Az orosz minta alapján Magyarországon korábban bevezetett, külföldi ügynökökről szóló civil törvényt fogadtak el Grúziában.
Nálunk ez 2017-ben simán átment, hatályba is lépett, és csak négy évvel később, az EU nyomására helyezték hatályon kívül.
Grúziában ebből parlamenti verekedés lett, az ország köztársasági elnöke pedig határozottan kijelentette, hogy nem fogja aláírni.
A tömeg is az utcára vonult, a rendőrök könnygázzal és vízágyúval oszlattak.
Az van, hogy ők ott a grúz parlament épülete előtt a jogaikért és a jövőjükért kiállva mindenkinek megmutatták, milyen európainak lenni.
Megmutatták nekünk, büszke magyaroknak is, mert itt bizony az elmúlt évtizedben ennek csak pislákoló jelei voltak, vagy sokszor még az sem.
Ez a videó pedig úgy adja át ezt az egészet, hogy biztosan ikonikus videó lesz belőle, és ezek a képek történelem-könyvekben fognak szerepelni.
Thousands rally in Georgia to push government on EU membership
New Post has been published on https://www.timesofocean.com/rally-in-georgia-to-push-government-on-eu-membership/
Thousands rally in Georgia to push government on EU membership
Belgrade, Serbia (The Times Groupe) – The Georgian capital Tbilisi was filled with thousands of protesters calling on the government to maintain the country’s EU membership course. GEORGIA
On Sunday, demonstrators gathered outside the parliament and urged the government to implement the necessary reforms to integrate Georgia into the European Union.
A rally was organized by the United National Movement (UNM), the main opposition party founded by jailed ex-president Mikheil Saakashvili.
They chanted slogans for closer ties with the EU as they waved Georgian and EU flags.
As well as banners supporting Saakashvili, who is serving a six-year prison sentence for abuse of power, protesters also condemned Russia.
UNM opposition leaders accused the government of backsliding on democracy and acting under Russian influence.
As a result of not meeting the EU’s 12-point criteria, the government of Prime Minister Irakli Garibashvili failed to secure Georgia’s EU candidate status last year.
After Ukraine applied for EU membership on Feb. 28, just four days after Russia launched its first attack, Georgia and Moldova applied on March 3 last year.
The EU Commission granted candidate status to Ukraine and Moldova on June 17, but said Georgia’s bid would be reassessed once it met the bloc’s criteria. Times of ocean TIBLISN
Let's establish one thing which is that the show operates in a superhero trope, which means there are good guys and bad guys, and the good guys always win. This is not to say that characters are morally clean-cut between good/bad. The Flag Smashers acted out of good intentions; Walker did want to do good things when he took over the mantle. But that doesn't mean they aren't the bad guys in the story, because a person is not only judged by their intentions but also the means and the ends of those intentions.
Sam and Bucky are the heroes in the story, they beat the bad guys (the Flag Smashers) and saved the world. That's how the story ends. That's how all the superhero stories end.
But the show isn't quite that simple, not in the sense that it deals with moral greys, no. Rather, the show really fucks up the boundaries between good/bad, right/wrong, and by extension, the heroism of the show.
Let's say Karli has some vague cosmopolitan worldview, and let's say that's better than the state system so Sam is justified to sympathize with her cause, and sam is rightfully asking the governments to be better. What's the actual, feasible way to achieve Karli's vision? Nice speeches notwithstanding, Sam isn't offering a solution. States aren't going to abandon the system that made them a state just because some hero dressed in an American flag descends from the sky and tells them to. Forced displacement and/or re-settlement happen because the population distribution is screwed, especially in Western Europe where Karli is from. Those states simply do not have the capacity, spatially and financially, to accommodate all the people while the others would be faced with devastating labour shortages. Statecraft is not just about morals, some IR scholars would even argue it's never about morals, you have to do the rationalist calculation. (also sam's speech to the politicians is so.........wrong. it sounds like a 16-year-old wanna-be socialist who spends too much time on leftist tiktok)
Here's the thing, you can agree with the political ideology or not, because it's not about whether it's right or wrong. It's about Sam being a hero who comes from a heavy political background, who represents a set of values that is meant to transcend a single country, advocating that ideology whilst being completely naive about it.
