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ladysophiebeckett · 5 months

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This post is super long and idk who will read it but if there's anything I love to do on the internet its post aimlessly to no one. (anyway)

It gets said a lot that Betty was naïve in how she entered her relationship with Armando, but we fail to take into account how desperate Betty was to live her own life. From the beginning of her character arc she talks about needing a change.

It starts with Roman's invitation, saying he has a guy for Betty but she needs to ask permission (at her 25 yrs of age). Don Hermes says no.

Betty argues back. Don Hermes' excuse is 'you can't go out with strangers'. But Betty isn't really fighting about going out with some guy. Deep down she knows Roman and his neighborhood troublemaking annoying friends are up to no good. It's not about them. It's about her wanting something, asking for it and being denied.

The scene ends like this:

He says the world is dangerous for women and she doesn't understand that. She claims that she can defend herself and he says the above. Betty runs off crying. Dona Julia goes after her and when she returns Don Hermes asks if she's calmed down. From that question alone, it seems as if this isn't the first time Betty has fought with her dad about the rules he imposes upon her. Nor is it the first time that Betty has ran out of a room crying bc she fought with him and lost.

This has happened before.

I don't want to assume that everyone feels the way I feel about Don Hermes, which is that he's annoying. (I'm using 'annoying' as a broad term to describe his overprotection and the traditional\patriarchal way he runs his household, fyi, I know its there. I see it. But I'm not going to delve in that direction).

But there's a reason he's annoying (overprotective). Everything he does for Betty is laced with good intentions, but those good intentions are a double edged sword. At this stage in the story he appears overprotective and suffocating. It's when Dona Julia is pleading with him to let Betty go out that we hear a mention about Miguel (whose original name was 'Juan Ramon' but gets changed to 'Miguel' later on)--a guy who Betty cared about but 'disappeared'.

Let's backtrack to Betty running out of the room when Don Hermes says no. She cries to her mother about how overprotective and controlling her dad is. It's one of the few times Betty is open with someone about how she feels about the way he treats her. We get brief information about how he decided her education, about how she was sent to catholic school, how she wasn't allowed to hang out with the other girls bc she was too young, that the only male friend she was allowed to have was Nicolas and it was bc they were 'practically raised together' (and bc they knew his mother).

She continues to say ‘how is a man going to see me as a normal woman if you keep me treating me like a child? When the only thing I do is stay locked away in this room with only books and stuffed animals?’ The Miguel Situation gets its first mention and its foreshadowed that it hurt Don Hermes and Dona Julia to see their daughter suffer, but Betty says that one bad experience shouldn’t be a reason why she stays that way the rest of her life (which is very brave of her to say considering we know later how afraid she is of letting herself fall deeper in love with Armando).

The last thing she says to Dona Julia is key,

Betty's running theme is change. The eagerness of something to change. Either she needs to change or her dad needs to change. Something needs to change bc she knows she can't keep living the way she's living. She's desperate for something, anything to happen in her life. She goes on to say:

'Queira la major estudiante, la tuvo. La queria graduada con honores, especialiaziones, la tuvo. La queira trabajando en un gran empresa, la tiene trabajando en un a gran empresa. Yo ya les cumpli. Ahora quiero cumplir con mi vida.’

Again, it's not only about going out with some guy. It's about Betty living her own life now that she's done all the things that have been asked of her. From Betty's pov, she's played by the rules, so at what point is she free to do what she wants?

She is the quintessential good daughter, quintessential good student, and later on the quintessential loyal employee that becomes the quintessential loyal clandestine girlfriend--bc those were the rules she was told to play by. But she's at a point in her life where that's not enough to sustain her.

After hearing this, Dona Julia goes back to Don Hermes to plead on behalf of her daughter, however she says something concerning:

Dona Julia is afraid that if Don Hermes doesn't loosen his restrictions, that Betty will have a nervous breakdown and fall into a depression that will cause her to move out of the house.

Sidestepping the 'what if our daughter moves out' comment---

When Betty confides in Armando about her relationship with Miguel and how it ended, she doesn't call it 'depression'--however the way she describes it is very intune with what depression is.

She didn't want to live, she cried many nights, she missed classes at university. She lost the motivation to do anything. This is more than just a 'break up'. It's a traumatic experience and its aftermath is a period of depression that Betty almost didn't survive. Her parents watched her go through this, helplessly and Betty claims it's why her dad protects her so much.

