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#Foreshadowing (trope)
tstwitterupdates · 1 year
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blorb-el · 1 year
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dc comics presents 56, “superman and power girl: death in a dark dimension,” 1983, script paul kupperberg, pencils curt swan, inks dave hunt, colors gene d’angelo, letters ben oda
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chirpsythismorning · 10 months
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Just watched Brokeback Mountain for the first time and I need to talk about it.
Throughout the movie, we see Ennis experience a lot of intense discomfort and fear at the idea of being intimate with a man, despite it becoming abundantly clear in the details and based on his actions that that is indeed what he wants. He even admits to Jack that this fear stems from an experience he had at a young age, when his father showed him two men who were presumed to be lovers (they were roommates vibes), murdered and castrated, with him basically using it as a lesson to show Ennis that being gay was wrong and would get you killed.
Jack on the other hand was a little less discomforted or fearful at the idea of being with a man, in that we actually saw him return the following summer to Brokeback Mountain hoping Ennis would be there, only for him to show up alone. We saw how after this he confidently approached a man at the bar hoping to get to know him, only to get rejected and risk getting hate crimed (foreshadowing 😭). And we saw how, over time, Jack’s struggle had more to do with being hurt over Ennis’ unwillingness to commit or even just consider the possibility of them being together long term, even despite the risk of being gay in the 60’s.
Near the end of the film, upon Jack’s death, Ennis discovers from his father that over the past 20 years since they met at Brokeback Mountain, Jack constantly brought it up to his folks, how Ennis, his friend, was going to move up to their ranch and they were going to build a cabin and live together and take over for the family.
Jack was often the one in the moment taking the chances for them to be together. He was the one who mentioned that they could go to Mexico, with Ennis furiously rejecting it saying ‘you know what happens to people like you there??’
But what’s even more painful, is that in this same scene, Ennis’ acknowledges the truth more directly, and why it’s so painful is because it ends up ironically coming true:
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Here, Ennis is basically saying that if he decides to be with Jack for real, aka faces his queerness head on, that’s going to be the thing that gets them (Jack) killed. Shortly after this, Jack loses it and has that infamous ass monologue, followed by Ennis breaking down over how it’s Jack’s fault that he’s this way in the first place.
In the end, when Jack dies, Ennis finds out about what happened from Jack’s wife, Lureen Newsome, who said Jack was pumping up a flat out on a backroad when his tire blew up, with the rim of the tire slamming his face, breaking his nose and jaw, and knocking him unconscious on his back. By the time someone drove by on the deserted backroad, he had drowned in his own blood.
The audience might’ve believed this story, if it wasn’t for how rehearsed it sounded coming out of Lureen’s mouth, but it also doesn’t help that images of Jack being hate crimed as his true cause of death are flashing across Ennis’s mind in real time while Lureen is telling him about the ‘accident’.
While it’s left up to interpretation, it’s implied from what his wife and father said, that Jack was hate-crimed by his father in law, with it being covered up.
Broken nose? Broken jaw?… Those are the kinds of wounds someone endures after being beaten up. And if it’s happening to the point of death, then he was essentially beaten to death.
This then fits into what Jack’s father said, because apparently, shortly before he died, he’d told his father he’d found a different friend that was going to come up there to the ranch with him. And so it’s very likely Lureen’s father caught wind of this as his plans to leave neared, leading to his murder (Jack also bitched his father in law tf out in an epic way, which on its own felt unnecessary in the moment, but within the context of this makes a whole lot more sense).
Either way, it seems Jack waited for Ennis to change his mind. 20 years he waited, and when Ennis didn’t, Jack finally moved on with someone else who made an offer of his own years before, only to get murdered just as Ennis feared he would if he decided to live his life authentically.
Ennis initially found out like this, in a postcard that bounced of him inquiring Jack about seeing each other again after that last massive fall out where they had, only for Ennis’s worst fear to be realized:
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Nov 7th with deceased stamped across it has me spiraling 😭
Now, obviously Brokeback Mountain is one of the most well known queer films of all time, like there’s no denying that. So it’s fairly easy to assume ST could be taking some inspiration from this film just like they have with hundreds upon hundreds of other films. But especially if they are planning to go the queer route, homage to this film is pretty much guaranteed (there’s also one more reason it might be guaranteed, but I’m saving that for the end 🤣).