Steve embodies a similar idealism that makes him a hero, but not a leader. He's a leader because he can lead, he assesses the situation, sets a goal, and gives out tasks to achieve that goal. In the show, Sam is not demonstrating effective leadership, although not entirely his fault.
When you have the 'hero' indiscriminatorily endorsing the villain's philosophy, it doesn't mean the hero is empathetic, it means the hero is fucking bullshit. What makes a hero isn't merely stopping bad guys, it's also offering a better alternative even when the villain kinda makes sense. Superheroes are supposed to offer moral lessons through their heroism, which often takes place as they defeat evil. Without that, they're just dudes stopping fights, not heroes fighting for causes. The only moral lesson Sam offers is 'hey maybe radicalization is bad', which is completely ignored by both Karli and Zemo.
Sam's sympathy towards Karli is even more absurd. Even if he agrees with her cause, she's an unrepentant killer. 'Don't call them terrorists.' really, Sam? What would you call them? Just bc the Soviets fought the N@zis doesn't mean they were the good guys.
Furthermore, we see the contrast between her and the other flag smashers. They were invisible victims while her body was gently carried by Sam as phones and cameras were recording. In a show where they tried to make sense of racism, the stark contrast between Karli and the rest of the group happens to be mostly PoC is kinda hilarious.
The problem isn't Sam. It's the terrible horrible writing. You can't take a Watsonian take when it's so obviously a Doylist problem. The show claims to be a lot of things it got wrong is just pathetic.
What about Bucky? His arc is pretty detached from the main storyline and he basically did nothing significant in the show so I don't even know what they want to convey about his heroism. He was literally just running around punching people (not even very good at it too) while being blamed for things he wasn't responsible for. He only told Karli that killing was bad. What a novel lesson. Again, there is nothing from the good guy.
Who is the hero then?
Zemo is the true anti-hero of the show. Throughout the show, Sam and Bucky - the good guys - oppose killing in general, but their method is proven ineffectual and in the end, all Flag Smashers are killed with a majority of them killed after they were lawfully arrested. The Flag Smashers were terrorists, they were the villains, therefore narratively, this makes Zemo's end goal - killing all supersoldiers, in this case, the Flag Smashers - right. His ideology - the desire to become superhuman cannot be separated from supremacist ideas; supersoldiers cannot be allowed to exist - is positively reflected in the story. His success inevitably justifies his ideology, which stands in contrast to both Sam and Karli. I'm not saying what he did was heroic, but from a storytelling perspective, Zemo is the 'hero' who ultimately eliminated the evil in this superhero trope.
The result is that Sam, the supposed hero of the show, has done nothing. He didn't stop the bad guys, he didn't offer an effective alternative to Karli (or Zemo) practically and ideologically, while Zemo did all that. What does it say about heroism and the idealism that comes with it? That it's nice to talk about but useless when a real battle takes place? That end does justify means? Because that's not what Cap trilogy conveys.
There are works which are not [genre] but works made that have read a lot of [genre]. YJ is not an anime but it is a cartoon that has watched a lot of anime. MTMTE is not a comedy but it is a space opera that has watched a lot of sitcoms. I’d like to learn the term for a work that is deep in conversation with a genre without belonging to that genre even as a hybrid. Specifically works that address, lampshade, satirize, employ genre signposts without obeying genre conventions.
“Can I Copy Your Homework?” But it’s my countryhumans Headcanons (yeah Sicily is a character and it’s basically the eu countries and I know Sicily isn’t a country)
ai gente hj tô morrendo de dor de cabeça, de tpm e tendo pensamentos autodestrutivos só queria ser apagada na pirocada por um Homem agustín pardella até ele tirar todos os pensamentinhos da minha mente me deixar sem nenhuma unidade de neurônio com a cabeça oca oca e depois me ninar em seus braços fortes e cabeludos pra eu dormir em paz e ele resolver minha vida amanhã pela manhã