Here we see her showing that she understands Don Hermes and why he does what he does. However, when we see Betty's childhood flashbacks post letter, we see that Don Hermes has always been this way as a consequence of how the world treats his daughter. We see that Betty gets bullied, marginalized--no loving parent wants their child to suffer. So he isolates her from that world so that nothing bad can ever touch her. He tries to provide her with everything he can--books and stuffed animals. Things to fill a void with.

No one can blame him for wanting to protect his daughter, but by isolating her he inadvertently teaches Betty that the solution to when things get hard is to lock yourself away and internalize everything.

In Don Hermes' defense his child rearing is mostly focused on ethics and math. A parent does what they can. So it's no surprise that after the Miguel Incident, he became even more tightly reigned over Betty's life. But again, it does more harm than good.

After Betty's ghosted by Roman and his sketchy loser friend, she's disappointed and cries. Don Hermes has no idea how to comfort or understand a 25 year old woman as he does not see her as one. He assuages her like a father would a child. He says 'We'll go do something together as a family. We'll go see a movie on Friday, champ'. (Not a literal translation). Then he says to Dona Julia, 'If I hadn't given her permission to begin with, then she wouldn't be upset about being (plantada\ghosted)'. He has no problem being seen as the bad guy in Betty's eyes if it means she avoids getting hurt in a worse way.

A couple days later, Don Hermes insists on driving her to work instead of her walking to her bus stop bc he fears she'll run into Roman and his current loser friends.

Betty says to him:

'Let me handle it' she says. Don Hermes doesn't look convinced. And then immediately Nicolas shows up at her door:

Dona Julia is also looking out for Betty and off screen took it upon herself to have Nicolas walk her to the bus stop that morning. She knows Betty needs some kind independence but using Nicolas as an intermediary gives her reassurance.

Betty rejects both options and rushes out the door. Don Hermes, pulling a Dona Julia, takes Nicolas with him and follows Betty on her way to her stop just in case something happens. What they see is Betty doing what she said she would do--handle it.

When left to her own devices Betty can and will handle things on her own, but both her parents insist in their own ways, to keep her in a protective bubble.

As the series progresses we see Betty become friends with el curatel, more specifically Aura Maria. We can all recall when AM has Betty join her on a double date and said date doesn't end well for Betty. Her date is uninterested, rude--despite Betty's best efforts. She gets home late and her dad is not happy. He calls her a 'descarda' when he sees the car dropping her off and then claims she didn't ask permission, to which Betty says 'Well I called my mom and let her know bc you weren't home'. Which leads to this:

Betty becomes the sole breadwinner of her household at some point but Don Hermes reminds her that that doesn't give her any right to decide what she can do with her free time or what time she can come home at. He then makes claims about AM and the men AM is associated with. Betty then defends her and the men (even tho they were lame):

Betty's face here is trying to contain herself but you can tell she's upset. Especially bc it wasn't the best evening, so to be getting yelled at over it doesn't feel worth it. But also, you can see Betty has a fire in her eyes; quiet frustration and inner rebelliousness bc she has been reminded yet again, that she has no freedom despite having a job in a 'great company' and having all the graduation merits and on top of that, now financially supporting her family. It's not enough. And might never be enough.

Despite this, Betty reigns her anger in and goes back to being the quintessential good daughter:

Don Hermes is not fully convinced but he appears to calm down after that.

A lighter altercation between them happens when he takes Betty home after a lanaziamento. He accuses her of taking too many liberties bc of the job that she has, criticizes her being out too much, criticizes her friends. His main worry is that she forgets her traditional values (Betty: Yo sigo siendo de las casa).

As we know, all Betty does is work and get caught in whatever mess el curatel gets her into. Regardless, Don Hermes doesn't like it. He doesn't like the women Betty surrounds herself with and he doesn't like her work or its events:

'The (fashion) world is too much, it's not for you'\'I know it's not my world, it's my job'.

I don't think Don Hermes is trying to be cruel when he says this, rather, I think he fears Betty will one day throw away the values and ethics he's taught her. (She kinda sorta does) Before she leaves for Cartagena, he insists she take a picture of him and Dona Julia, which gives weight to another inner fear of his; that Betty will forget her family and where she came from.

He stubbornly refuses to see (and accept) that Betty is an adult woman who wants to act like an adult woman. She does want to go out with her friends and dance and have the occasional drink. She does wants to date and meet someone, fall in love and in return show the love she's capable of giving.

