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#BELIEVE it and just show them but it takes so much out of me every time
tayytayy12 · 3 days
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I hate it here (a lot less when I’m with you) | OP81 x Reader
Summary - Reader just got out of a mildly toxic relationship and released a song about what her coping mechanism was during that time, but when her new relationship gets leaked by the paparazzi, she decides to show off her new favourite person.
Warnings | Mentions of a past toxic relationship/ breakup, swearing
FaceClaim | Gracie Abrams
Requested | Yes - No
Type | SMAU
Yourusername
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Yourusername | Long Pond Studios has always been a place where I’ve let my emotions and feelings guide my songwriting completely, every song that I’ve written and recorded in this place has been a complete raw reflection of my feelings, and I’m forever grateful that I can trust you enough to share them all with you without the slightest moment of hesitation. That’s why, I’m surprise releasing my brand new song, ‘I hate it here’ now. This song is about a method I’ve used to cope for the past few years of my life when I wasn’t in the best situation, and I hope that it will help any of you who are or were in the same situation I was. This song was made with my soulmate of a collaborator, chosen friend, found family of mine, Aaron and were so incredibly proud of it and we can’t wait for you to hear it. Sorry for being away for so long, I love you 🤍
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User1 - OMFG SHES ALIVE !!!
User2 - ONLY TOOK FIVE MONTHS TO CONFIRM YOU’RE ALIVE AND BREATHING
AaronDessner - My favourite one together so far 🤍
Yourusername - Love you forever 🤍
User3 - WTFDYM ‘I HATE IT HERE’ EXPLAIN?
User4 - GO LISTEN TO IT ITS SOOOOOOOOOO GOOD
User5 - A SURPRISE DROP? WE’RE SPOILED
User6 - When Aarons a co-writer AND the producer, you know for a fact the song will change your life (and make the therapy bill triple)
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User7 - Girl don’t apologise
User8 - FR like she gets cheated on, takes a brake and then apologises to us 😭 like girl it’s okay
JackAntanoff - *Alexa play Traitor by Olivia Rodrigo*
Yourusername- Your times coming synth man 🤫 LOVE YOU STILL
User9 - WDYM HIS TIME IS COMING YOU CRYPTIC WOMAN
User10 - “I hate it here so I will go to secret gardens in my mind.” That’s all I have to say.
User11 - Y/n could write Romeo and Juliet but Shakespeare couldn’t write I hate it here
User11 - “I place you need a key to get to, the only one is mine” girly I hope someone makes you want to make a copy one day
Yourusername - God I love you lmao
User11 - OMFG Y/n loves me I can die happy
User12 - “tell me something awful, like you are a poet.” BC HE ALWAYS PAINTED HER BLUE SKYS THE DARKEST GREY, RUINING HER DAY BY TELLING HER AWFUL SHIT LIKE HES A TORTURED POET !!!!!! (I knew Coney Island wasn’t fictional you fucking delusional people, no one in a happy relationship writes that shit 💕💕💕)
User13 - “This man made me feel worthless.” Y/EX/N ISTG WHEN I FIND YOU. COUNT UR MINUTES
User14 - “I'm lonely but I'm good, I'm bitter but I swear I'm fine” bitch where did you find my diary
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Yourusername
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Tagged | @/SabrinaCarpenter
Yourusername - I’m sorry who’s this woman debuting at no.1 on the billboard hot one hundred? My god it is me, I can’t believe this, I love you I love you I love you thank you so so much from the bottom of my heart, I mean it, I really do. MY GOD I LOVE EVERY SINGLE ONE OF YOU. (And my baby with her first top ten entry, I love you Sabby, Go stream espresso, it is that sweet 🤍💕) OKAY ONE LAST THANK YOU. 💕🤍💕🤍💕
Okay I lied but being among names like Beyoncé, Ariana Grande, SZA and Kendrick Lamar is one of the biggest honours ever, I’m huge fans of them all and to be in the same space as them is an honour no words can express, I love you all, the most caring sweet fans on the whole planet 💕💕💕💕
(And yes, it was a reference to a physical key, this is it)
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User14 - We made the right one famous guys
User15 - I’m actually crying, when did she stop being our little secret
SabrinaCarpenter - My biggest fan 🩷
Yourusername - Your biggest fan 🩷
User16 - Oscar in the likes for what?
User17 - Who?
User18 - Oscar Piastri, he’s a 23 yr old f1 driver
User19 - What is vroom vroom boy doing here
AaronDessner - Truly blessed to work with you
Yourusername - I’m the blessed one don’t even
User20 - Only y/n could send a five minute long, slow, alt pop song with a main piano background, basically a depressing lullaby bop, to number one above all these TikTok songs
User21 - She’s actually adorable
OscarPiastri - Been on repeat!
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User22 - UM HELLO WHAT ARE U DOING HERE LITTLE ORANGE MAN?
User23 - This is all bc of me btw
Celebrity.updates
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Celebrity.updates - NEW COUPLE!!! Fast upcoming pop star, Y/n Y/l/n (21) seen out late at night on the streets of London with Formula one driver, Oscar Piastri (23), according to the source of these pictures the two were laughing and running around the streets together, when Oscar caught up to her and hugged her to him and kissed her. Rumours say that Y/n met Piastri through her ex partner who’s an engineer for f1 team Alpine, the pair seem to be quite smitten and loving with each other. What’s your thoughts on this?
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User25 - WHAT THE FUCK DO YOU MEAN
User26 - Posting these photos is bad enough, but tagging them in it is crazy
User28 - Neither of them have even been hinting at a relationship at all, they clearly didn’t want anyone to know yet
User29 - Can’t these sickos just let them live, they’re people too
User30 - Whoever took these is messed up
User31 - They do look rlly happy together though
User32 - The fact that her ex is an alpine engineer makes this situation so much more funny and interesting
SabrinaCarpenter - You’re actually disgusting
User33 - TELL THEM SAB
User34 - The fact that she’s not even wrong
User35 - the fact that she defends Y/n with no hesitation
User36 - The friendship we all need in our lives
Yourusername
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Yourusername - I hate it here a lot less when I’m with you 🤍 my favourite polite cat xxxx
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LandoNorris- Finally. The pair of you at the paddock hiding in MY divers room bc you were scared someone would see you in Oscar’s. Sigh.
Yourusername - You love me
User37 - OH MY GOD
User38 - I need to know the bears name
OscarPiastri- She named him Gerald
Yourusername - Don’t sound so disgusted, that’s our son
OscarPiastri - Sorry baby
User39 - Hysterical
OscarPiastri - My favourite smiling dog 🤍
Yourusername- Excuse me did you just call me a bitch
OscarPiastri- NO I DIDNT MEAN IT LIKE THAT
User40 - The dynamic is already everything to me
User41 - Even his GF knows he’s a polite cat
Yourusername - He so is (he’s in denial)
User42 -“ I hate it here a lot less with you” Shut the fuck up
OscarPiastri
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OscarPiastri - She made me a copy 🗝️🤍
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User43 - Someone sedate me
User44 - SHE. MADE. HIM. A. COPY.
User45 - WTFFFTTFTFTD
User46 - Literally the ultimate Oscar on Alpine revenge
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Yourusername - I don’t need my secret gardens, or my lunar valleys anymore, because I have you 🤍
OscarPiastri- My favourite and only girl 🤍
User47 - I’m taking a nap on the highway
///////
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gay-dorito-dust · 1 day
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Hey um if it's cool could I request, Welt, Dan Heng, Jing Yuan, Gallager and Aventurine reacting to reader to questioning their interest in them?
An example: The confession
Them: I have feelings for you Reader: ... Um *shocked*.. I feel the same but.. *trails off* Them: but? Reader: *squints* you sure? About me? Please reconsider your choice. Them: ...
thank you if you decide to do this! No pressure though!
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Jing yuan would raise a brow before vaguely asking you to come with him somewhere he had been meaning to show you for a while and thought that now was the perfect time.
The place where he takes you was just like any other flower garden you’ve been to before but from the way the light glinted off of the waters surface, to the way the flowers blossomed in a variety of unique colours, and other small things like that made the flower garden look ethereal.
Jing yuan chuckled at your expression.
‘You see why I brought you here?’ He asks.
‘…no, not really, why?’ You replied, looking at him in confusion.
‘I’m trying to show you that while you may not think yourself as anything special, much like this flower garden, there are a multitude of unique things tailored to you that make you shine in the eyes of the ones who views you highly.’ He responded as he lends his hand out for a bird to perch on and softly smiled as it moved up to his shoulder where it sat comfortably, trying its hardest not to fall asleep.
‘For every flower is a beauty to behold regardless of their shapes, their size or their colour that even a daffodil can be considered of equal beauty of a roses in someone’s eyes.’ Jing Yuan continues, looking at you from the corner of his eye to see whether his words were sinking in. ‘And my flower believes themself to be a withering daffodil but to me, they’re a rose unlike any other. Stubborn, strong willed, but.’
‘But?’ You echoed, nervousness creeping through your veins as Jing Yuan moved in front of you and leant forward so that he was right next to your ear.
‘But they refuse to accept words of their worth and beauty from someone who cares about them very much, but I hope to change that soon enough, if they let me.’ He whispers as he presses a kiss to your cheek and pulling away to plant a kiss to your forehead.
Dan heng
While he’s happy that you felt the same way towards him, but felt his heart sink when you told him to reconsider his feelings for you.
‘If you are not ready for a relationship, then I understand, but I wish that you wouldn’t look down upon yourself when you’re anything but what your mind is telling you that you are.’ He says as he holds your face, thumbs caressing your cheeks as his eyes shone with concern. ‘Just know that I’ll always be by your side to resolve any issue you may have, for I do not wish for you to be burdened by this alone when I can help lessen it’s impact on you.’ He adds.
Dan Heng would do anything and everything in his power to make you see just how much you meant to him, even if it meant asking March to pull up pictures where his infatuation with you was glaringly obvious.
He would bring you poetry books and read out verses that perfectly describe his innermost thoughts and feelings towards you and how he views you on a daily basis. Dan Heng feels as though he could never convey just how truly unique and magnificent you were on his own. He’s tried but compared to the works of acclaimed poets, it just lacked fluidity in terms of the flow of words.
Everything else fades away when you entered his peripheral vision, almost as though he was made to notice your presence no matter where you were, only to just stare at you with a look that could only be akin to someone who had just found their other half after so long.
Welt would sit you down somewhere and want to talk about it because he truly didn’t think that these were your own words coming from your mouth.
He believes they were someone else’s and he hated that you had started believing this person’s words as reality, when they were the furthest thing from the truth in his eyes.
