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chuluoyi · 7 months

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fear

- gojo satoru x reader

his best friend’s defection is still a hard topic for him to swallow, and it leads into an unexpected argument that spurs you to leave, only to unlock a new fear in him when you get into an unfortunate accident afterwards.

genre/warnings: angst, gojo being mean, one scene with a worried nanami *wink*, injured reader, hurt/comfort, fluff in the end

notes: *sigh* my coping mechanism is still gojo’s past arc, which is why this piece takes place on that timeline. just a little context: reader is in the same class with nanami & haibara and was in the same mission that took haibara's life. this is probably the longest oneshot i've written so far sooo… enjoy! :)

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A year and a half had passed since Suguru embarked on his path as a curse user. In that one year and a half, Satoru had finished his last year at Jujutsu High, and now was in the halls of his alma mater, speaking to the newly appointed headmaster who was none other than his teacher.

"You're applying to become a teacher?" Yaga asked again with a frown. He still couldn't wrap his head around it. Granted, he was his most troublesome pupil. "Why, Satoru?"

"If I said it's because I want to train young sorcerers to be strong, would you believe me?"

That was not a lie. It was actually 50% of his main reasons anyway. The other 50% was to repent what he missed with Suguru when he chose his dark path—his contempt with the current system of this jujutsu world.

"I would," Yaga responded gruffly. To him, Satoru was irritating, but he also knew that he was also extremely capable, and thus everything he did wasn't just out of nowhere. "But you still have to submit your applications. We can't make an exception even if you come from a prestigious clan."

"That's fine with me," he grinned. "Thanks, sensei."

On summer days, he'd get reminded of Suguru and silly things they had done together. Eating shaved ice, cycling together, driving either you, Shoko or Nanami mad. Satoru missed those days, it hadn't been the same ever since. Not knowing if his best friend was alright—if he was still alive at all—was exhausting.

Sometimes, he felt like he was the only one who was affected by his departure, the only one who stayed right where Suguru left him. Shoko didn't seem ruffled, if anything she just went to more bars and pachinko parlors as of late. Nanami was always a recluse, he never disclosed his feelings. You mourned him, but it was clear that most part of you would always be more focused on Haibara's death.

Satoru understood that he couldn't force anyone to feel what he felt, and he had no right to. But sometimes, he just wanted someone to connect with at his level. Someone to get him just like Suguru did.

And so when he got back to his condo that night—just right next to the one he rented for Megumi and Tsumiki, since he had moved out of his dorm—to find his girlfriend there with a big smile and a tray of cupcakes, unaware of everything and anything, he merely scoffed to himself.

"Satoru, you're back," you acknowledged, beaming like the sunshine you were. "I just baked these for the kids. Do you want some?"

Usually he'd smother you, throw some pickup lines here and there and say yes, but today, he just felt drained. "No." And with that, he stalked away to the bathroom, not glancing back at you.

It was wrong. But tonight he just wanted some peace and quiet, and so keeping his silence seemed to be the best choice as he didn't want to start a pointless argument with you. But you weren’t anything but observant, and definitely noticed that something was amiss with him.

"Are you... alright?" You approached him warily after he came out of the bathroom with wet hair. "Where were you today?"

"Just somewhere," he replied curtly. Afterwards he turned on the hairdryer, drowning the whole place with the noise even as you stood behind him with a visible question mark.

But you were still there after he dried his hair. "Is something bothering you?" you asked with a tilt of your head, concerned. By all means, you mean well. You just wanted to know if he could use your help at all.

When you pulled that expression, he couldn't help feeling annoyed, like he wanted you to take a hint, but you just didn't. "If you know, then just shut it."

It was probably the first time since the two of you got together that Satoru actually said something harsh. But you still tried to be reasonable though, bless you.

"Satoru, I don't know what got into your nerves like this, but I think sleeping through it might help. Have a rest."

"Why are you talking as if you know it?" he snapped, finally turning to you with his cold gaze. "You might not know anything, so don't be a know-it-all. Just mind your own business."

Now you were frustrated with his reply. "Once again, I don't know what happened to you. But if you're taking it out on me because I'm the closest you have—"

"Who said that?" Satoru didn't know where he got all this venom from. It was just at the forefront of his mind and he just got the urge to spew it. "You're considering yourself closest to me? Where did you get that big head from?"

You were aghast, and you blinked a few times to get your bearings. "Let me guess, it's about Geto-san, isn't it? Or the higher ups. Either of that must be what causing you to blindly place your anger on me."

"So what if it was? It isn't like you'll understand anyway."

"Satoru," you started, trying to even your breathing. "What happened to Geto-san isn't your fault. I've been telling you this. It can't be helped—"

"Can't be helped?" he jeered. "Do you know why it has come to this?" his tone took a dangerous edge as he stepped closer. He reached for you, grasping your wrist.

"Maybe because I was too blind back then. If it weren't for you—if only I didn't spend that much time on you, maybe he would still be here."

Did he just say that? Did he just imply that he had regretted the two of you getting together?

You felt your lower lip start to tremble and something seemed to obscure and blur your vision, making it hard to see him clearly. "You... don't mean that."

"Really?" the corner of his lips curled into a disparaging smile. "You never know. Before you know it, this can be over already. After all, I could have anyone out there that I want. Maybe someone less nosey than—”

That did it. You wrenched your arm out of his grip violently, as your first tear fell. His smirk vanished too, replaced with a total stillness to cover his sudden panic that was followed by a sudden sinking feeling at the pit of his stomach.

"You selfish, self-obsessed jerk," you hissed through watery eyes. He was taken aback, even amidst your anger and possible fear of him, your still managed to throw daggers at him. "Fine. You have it. I'll see myself out."

Satoru never wanted you to leave. Honestly, he would've made you stay. But he wasn't in the right state of mind and it was too late to take back what he said. He didn't want to mess this up even further.

You left the cupcakes, even throwing it away just to spite him. Driven by pain and humiliation, you choked back your sob and didn't spare a glance at him as you shut the door.

Peace and quiet. There he had it, he thought as he clenched his fists, at the cost of everything else.

Leaving that condo, every step you took felt like needles piercing your shattered heart. You wiped your tears roughly. No, you refused to cry over such asshole. He made it clear, didn't he? Whatever it was that you two shared, it was at the cost of his best friend leaving him. So now the blame was on you.

If you were thinking clearly, you would've understood that his words were likely a result of his own pent-up pain and frustration that he had kept to himself for some while. But you had no patience for that or even pinpoint what you felt right now—anger, disappointment or dread, or perhaps all three. You just felt wrongly accused.

Your feet brought you back to your dorm in the school. Now it wasn't as bustling as it once were. After Satoru and Shoko's graduation, you didn't really get close to anyone. There was Ichiji, but he treated you more like a mentor rather than a classmate.

As you sank into the comforts of your bed, You replayed the events, trying to find where it went wrong—and found nothing. After all, you had already said all that could be said. It wasn't just him who lost Geto, but you, Shoko and Nanami did too, but it was more convenient for Satoru to blame everyone else rather than trying to understand that they too shared this pain.

Nevertheless, you were disappointed. You didn't expect half of what he spouted, and it got you doubting everything you had.

"You've royally fucked up."

Satoru exhaled, glaring at Shoko through the corner of his eyes. "Yeah, maybe."

The reverse cursed technique user threw him a blank stare, taking in everything from his disheveled hair to his wrinkled trousers. "Gojo, as much as I can’t care less about your sorry ass, I'm saying this not out of concern for you, but rather for Y/N. You are an asshole."

The puff of smoke she blew expanded to create a cloud-like shape. "Yaga-sensei was our teacher. His student is now a mass murderer and wanted dead. Can you even imagine how he feels? And I can't believe I'm saying this—but weren't there three of us?"

A week had gone by and instead of doing the right thing like trying to get into your good graces, Satoru was in Shoko's infirmary in the headquarters instead. He didn't exactly know what he was looking for by going here. Maybe some lingering taste of his happier student days, and Shoko was the only one remaining.

Three of us, huh... she was right. That was precisely why he came here after all.

