of having you live with him in a perfect fantasy house, fantasy world where you never have to grow up. And he will always be there by your side, taking care of you till the end of time. You will be pampered and spoiled rotten, you don't have to do anything, you don't have to lift a finger. Your big brother will do everything for you. He would even breathe for you if he could.
You nodded in acknowledgement, too tired to engage with him. You sat back down, continued with the gingerbread house. You failed to notice the flicker of sadness in his eyes, your brother felt so neglected and unwanted these few years. He wished that you were a kid again so the both of you could play together and be happy. The more he tries to win your favour, the more distant you get from him. He is endlessly chasing and you are running non-stop.
The rest of the afternoon went by uneventfully, other than the fact that your big brother rests his head on your shoulder the whole time.
Now, it's time for dinner. You tried helping them bring out the dishes, your brother praised you for being a darling as usual. He lets you have the first bite of the turkey, tearing a small inconspicuous piece of flesh from the bird and hand feeding it to you. It's still warm, juicy and delicious. Maybe it's the feeling of being special that makes it even tastier.
You chew as you brought out the casserole, setting it down on the table.
You looked at the spread. It looks like a buffet at a high end hotel. So many varieties and extremely nutritious.
Your brother fixed your napkin bib for you again and took food for you. Slumping in your seat, you were thinking of protesting but you knew it's easier to just wait for him to carve the best parts of the turkey for you and let the food pile up neatly on your plate first. He returned it to you, all your favourite dishes are on it within sensible portions. But these are still a lot of food for a person.
He didn't care about praying. Your brother wanted you to eat as soon as possible because you must be hungry. And it is absolute sacrilege to let you go hungry.
You insisted that you join your parents in saying grace and you're not that hungry. Your brother looks uncomfortable, still believing in his sick mind that you're starving to the point of emaciation. But since you are adamant in doing such 'pointless' things In his mind, he agrees, only if he leads it.
Everyone bowed their head down and held each others' hands.
Your brother said the shortest, most insincere, laziest grace ever. Once he fulfilled your requirement, he urged you to eat.
You're upset, you felt really angry and you thought he was mocking you instead. So you opted to eat alone in your room, you made it clear that you didn't want anyone in. Especially not your big brother.
He cried out a desperate plea to get you to stay with him. You ignored him and took a couple more of your favourite finger foods. Predicting a fight between your brother and your parents.
You wrenched your arm away from his powerful grip and fled the scene, hurrying up the flight of stairs. Only slowing down when you're out of sight.
As you thought, sounds of verbal fighting started resonating throughout the house. You heard your brother screaming his head off at your parents for being bad influences and poisoning you to hate him. Your parents defended themselves and this only fuelled the fire. You didn't want to be around when your brother started hurling chairs, so you slammed the door as hard as you could. The sudden loud noise did stop the commotion downstairs briefly. But it continued soon after.
You ate alone, in your barricaded room. Wishing that you're born into a 'normal' family, with 'normal' trauma. To a lot of people, you are complaining about a blessing. But you are always feeling alone, the only person facing a problem which everyone sees as a solution.
You scraped the last bits of food with your spoon. Waiting for the sounds of the ambulance or at least for the fighting to quiet down.
You looked at the clock. It's 1 AM. It's been relatively quiet for a while now, they should be finishing up their fight or cleaning up. Time for you to return your plate.
You grunted as you pushed the furniture away from your door which felt like the umpteenth time. You left your room and head downstairs.
Hearing soft sobs from one person, your brother. He's sitting in front of the tree, hugging the present you left for him earlier. The presents addressed to your parents are both missing, presumably being taken back to their room. A blanket is loosely draped around his shoulders.
You took slow steps, unsure if you should comfort him or not. But before you can even decide to chicken out, he spotted you. However, to your surprise, he didn't approach you or tell you to come forward. He gave you a soft assuring smile, before returning his attention to the tree.