She's desperate for the opportunity but believes it will never happen for her, so she decides to only dedicate herself to work and by doing so--and out of loneliness, she embraces her fantasies of (an) Armando that we know doesn't exist bc he's the only one that sees her value as a person and a professional. But when Mariana reads her the tarot cards---

Key word here: Change. Both of your lives are going to change.

Betty has been seeking a change in her life. This feeds into her illusions but she doesn't truly start to believe anything could happen until Armando begins to start acting differently around her.

We know it's the plan taking its course but for Betty this is a dream come true. But even in the beginning she's cautious, she doesn't know if the kiss they shared was a mistake and would rather not mention it to him in order to continue keeping the work relationship they already have (and she's happy to maintain if it means to being in his life).

But because Armando seeks her out, it's difficult for her to resist despite the type of relationship he's offering her. In a similar vein to Armando post letter, when he mentally refuses to put the clues together about why she's acting differently--Betty doesn't put together the recent embargo with his sudden interest in her. Where Armando chooses to be blind; Betty's inner frustrations and illusions of having something in her life that's not just work and an over controlled life, speak louder.

There is naiveté in play. It's true that she doesn't know a lot about the world but it's at the result of the overprotectiveness of Don Hermes that Betty doesn't read the signs as clearly until she reads the letter and is cruelly brought down back to earth.

Betty thought that Armando was the change she had been yearning for and her desperation for that change, for that dream to come true---is why she accepts the relationship he's offering her. He's trusted her implicitly until then, so why would she doubt him now?

The Letter happens and Betty's first instinct, the first action she wants to take is to run away. She doesn't want to go back to work, but Catalina reminds her of her responsibilities, that she can't just jump ship when people like Armando are depending on her. Betty especially can't leave as her parents are also depending on her and to quit suddenly with no warning would raise suspicions.

TW: for brief mentions of ED.

(I talk briefly about Betty skipping meals. I don't think the character has an eating disorder per say, but if you gotten this far and this makes the reader uncomfortable, count 5 paragraphs down to skip).

Betty enters the Gaslighting Arc depressed and dead inside. She's no longer a student, she can't afford to take days off to lay comatose in her bed. She also can't let her parents find out that something like Miguel (only worse) has happened to her again.

Post letter on, the series makes a habit of showing Betty either skipping breakfast or skipping dinner. Usually this is just done to show that a character is in a rush and usually bears no importance.

But this happens multiple times. At El Meson she orders vodka and they never get dinner. At Le Noir, despite Nicolas saying they make great eggs, she has him order wine. The night of Armando's last lanzamiento, Armando knows she hasn't eaten and offers to bring her dinner which she rejects. And lastly her diary entry\ voice over from the night she buys the mercedes\rejects Armando's call:

'Desvanezco' is to 'fade'\'vanish'. '...I am fading away before him while he only cares about his company' (rough translation).

Betty acknowledges here that she's not taking care of herself. In the first entry Post Letter she states that she doesn't have the strength to resuscitate herself again. She's metaphorically dead but the reality is that she's depressed and the only thing sustaining her during this period is her anger. (and alcohol). And once the Junta Directiva happens and everything is revealed, Betty in only left with the hurt.

(TW: End of ED mention)

Audience members get annoyed with Betty in the first half of the Cartagena Arc bc she continues to put herself down--Catalina is almost the audience insert with how put off she is with Betty's self deprecation.

It's not healthy or helpful for Betty to view herself this way and yes, it's a learned behavior that she needs to break desperately. But what the audience forgets is that Betty is tired. This is a woman that has tried to change things in her life and she always gets it wrong. Her first foray into love is a failure bc he used her, her attempts at dating are another failure, when she tries to change her look it's another failure; she put all her love and hope into Armando and then he betrays her.

She's been beaten down so much by those attempts, on top of society's view of her--that of course once in Cartagena she immediately feels out of place. Of course her first instinct, yet again, is to run back to the safe haven her dad has always provided for her.

'This isn't my world' which harkens back to Don Hermes telling her a similar thing, '...That's not for you'. It's not helpful and fuels Betty's fight or flight. And she's always picking flight.

This is Betty's first time away from home. This is the first time she has ever been away from her parents. That's why the airport scene with them is so dramatic. She's never slept a night away that's not in her house. A 'niña de la casa' no more. This is the opportunity that she's been waiting for but she doesn't see that yet amid the heartbreak.