Regardless, as you can probably already tell, it’s very easy to see similarities between Ennis with Mike and Jack with Will.
Mike getting the ‘you see Michael? You see what happens?’ treatment from his father, in the first episode in the series, is very Ennis coded in that this is a TV show that follows that up with seasons of Mike pushing Will away from him, with it leading to a boiling point where he says, ‘What did you think? Really? That we were never gonna get girlfriends? That we were just gonna sit in my basement in play games for the rest of our lives?’ with Will responding, ‘Yeah. I guess I did. I really did,’ aka extremely Jack coded.
The really epic thing about this though, is that ST is clearly going on a different journey than Brokeback Mountain did, in that it’s simply subverting the bury your gays trope. While they are acknowledging the risk of being queer in the 80’s, they’re not letting it end ‘realistically’ like many people have insisted it must because that is the only option. And this will be a satisfying ending because it’s coming as a response to all those heartbreaking stories before it that have reinforced this idea that happy endings just aren’t an option for gay people who simply want to be together.
While Ennis and Jack didnt get their happy ending like they wanted, Mike and Will on the other hand 😏
And last but not least, on a more hilariously ironic note, the guy who Jack was going to settle for in the end instead of Ennis, was a guy named Randall Malone, played by none other than David fucking Harbour.
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I know I have said it before and I'll say it again: The writers/director did North so dirty when we first meet her. Evading her eyes like a shy schoolgirl. No weapon on her person, not even a metal poll if not an AK-47. A human-lookin' ass falls through the roof and she doesn't kick his ass?? Give this woman a BUTTER KNIFE I don't care. She deserved better. She deserved to have a rocket launcher on her shoulder or something idk <3
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drconstellation · 4 months
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First-Order Archangels
Part 3: Seeing Eye to Eye
Part 1: Maybe You'll See An Archangel Part 2: Foils of War
This is a topic I've wanted to address for some time (ha!) concerning a discussion around Jim's moments of lilac-eyed possessed prophecy and Crowley not wearing his sunglasses around Jim inside the bookshop in S2. I've had rough thoughts about what's going on at these times, but because its more of a sub-textural implication, rather than being overtly stated I guess I've hesitated somewhat and wanted to think it through properly first. Then I started writing this, and as I starting checking things, one thing led to another...and it's tripled in size. Enjoy the juicy long length!
I've decided to included this meta as part of the First-Order Archangel series as it will focus on Gabriel and Crowley, and their connection with time and prophecy. Both of them wear wristwatches - Gabriel seems to wear one instead of an angel ring, which I find most curious. Both have moments where they talk about the future that has been revealed to them. But when it comes to the Great Plan of the Almighty, they couldn't be more opposite.
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The Seer and the Herald
Time is Crowley's domain. He can stop it for short periods, and he seems to know about fragments of human science and technology in the future. For example, he suggests to Mr Dalrymple that a change in hygiene might be beneficial, upon meeting him. It could also be said that he acts an oracle, as he gives advice and counsel, both here with Mr Dalrymple and in 1941 when he warns the Nazi's to flee before the bomb arrives, and that they won't like what comes after. (Although, 1941 was a case of Crowley actively manipulating the outcome of the future, so perhaps that doesn't count.)
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Crowley: You might want to think about washing your hands. It's gonna be all the rage in a few years, I'm telling you.
Gabriel, as the Herald, is also given knowledge of the future. It was said he spoke to Daniel several times, explaining the visions Daniel had, which were of things to yet to come, and he was tasked with the "foretelling" of the births of John the Baptist and Jesus to their prospective mothers. I realize none of these examples are GO canons (yet,) but there is also the interesting parallel character in S1 of the lawyer Giles, who delivers the second manuscript of Agnes Nutter to Newt and Anathema the day after the Nopocalypse in S1 who is definitely Gabriel-coded and "heralding" the future possibilities there.
