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#Clark and Lois Every Episode

kent-farm · 11 months

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Babe, I just— I don't want you pushing yourself too hard 'cause you're still recovering.

—Clark to Lois, Superman and Lois, "Injustice"

#Clark Kent #Tyler Hoechlin #Lois Lane #Bitsie Tulloch #3.12 Injustice #Clark and Lois Every Episode #Holding Hands | Clark and Lois #Touching Hair | Clark and Lois #Clois #Superman & Lois

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vaguely-smart · 2 years

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Hopefully Lana saying that she didn't want the families to interact was just the writers doing a really bad job of subtlety, temporarily writing them out of the season like they did with Natalie and John Henry when he got hospitalised. Just forget about them for three episodes so the main plot can actually happen, please.

I actually don't even mind Kyle's attempts to be a good dad. Those can stay. Just, like, one scene an episode. Just to show what's going on outside the superhero drama. A little break from the drama.

But this season seriously can't afford much more time dedicated to the Cushing/Cortez/Langs

#in the last episode every member of the family used a different last name #(except sophie)#makes it very difficult to talk about them #superman and lois #s&l #clark kent #lois lane #lana lang #kyle cushing #sarah cushing #sarah Cortez #john henry irons #natalie irons

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dabruzzy · 10 months

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I love how they're pulling every trope they usually do with female characters with Clark, including and especially the more fanservice-y ones. He has a magical girl transformation. Lois accidentally plants her face in his tits. He has to look hot at all times. He gets his shirt torn off during an emotional moment and spends the rest of the episode with his boobs out. Also his abs are covered in oil for no reason.

#my adventures with superman #maws said sexualize him further

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prodigal-sunlight · 8 months

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I think my favorite running theme in My Adventures With Superman is just… love.

Obviously the romance between Clark and Lois is pretty central, but I mean love of all kinds

Things like the Kents reassuring their young son that just because he isn’t theirs’ by birth doesn’t mean he isn’t family. The pride they take in his good heart and hard work. The way Ma Kent was struggling to not hate an army general for not thinking her son is the swellest guy around.

The platonic love shared by Clark and Jimmy—Jimmy knowing almost from day one that Clark isn’t human, Jimmy who obsesses over cryptids and aliens and conspiracies putting aside his own curiosity because he can tell its something Clark isn’t particularly comfortable talking about.

Mallah and The Brain’s relationship, starting out as the love of a creator and his project, turning into romantic infatuation, then the comfortable bickering of an old married couple. The fact that Mallah was the only survivor, but rather than leaving the site of trauma behind, staying to preserve his partner, and eventually creating a new body for him so even death won’t keep them apart.

How, despite the language barrier, the hologram of Superman’s biological father clearly wants nothing more than to love his son. They don’t understand each other—Superman’s father has never seen Clark’s life, has no idea how his son has lived—and Clark has been lead to believe he’s a weapon, not a refugee—but even despite that you can tell his father wants to be there. In the final moments of the last episode, he scrapes together what few English words he could pick up, begging in his son’s language for Clark to live, because that was all he’d ever wanted for the son he never got the chance to know

Kyle/Mist’s brotherly love for Siobhan/Silver Banshee, to the point of looking visibly guilty for betraying Superman when he was so willing to help. The general’s paternal love for Lois, complicated and strained by his old trauma but no less real. The love of the city’s people for the hero who will stop an armed robbery as willingly as he’ll help an old lady unload her groceries. Clark’s love for humanity, his faith that everyone deserves saving, even villains who refuse redemption again and again and again.

Every time people start fear Superman as a dangerous outsider, distrusting him because he’s different

The thing that changes minds is love

#perfect theming for a story about superman imo #i really loved it lol :)#my adventures with superman #maws superman #superman #dc

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rickktish · 10 months

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I want Batman to show up in My Adventures With Superman but very specifically not ever once as batman. He needs to be that random rich guy who wanders in and trips on air only to faceplant right where Lois always faceplants in Clark’s chest. He can buy the Daily Planet but can never be seen to be even slightly competent. He needs to claim to have gotten lost and only appeared on screen accidentally at least once. He can show up once or sometimes twice in a season, do absolutely nothing of value except give Lois something to gripe over, and vanish into thin air. The words “batman” and “dark knight” can never be used, but “gotham” and “gothamite” can, specifically for the sake of sports game beef between the two cities and nothing else. Steve Lombard needs to hate his guts on principle over said sports game beef. He needs to flirt equally with Lois, Clark, and Jimmy, changing targets every time one of them enters the room. They can have 1 (one) episode wherein Lois gets jealous of Bruce for being attractive enough that obviously Clark won’t say no if he asks him out and Clark gets despondent because Bruce is attractive enough that obviously Lois would rather date him and Jimmy is neither interested nor does he believe either of them are actually interested at all but he will try to get Bruce to go out with him specifically so he stops interfering in Lois and Clark’s relationship. None of this should ever be mentioned again in the series except precisely once after Lois and Clark get engaged when they realize that they both thought the other was going to go out with Bruce and they can reassure each other that neither of them has eyes for anyone else. The only version of this character who should ever appear on screen in this show is Brucie Wayne and absolutely no other identity should be mentioned ever at all even once

#my adventures with superman #maws #mawsm #superman #clark kent #jimmy olsen #lois lane #clois #superbat mention #bruce wayne #brucie wayne #batman #he can have a maximum of 73 seconds on screen per episode he appears in #and not one second more #he should be a cameo at best #a repeated cameo if necessary #but a cameo nonetheless

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basilf1res · 1 year

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Memento Mori - DPxDC

What was beyond death. Was there anything at all? Was there nothing?

That was what he always wondered.

When Clark was a child, he looked up to his fictional hero: Danny Phantom. A half-dead guy in a comic book series that led to the most bisexual awakenings in the century.

Clark liked to go back and reread the comic books from Issue #1 (they were fairly short, but all parts of an “episode”, almost like those ads on shows, but the wait time was every two weeks). He tended to read them all in one sitting, and yet oddly enough, never disturbed as he murmured the made-up summoning spell under his breath.

He could’ve sworn he had been going through them for over an hour and not twenty minutes.

It was Phantom who inspired him to continue being Superman in his darkest moments. He also considered himself physical proof that Danny’s palette swap was enough to hide his identity.

The glasses ARE enough.

When Clark found out he had a clone, he was ecstatic to be able to teach Conner anything everything, to answer any questions his little brother had.

Danielle “Dani” Phantom and her awaited return in “Issue #46 D-stabilized” caused him to become a mama bear to Conner out of the fear he would melt within a few weeks. But it wasn’t like anyone at the Watchtower had to know that small detail.

Getting married to Lois was the best day of his life, the day of Jon’s birth also fighting for that first place spot in his mind.

He had a clone brother, a wonderful wife, a beautiful son, and an amazing group of friends that work together to protect the planet he calls home.

But everything started to fall apart when a protest against metas took it too far, Jon’s powers started to develop and he was seen accidentally tripping, falling, and catching himself by hovering a few inches above the pavement.

Jon said he considered himself lucky nothing scarred. He laughed everything off when it came to the topic.