You set your plate aside and went by his side. Your brother watched you with puffy eyes full of love, yet it tells you that he has been irreparably hurt by something... or an accumulation of things.
"Thank you..." He whispered, refering to the gift you gave him. It isn't something particularly valuable to you. It's a picture of the entire family in a photo frame. Your brother is going to cherish it, because it is a gift from the person he loves most in the world. But deep down, he secretly wishes that it was a photo of you and him alone.
He still looks extremely upset and distraught. Almost like he is at the brink of a breakdown. Your brother usually verbalizes what he wanted, but he couldn't this time.
You wonder what your parents got for him. You peeked over his shoulder to see that an unopened box containing a plain T-shirt and a pair of socks is carelessly discarded to the corner of the room.
Then, it clicked. Just like you, he felt alone. Maybe you will never understand why he holds you so dear in his heart. Just like how no one will understand him either, his struggles are unique to him with no one to relate.
He destroyed the relationship between himself and your parents. His friends are all superficial. You're grown up and constantly rejecting his love.
Not a single one of you paid attention to him. Yes, it is hard to think of a present for someone who has everything. But they could have put in a bit more effort, the colour of the shirt and socks aren't even in his favourite colour or in the correct size. You could have removed your parents from the photo, your brother will never remove it himself. Because that would mean defacing your gift for him.
And growing up, your parents never saw him as... a person. As someone with feelings and a personality. They only saw his value as a trophy piece to show off to their friends and family. Same goes to his friends now, if it wasn't for his skills and possessions, he would be nothing to anyone.
He had to beg to be loved. Even that isn't reliable, he could give it his all and everyone around him will expect more. Your brother could never dream of being the receiving end of his own affection. It seems like an impossibility to him.
Perhaps he is doing all of these despite getting nothing but disgust and disdain from you is all to protect your innocence, to not put you through what he had to face. It's just that he went about it the wrong way. Or maybe he is just... wrong in the head. Or maybe he was hoping by loving you so much, you would give him the intense type of love he was yearning for his entire life.
Either way, he is alone.
The both of you are now seated in front of the fireplace. You didn't want to open presents, your brother is okay with that. He did not nag you to do it for once. Snuggling closer, the both of you shared a blanket. He still looks unhappy and crestfallen.
You remember you still had the ribbon bow on your head.
He hovered his arms around you as you squirm in his grip. You managed to crawl into his lap and rest your head on his chest. He lets out a chuckle and some sniffles, clamping his arms back down around you.
You reminded him of one last gift. Your brother is confused until he saw your ribbon.
From that moment on, he burst into tears of joy. He found you so unbearably adorable, so unbearably cute that his heart couldn't take it. An excited squeak escaped his lips as he held you even tighter. Peppering kisses all over your face, neck and head.
He started blabbering in baby talk, calling you every pet name and listing out everything he loved about his 'gift'. Repeating that this is the best gift he ever received and this is all he ever wanted. You are all he ever wanted. Praising that you remembered what he loves.
You hope that he could feel a little less lonely tonight. You can't peer into his head and know exactly what is going on inside. But you knew, he was happy.
Your breathing calmed him down and he closed his eyes, nuzzling against your neck. The collar of your shirt wet from his tears and your arms are secure around him. Your brother mumbled "I love you." as he adjusted you on his lap. Pressing your form against his, enjoying the heat that the both of you shared. Wishing that this moment will never end and you will never part from him.
You realized another thing too as he strokes your hair.
Your older brother is the only person in the world who harbors true, undying, unconditional love for you.
Even though he has his flaws, there will be no one else like him. Ever.
So you closed your eyes and melt into him. Just like before, you felt safe.
The both of you fell alseep in front of the hearth, surrounded by gifts, mostly unopened ones. Snowflakes floating down from the skies and landing delicately at the edge of the roof. Feeling unburdened and content in the living room.
Merry Christmas.