He wants to help you unlearn what everybody else has thought of you in the past because it doesn’t matter, their words hold no weight until you allow it to. No one’s perception of you was in any way shape or form a reflection of the real you, for every person you’ve ever had a positive effect on posses a different perceptions of you.
The only person who knew the real you was you but it was obvious to Welt that you might’ve forgotten who that version of you was by worrying yourself to death about the thoughts and opinions of everyone else. So Welt was more then happy to help you see that you were so much more then what you think.
He doesn’t know who wronged you in the past but they’ve left everlasting damage on your tender soul, but he was going to do everything he could in his power to show you the you that he sees every time upon seeing you.
Gallagher
‘I’ve got nothing to reconsider when it comes to you sweetheart.’ Gallagher was quick to tell you as he grabbed one of your hands, squeezing it. ‘Nothing at all.’
‘But-‘ you started.
‘No ifs, ands or buts.’ He interrupts you. ‘You’re prefect the way you are and I won’t hear otherwise because I’ll always go out of my way to remind you as to why i care about you, okay?’ He says as he lifted your hand to press a kiss to the back of it. ‘Just let me take care of you and get rid of those pesky thoughts residing in your head by telling them to fuck off.’
You couldn’t help but chuckle at this as you allowed yourself to find comfort in Gallagher’s side as you were greeted by his bodily warmth that made you into melting further against him. ‘I just don’t want to be a bother to you that’s all.’ You murmured, insecurity making your throat tightened, rendering it hard to swallow.
Gallagher felt his heart break for you as he brought his arms to your waist to rub soothing patterns into your side as he presses his face to the side of your head, pressed reassuring kisses there as he whispered sweet nothings as to why you were perfect, beautiful, sweet and caring of all whom you come across, whether they were deserving of it or not.
Aventurine
He understands more then you knew because the moment you admitted to liking him in the same breath as berating yourself, he was about to ask what was it about him that you liked exactly.
You were both in the same boat that was about to capsize from your shared self hatred for yourselves, but Aventurine would be damned if he let you think of yourself in any negative light when you’ve been nothing but a beacon of pure, genuine light for him since first introductions.
He’d much rather be the one drowning in self doubt than you.
He’d have you stand in front of a mirror and asks what you see.
‘Someone who’s lost themselves along the way,’ you answered solemnly, ‘someone who’s lost sight of who they once were because they were too caught up in the opinions of others and waiting on them hand and foot, only to revive nothing but scraps.’ You added and Aventurine couldn’t help but feel himself becoming infuriated, not at you but at the people who have made you feel as though you were lesser than, who made you feel as though you should be outcasted because you didn’t fit into their narrative.
However the sound of your sniffling brought him out of his need to get back at these people for you and saw that you were beginning to tear up and was quick to wipe them away before they fell. ‘Don’t weep for people who don’t have a heart, for they’ll always think themselves superior by materialistic means that they will inevitably loose to time and bad decisions.’ He tells you as he rests his head on your shoulder, looking at you through the mirrors reflective surface. ‘You on the other hand have something that they could never hope to obtain via money.’ He adds.
‘And what’s that?’ You asked, looking into his eyes and noting that despite their dullness, they were still the most beautiful and expressive pair of eyes you have ever seen.
‘Empathy, humility, compassion, kindness and an appreciation for the simple things that many overlook and possess the ability to see the beauty in broken things.’ Aventurine replies, his voice becoming soft towards the end, clearly referring to himself, as he held onto you tighter as though you’d slip from his grasp much like everyone else had. ‘So don’t compare yourself to others who should be looking towards you as an example instead.’
You moved your head to properly look at him, not use to seeing this side of him, so serious and determined to make you see reason. ‘You really mean that?’
Aventurine smiles as he kisses you on the nose, chuckling. ‘Of course! You’re my good luck charm, I’d be hopeless and in a whole lot of trouble without you.’ He says as he presses another kiss to your nose, adoring your expression as you scrunched up your face, muttering under his breath. ‘Cute.’
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mxtantrights · 17 hours
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Hello ☺️ I really really enjoyed the boxer jason and your over all jason imagines they make me feral. I was wondering if I could request one where the reader is like all about jason and he isn't used to it and she is like a big ball of sunshine always happy to see jason and will like drop a conversation as soon as he walks into the room and go on over to him.
a/n: anon, thank you so much for this sweet message and this really juicy request!! <333 I'll have to do you one better with this request, I hope you enjoy.
Mr.Stratford is talking about something. Something about his second dog and his third wife. Or maybe it's his third do and his second wife? You can't really tell. At this point you know that he's had three wives and five dogs. And he has so many funny stories about them. He thinks it's funny but you think it's a downright snooze fest.
You keep from yawning when you decide to move a bit. That way you'll have sight of the door and see who's coming in and out. You nod on as the man continues speaking, losing a minute of your life with every word he says.
It's not until a white tuft of hair appears in the doorway do the sparkles come back into your eyes. You hand the man your flute of bubbly and starts fast walking over to him.
Jason sees you coming and holds open his arms. You launch yourself at him. He hugs you back.
"Next time we show up together." you say.
"You just walked away from the mayor of Gotham." Jason says.
"He's got three more months left until reelection. So what." you answer and shrug your shoulders.
-
You look at him. Taking him all in. The hook of his nose. His eyelashes, that are truly unfair of him to have, and his eyes. His big brown eyes.
You slide your finger down the side of his face, his cheekbone, and smile.
"Is everything okay?" he asks.
You nod slowly, "yeah just can't believe you're mine. It's kinda crazy."
"You're the one out of my league." he tries.
But you counter when you get up and straddle him. With your thighs on either side of his waist you place your hands on top of his chest. He just looks at you, with that face.
He makes the same face whenever you greet him or talk about him to himself. Like he doesn't believe it. Like he thinks it's an illusion or something.
You remind him every day it's not.
"Jason Todd, you are so far out of my league we're not even playing the same sport. I don't know what I did to deserve you, but I promise I'll wake up and earn you. Every day." you say.
Jason's eyes go a bit wide. And he holds onto your hands that are place atop his chest. You lean down and press two kisses to the back of his hands.
-
Jason comes to pick you up at work and it's like the sun is shining again. You fold up your apron and jog around the coffee counter. And when you finally meet him at the door, you stop mere inches from him.
He looks down at you with a smile.
"Hi." he says.
You smile even wider, "Hi Jason."
He shakes his head with a smile and brings you into a hug. You hug him back immediately. He rocks the both of you side to side. He also handles you away from the door to not bump into anyone coming into the coffee shop.
"Ready to go home?" he asks.
You nod as you snuggle further into his chest.
-
You lose him in a crowd once. once. It only happens once because after the two of you create a game plan. Contingencies upon contingencies to make sure it doesn't happen again.
When you and Jason are in a packed dive bar. Something about it being trivia night and also happy hour and also a celebration for surviving the latest scarecrow attack.
You're by the bar and he's trying to secure a table for the two of you. And you get a bit down trodden when you realize you can't see him near you. You start looking past the dozens of heads but you still can't find him.
So you do the one thing that you remember from a tv show once. You bend down and look at the shoes. As you crab walk through the crowd you pass by so many of them.
Until you can see his familiar brown boots. The noticeable scuff on them that you saw when he put them on just an hour ago. You pick yourself up and see his head amongst the others.
When you finally get within three feet of him you reach out and call to him. He turns around and he smiles.
"Thought I lost you." he says.
"Nope. I just looked for your boots." you answer.
"We've gotta come up with something else. What if I throw these boots away? Or if someone has the same kind?" he asks.
You put your hand on his cheek, "I'll always find you. The boots just made it easier."
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gardenschedule · 3 days
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Perceptions of Paul as calculating & John's paranoia
“McCartney’s mistake, which he now admits, was to seem invulnerable. […] And yet, he says, the contrast between himself and Lennon, so assiduously cultivated by journalists, was a fabrication. “I wasn’t brilliant at school. I was trouble, just like John. I got caned practically every day, and the only exam I ever passed was Spanish. John and I weren’t black and white, although people took John, for all his aggression, to be the good guy, because he showed his warts. I’ve only just realized, after all this time, that people like to see warts. It makes them sympathetic. I’d always though that, in order to be liked, you had to be unwarty.””
Living with The Beatles’ legacy, the smears that Lennon left behind… and the battle to win my babies back, The Times Newspaper, Monday January 4, 1982.
Paul was the easiest to talk to. He had such energy and such keenness and, unlike John, enjoyed being liked, at least most of the time. I don't see this as a criticism; John himself could be very cruel about Paul's puppy dog eagerness to please. The irony was, and still is, that John's awfulness to people, his rudeness and cruelty, made people like him more, whereas Paul's genuine niceness made many people suspicious, accusing him of being calculating. Paul does look ahead, seeing what might happen, working out the effect of certain actions, but he often ends up tying himself in knots, not necessarily getting what he thought he wanted. I think there is some insecurity in Paul's nature, which makes him try so hard, work so hard. It also means he can be easily hurt by criticism, which was something that just washed over John.
Hunter Davies, Western Mail: The Beatles. (April 9th, 2004)
Even Paul’s immaculate manners could not thaw her. ‘Oh, yes, he was well-mannered–too well-mannered. He was what we call in Liverpool “talking posh” and I thought he was taking the mickey out of me. I thought “He’s a snake-charmer all right,” John’s little friend, Mr Charming. I wasn’t falling for it. After he’d gone, I said to John, “What are you doing with him? He’s younger than you… and he’s from Speke!”’ After that, when Paul appeared, she would always tell John sarcastically that his ‘little friend’ was here. ‘I used to tease John by saying “chalk and cheese”, meaning how different they were,’ she remembered, ‘and John would start hurling himself around the room like a wild dervish shouting “Chalkandcheese! Chalkandcheese!” with this stupid grin on his face.’
Philip Norman, Paul McCartney: The Life. (2016)
“He always suspected me. He accused me of scheming to buy over Northern Songs without telling him. I was thinking of something to invest in, and Peter Brown said what about Northern Songs, invest in yourself, so I bought a few shares, about 1,000 I think. John went mad, suspecting some plot. Then he bought some himself. He was always thinking I was cunning and devious. That’s my reputation, someone who’s charming, but a clever lad. “It happened the other day at Ringo’s wedding. I was saying to Cilia [Black] that I liked Bobby [her husband]. That’s all I said. Bobby’s a nice bloke. Ah, but what do you REALLY think Paul? You don’t mean that, do you, you’re getting at something? I was being absolutely straight. But she couldn’t believe it. No one ever does. They think I’m calculating all the time.
