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#He got smaller RIGHT?!

commanderfloppy · 1 year

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So I was helping a friend play through dragonstorm when I saw Rytlock and went, Is he shorter than before?? Spent the whole instance pondering over how short he seemed. Afterwards I went to AC story to try and compare his old height just to see if I was crazy but

???? I THink??? He got shorter ??? maybe??

(this one is not taken at the exact same distance but like)

He seems to have gotten shorter??

DID THE MISTS SHRINK YOU RYTLOCK??

Bonus: Tybalt (because I wanted to compare him too)

#gw2 #Rytlock Brimstone #Am I crazy??#He got smaller RIGHT?!

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eyrieofsynapses · 5 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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darkfluffydragon · 1 month

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Woo! Phantasmagoria! Shadow Milk Cookie :D (also known as Phantas when it comes to AUs)

It may be messy, but I've spent too long trying to come up with a design for jester man over here. Let's just embrace the chaos SMC style. This is also the guy who designed Pure Vanilla and Wind Archer's outfits by the way. He does not like his hair.

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luffyrose · 1 year

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Dc x Dp Blurb #4

I had this idea/image pop into my head so I'm making a thing for it.

Danny is de-aged to like 6-7, he was staying with Jason and knew about the bats and everything but they'd never fully met. Like he'd met Dick from him visiting or smth and maybe Cass, but Jason hadn't introduced most of them.

Something happens because Danny is there, GIW, Rogue, just someone wanting tiny ghost king Danny, but Jason is hurt REAL bad by it. Like, he gets knocked into a wall, only not collapse on the floor because it's holding him up and Danny runs over, hugging Jason and crying(he ran out of wherever he was hiding). The thing gets handled and all of them just see this child hugging a probably not breathing Jason but no one can get close because of the kid's powers.

Dick manages to get over to the two since Danny knows him and knows the two are close brothers. Still, before Dick can figure out what's happening, Jason's eyes flutter open at one of the ghostly noises Danny makes while crying, his own eyes green as he calls back.

This is the first time Jason gets to deal with his not so dead no so living powers, thanks to Danny's presence having made the 'pit' into his core.

So we have Jason who nearly died again (not really but he would have if Danny hadn't accidentally helped him form his core), who's also a halfa, 90% of the family who didn't know Jason had a whole child, and many struggles with new abilities.

Main thing I kinda like saw was the whole Danny hugging Jason while crying, Dick being the only one super close while the others were watching, and Jason's eyes like starting to open and green. So, have fun with this one!

#dc x dp #dp x dc #dcmultiverse #dc #danny phantom #ghost king danny #danny fenton #de aged danny #jason todd #dick grayson #cassandra cain #halfa jason #Jason saw Danny on the street and couldn't explain why he needed to help the kid so bad #so he just took him and Danny was like yeah okay #because he was already smaller and couldn't think right but hey red helmet dude was being very nice unlike most the people in this town #Jason was not happy to see Danny so injured but hey now he definitely didn't need to find the kids parents so his kid for sure now #He is somehow able to keep Danny a secret from everybody except Dick and Cass #partially thanks to Danny's invisibilty and interference with electronics #Dick only knows cuz he came into the apartment while injured to try and get some medical surprise and was met with a child before fainting #Danny patched him up and sat with him till Jason got hom #Dick loves his nephew so dearly and swore not to tell anyone to Danny himself if he got favorite uncle privilege which Danny was fine with #totally not because Dick taught him some cool acrobatic tricks when he visits #Cass knows because it's Cass #she gets favorite aunt privilege no questions asked #Danny is excited to be able to talk to her in sign though because he'd learned it for himself after an accident that had him lose his voice #but like only for a month but he and his friends were worried about it and learned #His friends are so panicking and looking for him same with Jazz Ellie and Dan #cuz I love redeemed older brother Dan and it would be funny if Jason got like 2 other kids through extension #not Jazz because she's grown and can take care of herself but she's happy to let Jason be a parent to her siblings because their parents #suck at it

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tangledinink · 9 months

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Is femboy Donnie going to be dysphoric? I know he's enby but his body also just changed a ton without him having a choice in it. Also you wrote that really well in TMWN when all the turtles see that they're turtles.

This is definitely a thing that he's gonna have to grapple with once he's been un-magickal-girl'ed, yes.

#first and foremost he got CROP TOPPED #hes a lot smaller and more slender than hes used to being #not to mention all the OTHER things going on with his body...#which we dont need to get into right now u w u #asks #swanatello asks #anon #also THANK YOU ; w ;

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liquidstar · 10 months

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WOW I FINALLY FINISHED THIS SET. There were a lot of things I wanted to get right for them so I took some extra time but hopefully it was worth it! The guild for this set is Cobalt Heart- a guild with focus on maritime missions, lead by (of course) guildmaster Neptune. There was no other planet I could've picked for his namesake lol. They're the guild I jokingly call the most jockish, but some moreso than others. I really do hope I did all the characters justice, but if you wanna know more about the individual members, it's under the cut as usual!