But it shook Clark, Lois, and Conner to the core.

Memento mori.

It reminded Superman that despite his impenetrable skin, Death can come at any moment. Even for him.

—————————

When Danny was a little boy, he dreamt of reaching the stars, he wanted to be able to touch the moon, explore Mars, and roam the galaxy he resides in and beyond.

He read these comic books of a league of heroes, a team with space cops, super powered humans, a man dressed in a bat suit that was more effective at capturing rogues and villains than some of the powered members, aliens, and so much more.

He flipped through the weekly published comics, learning to read better than most at a young age. He had two favorites, Superman and Martian Manhunter.

Danny wanted to explore the stars like his heroes. He wanted to be able to fight as well as the big Bat. He wanted superpowers. He wanted to help people. He wanted to fight his own set of supervillains. He wanted to be able to succeed and be loved.

Oh how he got everything he wanted but the last.

Tucker and Sam were the only reason he hadn’t broken yet, the reason he was still standing.

The anti-ecto acts, the GIW, Vlad, Pariah Dark, and his- Jack and Maddie’s sadistic comments about ghosts were the last straw.

The hero always wins… they don’t die to the evil they want to stop… right..?

Right..?

…

The sound of a scraping scalpel, the buzz of the lights, and the squeals of pleasure - as his ghostly heart was found again and again and prodded again and again - filled his ears for an unknown length of time.

His cries for help were never answered until a summoning pulled at his core, it was a personal calling, someone had managed to find his calling card.

The tears of relief stung his eyes as the dissection table with his body strapped down to it was sucked into a summons portal.

He was spat out in front of kids, most likely teenagers, due to the shrieks of horror and surprise.

Oh… oh how he prayed to the Ancients that he’d live to see another day as a tears slipped out of his eyes.

Memento mori.

——————————

Jon found out about his comic book collection and wanted to show Damian.

Clark hummed as he typed up an official report on a rogue attack to send to the Watchtower.

His blood ran cold when he heard his son scream from over in Gotham.

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jesncin · 5 months

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A Failure of Asian Lois Lane: Pt 2: My Adventures with Superman, an honest discussion

If I had to pinpoint the fundamental problem with My Adventures with Superman's depiction of Asian Lois Lane it's in their attempt to subvert the classic two person love triangle: Lois loves Superman but is indifferent to Clark Kent. In MAWS, Lois insta-crushes on Clark Kent and hates Superman. In the show's attempt to make sense of this dynamic, Lois' Asian identity becomes at odds with a story meant to touch on xenophobia and immigrant themes.

Let's have an honest discussion about a show that made fandom cheer as an Asian character removed the one thing that made her most visibly Asian.

Disclaimer: While I am of East Asian descent, I am not Korean. I'll be discussing general Asian diasporic experiences but the specifics of Korean culture are outside of my knowledge (as usual I can't and don't speak for every Asian person ever, I am 1 opinion). Secondly, I'll be pulling from my personal experiences every now and then particularly pertaining to being a butch Asian person watching this show. It'll be a mix of formal analysis and personal anecdotes. Thirdly, this isn't an exhaustive analysis of MAWS Lois' character. We'll be sticking to what I consider is relevant to themes of Asian identity and immigration. Lastly once more, I do not believe the MAWS crew had malicious intent in any (of what I consider) poor writing decisions. We're here to analyze and challenge these writing decisions.

Please read Pt 1 of Asian Lois analysis that covers the comics, as it provides the groundwork for the ideas expanded on in this essay.

We need to talk about Lois' design. In the follow up to MAWS' release, people have been speculating on Lois' ethnicity. CBR writes that the show has "some fans believing that she's at least part Asian" and other articles have the show crew confirm Lois Korean heritage via her hanbok outfit in episode 4. The existence of these articles, my own anecdotal experience of streaming MAWS with Asian friends, and comments I receive from people asserting Lois' Asian identity was never explored in the show ("you'd only know she was Asian if you searched up articles about it"), tells me we have a case of an ambiguously designed Asian woman. Tangentially many people had no idea Livewire, the white haired and blue eyed woman, was meant to be South Asian.

There's a lot to be said about art styles that don't properly stylize ethnic features, but for the purposes of our analysis that means the writing has to deliver the heavy lifting where the design fails. This is the opposite case of American Alien: a comic that relied on the art to portray Asian Lois.

Let's start at episode 3. In it, Lois finally manages to conduct a private interview with the elusive Superman. When she asks where Superman comes from, how his powers work, etc- Superman comes up empty. In this version, Superman can't talk to his Kryptonian father (Jor-El)'s hologram because of a language barrier, so he knows very little about his alien heritage. He leaves Lois, assuring her he's here to help the people of Metropolis. When Clark Kent congratulates her for interviewing Superman, Lois rebuffs him. "Oh, he's [Superman's] a liar." smirking as she says it. This is the start of the Lois Hates Superman For Being a Liar arc.

I'd like you to consider the optics of an Asian American woman interviewing an alien immigrant who honestly told her he doesn't know where he comes from and is still figuring out who he is, only for her to think he's lying. Because she didn't get the answers she wanted. I can't help but think about my own experiences, where I was asked "but where do you really come from?" or "okay but what's your real name?" I think of my Asian American peers who would honestly say they're from Texas or Atlanta and get a vindictive "you're lying" as a response. People want to hear you're from China. They want their biases confirmed. I think about how I honestly can't tell you where my elders hailed from, because of cultural genocide and language barriers. This scene makes me uncomfortable, but let's press on.

Episode 4 is where Lois is most visibly Korean. In this episode the trio of Lois, Clark, and Jimmy are tasked with interviewing rich techbro Prof. Ivo of Amazo tech at an investor event. It's a prom episode. Lois wears a "hanbok inspired gala outfit" designed by Dou Hong and Jane Bak in a deliberate move to showcase Lois' Korean heritage. Bak comments "I remember feeling strongly about wanting to inject some aspect of her Korean heritage without disrupting her characteristic as a spunky and resourceful intern/reporter." while the wording poorly implies that Korean heritage is at odds with Lois' spunky personality- I do want to challenge a couple of the decisions that went into this design.

I want to acknowledge as an Asian butch that there are many ways to sport traditional garments and it's okay to mix and match to figure out what reclaiming culture (and your comfort) mean to you. However we're talking about the opportunity to showcase culture in an episode of a fictional animated show. I also encourage cultural gender expression that thinks outside of western white people's idea of gender (in both fiction and real life).

Whenever artists try to do a non-conforming spin on a cultural outfit, I always have to ask: "what standard of masculinity are we basing this on?" It's clear that MAWS is pushing for a "tomboy" Lois, and this gala outfit is an extension of that. But what's the standards of masculinity in a Korean lens? Men wear hanbok too, so why can't Lois imitate how Korean men wear hanbok, by traditionally accompanying her look with baji (baggy and loose pants)? This design notably has tight pants that hug the form, instead. I know the hanbok look has been modernized in and out of Korea in many ways, but in a show where you have the opportunity to showcase cultural non-conformity, I feel more thought should be put into the outfit outside of a potentially western lens- or the idea that cultural heritage of any sort "disrupts" a character's personality.

