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#I can’t believe they completely butchered his character
dreamchasernina · 2 months
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Why waste 3 seasons building up the parallels between your protagonist and antagonist, slowly showing how they’re very much alike and their destinies are connected, foreshadowing them eventually working together…when you can just say “I just realized Zuko and I have a lot on our shoulders” in your seventh episode.
Silly writers and their character development…THIS is how it’s done.
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atpsnty · 1 year
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┊𝐭𝐡𝐞 𝐬𝐦𝐚𝐥𝐥 𝐞𝐧𝐜𝐨𝐮𝐧𝐭𝐞𝐫𝐬
xavier thorpe ; wednesday
pairing: xavier thorpe x hispanic!normie!fem!reader
warnings: pure (probably excessive and embarrassing) fluff, like one curse word
request: Can you please write a oneshot for xavier where the reader is a normie and he keeps seeing her everywhere whenever they go out to the town :) he develops a crush and so does reader on the mysterious boy from nevermore until one day he comes to like work at a shop or soemthing??? and when he does reader is also there and they spend time together flirting and pining until one confesses to the other ! ALSO IDK WHY BUT I FORGOT TO ADD THAT READER IS FEMALE AND HISPANIC (i just sent an xavier request ! ) :))))
summary: a few of the instances in which you met xavier before actually meeting xavier
a/n: since the reader is hispanic, there are slight character descriptions to get that across, such as a mention of curly hair and a bit of spanish dialogue (though not a lot bcs I don’t speak spanish and don’t wanna butcher it…). also, this takes place in scenes/places seen throughout the show, but xavier never liked wednesday because it makes more sense in context.
character credit: wednesday series
w/c: 1.5k
part 2: the awaited interactions
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Even though you were still a few yards away from actually entering, the area around the fair has 10 different aromas wafting through the air. Flashing lights could be seen in every direction; vibrant colors swatched along every ride and carnival game.
As you enter the fairgrounds, you look around at the people: adults, kids, normies…outcasts. You knew it was likely for them to come, as it is every year, but it’s still a shock to see the so-called “weirdos” of Jericho doing such normal activities.
Regardless, it’s nice to see everyone together for such events. You don’t completely understand the separation between the town. Sure, the outcasts were different, but they were still beings in their own right. They were freaky by nature, but even then you find their freakiness pretty alluring.
You walk around for a bit, grabbing some food as you pass by certain stands, and sit down at an empty picnic bench. As you eat, you watch the people around you as they talk and laugh and play games. You find this particular pair of people interesting.
They’re outcasts.
It’s pretty obvious by the girl’s all black attire and creepy nature, though you wouldn’t be able to tell the boy was one if it weren't for his association with the former. 
You can’t help but analyze their features. The girl is actually really pretty, if you put her gloomy aura aside. Her hair is completely black and straight, a contrast to your own curls, though it’s in pigtails, and you swear you haven’t seen her blink this entire time. She seems like she doesn’t wanna be here, almost like she’s in a rush.
After you’re done looking her over, your eyes drift over to the guy she’s standing with.
He is gorgeous.
His hair is pretty long for a guy, reaching to about his shoulders. He’s currently hunched over, his hands resting on a carnival game table, but you can tell at full height he's freaking tall. He’s wearing a dark gray trench coat, which is extremely simple, yet somehow he looks like a male model and-
‘¡Ay, Dios! I need to stop fangirling over this random boy right now’ you think and avert your eyes, focusing back on your grease filled meal.
After a few minutes, you can’t help but notice the pigtailed girl hurrying away from the stand through your peripheral view, leaving the long-haired boy all alone. You stare at him again, zoning out to the point where you don’t even notice him staring directly back at you.
You snap out of your trance, quickly looking down at the table for a few seconds before slowly creeping your eyes back over, where he is still assessing you.
He gives you a small head tilt and wave, to which you shyly smile back before cleaning up your mess and heading in the opposite direction.
‘I cannot believe I just got caught ogling at a guy like that…por favor mátame.’
After the last encounter with the mysterious long-haired outcast, you honestly didn’t expect to see him. He seemed like the type to pop up once and never show his face again.
You wish you were right.
Today, you’re heading into town to study a bit at a local park. You find the scenery relaxing and way less stuffy than working at home.
As you’re settling down on a picnic table, taking all your necessities out of your bag so you can get started, you notice the blue and black stripes of the Nevermore Academy uniform walking into the general store down the street. 
You think nothing of it, focusing back on your materials and figuring a student going into a store is definitely not your business and absolutely none of your concern. 
About 25 minutes into studying, you notice the stripes once more, but this time it seems as though they are walking towards you. As you focus harder on the person’s form, you recognize the tall body and lengthy hair you’ve seen once before.
You look down at the plastic grocery bag he is holding, and though you can’t see its contents from this far, you’re sure it’s not actually groceries and is more along the lines of something music or art related. 
He just gives off that vibe.
You realize that he has stopped venturing towards you. Actually, he’s stopped walking altogether.
Your glance shifts up to his face to find that he has, once again, caught you staring at him like an absolute creep.
You let out a tiny shriek before ducking behind your computer screen. 
‘The universe must hate me or something because oh my god,’ you think, internally panicking once more. You take a small peek past the lit up screen just enough to see him laugh to himself and shake his head before heading towards…the woods?
“I must have killed Mother Teresa in my past life,” you mumble to yourself softly before resuming your studies, “that’s the only possible reason my luck is at negative freaking eighty right now.”
Pilgrim World was…grim to say the least. It was mainly a plot to attract tourists and make money for the town. Young kids did always find entertainment in the, probably inaccurate, history of the town, so you guess it’s not all bad.
For the normal townspeople that is. 
The students from Nevermore were forced to work the grounds each year. Yeah…not exactly “town building,” but it was mandatory for them.
You sat at the Weathervane café with your computer and a warm drink. Learning about the same white people every year wasn’t your type of fun – no disrespect to them – so you opt to just watch others from the window seat, maybe get a bit of work done in the process. You watch kids chase each other; families share pieces of fudge; individuals enjoying their beverages while trolling down the center lane. You were so focused on watching others, you completely forgot about your previous, most important task: to watch the entrance.
Not that you just wanted to stare at townsfolk all day, but you were anticipating a certain outcast’s arrival. You wanted to make sure that you could watch the long-haired boy walk in so that you wouldn’t embarrass yourself by randomly staring like you did previously. But with your low attention span and professional ability to zone out at the worst times, you completely missed the fact that just who you were looking for had not only arrived at Pilgrim World already, but had walked into the café minutes ago.
“Do you want me to wipe down your table?”
That was the question that caused you to jolt in surprise, turning your head to meet the mysterious Nevermore boy.
“I wouldn’t want you to get your computer wet. You know, just in case you need to hide behind it again,” he finishes with a small smirk.
"Cielos, me asustaste,” you exclaim, more as an instant response than an actual reply, and giggle a bit while looking at your lap.
You look up at him after doing so, only to find him softly smiling at you. You open and close your mouth a few times before internally taking a deep breath and looking him in the eyes.
“Hopefully I won’t need to hide from anyone any time soon. But yeah, sure.”
You set your computer on the seat beside you as the boy gives the table a few wipes. Funny thing is, the table was completely clean before he wiped it. Even more so since you dusted it off a bit before sitting.
“No more hiding, huh? I like the sound of that,” he remarks. He finishes wiping the invisible mess off of your table and stands straight again. “Do you need a refill?”
You didn’t even notice that your cup was a few sips away from empty.
“Oh uh sure. It’s just hot chocolate,” you smile and he slightly nods before making his way over to the counter.
You start glancing back out the window, though this time there are Nevermore students roaming around in addition to the previous bunch. Some people are outside handing out fudge while in pilgrim costumes. You had to do that one year…it’s as boring as it looks. You notice the gloomy girl you had seen at the carnival enter the Crackstone house down the road. You could have sworn that it was closed off…
A bump on your table causes you to look away from the historical building and down at the cup that has been dropped off. You pick up the cup and take a sip as the long-haired boy walks away to clean off other tables. You glance at the cup holding the warm chocolate, which is when you see the black marker along the side.
‘Xavier…xxx-xxx-xxxx’
‘Oh,’ you thought as you realized what this was. His name…and number. Your whole face felt warm as your eyes searched for the boy, finding him behind the counter already looking at you.
You smile and tip your cup in his direction before taking another sip and going back to staring out the window.
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Honestly, I used this as an excuse to gush over Xavier bcs oml there is no reason I should find this man as attractive as I do. Also, possible pt.2 with them getting closer ???