Name: Neptune

Name Origin: The planet named for the god of the ocean

Pronouns: He/him

Age: 52

Guild rank: Guildmaster

Weapon: Trident

Ethos (Power): Ocean wave (Control over water- stronger with sea water)

Flaw power is based on: Originally based on his overly relaxed go-with-the-flow nature, but since becoming a father and guildmaster he's matured, and his power grew from simple wave control to more powerful control over the ocean's water. Waves aren't always peaceful, but he's become someone who understands their power and the responsibility needed for it.

Notes: If it's unclear, the marks on his chest are meant to be top surgery tattoos, but in cool wave shapes!

Name: Triton

Name Origin: Neptune's moon, aptly named for his son

Pronouns: He/they

Age: 24

Guild rank: 4 star

Weapon: Twin sai

Ethos (Power): Ocean breath (Underwater breathing as well as other aquatic adaptions)

Flaw power is based on: His ardent wanderlust, especially in regards to the ocean. They literally cannot leave it alone despite any possible better reasoning, which is when it becomes a problem.

Notes: Was his other parent a mermaid or did they just do the fish thing on their own? The world may never know.

Name: Otrera

Name Origin: A trojan asteroid named after the queen of the Amazons

Pronouns: She/her

Age: 32

Guild rank: 5 star

Weapon: Brass knickles

Ethos (Power): Preflexes (Hightened reflexes)

Flaw power is based on: Her overly-guarded and cagey nature.

Notes: But her brass knuckles are pink so its quirky when she knocks your teeth out.

Name: Naos

Name Origin: A star whose name means "ship"

Pronouns: He/him

Age: 21

Guild rank: 3 star

Weapon: Modified crutches

Ethos (Power): Helm (He can change the direction of inanimate objects. It's not limited to projectiles, he can change the direction of objects while they're in someone's hand too.)

Flaw power is based on: His avoidant tenancies, especially where more serious responsibility is concerned.

Notes: Honestly? Joined the guild to boost his playboy status.

Name: Aitne

Name Origin: One of Jupiter's moons, named after the personification of Mount Etna, a stratovolcano

Pronouns: They/them

Age: 27

Guild rank: 4 star

Weapon: Spiked gauntlets and armor

Ethos (Power): Molten Core (Lava manipulation)

Flaw power is based on: Their brash and destructive nature.

Notes: Likes all their food to be charred.

Name: Ariel

Name Origin: A moon or Uranus, named after an air spirit!

Pronouns: She/her

Age: 16

Guild rank: 2 star

Weapon: Baton

Ethos (Power): Harmony (Perfect balance on anything)

Flaw power is based on: Her own difficulty maintaining emotional balance under stress

Notes: She's a gymnast! And even though I didn't make the character named "Ariel" a mermaid, you can still see a scale pattern in her leotard!

Name: Maru

Name Origin: A white dwarf whose name means "Sky." It's orbited by the planet Ahra.

Pronouns: She/her

Age: 18

Guild rank: 3 star

Weapon: Claymore sword

Ethos (Power): Sky walking (She is capable of interacting with air as if it were a tangible object, creating leverage for herself to walk and balance on as if it were solid)

Flaw power is based on: Her somewhat vain tendency to place herself above others

Notes: Complete and utterly confident she's the cooler twin

Name: Ahra

Name Origin: A exoplanet whose name means "Ocean." It orbits the star Maru.

Pronouns: She/her

Age: 18

Guild rank: 3 star

Weapon: Claymore sword

Ethos (Power): Wave riding (Creation and control of tidal waves to ride on, as if she was surfing them with no board. But she does have to be on them.)

Flaw power is based on: Her arrogance and recklessness

Notes: Completely and utterly convinced she's the cooler twin.

Name: Pipoltr/Pip

Name Origin: A star named for "a bright and beautiful butterfly."

Pronouns: Whatever really?

Age: 8

Guild rank: 1 star

Weapon: Giant lollipop

Ethos (Power): None yet!

Flaw power is based on: N/A. This doesn't mean they're flawless, but until their power develops they're really just here to go on fun little adventures.

Notes: This child hangs around with sailors all day long. The words they know....