Tense Moments
There are two times during S2 that Jim is possessed by a divine spirit that takes over his corporation, turning his eyes back to Supreme Archangel Gabriel-lilac and putting words into his mouth.
The first instance is about the past: in S2E2 Jim recites a verse from Job 38:7 - and Aziraphale and Crowley both remember it, because they were there when the words were said.
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The second instance, towards the end of S2E3, is about the present...
"There will come a tempest, and darkness, and great storms."
...and the future.
"And the dead will leave their graves and walk the earth once more. And there will be great lamentations."
Past, present, and future. For both of them, Crowley has his sunglasses off and he is peering into Jim's face.
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I have some notes about which verses these are supposed to be from (Hebrews 12:18 for the first half and Matthew 27:53 for the second half) but upon checking them I'm wondering if they are actually correct, even if we take into account they have probably been re-written for the show, like the lines from the Book of Job were paraphrased in the Job minisode. But that aside, we can still deal with them within their temporal frames of reference - the former describing the not-insignificant piece of weather-work that Crowley had just stirred up, and the latter is pointing to the Second Coming, with the resurrection of the dead.
Both halves have words of significance: The first half has the word tempest, and the second half has the word lamentations.
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The Foreshadowing Storm
Storms are often used as a trope to foreshadow trouble in the future of a story. I don't think we tend to see Crowley's rain storm as foreshadowing of what is to come as he was in control of that storm and it was for a particular reason - which failed. But Jim's words contained the future tense of "will" - There will come a tempest - so lets have a look at some possible connotations.
A tempest is a violent storm or thunderstorm, but it can also be an situation in which people are very angry or excited, an upset, calamity, or some unexpected misfortune.
And you could say that did happen by the end of S2.
There is also Shakespeare's play, The Tempest, which our demon would no doubt be aware of (it's considered a romance - you know, once of the funny ones.) In it there is a wizard of sorts, Prospero, the former Duke of Milan, who was usurped from his position, and fled with his infant daughter to an island. Many years later the King of Naples and the Duke's brother are passing in a ship, so Prospero magically whips up a storm and shipwrecks them on the island with him and his now teenage daughter, Miranda. He then tries to manipulate a romance between the King's son and heir and Miranda. Other stuff happens as well but in the end they all escape the island and there is a kind of happy ending, and forgiveness.
The Book of Lamentations
Back to the second half, that is supposed to be from Matthew 27:53, but probably more likely Matthew 27: 52-54. Yes, these verses do describe the dead rising from the grave, but the use of "great lamentations" here is a paraphrasing flag being waved in our faces.
A lament is a passionate expression of grief or sorrow. It can also be a complaint, or an expression of regret or disappointment.
Biblically, a lament is a prayer expressing sorrow, pain or confusion.
And with that, we can go back and re-contextualize a scene from S1.
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The Book of Lamentations in the Bible contains five chapters describing the destruction of Jerusalem by the Babylonians in 587 B.C. after a long siege. Each chapter is a poem from a different viewpoint about this event.
But what do we have in S1E4 instead? We have Crowley with a book of things he helped to build, expressing sorrow and pain at their imminent destruction, and that of the humans and the Earth. He prays to God, asking questions in vain hope of finding answers to his confusion as to why it seems it must all end with such finality.
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Jerusalem was destroyed a second time, in 70 C.E. by the Romans. The city was rebuilt, and still stands today, but the Temple of Solomon wasn't, and this is a topic of contention in some beliefs. This also fits in with the theme of Memento mori, "Remember that you die," a reminder that life is brief, and there is a cycle to life and death.
Nonetheless, the Second Coming is connected with a New Jerusalem, a walled garden (a paradise) where those with their names written in the Book of Life will reside, with access to the Tree of Life in the middle.
Within the Walls of The Garden
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The bookshop is Aziraphale's modern day re-creation of the Garden of Eden. Within it's walls he has gathered knowledge that he protects, there is a circular "gate" at the entrance, and he's made it a sanctuary for him and Crowley from other supernatural beings, particularly demons.