"You're just sulking because it seems no one cares about your best friend being the best there is. But have you thought about how our juniors also lost Haibara? Right in front of their eyes? Haibara was our friend too."

He was wrong, of course he was. Satoru realized that now. But it felt wrong to ask for your forgiveness now, not to mention the disrupting thought he had—should he let you go for good altogether?

The phone suddenly rang with such fervor that made Shoko utter a swear word. She was on call duty for the rescue team today, and it was supposedly a peaceful day until Satoru decided to barge in to become her company. "Hello? Ichiji? What—speak clearly, I can't hear you."

She switched it to loudspeaker. "...iri-san! Ieiri-san—h-help—please—"

It was noisy, and blaring at the same time, and Ichiji was... Sobbing? Choking? His voice was terribly muffled and—

"L/N-san!" he cried, and Satoru remembered at that moment that you should be in a mission with Ichiji, he remembered you telling him before.

"Hic—s-she fell... hic—she fell! B-blood! She i-is bleeding so much! I-Ieiri-san—hic—s-send help! Please!"

"Hey, stay awake. Breathe. Just breathe."

Everything hurt. Most notably, your head. You could hardly think straight when all you felt was blinding pain and how your breaths came in short wheezes.

Your vision was blurry. The numbness had started to set in and chills ran up and down your spine. You couldn't make out who in front of you was. Was it Ichiji, who went with you in this mission? The only thing that glared was blue.

"You can't sleep, you hear me?" the voice was commanding, willing you to do his bidding. It was familiar, but usually his tone of voice was much lighter, happier.

Satoru.

But why was he here? He wasn't in this mission. It was supposed to be a mission for you and Ichiji.

You remembered getting the cursed spirit after manifesting your domain expansion, until in its last ditch attempt, it went after Ichiji. You had no choice—even when your cursed energy had burned out, you still shoved him away at the cost of being flung from the top of a building.

Not again. Not after Haibara. You’d gladly pay the price if it meant you didn't have to see anyone die in front of you again.

"I..." You managed to croak out—breathing hurt, and you felt your hands being grasped tightly.

"Hey, just breathe. Y/N. Look at me.” Through your blurry haze, you focused on that cold blue, and you saw him. Satoru's sharp eyes, pursed lips and frown. He's really here.

Satoru always said that if there was a cursed spirit apocalypse, then Ichiji would be the first to die. You used to scold him for that, but now as you a laid here possibly dying in your own pool of blood, you found it to be true.

Yet at the same time you knew that with him here, Ichiji must be safe already, and it gave you reassurance so great even when you were on the verge of dying. "I... can't..."

"Yes, you can. Just look at me," he firmly rebuked, his voice came out in a hiss. For all the time you had been with him, you had never heard him so forceful. "If you close your eyes now, I won't forgive you. So please, just hang in there."

It was a struggle to take in any air and darkness encroached on your vision as your consciousness began slipping away.

And everything faded to nothingness.

Satoru honestly thought he had no fears. His worst fear had fully realized after all—Suguru going away into the darkness. What more could he possibly fear?

But when he heard Ichiji's distress call for rescue team, about how you fell from a rooftop of a building and unconscious, he realized that it was a fear he didn't know existed. His mind got disoriented and he teleported to the scene on impulse. He just had to see it for himself. With their petty argument still lacking closure, he felt even worse.

And the sight before him gave him so much fright he never thought was possible.

It was a mistake, he should have brought Shoko along.

You had laid there like a broken doll, your eyes dimmed, and not been able to breathe. He desperately tried to keep you awake, his presence beside you, yet it didn't seem to matter. He watched helplessly as you passed out in his arms.

Satoru felt nothing. The panic that had set in was suddenly gone as your limp body slumped against him, replaced by incessant ringing in his ears and tremor wracking his nervous system. It wasn't long until the rescue team came to retrieve you and even then he still felt numb. He rejected the idea that you might possibly die on him.

That went on until Shoko, who assisted in the emergency treatment, came out of the surgery, sweat on her forehead.

"It's even worse than the aftermath of the guardian deity mission last year," Shoko explained with a grim expression. "Her brain has sustained damage and it affects everything. It may take her quite a while before she can go back to the field."

When she said that, Satoru felt terror washed over him again. You almost died—was all he perceived.

The two of you had no contact for a week just because of his ego. He could still recall that day with vivid clarity, feeling a burning ache in his chest. If someone were to ask him what heartbreak was like, now he certainly would he able the to tell them the two instances in which he experienced them. What he felt now mirrored the same stinging sensation he had felt when Suguru left him.

He visited you when he was allowed to, and you were still unconscious, with many machines connected to your body. It was a sight he still couldn’t bring himself to get used to. He had seen you injured before, but never seen you in your own pool of blood, so this made him feel sick to his stomach.

"Stupid," he whispered, gently rubbing your forehead. His eyes remained fixated on you as you rested, his insides still churning with emotions. "You're not weak, and you're not hopeless." Once upon a time, Satoru might have thought of you as weak, but now he knew better.

"So why you always pick the worst decision?" The more he thought this could've been avoided, the more irked he was. The thought that he could have done something to prevent it intensified the sting of guilt, and he continued to punish himself with it.

And the more he dwelled on the idea that he had hurt you prior to this, the tighter his breath became.

But that was who you were. Self-sacrificing to a fault. And he loved you for that. There was no way of him letting you go now.

It astonished even himself—that he was capable of this love thing. At first it was an attraction, but now that you had been going on for more than a year, it felt like it was no longer a silly infatuation after all.

"Hurry and wake up, will you?" Satoru gently brushed your hair aside, his eyes fixed on you. He didn't know it even as his gut twisted, his frown deepened and his touch quivered, that he was worried sick. "I have a lot to make up for."

And he left you with a tender brush of his lips against your forehead.

Nanami Kento was the first person you saw when you awoke from coma.

You struggled to regain your senses, still feeling absolutely broken. The dull throb on the back of your head was still there, and as if you had found yourself trapped in a fog, you were only able to move sluggishly.

"You're awake?" his gruff voice greeted, laced with concern. In his hand were a bucket of fresh flowers and fruits basket, which he soon placed at the table next to your bed.

It was unexpected, because ever since the tragedy that costed Haibara's life, the two of you had been drifting apart.

You nodded, and let out a hum in response—all you could manage at the moment.

"Thank God." Nanami sounded relieved as he pinched the bridge between his eyes, and you were moved that he had shown this degree of concern.

Your remaining classmate, who suffered the burden of Haibara's life just like you. He was always quiet or brooding somewhere, hiding his own feelings.

You felt tears pricking the corner of your eyes. The fact that he visited you meant that he hadn't decided to cut you out of his life yet.

"Gojo-san is out today, but he'll be back by afternoon," he said, mistranslating your tears as some sort of a want to have your annoying—ex?—boyfriend at your side.

The two of you were still not on talking terms, weren’t you?

You so badly wanted to say thank you to him—and tell him that no, you weren't looking for Satoru—but it came out hoarse and barely above a whisper.

"Huh?" Nanami then realized what you were trying to say, and a faint smile graced his lips. "Just... get well soon, L/N. Have a good rest."

Just before you drifted back to sleep, you could hear him sigh and mutter, "Hello, Gojo-san? L/N has awakened. Just letting you know is all.”

You weren't sure how much time had passed when you woke up the second time, but the curtains were already drawn and only darkness came from the window. Your body felt lighter, but you still felt like a mess and and couldn't help but groan in discomfort.

Satoru was there, he perked up at the noise you made. And you realized that it was the first time in about a week that he faced you after that disasterous almost-breakup.

He walked up to you, his expression was more hopeful than you had ever seen him before, like a kid whose wish had been granted. He slowly shifted to sit beside you.

"Hey, welcome back." His voice was soft. It was a change of pace for him, as you were used to seeing him all loud and silly.

Now your voice no longer sounds like a lead. "Hey."

"How are you feeling?" he asked and you took a moment to look at him. He was smiling, but exhaustion reached his bright eyes, dimming them. "You know, with the whole you passing out and almost dying thing?"