Catalina has to guide her and essentially push her out of her comfort zone; and challenge her way of thinking and seeing the world and herself. Betty's always wanted changes in her life but she never knew that in order to embrace new things into your life, you have to be open about it mentally. You can't hide and internalize everything in your entire life. It's damaging to oneself.

In the middle of her trip she tells Nicolas, "No. I can't leave. I'm living something very important here. They (the board) can wait'. Betty is finally putting herself first and putting her foot down. Had they insisted on her presence at the beginning of her trip, she would have gone back.

Betty didn't just need to get away from Armando, she needed to get away from her family, specifically her dad. The internal and external changes that Betty goes through in Cartagena would not have been possible in Bogota. Not with Don Hermes breathing down her neck and Dona Julia flustered in the background. It wouldn't have happened as he wouldn't have allowed it.

Betty needed to leave the protective bubble of her family to learn that she can put herself together, that she can handle it and come back stronger.

Don Hermes' goodbye at the airport consists of giving Catalina instructions of things Betty isn't allowed to do (she doesn't drink, she doesn't party). He, again, refuses to see her as an adult woman. But he is forced to when she comes back from Cartagena:

He goes on to say, 'I feel like I'm lecturing another person, not my daughter'.

But that doesn't stop him as he lectures her into the night:

This is inadvertently what he's taught her to do tho--run away from a situation bc it became hard.

However Betty defends herself and says she came back to deal with issue at hand and take responsibility for her part in it. She's not proud of what she did.

'Don't think I did all of that and then went on vacation. I needed a change in my life'.

This is the change Betty truly needed, the one she's been waiting for and the one that sticks. She needed to learn to see the value in herself, realize that she's not the only one who has ever suffered and more importantly learning not to abandon herself as soon she gets hurt.

No one else was ever going to give her that. Not a relationship, not her family, not her friends. Those people (specifically her family) may love her but in certain instances their love and affection is a blind spot for them and can inadvertently hold her back bc of their insistence on protecting her from the world.

My personal feelings for Don Hermes aside, he loves his daughter and everything he does is well intentioned. He's not necessarily a bad person or bad father, but his over protection is suffocating and his refusal to see that his daughter is no longer a child plays a part in Betty's arc about wanting people to see her as she is--A person that is smart and capable and deserving of respect.

He plays a big part in why Betty does what she does, her inner rebelliousness, her frustrations come from the restrictions he imposes on her. He's not wrong about certain things but he's not 100% right about how he goes about them when it comes to Betty.

As a husband...well.

Anyway.

Betty becomes more independent Post Cartagena and her dad kind of slowly accepts it, especially when it's said in passing that she as a midnight curfew. He's still annoying, but that is simply his character trait.

If you made it this far, thank you. There is no prize except for the inner satisfaction of finishing this post.

#ysblf #betty la fea #beatriz pinzon solano #note: i dont like how i ended this but im very tired of looking at this #another note: this is mostly about betty as i tired to not talk much about armando. there's def more to say when it comes #to their relationship and identical way they feel about things #but that's an entirely different post #and also i did try to look at don hermes fairly #but for the record i do hate his ass but you wont see much of that in this post #one thing i dont talk about is her birthday--i feel like that's been explored a lot so.

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xjulixred45x · 3 months

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SatoSugu x Hechicera de grado especial! Lectora

pedido:¡Hola! Vi sus solicitudes abiertas y quería solicitar una situación de satosugu x lector.

¿Cómo reaccionarían ante una lectora que es unq hechicera de grado especial? (Y digamos que geto no se volvió malvado y que gojo no tuvo que luchar contra toji). ¿Cómo reaccionarían si la lectora fuera fuerte o estuviera al mismo nivel que ellos?

(Digamos que para esta historia tus poderes son como los de Yuki, pero Yuki no existe)

¡¡Gracias!! ¡¡También siéntete libre de ignorar/cambiar cualquier parte de la historia!! ¡¡Y también que tengas un gran día!!

Genero: Headcanons

Lector: mujer

Advertencias: Gojo xd, divergente del canon (no ocurre pelea con Toji, por lo que Riko no muere ni Geto se vuelve malvado, Yuki Tsukino no existe, el lector toma su lugar), SPOILERS DE LA HISTORIA DE YUKI, creo que eso es todo. Pelusa

Desde que naciste, todos en tu familia sabían que había algo fuera de lugar contigo. Simplemente sabían que tu presencia había alterado todo en casa.