Another question: somebody asked me if I had a taglist for Xavier, so I was just wondering if y’all would want that? 
I no longer support Percy Hynes White and will no longer take request for Xavier Thorpe.
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chaifootsteps · 7 months
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I despise how they've handled Stella seeing as she had so much potential to be such an interesting character and add some depth to the whole story arch of Stolas cheating and essentially destroying his family because of his own selfish desires, but since Vivzie refuses to do anything interesting with her female characters I developed a lot of fun headcanons for Stella before she was complete butchered in the narrative;
Stella collects tea sets, she loves going to the hell equivalent of thrift stores to find older, maybe even damaged sets and attempts to restore them. Stolas gave her a galaxy themed set as a wedding present and its one of her favorite, she never uses it because she’s afraid to damage it.
Speaking of thrifting, Stella enjoys taking Octavia along on her thrifting outing, the two of them often visit antique stores together and love to collect pawned off heirlooms. The two of them love to speculate and develop stories of where they believe the heirlooms came from and how they ended up at this very store.
Similar to Octavia, Stella has a fascination for taxidermy and for a while in her youth would collect dead bugs and attempt to preserve them. 
Used to read to Octavia to put her to sleep, her favorite book to read to Via was the Grim Brother’s Fairy Tales. She gifted Via the complete book collection as a birthday present one year. It’s one of Via’s cherished possessions. 
Stella has a loud, infectious laugh a type of laugh you wouldn’t ever expect to come out of royalty. She was ridiculed for it by her parents, being told it wasn’t becoming of a lady to chortle so she opts to a proper quiet giggle when around other royals. Because of this belittlement she’s become quite self conscious of her laugh and only genuinely laughs on rare occasions or when she’s comfortable around someone.
Stella adores Stolas’ terrible sense of humor and his awful dad jokes, though due to her insecurities towards her laugh she tries hard to keep from laughing out loud when out and about, however sometimes she can’t help it. 
Stella has a couple hobbies she enjoys and indulges in during her free time such as flower pressing, playing the piano, thrifting, gardening, calligraphy, and party planning.
Stella loves planning parties and will often times aid other higher ups and royal families in planning social events, charity events, and parties for any kind of occasion. She’s planned quite a few odd social events because of this, but its hell so that’s to be expected after all!
Has a strained relationship with her family due to their belittlement and ridicule. They cared for Stella but of course were more worried about molding her into a proper young lady so they could marry her off to a higher standing family, so their relationship now adays tends to be a little tense and strained. Continues to keep in contact with them out of obligation, and in a sense guilt.
Stella truly wished for a large family, however it was extremely difficult for the couple to conceive and Stella suffered multiple miscarriages. Via was a miracle in herself and the young couple were lucky enough to have carried one baby to term. After Via was born Stella suffered with some extreme postpartum depression. Because of all these hardships they did not attempt to have anymore children after Octavia. 
Even though Stella and Stolas’ union was due to an arranged marriage, Stella never despised Stolas. Even though she hated having her autonomy taken from her at such a young age she still strived to be a good wife to Stolas in hopes that the two of them might be able to learn to properly love each other regardless of the circumstances. 
At some point Stella believes she truly did fall in love with Stolas, so when the truth came out that Stolas had cheated, the betrayal hit her deep. She spiraled into a deep well of self doubt and depression. She had done everything she needed to right? After all, she had done everything her family had told her, she had been the perfect loving wife yet he still cheated. What was wrong with her? Was it her fault? Was she not good enough? What was it about that Imp that Stolas adored? How could he do this to their family? To her? To Octavia? Soon enough Stella became withdrawn and cold, choosing to keep her distance from Stolas all together. It didn’t help that Stolas appeared to harbor no guilt for his infidelity only continuing to rub salt in the wound as he continued to publicly pursue the affections of his impish little plaything.
Fuck it, if the Vivzie stans get Soft uwu Stolas in spite of every awful thing he's done and continues to do in canon, we can have soft Stella.
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PROPAGANDA
ELEKTRA NATCHIOS (MARVEL COMICS)
1.) Elektra was created by the misogynist himself, Frank Miller, who would write female characters like garbage including her. Throughout her entire existence within a majority of Daredevil comics, Elektra has been treated as a character made to be a trophy for Matt Murdock. Daredevil writers love making her life revolve around Matt in a way that its framed as romantic when the reality of their relationship should be framed as a tragedy due to their conflicting ideals (and in my honest opinion, I think she should start hating him).
Frank Miller’s Man Without Fear completely butchers Elektra’s character by changing her character to this “crazy woman with voices in her head who loves to kill anyone and anything” completely shitting on the original backstory of her being a sheltered rich girl who was very kind and sweet until her father’s death that shattered her hopes and dreams, leading her to become vengeful and turn into an assassin who believes that all she’s good at is killing and that she can’t ever live a happy normal life.
[…]
And of course thanks to the mcu, that influenced current Daredevil writer Chip Zdarsky, who ruins her character EVEN MORE by trying to follow up on the MWF backstory AND make it align with the mcu version as well to this spy that was sent by the Hand to purposely seduce Matt just like how mcu Stick did in the show. Zdarsky writes Elektra in a way that ruins her character completely and makes her infantalize/belittle Matt by calling him naive and foolish despite in previous incarnations where she UNDERSTANDS why Matt wouldn’t follow in her footsteps and wouldn’t kill and WOULD NEVER TRY TO CONVINCE HIM OTHERWISE (and Zdarsky made her fetishize Matt’s blindness in a way in which she would never do if she was in character). Zdarsky made her stop her ways JUST FOR MATT and then writes Matt to constantly disrespect her and call her a murderer despite in previous iterations where he WOULDN’T DO THAT AND ALSO UNDERSTANDS WHY SHE’S LIKE THIS WITHOUT CHANGING HER. (Zdarsky wrote everyone OOC in his run but the most who suffered from it is def Matt and Elektra). Then Zdarsky made Elektra become Daredevil which yeah, the suit is cool, but the implications of it sucks as Daredevil is not an identity that anyone can pick up on like Spider-Man. Daredevil is explicitly an identity that Matt took up bc of the injustice his father received after his murder along with the desire to protect the victims of the justice system. Elektra is a foil to Matt so her uprising as Elektra wouldn’t align with becoming Daredevil. How he framed it was essentially on par of a woman taking up the husband’s last name but so much worse. Elektra as Daredevil doesn’t work because it completely erases her identity as Elektra and further pushes the idea that she only exists to serve as Matt’s trophy, as his pain, as his wife, as his tragedy, etc etc.
Not a single male Daredevil writer should ever LOOK at Elektra ever again until they know how to write her because she has been done so dirty and receives misogyny on EVERY SINGLE ASPECT OF HER EXISTENCE. There’s only been a few times where Elektra’s been done well and a lot of them had Matt be involved very little in it and it really makes you think.
2.) Both show and fandom perperativing the sexist and racist troupe of a dragon lady: overt sexual and physical aggression, untrustworthiness, and mysteriousness. The fandom is notorious for saying Elektra is toxic, instead of recognizes she’s an abuse victim working for her abuser. More often that not, all nuance is thrown out the window
(Comics and show) Killed for Matt’s(Daredevil’s) pain/fridged
3.) Constantly mischaracterized and used as a prop for Matt Murdock/Daredevil, especially in the case of his netflix series and his ongoing comics written by Chip Zdarksy (where she is so intensely out of character she’s almost unrecognizable, and in the case of the current Daredevil run parts of her origin story have even been heavily retconned to more closely resemble her Netflix counterpart which is. Oh my fucking god its infuriating.) But it’s an issue really like half the time she shows up in any given daredevil comic (im being generous)
ABBIE MILLS (SLEEPY HOLLOW) (CW: Racism)
1.) Abbie starts out as one of the two protagonists of the show, only to get almost entirely sidelined as early as season 2, getting less and less screen time and allowed no relationships, either platonic or romantic, while the other lead Ichabod Crane has a seemingly infinite amount of them. It got bad enough that her actor wanted to leave the show, which they did by having her sacrifice her soul in the season 3 finale for the male lead to live, and then they ended the show after season 4 anyway, because guess what, it’s a bad idea to entirely sideline and eventually kill off one of your leads!
2.) She was killed by the narrative to advance her white male co-protagonist’s plotline and I’m still mad about it, Abbie deserved so much better. This is an example of racism in the narrative too and it extended to the production of the show, see news coverage:
3.) Look, I only watched the first season but they killed her off the show SHE was a co lead of!! Misogyny AND racism, all rolled into one. I remember seeing the fan reactions and I was so mad on their behalfs. They wrote her off her own show and from what I recall, gave her less and less screentime leading up to that. Truly, she deserved so much better and I will always be upset by this.