His words were almost humorous as he spoke, like he didn't know what else to say except try to lighten the mood, but there was also a strain on his tone, like he was holding back.

"I'm quite fine now, I suppose..." You still felt the lingering pain and dizziness as you slowly sat up. Satoru reached out to steady you—and you realized how his fingers trembled when they made contact with your body—as his brows furrowed with worry when you winced.

"You don't look like it though." His voice dropped and the humor was gone, replaced by this haunted look. You blinked. It was probably the first time you had seem him this ruffled.

He immediately pulled you into a hug, cradling your head to his neck gently, as if to protect and shield you from the world altogether. Exhaling heavily, he leaned on you. "You scared me, you know that?"

You wondered out loud if you really had that hold over him. "Did I?"

"You can't do that to me, you hear?" Satoru stroked your hair, nuzzling his face on the crook of your neck. His voice quivered. “Don't ever do that again.”

He pulled you tighter against him, but still careful not to crush you.

You let out a snicker, letting go of everything you felt during this horrible week. "Heh, afraid to lose me, huh?"

"Shut up,” he grumbled. “What were you thinking anyway? How did you calculate that freefalling is better than letting that cursed spirit attack Ichiji?”

"He was defenseless. He could die, you know that."

"And you also can," he quipped, upset, pulling away enough to look you squarely in the eyes, his eyes devoid of any expression, yet filled with a raging wave that you could only interpret as undiluted concern.

The emphasis in his tone made you recoil and feel guilty. If you were in his shoes, you probably would've said the same thing and so you had nothing to say to that.

But the more pressing agenda in the list was the unspoken silent treatment the two of you saw fit to use against each other for the last few days. Satoru was the one who decided to address it first.

"About that night..." he faltered, looking away. "I didn't mean what I said. I'm sorry."

Satoru always had trouble processing emotions. This time too. He must've a hard time dealing with the anxiety caused by the possibility of him losing you for good, no matter how much he tried to be unaware of it.

"..." You wanted to respond, to make him understand your point, but somehow right now you were just too weary. And he sensed your reluctance. So you blurted the first thing that gnawed at your mind.

“You said you could have any other women out there—”

"No, really—" he started to panic, and it was blatantly too, which surprised you. "I'm sorry. I'm so sorry. Us. I don't regret anything. I’m not breaking up with you. Being with you is the happiest I've been ever since Suguru left."

“That's...” you blinked, before letting out a small sigh. “Okay. Fine then. Let's just put it behind us for now.”

“I—” he almost wheezed, his bright blue eyes were overtaken with sheer urgency to explain how wrong everything had been that night. “You must know that I didn’t mean any of it. And that I hate hurting you the way I did. I won’t—”

"Satoru, I understand," you let out another sigh, fidgeting with your fingers. "Sometimes when I’m reminded of Haibara, I also get sad. I don't want to presume but I think I know how you feel. Just next time, maybe," you shifted your gaze on him, seeing how you had his attention fully. Gojo Satoru, the strongest now, was looking at you as if you had his fate in your hands. "Just tell me if you need space and I would have understood."

"Yeah, okay, sure," he responded immediately, relieved, before a lopsided grin appeared on his face, turning him back into your dork slash boyfriend. "So, am I forgiven now?"

"A thank you would be nice."

In the end, he chuckled, seemingly resigned. "You should sleep more."

He positioned himself into bed next to you, and you let him pull you into his chest again. You could feel how his taut back started to relax upon the contact. He pressed his lips on your forehead in a fleeting kiss.

"Promise me you won't pull that stunt again.”

You smirked. "I can't. What if Ichiji—"

"Then just let him die."

You swatted his arm playfully, pressing your head to his chest as he continued to run his fingers on your hair. He cushioned you carefully, and you felt the tension in him slowly melt away with each breath you took. In your mind, you figured he needed this closeness more than you did, if anything, for the sake of his sanity.

“I love you,” he whispered by your ear, kissing it lightly.

“Mmhm.”

As you felt Satoru's calming presence, it helped ease you into slumber. You soon found yourself in a deep sleep, comfortably held in his embrace.

Epilogue

Ichiji gulped as Satoru stared him down, sizing him up as if he was the most despicable creature on this planet.

Okay, he might be. He was a coward, all he could do was trembling in the face of evil. But he had come in peace, even bringing fruits as an offering! He felt bad too that he was the partial cause for you to be this injured.

He was used to Satoru terrorizing him—calling him names, slapping him, and whatnot—and he could take it. Just this time, he really looked like he could murder him on the spot if he wanted to. A small part of Ichiji mourned that you were his girlfriend, because that pretty much sealed his fate that Gojo Satoru could indeed murder him on the spot because he had a valid enough reason to.

"You are—"

"No! I'm sorry, Gojo-san! I'm sorry for my incompetence!"

"Hah?"

If he was mildly irked before, now Satoru was visibly irritated.

"You're not cut out to be a jujutsu sorcerer," he started. "You're useless. You just get in the way most of the time."

Ichiji kept his head down. No, no. He can't cry!

"Get your driving license or I'll slap the shit out of you."

"Oh?" and before he knew it, Satoru had stalked away, leaving him in the dust. How rude! But...

Get a driver license? Quit the jujutsu work?

Hey, that sounds like something I can do!

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glitteryinknotes · 6 months

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There is a level of deep, bitterly poetic and cruel irony in Astarion's death and his eventual fate as a vampire spawn. Laughable, even. Lamentable.

Where do I even begin. I once posted here my thoughts on who Astarion was before Cazador took him; and all my thoughts were based on what we can assume to be canon from scraps on information in - game and interviews with Neil. That Astarion Ancunin who was laid into the ground at Baldur's Gate cementary was a corrupt magistrate, a shining example of power abuse, indulgence, hedony, existence in privilege without any service to the world around.

We also know for a fact that Astarion is not a good person in a moral sense. Again, Neil Newbon himself talked about it. He has capability to grow, mature, open himself up, soak in the positive influence and feel for others, but he never will be the default upstanding type. That is simply not at his core.

This is why (I am aware we're talking a fictional character, headcanon is free to all in whichever way they think it suits and pleases them) I cannot for the world believe in all the fanfiction based on the notion of the tragic, tortured soul unjustly attacked and turned into a vampire, because to me - it misses the entire depth and essence of Astarion's personality and arc. He was not a "worthy" persona before Cazador; in fact, the beating he got from the Gur was well - deserved and the near - death experience... Probably so as well. Maybe if anything, this would open his eyes and force him to reflect at least a bit on his choices in the position he was occupying. (But given that he mentions begging Cazador to turn him to be able to take revenge, I highly doubt that.) So yeah... The man got what was coming to him. He deserved it.

But what he got in the end once Cazador allowed him to drink his blood and had him in his hold? Two hundred years of misery and abuse beyond description, being completely stripped of any identity and personhood? No one deserves that. Such fate should not be thrust upon anyone. Ever.

It is the cruellest, most wicked twist of fate that it took that kind of ordeal to change a corrupt little elf's view of the world and force him to even acknowledge the existence of evil deeds and abuse of power - something I am quite sure he never gave any thought to before. It took being transformed into an utterly helpless victim to make him truly see that there is good and bad and perpetuating the bad leads to pain and misery for the innocents (and you can never be sure if not for you as well), and only then, at his most pathetic, most vulnerable, after centuries of torment, it took meeting, trusting, admiring, being grateful to, befriending / loving and being influenced by a genuinely good and kind person (probably the exact opposite of who he was before) to shake and cause some shift in his inner moral compass, or rather the way he was choosing to use it. The full circle, a poignant, unwilling journey from the one abusing power, to the enslaved puppet of someone with considerably more power abusing it in the most inhuman ways possible, and this time to his own woe, to the one person able to break the abusive cycle given the right influence.

Isn't that simply poetic in the most sickly sense? A tragicomedy, if you will.

Forget about Astarion Ancunin. The grave was good for lovemaking and sharing an important moment, but whoever was laid there was not anyone worthy of your time (just like "Ascended Astarion" )The one who stands by your side now is. Your Astarion. The new Astarion, the same "lovable rogue" with a taste for theatrics, drama, debauchery, beauty, murder mayhem and loose morality, but - a better person all the same.