Paul and Hunter Davies, 1981
In the wake of his death you didn’t tour for most of the ‘80s. People suggested that you were scared to go on the road. Was that true? No. People speculate about anything. They always credit me with motives I haven’t even dreamed of. It’s interesting, the way they sort of perceive my life and analyse it for me. In that case, I never thought about touring much. People used to say, “Oh, it’s 10 years since you’ve toured.” I’d go, “Is it? Y’know, I’m not counting.” That’s all that was, really. I don’t know why. Maybe I didn’t fancy it.
The Q Interview, 2007
Astrid in Germany was always a bit suspicious of Paul at first, though his relationship with Stu was also bound up in this. 'It used to frighten me that someone could be so nice all the time. Which is silly. It's ridiculous to feel at home with nasty people, just because you feel that at least you know where you are with them. It's silly to be wary of nice people.'
The Beatles (Updated Edition) (Hunter Davies)
Paul is the easiest to get to know for an outsider, but in the end he is the hardest to get to know. There is a feeling that he is holding things back, that he is one jump ahead, aware of the impression he is giving. He is self-conscious, which the others are not. John doesn't care, either way, what people think. Ringo is too adult to think about such things, and George in many ways isn't conscious. He is above it all.
The Beatles (Updated Edition) (Hunter Davies)
Paul today is still the public Beatle, giving interviews at fairly regular intervals, being open and honest about himself and his past, his worries and his pleasures. Naturally, as ever, there are people who suspect his motives, putting him down for being too charming. Paul may be a bit of an actor, acting the part of Paul McCartney, the charming superstar, still loved by every mum, which can make him sound rather prissy at times, but I believe he does tell the truth about himself.
The Beatles (Updated Edition) (Hunter Davies)
“My problem is to me, I come over as this very together guy, always got his finger on top of everything: the man with no problems. School – a doddle, got all the exams. This is the sort of image of me. Actually, I had murder getting through exams, like I was saying about being on tour during my GCEs. I was like the kid who was getting the cane. Just like John was, but he [Phillip Norman] makes me the very shrewd, always-going-to-succeed guy, and John is the kind of cute, working-class hero. In actual fact though, John was just as shrewd and ambitious as I was. What does me in is he adds to this image I’ve got; I resent that, because I know I’m not that, and I know I’ve never been that.
Paul McCartney’s thoughts from 1983 on Phillip Norman’s ‘Shout!’
The funny thing is, when Apple [started], everything was laid out on the table, it’s like a Monopoly game. We saw who had what. I suddenly had more Northern Song shares than anybody, and it was like, oops, sorry. John was like, “You bastard, you’ve been buying behind my back.” John saw everything like a Harold Robbins movie, you know, which it was. He’s not incorrect. I couldn’t get over the fact that we were really involved in all this. I think to this day, he’ll not understand. I don’t think he would accept right now, my naïveté in it. I think he still suspects me of trying to take over Apple. He still suspects that when I offered the Eastmans as [managers] instead of Allen Klein, he naturally assumed that I would be taken care of better than the others, and that the Eastmans could never be moral enough to be equal in their judgment and do the Beatles’ thing rather than Paul’s thing. I think they still suspect to this day.
The point I was trying to illustrate is that it wasn’t so much John being a bastard as it was his being suspicious towards me, always being suspicious towards me. There was Northern Song shares. And I swear on any holy book you want, I know he won’t believe it, but I know for sure that I didn’t buy them with the view to— If I was really trying to do it, I could have bought an awful lot more. So it does hurt a little bit that there’s someone who still thinks, like, I’m out to get them, or that I always was. That’s one of the nice things about it— It’s a pity [I never said to John, “Fuck off, I’m not trying to do it”—and never was]. But he knows I was kind of— We were behind the scenes, and we did a few little [things] that we had to do, and our ambitions, and it was never a kind of terrifying skeletons in the closet. It was always just normal—but, uh, they …
All You Need Is Love – Peter Brown & Steven Gaines
SG: Were the other Beatles anti-Linda? PMcC: Uh, yeah. I should think so. Like we were anti-Yoko. But you know John and Yoko, you can see it now, the way to get their friendship is to do everything the way they require it. To do anything else is how to not get their friendship. This is still how it is with John and Yoko. I know that if I absolutely lie down on the ground and just do everything like they say and laugh at all their jokes and don’t expect my jokes to ever get laughed at, and don’t expect any of my opinions ever to carry any weight whatsoever, if I’m willing to do all that, then we can be friends. But if I have an opinion that differs from theirs, then I’m a sort of an enemy. And naturally, paint myself a villain with a big mustache on, because to the ends of the earth, that’s how they both see me. They’re very suspicious people [John and Yoko], and one of the things that hurt me out of the whole affair, was that we’d come all that way together, and out of either a fault in my character, or out of lack of understanding in their character, I’d still never managed to impress upon them that I wasn’t trying to screw them. I don’t think that I have to this day.
All You Need Is Love – Peter Brown & Steven Gaines
I was never out to screw him, never. He could be a maneuvering swine, which no one ever realized. Now since the death he’s became Martin Luther Lennon. But that really wasn’t him either. He wasn’t some sort of holy saint. He was still really a debunker. “For ten years together he took my songs apart. He was paranoiac about my songs. We have great screaming sessions about them.
Paul and Hunter Davies, 1981
SALEWICZ: Oh, he was presumably very paranoid. PAUL: I think so. I mean, he warned me off Yoko once. You know, “Look, this is my chick!” ’Cause he knew my reputation. I mean, we knew each other rather well. And um, I felt… I just said, “Yeah, no problem.” But I did sort of feel he ought to have known I wouldn’t, but. You know, he was going through “I’m just a jealous guy”. He was a paranoid guy. And he was into drugs. Heavy.
September, 1986 (MPL Communications, London)
Miles says, “I think Jane was always a bit irritated by John. Because he was so acerbic and difficult to get on with. And paranoid. He didn’t make life easy. I suppose it’s a sort of rapier wit, but it was usually just plain ordinary rudeness. There was nothing special about it.”
Paul McCartney profile for FAME Magazine (March 1990)
“They [Lennon & McCartney] saw each other again in 1977. The Lennons and McCartneys ate dinner together at Le Cirque, Paul’s favourite French restaurant in New York. John regretted going; it was a loathsome night. Paul and Linda blathered on and on about how perfect their lives were, how they had everything they’d ever wanted, and how they were as happy as they’d ever been. Something very paranoid suddenly occurred to John. Maybe Lorraine Boyle was spying on him for the McCartneys! He woke up the next morning still feeling disturbed; he consulted the Oracle. Swan assured him that Paul and Linda were frustrated and unsatisfied. Their marriage was in trouble, he said, predicting it would break up within the year. Lately Swan’s visions had been astonishingly accurate. Relieved, John began composing a song—a little ditty, really, that would never be released—in praise of the Oracle’s powers. But he still couldn’t understand why Paul and Linda had been together for as long as they had. There appeared to be a psychic connection between John and Paul. Every time McCartney was in town, John would hear Paul’s music in his head.”
Robert Rosen, Nowhere Man: The Final Days of John Lennon, (2000)
JOHN: […..] And he’s (Jagger) goin’ on about “he never calls. Do you think he ever calls? He never calls me. And he keeps changing his phone number all the time… And he’s hiding behind the kid.” I was hurt by it! You know… The fact that… A, I never call anybody. It’s not pride, it’s just that I never, ever have. REPORTER: Why? JOHN: I never call the other Beatles, I never call anybody. They always call me. REPORTER: Why? JOHN: Cos I’m self-involved! I’m paranoid, too. I don’t like phones… There’s nobody on this earth ever got a call from me that isn’t related, probably. Or a very old friend…
Sept 1980 – John
“Yoko was an extremist and was even more intense than John taking any idea or comment of his to the limit. If, for example, he complained about any of his fellow Beatles she would hint that that Beatle had always been an enemy implying that John should never deal with that person again. Her extreme positions fascinated John and help him take his mind off himself but when she became self-involved and paranoid herself -her paranoia usually dealt with her career, her fame and the fact that even though she had always been famous everyone conspired to keep her from getting even more famous- he had no place to turn. His insecurity about his solo career, his childhood, his relationships with the other Beatles, the way the public perceived Yoko overwhelmed him and he became more and more involved with drugs.”
May Pang, Loving John (1984)
John was lucky. He got all his hurt out. I’m a different sort of a personality. There’s still a lot inside me that’s trying to work it out. And that’s why it’s good to see that wedding-funeral bit, because I started to think, ‘Wait a minute, this is someone who’s going over the top. This is paranoia manifesting itself.’ And so my feeling is just like it was at the time, which is like, He’s my buddy, I don’t really want to do anything to hurt him, or his memory, or anything. I don’t want to hurt Yoko. But, at the same time, it doesn’t mean that I understand what went down.
Paul McCartney: An Innocent Man? (October, 1986)
Some three year later, during the making of Abbey Road, Lennon installed a twin bed in the studio so that Yoko, recuperating from a car crash, could survey proceedings and pass comment though a mike he had suspended over her. The other Beatles positioned themselves around the room as best they could. Yoko would later tell Paul that if, for any reason, he’d seemed to be standing too close to her, all hell would break loose when John got her home. Lennon, she said, was ‘very paranoid’ like that.
McCartney by Chris Sandford
But we were actually quite supportive. Not supportive enough, you know; it would have been nice to have been really supportive because then we could look back and say, “Weren’t we really terrific?” But looking back on it, I think we were okay. We were never really that mean to them. But I think a lot of the time John suspected meanness where it wasn’t really there.
Paul McCartney, interview w/ Chris Salewicz for Musician: Tug of war – Paul McCartney wants to lay his demons to rest. (October, 1986)
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jjinx1998 · 2 days
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xxtc-96xx Callout post
To start I want you to know I didn't want things to have to come to this but after recent developments and discussions from others I cannot ignore what's been going on for years now. This is a problem revolving around the user @xxtc-96xx , the comic Endertale, and the Undertale fandom. I will try to explain what I know and offer proof when I can, but there might be some sloppiness as this is my first real post on Tumblr. If there is any technical issues about this post, please let me know so I can fix it.
Let me start from the beginning. I have been a long time fan of xxtc-96xx since about 2016 (I will refer to them as TC to make it easier). I have enjoyed looking at the art they create for many years, mainly the ones revolving around Endertale.
Endertale is a fan comic that TC made of the game Undertale. It's a very decent story with a pleasant art style. I would recommend it but I cannot and I will get to why. You see TC has suffered from something that just about any creator can relate to, burnout. The most recent comic page being posted in 2021 though there was already a hiatus established before that.
While they made it long clear that they needed to go on break for personal reasons, people wanted to ask for when they will continue it. Some of them calm and reasonable and other's were very much not nice. TC answered them honestly at first.