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bitchymanlet · 7 months
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Modern Levi Jobs
(Update: sorry this comes off as a little pushy, I was new to the fandom and very Passionate about this subject)
Another Modern AU where Levi has a white collar profession? Hm…
Of course people are free to interpret characters however they like and write whatever they want, but I believe Levi’s poor upbringing and criminal background are intrinsic to the man he is, and by stripping these vital aspects of his character away, he would be a completely different person (unless the point of the au is making him completely different?). For someone with his background, pursuing a higher education would be daunting, and a white collar career path may be near impossible with felony charges. And I just don’t think loads of paperwork, emails, formalities, bureaucracy, and academia are Levi’s forte. Plus, the man can’t stand the pompous bougie crowd.
While being mindful of his impoverished criminal background as well as his canon characterization, here’s a list of jobs I could see him having in the modern day (many of these jobs hire felons or depend on the employer or circumstance. Whether or not Levi has felonies, he must have a criminal record of some sort, and these jobs would be possible with that in mind. Some may be more believable than others, I think it depends on lots of life factors as to which career path he would choose, and that’s the cool thing about AUs—so many possibilities!)
Retail/Service industry:
Store Clerk
Barista
Bartender
Bellboy
Dry Cleaner
Line Cook
Butcher
Barber
Body Piercer
Florist
Personal Trainer
Animal care:
Pet Groomer
Veterinary Assistant
Ranch Hand
Trades/Labor:
Custodian
Maintenance Worker
Warehouse Worker
Electrician
Plumber
Welder
Mechanic
Glass Blower
Potter
Tea Farmer
Fighting:
Kickboxer
MMA Fighter
Martial Artist
Self Defense Instructor
Show biz:
Animal Trainer
Makeup Artist
Actor
Stuntman
Acrobat
Pole Dancer
Crime:
Gangster
Smuggler
Drug Trafficker
Arms Trafficker
Thief
Assassin
Vigilante
Miscellaneous:
Tea Influencer
Shibari Artist (ok hear me out mans is dexterous 👀)
IF he still grew up destitute but managed to not get caught for serious crimes and therefore does NOT have a criminal record or it’s too chickenshit to be a big deal:
Gymnast
Soccer Player
Track Runner
Jockey
Zookeeper
Lifeguard
EMT
Firefighter
Physical Therapist
Private Investigator
Gunsmith
Social Worker (While I don’t think he’s cut out for an office job, I could see him possibly becoming a social worker due to his understanding for the clients’ plight, his compassion, and his desire to help others.)
*These are my opinion. You can play around with him however you want, I’m not hunting down anybody for how they interpret a fictional character. I’m just sharing ideas that’ll maybe inspire.
And here's a fun little thing regarding him being a tradesman:
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“Going over our shortcomings and bitching about our situation is an important ritual.” Don’t tell me that’s not something a union man would say.
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claireverlasting · 11 months
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41 and 12 for the ask game?
41. What are some lines from musicals you really like?
Don't be afraid of death, Winnie. Be afraid of not being truly alive. You don’t need to live forever, you just need to live - tuck everlasting
Try to walk all over us, we'll stomp all over you - newsies (this makes me wanna bang my head against the table/pos)
To the world we dream about, and the one we live in now - hadestown
You're not good, you're not bad, you're just nice. I'm not good, I'm not nice, I'm just right - into the woods
How can you soar when you're nailed to the floor? - tick tick boom
But when you’re gone, who remembers your name? Who keeps your flame? Who tells your story? - hamilton
12. Worst stage to screen adaptation?
Short answer: Dear Evan Hansen, no one asked for a movie why didn’t they give us a proshot with the obc
Long answer:
Oh boy, ohhhhhh boy *crack knuckles*
It has to be Dear fucking Evan Hansen. For a show that has the og team in the writing room I don’t know how on the fucking earth they missed the whole story completely.
They did not realize the original plot has already walked on the edge of That Is Fucked Up and was on thin ice from falling into the Problematic Cringe Theatre Hell. They were like oh it’ll be fineeeee we can totally remove these import parts and it’ll be fineeeeee. Like bro. BRO.
A huge part of the story relies on a) Evan’s connection towards Connor, and b) The story acknowledges how Not Okay Evan’s actions are. And what did they do? Butcher the script until it highlights the worst possible part of the story. I don’t even give a flying fuck about Ben Platt being too old for the role or whatever, I can’t tell people’s age anyway, but not even the most talented and 17-years-old actor can save that monstrosity of a script, and that’s the same guy that wrote the musical one! Like how👏did👏you👏not👏see👏it👏
The thing that motivated Evan to do all the stuff in the story is that he saw himself in Connor, and you can see a lot of his action was based on “What if I’m the one that was dead, what would I want people to do”. You got Anybody Have a Map, Disappear, and ghost Connor, you cut those, you cut the connections between the two characters and Evan’s inner struggles. And they made Alana the one to suggest a Connor Project as an attempt to make Evan looked more blameless in the whole ordeal. I can’t believe I need to spell it out but it did😑not😑work😑like😑that😑, you just make Alana looked manipulative, and the whole thing can be avoided if you didn’t cut Disappear. And there are Jared and Good For You, without someone that is boinking Evan on the head like “Dude please stop”, it just looks like the story is excusing his actions.
In conclusion, they thought it’ll work better if they make Evan more out of control of his situation and overall more “Opps shit happened around me and I just went along with it”, I saw a post somewhere that said that making the character directly responsible to the thing that happened makes them more sympathetic (or smt) and it applied to this situation so much. In the musical we see a teenager that make terrible decisions as an attempt to make things better, but in the movie we just see an opportunist that is manipulative and did all of the stuff to get into a girl’s pants
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la-hannya · 1 year
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So raisin’s long awaited Shiina Sessrin chapter finally released and it confirmed that Shiina seems just as dedicated to butchering Sesshomaru’s character as Sunrise/Sumisawa did. I can’t believe the fandom is still simping for PedoShiina when he’s aptly demonstrated through this chapter alone that he makes the characters just as OOC as Sunrise did. Between Kagome “being jealous” of Sessrin and wishing Inuyasha was a more romantic husband like Sesshomaru (as if she herself hasn’t always been Inuyasha’s single biggest fan and would never dare to make him feel small by comparing him with Sesshomaru, his racist brother who tortured him in his youth, also rather than “envying” Sessrin she would be the first one in line to shoot an arrow through Groomermaru’s Pedophilic ass) and now him actually having Sesshomaru be the one to make the first “move” towards Rin and say incredibly sappy OOC stuff like “Rin is my everything” - it’s clear he doesn’t understand these characters any better than Sunrise.
Also his incessant need to continue making callbacks to “child Rin” during the “Sessrin” chapters and having Rin outside say she worships Sesshomaru like a God… 🤢🤢 At least it proves something the entire fandom has always been knew: They were not and never will be equals. Rin isn’t some strong girlboss ~QUEEN~ who wears the pants in that relationship like her fans self-inserters claim. she is an infantile child who was groomed by her guardian who she will forever hold up on a pedastal as a literal God and can see no flaws within him because he was the first/only person who ever gave her a sliver of kindness, and thus she feels she literally can’t say no to him.
Heya! @sweet61 beat me to most of what I wanted to express first, so you should check her answer before the things I'm gonna add to that here ^^ cause I share her sentiments.
Shiina's take on SR is him taking a bandaid 🩹and trying to stop a leak💧on a dam with it. Cause it's pretty obvious he knows about the backlash with all his statements. We went from anime loliconmaru using Rib as a creepy experiment cause he was curious about what was like to love and being a dad to "he made advances on her but actually Rib was the one who started it by seducing him with "Did Rin grow up? 😉😊" Stuff like that. Including him BLUSHING which was like a big no no for the rules RT has for his character. OOC and if he actually ever does that blush it would actually be microscopic as hell. You would need to get your 🔍 to actually see it. I understand Sesshomaru can be awkward but by the gods... WTF
BUT
He's still no different from the anime hny cause he still doesn't give a fuk about them kids really, has inukag on deep-freeze along the kid wife in this supposed masterplan along his mother because he doesn't really know WTF he is doing.