[follow up post here

https://www.tumblr.com/glitteryinknotes/733162725841289216/a-little-follow-up-to-my-previous-post?source=share]

#astarion #baldur's gate astarion #baldur's gate 3 #baldur's gate 3 astarion #baldurs gate astarion #bg3 astarion #astarion bg3 #bg3 #baldurs gate 3 #astarion analysis #astarion ancunin

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inbarfink · 3 months

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So one of the cool and interesting ways ‘Steven Universe’ used to try and balance being both a series of 11-minutes episodes that each have their own satisfying emotional resolution and being an overarching story with complicated character arcs that take multiple seasons to resolve is the… I’m going to call it the ‘Not Quite Right Lesson’ episodes. Episodes where a character kinda learns a Very Important Lesson… but a more careful and retrospective look at the situation shows that what they learned is not Quite the Right Thing for them. They internalized something in that adventure which just ended up causing more Emotional Troubles for themselves farther down the line.

‘The Test’ is the most classic example.

As a standalone thing, it’s just a sweet episode about Steven learning to accept that his caretakers are also flawed and confused and figuring this shit up as they’re going along just like he is, and then doing a nice thing for their sake.

But looking back at this episode, it is quite obviously the nadir of Steven appointing himself as the Family Therapist and repressing all of his problems so he could better help the Gems’ with theirs. Like, there have been some early warning signs for this Complex, but this episode is the one that really cemented that idea in his mind and probably the reason it took him like the Entire Rest of the Show Including a Post-Finale Season to really untangle it.

But… also, I’ve been thinking a lot about the episode right after that, ‘Future Vision’. I think it’s also a very important ‘Not Quite Right Lesson Episode’ for the character of Garnet, and to some extent, the Crystal Gems as a whole. In many ways, it is to the CGs' character arcs' what 'the Test' is to Steven's.

So in this episode, Garnet reveals to Steven the fact that she has Future Vision. She hoped that telling Steven a little bit more about herself and being honest with him will lead to a greater understanding and a greater bond between them… but it backfired. It just led Steven to become a total paranoid, terrified wreck stuck in a total existential crisis.

And it seems like the lesson Garnet learned is that… she should’ve never taken that risk at all. That it would’ve been better for everyone if she just kept Steven ignorant of the truth forever.

Extremely reinforced with the ending of the episode, where Garnet chooses to once again hide an uncomfortable truth (that he just came very close to dying again) from Steven, for the sake of his own ‘peace of mind’.

So, like, the Gems were already hiding uncomfortable truths from Steven since day one. “If you could only know what we really are” and all of that. But I think… With the actual truth of Homeworld encroaching on them more and more at this point of the story arc, this would’ve been a great time for the Gems to reconsider their attitude and actually Explain to Steven What the Hell is Going On.

But instead, I think Garnet saw the events of ‘Future Vision’ as a reinforcement of the idea that there’s just some things Steven is Better Off Not Knowing. Actually being frank with him about Homeworld and the Diamonds and the War right there and then, that would have just overwhelmed Steven with fears and worries and would’ve ended up doing nothing but hurting him. And Garnet can’t accept that possibility, not again.

And so, Garnet, alongside Amethyst and Pearl, keep all these truths from Steven as long as possible. Only revealing bits of information when they have to. For Amethyst it’s about her emotionally-evasive attitude (also, she legit doesn’t know all of that stuff herself). For Pearl it’s about how she learned to romanticize Rose’s own fucked-up obsession with secrets. For Garnet, with her usually very direct attitude and preference for the most straightforward solutions, I think it’s very much the events of ‘Future Vision’ that were still playing in her head every time she had the choice to actually Explain something to Steven and decided not to.

But that, indeed, was Not Quite the Right Lesson. While being bluntly and directly told by Garnet all about the Many Ways He Could Die caused Steven to go into an anxiety spiral and an existential crisis for an episode - the way the Gems have been consistently secretive and evasive with Steven ended up causing him so much more emotional grief to him in the long run. As all of these secrets ended up revealed to him in the most surprising, dramatic and traumatizing way possible.

And the secretive attitudes ended up driving a wedge between Steven and the Gems.

Even after they promised to be more honest with him. Because the sight of Steven crying on the roof that day is one that Garnet can easily move away from. Because Garnet’s Not Quite Right Lesson was almost as difficult for her to unlearn as Steven’s own.

But after the big confrontation at the start of the Zoo Arc, Garnet ended up being the most upfront about the Crystal Gems’ history. Almost overeager to share what she knows about the past.

I mean also, again, Amethyst just has less to tell and Pearl is hiding secrets for reasons beyond her control - but I think it’s also important to consider from the perspective of Garnet’s arc.

Because the fallout of the Pink Diamond Reveal is very much centered around Garnet (or, well, Ruby and Sapphire). That was the Truth that was hidden from her 'for her own good'. And at the end of the day, despite all the grief that unveiling that truth has caused

It has also brought them, all of them, a lot closer.

There's a reason why 'the Truth' is Garnet's Final Missing Piece in the movie. It is as central to her character arc in the series as Lesbian AngstTM grief over lost love is to Pearl.

And still, some remnants of the Trauma of 'Future Vision' remained...

After all, even the very last episode of 'Future' was centered around the Gems once again trying to hide things from Steven (at that case, their turmoil about him leaving) for his own sake

Even though it once again just caused Steven a whole lot of grief.

It's maybe notable that at the end of this episode, Garnet, once again, tells Steven what's waiting for him in his Future...

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burst-of-iridescent · 3 months

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What would change in the Zutara ship/dynamic and/or Zuko and Katara individually if Zuko didn't betray Katara in Ba Sing Se and immediately chose her?

i think most canon divergent zutara fanfictions get it right: they'd probably become close friends in no time, and develop a dynamic similar to what they have in the ember island players. but there's a reason this scenario is best left to fanon - as fun as it would be to see more zutara bonding in the first half of book three, there's always something lost for something gained, and in this case it would likely come at the cost of the depth and intimacy they developed in canon through the WAT and TSR arcs.

it is vitally important to their relationship development that katara gets to be deeply, righteously angry at zuko, and particularly that she goes on her field trip to find yon rha while they're still not on friendly terms. not only does her anger bar her from instinctually falling into a caretaking role with zuko as she does with most of the gaang at one point or another, allowing her to be cared for rather than being the carer, it also frees her from feeling like she needs to fit into any perceived image he might have of her. katara makes it clear to zuko that she owes him nothing - least of all her friendship, and everything that entails.

and it is this very lack of obligation that gives katara the freedom to be wholly and entirely herself. people always point to how katara behaves "uncharacteristically" in the southern raiders to prove that zuko is a bad influence, but the truth is that the way she acts in tsr is an inherent part of who she is. katara can be cold, furious and vengeful just as she can be warm, compassionate and friendly, and the fact that she can freely show both sides to zuko isn't because he's pushing her to be someone she's not, but because she has no need to live up to an idealised version of herself.

this would likely still apply to a degree in a no-betrayal au (tsr would happen in any version of book 3, just because it's so significant to katara's arc), but i find it probable that katara might be more hesitant about bringing zuko along, or less willing to bloodbend before him so readily. katara has to witness zuko's lowest point before she allows him to see hers. she has to take her dark-night-of-the-soul journey with someone she knows has neither the right nor the willingness to condemn her choices, in order to be able to focus entirely on herself and what she needs. very telling that she doesn't ask aang, her future husband, to go with her for support.

it's because zuko allows himself to be a whetstone for the blade of her fury, because he cares enough to find out why, because he tries to help when she's given him no reason to do so, because he stands shoulder-to-shoulder with her at her darkest, most conflicted hour without forcing her to bear the burden of caring what he thinks or feels about it, that katara is able to forgive and befriend him. it is because they see each other at their highest and lowest moments that they're able to have the deepest and most intimate relationship of anyone in the gaang. and none of that would've happened without the betrayal in ba sing se.

after all, love is brightest in the dark.