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Then it started to devolve into troll responses or just not answering.
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Not just on Tumblr but people kept asking on Deviantart as well. In fact people are still asking today in 2024. It has gotten so frequent that TC felt it necessary to change their profile header to this:
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And it has stayed that way for so long I lost track of when it started. To be fair, even I found the frequent questions to be overwhelming and they just like every artist who makes stuff for free is entitled to take a break from their work. However this post isn't a complaint about how long it takes to finish a comic, it's about something that started because of the wait.
See, their original reason to take a break was because they were too busy with personal matters for them to commit to an actual comic. But as their history up to today has shown that's no longer a valid excuse. As time went on they started to show an interest in the Pokemon fandom. specifically the pokemon known as Mewtwo. To make a long story short, what started as small doodles grew into a whole bunch of fancomics and animations. To compare, they have drawn nearly four times as many Pokemon drawings compared to Undertale. Now, it is perfectly fair and acceptable to find an interest in a different fandom. And while I personally prefer Undertale over Pokemon I completely supported their decision to focus on other fandoms and enjoyed what they made. I also understood their issues with the fandom at the time, some people were rather aggressive, rude, or demanding the comic to be completed, a comic that's completely free that they make no profit out of. I even recall one point they tried to unsuccessfully drag a different content creator into this issue as if it would somehow work.
However I started to notice they had a warped perception on the fandom. Rather than blame the few people that harassed them online with constant asks, they believed that the entire fandom as a whole is to blame as declared it all toxic. Something they insist on repeating to all their fans and making them believe their opinion as fact.
Now for the record I am very aware of how toxic this fandom was and can be at times. I was around since the beginning and have seen just about every drama that has come. From the fans harassing you for not doing the pacifist route in the first time playing, people arguing if either Frisk or Chara is a really bad person, arguing over Frisk's and Chara's gender, is genocide the right choice, is Toriel the bad guy or Asgore, and a controversy revolving around a certain creator of the au Glitchtale (the last one TC coincidentally emulates their "Delay work for one week for every ask" and finds it amusing). I know this fandom is not the best but I love it all the same, it's as much a part of my life as it is for TC. I know I am not perfect at showing my interest for Undertale, as this image of a private ask shows.
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Or this time I made a obviously joke ask and apparently I didn't realize a lot of people don't understand sarcasm.
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Or when I tried to ask this sincere and nonaggressive question, one of the few times TC isn't putting up some kind of attitude.
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Or this other ask from me.
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At the end of the day this is just a comic. No one has any right to demand them to continue it or make death threats, this is completely unacceptable. However, at the same time this doesn't mean the creator should dehumanize the entire fandom or punish the few that are being respectful. They wait and what do they get, people mocking them and bullying them. That's what I realized in the past week when I engaged in the comments of a few posts. TC allow their fans to bully the fandom.
I tried to be as calm and reasonable as I can and yet I get called out as a toxic fan. And in the end did TC scold everyone else, no, they basically told me to shut up. I overestimated the fans intelligence and if they could handle basic logic, read the comments for yourself to see my point. As someone with Asperger and anger issues, it's a god given miracle I am still trying to maintain my composure within this insanity that has been going on for years. I have spoken with several content creators who asked to remain anonymous about this entire fiasco and we have similar conclusions about TC.
TC has been through a lot of painful and hurtful comments over the years that they did not deserve in the slightest. They are entitled to do whatever they want with their comic and works. Saying a fandom is or isn't toxic is unhelpful as you fundamentally miss the mark on how fandom culture works. As a creator, it is not right to hang this hiatus over people's heads and string them along. TC does not respect their Undertale fans in the slightest and mocks those who is still waiting. They indirectly encourage their other fans to bully and dehumanize the rest.
I held back on making a comment about all this for two reasons. One, TC's fandom terrifies me. They are complete smug hypocrites who spend way too much time on the internet that they don't realize that if they use their words in real life they will get punched in the face for it. Two, despite everything I still believe that TC can change. I like to believe the best in everyone and that there is hope that maybe this time TC will realize they have become the very thing they hate. That hope has faded to cinders. I'm done with TC, my only concern is the people remaining to wait for the comic.
To everyone who is waiting for Endertale and/or following TC because you like their Undertale stuff, leave them and never come back. They do not respect you, they look down on you, they laugh watching you wait, you deserve better than them. Even if they do finish the comic eventually it will not be made out of love or passion.
DO NOT harass and bully them because of my words. I will not tolerate any attempt to do so.
My final words are for TC if they even decide to read this:
TC, I know we are not friends, you made that clear long ago but I was hoping we could've been. You were a huge inspiration for me in the past and was what pushed me to attempt learning about art. I looked up to you and tried to support you when you were feeling down. You are no longer that person.
You do not have the right to condemn an entire fandom as toxic and declare it as a fact of life. It's people like you that keep the fandoms so divided to this day. It's because of people like you I am scared for my life if I ever mention Undertale in public. Your fixation on the sins of the past prevents us from moving forward. I do not excuse what happened but the past is in the past, get over it and grow up, you are an adult so act like it.
You say you don't owe us any comic or works, well at the same time if you want to mistreat the fandom I care about then I or anybody don't owe you any respect yet I did for nearly five years.
Why? Because I cared about how this all made you feel. What do you see when you look at me, another obsessed toxic fan who should keep their mouth shut or a PERSON with their own thoughts feelings and beliefs?
One of your problems is that you think nothing ever seems to be your fault, just the fans who keep asking. Well maybe they wouldn't have asked if you didn't leave them hanging for almost five years. To me, it no longer matters if you finish Endertale or not.
Maybe you still think it isn't your fault, then that makes me the idiot for hoping you can be better. You hurt me, really hurt me. I don't think I can ever trust someone like you again.
Do you know what I really want?
Your apology. I want you to make a genuine apology to me and the fandom at your actions over the years. I won't block you because being the idiot I am I hope my words mean something to you and you'll want to chat.
But until you wise up ask yourself this familiar question,
Do you really think you are above consequences?
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The first time he went back --> Tamcien, ACOFAS
"Tamlin." Lucien's face was carefully neutral, his limbs loose, nothing in his scent or his body language giving away anything about how he felt to be standing before his once High Lord again.
"Lucien." Tamlin was relieved, at least, to see that his old friend had not adopted the Night Court fashion, opting for a blue and silver tunic instead. "I see you've been keeping this place clean in case I decided to come back," he said sarcastically. Then, there was a strong scent of rust and embers as Lucien began using his magic to move some things around. "There. At least it's somewhat livable now. Don't you have servants, Tamlin?"
Tamlin didn't fail to notice that Lucien called him by his full name rather than by his nickname. Lucien had called him Tam practically from the moment he'd arrived despite Tamlin's insistence that he show him the respect due of a High Lord, and decorum, blah blah blah. After some point, he stopped fighting it because he liked that Lucien had a special name only for him.
"Some. Most are too scared to question the state of the place. Many have left." Tamlin stared blankly at a wall. He had no fight left in him. All his anger had left him the moment he'd brought Rhysand back to life. There was no one left to be angry at. Nothing left to fight for.
Feyre had ruined him, and yet Tamlin had done that. Why? Why did he still love her? Why did it still hurt that she chose him? How long would she be able to hurt him?
As long as he loved her.
But how did he make it stop? How did he make this love go away, stop it from carving his heart out of his chest?
"You ignored me. After the war." That's what Lucien wanted to talk about? Surely he'd understood how painful it was to see him in Illyrian leathers, how painful it was to see him so quickly accepted as part of another group, how painful it was to see him away from him. For the longest time, Lucien had been his, and his alone. Now he had a mate and a whole other court and family. He wondered now if he had possibly taken Lucien for granted.
Well you know, Tam, there are several courts who'd pay an arm and a leg to have me working for them, so you'd better start listening to me more oft-
Little did either of them know how those words would turn out to be prophetic. Fitting, he supposed, with that seer mate of his.
"The sight of you in Illyrian leathers disgusted me," Tamlin replied dully. Lucien snorted. "What else was I to do? I didn't have anything else to wear; all my clothes were back here."
"You could've just stayed with me," Tamlin replied. A stupid thing to say, he knew, but he couldn't help it. Rhysand would never understand and appreciate Lucien's value like Tamlin could.
Lucien leaned back against a wall, putting his hands behind his head. "Right. And continue to watch you listen to the female who raped me over me, the person who not only loyally served you for centuries, but has connections to every damn court in Prythian. If I had a little more power, I could rule this whole damn place, I know so much."
Tamlin snarled. "Don't remind me of that. Believe me, I am well aware of my transgressions."
"Then surely you see why I had to leave. Even if my mate were not trapped in Night, your attitude would've eventually prompted me to leave."
My mate. The words sent shards of glass into his heart. "The mating bond is a curse," he rasped. It had to be. Why else would it mate his parents together, Rhysand's parents together, and his Feyre with Rhysand? Why would it mate Lucien with Elain, thus taking his Lucien away from him?
"The mating bond is a blessing from the Mother herself," Lucien insisted.
"Don't just blindly spit back the bullshit the temple taught you," Tamlin snapped. His claws emerged from beneath his skin, trembling rage filling his body. "God can offer us many beauties, sure, but we already know that She can also be cruel. Is it really so hard to believe that the mating bond is not what it's made out to be? Imagine a bond compelling you, forcing you to be with someone you don't want forever."
"Who said I don't want Elain?" Lucien whispered. Tamlin stilled. Those glass shards twisted in his heart a little bit more. "You think it's just a bond compelling me to stay with her? I thought you more intelligent than that, Tam." Tamlin squeezed his eyes shut, slumping against his chair. Heartbreak was all too familiar a feeling to him at this point.
"Look, Tamlin, I'm trying here," Lucien said, his voice sounding as though he were repressing some emotion. "I know it hurts, Tam. Please, let me help you. Don't push everyone away like you always do. Don't try to go it alone."
Tam.
As though drawn by a magnet, Tamlin's eyes lifted to Lucien's. The handsome lord stared at him with an earnestness that threatened to melt all that Tamlin was into nothing. He could never resist that soft look, and that wasn't about to change.
At last, he lost control. His shoulders caved in and he began to cry into his hands.
"Tam." Lucien closed the distance between them, kneeling before him. He placed his palms on Tamlin's cheeks, brushing away tears with his thumbs. "Don't cry," he murmured. "I'm here. I am here, I am with you."
Tamlin sniffed. "You should hate me."
His former emissary gently pulled him by the back of his head, pressing their foreheads together. "I know," he answered quietly. "But I don't."
He pulled away, offering a hand to stand up. "You look terrible, Tam. Have you been sleeping enough?"