Si vienes de una familia de Hechiceros, esto fue mucho más notable y mejor manejado, ya que sabían que eras una futura hechicera, y al parecer poderosa además para generar tal alteración desde tan joven.

Lo que no esperaban era que fueras un contenedor de Plasma Estelar.

Eso, sinceramente, les asustó un poco por tu seguridad. ¿No se suponía que la marca del año de Tengen aún no había llegado para cambiar de nave? ¿¿Porqué ahora?? ¿¿Por qué tú??

Esto podría haber provocado que tu familia te hiciera aprender tus técnicas malditas lo más rápido posible, para poder afrontar mejor la situación y venir a entrenarte en el arte de la hechicería.

En el caso de que fueras de una familia no hechicera, lo más probable es que eventualmente se presenten los de la academia de Hechicería para evaluarte al darse cuenta de que no es muy seguro dejarte solo.

más cuando empieces a probar tu técnica ritual, a la que llamaste “Wrath of the Star” o Bomb ba ye para abreviar.

¡Incluso tienes una especie de mascota Shikigami! No sabías exactamente qué era, pero te resultó muy útil para luchar y utilizar tu técnica. Entonces te dejan quedártelo.

En base a esto terminaste teniendo un gran interés por las maldiciones, cómo se generan, cómo evitar que se generen, etc.

Había mucho que aprender antes de llegar a cualquier hipótesis, por lo que sabías que tendrías más posibilidades en un entorno lleno de hechiceros.

Quién sabe, tal vez incluso puedas encontrar a alguien con ideas similares.

En menos tiempo del que imaginabas, fuiste aceptado en la academia de hechicería, siendo parte de los hechiceros de Grado Especial.

y te hacían trabajar con los primeros años. Eran un grupo pequeño (al parecer era normal), dos chicos y otra chica.

A decir verdad, fue agradable, cuando el profesor Yaga te los presentó, simplemente dijiste lo básico sobre ti de la manera más animada posible y, para llenar el espacio, simplemente descartaste la primera pregunta que te vino a la mente.

"¿Qué tipo de chicas te gustan?"

Te tomó un BUEN SEGUNDO darte cuenta de lo que habías pedido, y al parecer a los demás también, los tomaste desprevenidos.

Afortunadamente, Gojo no pareció molesto y en su lugar simplemente dio una respuesta "aburrida".

Geto, para continuar el juego, algo muy ambiguo, muy aburrido.

Gojo y Geto se sintieron un poco intimidados cuando vieron tu cara de ABSOLUTA decepción ante sus respuestas.

(Shoko fue el único que dio una respuesta decente)

De ahí en adelante tendría una dinámica un tanto extraña, principalmente porque si bien eras estudiante de la escuela (un grado especial por cierto) la verdad es que rara vez te veían en las misiones, a veces faltabas a clases, desaparecías de la escuela. nada y otras incidencias relacionadas directa o indirectamente con usted.

Sin embargo, fuiste bastante abierta con lo que hiciste. En las ocasiones en las que te quedabas durante el horario escolar (muy raramente) Geto y Gojo te preguntaban qué estabas haciendo fuera de la escuela y les contabas las cosas que encontrabas.

ibas a cualquier lugar en cualquier momento por cualquier cosa. a la biblioteca en busca de textos sobre maldiciones antiguas, a lugares antiguos encontrados en busca de muestras para realizar pruebas de sus teorías, a lugares públicos para realizar una "prueba de campo"...

y otras veces simplemente salías a comer algo, andabas en motocicleta, asustabas a algunos matones con tu maldición, era bastante aleatorio.

Obviamente tanto Geto como Gojo estaban bastante intrigados por todo esto, ¿por qué te molesta tanto el tema de las maldiciones? Para eso están los brujos, ¿verdad?

aunque esa era una pregunta que evitabas como la peste negra. Cambiarías de tema, desviarías la pregunta a otro o cosas así.

No querías que supieran que eras un recipiente de plasma estelar. Al menos todavía no. No querías su compasión.

A pesar de este pequeño detalle, ¡tu amistad con ambos se desarrolló bastante bien!

Realmente no se sienten intimidados por tu potencial, en cualquier caso ven tu maldita técnica y dicen: "👀 es un estado real gratuito", quieren que te unas a ellos. básicamente.

Gracias a esto, te esperan muchos entrenamientos amistosos, algunos terminan así, otros con la mitad de las instalaciones/gimnasio hecho jirones. pero las risas no faltaron.