#zutara #zutara asks #zutara meta

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antianakin · 11 months

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It's probably been around a while and I just haven't encountered it before now, but the "yes everyone would have murdered a village down to the last child in that situation" take is a new one for me! Like would I have been justifiably upset in that situation? Yes. But what would I have done in that moment myself? Probably run. Granted I am not a person with a ton of unfathomable powers and a weapon I have spent a decade training to use that can cut through literally everything, but still. The argument that "well yeah EVERYONE would've done exactly what Anakin did" kinda falls apart when you think about it for two seconds because wow is that not what I would do when faced with being alone in the middle of an entire community of people who just captured and tortured my innocent mother for several weeks.

But it's also VERY hard to argue that this is even how everyone would react to this situation in Star Wars.

They literally have an entire arc where they explicitly have Obi-Wan's old nemesis who killed Obi-Wan's Master come to attack the home planet of someone he loves, captures her, and then murders her right in front of Obi-Wan with Obi-Wan helpless to save her. He then goads Obi-Wan into reacting in anger and Obi-Wan's reaction is to refuse to engage. He very explicitly refuses to even attack Maul because he knows he'd be reacting in anger and he's literally seen exactly where that leads before and overcome it. So when Obi-Wan IS put in an extremely similar situation, he chooses not to just go out and attack everybody as a result. He doesn't give in to his anger and fly to Dathomir to go kill every single Nightbrother on the planet as a form of justice for Satine, which is what this person is arguing is how literally anybody would react when placed in that situation.

Reva Sevander has every reason to despise Anakin, more reason than Anakin had to despise the Tuskens. And yet when she goes after Luke to try to kill him after she fails to kill Anakin, that becomes a line she can't cross. More accurately, it's a line Reva CHOOSES not to cross. So when put in that situation with all the same anger and grief as Anakin had with the opportunity to get her vengeance by killing an innocent child, Reva makes the active choice not to do what Anakin did. So while the impulse obviously was still there with Reva, she was fully capable of choosing not to go through with it. And Reva's been soaking in Darkness since she was about 8-10 years old, getting tortured and broken as an Inquisitor, surrounded by the corpses of her people, with zero support of any kind that she can turn to for comfort or guidance. Anakin had spent the last 10 years in a warm loving environment with people who cared for him and still had most of those people available to him to support him in this time of grief. And yet when faced with the same choice, Reva chose to pull back and let Luke live, but Anakin just kept going and massacred an entire village. It's a CHOICE, not an uncontrollable urge.

You know the only other person I can think up off the top of my head who DOES canonically have a similar reaction to Anakin's?

Aleksander Kallus.

Kallus explicitly states that he leads a genocide against the Lasat as vengeance for ONE Lasat killing a unit of Imperial soldiers in self defense. An entire species is nearly wiped out of existence because Kallus decided to let his anger control him.

But there are NUMEROUS other characters in Star Wars who we see lose people they love and proceed to not go on a murder spree against innocent people and children as a result. And the ones that do are pretty explicitly villains whose actions when in those situations are used to showcase just how villainous they are. Which indicates that it's NOT a normal reaction because otherwise it wouldn't really mean anything as a villain identifier. If it's something just about anyone would've done, it's probably not that villainous. The point of it NEEDS to be that most people WOULDN'T do that, even in justified anger.

#star wars #tuskens #reva sevander #obi-wan kenobi #anti anakin #anti anakin skywalker #anakin critical #anakin skywalker critical #kallus critical #aleksander kallus critical #anti kallus #anti aleksander kallus

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fuckyeahisawthat · 8 months

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on switching places

So I’m sure you have noticed that during the whole end of episode 6 there is this beautiful bright light coming in the bookshop windows. From the east. Because it’s morning.

(Even if we didn’t know what time of day it was, we know what direction the light is coming from, because these windows are right above Aziraphale’s desk, which faces east.)

And after Crowley leaves the bookshop, he goes across the street, and Aziraphale keeps glancing toward the door and window, looking over at Crowley, hoping he’ll come back. (He always comes back.) The blocking in the scene with the Metatron, the one where Aziraphale almost decides to stay, is set up so that he’s looking the wrong way, toward the windows on his right instead of to his left, where Crowley should be. (And, when he seems closest to saying no, he steps back, right to the edge of that beam of light that almost seems like it’s from Crowley.) And we know that their blocking stays reversed (Crowley screen left, Aziraphale screen right) for the rest of the episode.

But also, Aziraphale is looking east. To what is normally his position, as guardian of the eastern gate.

Which got me thinking. What if they have switched places? Not literally in a bodyswap sense, but metaphorically in terms of their relationship to humanity.

They’re the serpent and the sword, right? Those Biblical symbols are already subverted in the story of Good Omens. The sword is something given to humans for their protection, not something meant to be used against them, to keep them out of paradise. (And in the world of Good Omens, leaving Eden looks a whole lot like escaping.) And the apple is framed as a positive symbol too. It’s knowledge, questions asked and answered, the ability to make your own choices. It’s freedom.

So what if they’ve switched roles, and by the end of season 2 Crowley has taken up Aziraphale’s position as the protector of humanity (as we saw him do with individual humans many times this season). We all know Crowley won’t actually be able to abandon humanity and the Earth when the chips are down. I think it’s highly likely that some part of season 3 will feature Crowley on the side of humanity against Heaven, probably in what he considers at that point to be a suicide mission, but he can’t just walk away.

And then what if, in season 3, we see Aziraphale take up whatever the equivalent of Crowley’s position would be in that plotline, as the character who grants freedom and choice to humanity in some way. (By freeing Earth from Heaven and Hell’s power? By figuring out how to give humans the choice to interact with angels and demons only if they want to? I don’t know exactly how this would play out, but it’s a fascinating idea to poke at.)

Of course I think they will ultimately end up working together and whatever happens will require their combined power, but I think it would be amazing if we saw this kind of role reversal. And it would fit with their character arcs: Crowley being the one who is ready to stand and fight even when it looks hopeless, and Aziraphale being the one who gives humanity the power to question, challenge and disobey Heaven.

Protection and freedom—those are their gifts to humanity. (The Bible might call it temptation, but there never was an apple that wasn’t worth the trouble you got into for eating it.) And it turns out that those are the exact same things Aziraphale and Crowley need for themselves. You can’t have one without the other. “Protection” without freedom is just control, and freedom without the ability to defend itself gets crushed by the forces that don’t want it to exist. And so their fates are tied to humanity, as they were from the beginning. And maybe humanity will be able to give them the same gifts in return.

#good omens #good omens s2 #aziraphale #crowley #the serpent and the sword #the bible is a revisionist history of the events of good omens #yeah time to bring that tag back around

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buzzkillchainsaw · 28 days

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If I were to write a WOF book arc - feat. Datura, Sidewinder, Pearl, Tetra & No-one (first draft)

Indulge me for a second. It's gonna be a long second (18 pages in Google docs), so please sit down comfortably and read this if you really have time to spare. Each "book" gets progressively longer. This is your last warning. Enjoy!

Book 1: Ice

Mandatory reading: X

The arc would start with Ice and her backstory, detailing how she grew up hidden away in the Icewing kingdom. How she lost her mother to a clueless Icewing guard and how she discovered and developed her animus powers with Icebreaker's, ahem, help. There would be moments shown between Ice and Icebreaker, as the Queen would sit down with the dragonet and personally train her, making her perform grueling tasks to the point of blood and tears. Afterwards, she would strangely switch up her behavior and act kind and loving so Ice would gravitate towards her again, now that Icebreaker was her only parental figure and source of comfort.

The prologue would end right at the moment where Ice’s glowing blue shackles snapped shut and sealed her magic away, only able to cast spells if the Queen allowed it. The main purpose of this part would be to establish Icebreaker's motives and present her as a threatening antagonist for the arc. It would also paint her as a horrible, irredeemable person (dragon?).