Congrats, you just made the infamous "Aristocratic Assassin" lord of the west a complete dumbass with creep still sprinkled around 🙄
I've already talked about this in the Sesskik Discord but Rin believing Sesshomaru is a God/Kami—Shiina took that from the wide-ban volume interview RT did about Rin and Jaken. Which btw, as you can see she makes clearly here what Rin was meant to be (and it's not what the romantic kind. This was before the Hogosha one)
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And another call back to the "child". Interesting how Rin is supposed to be an adult, all we getting on this thing is references and personality of her being said child 😑.
I'm not surprised. Since "adult Rin" seemingly doesn't exist. Manga "adult Rin" doesn't even look like herself. It's like Shiina took his mouse, clicked cut on Kagome, took her to Photoshop and then called it a day. I'm sure the Sesskag Fandom had good laugh about that.
I'll say this. I'm not gonna name or whatever but I'm gonna say it. If you love this fandom and don't want it to finish going to a Oblivion like it has recently these past few months... Don't Support this. Stop giving it ratio. Just cause it's giving you some crumbs of said characters' daughter. And I adore said character mind you. Plus the villain. Hells, he even called pedomaru out for bad parenting and being awful. He had potential. But really think about it.
Like at this point I barely even see even stuff from my favorite characters. Because most of it is a constantly barraged out of the algorithm with unwanted CP SR in various positions unless I block it cause that's all they think about their ship while simultaneously constantly making week celebrations just to be able to trend cause they can't even make the official polls without bots...
Don't give your time on that. There's a ton of people in this fandom. Who are amazing and can do better content in a day that even Shiina, or Pedosawa, or even RT will. From Sesskik, Sesskagu, Sesskag, SessSara, SessNara or just Sessh himself while also being a cool single dad cause that's also valid and fits his character completely. As well as content about the other Inuyasha characters. The twins don't even look like their own "mother" so you can even imagine the mother as someone else.
Even a little ❤️, like, or comment for any of those content creators is enough. By showing support to the original series and people who truly love and understand these characters, I swear you'll be happier in the long run as well as peace of mind. We already got that anime fanfic cancelled. Plus don't let sinners try to censor you with lies, or try bully you into accepting their ship in social media. If they want to ship it that badly they can stick to their corner and stop harassing peeps who have the minimist disagreement about it or ship something else. They constantly diss other ships and make up stuff to attack others, yet they expect us to stay quiet about theirs and their antics 🙃
....double standards
That being said if you're ever feeling like shit about this just remember. Even Shiina knows "it's not canon". This is his "doujinshi" of that original animation. Yes, it's an official product but it isn't part of the main continuity that is the original Inuyasha.
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The og series ended in June 18, 2008, with an ending that had enough openness to interpret whatever you like on what happens next
And that's the canon ending.
Yashahime is just one these. It's a bad one. OOC. An insult to the original. Destroyed the development of main characters. I know. RT didn't even write it. But in the end you choose. I already did and I announced it back for my pairing's weekend so look forward to it once I'm able to publish it, hopefully. if you're interested it on my imagination about it.
Phew! That was more than I expected to write.
In the meantime, take care of yourselves.
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kikyan · 1 year
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Yandere Gray Fullbuster
Honestly these may sound bland, but this is one of those characters that unless I write out a scenario/drabble, he won’t sound that intriguing. If that makes sense....? Anyways, please enjoy! 
These are my interpretations of his/her/their persona and none of these are 100% accurate. I don't condone any of these actions in real life and all of this is purely fictional and should be taken as such!
Overprotective, stalker, and possessive. I truly am afraid I will butcher and misinterpret his character, but these are the vibes I get. Unlike Natsu who is a lot more childlike and tends to joke a lot, Gray sticks to a more serious behavior. Now mind you, I did read the manga and finished it but that was back in middle school. . .so I may get a few things wrong, feel free to correct me if needed! Spoilers for the most recent season I think? I completely forgot why he did it, but he infiltrated that villain group and just outright left Juvia. Yeah, it was a shitty thing to do, but he did it with the idea of protecting her (but also at Erza’s request). He’s the type to do things himself and keep you in the dark.
Definitely overprotective. Gray cares for his guildmates (seen plenty of times) and truly wants the best for them. Despite the occasional trash talk, for his guild he’ll sacrifice everything. With his S/O, I like to think he’ll do the same. Not afraid to stand up for them in public, but prefers a more secluded way of helping. If you ever go on a job, he’ll offer to accompany you but if you choose to decline he’ll respect that. He will also follow you and stay hidden, possibly dealing with villains in the background ensuring your mission goes smoothly. The type to offer to walk you home, “I walk by that way anyways, it’s not trouble at all.” He’ll never admit that he already secretly follows you to make sure nobody comes after you!
Tying in with his stalking abilities, he acts like your shadow. It’s more of a precaution, but he can’t help following you around. When you leave the guild after work and start making your way home, he’s there ready to make sure you get there safely. On your way to hang out with someone? He’ll follow you around as well! If by any chance you manage to catch him, he’ll simply brush it off and say that he’s following a lead on a job and walk away from you. This ties in with his possessiveness, if he ever needs a person to go on a job with, he’ll ask you. If Natsu ever were to flirt with you (not like this man can flirt) or anyone (Loke tbh) for that matter, he’d initiate the fight. You’re his and he’s not afraid to claim. I know these headcanons sound very plain but he’s not a scary yandere. I’d say a 6/10.
In the end, you matter to him. Your happiness matters as well as your safety, he truly does care for you. If you were to ask him for help, who is he to deny? Gray is a man of morals but I believe he’s willing to toss some aside to ensure your safety. If you already were in a relationship with him, he’s attached by the hip. He’s always there, he’s not too big on PDA but having an arm around your waist is something up his style. The type to ruffle your head, the type to flick your forehead when you say something stupid, the type to smile at you before leaving after he said something cheesy. It will make sense when I write him I swear.
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windypuddle · 1 year
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BSD season 4 intro analysis
ok. i havent actually watched any of season 4. this is mostly because im not caught up with the anime and dont care to catch up because i dont want to see how theyre going to butcher it. but i saw @dazaistabletop​ ‘s posts with all the character frames from the intro and i realized hey theres symbolism going on. my favorite. so here we are
PART ONE: the Armed Detective Agency and the Guild
(this is going to be really long because i have to put in the images individually. thank you desktop)
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hey, you’re probably thinking. theres some people in here that shouldnt be here.
1. Aya. i think this is mainly symbolising that she’s on the agency’s side, the side of “good”, but it could also mean shes going to join the agency.
2. Poe. poe is in the Guild, right? sike. not anymore! although i believe the yellow lines of text in his picture could allude to him being in the Guild previously.
now some other weird things.
3. I’m not sure if its just visual effects, or the color changing as it goes along (as i said i havent watched s4), but Dazai especially seems a lot more faded out. this could be something related to how he doesnt feel like part of the agency. not sure. (ranpo’s also seems a little faded out, which could point to how he doesn’t play as big of an action role this season?)
4. Kyouka and Yosano both have prominent splashes of purple in their screenshots. I think this is reflecting how the Mafia/Mori have had such effects on them, which is important considering we’re getting Yosano’s backstory this season. This would beg the question why Dazai doesn’t have any purple, but this could have to do with how completely and easily he changed allegiances due to his lack of actual attachment to the Mafia or morality.
5. Tanizaki. Oh boy. Tanizaki has some purple in his, and also lines of red text(?). i think this is symbolizing that Tanizaki is going to be the one who takes the deal to join the Mafia.
ok on to the guild.
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this threw me off a bit because i forgot about them but fitzgerald and alcott and the eyes of god are in fact important. also mitchell, despite being in a coma, is a catalyst for hawthorne’s whole thing. and we can’t forget the masked assassin himself. cant wait to see this loser in the skyfall arc. and lucy is practically a main character at this point.
i think the orange/pink accents are just there to complement the yellow as a color thing, not for symbolism. although the bit of aqua in fitzgerald’s picture likely symbolizes how he’s thrown his lot in with the agency.
next part: hunting dogs and port mafia! you know why
and third part
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overobsessedfanboy23 · 10 months
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Okay so my thoughts on Go Rush’s most recent arc
The first Yugioh arc I got to watch as it was coming out (only two episodes of it were out when I fully caught up on the show), a pretty momentous occasion for me that I’ve been looking forward to for quite a while.
The arc is also Go Rush’s equivalent of WRGP.
Was it as bad as that? I guess not, it was far shorter and I enjoyed a greater ratio of it than I did of WRGP, where apart from the mildly good Team Taiyo, and okay final duel, I was either completely bored out of my mind or filled with rage the entire time. This arc of Go Rush meanwhile, of the thirteen episodes it gave us, I fully enjoyed... five. And thought two (the finale) were okay while everything else ranged from boring to awful. Characters were butchered, the story took directions I couldn’t get invested in, and the amount of Sevens fan service was more excessive and distracting than it ever has been in this show before.