Al pobre Yaga ya le están saliendo canas verdes, ayúdalo.

Tú y Gojo nunca fueron conocidos por seguir las reglas o instrumentos de nadie, por lo que cada vez que los enviaban juntos a una misión, estaba garantizado que habría un desastre.

Gojo ha querido jugar con su Pet Curse, pero siempre se aleja de él o, en el peor de los casos, intenta estrangularlo (aunque también lo hace cuando hace comentarios muy egocéntricos).

Geto es el pacificador entre ustedes... a veces, simplemente evita que todos acaben bajo un montón de escombros, pero mientras no sea así, vuélvete loco.

aunque definitivamente los reprende a ambos por faltarle el respeto a sus superiores. especialmente a ti. ¡No porque seas mujer! sino porque Gojo puede salirse con la suya siendo de un clan importante, pero ¿qué pasa si deciden expulsarte por no venir de alto nacimiento? ¡Tienes que pensar mejor en eso!

Si ambos supieran por qué te aceptaron en primer lugar, fue porque eras casi indispensable.

O eso es lo que pensabas.

porque en ese momento tenían la misión de Riko, el nuevo Stellar Plasma Vessel.

y tuviste una crisis en toda regla.

¿Cómo fue posible? ¿Podrían ser dos? ¿Qué demonios?

Para ser honesto, estabas feliz de que alguien más fuera el recipiente de Tengen, aunque una parte de ti se sentía como una mierda por eso.

Después de eso, te volviste un poco más imprudente que antes, más concentrado en tu trabajo fuera de la academia, diablos, incluso hiciste pequeños viajes al extranjero durante SEMANAS sin contactar a nadie solo para encontrar formas de progresar en tu teoría.

Querías demostrar que, después de todo, eras una Hechicera de grado especial por TU PROPIO MÉRITO, no por ser un Recipiente.

Gojo y Geto obviamente se preocuparon mucho. No sabían por qué actuabas así de la nada, así que hicieron lo que se les ocurrió mejor, yendo directamente hacia ti y no dejándote en paz hasta que confesaste :D

lo cual fue sorprendentemente difícil porque te movías en tu motocicleta, por lo que te seguían por Tokio con algunas de las maldiciones de Geto.

Cuando FINALMENTE te encontraron y se sentaron a hablar, realmente te diste cuenta de que no tenía mucho sentido no decirlo más.

entonces lo soltaste, sin dar más detalles, sin decir más que eso, nada.

....

Gojo/Geto: ¿QUÉ DEMONIOS---

Al contrario de lo que hubieras pensado, simplemente te vieron de la misma manera pero con un poco más de respeto. en el sentido de que, bueno, pudiste ocultar eso durante MUCHO tiempo, aparte de que, en primer lugar, NUNCA te habrían considerado menos de Grado Especial que ellos.

Yendo a términos de relación más avanzados, los tres son el ejemplo perfecto de PAREJA DE PODER. literalmente.

Tu Bomb ba Ye es prácticamente un Infinito más débil, según Satoru, aunque claro, definitivamente no quiere ser absorbido por el agujero negro.

Suguru definitivamente se ha vuelto más tranquilo y menos caótico con el tiempo, se ha convertido en el VERDADERO pacificador de los tres, aparte de que es a él a quien entrenas más (porque Satoru es suave contigo a propósito) y puedes confiar en que un pelear con Suguru sera justa

Definitivamente ustedes tres han hecho clases conjuntas con sus alumnos, aunque sus alumnos les ruegan a Satoru y Geto que los salven de su entrenamiento infernal 😅

Siempre que pueden, intentan ir juntos a misiones, no sólo para protegerse mutuamente, ¡sino porque estos dos son muy pegajosos!

Teniendo en cuenta que ven lo corrupto que es el sistema Jujustu (al menos en Japón), creo que alentarían tus viajes al extranjero (para buscar adicionalmente hechiceros poderosos interesados en el plan de Satoru), ¡incluso ellos dos irán contigo! como unas pequeñas vacaciones familiares con ustedes, los gemelos, Megumi y Tsumiki.

En general, estos dos no tienen una masculinidad frágil, no sólo les parece bien tener una pareja tan fuerte como ellos, sino que lo fomentan mucho (puede que incluso lo prefieran, hace calor).

Te aman mucho de cualquier manera.