A little time jump later we see Ice still shackled, all alone in her room. Icebreaker and a few Icewings enter and Ice is ordered to give each enough magic to cast one spell. Ice complies, because she doesn’t have much of a choice anyways. The chains stop glowing as her magic is unsealed for just that specific spell. She touches each Icewing, but hesitates at the last one. He looks familiar somehow, but she can’t put her finger on it. His face doesn’t give it away either, he’s staring ahead blankly. She goes through with it and everyone leaves the room. Later, the door suddenly opens again and Ice is surprised to see someone who’s not Icebreaker - it’s the familiar Icewing from before! He introduces himself as Tern, Ice’s father. Ice doesn’t know what to feel. She doesn’t remember him at all because Icebreaker forbade him from seeing Mesa, Ice’s mother, once Ice showed signs of magic - mere weeks after hatching, Tern explains. The only reason he was even allowed to see Ice today to get magic was probably because Icebreaker was so caught up in her extraordinary war plans that she simply forgot about his involvement. He also explains how he even ended up marrying Mesa in the first place. How Icebreaker purposefully made the captive Mesa as miserable as possible and then “accidentally” introduced her to Tern (who was kind and meek and disgustingly weak by Icewing standards, which made him Icebreaker’s least liked son). Tern of course felt bad for Mesa and tried to cheer her up in any way he could - netting Icebreaker’s approval. And so, they started talking, spending time with each other and one thing led to another. Ice is taken aback and disgusted by this story. Knowing that her mere existence was just another one of Icebreaker’s manipulations horrified her, but even more horrifying was Ice’s and Tern’s involvement in her mother’s fate. If they never existed, maybe Mesa would still be alive. Tern points out that Mesa left Ice behind during her escape, but Ice doesn’t want to hear it: Mesa had every right to run from this horrible situation. Tern understands her anger and asks what he can do to redeem himself. “Helping me escape would be a start”, Ice scoffs. Tern complies and uses his ice breath on the chain keeping her tethered to the wall, freezing the chain plate to a point where the metal shatters easily after he smashes it with a rock. However, the chains are still intact, still glowing blue and the spell isn't broken.

They flee together through the halls of the castle, alarmed guards right behind them. In a crucial moment, Tern turns back to distract the guards, allowing his daughter to narrowly escape the palace. Ice runs alone through an unbearably cold storm, her half Sandwing body barely holding itself together in the extreme temperatures. She tries flying, but the winds are too strong and her muscles are too weak from all these years she was stuck in the palace. Her arms are weighed down by the glowing blue chains dragging between her legs as she walks, a constant reminder of what Icebreaker took from her. An Icewing patrol flies above to search for her, so Ice dives into soft snow and lets the storm bury her until she can no longer hear the wing flaps of the soldiers. Only a miracle (or perhaps her Icewing half) keeps her from losing limbs to frostbite. The stars shine above as she slowly reaches a warmer climate. The snow beneath her aching feet turns to rocks, then to sand. In the dead of night, Ice reaches the Sandwing kingdom. Standing on top of a dune, the silhouette of her mother.

Book 2: Datura

Mandatory reading: 1 , 2

The next book would start with Datura's backstory and showcase her relationship with her sister. After Queen Taipan's poisoning, Sidewinder would assume the role as replacement Queen until Taipan "was back to normal". Tensions arise in the Sandwing kingdom over this decision, especially with the threat of Icebreaker's seemingly unstoppable magic army looming over them. Sidewinder and Datura argue, which results in Datura being banished from the Sandwing kingdom. She is thrown out by reluctant guards with only her glasses to protect her from the sun.

She stays in the castle's shadow until the evening, enduring her sister's taunts from above. Sidewinder even throws a piece of Datura's veil from the balcony, hoping to watch her scramble to pick it up and put it on. Datura doesn't move. As the hours pass, Sidewinder begins to regret her decision. She realizes that she has no allies left, everyone in the castle doubts her and even thinks that she poisoned Taipan to get the crown. But just as she's about to look for Datura, she finds that her sister has disappeared along with the setting sun.

In the night, Datura would run into a strange Icewing with familiar black eyes and glowing shackles. After an awkward moment of being mistaken for the Icewing's mother, Datura listens to her story and finds out that Ice is trying to find a way to get rid of the shackles to stop Icebreaker, which makes the Sandwing perk up. She asks Ice to relay exactly what she said when she cast the spell.

"I enchant these unbreakable shackles to prevent any dragon wearing them from casting any spell, unless the Queen allows it."

Datura points out that Ice didn't specify Queen Icebreaker, so theoretically any Queen should be able to give permission. She then, reluctantly, tells Ice about her own situation and agrees to ask Sidewinder, the current "replacement Queen" to try and allow Ice to cast spells. In return, Ice would use her animus powers to heal Taipan. It’s a good plan. They travel to the Sandwing stronghold and Datura infiltrates it, leaving a note for Sidewinder asking her to meet up in one of their secret childhood playing spots. Sidewinder, overjoyed that her sister has returned, immediately leaves to find her. But as soon as Ice and the plan to free her is revealed, Sidewinder feels betrayed and accuses Datura of having become a spy for the Icewings. Giving Ice her magic back would only make the Icewings even stronger, after all. Datura and Ice try to clear up the misunderstanding, but Sidewinder sounds the alarm and the two of them flee.

Ice and Datura conclude that their plan needs some work, as they can't just waltz up to a random Queen and ask her to reactivate an enemy kingdom's magic soldier maker. Maybe an even stronger animus than Ice could just override her spell with their magic and free her? Datura remembers reading about powerful Seawing animus dragons and suggests asking around in the Seawing kingdom for help. Ice thinks that it wouldn't work and wants to try asking other Queens first, really fixated on Datura's interpretation of the spell. Maybe the Rainwings were more laid back and wouldn't care about the possible implications of freeing Ice (and, let's be honest, they'd be too stupid to comprehend the consequences anyway). Datura retorts that they have no idea if asking "a Queen" would even work and not be a huge waste of time again (like the fiasco with Sidewinder, which she blames herself for). And time is the last thing they can waste right now, with Icebreaker's army on the horizon. Ice is convinced, but at least wants to try the Rainwings before throwing in the towel. They begin to journey eastwards.

In a quiet moment, Datura asks Ice what magic feels like and if the rumors about losing your soul are true. Ice doesn't know, she doesn't feel that much different than before. Before Icebreaker and her experiments. Obviously she's terrified of turning into a soulless monster. But she also points out that it was Icebreaker who seemed more and more unhinged with each enchantment she forced Ice to do, as if the damage fell upon her soul, not Ice's. But who knows, really. All that matters now is that Ice gets her magic back and stops Icebreaker before it's too late. Too late for whom? She doesn't elaborate.

Book 3: Pearl

Mandatory reading: 1 , 2 , 3 , 4

The third book would start with Pearl's backstory, her meeting with Tetra and her eventual escape from Lamprey. Her and Tetra want to see the world together, but also find a way to cure Tetra's wing. They swim together until they reach a river that spills into the sea. This would be the only chance for Pearl to see the surface world while staying in the water. Tetra helps Pearl, who isn't a strong swimmer, to swim upstream until they reach a calmer part of the river. It's very difficult, but they manage to do it. Tetra remarks that she could just construct a harness out of grass and vines and fly, pulling Pearl along with her in the water. However, her wing is still badly injured. The two dragonets take a break, frustrated and tired. If only there was an easy fix to this situation ... Tetra suddenly remembers her father telling her a bedtime story about magic dragons called "animi" and suggests finding one to cure her wing. In the same breath, she excitedly says "and maybe they could cure you too, Pearl!" Pearl is taken aback by this, as she hasn't really considered herself in need of "curing". Sure, her inability to breathe air on land has made their journey difficult, but this is the way she was born. Should she really change such an integral part of herself with magic? Still, she nods in feigned excitement. She figures that she could still have time to think and maybe say no if they actually met one of those magic dragons. If.