#finn's ocs #finn's art #oc references #FINALLY POSTING THIS SET #there was a bit of a delay bc i wanted to make sure i got the crutches w naos right #i ended up not making just the crutches a weapon but like. with modifications based on a real self defense item i found #but slightly different for both fantasy reasons and also i think its patented lol #his pose is also based on a real self defense w crutches video that my friend sent me (hiiii thank you for that once more btw <3)#so like hes very much in motion here. thats not how he usually stands w the crutches lol he usually like. uses them as crutches lol #the little trigger on them is what releases and returns the blade in them btw #also as for the rest of the group! i think neptune is absolutely the most fitting of his namesake out of all the guildmasters #i mean they all have aspects of it but he's fully embraced it. despite what i said abt him growing into responsibility and all #hes still such a chill nice guy. just in general. it would take a lot to get him angry (and if you did the sea is NOT peaceful!)#and in a lot of ways triton is like how he was when he was younger. responsibilities dont matter he needs to go to the challengers deep NOW #also the reason i picked twin sai to be his weapon is bc i didnt wanna do a trident twice. even tho like thats kind of the typical motif #but sai are like. also a 3 pronged weapon. so i felt it kept the energy. but smaller and 2 of them #omg speaking of weapons i completely accidentally added a trans flag to ariel's baton design lol. but i left it in why not #i had such a hard time w her colors bc i wanted her to be flashy but also to make the leotard mermaid esque #also for it to not be too revealing. like leda (from the lunar flare set) can have an exposing leotard tutu sure but shes an adult #and i wanted to give ariel more of like an 80s home gym workouts vibe. with the legwarmers and scrunchies lol #and the twins!!! i wanted to make them samey but differeny. in a way i havent done w matching outfits before #bc the actual shapes of the clothes are very different but the colors totally match!#plus the twins are fraternal. i feel like thats obvious what w their different hair colors but there are more subtle things #like slightly different eyes. the height and weight differences arent part of that tho bc that can happen to any twins even identical #otrera i also had a lot of fun with. especially the blonde hair in an emo bang with like a pink sporty outfit #the crown logo references her namesake being a queen too!#she really was fun tho bc shes just no nonsense trusts nothing but her gut. and shes meant to be like an MMA type #aitne was also super fun but a bit tricky to make it clear that their eye is half lidded from the burns and not just like a drawing mistake #but i think i made it clear! its important bc their vision is also impaired on that side #and the burns themselves were most likely an accident on their end. remember they're brash and destructive. even to themself!

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elytrafemme · 2 years

Text

also btw. just wanted to point out how Boundless Sands and the Las Nevadas Finale (no matter HOW u feel about them) both made attempts and imo did a GOOD JOB at handling the conversation about recovery. neither c!Wilbur nor c!Quackity were perfect and clearly in the beginning or in the midst of a messy road to healing but w the letters and w Friend being in limbo + c!Wilbur going home we see like. the characters were WORKING on healing and being better as people. and that to me was not only a testament to how much cc!Wilbur and cc!Quackity loved their damn characters, but was also something that really reassured me. you know as someone who has had their own mental health issues too (clearly) and has been in the throes of the recovery process for a while. shits messy and shits unclear and you relapse but you TRY and cc!Wilbur and cc!Quackity did a good job being both gentle & real about the trying part.

versus the fucking “DSMP vol 1 finale”, aka a stream that was clearly coordinated (bold word choice of mine, implying anything here was really planned) by Dream and only included some of the biggest streamers (For all the DSMP season 3 / prison break stream had faults, at least more than 5 fucking people were on the server doing things !!!), had HORRIBLE messaging about the process of healing. Ppl have gone back and forth about how bad the whole Tommy Dream “reconcilation” thing was, and I didn’t watch the stream so I only know bits and therefore can only be taken w a grain of salt here. BUT i think that the fact that (1) Tommy was even entertaining the thought of making amends, or if you think that he was making amends at the time, with Dream NOT APOLOGIZING and no follow up to show that forgiving abusers doesnt absolve their guilt and also u dont have to forgive abusers and also Tommy wasnt at fault . and also (2) that the finale involved THE ENTIRE SERVER BLOWING UP which not only signifies that these characters NEVER got a chance to heal but also ensured everyone excluding like c!Q and c!Wil NEVER COULD. Is fucking horrific and disgusting to me.

and not to even talk about Dream as a person bc I have so many fucking thoughts about how all that makes the messaging surrounding power dynamics in the finale So much worse (and is the reason I have yet to watch the stream bc I will just trigger myself thinking about that).

So fucking disgusting to see how the dsmp finale happened, with NO regards to the majority of other streamers, just Dream and whoever could mindlessly tag on that happened to have pretty big viewer counts (shocker), and completely throwing out the characters and the story that have been built for YEARS. Versus how streamers like Quackity and Wilbur handled things, INCLUSIVELY and COMPASSIONATELY and fucking EXCELLENTLY, in my opinion.

#nightmare.discourse #discourse #ok to rb #Ya i know some of the Wilbur streams were kind of weird but being realistic I didn't expect perfection #clearly everyone who was part of those streams gave some amount of shits and tried #and the Las Nevadas saga was fucking fantastic like #ppl gave ccQ a lot of shit at the start of the turn in how lore happened #which tbf ppl also give like ccRanboo shit and its like I don't think that's right either #like critique on all ends deserved but my point is like #neither singlehandedly ruined everything and ppls hostility towards the more pre planned lore stuff ccQ was doing was. Undesreved. imo #bc he fucking SLAYED that lore and that lore was GOOD and Exciting #like think abt the lineup we had in Las Nevadas we got ppl from all corners of the SMP in on it #idk. Idk. idk.#feel horrible for newer members and smaller creators. feel less horrible about the others though some of them its like #Dream 0 sympathy Tommy a smidge and maybe a little more to like . Creators that got fucked over more #whatever. Idk what im talking about just. thoughts.#the coding of the finales felt weird to me

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