Sighing, Tamlin shook his head. "Not really."
Lucien rolled his eyes. "Of course not. Go sleep, Tam."
Tamlin just crossed his arms over his chest, pouting. Lucien raised a brow at him, placing his hands on his hips. "Oh, I get it. You think because you're the High Lord, you can do whatever the hell you want. Well you know, Tam, there are several courts who'd pay an arm and a leg to have me working for them, so you'd better start listening to me more oft-"
The Spring Court lord grinned as the words sparked a far more pleasant memory of the two of them, leaping up in an instant. "As you wish, Lucien." The Autumn Court faerie smirked as he placed a hand on Tamlin's back, guiding him to the bedroom.
After tucking him in, Lucien was about to leave the room when Tamlin called out weakly, "Lu?"
He turned around, cocking his head. "Tam?"
Tamlin hesitated, a blush coming over his face. "Do you think- well could you...stay with me?"
Lucien sighed exasperatedly. "Just sleep, Tam."
"I can't. I've been trying for the past several days." Lucien took a deep breath, pinching his nose. "Fine. But don't expect to see me here when you get up."
"Ok." Lucien strode towards him and hopped onto the bed, leaning his head against the bedframe. Tamlin crawled towards him, placing his head on his lap. Lucien just scoffed.
"What are you, a six-year-old child?" he asked, but he ran his fingers through his blonde locks. Tamlin purred.
"After all this time, you still purr like a goddamn kitty cat whenever someone touches your hair," Lucien muttered, and those were the last words Tamlin heard before sleep overtook him at last.
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seosracha · 3 days
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Hi again! Now that ik you do song based fics, i must share my idea with you cause i love your writing!. I was wondering if you'd do a fic for ZB1 Hanbin or Zhang Hao (whichever you think fits this best!) based on the song "like you want me to" by Lyn Lapid where reader believes they deserve someone better than them! <3
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୨୧⸻ like you want me to - SUNG HANBIN
genre: angst NOTHING MORE😂🔥🙏 , oneshot
pairing: sung hanbin x gn!reader
wc: 0.6k
authors note: hi nonnie I just want to tell you IM OBSSESED with this song now and also sorry for being lazy and not doing this req 😆😆 anyways requests are open if anyones interested!!!
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You’ve been dating Sung Hanbin for around 8 months now. 
He was everything you ever wanted in a man; kind, caring and wasn't afraid to show his love for you. He was also gorgeous, a smile always decorated his face so perfectly, never allowing you to stay mad at him for long periods of time. He touched your mind and heart so beautifully and delicately. 
That's how he always was. At least at the beginning. He'd be so proud to show you off to his friends, not afraid of being bullied by them for it. He'd take you out practically everyday, glad to even have the oppurtunity to be near you.
And even as embarassing as it was to admit, Hanbin was your every first. You had never been the one to initate romantic interctions with people, and he was the one who truly showed you what it means to love someone deeply.
So it was hard to accept the fact that he no longer was the Hanbin you fell in love with. 
You wished you could go back to the moment he changed. You kept blaming yourself for it, wondering where you went wrong, why was it never enough. If only you knew the exact thing, the exact day when the switch flipped inside of him, maybe you could find a way to fix it all. 
You gave him the world, and would give him more if you ever could. Some part of you didn't want to accept the fact that you did deserve better, because the short moments when you’d see the old Hanbin peek through his new persona, kept you in place. 
Maybe he had noticed, trying desperately to keep you around, but it was all so fake. It was all so incredibly fake, cause it'd never last. 
And you never wanted to ruin the one afternoon you’d occasionally have together, bringing up issues in the midst of a moment you so rarely were a witness of. He’d show up at your house, and even though you knew you shouldn’t come out, thinking that maybe he’d finally understand, still, somehow your heart found a way to open that door. 
You knew you were hurting yourself by doing this. You knew that the longer you continued lying to yourself, the harder it would get to let him go. You needed much more than he could possibly offer you, and yet still you found yourself opening that door, replying to that message, and answering that call. 
Your friend had told you she had seen him with someone else last Wednesday. 
You should’ve realized you needed someone better a long time ago. 
How come it took so much fights, lies and harsh words for you to finally realize your worth. 
And even though Hanbin was practically perfect, you knew deep deep down that even with a spark, it doesn’t mean it’s gonna light. 
You loved learning knew things, absorbing new knowledge, and the one thing you learned so quickly was how to love him.
So you hated the fact that'd you'd never learn how to stop.
You may have loved Hanbin, but he’d never want you like you wanted him to. 
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thecorpuscorpse · 2 days
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#6- An Anonymous Source
CW: Knife use and blood, some 'fighting', mild kidnapping
It had been two months since the sealed letters began showing up on Villains bedroom window at night when they weren't there. Each one with a different wax embellishment on the front, made of paper worn with time, and never signed. The swirling perfection of the calligraphy was unlike anything Villain had seen before, just like the words they formed. Five letters were stacked on the desk, and the sixth Villain held by the lamplight, eyes scanning over words they always wished to hear. In brief moments, they almost believed them.
The life they lived was not as tender as the words directed at them. There was no beauty in bloodshed- not anymore, at least. Yet, whoever seemed to be hiding in their blind spot thought otherwise. With how long they ran Headquarters, it was refreshing to have a little spice in the routine of wondering who thought so highly of someone as lowly as them.
After sending their squads out for recon, Villain remained tucked away in their office at headquarters to keep an eye on cameras when one detected movement in the server room. Villain knew each employee schedule inside and out- after all, they arranged each one. Within the orchestrated machine-like facility Villain spent so many years building up, the blaring alarm was akin to grinding gears.
Hero.
Every so often, Hero would figure out a new password Villain set, or intercept shipment plans that then would lead Villain to foil Heros plans, and the process would repeat in a few weeks. It was so hard to find good help nowadays, so Villain found handling Hero a nice break from handling paperwork. There was monotony in routine, but at least they could take their impatience with their anonymous admirer out on the other.
"Dammit... now of all times, Hero?" They snapped as they stood from their desk.
As much as the alarm irked them, Villain was more irritated their work was being interrupted. Scanners failed to pick up any DNA trace, leading them to another dead end. Somewhere, someone saw Villain and thought fondly of them. For a while, the simple knowledge of it was enough to qualm the loneliness, but now was more of a curse. They called the author a coward. They called the letters a trap. Yet, Villain headed down the hall to pursue a perpetrator after they stayed up until four in the morning... again... to read the letters in hope something would tell them who claimed to adore them so.
The door to the server room was ajar, main lights turned out. The dull glow of blinking red, blue and yellow lights cast shadows on the wall in varied patterns. The main lights were shorted, forcing them to identify misplaced figures in the dim light. It only dug further into Villains impatience with the matter. Against the low hum of the computers, a tinny clank echoed near the back wall.
Villain kept steady strides slow, mindful of the linoleum under their shoes and how quiet their breath was. Silence, as well as any leverage, was better than none, and it worked to Villains virtue when it guided the blade to the turned back of who they knew was tampering with their tech.
"I don't have time for you tonight, Hero," Villain said as they pressed the knife against their spine. "There is plenty of work for me as is without you getting involved."
Dressed in all-black, which happened to be quite flattering for the Hero, they tuned after setting their tools down and raising their hands. Villain took a step forward and pressed the edge to their throat.
"That's why I figure I'd lighten the load~" Hero said, offering an innocent shrug. "By-"
"Yes, yes, thwarting my recruitment of more people through disrupting our log system," Villain droned, pressing the blade harder. "Now really, I do have pressing matters to attend to."
There was a static in the air, and not from the whirring machines around them. The more Villain stood in it, the more irritated they got. It showed in the quick right cross-swing of butt-end of the knife towards Heros head before the move was blocked by Heros hand.
"Wow, whats the matter with you?" Hero mused with a shit-eating grin as he twisted Villains arm into a lock behind their back. The knife clattered onto the floor. "Not very like you to 'not have time for me', Villain. Plus, what a sloppy execution."
"You don't know me, Hero," Villain hummed with a smile in their voice, flexing their hand under Heros grip. "So I'll show you a real sloppy execution."
Villain dug their heel into Heros foot, and used the momentum to twist them to slam into the server paneling. With the grip loosened, Villain snaked away and went for the knife. It was only a second more before Villain was swept off their feet- literally- and hit the ground.
"Yeah, that was pretty sloppy too," Hero said as they went to further restrain the fallen Villain. "You're making me jealous, don't tell me there's another Hero you have to go cause havoc for~ Ugh, I'll be heartbroken!"
Villain struggled against Heros grasp, writhing and twisting their body so they could never get a solid pin. While Hero had their brawn at their side, Villain knew it was only a matter of leverage.
"I do, but they aren't a Hero~"
They took the moment Hero stalled in their attempts to pin them down to get their lets out to kick Hero back, knocking the wind out of them. Villain went for the knife again and came up behind Hero to hold the knife to their throat again.
"Bullshit," Hero gasped out, though an amused smile graced their stupid face. "I can barely tolerate you as it is."
Villain contemplated for a moment. What harm would a white lie do when they didn't even know who was writing the letters? There would be no one else to go after. It would be nice to pretend- Villain did it enough as it was.
"Oh, you should hear how they talk about their love for my vile and vulgar ways Hero. How they adore the plans of misery I make for the thousands," Villain gripped Heros hair and tilted their head back to look at them proper. "And the tongue they have..."
"Then why aren't you with them now?"
"Because I'm dealing with you," Villain said as their jaw set. "A thorn in my side since we crossed paths, and always coming back like a damn infection," They brought the edge up against Heros neck. "You are pestiferous- a plague in my life every time your head pops up." Villain narrowed their eyes, bringing small beads of blood against the blade. "And I think I'm going to purge the source tonight."
"Then do it."
Below them, there was a rumble followed by a blaring alarm from what Villain assumed was a few floors down. It only took one distracted second for Hero grab Villains wrist and flip them over and onto their back before they dove behind a rack of server blocks. There was a flash, and the room filled with smoke. The colors against the smoke were disorienting, yet once Villain got hold of their knife, they could barely make out a figure escaping through one of the vents.
"One thing after a-fucking-nother..." Villain hissed as they ran out from the server room and towards the blaring fire alarm down below.
Once done dealing with the aftermath of a blown-apart storage unit, Villain trudged back up to their office and collapsed in their chair. It was now six in the morning, and looking at the camera they had set up to face their bedroom window at home- no letter to be seen on the window. They pushed their hair back with a sigh, before deciding to freshen up there, and continuing their monotonous work for their empire, with breaks reading loving words Villain needed to hear after such a long night.