During S2 we see Crowley spend quite a bit of time inside the bookshop, and more often than not, he has his sunglasses off here.
While we can understand Crowley not wearing his sunglasses around Aziraphale, its perhaps more surprising that he doesn't seem to worried to not wear them around Jim either. He gets into Jim's face, eye to eye, but they don't agree with one another. It takes a lot of questions, from both sides, to turn this around.
The Great Plan
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There's the Great Plan, and the Ineffable Plan.
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Gabriel would never dream of deviating from the Plan.
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At least he didn't, until he said "no" to the second Apocalypse.
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Gabriel: Anyway, Armageddon the Sequel, that's a nah.
His own plan went awry when he forgot where he was going.
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AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?
And with his memories gone it was time to relearn things from the beginning. Good thing the original teacher from The Beginning was on hand to give some lessons, because we seem to be repeating some things from S1 and the beginning again here.
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Right. So who's got a plan? Who's not seeing it this time? Are you actually questioning Crowley's plan, Jim? That's not like you to question plans. Maybe you are finally learning something.
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Crowley's other plan was give "Jim" a test, to see if Gabriel was really there. This time Jim was prepared to follow instructions without questions. The gravity of the situation was kind of lost on him, and Crowley had to stop him before it was too late.
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Too Early, Too Late
Prophecies are not just about who, what and where, they are also about when.
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Crowley makes an angry threat to Jim in reaction to Shax's visit to the bookshop but backs off to enigmatically remark that "it's always too late." There is also the 1827 Resurrectionist minisode, where Crowley stops Aziraphale from healing wee Morag after she is shot with the grave guns, telling him it is too late there, and I think there is even a mention of too late by Shadwell in S1, but I can't remember where (plus Crowley's watch in the book, that has a time-zone in Another Place that is always Too Late.) We are kind-of left hanging here - what is too late? Too late to stop what is already in motion?
Except when its early, and early seems to be associated with destruction as well in the Good Omens AU. We have the examples of Job's house being destroyed, and the arrival of the baby Antichrist, which heralds the destruction of the Earth.
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CRAWLEY: Oh. They've started early. Well… Might as well get comfortable. [sniffs wine and pours a glass]
Here, when the Antichrist is delivered in S1E1, Crowley expresses dismay that the time has come so soon.
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CROWLEY: "No. Already?"
Could it actually be that the Nopocalypse was too early? And was that why it didn't go to Plan?
The Chosen One
The Antichrist is a sub-trope of The Chosen One tropes, which in itself is prophecy trope. The Chosen One is needed to fulfill the prophecy. We could do a whole line of discussion on how Crowley and Aziraphale then try to subvert this by raising the said Chosen One, only they raised the Wrong One. Instead, I want to point out that Crowley was also a Chosen One. He was chosen to deliver the Antichrist to the satanic nuns on the appointed night. But why? Why didn't Hastur and Ligur just do it?
Ah, you missed that, did you? I don't blame you, and Frances was trying to distract you with a game of three-card monte with the babies as well (and there have been many discussions about that, too!)
This then makes an interesting parallel for Gabriel being the Herald of the first Christ, and Crowley being the Herald for the Anti-Christ. (Or, some meta-ops might even argue, the Second Christ! But that is yet to be determined. How far away is S3 again...?)
The Earth is a Libra
One final prediction, from the very beginning...
Do you recall this seemingly random daily star sign reading from the opening of S1E1?
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Most of it makes sense.
A friend is important to you.
uh huh.
Help could come from an unexpected source.
uh huh.
You may be vulnerable to a stomach upset today, so avoid salads.
wot?
I had to kick myself after while on this one, because I was being all smug to myself about catching a quick mention of liver between Madame Tracy and Shadwell at one point, and any mention of a bodily organ is a reference to an emotion and/or virtue. The first thing one must do with deciphering organs is determine whether you are looking at a western or eastern philosophy, as that is most important, but because this is GO we also need too include any biblical influence.