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certifiedlibraryposts · 5 months
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hi! i have a question about trying to find specific books. i know what i'm looking for, but when i try and search online every website just takes keywords and ignores what i actually wrote. i can't go to my library at the moment (health issues), so i was wondering if you had any advice on trying to find books about specific subjects online? the subject i'm looking for is diplomatic relationships between indigenous tribes in north america/the usa, pre-colonialism. sorry if this is the wrong place to ask this!
You might be able to get in contact with your library virtually and see if they can help you out, they might have a live chat you can access on their website, or if not they ought to have an email address (Though you might have to wait to talk to them until later this week since they might be closed for New Year's.). Even if you're not able to go in person, they might be able to point you in the right direction for digital resources.
With the usual caveat that I'm not at all an expert in this kind of stuff, to the best of my knowledge maybe checking a digital library like JSTOR or looking into more specific journals might be helpful if you haven't tried that yet.
Otherwise, maybe some of the fancy things you can do with search engines might be useful. I'm vaguley aware that Google is swiftly becoming....not very good, I'm not sure if the same can be said for Google Scholar or not, though it does have an advanced search option in the sidebar that could help with your keywords. I personally use DuckDuckGo for most of my daily needs, here's their article on their advanced search syntax in case that's at all useful.
Finally, I'd suggest seeing if you can get in contact with any representatives of the indigenous tribes you're researching. I am absolutely not able to give any authoritative advice on this range of topics, but I'm at least somewhat aware that the scholarship about indigenous people can be rife with all sorts of colonialist bullshit if you're not getting it from a good source. If its feasible for your project, I think it'd be worthwhile if you're able to defer to their scholarship and sources they recommend. If getting in direct contact is beyond the scope or timeframe of your project, at the very least you should be extremely mindful of the sources you do end up using.
As usual I'm positive someone out there better information than me so I welcome any replies or reblogs you guys have to share. Best of luck for your search ^^
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tyttamarzh · 5 months
Text
Midnight Ramblings about Missa (Or "character analysis focused on his seeking approval and how this influences his self-perception and in his performance") (Or "My boy just needs confidence and time to show how chingón he is.")
I have a thought… okay, okay, yes, Missa is a wet cat and he can't escape of that… but I think everyone underrate the ability of him for learn and improve…
When all came to the island, no one have nothing and everyone seems at the same level in general. For Missa was hard, but he adapted to life, he build a house, had an armor, went to mines and dungeons with his friends and even when others helped him, he always tried to make it on his own and search his own purpose. Everyday he gain more expierence and confidence and lost the fear to go out alone, he could fight for himself, he could survive. Then, when everyone was paired up to take care of the eggs and he met Phil, he tried his best for being useful, for help him.
He always does that, but this time he had just met him and he wanted to do his best to make a good impression on this new person in his life.
He had already done it before, that has a context, when he met the "Team Vacio Legal" (and was adopted), at first he was not considered part of the team, they treated him like an assistant, they called him his pet and they even told him that they would use him as bait, but Missa was so grateful to be with them, that he accepted all their orders willingly and strove to do the best for them (They were not just any team, it was the one that was considered the strongest and favorite to win, in fact, the winner was a member of this team). I remember that they ordered him to build a temporary house if he wanted to stay and at that moment he began to build non-stop, and he was doing it very fast, he was very concentrated on it, then Rubius, to annoy him, stand right where he was going to put a block and Missa stood paralyzed, neither of them said anything for a few seconds, until Missa, quite anxious, said: " Please, please, I'm just trying to do a good job…" and at that Rubius gave up the idea of joking with him and simply looked at him and said "You're doing very well" and moved, to which Missa He laughed and continued working until he finished. His dedication made everyone quickly become attached to him and at some point the line between being everyone's servant and being everyone's protected faded (even the 4 of them risked their lives to go save Missa's dog from acid rain), he went from not being considered part of the team to being the most loved by all of them, so much so that his death devastated them and they continued using his name as a banner until the end (ohh I really loved Extremo, sorry xD).