Now that we've discussed the design of the outfit, let's look into the narrative role it plays in episode 4. While we can celebrate cultural representation in media, I consider it important to ask "what is this media's relationship with the cultures it represents?" and the answer for Lois' hanbok in this episode is: nothing! It's an aesthetic acknowledgement of culture. "Hanbok" or "Korea" are not terms explicitly mentioned in the show. When Prof Ivo offers beautiful women as compensation for Clark to keep quiet about his company's corruption, Ivo looks over to Lois- who spills food on her clothes, and remarks that she's unclassy. She's not judged for wearing othering cultural clothes- which would have tied nicely into Clark choosing to be silent on issues of Ivo displacing a neighborhood, making Clark realize his complacency actively hurts marginalized people. Despite wearing cultural outfits being a political statement in America, nobody reacts to it. It's clear what the actual goal of this scene is: Clark looks cool for defending his "tomboy" crush.

In a scene blatantly made for fanservice, Lois offers to sew up Clark's ripped tuxedo by undressing her hanbok so she can reach her little sewing kit. Lois never wears her hanbok again afterwards. This scene haunts me. It's a scene that tells you that fanservice is more important than cultural representation. It's a scene meant to set up that Clark gives his tuxedo to Lois later on for warmth. Lois removing her hanbok is meant for not one, but two fanservice scenes.

Lois talks to Clark at the stairwell. She opens up about her estranged relationship with her father, how her mom has passed away, and how she's been an intern at the Daily Planet for a year with no sign of being hired. This makes the narrative decision for Lois to lose her hanbok far more tragic. Lois being a diasporic child with so few familial ties to her culture would mean garments like her hanbok would hold a lot of sentimental value! It's hard enough finding a cultural outfit that fits with your butchess (many of my cultural outfits are hand made to fit my form and gender expression), and yet Lois unceremoniously loses her hanbok. You would think in Lois opening up about being distant from her parents that Clark would be able to culturally relate with the distance he has with his Kryptonian parents. But the narrative opportunity to link their immigrant experiences is not taken, because the show simply doesn't recognize the parallel between the two.

Instead MAWS pushes for the Lois Thinks Superman is A Liar thing again. A far less narratively substantial and fundamentally flawed arc. This episode starts with Lois calling Superman a liar and has Lois ranting about him "dodging her questions" (remember, he was honest with her about not knowing his heritage) thereby rendering her interview unpublishable. She resorts to conspiracy tabloids giddily provided by Jimmy for information. She rather cruelly says "nobody normal believes in aliens". We are uncomfortably seeing the build up of Lois being allegorically xenophobic towards alien immigrants- a Lois on a quest to out an alien before he's ready. This is their justification for flipping the love triangle. Lois loves cuteboy Clark from work, and hates Superman for not confirming her biases that would help her publish an interview that would promote her at work. What a love story.

To wrap this episode up: Prof Ivo ends up challenging Superman to a fight so he can flex his Parasite suit to investors, only for it to backfire, destroy his reputation, and greatly damage the Amazo building (remember this it'll come back later). The episode ends with Lois discovering Superman is Clark Kent. Anecdotally, I was so frustrated with the treatment of Lois' hanbok in this episode, that I went online to search if anyone else felt similarly. All I was met with was fandom thirsting over the stairwell scene where Clark and Lois were undressing. Consider the optics of an Asian character who removed the most visible signifier of her heritage (the outfit far more culturally specific where her character design was racially ambiguous) and how people cheered because that meant they could see her in her undergarments. They can happily thirst over the body they desired now that the othering cultural garment was out of the way. It's just clothes after all. Diversity clothes. This show continues to be very uncomfortable, and a little too real.

In episode 5 Lois is passive aggressive to Clark and Superman, trying to get Clark to admit he's Superman and vice versa. She eventually confronts Clark by jumping off the roof of the Daily Planet, causing Clark to fly down and save her. She proclaims she doesn't want to be friends with him anymore for "lying" to her. This episode caused a huge ruckus online as people were divisive over Lois' actions. Some defended Lois, saying that "women should be messy" and "it's not Lois Lane if she doesn't do something crazy for journalism!". Ignoring that opinion's very flandarized view of Lois' character for a second, let's thoroughly discuss how this relates to themes of immigration and Asian identity.

By this episode, Lois had known Clark for 5 days. In that time she's entitled and angry to the point of friend-breaking-up with him because he wouldn't disclose his marginalized identity to her within less than a week. "A secret is another type of lie!" Lois says, regardless of her lying on sight to both Jimmy and Clark upon meeting them at work, and continued to lie in episode 3 (after promising not to in ep 1) about her intentions to interview Superman. Only Lois gets to lie in this relationship. The hypocrisy of her character is never recognized. Clark calls out Lois for having previously admitted to him that she wanted to dox Superman and "publish all his secrets. MY secrets!". Keep in mind that when Clark brings up Superman feeling uncomfortable about his secrets being published by Lois in episode 3, Lois' response was "yeah, but HE doesn't know that's my plan!". She explicitly admits that she would publish private information about Superman without his permission. But when she's confronted by Clark in episode 5 about that, her response is "I would never do that to you, I didn't know it was you until after the gala. How could you think that?" It's only through conflict of interest that Lois spares Superman of being doxed. He's supposed to magically know this. Extremely cool of Asian American Lois to be entitled to an alien immigrant's identity within four business days.

Episode 6 wraps up the Lois Hates Superman For Being A Liar arc, so let's quickly summarize what happens. Lois and Clark set aside their fight to find Jimmy in an abandoned scientific facility (he's being cared for by Mallah and the Brain). Jimmy admits (very smugly) to having known Clark was Superman all along because he kept breaking stuff. As the trio are chased by killer robots, they emotionally confront Clark for not trusting them with his alien secret- despite neither Lois or Jimmy creating a safe environment for Clark to come out to either of them (Jimmy outed Superman as an alien on his video channel). The moral of the story is Clark should have trusted his friends anyway, because lying is bad. Not once does the narrative hold Jimmy or Lois accountable.

We have Black Jimmy Olsen and Asian American Lois Lane being entitled to their white passing friend Clark Kent's marginalized alien identity. A joke is made at Jimmy's expense that he doesn't understand bigotry, and Lois clearly doesn't understand why an immigrant wouldn't be forthcoming about his identity to his hostile friends at work. This is how that arc ends.

I'd like to quickly compare this Lois Hates Superman For Being A Liar arc to my favorite scene in Superman Smashes the Klan. In this story, Superman debuts as a strongman superhero instead of an alien, suppressing his more othering powers to pass as human. He jumps instead of flying. Roberta, the Chinese American girl targeted by the Klan, calls Superman out for not using his full abilities to save people who could've gotten hurt. Yet, as she's calling him out, Roberta understands Superman's fear of not wanting to be othered. She sees the way her father dresses up to pass as an accomplished scientist, how he tells her mom to speak in English, how her brother makes racist jokes at their family's expense to fit in. She's not mad at Superman, she's mad at the world that would be scared of Superman if he flew.