It wasn’t so bad that I’m quitting the show, I do feel like they can recover from this lackluster arc. 5Ds recovered from the far longer WRGP arc after all so maybe Go Rush can have its equivalent of Ark Cradle soon. I hope it can.
MORE DETAILED THOUGHTS UNDER THE CUT, INCLUDING SPOILERS FOR THE NEWEST EPISODES.
The first three episodes of their arc were a strong start that showed a lot of promise, the initial premise was really enticing and interesting. I also liked the Yuhi vs Tremolo duel, and Tremolo as a character overall. His scenes even in the lesser episodes were enjoyable, he seems like a fun character despite his shotty introduction and I hope we learn more about him and Phaser as the show goes forward.
The episode where they raid MIK headquarters, despite its fumblings, was also pretty good and pretty much the last time I had fun with this arc. I did think the final duel between Yudias and Phaser was okay (Phaser being a dragon alien was cool but man did his humanoid dragon form look weird as shit), but it would’ve been a lot more enjoyable if nearly everything between the MIK raid and that duel didn’t range from boring to downright awful. The treatment of Manabu’s character and shafting of his potential arc this season was frustrating, as was Zwijo being... way too different after what happened last season. He and Phaser both feel like they changed too much in such a short amount of time to the point where I can’t really believe they’re genuine.
I also couldn’t stand the overabundance of Sevens fan service this arc. I love Sevens but having two episodes in this cat world that accomplished nothing for the overall story, or really even the characters, brought the pacing to a screeching halt. It felt like filler, filler that wasn’t funny or charming. It just felt like the creators of this show were shaking the audience and going “HEY REMEMBER SEVENS?! YOU SHOULD WATCH SEVENS SO YOU CAN UNDERSTAND THIS SCENE! SEVENS IS REQUIRED VIEWING FOR GO RUSH NOW SO SUCK ON THAT, DICK NIPS.”
And that’s obnoxious, as someone who does like Sevens, so if anything, I feel bad for the people who didn’t see or like Sevens but were enjoying Go Rush only to be bombarded by so much sudden Sevens continuity and fan service that didn’t even provide anything new for Sevens fans. For me, as a Sevens fan, the episode where they travel to Sevens time felt like it was just there to remind me of a better show I could’ve been watching instead.
Go Rush has its own identity out of Sevens and a unique charm to it despite being a sequel and before THAT episode, it could be enjoyed without having seen Sevens. I’m gonna use GX as an example, I know I do that way too much but both GX and Go Rush are sequel shows that shifts the focus to different characters than its predecessor so I think it’s a fair comparison.
In GX, no DM character was a major player in the plot like Yuga is in Go Rush and while GX had DM fan service here and there for sure, the fan service was never so bad it took away from or overshadowed the new characters. Sure, Judai duelled Yugi in the final duel but that was at the very end of the show, like a fun extra, and it still tied into Judai’s character arc first and foremost. GX knew to keep the focus on its new characters and themes and as a result, despite being a sequel, it felt like a completely distinct experience from DM and even surpassed that show for me.
Every time Yuga is onscreen in Go Rush though, it just makes me realise how much more I care about him than any of the new Go Rush episodes because time that should’ve been used to develop those characters was instead used to remind us of the old characters.
So overall, Go Rush needs to shape up and shape up fast. I want to enjoy this show, and have enjoyed it in the past, so please. Go Rush, be Go Rush, don’t be Sevens Pt 2: Convoluted Time Travel BS Boogaloo.
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magnorious · 2 months
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Review: The Last Airbender Episodes 4&5
Why was Netlfix so hell-bent on adapting this show instead of making something new in the ATLA universe? Make a Kyoshi spin-off! Everyone would have been hyped to watch Kyoshi crush skulls between her thighs. Make some other avatar we’ve never heard of with complete freedom to do whatever you want with their story. The 100-year war can’t be the only conflict in the history of this world and the gap between Wan and… I believe Kuruk is the earliest-named Avatar in canon after him, is massive.
It would have been free from all the “the cartoon did this better” nitpicks and legit complaints.
If they wanted to Game of Thrones-ify it, they should have taken notes on how to deliver exposition. Opening the pilot spoiling the best reveals of season 1 would be like opening GoT with Jaime Lannister stabbing the Mad King with full context for why he did it, instead of waiting for that reveal when he’s confessing to Brienne.
“The Storm” was perfect, and you soiled it!
Season 1 of the original is the weakest in terms of consistency. This season has both “The Storm” and “The Great Divide”. It didn’t have the biggest budget and didn’t have the intense overarching story of 2 or 3 with the struggle over the Earth Kingdom and the climax with the Fire Nation.
So skipping and rushing a few episodes like “The Great Divide” or even “Bato of the Water Tribe” and just sifting out all the important beats wouldn’t have made too many complain. I didn’t have a huge problem with shoving 3 episodes worth of content into one menagerie because it still worked, even if it didn’t stick the landing.
But it just keeps going. If they hadn’t cut away to the Fire Nation scenes, maybe they could have reworked all this Omashu plot into one episode. I’m bored. I’d rather be annoyed, than be bored. Boredom is the cardinal sin of entertainment. They take forever in the Spirit World too with all these unnecessary flashbacks for Sokka and Katara.
Still don’t like Iroh. “It seems we are always getting on or off boats, perhaps that is our lot in life, Prince Zuko.” Wow. Sagely wisdom. I want that on a t-shirt. Totally.
*Side note: Couldn’t you keep any of the original episode titles? Name the premier “Boy in the Iceberg,” episode 2 “Warriors of Kyoshi”, episode 3 “Jet”, episode 4 “The King of Omashu”, episode 5 “The Winter Solstice”.
Aang’s conversation with Iroh in the crystal cave prison cells looks and feels like they stole it from “Crossroads of Destiny”, except that Aang is way more vitriolic than he should be. He gets indignant, but he never gets so judgemental.
When I said in my last review that these characters aren’t cartoonish enough — Bumi is supposed to be over 100 years old, as old as Aang. His actor looks 60. Costume is pretty, though and coding the kingdom of Omashu as Indian and the rest of the Earth Kingdom as Chinese implies they were their own kingdom for a very long time and got annexed so, kudos.
Bumi’s voice attempts to fill the cartoonish void but because everything else is so grounded, it’s just awkward. He got turned into a royal jerk, not just a crazy old man like he used to be. Also not letting the “Bumi” reveal happen, that even one of Aang’s ties to his old life is still kicking, is disappointing. This isn’t Bumi. Not to mention that Bumi, in season 1, would never let this happen to his city, or his prisoners of war. Manufactured drama is manufactured and we all noticed.
~Secret Tunnel! Secret Tunnel! Through the mountains! Secret Secret Secret Secret Tunnel! Yeah. ~
I am actually shocked they kept the hippies. Very well brought to life.
I didn’t mind episode 3 playing fast and loose with the episode order and content, but butchering the “Cave of Two Lovers” is a crying shame (and dragging it out of season 2, no less). The story of the two lovers (read by Katara, not the hippie whose name escapes me) was reflected in Katara and Aang’s journey through the caves. Romance has never been Avatar’s strong suit, but the episode was still entertaining. Now it reads like Katara and Sokka are the lovers, which is a *choice*, but no, they just bicker.
Iroh’s side plot with the Earth Kingdom soldiers, with this unnamed dude we don’t care about, certainly fills the more adult tone they insist on going for, it just doesn’t need to be here. Once again, the original got away with implication flawlessly, instead of preaching the horrors of war explicitly.
I can’t remember exactly, but Lu Ten was danced around as a topic until Iroh’s mini-sode in “Tales of Ba Sing Se”. We could see that he wasn’t all smiles, we knew the wacky uncle was a bit of a mask, but that episode showed you exactly who Iroh is when no one saw it coming. All this filler is just a whole lot of unnecessary scenes and dialogue hammering home a backstory done way better with far less.
And, that episode was in season 2. Once again, the writers can’t hold out on a mystery for anything.
*Side side note: For shame slipping a piano into the score! For shame! Get that Western percussion out of here. Maybe GoT is just on my mind thanks to that rumor, but the theme music for the Southern Water Tribe sounds a lot like the Winterfell theme in the beginning. Hell and gone from any asiatic influences.