Even if Missa knows that he is not good at many things, he gives everything, he strives, learns and grows, to continue giving everything for those he loves, that is how he died in Extremo, helping Quackity (although Quackity did not even realize until later).
The point is, being with Phil, he helped in any way he could, he fought against the phantoms so that Phil could continue working and in fact he must have felt very good when the mission was "sing a song to the baby" because finally one of his abilities It would be necessary and useful.
Phil never had a problem with Missa in Chayanne's care. Missa was constantly striving to be competent and they didn't really spend enough time together for Phil to realize what Missa's level really was. The problem began when he was gone for so long, because everyone's level increased at the same time as the difficulty of the world, which made Missa's lack of experience very evident. And it wasn't just because he was poor and didn't have the resources to defend himself, as Phil thought at first, Missa missed out on a lot of growth and learning about Minecraft that he could have had if he had stayed on the server. Though he tries now, he doesn't He manages to cope with the current world, which made him tremendously insecure about his abilities, which is why on many occasions he no longer try and just lets himself die. Making it very obvious to everyone, even Phil, that he can't survive alone, since he's just a little wet cat.
There is something that I miss a lot about the dynamic he had with Spreen, you see, I know that many who watch QSMP did not know what their relationship was like and do not know why he is so important to Missa, but it is because Spreen never doubted Missa's abilities, even when no one, not even Missa, trusted his abilities, Spreen always trusted, he once bet on a fight that Missa had, even when Missa said she had no idea about PVP, he bet on him and to everyone's amazement, won and was like "I knew you could." Missa always tried hard to do things and get praise from Spreen, he saw him as a father he wanted to make proud and he jumped with happiness like a child when he achieved it and that's how he grew up a lot (Having the player who is considered one of the best treat you that way and praise you must be an incredible feeling).
Losing his brother not only affected him emotionally, it affected him in the sense that he lost that and that's why his self-confidence went down the drain, because when he fails he no longer hears the "calm down, you'll make it next time, champion" now he listens "Be careful, it's dangerous" "Stay away" and he is simply saved and protected by others.
I'm not saying that Phil is wrong to help him, but that made him somewhat dependent and added to his frustration at not being able to face the world alone, it made him feel like a burden to everyone (the fact that he doesn't log on doesn't help him). Somehow that made him have a kind of regression and he went back to being the fearful boy who needs to be taken care of, it's not even like in the early days of QSMP, it's like in the early days of Extremo, considering himself completely useless and stupid, struggling to try to do things right and receive some approval, but getting frustrated at not achieving it (which is why what Tina did in purgatory helped him a lot "Tina, better therapist than Melissa" xD).
Now… let's go to the present, because I saw something very different in Missa the last time. What happened in purgatory perhaps gave him more growth than we thought, not only on an emotional level by helping him decide to stay with Phil despite not feeling enough, but on a personal level. He said to Chayanne he had been working to be a better person (better player) and wanted to show what he had learned (now seeking Chayanne's approval), somehow he found that motivation again to grow and not just lamenting his situation (that implies that CC Missa he was really practicing. My friends, he didn't even do that for the squid games, he finished installing Minecraft and jumped into the water), that gives me hope that this time he is serious about stay and if he has enough time and if this time he really delivers with his promise to log on more we could see him grow and bring out his full potential (in Extremo 2 he was doing a great job until he died suddenly and became fearful again, in purgatory he was doing things well until he realized he had the wrong missions and felt sad and useless… he can do great, his ruin it is that he sabotages himself by his lack of confidence).
Possibly he will never stop being a wet cat, that is tattooed in his character, but I think that is precisely why everyone tends to underestimate him. I am sure that one day my boy is going to give everyone a big surprise… I believe!
I think my little late night thought turned into an analysis and then a Tesis, sorry about that… I hope someone finds my ramblings entertaining…
Thank you for reading!
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