"I wish it were okay for you to fly!" Roberta yells. This is a beautifully empathetic scene that shows a marginalized person frustrated at a systemic problem, instead of blaming the marginalized for being marginalized. It's the empathy and perspective we're missing from MAWS.

Episode 7 is a metatextual episode where MAWS addresses how their Lois isn't like the other Loises you've seen before. Lois and Jimmy are brought on to a team of alternate dimension Loises to find interdimensional troublemaker Mxy. In seeing the other more accomplished Loises in the multiverses, Lois ends up feeling inadequate about her self worth...in connection to being Superman's girlfriend, of course. Because Superman only loves Lois Lane after she wins a couple of Pulitzers, right?

I'm open to a version of Lois Lane that isn't as accomplished as she's historically known to be. I can like a Lois that's young and idealistic, like in Girl Taking Over. It's hard not to compare this episode to 2022's Everything Everywhere All At Once, another multiverse story about an Asian American woman who is the "greatest failure" version of all the parallel iterations of herself. But while that movie talks in depth about themes of generational trauma, expectations, and self potential within Asian immigrant families, MAWS uses the multiverse to say that while their Lois is less accomplished, she's still a good girlfriend to Superman! Why should I bother giving grace to a different take on Lois only to get such a superficial story out of it. This is metatextual-ly frustrating.

Why is it, the minute we get an adaptation of an Asian Lois in something as prominent as an animated show, we get "the worst Lois in the multiverse"? Lois is historically depicted as excelling in her field. She's an award winning journalist, jaded and mean from having to work her way to the top. She owns her sexuality, she's the experienced city girl. Instead of taking the opportunity to inform Lois' jadedness and excellence with her Asian American identity like in Girl Taking Over, instead we have an Asian Lois that's simply incompetent at her job. Why are we now adapting historically accomplished women into adorkable quirky screw ups? She went from being sexually confident to being insecure over sending a text to Clark. Is it more relateable to see an Asian woman that way? Is it too intimidating to see a butch Asian woman who excels at her job? Who's romantically confident? This is what MAWS would rather do than humanize her excellence or her failures.

Are you tired of an ambiguously designed Asian American woman reporter being xenophobic to Superman in MAWS? Well too bad because episode 8 introduces us to Vicki Vale, voiced by Andromeda Dunker (an Asian actress), with explicit notes in leaked concept art to design this character as "Indian American or Asian American" (as if those are mutually exclusive...) inspired off of real Asian reporter Connie Chung. Vicki wants to write a hit piece on Superman and interviews Prof Ivo's assistant, Alex, for a negative biased opinion on Superman (to Lois and Jimmy's dismay).

This episode is where it's abundantly clear the writers don't know how to talk about xenophobia. They'll make nods to xenophobic rhetoric, but they don't know what the rhetoric means. In response to Alex's derisive opinion on Superman destroying Amazo tower thereby bankrupting the company and putting "thousands out of work", Vicki responds "Superman wiped out good American jobs". This is a misplaced nod to Replacement Theory: the fear white people have over people of color, but particularly immigrants, coming to "their" country to "steal" jobs they're entitled to, ultimately becoming demographically replaced by non-white cultures and people. This rhetoric is also commonly applied to Jewish people.

The problem is, that's not what Superman did in the show. Amazo tech was going to go bankrupt because of Prof Ivo's poor business decisions. Prof Ivo made the mistake of antagonizing Superman and ruining his own image. Superman damaging the building came from his fight with Prof Ivo, not a deliberate attempt to get hired (if anything don't the building repair people have new jobs now?). No one's job is tangibly being taken by Superman. None of this is called out by Lois or Jimmy, who know the full story and were even the ones to attack Alex for helping Prof Ivo (let's be real the writers forgot this happened). In fact, Lois and Jimmy don't react to Vicki's Replacement Theory remark at all! It's like they don't even recognize she said something with racist implications!

Jimmy and Lois meet up with Superman who learns the people of Metropolis are becoming scared of him (from causing some recent property damage in an attempt to hunt a criminal down) and writing mean comments on social media. A user writes "he should go back to where he came from." This is a transparently xenophobic comment. It doesn't work in the context of the show because of a huge plot hole: Superman never publicly came out as an alien to Metropolis. No verified newspaper has explicitly made this fact known. The only source that mentions this is Jimmy's conspiracy channel, which the citizens of Metropolis are apparently treating as fact- therefore (if we're to believe this is how people knew) this means Jimmy absolutely outed Superman as an alien without Clark's consent.

So how does Asian American Lois respond to seeing her alien boyfriend go through xenophobia? She says "Take a break from being Superman and just try being normal." To be fair, the narrative does portray Lois saying the word "normal" as charged (only here at least, not in episode 4), and when she tells Superman to "take a break" it's because he had been overworking himself after suddenly unlocking the ability to hear when someone's in trouble. But was this really the response Asian American Lois thought to say? To her boyfriend going through such explicit xenophobia? At this point it's abundantly clear that racism doesn't exist in the world of MAWS. Being "normal" is to be human. And to be marginalized- or as the show likes to call it "different" is only reserved for white passing alien man Clark (along with gorilla and robot that was once a white man). Any hope of an immigrant parallel between Asian American Lois and Superman should be fully discarded at this point.

After the events of the previous episode where Superman is kidnapped by Task Force X, in episode 9 Lois regrets being allegorically xenophobic to Clark. At least I think that's what's happening. I often describe MAWS as a show that's extremely squeamish with getting political- and I believe the vagueness of Lois' Dark Night of the Soul moment reflects that. "I said awful things to Clark. I doubted him when he needed us most. I was wrong and now he's gone..." Lois says as she cries to Jimmy. Is this dialogue implying she shouldn't have told a sleep deprived Superman to take a break? What did she doubt about him? This dialogue is purposefully vague about Lois being xenophobic. They've universalized Clark's immigrant identity to such a point that they can't keep their argument consistent. Was Lois in the wrong for telling her overworked superhero boyfriend to take a break? Or was she being xenophobic for telling him to lay low for a while? Or is she regretful for hating Superman for Being A Liar? How is that possible when the narrative sided with her and Jimmy in episode 6? It's woefully non-committal. Regardless, the intent of this scene is to pay off in the climax of the episode.

In the end Superman has a showdown with Prof Ivo Parasite, who has grown into a large godzilla-esque kaiju creature. In typical MAWS fashion, the show is more interested in a surface level nod to Asian media instead of engaging with the specific themes of nature and post-war trauma kaijus and godzilla serve in Japanese culture. I digress. Using Jimmy's massive social media platform, Lois delivers a hope speech that instantly heals Metropolis of its xenophobia towards Superman.

Lois says to the people of Metropolis.: "People have told you to fear Superman because he's different from us. But we humans are capable of causing hurt and pain too. [...] Because we want to punish those who don't look or act like us." I mean this in the most polite way possible, but who on Earth thought this line was a good idea for Asian American Lois Lane to deliver when talking about white passing man Superman?? Why did the writers feel the need to specify Superman not looking like us. I simply don't understand how nobody considered the terrible optics of this.