And whoeee - jackpot! There is indeed some symbolism around the stomach in a biblical sense; it is a place of transformation and renewal, where food is broken down and transformed into new energy and the renewing of minds. It emphasizes the need for continual growth and spiritual renewal.
That should ring some bells with you straight away, I would hope.
And the salad? A salad is a mix of different foods together. Foods not separated. (Keep your angels and demons on different sides of the plate, please, no mixing - and don't play with your food!)
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elluisawhale2 · 1 year
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I just saw the new puss in boots -movie and let me tell you it was the best movie I've seen in a while. The characters, the story, the visuals... all were done so well. Universal and dreamworks really put their whole pussy into that movie
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theclearblue · 6 months
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Help the thoughts of Kenjaku's twisted sense of motherhood displayed towards Yuuji is bouncing around in my brain like a dvd logo
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Abella Trine. Abella Trine is the name that Ianthe had in an early draft.
One of her love interests was a spoiled swordswoman who loved sexy parties. A swordswoman. Who Palamedes describes as disliked by the narrative.
Until she meets a tedious widower??? Saintly dead spouse??! After a couple of misunderstandings they get married???
In conclusion. Harrianthe wedding sweep?
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altblock-tm · 3 months
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ugh I forgot how good The Secrets of the Immortal Nicholas Flamel is as a book series
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riverblujay · 1 year
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You just reblogged my FHSY post with some EXCELLENT tags and I wanted to say you're so right the pair the spare stuff was bizarre. I ended up liking where Sandra Lynn and Jawbone went in SY but at the end of FY it's so weird. Also I'm following you now because you're a self proclaimed Murph girlie and SPMGs like us need to stick together
(aforementioned tags)
ty bestie!!
truly TRULY the worst part of FY for me. like, i super get that they were trying to wrap stuff up after having a super intense combat, so i also don't, like, hold it against d20 that much?? and maybe it would be even less tasteful to me if we didn't have icon and aroace ally murph (and brennan ig but murph like. INITIATED this plot line) giving us Allo/Amatonormativity Personified as baron.
fwiw, im not 100% romance repulsed either. and i GET that teen romance is part of the genre they're trying to convey in fh!! i just think maybe it should have been limited to the teens, at the very least in FY. it's SO awkward and personally i think reads as "brennan had some (head)canons abt who got together with who, eventually, but it's the last episode so there's no time to seed that in a graceful way if he wants his two cents out there." which is his right to have ideas for who among the adults get together, but like--the entire focus of the whole season was the bad kids, not their parents. so it feels weird when your thoughts abt who ends up dating, even if there is SO MUCH context and build up in brennan's head, are presented as a loose thread being tied up in a bow.
ignoring my complicated and by no means exhaustive feelings/rambling on the topic, if you have not listened to naddpod yet i cannot recommend it enough!!!! yes im a murph girlie and i LOVE his dm style (recently saw a comment on a post saying naddpod has less patrons than wbn bc "brennan is a better dm" and it made me FERAL. i get it i shouldn't have read the comments in the first place, and also you (the commenter) hate consequences and dope encounters. literally no one can say a DROP of MURPH SLANDER unless they have listened to eldermourne finale AND c3e27 the king of dragons. combat and encounter design dm of all time FR!!!!)
but i just love how despite naddpods tight editing, you can tell just how much murph, emily, caldwell, and jake care abt each other both as people and as their pcs. emily has literally said the way jake INSTANTLY decided that hardwon loved the crick made her feel always welcome at a table with him. how much the cast makes each other laugh, or cry, or feel any kind of emotion.