The two kids continue making their way upstream, dealing with lots of difficulties, but always finding a way to make it work together. Suddenly, they run into two strange dragons. The dragons introduce themselves as Ice and Datura and tell the two kids that they're on the lookout for an animus and a Queen. Tetra excitedly proclaims that her and Pearl need an animus too and Ice reveals that she is one, but currently cannot cast spells until a "Queen" allows her to. Pearl, who cannot speak or understand "air-breather" language, is slightly put off by everyone talking over her and while she has no idea what's going on. Tetra tries her best to translate, but as soon as she flashes the words "They're looking for a Queen" in aquatic, Pearl feels terror and fear course through her body, visions of Lamprey and the cult swirling in her mind. The other dragons notice her trembling, and Datura tries approaching her to calm her down, but without Tetra's translation Pearl assumes that this huge terrifying dragon is trying to capture her. The misunderstanding gets resolved thanks to Tetra's quick thinking - speaking "air-breather" language to Datura and aquatic to Pearl at the same time to explain the situation.

Pearl agrees to try to free Ice, but doesn't tell Tetra about her doubts with the whole "curing Pearl" part. The group gathers and Pearl formally and regally tells Ice that she is allowed to cast spells - in aquatic. Nothing happens. Tetra translates her words into "air-breather" language, but it still doesn't work. The chains remain as they were, Ice is still sealed. Ice is distraught, because this is yet another "Queen" that "didn't work". As soon as Tetra (hesitantly) translates this, Pearl is overcome by anger. What was her stupid role as a "Queen" even for, if it couldn't even help one single dragon? She tells Tetra in aquatic to say the words again in "air-breather", and the little blue dragon complies. Pearl, with all her might, sticks her head far out of the water, breathes in the air and tries to replicate the sounds. However, all that comes out is painful gurgling and choking. Ice, realizing that this poor little dragonet was hurting herself because of Ice's outburst, leaps forward and splashes Pearl with a wave of water, knocking her over and causing her to slip back underwater. Pearl isn't too pleased, but remembers how Tetra had done the same that night on the beach and concludes that Ice just wanted to help. But Pearl also just wanted to help. She feels awful every time she sees Tetra wince and grimace after the slightest movement of her broken wing. She asks what she should do now. The other three dragons are quiet, thinking. Datura perks up and asks the two dragonets if they could look for an animus dragon in the Seawing kingdom, perhaps in the royal court, while her and Ice would look for the Rainwing Queen. Pearl is unsure about going back into the same ocean she just fled from. But she also knows that the entire continent is at stake. After all, from what she heard about Icebreaker, that Icewing was probably planning to freeze the oceans with magic in her pursuit of the “perfect ice kingdom”. And then, Pearl and Tetra would have nowhere to run anyways. Pearl agrees, and Tetra agrees too. Datura continues with her plan: No matter if successful or not, the two parties would meet up again during the upcoming full moon in a safe harbor between the Seawing and Rainwing kingdom. The group agrees and prepares to go to sleep and leave early tomorrow. Pearl finds a calm pocket of water in the river with not too much flow and falls asleep, dreaming of her mother.

Book 4: Tetra

The next book would be in Tetra's point of view as she sits around a small fire with Datura and Ice, on that very same evening. Tetra asks Ice what an animus is actually capable of and if one could even cure Pearl's condition and make her breathe air on land just like all the other Seawings. Ice shrugs and says "Couldn't see why not", but Datura questions whether Pearl actually wants to be "cured" of the way she was born. After all, Datura has a similar problem of being burnt by the sun because of her skin, but she never thought about asking an animus for different skin. Tetra retorts that she wants her own wing to be cured so she can fly again, so why shouldn't Pearl wish to be able to breathe on land? Datura is unsure of what the right answer is, but tells her to ask Pearl before doing anything. Tetra reluctantly agrees, but is still sure that her view of the problem is correct. Or is she? Datura's words had put doubt into her mind.

In the morning, Tetra goes to find Pearl, who appears to be less enthusiastic about following through with the plan than she seemed yesterday. Pearl says that she thought about it and is worried that going to the royal court might be dangerous, because her existence alone would probably be treason in the actual Seawing Queen's eyes. Tetra hurriedly looks for a reason to bring Pearl along anyway and says nobody has to know about Pearl's identity, she can just use another name while they're there. Besides, the Seawings and their Queen wouldn't listen to just one dragon's words, Pearl would be an additional witness and could confirm that Tetra was saying the truth. Even better, Tetra remarks, while they're there, they sleuth around for Pearl's mother. It will be fun! Pearl reluctantly agrees, convinced by Tetra's last argument but still worried about the potential dangers of entering Seawing territory. There is also a lingering fear of running into Lamprey again, but that would be impossible, wouldn't it?

They embark on their way to the Seawing kingdom. Pearl enjoys swimming more and more and feels herself becoming stronger. Tetra is excited for her, but feels weighed down by her doubts about the whole "curing" thing. She is about to finally break down and just ask Pearl directly, when the two kids are suddenly ambushed by a Seawing patrol who are looking for a dragonet that fits Pearl's description. When questioned why, they don't answer. The two kids try swimming away, but Tetra's hurt wing slows her down and Pearl turns around to wait for her, causing both to get captured. They try to deny that the patrol found who they were looking for, until one of the soldiers reveals that the dragonet in question cannot breathe air. One grabs a protesting Tetra while another snatches Pearl and quickly swims upward with her, leaping out of the water and letting her dangle in the air. Tetra watches helplessly while Pearl tries her best to pretend to breathe, but she starts choking quickly while calling for her mother in aquatic. Satisfied, the soldiers dump her back into the water and prepare to make their way back to the palace. Tetra tries to explain why they were here and why finding an animus was extremely important for everyone's safety, but the soldiers tell her to shut up and that a stupid kid has nothing to say worth listening to. Tetra realises that her assumption that anyone would hear them out was childish and not only put Pearl's life in danger, but the entire continent as well.

They arrive at the Seawing palace and are dragged before the Queen. The very same Queen that had sent Tetra's father to his death by drafting him into war. To both Tetra's and Pearl's surprise, a badly injured Lamprey is lounging in the throne room and the Queen asks him if "this" (pointing at Pearl), "is her". Lamprey says yes, with a proudly puffed out chest and malice radiating from his eyes. He is promptly taken away, while some other soldiers drag Pearl along with them. Tetra screams at them to not put Pearl into a cage and to not let Lamprey anywhere near her, but nobody acknowledges her. Finally, the Queen's eyes set on her. Queen Agate of the Seawings asks Tetra who she is, where she came from and what she is doing here with "that", nodding into the direction Pearl was taken away. Tetra answers truthfully, explaining every detail from the first time she met Pearl to the moment the soldiers caught them after they split up with Datura and Ice. The Queen's eyes shift, and she asks for clarification. Datura, the current Sandwing Queen's daughter? Really? Tetra realizes that she had said something of interest and elaborates, embellishing the actual deepness of her friendship with Datura a little. Yes, Datura was banished by Sidewinder, whom everyone considers to be unworthy anyway, so it doesn't really count. Besides, the goal was to get Ice to cure Taipan, and Taipan would surely take Datura's side after seeing the disaster Sidewinder's incompetence caused. And Datura would surely tell her mother about the cause and gain the entire Sandwing kingdom's support. The Queen nods and proclaims that she needs time to think and to send Tetra "somewhere safe" in the meantime. Tetra asks if she would see Pearl again, but again, no one acknowledges her.

She is locked into a barren room with not much inside, so she sits down in front of the door, peeping through the keyhole to try and catch something, anything of interest. Finally some soldiers pass by, and Tetra can briefly see one flashing "...and the traitor will be executed..." at the other in aquatic. She panics and throws herself against the door, claws at the walls and whirls around the room like a tornado – in vain. Tetra finally sits down and cries until the soldiers come back to get her.

She is taken before the Queen again, encountering a familiar sight: Pearl, on the one side of the throne, held down by guards. Lamprey, on the other side, with some guards behind him. The Queen in the middle, staring Tetra right in the eyes. She then turns to Lamprey and tells him to state his case, again.

"My name is Lamprey", he says, "and I have simply been misguided. I was told that this dragonet", he points to Pearl, "was actually the true heir to the throne, so I believed it. I am but a humble servant of the Seawing kingdom and I would hate to see it threatened by a traitor trying to get her grubby fingers all over the throne that rightfully belongs to yours truly, Queen Agate."