After Superman defeats Parasite, episode 10 is about Clark, Lois, and Jimmy celebrating Thanksgiving at the Kents' house. At the Daily Planet, the trio of interns are promoted to finally being reporters. It only took Clark and Jimmy a few weeks while it took Lois a whole year! Now feels like a good time to remind you that Lois as a character was historically frustrated at sexism in the industry and despised how men were treated better than her (including Clark Kent). Well in MAWS episode 4, Lois has no idea why she isn't getting picked up to be a reporter. According to the narrative, and Perry White's dialogue ("you're terrible interns, so the only thing to do was to make you reporters")- she simply didn't break enough rules yet! Thank goodness she had the help of two men to show her how it's done! This is a pretty clear case of character regression. Keep in mind that in American Alien, at the very least that Asian Lois still underwent sexism, and I gave it the grace that the story could eventually expand to talking about both sexism and racism if it were to continue. But in MAWS? I don't think even sexism exists, let alone racism. Somehow Thanksgiving does, though.

Half the final episode is spent on Thanksgiving shenanigans where everyone's trying to be polite but they dislike Lois' stoic dad (Sam Lane)- who Clark recognizes as the Asian American xenophobic man who tortured him in Task Force X's government bunkers. A parallel is pulled between Sam and Jor-El, two fathers with different ideals when it comes to protecting their kids. There's a huge missed opportunity to have Lois and Sam speak in Korean with each other, to create a parallel in the language barrier between Clark and Jor-El. Maybe Lois isn't as fluent in Korean as Sam is depending on how culturally connected she is. Oh, but the existence of non-English human languages would imply some sort of minority, who would be marginalized, and we can't have anyone outside of aliens and a gorilla be marginalized in MAWS. Non-English languages in America are political, after all. Oh, but they also got a Filipino actor to voice Sam. Generously Lois could be Filipino-Korean but if we're being truly honest it's clear the MAWS crew think Asians are interchangeable.

Let's talk about Sam. In terms of optics, it's already not great that the main villains who represent the face of America's secret government xenophobia are Amanda Waller and Sam Lane- a Black woman and an Asian man. What's doubly notable is that of the antagonistic villains, Sam and Vicki are the most xenophobic. When Sam tortures Superman, he shouts "When is the invasion? How many of your kind will come through this time?" without a hint of irony. Reminder that historically, Asian immigrants were (and still are) considered invaders in America. They are the perpetual foreigner. MAWS loves making nods to Superman being an immigrant allegory, and yet they can't fathom the human beings that allegory is inspired by.

It's not impossible to portray people of color or even Asian American characters specifically being xenophobic. In Superman Smashes the Klan, Dr. Lee is initially antagonistic towards Superman but we understand why. We see him trying desperately to assimilate into whiteness, to the point he rejects assistance from his Black neighbors who help put out a fire in their backyard (that the Klan started as a threat). We understand why he's a character who would turn on fellow people of color, or fellow immigrants, in order to fit in. For MAWS, if we had a flashback scene where Sam was serving in the military and fought against Asian soldiers, showcasing his loyalty to America over his own people- that would narratively explain why an Asian American character would be xenophobic. Writing bigotry from within marginalized communities requires specificity. Otherwise, you've just got a diverse villain. In the end, Lois defends her immigrant alien boyfriend from her xenophobic Asian American dad.

Whenever I bring up how MAWS fails its characters of color but especially Asian Lois, I'm met with people telling me that "hopefully they'll make Lois more Asian in S2" or "they'll just retcon the bad writing in S1" and I hope this thorough analysis on the treatment of Lois' Asian American identity can help enlighten why I personally think that's impossible. The entire concept is flawed from the very beginning. The story MAWS wants to tell is at odds with Lois' Asian identity. In trying to justify an Asian Lois that loves Clark but hates Superman, they never considered what it means to hate Superman. To hate the alien immigrant. The alien other. What it means for an Asian American character to do all that. MAWS is a show that wants to have its cake and eat it too, they want a diverse world without racism or sexism but still want to reap the clout of lightly portraying Superman as "different".

They'll make the most surface level nods to Lois' Korean heritage- but remove all of the cultural context from them. They can't be bothered to acknowledge the inherit political identity being a person of color means in America, they're too busy doing that with Clark. I'm told "MAWS didn't have the time to go over Lois' Asian identity, it's a 10-episode series that focuses on Clark's alienation", and to that I say the potential of an immigrant love story and time frame was there, they simply chose to go another direction.

When I bring up things like Superman Smashes the Klan, Girl Taking Over, and Everything Everywhere All At Once, it's not to say MAWS should have used those stories as reference when crafting their allegory. All of those specific media were released while MAWS was deep in production already. Girl Taking Over was released the same year MAWS premiered. What I am saying is that we, as the audience, should have higher standards. Because better media portraying Asian American characters already exist. Better media portraying Asian characters relating to Superman mythos already exists. What we're doing when we celebrate the breadcrumbs of representation that is MAWS, is allowing mediocrity to exist uncritically.

Shows like Wednesday are known in the discourse for their portrayal of Black characters as being functionally white, yet that kind of scrutiny doesn't seem known for MAWS. The diverse reimagining of Lois and Jimmy is so poorly handled in MAWS that it would honestly make more sense if Jimmy and Lois were white here. The joke made at Jimmy's expense that he doesn't understand bigotry would be actually funny if it was calling out his white privilege. If, for whatever reason, the writers are compelled to write a xenophobic Lois that unlearns her bigotry and falls for Superman, I'd rather she be white for that kind of story. I wouldn't personally root for that kind of couple, but at least it'd make sense. It's a common joke among DCAU fans of color that we like to headcanon Lex Luthor as Black, or Lois Lane and Terry Mcginnis as Asian. It's a cruel irony that the one time we finally have a canonized Asian Lois in an animated show, she honestly feels and acts whiter than actual white Lois ever was.

I mentioned in Pt 1 of my essay that Asian Lois and Superman has the potential to be a definitive love story. One that considers both their backgrounds as immigrants, othered in different ways by American society. The story of a jaded but accomplished Asian city girl who finds hope to be herself again in an alien immigrant superhero. One where she gets the courage to wear traditional clothes again, to practice languages she once suppressed. The story of Superman, an alien immigrant, finding hope in someone with a painfully similar experience.

As of writing, we have yet to see this dynamic in any canon DC media. A second season of MAWS will not give us that story.

#ramblings #media criticism #jesncin talks maws #lois lane #warning LONG LONG POST #this is a 30 minute read for reference. read it in chunks if u like but this is a big lad fellas #as always please be kind!#jesncin dc meta

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kent-farm · 1 year

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We are gonna get through this together. You're not gonna go to any more doctor's visits alone. You're gonna beat this thing. There's not a doubt in my mind.

—Clark, Superman and Lois, "Uncontrollable Forces"

#Clark and Lois Every Episode #Clark Kent #Superman #Lois Lane #3.02 Uncontrollable Forces #Hug | Clark and Lois #Touching Face | Clark and Lois #Foreheads Touching | Clark and Lois #Kiss | Clark and Lois #Tyler Hoechlin #Bitsie Tulloch #Superman & Lois

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memento-mori-twilight · 9 months

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So I noticed something absolutely cute from the Episode 8 preview of My Adventures with Superman.