ALSO moonshine is SO aroallo coded to me. axmurph aspec allies fr fr. naddpod dnd podcast of all time in my heart <3
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luesmainblog · 11 months
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alright genuine question, are modern anime fans actually getting worse at noticing plot flags, or am i just seeing that more because they're loud about it? there have been so many times in the past year where something that was OBVIOUSLY going to happen, Happened, and everyone freaked out about it and swallowed as much copium about it as possible. and like... i get it, i've been caught off guard by things before, but i don't really understand why people are missing the signs that something is NOT going to be to their taste. if you want to avoid incest, you need to learn how to spot potential incest plots before they actually get there. if you want to avoid 3rd episode tone death, you need to learn how to spot the signs that something is Wrong™ with the world before people start dying. if you want to avoid sexual assault scenes, you need to learn how to read obsessive characters and dangerous situations. if you want to avoid queerbaiting, you need to learn how to look at a piece of media in the context of its genre and largest audience; a shounen story geared towards 14 year olds with a token female character in the core cast is PROBABLY not going to make the main guy and the rival kiss, i'm sorry. these things should not be catching you off guard. very few times have i seen any of these pulled where the signs weren't screaming at you from day one. hell, even things FAMOUS for catching people off guard, even stuff that did on purpose, the signs are there. There's a massive difference between fans coming up with nasty stuff on their own, and people reading the room and figuring out what sort of story they're in for. you NEED to stop assuming that media you like will follow your own sensibilities, especially stuff from another country. i cannot emphasize enough how much of a minefield it is trying to be an anime fan who doesn't want to see any incest. for the sake of yourself and everyone who has to deal with it when you get caught off guard, PLEASE LEARN HOW TO SPOT THAT EARLY ON.
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creepy-onthebutt · 1 year
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I'm relistening to season one and in episode 2 when they have their first shared dream of the purple robes Ron says that the guy was wearing his dad's purple robe and they all joke that they had a dream about Ron's dad. Was this intentional foreshadowing? Or did they just make a really lucky guess through a joke? I'm guessing it was the latter because from my knowledge they didn't know what Anthony was planning, but damn that hits different.
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urcrookedneighbor · 1 year
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Y'all I think that Tasmyn Muir wants people to write Harrow Nova AU fanfiction. Explicit PWP fanfiction specifically. I feel like it brings her great joy to enable that.
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writebackatya · 5 months
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Me, watching a movie: Well that character seems nice!…Sure hope they’re not secretly an asshole…
Movie: Don’t worry, they’re not (:
Me: Thanks movie! :)
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floral-hex · 11 months
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no see I WILL write something eventually, I haven’t been putting it off, I’ve just been uhhhhh cultivating the story for a couple of years yeah yeah
#stop cultivating and start harvesting idiot#no but I CAN’T write until I have at least a dozen books of story ready to go#how am I supposed to foreshadow anything if I don’t know what’s going to happen 500 chapters later???#how am I supposed to write a character even a minor one if I don’t have their entire future backstory and parent’s backstory planned out??#I can’t worldbuild unless I plan out all of the major cities including their political systems religions economy food production trade etc#also I just don’t want to sit down and write#so I just sit an worldbuild in my head all day#I have been for like two years now this is the longest I’ve seriously ‘worked on’ (ie daydreamed) a story in my head#and it’s really cliche and has a billion well worn tropes but it’s like… this is my comfort world building#and by comfort I mean really kinda fucked up world but whatever every edgelord or loser with an over active imagination has one#I need to read more people’s uhh… like.. not published authors… like tumblr users writing or whatev. like what is it called ao3? that stuff#not to be negative to them or anything but to like hype myself up#like see you don’t have to be a big named author to put your mind out there#I’m just kind of babbling here#suddenly reminded that a book I like John Dies At The End was originally released chapter by chapter online#so like… you don’t have to be like ‘this has to be put out whole in one book to be real writing’#I just need to write for fun but im a very shy boy 🥺#im fucking 34 im not a little boy I have to remind myself#anyway… if any mutuals read this much and you write online you should message me something you have that you like so I can read it#and I’ll be extra sweet and supportive and happy bc you’ll be helping me and I’ll get to support you#or whatever. I dunno. this is dumb. I’m sorry for wasting your time! jeez!#you can ignore this#text
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howifeltabouthim · 9 months
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And of course it's at that moment that you know he's going to kill her.
Chris Kraus, from I Love Dick
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