---
The seventh letter was different than the rest.
It had taken longer than the rest to arrive- almost a month later than the last one, when the others came once or twice a week. Nights were seemingly endless when Villain would simply stare at the window from the camera. They knew if they were home, they wouldn't arrive, and so they worked long into the night, going home every few days to make sure their plants were watered.
Unlike the other ornate and delicately put together envelopes, the newest came in a simple black one. The handwriting was reminiscent of the others yet the words scrawled unsteadily. The droning news anchor in the background discussed the impending weather as Villain attempted to make sense of everything they were reading.
What was said was not the romantic poetry they were used to, of regrets and promises they wished to keep to Villain of seeing them, of truly being with them and being sure there would be nothing keeping them apart anymore.
The signature at the bottom made Villains heart sink. Not because of who had written the confession they read. Not because it was from someone they wouldn't have wanted at all. But because it wasn't a signature at all.
Except a smear of blood.
Villains head felt light, the corners of their vision hazing a little as they tried to make sense of what it all meant. They sat down in their chair, still staring at the letter before them. It wasn't until the news anchor interrupted their broadcast with breaking news.
'The beloved and respected savior of our beautiful city, Hero, has officially been pronounced dead today by coroners after their body had been returned to city officials by an anonymous source. Further details the cause to be released.'
"No..."
They took a long look at the radio, eyes wide in disbelief as their mind began to piece everything together. In a moment, they were at their sequencer and after they got a sample of the paper, pulled out their knife. What little blood left from their fight with Hero remained, and they flaked off the dry remains in the other bottle. Time blurred as they waited, walking crop circles into their carpet while the machine processed the samples.
They didn't see anyone on the cameras the night before. No sound, no disturbance. First nothing was on the window, and when daylight broke, there it was. They hadn't dealt with Hero recently, which they only grew to notice the more they thought.
They couldn't settle down, and any time their office door was knocked on, they would simply throw a book at it and tell whoever it was to bother them tomorrow. Word must have gone around because soon the knocking stopped and Villain was left alone with the machine, which whirred just like the servers did their last night with Hero.
They were pulled out of their mind when the machine stopped, and the face glowed green with the information Villain already put together in their walk about their office.
DNA Sequencing Completed- Results: 100% Match
---
Villain drummed their thumb against the steering wheel of the car. Occasionally, it would follow the tempo of their racing heart, or the shake in their muscles from the adrenaline in their blood. The timer they set on their phone for five minutes was halfway through. Villain regretted even permitting that much time to wait. It had been too long already, and with any more time, they could be too late.
Three minutes and no sign. Villain shifted in their seat, instead now tapping their foot and squeezing their hands together. The last they slept was indistinct, waiting for the right moment to make their next move. A drastic one, which would leave more loose ends than they would like, but it was just as a drastic situation they had on their hands.
Four minutes and Villain was getting ready to get out and handle the ordeal themselves. They checked to make sure their gun was loaded, as they did a dozen or so times before even though they hadn't used it. Before they reached the door handle, the passenger side opened to Villains relief.
"Very good. Hurry up." Villain said, gesturing with the gun to get in.
Five minutes was all Villain needed. As they sped off, the silence was cushioned by the low hum of the car. Villain didn't know what to think. What to say. What if, in the time they were gone, Hero was too? The thoughts were heavy as Villain drove, until their passenger pulled them out of their head.
"I shouldn't be doing this..."
"Then why are you." Villain said, rather than asked.
"Well, you told me with a gun to my head that you hunt me down and kill my girlfriend in front of me, then send my body parts to various family members."
"Good memory, and I will if you make any attempts to run."
"Good to know..." The accomplice said with a tight-lipped smile before looking down at the bag.
"And... I'm helping someone, aren't I?" They asked after another moment of passing silence. "Someone you care about?"
There was a thick lump that sunk into Villains throat. It irked them to know they had to get outside sources with such a high risk, but they were pushed to no other choice. They offered a single, but humble nod before turning off onto a dirt road.
"What the fuck did you say you did again?"
"I'm a first assistant," they said as they shuffled the medical bag on their lap while twisting the handles nervously. "Not quite a surgeon, but I'm getting there."
"Of course, I pick up the intern in the operating room..." Villain uttered as they watched the road. The car, being small, only allowed the young surgeon to hear the remark clearly.
"The operating rooms of the ICU," they huffed a bit too confidently for Villains liking. "Much more intense and less room for error. I mostly make sure the room is clean but I do help with sutures, and other general care."
With a less than patient sigh, Villain parked the car in the driveway and looked the young surgeon square in the face, gun held towards them with a finger threatening pressure on the trigger.
"Keep your attitude in check, and keep them alive." They said flatly. "Both the person I'm bringing you to, and your girlfriend."
It had just been the two of them since Hero showed up battered, beaten and bloodied just two weeks before. They hadn't gotten better and while Villain was good at many things, medical diagnosis weren't one of them. They took leave from work to get Hero somewhere more secluded than Villains home closer to the city.
When Hero was awake, Villain limited themselves to one question because Hero would get winded from speaking too much. Day by day, they learned how Hero wanted things to be different, not only for themselves only, but between the two. How they grew to love Villain, admire them and respect them, to want them yet be restricted from doing so. Hero detailed how they convinced a select few to assist them in faking their death with a glow which made Villain hopeful, but then Hero fell asleep before telling them how it went, and hadn't woke up since. It'd been three days.
With a nervous nod in understanding, the two got out of the car, and Villain walked the man to the house with a gun drawn on them the entire way. Sleepless nights were still to come, yet there was a bit more relief in knowing Hero stood more of a chance now. Villain hoped they didn't make a mistake, for Hero wouldn't be able to survive it.
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lazuliquetzal · 1 day
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Whee Fight Scenes! (This Is A Seirei no Moribito Advertisement)
For the past couple of years I have been almost exclusively writing fanfiction for action-fantasy video games which has led to me developing opinions on writing fight scenes. I used to hate writing them because what even happen fight, really, like what the hell??? But now I’ve learned to tolerate them! Sometimes I even enjoy writing them! So now I will share my wisdom with you. 
(Disclaimer: This post was written so I could avoid writing a fight scene.)
My credentials: I occasionally write fight scenes in my action-fantasy video game fanfictions, and I have seen Seirei no Moribito the anime several times. I do not claim to be an expert on fight scenes, but I do claim to love Seirei no Moribito to bits.
Part 1. The Set Up
There’s this excellent anime about a mercenary on a life-long quest for redemption who ends up taking a cursed prince under her protection. It’s about unraveling propaganda and colonialism, and also about kicking ass. The first time I watched this anime, when I got to the episode 3 rice field fight, I thought, “holy shit, I see now that a good fight scene requires not only a kick-ass fight, but also narrative/emotional build up in order to give the scene weight and tension.”
Like, lots of anime have excellent and extremely iconic fights, but this was the show that really made the writing aspect of it stick in my brain. Seirei no Moribito is also an adaptation of a book, which might why this stood out to me: the way its fight scenes are constructed are not as reliant on the actual visuals so much as they are on everything else (the animation for the fight is gorgeous, too, like, just watch this show please it’s so good). That said, I haven’t actually read the book. But I have seen this show several times and the rice field fight gets me so hype.
(And also every other fight scene. I’m never over episode 13. If you have to watch only one (1) episode of Seirei no Moribito, watch episode 13. But also, don’t do that. Watch the entire thing you coward.)
Anyway. What’s going on in Seirei no Moribito episode 3?
Part 1a. The Narrative Stage
Ep3 is early on in the series. The rice field fight is not the first action scene, but it is the first fight scene. This is what we know going in:
Balsa, our main character, is a formidable mercenary with a practical mind and a strong sense of honor. She has sworn to protect Chagum, the prince of the Empire. Her goal is to keep Chagum alive at all costs, because saving his life is crucial to her personal goal of redemption.
The Emperor (Chagum’s father) has dispatched his elite warriors to kill the prince, as they believe that he is possessed by an evil water spirit. Their goal is to kill the prince because the evil water spirit is a bad omen for the empire, and they believe that killing the prince will save the kingdom.
Balsa’s spear is damaged, and she is outnumbered. She has the disadvantage.
We are, of course, rooting for Balsa and Chagum at this point in the story. Balsa’s our main character, she’s super cool, and child assassination is a bad look. We know that Balsa is strong: we’ve seen her do athletic stunts, and it’s been alluded to that she is extremely skilled with the spear. This fight is the first time we get to see her use it, so it’s very exciting to the viewer. We want to see her in action.
Part 1b. The Emotional Stage
Chagum doesn’t have much of a personality at this point: we know he’s a child prince, and we know his dad wants to kill him. So we don’t know him well, but he’s already sympathetic due to circumstance.
When Balsa and Chagum get to the rice fields, they are almost home-free. They’ve spent a lot of effort trying to redirect the emperor’s warriors and the plan almost worked. We are extremely close to safety, so the fact that this is when the emperor’s elite catch up is very tense and frustrating.
All this puts the audience in the mindset of: oh man, they’re so close, I really need Balsa to win! I don’t want the kid die! You can taste the safety, you are almost there—it’s the type of tension that gets you invested in the outcome of the fight.
Part 1c. The Physical Stage
The first half, and the faster-paced portion of the fight takes place in a rice field at night (a classic). Wide open, with water to splash in, and nowhere to hide. It’s right on the edge of the thick forest, which gives Balsa and Chagum an immediate goal: get to the denser terrain so that they might break line of sight of their pursuers.
The second half of the fight is less of a fight and more of a close-up, emotional moment of action. It takes place in a clearing by the edge of the forest.
The physical location of the fight ties in with the short-term goals of the characters: the open field forces Balsa into direct confrontation even though she wants to run, and the clearing by the edge of the forest gives Jin (one of the emperor’s warriors) the illusion of privacy when he tries to kill Chagum, and it gives Balsa cover to hide until she can intervene.
Part 1 – TL;DR
Even before you get to the actual fight, the setup of the fight has inherent tension and intrigue. One can reasonably assume that Balsa and Chagum will survive, because this is episode 3 of a 26 episode anime. But you don’t know if her damaged spear will hold out. You don’t know why the emperor wants Chagum dead. You don’t know if Balsa will kill the emperor’s guards, or if she’ll be able to make a clean getaway with the prince. All these uncertainties create mystery, which creates tension. And tension is what makes the fight fun.
Part 2. The Purpose
I mentioned earlier that this is the first actual fight in the show.
It’s the payoff for a bunch of little questions that have cropped up so far. How strong is Balsa? Is she good enough to win, even when outnumbered? What does her fighting style look like?