So, in the episode preview, we get a wide shot of the (huge-ass for the center of Metropolis) apartment Jimmy and Clark share.

And I noticed the jackets in the doorway with the bicycle and got curious after seeing Jimmy's on the hooks

I tried to track down every instance we would have possibly seen them.

The red could be Clark's hoodie we see him wear on Episode 1.

The first blue jacket is obviously Jimmy's signature puffy jacket.

The second blue jacket could possibly be another version Clark's windbreaker from episode 6 (since that one got vaporized by lasers and I can see him with at least 2-3 kinds of whatever clothes he has just in case)

Now the question is:

Who has the green jacket?

Well, the answer to that is simple.

It's Lois'.

He never gave it back to her. Either she told him to keep it since the Cadmus trip because I think she still kept his suit jacket from the high-rise party

Or he's so shaken up right now that it's constantly slipping his mind to give it back to her.

That's such an adorable detail, if true!

#maws #my adventures with superman #maws spoilers #super cute detail #maws analysis #superman #maws clark kent #clark kent #jimmy olsen #lois lane #clois #episode 6 #episode 8

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mewtwo24 · 9 months

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MAWS - An Allegory for Autism, too?

God like…there have been so many amazing posts about maws right now, and I don’t want to detract from any of them because I absolutely agree with how powerful an allegory the show is in regards to being an immigrant/alien.

But at the same time I just. I have been literally losing my mind at how autistic Clark feels. And at this point I can’t tell if I’m seeing things that aren’t there or he really is just so god damn ‘tism it makes his experiences of being othered two- and triplefold.

Like. Okay. He keeps acting on what he thinks is just or morally right in the moment, but sometimes struggles to see the social signals (or bigger picture) that might indicate somebody is deceiving him. If he does realize he’s being deceived, he does the right thing anyway even if it’s to his detriment--because he can’t accept looking away from a problem he might have resolved. Helping someone, no matter how difficult or unreasonable.

Okay.

When he’s trying to protect himself from Lois. He tells the truth in the most evasive way humanly possible, and because he thinks she’ll find him dashing from saving people he comes off as dissembling. He is convinced that he has charmed her to no end with his alter ego since he’s Such A Super Cool Strong Normal Guy as Superman, and that she couldn’t possibly be suspicious any longer because he told the truth. Lois wants to throttle him for lying. He has no idea as to why that is--and is openly surprised that she’s upset.

This is not even touching the fact that he lived for YEARS with Jimmy and literally destroyed stuff in front of him by accident, and never once thought Jimmy knew some shit was going on with him. Jimmy, being subtle and considerate, didn’t snitch because he was a homie. Clark does not notice in the slightest. ‘IT COULD HAVE BEEN THE SCREWS’ ASS.

This also not touching on the “How did you know you were bulletproof?” “I didn’t. I just knew you weren’t.” Despite pervasive signs that his powers weren’t operating as they should in that area. Despite knowing Lois was still upset with him and may not forgive him, could hurt him with what she knew.

Okay.

I'm going to put the rest under a cut because I never go on short tangents:

In a lot of New Age illegitimate medicine and psychological constructs, autistics are often conceptualized as people with ‘special powers’ or religious enlightenment in accordance with some manifestations of their disability. Clark’s superspeed and strength and heat vision can EASILY be seen as an extension of that. However, what I really want to talk about is the latest episode’s super hearing.

Most autistics have sensory issues, both with textures but also with hearing. A very common surprise for undiagnosed individuals, for example, is that they use music and headphones to stim in a more socially acceptable way. Particularly loud noises or constant loud chatter can cause distress otherwise, and having constant meltdowns/catatonia reactions isn’t feasible for survival.

Of all his powers that might be a weakness I think it is a fascinating--and honestly, deliberate--choice that speaks volumes (please pardon the pun). Because that’s the horrible thing about having sensory overload with your hearing; you don’t always have a choice as to what you’re subjected to. Ear-piercing alarms can flare at any moment, people can play what they consider harmless pranks, or day to day fighting to focus can make every sound feel like nails on a chalkboard from the overstimulation.

While Clark is able to distinguish voices if he knows what to look for, lack of sleep and rest tremendously weaken his ability to focus. I noticed that as the episode wore on, there was a distinct and exponential progression. At first, when he overdid it and didn’t sleep for a day or so, he still managed to operate without hurting himself or risking others. But as he kept pushing himself without rest to answer every cry for help, he grew progressively and sharply overwhelmed. He quickly became overstimulated by the mounting flurry of oncoming stimuli (e.g. the truck about to hit someone, dodging people around him, the relentless super hearing flooding in) and began to react in ways that were careless and random.

Though his powers appear supernatural and inexhaustible, we are forced to face the fact that he still possesses hard limits. Even if autistics seem more capable than NTs at points, there is a reason “high-functioning” became an obsolete terminology with which to differentiate people on the spectrum ‘who seemed to be above average’. Because just as we see Clark forcing himself to exert his superpowers until his body collapses to prove he is good, autistics also push themselves to be useful/helpful/amenable/inobtrusive in order to be accepted as something not other/monstrous.

(Please note, by the way, towards the end of the newest episode--his power comes out in a flash of blue, overpowering light as the last of his strength begins to wane. A surefire sign that he was truly at the end of his endurance before he’s knocked unconscious.)

The fact that Clark starts to learn how to listen in for people so fast, but also doesn’t think to tune them out (if he can) adds even more to the first point too. Because he can’t turn it off in full, it means he has no way to ignore people who are hurting no matter how small--and for him that places the cognitive burden of making a choice. And he can’t choose not to help people.

Okay.

Clark’s incipient refusal to discover more about himself, the sheer overwhelmed look he had as a child--but also as an adult--at the prospect of having to rewrite and re-evaluate everything he thought he knew about himself. There is no excitement, no positive anticipation. When he chooses to face it, it’s because he perceives a kind of responsibility to better understand/control his powers to help more people. And it’s because his friends support him that he ever finds the will to do it. He has no desire to acknowledge or define his otherness head-on. (Once again, he can only act with courage on behalf of others and/or to ultimately win their acceptance.)

GOD. AND. AND how he tells Lois how much she made him “come out of his shell” and forced him to face the world, to stop living in his formerly simple bubble. How autistics instinctively hate breaks in routine and the unknown and the horrible ordeal of change, especially if they have trauma linked to it. But he was trying because yeah, as people we need new and varying stimuli to be happy and healthy. To be alive is to change, whether one likes it or not.

How part of the reason Lois is so dear to him is because she makes him feel capable and safe when he has to face the truth of his difference and change. (THIS IN THE CONTEXT OF THE LATEST EPISODE. “CLARK, JUST TRY TO BE NORMAL”. I’M EATING MY SHIRT. THE ENDLESS OSCILLATION BETWEEN HIS DESPERATION TO BE NORMAL BUT ALSO STRIVE FOR MORE, AND HOW LOIS ANSWERS BOTH THOSE WARRING CALLS WITHIN HIM JUST BY BEING HERSELF.)

SCREAMS.

Okay.