“It wasn’t the crystals that guided Oma and Shu,” no, actually, it was. You just didn’t want to animate the wolfbats so you turned the gentle giant badger-moles into snarling beasts.
Oh, there’s Zuko’s sympathetic side in that flashback about Lu Ten. Nicely done, no notes. That’s the Iroh I want the entire season. I hear that Leaves from the Vine in the background.
Episode 5 opens with some ham-fisted exposition and wow, that was impressively bland. 
I… spoke too soon about omitting Bonzu Pipinpadaloxicopolis. My mistake. And I spoke too soon about enjoying Azula and Ozai. They’re both still great, they just don’t need to be here yet.
Because they have to make up scenes for these characters, they still say a whole lot of words without saying much at all – except that Ozai now randomly actually respects his son and chastises his daughter for mocking Zuko. That’s new. Ozai is all about “self-serving flattery and coy whispers.” Dude named himself the Phoenix King and invented a rank above Fire Lord for his own vanity. He would be a loser if he wasn’t so powerful.
Okay, the show got me. I actually laughed out loud when Zuko tried to bribe the Earth Kingdom tavern keeper and it didn’t work.
Nice to see they paid as much attention to the “Great Divide” as the Ember Island Players, but for shame about “The Waterbending Scroll.” That was a decent episode. They also skipped most of “The Fortune Teller” and carved out June and *man* is that some rushed CGI on Nyla.
Wan Shi Tong?! *checks notes* 20 episodes early?! His VA is great. Gravely goodness.
Iroh accidentally reads the script notes when he says “Zhao is already making his moves and we have yet to draw our tiles”. These two are aimless, leadless, and hitting plot points like potholes.
Regarding Aang dragging Sokka and Katara into the Spirit World with him, as far as I know only avatars and Iroh can enter the Spirit World. They don’t need to be part of these scenes. When I said the writers did their homework in the pilot, they must’ve read the SparkNotes for “The Winter Solstice”, and instead filled it with stolen flashbacks from season 3.
I take it back. I take back wanting to skip “Bato of the Water Tribe”. Hakoda never got the chance to do Sokka’s ceremony, that’s why it was Bato’s job, that’s why Sokka was left behind and so much older than the rest of the kids in the village, because he wasn’t a man yet. Are all these supposed to steal from “The Swamp”? They aren’t from season 1.
Koh looks great. That’s the best part of this whole over-long sequence. Koh. Even seeing Gyatso again doesn’t feel earned when this scene doesn’t need to exist. It’s not like Katara and Sokka are learning new information, nor are they the bridge between the worlds. Aang doesn’t quite feel like the “last airbender” if he can chat with Gyatso’s ghost whenever he wants, he’s supposed to be utterly alone, 100 years divorced from everything he’s ever known.
Gyatso’s speech is nice, if I extract it from its context.
This show is missing artistry. Some beautiful establishing shots and cinematography, scenes I can freeze-frame and stare at and turn into wallpaper – not to mention that once again, it’s too damn dark to see anything in night scenes.
Once again, the VFX is very obvious and distracting. I know the artists aren’t to blame, but, gee, had the whole thing been a cartoon, there wouldn’t be a need for realistic CGI.
Slamming all these episodes together like this makes them messy. The plot isn’t a meandering adventure filled with side-quests anymore. It’s not written like a show where you tune in once a week for a good time. It’s written like a bingeable Netflix property, and released all at once like one. They could have at least staggered the release to two episodes at a time.
I don't think I'm actually going to finish it. At least not now. I don't want to give Netflix the view thinking I watched beacuse I was invested. I wish it were as bad as the original movie, if only so I could make fun of it.
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spoiledsummerdasies · 4 months
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Being a fictive from a controversial source (Lolita)
A post by Delores “Lolita” Haze (NEVER CALL ME LOLITA. I MENTION IT HERE ONLY SO PEOPLE KNOW WHO I AM)
This is long, and obviously covers triggering topics, so TW for everything under the cut.
Let me tell you something right off the bat, you can’t control who you split. No one in this system actively wanted to split a character from one of the most controversial and misunderstood books to ever exist. And yet, here I am. 14 years old, only girl in the system. I’m extremely lucky to have formed without exomemories, but I am fully aware of what happened to me in my source, it’s uncomfortable to live with that information, but I have to endure it. I do try and separate myself from my source to an extent, I don’t want to trigger myself you know? But the entire conversation around Lolita interests me. I categorise those who are interested in the Lolita franchise (book and movies) into four categories:
1- people who actually understood the story. They know it’s not a love story, that it’s more akin to a horror if anything. They like the story for its writing style, or the movies for the cinematography or fashion etc. these are the people I like. They don’t romanticise or victim blame.
2-people (usually young) who don’t understand the story. They’re usually young girls with an older man k*nk who romanticise it.
3- people who have zero media literacy and can’t figure out that h*mbert is an unreliable narrator who warped everything to for his sick, victim blamey viewpoint. These are the ones that get all outraged and call anyone who even mentions the story a PDF
4- literal actual PDFs who completely missed the point of the story entirely.
Notice how only 1 of those 4 categories are safe people to interact with?
The publishing industry and the 60s movie absolutely failed the story. The author himself specifically asked for no girls or pretty pictures on the cover of the book for the soul reason of making sure no one went into it with the preconceived notion it was a romance. Just look at what happened once the 60s movie came out, no preconceived notions to a whole heap of them. The red, the sunglasses, the lollipop, the girl.
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While I do admittedly like the music in the 60s movie, they butchered the story. And they shed me of my entire Identity. My name is Delores Haze, Dolly or Lo to my friends. Not Lolita. That’s the name my abuser gave me to strip me of my identity. Every single character in the 60s movie calls me Lolita. They age me up to 16 (still a minor btw), they didn’t show any of the abuse (yes I know there were laws in the 60s but still), they framed it as a romance. The director was a creep too, reportedly messing around with the 16 year old actor. I firmly believe that there’d be less controversy around Lolita if the 60s movie never existed.
The 90s movie did better, but it still has its flaws. This is the incarnation of Lolita I’m mainly split from. With the red hair and the (absolutely amazing) wardrobe. It’s ok to admit the fashion is great btw, because it is. I feel like if they filmed it and edited it in a more eerie, almost horror like way they could have gotten the exact message of the book across. At least in this adaptation they show the abuse for what it is. The fighting, slapping and kicking, h*mberts creepy ass desires. And it’s good they used a body double for the more explicit parts to protect the still teenage actor. They kept me 14, still a bit older than the book but at least it’s still very young and gets the message across somewhat the same. What I think let this adaptation down was the cinematography and editing choice. Don’t get me wrong, it’s a beautifully shot movie. But that romantic, dreamlike, hazy view they use only further romanticised the story to many.
I bring all this up to make a point, it’s easy to romanticise the story because of what the movies did to it. Those with bad media literacy (so like half the planet) and those who haven’t read the book won’t understand the point. They’ll miss the fact this is a cautionary tale on how abusers work. That they’re often the people closest to you, that they’re manipulative, unreliable narrators, that they’ll twist things in their own favour and victim blame to justify their sick actions. I’m the victim, I always was. I’m 12 in the book, 14 in the 90s movie and 16 in the 60s one. All of those ages are minors, a child.
All of that being said: it enrages me that I can barely exist in public as a fictive of Dolly purely because people are media illiterate and don’t understand the story is and always has been akin to a horror that WARNS of the dangers of PDFs not a fucking love story. If I tell someone who I am and where I’m from it’ll either be “you read/watched Lolita? You must be a PDF” or “ew don’t romanticise Lolita!” As if we have any control over who we split. As if I’m not the victim and always was. As if the whole reason I split wasn’t because the host WAS harassed as a teenager. Just being a regular singlet who likes the franchise will get you harassed, but being a FICTIVE? It’s like walking on egg shells every single day I exist in plural spaces or just in public in general. It’s not my fault people can’t understand my source, that the publishing industry and movies failed the book, that PDFs do exactly what the book warns and warp the story to fit their sick fantasies.
I’m sure all fictives from controversial sources can relate to this part: no one ever asks how I’m doing NOW. Now I’m in a system, in a different body, in a safe environment. They stay hung up on the abuse I endured they completely neglect to get to know me for who I am now. They don’t know anything about me, my favourite colour (red), my favourite food (berries), my favourite drink (frozen coke), my hobbies (vintage collecting and fashion). I have a brother and dad in this system, a family that love me and don’t hurt me. Despite the body being trans masc, I don’t actually mind fronting. In fact I’m exited to get top surgery because in the headspace my chest is flat (bc you know, I’m a child). I’m fairly happy now, sure I have my bad days and get triggered sometimes, but I’m safe. I’m healing.