Gracias por leer❤️❤️

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imoonblaze · 4 months

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[Daughters of the scale AU] Michel (Mictlan)

🔥Michel (mictlan's human disguise), Anayatzin, Quetzaly, iztli and AU belong to @imoonblaze (KlfunsskXD)

🔥Mictlan from Maya and the three, Jorge R. Gutierrez

Habia querido mostrar esto el año pasado, sin embargo no tenia ideas para la plantilla 😅 pero finalmente puedo darme el tiempo de hacerlo! Esto vendra en un AU que estoy creando

🔥SOBRR LA HISTORIA🔥

La historia sigue a dos semidiosas gemelas llamadas Quetzaly y Iztli, hijas nacidas de una de las escamas del dios Mictlan. Ambas jovenes viven de una vida normal en nuestros tiempos actuales, yendo a la escuela, conviviendo con amigos, divirtiendose y viviendo una vida de adolescente colo cualquier otro.

Ambas mantienen un perfil bajo para solo preocuparse por vivir su dia a dia como si fueran mortales, sin embargo, ambas no son las unicas dentro de esta vida. Tambien se encuentran Anayatzin, una bruja serpiente que es maestra en la escuela a la que asisten las gemelas y Mictlan o Michel como le piden aparentar en su forma humana, un dios que tiene que pasar como un humano y estudiante mas en la escuela para cuidar de sus hijas (a obligacion y peticion de Anayatzin).

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Ademas de un AU enfocado a Mictlan y a sus hijas, tambien habra dos AUs alternos enfocados en sus hermanos Xibalba (Daughters of the feather) y El Chamuco (Daughters of the flame).

Hasta el momento solo tengo diseños conceptuales de las hijas gemelas de Xibalba y las hijas de Diablo, por ahora estan en su fase beta de diseño. Aun no tengo un sketch de los disfraces humanos de Xibalba y Diablo.

#Daughters of the scale AU #Daughters of the flame AU #Daughters of the feather AU #digital art #el tigre the adventures of manny rivera #maya and the three #Mictlan #maya and the three mictlan #maya and the three fanart

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yelek-galleries · 7 months

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Nombre- Adair Bonderland groverlan

Edad: ???

Orientación sexual: gay

Mommy y Daddy isues

Familia:

• Santiago tlapancos (padre)

•Solaria groverlan (madre)

•Cassandra groverlan

•Robert groverlan (hermanos mayores)

Pareja: ????

esperence a el otro dibujo pa que me funen con ganas 💪

Amigos:

• Connor Helios

• Akira (alias: flameheart)

• Gary prince

• DJ flama

Ocupación/es:

• estudiante en escuela de artes

• músico

• trabaja como pasante en la empresa de su madre y familia

• ser la joya de la familia y el rostro de la familia en revistas y entrevistas

Pasatiempos:

•pasar tiempo con su novio

•ayudar en actos de caridad

•tocar el violín (ya sea el normal o el eléctrico)

•cantar con su banda

• dibujar y estudiar

•comer galletas de su amigo Gary

— Personalidad —

Adair es un chico amable y romántico, una persona algo extrovertida que gusta y disfruta de la música, no mantiene una buena relación con su madre pues literalmente lo abandonó con su padre cuando tenía 5 años y después se lo quito a su padre cuando tenía 8 años solamente porque su apariencia era especial

— Apariencia —

Adair es un chico que viste elegante a su manera y estiló

Cabellos rubios,de piel clara y con ojos de un color especial

De estatura medía y cuerpo delgado (vnfkestetongkgj)

Apariciones

• hora de aventura: princesa penumbra/shadow lady

• hora de aventura con Fionna y cake (mundo mágico) : caballero penumbra

Si chicos los dejé sin dibujos por una semana no? Jajaja, pero no sé preocupen todo good, estuve ocupado con cosas personales, pero les traje un personaje de mi nuevo vicio (recai en el vicio de hora de aventura)

@soutenir-les-artistes ✨🫂

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sambuchito · 10 days

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trolos cogiendo dia normal en estudiantes

#mine #grandes los twinks del pincha #noten como nadie parpadeo ni nada #why zozi got a cape?? he got that shit onn tho #pinchaposting

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reverieact · 7 days

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* DESCANSO #001: CIERRE DE ACTIVIDAD.

A las nueve de la mañana, todes les estudiantes reciben un mensaje de texto indicándoles que se dirijan obligatoriamente al auditorio, tendrán quince minutos para reunir a sus compañeros y llegar como equipo. Inmediatamente, puedes notar la confusión que genera un mensaje tan repentino y que cualquiera relaciona con el ataque en España.