The most recent episode being a direct result of Lois and Jimmy’s acceptance of his alter ego Superman. Because of course Superman is the preferred variation of himself. Everyone loves Superman. Everyone finds him cool and heroic and dazzling. Jimmy gets social media acclaim that he enjoys from it. Lois has a Cool Guy Boyfriend, and she told him outright she thinks he’s amazing in the last episode when he complained about being weird.

Why go back to being Clark? Under the unending burden of his new super hearing, he seems to be so drowned in voices that he forgets a very important one: Lois. She loved him as Clark long before Superman existed, the lumbering gentle giant who always treated people with dignity and respect was more than enough for her to fall in love. And that’s why it’s so poignant, but also so unbelievably devastating when she asks him to be normal in the newest episode.

Because what she was trying to say was “Please stop overexerting yourself, you’re hurting yourself. This is only going to end badly if you don’t rest and think about how you want to move forward. You’re enough as you are. You’re enough as Clark Kent.” She was trying to tell him that Superman isn’t all that matters, that Superman is a person with feelings and needs and vulnerabilities, just like anyone else.

What makes this miscommunication so powerful to me is that it’s clear Clark’s ability to differentiate has become confused ever since Lois and Jimmy accepted him. How much of him is Clark, how much of him is Superman? Before, when he had decided Superman was too much for him to handle and something that needed to stay hidden, he knew how to behave day to day. But now that the aforementioned operating precept has been dismantled by their acceptance, what is his blueprint now? To be freed of his chains, but to be too afraid to leave the cage--he becomes so openly and rapidly lost. It was easier when he didn’t have to choose or think about it.

Okay.

Like. I can see how it could be construed as a result of his inexperience, right? He’s never met intergalactic beings, so how would he know? He only just unlocked his powers as Superman, so of course he’s clumsy about it. He wasn’t a born fighter or a trained one, so of course he’s going to be a little green when he’s in combat.

But that’s the thing for me. It’s not that he doesn’t always have the time to re-evaluate, or strategize, or notice he’s being deceived. He just has such an unwavering sensibility, this one-track sense of “I am strong. So I must protect. And to do that I need to act.” And a lot of times this is as far as his thinking goes. And if that isn’t the most autistic shit imaginable, I’m really not sure what is.

The overshot clumsiness of his movements and occasional awkwardness, how he’s learned to smooth that over by being helpful to people or meek to be accepted. Like. I swear to god this show is going to kill me.

So much of the reason he tanked so badly in this episode was because he was using a broken coping mechanism to its absolute extreme. And instead of listening to his bodily and mental signals that he could no longer sustain helping every single person in the world, he just forces himself to push through. He’s so desperate to prove he’s a good person and belong, he doesn’t notice that it’s literally destroying him from the inside.

The mask that is Superman, and the unmasking that is the mindful and imperfect Clark Kent. That everyone adores Superman and wants him to fulfill their every need, no matter what it costs him to be that person. The fact that the moment they learn he’s an alien or see the raw extent of his power (pushed to unsustainable limits in desperation) he becomes a horrible, inhuman threat and a monster. The fact that it’s his friends and his family who see him unmasked as Clark and love him just as he is, that they care little for what Superman can give them because Clark is already enough. That they love Clark precisely BECAUSE he is somebody with weaknesses and flaws and imperfections, that adore his quirks and endearing fumbling.

The horrific reality that the more he leans into his masking out of desperation to be accepted, the more he estranges and incites violent rejection in the people around him. Even if he wants to do the right thing, he is so staunchly and too openly opposed to the malice of others that they hold grudges from the stark, exposing contrast. How choosing to be Superman can endanger and estrange the people who love Clark, isolating him even further. And yet when he is unmasked and acts like himself, he is hardly ever taken seriously or people take advantage of his meekness/willingness to help.

The first episode. When he just keeps chanting ‘be normal be normal be normal’ and the more pressure he puts on himself, the more he hyperfixates and the less his actions align with his intentions. The way he can never do both and can only manage to sustain one at a time. The core conflict that’s ever present; the desire to be ordinary under the reality that you are extraordinary, with the agonizing knowledge that you never had the choice to live under so much difference and scrutiny.

The never-ending autistic battle of being socially acceptable to the detriment of your greatest virtues: your passion and your honesty. To be left feeling empty and drained despite your success, no closer to self-satisfaction or feelings of human camaraderie. The reality of being always forced to choose between one bad option and a worse one, that the only choice you have is what you’re willing to sacrifice. That people will toy with your vulnerabilities no matter how desperately you try to conceal them, how your weaknesses will be a game or a spectacle to the rest of the world.

How one has to wonder to what degree the Superman witnessed in Lois’ memory capsule was pushed to the very brink. Or the pointed lack of context: what brought him to such extremes, what could inspire so much indifference to the pain of others? How, while it is frightening, he is a person just like anyone else--who possesses the potential for raw good and raw bad. Why is it that everyone so easily believes that his potential will be negative? Why is it so difficult to have faith in someone who is trying so hard to be good?

The irony of Clark’s predicament, that the sincere fulfillment he feels upon helping others is precisely what inspires fear in those who insist on their comparative self-serving normality.

“What’s your angle!? What’s in it for you?” “Trust me, kids. Nobody puts on that big a show of being good. Unless they’re hiding something…All he wants is to pull cats out of trees? Yeah, I’m not buying it.” “He’s not normal like you and me….If he really wanted to hurt us, what could we do about it?...Just him having a bad day could spell the end for us…Well, not all of us share your faith.” “You want to be number one? You don’t get there by writing fluff. You go for blood. That’s something Perry never understood. Do you?”

The unbearable but inevitable fact that being autistic is a perpetual experience of loss. If you are not selfish or egocentric like the rest of the world, you are naive and weak. If you exhibit an ounce of self-centered desire or emotion, you are something that must be eradicated for the greater good. No amount of good that you accomplish can ever balance the scales of what has been lost or spent to sustain you, because at the end of the day your life is considered one without value. It is irrelevant that entire military regimes have collectively decimated and endangered thousands for their so-called “results”, because you as a sole actor are so much easier to blame and trample.

The enduring fact, especially in a culture so absorbed in easy answers and harsh binaries, that the human mind does not care for the struggle of truth.

Anyway if you need me I’ll be clawing at the walls thanks

#my adventures with superman #maws #i just haven't been able to stop thinking about this #its like the newest episode made it impossible to question any longer #i hope this made sense to someone???? other than me #is it obvious that this weeks episode made me cry a little haha #stares into the distance So Normally #the way experiencing maws clark kent can be something so personal...

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soullessjack · 9 months

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okay now that maws has officially introduced the evil alternate superman concept into the show I think it’s necessary to point out that across nearly every dc media revolving around Superman going rogue (not including ones where his upbringing is changed) the tipping point for his every downfall is almost always the death of Lois Lane.

Superman The Animated Series - Brave New Metropolis - Lois is doing a story on Intergang and getting too close to exposing them, so they bomb her car. Clark takes this as a realization that he’s fighting a war, and so has to take extreme measures to protect people; these extreme measures include teaming up with Lex Luthor for the sake of his vast resources and establishing a dystopian police state within Metropolis, however it’s important to note that Luthor abused his newfound authority to that dystopian extent, and Clark was genuinely unaware of the city’s true conditions.