A lot of action stories have big fight early on, and that’s because a well-done fight scene squeezes in a massive amount of characterization. In this fight, we learn a lot about Balsa, and we learn a lot about the Emperor and the difference between the Emperor and the people who work for him.
Some questions that get explored: How do they think under pressure? What kind of fighting do they do? Are they strategic? Reactive? Brute force or trickster? How do they solve problems? How far are these people willing to go to achieve their goals?
There’s a moment in this fight when Balsa is wounded, and the emperor’s warriors retrieve Prince Chagum. Balsa ends up retreating into the forest. Jin says something along the lines of: she’s a mercenary, she works for money and she’s already been paid; she won’t risk her life to come back and get the prince.
But she does. Even though she’s been wounded, and even though she had the perfect opportunity to walk away, she comes back and saves Prince Chagum at the expense of her own health. Balsa keeps her promises; Balsa’s personal quest for redemption is more important to her than her life. We know her, now!
Fight scenes are great for characterization because it’s a deviation from status quo. A person’s default state is not “battle,” and stories thrive on extraordinary circumstances. “How does this character change/act/perform under pressure?” is a really great characterization question, and a fight scene is the opportunity to show the answer rather than tell it.
Fight scenes are also great for thematic debate. You get the opportunity to literalize the conflict between different philosophies via characters fighting each other. EZ story moment. You know that one Howard Ashman quote about how, in musicals, the characters sing when they’re too emotional to speak? That’s what fight scenes are to me. The characters fight when they can’t talk to each other.
And then, of course, a fight scene is also moving the plot along. The conflict is happening, information is being exchanged/discovered/buried. Some characters life, some characters get hurt, some characters die. A fight scene is a way to physically bring characters to the state they need to be in for the story to progress (in the right emotional state, the right physical state, the right location, etc). Lots of things going on, which is good—you want all of your scenes to be purposeful.
Part 3. The Details
All of that had to do with the zoomed-out, overall story view of the fight (how the fight fits into the overall story). I am now going to continue to gush about the episode 3 rice field fight up close (how does the fight scene work in isolation). Because Seirei no Moribito rocks.
Part 3a. The Setting
I already mentioned the open rice field/dense forest dichotomy and how that affects the characters’ short-term goals. It’s also a great choice to establish Balsa’s superior technical ability with her spear. The rice field is wide open and relatively flat—no obstructions or distractions, with everyone on equal ground. There are no tricks to pull, no environmental quirks to exploit: this is a clean fight between Balsa and the emperor’s warriors. When she comes out on top, it’s because she’s better than them.
Depending on the character, it might be better to change the terrain. Have the stealthy warrior fight in a forest, where they can appear and reappear and use their sneakiness to their advantage. Put a trickster in a situation where they can improvise traps. There is an aspect of your character that you want to show off, so set the stage so that they can show off. It’ll be totally badass and fun.
Part 3b. The Short-Term Goals
When you read a story, you can reasonably assume that the protagonist will stay alive (especially if you are not near the end of the story). Knowing the outcome can make a story stale if you're not careful. You can lose tension if there’s no risk. Some stories try to create a world/tone/atmosphere so that anyone can die. A lot don’t because that’s a little depressing.
My friend @yellowocaballero has an excellent post on this regarding OP protagonists, but to summarize: if you know the protagonist is always going to win the physical fight, you have to make the win condition not about that. Balsa isn’t OP, but giving characters goals beyond “win the fight” can make a fight so much more interesting.
In the rice field fight, Balsa does not have to defeat the emperor's warriors: she has to get Chagum and herself away alive. Her goal is to make a clean getaway. When the warriors show up, she makes the decision to confront them, and her goal is not just to win, but to win so decisively that they won’t be able to follow her. When Chagum gets caught, she changes her goal to ‘keep him safe at all costs, no matter the harm done to myself’, and she gets seriously wounded. She can succeed in some goals, but fail in others, and the story reacts and keeps changing. It’s the same principle behind why rolling a nat 1 is so entertaining in D&D. The more you fail, the more creative you have to get. 
Part 3c. Monkey Brain
There is just something so cool and so satisfying and so fun about seeing a character kick ass. There is also something very cool and very satisfying about seeing a character get beat up. The rice field fight has it all: Balsa kicking ass, and also getting beat up. It’s fun! Fight scenes that know exactly why they are cool are just so good. Hell yeah, overindulge and use every single weapon despite how impractical they are. Yes please show someone pulling off an unrealistic move for the coolness factor. Absolutely include the explosion-that-would-definitely-kill-but-doesn’t. 
Part 3 — TL;DR 
If you want the fight to be cool, make it cool! Set it in a cool place! Give your characters opportunities to show off! Make it interesting by changing the win conditions! Conflicting goals forces characters to prioritize and it makes scenes fun!
Part 4. Words???
Unfortunately, as mentioned, Seirei no Moribito is an anime and I haven’t read the book so I cannot analyze and gush about its prose in this section. Otherwise, the advertisement would continue. You’re safe for the moment.
Re: prose, there’s probably a post out there that goes over the language of fight scenes better than I ever could. I write with the diction of a middle-grade author because I read PJatO too much as a child and it rewrote my DNA. This is not a bad thing, this is just a fact. So I’m just gonna fire off fight scene writing advice I heard from around:
Filter words — if you want a more immersive reading experience, you want to avoid filtering the action through the narration. So use sentences like: “Her arm hurt” as opposed to “she felt her arm hurt”. But if you’re trying to distance the reader, like recreating the feeling of shock/dissociation, then filter words would help achieve that effect.
Make the rhythm of your prose match the energy of the fight. Short and choppy feels fast in the brain. Long and wordy feels overwhelming. Fragmented sentences and run-ons are chaotic. Customize the vibes.
Establish the important details of the setting beforehand so that you don’t have to stop the action to describe the specific placement of a relevant tree stump. I think I heard this one from Brandon Sanderson on a podcast somewhere, but I think about it a lot when I write because blocking is hard enough and it's even harder when you have to stop and attempt to translate the movie in your head into words. I can’t tell you how to block a fight scene. We need to find someone else who is smarter that can tell us.
Part 5. The Point
Fight Scenes are Fun, actually. They can be really effective if you set them up properly! If you know what you want to do with them, you can arrange it to be as cool as possible! You don’t have to be in a visual medium to make fights fun. You just have to figure out how to translate the cool bits into prose, which I think is mostly done through giving your fight cool shit on both the macro story level scale and the micro scene level scale. 
Also, watch Seirei no Moribito.
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do you think they tried at all. i cant see it ending well
blaine: stop-- i- i don't want to go in there--
blaine: c'mon. tell me honest this time. take me to spader.
#shaking them and shaking them and sha#theyre such a sheltered scared little kid and their friend is missing. hes a skeleton in a puddle of blood underground but besides that#like if they tried to find him. it would keep leading them through the scariestass dungeons theyve ever seen. torches and bones and shit#theyre not going down there. but#hops back and forth on their feet groaning.#but its saying spaders in there. and HES a scared sheltered kid too. and blaines got responsibilities yeah. they have to take care of him!#hes LOST! is he okay in there?#blaines not going in there.#maybe its glitching. m. maybe hes just out surfing like bufo said. m. thats. but he wouldnt be.#BUT he wouldnt be in this HOLE that blaine found under a well in the alleyway EITHER.#so why is the locator spell or the Show Me My BFF Spell sparkling merrily away into the darkness every time#does any of this make sense. can anyone hear me. im going feral over wizard city again.#its so simple. they taught the kids locator spells. and then dragged one of them underground and killed him.#and i dunno. maybe no one tried to look. not even the NON-EVIL ADULTS??? did they just believe bufo. how much did blaine try.#theyre all alone all they have rn is imagining larry goading them into action. and like.violent rage at pep because they think he did smth#but honey! what happened to using a locator spell. to find him with.#did it just give them butterflies and they gave up? did they know what that meant/DOES that mean hes dead and not just that pep and deb m-#-messed up the spell when THEY tried it and just got butterflys? i cant stop talking#this is terrible.#oh yeah#adventure time#distant lands#blaine#digital
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spacedlexi · 1 year
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rant incoming lol ive been broken emotionally. this goes out to anyone who feels like theyre living in the twilight zone rn like i do
#i hate the wednesday show lol i cant take it anymore#jenna ortegas performance is the only thing getting me through this#i cant believe how much praise this is getting its actually breaking my brain#nothing about this is giving addams family....#you could literally change them out for new characters and it wouldnt make a difference#im watching wednesday on a date watching legally blonde i REALLY cant take this anymore#cant believe they put wednesday in an environment where she isnt an outcast#even tho the show keeps TELLING me shes still an outcast#put her back in the prep school in conservative middle america that is where the addams family was designed to THRIVE#and every character is so boooorrrriiinnnnggg#except for bianca kind of she has potential#every time they try to do some kind of reference to the movies im just like 'dang wish i was watching that instead rn dont remind me'#AND i cant believe they really gave wednesday the 'ugh im a teen and i hate my mom' trait#the whole POINT of the addams family is that they are the antitheses of the average nuclear family#so why give her this extremely common teenage girl trait#this show is fine if you have never had any exposure to the addams family or just straight up didnt like the addams family#bc its not the addams family#the family isnt even there!!!#thats the worst part for me :(#why not have a B plot back at the addams mansion?#instead of all these bland boring characters i can hardly remember the names of#and her love interests SUCK!!! THEY SUCK!!! the Only character it makes sense for her to befriend is eugene#and they put him in the hospital almost immediately#rant over do not defend this show to me#u can enjoy it or whatever but i cant do it anymore#her dress was pretty tho. and fester was ok#also morticia and gomez have zero chemistry which is a crime#their younger counterparts had more chemistry and their acting was weak so that says a lot#sorry i was raised on the 60s show and the 90s movies i tried to be fair but this is Some Shit my dude.. its giving CW#it speaks
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hobisexually · 11 months
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#i! feel! so! disconnected! from everything and everyone#and it’s so god damn annoying#I either feel nothing at all or everything at once and I can’t balance it#but if I take the time to sit with the things I’m scared of I’ll just keel over I don’t have time for it#Im just on autopilot moving ahead#because I have to! if I don’t my fear will win from me and that will Not be pretty#and that’s what I’m so upset about like I didn’t get something I really wanted#and it’s fully because of anxiety but the alternative is WORSE#and the people involved don’t KNOW I have anxiety but I can’t tell them either because it will make them look at me differently and I can’t#afford them to. I can’t let that happen and I think this is the first time I’m realising how much it holds me back even after uni#and I’m so angry over it dndndnd so so so angry and if they KNEW how much I had gone through no one would ever doubt my ability to —#bounce back and take charge of a situation ever again. they’d know I can do that. But it’s too private to share so now it’s up to me to#BELIEVE it and just show them but it takes so much out of me every time#and if it weren’t for the pandemic I would’ve been much further along and if it weren’t for my fucking burnout I’d have been further along#and it weren’t for my Fucking dad I’d be further along. I’m just so mad#so mad that I have to undo and tackle so much when people just sail through things but for me EVERYTHING takes effort#also I have not seen or spoken to my dad since December and I have a wedding he’s attending and I can’t get out of it#and I constantly pingpong between ‘its for the best I broke off contact I needed the space to heal’ and ‘I am a horrible person for taking#his only daughter away from him instead of talking’#but I’ve TRIED the talking and he just never LISTENS????? and made me feel so unsafe in this world at all times#I’m constantly trying to undo all that and it’s exhausting and no one gets how much effort that takes and I can’t tell them either#like. not gonna unload my trauma on people but if they KNEW they’d get why I don’t always react optimally to things the way they do#aaarffggHhhhHHHhHhhh#also I’m not even enjoying festa I’m not tuned in at ALL and that’s also deeply upsetting but there’s no other way atm#Also. did a thing in PFPT today that. I feel complicated things and I’m just upset about the way my life’s been until now#its making me feel worse than I was expecting#oh AND I was on a trip with friends I’ve had for 16+ years and they all were so happy to be together#felt so connected with each other and it was familiar and safe and lovely they said#meanwhile I cried at 3am in the bathroom because I had never felt more alienated from them ever#I know who /I/ am and what I want and don’t want but the dissonance with the rest of the world….. what the fuck man. What is my place even
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cookinguptales · 1 year
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So I’ve been enjoying the Disney vs. DeSantis memes as much as anyone, but like. I do feel like a lot of people who had normal childhoods are missing some context to all this.