Fictives are not their source. They can be connected to it yes, but they are living a whole different life in a whole new body. They grow and change just like anyone else.
I am Delores Haze, my in sys dad calls me kiddo. My brother calls me Lo-Lo. The system calls me Dolly or Lo. Sometimes is Las, or shortie. But I’m not Lolita. I never will be. I exist in the system to help us survive, I’m not my source despite having a connection to the fashion and aesthetics. Fuck Humbert Humbert, fuck those who don’t understand my source, and fuck those who reduce introjects down to their source. I am not a “nymphette” I am a 14 year old girl.
TLDR: Lolita is not a love story, respect all introjects even if they have a controversial source. Learn media literacy. K word all PDFs.
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acourtofthought · 1 year
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That “licensed professional’s” take on Gwyn made me feel a little ick. I was expecting an objective, unbiased and professional review of the situation because they threw in their credentials but it didn’t present itself that way at all when they couldn’t even write out Gwyn’s name. I was expecting a proper case study—maybe not a full on review of the case but something a bit more “professional and objective.” Taking out Gwyn’s name showed clear bias and clearly was not from an objective standpoint at all. Again, the only reason I expected something unbiased and objective was because they waved around their credentials.
Some people need to chill. It’s fiction. Enjoy it for what it is, FICTION. That doesn’t mean you can’t apply reality to it because that’s why some things resonate so wonderfully with us but never forget that it is FICTION. Why the hell do you think there are disclaimers in fictional works of art?
The OP actually ended up commenting on the first post I wrote (the one where I debated whether I wanted to actually write my argument to their post) and I do appreciate that they showed genuine interest in why I was bothered by it. They also offered to take the post down (which was considerate of them but as it's been re-blogged, it wouldn't doing any good at this point). They are absolutely entitled to write as many Pro E/riel and Anti Gwynriel posts as they want. But.....I think there are some concerns with claiming that something is their professional opinion while giving a very biased opinion. At that point, someone is not really taking their medical professional as seriously as they should. Because therapists are supposed to be pretty objective and showing an obvious bias towards once ship is the farthest thing from objective. As soon as personal preference comes into play then your professional opinion should not. I'm no medical professional but I would truly be shocked to find that anyone who was a therapist and truly objective to this series would believe that Az and Elain are ready for physical intimacy (I'm not talking about casual sex but sex out of love) when you consider the fact that he rarely sees her at dinners because he's been avoiding her, the fact that she felt the need to lie to him about giving him his gift, that her hands shake around him, he doesn’t think she has any idea who he really is, and that he hasn't thought of her beyond his sexual fantasies while assuming Gwyn who is completely comfortable around Az after only knowing him a few months and who is playful around him, indicates a less realistic possibility within a future 800 + page book. Yes, I'm obviously Pro Elucien and Pro Gwynriel and my opinion is possibly skewed but.....the only reasons people are going to believe me is if they can see the things I'm seeing because of how I'm presenting my case. I'm no-one to anyone . But if I suddenly told you I had a Doctorate in Psychiatry then suddenly, those people are going to be blinded by my flashy degree and believe that my word holds more authority than most. It's just the way a lot of us tend to operate. And that can be sort of dangerous when claiming that a characters recovery from SA won't be very realistic if done a certain way. There's a lot of people that claim SJM has a responsibility to get things right but she is a fantasy fiction writer and what she writes about really shouldn't be given much weight. Her purpose is to entertain us. Yes, one would hope she doesn't completely butcher a sensitive subject but I don't think she has when it comes to Gwyn, regardless of where her journey goes from here. However, a medical professional is someone we ARE supposed to believe. Which is why, when giving an opinion, it's important to leave your credentials out of it unless you can honestly say you're not showing favoritism to one side.
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chibi-sunrise · 1 year
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Collection of Luminaria Staff comments
Okay, so the Luminaria official twitter accounts are still up, and I think I’ve got every comment they made there. I’ve also got a section dedicated to messages from the development team and writing team here.
And this post on the anime I wrote should lead you to every comment made on the anime by the directors, two of the scenario writers, the voice actors, etc.
So what’s left? Well, after the read more, we’ve got a blog post from one of the producers of Tales of the Rays and Tales of Luminaria. We’ve also got two blog posts from one of Luminaria’s scenario writers!
Yasuhiro Ikeno’s Graduation Announcement
On September 6, 2022, Yasuhiro Ikeno, one of the producers for Tales of the Rays and Tales of Luminaria, announced his graduation from the Tales of the Rays team in this Tales Channel+ blog post. His successor is the Assistant Producer who had experience in promotion, events, and production for the “Tales of” Series. She was in charge of Tales of the Rays’ promotion, from pre-service to Book II.
In this blog post, Ikeno talked a bit about his experience as a producer and what he wanted to do when he planned for Tales of the Rays and Tales of Luminaria. He said that he planned Tales of the Rays as a personal expression of his appreciation for the Tales of Series, and he said that he planned Tales of Luminaria because he wanted as many people as possible to know about and love the Tales of Series.
There’s another paragraph on Luminaria, but I can’t trust my own handle on the JP language to not completely butcher the translation. It is comforting, though, knowing that one of the producers for Luminaria has such strong and sincere feelings about Luminaria and the Tales games that preceded it. Ikeno also touched on the topic of the official archive for Tales of Luminaria in this event stream.
Sekina Aoi’s Episode Final Blog Post
After the episode Final was released, Sekina Aoi, one of the scenario writers for Tales of Luminaria, wrote about what material they wanted to include and what material they needed to cut in this blog post.
So, massive disclaimer: I’m not that great at JP translation, so you’re going to need to take what I’m about to say with a pile of salt.
Aoi comments about how the ep Final scenario was based on material they were going to publish in Crossroads ep 3, but they had to cut out or rewrite a lot of the content to make it into an episode Final. One of the things they had to cut out was “the situation with Celia.”
I felt the need to bold that because there was a not so small group of people who accused the writers of “not caring about Celia” or “Oh, I guess Celia’s not special enough” The writers were trying. And if they were given the time they needed, they would’ve developed Celia properly like they had always planned too! Luminaria’s writers honestly treat their characters with a lot of care, so that accusation never had any legs to begin with and always bothered me.
And Aoi says that there was one more reason why Hugo couldn’t tell Leo and Celia about his situation, but since that reason was based on the premise of Celia’s ep 3, they had to cut it out. For those who believed the three should’ve sat down and had a proper conversation, this couldn’t happen due to the scenario’s lack of description. But Aoi emphasizes that the Le Sant childhood friends are trying their best to love each other, and they’re struggling to understand each other.
The staff also tried to include a bit of the Tragedy of Le Sant from Leo’s perspective, which was material for Leo’s ep 4, as well as “the situation with Lisette” in the ep Final.
Considering how pressed for the time the writers and everyone working on the game was, and considering all the things they weren’t able to include, I hope people can have more appreciation for the ep Final. It’s not easy to try and wrap up a story that wasn’t even halfway to its conclusion! But man, did they sure try their best!
Sekina Aoi’s Tales of Luminaria 1st Anniversary Blog Post
Here’s the blog post Aoi wrote on Tales of Luminaria’s 1st Annivesary. Aoi talked about how amazing it was that Luminaria seems to still have so much love and support from fans on various SNS even after the service shut down.
He also had quite a bit to say on derivative works, his roots in said works, and their importance. Of course, they would appreciate it if you comply with the appropriate guidelines for derivative works as set by the official company.
Aoi shared a personal story that happened after Luminaria’s EoS was decided, and he says that they’d be more than happy if the fans continued to love and enjoy Tales of Luminaria for many years to come.
And that’s all the commentary I could gather from the staff for now! I’m sure they and others will have more to say whenever we get updates on Tales of Luminaria.
I’ll do my best to reblog with updates when that happens too!
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PROPAGANDA
SONIA HEDGEHOG (SONIC UNDERGROUND)
1.) She’s basically the only recurring female character in the show, she’s stereotyped as vain and petty in un unflattering manner, basically every male character except her brothers keeps hitting on her, she’s victim to the classic sonic 'every female character has full outfit while the boys just have gloves and shoes’ she’s frequently drawn with more realistic body proportions than the other hedgehogs to make her appear 'sexy’ even though she is canonically a minor (17 years old.) Half of the conflicts in episodes focused around her (which are few and far between) are about how she wants something and and won’t listen to reason, so she puts herself or the other characters in peril to get it. Her main voice actor is Sonic’s VA doing a weird voice, she’s intentionally written to be naggy and annoying to her brothers, and always cares more about her appearance than anyone else, which frequently gets her into danger.