Injustice - The Joker tricks Superman into killing [a pregnant] Lois and destroying Metropolis by detonating a nuclear bomb she is strapped to. Superman goes mad with grief and rage, kills the Joker in that infamous fist-through-the-chest-heart-ripping panel, and continues to slowly deteriorate into an amoral dictator over the course of five years. Eventually he establishes a borderline-fascist regime called One Force Earth, ironically intended to “enforce global peace,” but at the cost of the entire world’s personal freedoms (STAS also had an episode about this, featuring Mala and General Zod as the dictators in question).

MAWS is heavily focused on Clark and Lois’ relationship and his status as an alien as elements of his becoming Superman–and given that we’ve already been shown glimpses of the multiverse, alternate Super-tyrants, and an entire legion of Loises who more or less survived their respective Clarks, I think it’s very possible that some of the Soups we see in Mxy’s orb are Supermen who’ve either lost their Loises or their upbringing with the Kents—Supermen who have utterly lost or utterly lacked the very elements that this show emphasizes as being what makes Clark who he is, and I think it would add so much more tension between Clark and Lois and the rest of the world to know that their safety and his sanity basically hinges on this one woman he’s fallen into major puppy-love with.

#I LOVE CLARK AND LOIS SOOOOO MUCH YOU DONT UNDERSTTAAANBBDDDD #HE LOVES HER SO MUCH IT MAKES ME SICK #maws #maws spoilers #my adventures with superman #superman the animated series #evil superman #injustice #injustice gods among us #injustice superman #brave new metropolis #lois lane #clark x lois #clois #clark kent #dc #dc superman #dc injustice #not to be yearnful but characters who love somebody so much they instantly become insane over it are my favorite full course meal #tryna slide jack kline into this like he obliterated his own soul and slowly cooked a man to death bc his dad vaguely suggested wanting it #and he went fully psychotic with grief over killing his grandmother to the point of using necromancy to bring her back and fix it ..#twirls hair #there’s also Smallville Red K Clark who basically got high to cope with Lana breaking up with him but I don’t think that counts #it’s kind of lame actually im sorry

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mrhowells · 8 months

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Smallville 5x06

"How you ever had a crush on Richie Cunningham, I will never understand."

I'm actually so easy to please

"And Lois... *laughs* I'd do anything to get rid of Lois."

but thinking about how annoying she is makes him laugh, soooooo... she's a good influence, I rest my case😌😌

Jonathan knows too, like-

Chloe & Lois as an investigative duo are actually really fun

Lex really lives in Jonathan's head rent free💀💀

ohmygoooooddd

MOTHER.

"She's here to dance."

Chloe really threw Lois under the bus like that I'm cryingsjakjsha

the struggle is real💀

SOOOOO let's see if Jonathan actually apologizes when it turns out Lex didn't do anything

CLARKFNKLJFDISLYS

COVER YOUR EYES SWEET SUMMER CHILD

Lois x bisexual lighting I LIVEEEE

they did that for me😭😌

"I'll have a coke😇" ... "S- straight up, on the rocks.😤"

JAkhsshfdlskaBOOBOO WHAT ARE YOU-

I just choked on my ice cream

LMAOOOOOO bless his heart

THE STRUGGLE IS REAL PART 2 I'M CRYINDHSGFJFKD

I'm really not ready for what's about to go down here😭😭

🎶DON'T YOU WISH YOUR GIRLFRIEND WAS HOT LIKEEE MEEEEEEE🎶

Someone needs to go to jail for that music choice💀💀

TOM WELLING YOUR FACE JOURNEYS. LET ME SAY THANK YOU KING🙇‍♀️

this is history in the making. absolutely iconic.

🎶DON'T YOU WISH YOUR GIRLFRIEND WAS WRONG LIKE MEEEEEE🎶🎶

i do wish she was my girlfriend actually they're so right

aaand she's getting into it

ON MY FUCKING KNEES FOR HER MA'AM YOUR HAND IN MARRIAGE PLEASEEEE

he's kind of giving me:

PLEASEWSWKRJWOPQP

EVERY SINGLE FRAME OF THIS IS SO FUCKING ICONIC LIKE WHAT DO I EVEN SAY??

it's okay bb, we're all looking respectfully right now

💀💀💀THE STRUGGLE IS REAL PT.3

SOMEONE PLEASE HELP THIS BEAN

kshadjwka his fight or flight is kicking in😭😭

"What are you doing here?" "What are YOU doing here?"

story of their life fr

the struggle has never been more real, pray for Clark💀

they did that.

smallville writers really did that.

legend behaviour if you ask me

i would like to take this moment and say thank you.

"I've never been in a position where people look up to me."

This is such a silly statement, Jonathan is literally the person Clark looks up to the most. His bigger personality flaws clearly come from Jonathan's influence💀 (not to say he didn't also learn a lot of good traits from him -he absolutely did- but you know)

I'm really curious what Lex's (and Jonathan's) politics are actually, don't be shy writers tell me👀

SIR I NEED YOU TO STEP AWAY FROM MY WIFE IMMEDIATELY

creepy mf

"Hey 007. Nice of you to show up." "I'll start assuming that means thank you?"

giggling kicking my feet

"I can't touch him." "Well, I can."

I'VE SAID IT BEFORE AND I'LL SAY IT AGAIN, MOTHERRRR

pls his face😭

he knows he could never be as cool as her

THIS SHOT MAKES ME FERAL

my parents🥹

(listen the shit i went through to upload this last picture tho, i hit the upload limit and had to delete stuff, then i accidentally deleted the whole post for a second🤡 my whole life flashed before my eyes💀💀)

Lex talking about a guy falling in love with his best friend's wife uh oh, no thank youuuuu😬😬

He was making a good point though.

"The thing I always try to remember is, no matter how much le lays on, he never expects more than he expects from himself."

Clark really grew up didn't he😭😭

"What are you doing, you just moved back in."

from the guy who said "I'd do anything to get of Lois." at the beginning of the episode, what in the clownery🤡🤡

All men do is lie.

she's such a menace, I LOVE HER😭😭

AND HE CAN'T STAY MAD AT HER LOOK AT HIS FACEEEEE

they're secret bffs your honor😭

I LOVE THEMMM IT'S ACTUALLY SO SERIOUS

"And you didn't have to come after me but you always do. So I wanted to say thank you. You're a really good friend."

GOING INSANE ON THIS SATURDAY NIGHT

CUT IT OUT YOU ASSHOLES I'M TRYING TO STAY NORMAL UNTIL SEASON 8 QUIT EYE FUCKINGZFGDUWEOAK

well. stay normal challenge failed again but that's exactly how i thought this would go, sooo

Question for the people: should i even tag Lex in posts like this? I don't think twice about tagging characters like Jonathan because I don't expect fans to look through his tag for him specifically, but i know people do it with Lex and I feel bad at the thought of them having to scroll through me losing my mind over Clois with a few Lex mentions in between. Lex fans lemme know

#smallville #5x06 #clark kent #lois lane #clois #jonathan kent #chloe sullivan #ellie's smallville thoughts #lex luthor

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