Al llegar tomas asiento, con la mirada al frente, cuando notas que los profesores se alinean al lado del podio, y quien está frente al micrófono es Maximilian Steele.

—Detectives, esperamos que hayan disfrutado de esta semana de descanso. Desde lo más profundo de nuestros corazones, esperamos que el tiempo haya sido suficiente para que sus heridas sanen y las actividades en grupo les hayan proporcionado más conocimiento sobre sus compañeros. Recuerden, en un ambiente de trabajo como el que tenemos, conocerse y confiar en el otro es fundamental —su voz resuena por todo el auditorio. Todavía recuerdas aquella actividad donde pudiste sentarte a hablar de tus experiencias y de tu vida fuera de la academia con tus compañeros. Qué lejano se siente, ¿no?— Por otro lado, les traemos novedades, —Steele carraspea antes de continuar—. Los incidentes en Toledo no son algo que tomamos a la ligera. Durante esta semana, el cuerpo de profesores desplegamos todo tipo de investigaciones en busca de indicios que nos puedan responder sobre lo sucedido.

Tu mirada viaja hasta Seoyeon Nam, quien tiene la vista baja, sin levantarla en ningún momento. Mientras que a su lado, Samuel Jeong la mira de reojo ocasionalmente. Si te fijas, su mandíbula está tensa.

—Tenemos algunos resultados que nos están llevando hasta los perpetradores, —continúa Steele. Todos los profesores parecen estar al tanto de lo que comunica, excepto Piers Campbell, que parece inusitadamente concentrado. No sabes qué significa, quizá ni siquiera te diste cuenta de la diferencia en actitud.— Así mismo, entendemos que su confianza en nosotros puede haber sido afectada. No se preocupen, trabajaremos para recuperarla. En primer lugar, los profesores encargados de la misión en España han sido sancionados y no estarán a cargo de misiones hasta nuevo aviso. Se limitarán a clases teóricas y asistirán en las siguientes misiones —el profesor dirige una rápida mirada a los profesores antes de bajarse del podio y dar paso a la profesora Genevieve Laurent, quien luce elegante como siempre

—Esperamos que se encuentren en óptimas condiciones ya que, a partir de este momento, las clases retomarán su curso normal. — anuncia la profesora francesa.

En alguna parte del auditorio, escuchas un gruñido de alguien que no está feliz con la noticia. En otra, se alzan suspiros de alivio.

—Por último, espero que hayan recibido con calidez a sus compañeros de Londres, quienes conformarán un nuevo equipo llamado Samhain. A partir de este momento, serán estudiantes como ustedes buscando graduarse de nuestra prestigiosa institución. —

Al dar un paso atrás, el resto de los profesores comienzan a retirarse uno por uno del auditorio, dejándote a ti y a tus compañeros a la expectativas de las promesas de Steele y las futuras misiones que aguardaban por todos, sin la garantía de que el peligro haya sido completamente resuelto.

OOC:

Esperamos que la semana de descanso haya sido suficiente para que todos los detectives hayan logrado descansar y recuperarse de sus heridas. Es un verdadero alivio que la enfermería haya estado abierta las veinticuatro horas, así que a todes se les pudo brindar los cuidados necesarios. Aquellos que tuvieron heridas más graves y necesitan más tiempo, sepan ser precavidos en la siguiente misión.

Las tablas de puntuación se quedarán iguales por el momento, ya que nada fue evaluado esta semana. Por lo tanto, nadie subió o bajó de categoría. Samhain, por su parte, comenzará con cero puntos al ser estudiantes recién llegados.

Queremos recordar que los personajes que esta semana abandonaron la academia, a nivel narrativo, los mismos se han retirado por decisión propia. En el caso de que algune quiera volver a futuro podrá conversarlo con nosotres para explicarles la manera en que la academia permitiría su ingreso de vuelta.

Si tienen dudas sobre el avance de la trama y los puntos que deben tener en cuenta, pueden revisar la sección de cronología para saber más. Allí encontrarán un resumen de las actividades pasadas y una revisión de las pistas que se han ido dejando en cada intervención y cierre de actividad.

¡Muchas gracias por acompañarnos en una actividad más! Si tienen dudas, no duden en acercarse al main.

#reverie: descanso 001.#reverie: cierre de actividad.

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