I was raised in the Bible Belt in a fairly fundie environment. My parents were reasonably cool about some things, compared to the rest of my family, but they certainly had their issues. But they did let me watch Disney movies, which turned out to be a point of major contention between them and my other relatives.
See, I think some people think this weird fight between Disney and fundies is new. It is very not new. I know that Disney’s attempts at inclusion in their media have been the source of a lot of mockery, but what a lot of people don’t understand is that as far as actual company policy goes, Disney has actually been an industry leader for queer rights. They’ve had policies assuring equal healthcare and partner benefits for queer employees since the early 90s.
I’m not sure how many people reading this right now remember the early 90s, but that was very much not industry standard. It was a big deal when Disney announced that non-married queer partners would be getting the same benefits as the married heterosexual ones.
Like — it went further than just saying that any unmarried partners would be eligible for spousal benefits. It straight-up said that non-same-sex partners would still need to be married to receive spousal benefits, but because same-sex partners couldn’t do that, proof that they lived together as an established couple would be enough.
In other words, it put long-term same-sex partners on a higher level than opposite-sex partners who just weren’t married yet. It put them on the exact same level as heterosexual married partners.
They weren’t the first company ever to do this, but they were super early. And they were certainly the first mainstream “family-friendly” company to do it.
Conservatives lost their damn minds.
Protests, boycotts, sermons, the whole nine yards. I can’t tell you how many books about the evils of Disney my grandmother tried to get my parents to read when I was a kid.
When we later moved to Florida, I realized just how many queer people work at Disney — because historically speaking, it’s been a company that has guaranteed them safety, non-discrimination, and equal rights. That’s when I became aware of their unofficial “Gay Days” and how Christians would show up from all over the country to protest them every year. Apparently my grandmother had been upset about these days for years, but my parents had just kind of ignored her.
Out of curiosity, I ended up reading one of the books my grandmother kept leaving at our house. And friends — it’s amazing how similar that (terrible, poorly written) rhetoric was to what people are saying these days. Disney hires gay pedophiles who want to abuse your children. Disney is trying to normalize Satanism in our beautiful, Christian America. 
Just tons of conspiracy theories in there that ranged from “a few bad things happened that weren’t actually Disney’s fault, but they did happen” to “Pocahontas is an evil movie, not because it distorts history and misrepresents indigenous life, but because it might teach children respect for nature. Which, as we all know, would cause them all to become Wiccans who believe in climate change.”
Like — please, take it from someone who knows. This weird fight between fundies and Disney is not new. This is not Disney’s first (gay) rodeo. These people have always believed that Disney is full of evil gays who are trying to groom and sexually abuse children.
The main difference now is that these beliefs are becoming mainstream. It’s not just conservative pastors who are talking about this. It’s not just church groups showing up to boycott Gay Day. Disney is starting to (reluctantly) say the quiet part out loud, and so are the Republicans. Disney is publicly supporting queer rights and announcing company-supported queer events and the Republican Party is publicly calling them pedophiles and enacting politically driven revenge.
This is important, because while this fight has always been important in the history of queer rights, it is now being magnified. The precedent that a fight like this could set is staggering. For better or for worse, we live in a corporation-driven country. I don’t like it any more than you do, and I’m not about to defend most of Disney’s business practices. But we do live in a nation where rights are largely tied to corporate approval, and the fact that we might be entering an age where even the most powerful corporations in the country are being banned from speaking out in favor of rights for marginalized people… that’s genuinely scary.
Like… I’ll just ask you this. Where do you think we’d be now, in 2023, if Disney had been prevented from promising its employees equal benefits in 1994? That was almost thirty years ago, and look how far things have come. When I looked up news articles for this post from that era, even then journalists, activists, and fundie church leaders were all talking about how a company of Disney’s prominence throwing their weight behind this movement could lead to the normalization of equal protections in this country.
The idea of it scared and thrilled people in equal parts even then. It still scares and thrills them now.
I keep seeing people say “I need them both to lose!” and I get it, I do. Disney has for sure done a lot of shit over the years. But I am begging you as a queer exvangelical to understand that no. You need Disney to win. You need Disney to wipe the fucking floor with these people.
Right now, this isn’t just a fight between a giant corporation and Ron DeSantis. This is a fight about the right of corporations to support marginalized groups. It’s a fight that ensures that companies like Disney still can offer benefits that a discriminatory government does not provide. It ensures that businesses much smaller than Disney can support activism.
Hell, it ensures that you can support activism.
The fight between weird Christian conspiracy theorists and Disney is not new, because the fight to prevent any tiny victory for marginalized groups is not new. The fight against the normalization of othered groups is not new.
That’s what they’re most afraid of. That each incremental victory will start to make marginalized groups feel safer, that each incremental victory will start to turn the tide of public opinion, that each incremental victory will eventually lead to sweeping law reform.
They’re afraid that they won’t be able to legally discriminate against us anymore.
So guys! Please. This fight, while hilarious, is also so fucking important. I am begging you to understand how old this fight is. These people always play the long game. They did it with Roe and they’re doing it with Disney.
We have! To keep! Pushing back!
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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casvonriegan · 9 months
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I tire of desiring romance so much when it is also the thing I'm most afraid of.
Every time someone approaches me with romantic interest, I shut down.
Whenever I develop a crush on someone, I repress it. I never pursue it. And then wallow in self-pity when nothing comes to pass. Or they find someone else.
How do I get over this. My heart craves nothing more than to find my Person. The Person. My Partner in Everything. But I have put up so many self-built walls and obstacles.
It isn't even that I have a history of bad romances? I've had one (1) serious relationship in my life. And all things considered, it ended on fairly amiable terms.
Why can't I just let myself try to find my Person. What am I so afraid of.
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drchucktingle · 4 months
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THE TEXAS LIBRARY ASSOCIATION HAVE ISSUED AN APOLOGY AND A RE-INVITATION. HERE IS MY STATEMENT
hello buckaroos. the TEXAS LIBRARY ASSOCIATION have issued a formal statement and apology which you can read at the attached link.
while i find the language used to discuss what was done a little unsatisfying, i would like to start by saying i appreciate anyone taking steps to prove love is real and make things right. the genuine feeling of ‘realizing you have made a mistake and hurt someone else’ is a terrible one, and i have so much empathy for this group as they reckon with their choices causing harm. i appreciate their apology.
i also think more good than bad has come from this situation. i am so thankful this happened to me (someone with a large social media presence) and not a smaller buckaroo author without the means to stand up for themselves. i think the next time someone comes to the TXLA with an accommodation need, they will hopefully be taken more seriously
lets trot down to business about specifics now. the TXLA has re-invited chuck to the original panel and even offered to take a moment at the top of the panel to talk about what happened. this is very kind of them and i will say THANK YOU. 
unfortunately i will also have to decline.
the fact that it took this much effort, social media backlash, and discussion to let me simply EXIST PHYSICALLY in a way that is authentic to myself is not a good sign. if this organization immediately questions an authors chosen presentation in this manner, i cannot imagine what my other accommodations would be met with.
sometimes i am at an event and i very quickly need extra space to breathe. sometimes i am at an event and i need special guides to help me along from place to place. these are not ‘big asks’ and every other conference has gladly provided them, but if the TXLA had this kind of initial reaction to my physical appearance, i cannot imagine them readily helping with my other needs without ‘proof’.
this is clearly not a safe place to trot for those who require additional accommodations. regardless of any apology, their ACTIONS have shown that people who appear unusual or unique are not welcome at this event on a subconscious level. i believe the TXLA have some serious inner work to do beyond this apology, and i believe this inner work will involve actions more than words.
but even more importantly i would like to make this very important point: IT DOES NOT MATTER IF MY MASK IS A DISABILITY AID OR NOT. i appreciate the way this discussion has allowed us to trot out some deep talks on autism and proved love in this way, but i think there is a much more important point at hand.
regardless of WHAT someone looks like, it is not the job of an event or conference to pick apart WHY. physical presentation can be a part of someones neurodivergence, or gender, or sexuality, but i can also just exist as a nebulous undefined part of their inner self. it can be a piece they are not ready to openly discuss yet. the guests at TXLA are authors (aka ARTISTS) and the idea that a conference dedicated to an ART is going to deny people with unique and unusual presentations for ANY reason is absurd. since when are we applying a ‘dress code’ to our artists?
without knowing it, i personally believe there is an element of the ‘good queer, bad queer’ phenomenon going on here. there is a push to say ‘LOOK we accept these marginalized groups and cultures’ but behind the scenes that means ‘we accept these marginalized groups and cultures who are quiet and speak in turn and wear the metaphorical suit and tie’. it is easy to show diversity when you only take on the voices that arent too ‘strange’.
to prove my point i ask you this: do you think orville peck would have FOR ONE SECOND been asked to perform at the texas library association event without his mask?
so with that i say ‘very sincerely, thank you, but i will have to decline the re-invitation. maybe next year’
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