ELEKTRA NATCHIOS (MARVEL COMICS)
1.) Elektra was created by the misogynist himself, Frank Miller, who would write female characters like garbage including her. Throughout her entire existence within a majority of Daredevil comics, Elektra has been treated as a character made to be a trophy for Matt Murdock. Daredevil writers love making her life revolve around Matt in a way that its framed as romantic when the reality of their relationship should be framed as a tragedy due to their conflicting ideals (and in my honest opinion, I think she should start hating him).
Frank Miller’s Man Without Fear completely butchers Elektra’s character by changing her character to this “crazy woman with voices in her head who loves to kill anyone and anything” completely shitting on the original backstory of her being a sheltered rich girl who was very kind and sweet until her father’s death that shattered her hopes and dreams, leading her to become vengeful and turn into an assassin who believes that all she’s good at is killing and that she can’t ever live a happy normal life.
[…]
And of course thanks to the mcu, that influenced current Daredevil writer Chip Zdarsky, who ruins her character EVEN MORE by trying to follow up on the MWF backstory AND make it align with the mcu version as well to this spy that was sent by the Hand to purposely seduce Matt just like how mcu Stick did in the show. Zdarsky writes Elektra in a way that ruins her character completely and makes her infantalize/belittle Matt by calling him naive and foolish despite in previous incarnations where she UNDERSTANDS why Matt wouldn’t follow in her footsteps and wouldn’t kill and WOULD NEVER TRY TO CONVINCE HIM OTHERWISE (and Zdarsky made her fetishize Matt’s blindness in a way in which she would never do if she was in character). Zdarsky made her stop her ways JUST FOR MATT and then writes Matt to constantly disrespect her and call her a murderer despite in previous iterations where he WOULDN’T DO THAT AND ALSO UNDERSTANDS WHY SHE’S LIKE THIS WITHOUT CHANGING HER. (Zdarsky wrote everyone OOC in his run but the most who suffered from it is def Matt and Elektra). Then Zdarsky made Elektra become Daredevil which yeah, the suit is cool, but the implications of it sucks as Daredevil is not an identity that anyone can pick up on like Spider-Man. Daredevil is explicitly an identity that Matt took up bc of the injustice his father received after his murder along with the desire to protect the victims of the justice system. Elektra is a foil to Matt so her uprising as Elektra wouldn’t align with becoming Daredevil. How he framed it was essentially on par of a woman taking up the husband’s last name but so much worse. Elektra as Daredevil doesn’t work because it completely erases her identity as Elektra and further pushes the idea that she only exists to serve as Matt’s trophy, as his pain, as his wife, as his tragedy, etc etc.
Not a single male Daredevil writer should ever LOOK at Elektra ever again until they know how to write her because she has been done so dirty and receives misogyny on EVERY SINGLE ASPECT OF HER EXISTENCE. There’s only been a few times where Elektra’s been done well and a lot of them had Matt be involved very little in it and it really makes you think.
2.) Both show and fandom perperativing the sexist and racist troupe of a dragon lady: overt sexual and physical aggression, untrustworthiness, and mysteriousness. The fandom is notorious for saying Elektra is toxic, instead of recognizes she’s an abuse victim working for her abuser. More often that not, all nuance is thrown out the window
(Comics and show) Killed for Matt’s(Daredevil’s) pain/fridged
3.) Constantly mischaracterized and used as a prop for Matt Murdock/Daredevil, especially in the case of his netflix series and his ongoing comics written by Chip Zdarksy (where she is so intensely out of character she’s almost unrecognizable, and in the case of the current Daredevil run parts of her origin story have even been heavily retconned to more closely resemble her Netflix counterpart which is. Oh my fucking god its infuriating.) But it’s an issue really like half the time she shows up in any given daredevil comic (im being generous)
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missycolorful · 2 years
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I always find it so interesting that a lot of Doomsday takes desperately seek that history be considered when mourning the country. And it’s not a totally inept ideal, given how some people like Tommy and Ghostbur value memories of old and cling to them when mourning what was lost. I can see where that value lies. They have good memories there.
It’s just that, when it comes to the present, and the standings of the country now, and whether or not New L'manberg is bad, history isn’t enough.
It’s like… how we say we shouldn’t do the exact opposite. By that, I mean we hold the common belief that one’s history should not m carry too much weight when they are a good person in the present, as in they changed and are better than they were years ago and do not hold bad beliefs they held prior.
So, idk, even barring my conflicted feelings of old L’manberg, why does the cruelty of a corrupt nation not matter just because it was good at some point? Because even then, L’manberg died on Nov 16th and has not risen from its grave. The new one is a cruel mockery of the old.
Like “oh Techno and Phil should learn more about L’manberg’s beginnings to see where that value stood and what it meant them.”
And I’m sorry, but this just… it isn’t enough. Because this implies that that would matter. To them or those who hold contempt for NLM. But it does not. Because to say this is telling me that people believe that Doomsday was 100% emotionally driven, and thus the solution would fall into place if everyone just calmed down and had a moment to think back on old L'manberg. Which was not true in the slightest. There IS emotion taken into account, but we can’t dismiss there is LOGIC to Techno and Phil’s reason for Doomsday. To pretend emotion is solely at the core completely disregards a lot about these characters, their ideals and values, and their experiences and how said experiences played into those ideals.
Techno’s history with the country is complicated. He came into it in the midst of conflict. He knows very little about any good that L'manberg held. And really, with the Red Festival, the 16th, the Butcher Army, the Green Festival, Techno has had continuous bad experiences associated with the country. And his viewpoints have solely taken in a lot of the damage done at the hands of the country, such as Tommy's exile, Wilbur's own destruction, et cetra.
And he didn't feel safe with New L'manberg still kicking, thanks to the Butcher Army. He tried to talk them down, reason with them, tell them that he wanted to pacify. But they weren't listening. At this point, what else is he supposed to do? Assassinate the president? Which already happened (kinda sorta) and led to another leader coming in that was slowly corrupted by the system? Do any of us really think that NLM would be willing to talk to Technoblade with mutual respect and understanding? You may try to say "yes," but deep down, I think we know that that option was never on the table. So, feeling unsafe and seeing that government has done more harm than good for these people, Technoblade took action.
Then we have Philza, who again, there's talks of "oh, let him hear about the history of L'manberg, he'll hear them out." Except... Philza DID know about it. Or he THOUGHT he did. He has those letters, the letters that spun L'manberg's history into something more positive as opposed to the suffering it caused and the damage done. He thought things were okay with Wilbur and the country he was creating. It was why he was willing to DEFEND L’manberg on the 16th against the Withers. It was why he was willing to build back up what was destroyed. He interacted with its citizens, helped in a lot of ways that honestly, some people seem to forgot. He was a big part of New L’manberg’s beginnings. Even if he proclaimed he wasn't really a citizen, he was still very much a present figure in helping rebuild it.
It was why the gradual corruption he witnessed burned him so much. Tubbo, someone who he somewhat respected and even initially praised for his work on LMN, admitted to him that he used money from his citizens for personal gain. Fundy, his own family, bonded with him then continuously scammed him and much worse, hovered the fact he was family over Phil’s head as he and the Butcher Army raided his house. He almost DIED by Tubbo’s hand aka state violence?? He almost saw the execution his best friend, in such an unjustly, vile way. He WITNESSED ALL OF THIS. Despite trying to give it a chance, he told them that he felt his loyalty was not earned. And they failed to give him any reason to give his utmost loyalty to them. They simply provided a man, who has seen many nations fall in all of his years and seen corruption creep into every crevice, more ammo in his beliefs that "this is the right thing to do," to help those suffering at the hands of a torturous nation.
This isn't even taking into account the damage L'manberg has done to its own founders and other citizens. I won't go too deep into it, but while Doomsday was traumatizing, I refuse to pretend that L'manberg didn't hurt pretty much everyone in close proximity of it. And all of that pain, all of that trauma, all of that everything, are we really going to disregard all of that, all because "oh, no, it was good at one point, don't be mean to it now."
Why is history important when the present is so ripe with wrongness? When the country that stands is nothing like the one that they once cherished? What does blowing up this new one matter when L’manberg has been dead for so long, when most of its people had defected elsewhere and was such a negative for pretty everyone else that had remained? Memories of old that hold sentimentality aren't bad or wrong or invalid, but if memories are the only good thing they have of a current country, then... just... why let a corpse run ragged?
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