"He's lying!", Tetra flashes as brightly as she can, but only earns a sharp look from Queen Agate.

"And so, I watched as this false Queen accumulated a horde of poor, misguided souls and fed them lies about the kingdom. She preyed on the weak-minded, convincing them that staying in the ocean would be the best course of action, just so she could feel better about her unfortunate disability." Lamprey wipes away an invisible tear, underwater. "I only snapped out of her manipulation after she ordered her followers to attack me and I have been nothing but truthful with you ever since, your highness. I gave your soldiers the locations of each site of worship as well as the names of every dragon who participated in this farce. It is truly an unfortunate situation, my Queen, yet I will trust your judgement when it comes to that little traitor."

Silence. "I have made my decision", the Queen says. "Your are correct, Lamprey, the traitor must indeed be dealt with. " She looks at Pearl and flicks her tail, and before anyone can react, one of the Seawing guards raises a dagger and stabs Lamprey in the back. Surprised, he whips around with his mouth wide open, producing a cloud of blood. "You have mistaken my kindness for stupidity, Lamprey," the Queen continues, "You have been, for years, actively gathering an enemy faction seeking to depose me. Yet you seem to think that simply offering me the very same pawns you created would make me forgive and forget your crimes." Lamprey fights against the blade in his flesh and attempts to lunge towards the Queen, but is held back by her soldiers. The Queen comes closer and stares down at him. "I'm old, Lamprey, but not senile. And did you seriously think I wouldn't recognize Sixgill's daughter?" And with that, Lamprey is gone and his limp body is taken away. Pearl and Tetra, stricken by fear and confusion, stand there like statues.

The Queen turns to them and announces her decision: Tetra will to go to the meeting point and take Datura and Ice to Queen Agate, who would not only attempt to allow Ice to use her magic, but also gather the animus dragons in the royal court to break the spell if her word alone wouldn't suffice. Of course, Tetra's hurt wing would also be taken care of. In return, Datura must agree to take over leadership in the Sandwing kingdom, kill Sidewinder if she resists and then enter an alliance with the Seawing kingdom. With Ice freed, the two kingdoms would then lead a joint attack on Icebreaker's forces and amicably split the spoils of war between them. Ice must agree to take away the Icewings' magic and then make a magical swear to never cast magic against any Seawing. To ensure Tetra, Datura and Ice would follow this plan, Pearl would stay with the Seawing Queen until every condition of her pact was fulfilled. Besides, she wouldn't be much of use on the surface anyway. Tetra perks up, remembering her idea to cure Pearl, while Pearl seems to become smaller and smaller. The Queen gives Tetra one of her lavishly engraved and decorated armbands as proof of her goodwill, a huge thing that the small dragonet wears like a necklace. "And since you have personally witnessed what I do to those who betray me", the Queen finishes, "I trust that you will fulfill your end of the bargain swiftly and efficiently." Tetra nods, confused, excited, happy and scared at the same time. She is unsure whether she can trust Queen Agate after what she did to break apart her family, but right now, Pearl and the future of the entire continent is more important. Tetra is allowed to say goodbye to Pearl and promises her to come back soon and "fix everything". Pearl too gives her one of her armbands, this time it perfectly fits around Tetra's wrist. She is then escorted to the shore by Seawing soldiers.

Book 5: No-one

Mandatory reading: X

This book would start out with a very short flashback of No-one being tested with the candle and swapping places with the other hatchling, dooming them to death.

It would then jump forward in time to No-one, now appearing to be a Rainwing, hanging out at the edge of the Rainwing territory. He notices an Icewing wearing glowing shackles and a pale Sandwing accompanying her. Curious about the clearly animus-touched chains, he decides to follow them. He overhears them talking about needing to find the Rainwing Queen. Sensing an opportunity to grant some wishes, he decides to take off his earring to reveal himself as not only a Skywing, but also an animus. His instinct was right: Datura the Sandwing immediately asks him to try and break the spell on the chains with desperation in her voice. The Icewing on the other hand eyes him with distrust. No-one reveals the nature of his contract to grant a wish. Datura and Ice are taken aback, with Ice even saying how "evil" this was. Their loss, No-one says, he's not dependent on them. But they certainly are dependent on him. He asks why they wanted to visit the Rainwing Queen. Begrudgingly they tell him the rest of the story. He watches Datura closely whenever it's Ice's turn to explain and tries copying what she does: furrowing his brows at the bad parts, widening his eyes at the surprising parts and shaking his head whenever Datura does. As soon as they're done explaining, he offers to take them to the Queen in his Rainwing appearance and ask her to break Ice's spell. On one condition: once they realize that the whole ordeal was a waste of time because the spell simply won't be broken, they will make a wish with No-one. They agree, partly because of No-one's perceived confidence that he will be able to break the spell. In reality, he isn't sure at all how this will turn out. He just wants to hang around with Datura some more.

Appearing as a Rainwing, he guides the two dragons through the Rainwing kingdom, curiously watched by a few real Rainwings, but mostly ignored. Once they reach the Queen, Ice and Datura are shocked about the Rainwing custom of just letting anyone who wants to be Queen fulfill the role for a month. Still, they continue with No-one's plan. The current Queen, a spunky young Rainwing named Bloom, greets them (after they've waited in line long enough). No-one tells Bloom that Ice is an animus who will grant her a wish once her magic chains are gone. All Bloom needs to do is tell her that she's allowed to cast spells. Bloom is excited, but quickly finds that she can't decide on a wish: She wants a flower necklace that changes colors to match her scales, she wants an earring that will whisper to her where the best sun spots are, she also wants a magic satchel that will always contain the most delicious fruit whenever she reaches into it. One wish just wouldn't be enough! No-one, knowing Bloom's love for bets and games, tells her that Ice will grant all her wishes, but only on the condition that Bloom wins against Ice, Datura and No-one in a series of Rainwing games. If Bloom loses, she will only get one wish. In a sense, Bloom cannot lose at all, since she will get at least one wish granted in either outcome! Ice gets increasingly more agitated as No-one keeps deciding these things over her head. Bloom thinks for a moment, glances at Ice's chains and Datura's rigid looking Sandwing body and finally agrees. The games, clearly hand picked by Bloom to disadvantage Ice and Datura as much as possible, begin. They try to work together to win, but Ice's chains keep getting caught on every branch while climbing and Datura's wings are just too huge to beat Bloom in a gliding race through the dense rainforest. Only No-one, using his animus magic to cheat, narrowly secures the win. Ice and Datura notice, but decide to keep quiet. Bloom is disappointed but keeps up her end of the bargain, formally announcing that Ice is allowed to cast spells again. It doesn't work. Ice breaks down, unable to accept yet another failure. She screams that it obviously didn't work because Bloom isn't a real Queen since anyone can just become Rainwing Queen for a month. Three moons, why don't they try making a sloth Queen next? Or maybe a chewed-on mango? This angers Bloom and the other Rainwings. “And how come your system is the correct one?”, she naps back. “How is murdering your own family to become Queen any better, huh?” No-one tries to diffuse the situation but ultimately, the trio has to leave the kingdom.

On their way out, Ice tells No-one that she wants to make a wish with him to break the spell. Datura protests, pointing out that No-one will damage her already hurt soul even further, but Ice does not care and wants to go through with it again. Datura interjects again, saying that she will instead make a wish for No-one to heal her poisoned mother, Taipan. Taipan is, for all intents and purposes, a real Queen. No technicalities, no strange Rainwing customs, no nonsense. Ice objects, not wanting Datura to sell her soul for her. After all, Ice is too far gone anyways. Isn't it obvious? After her last outburst that would've gotten them killed if the Rainwings were just a little bit more like the other dragon tribes? Ice's soul is crumbling, so one more enchantment won't make much of a difference. Datura looks to No-one for support, but he has no idea what to say. But for some reason, he really wants Datura to think highly of him, so he agrees with her argument: They will first try Taipan and only then let No-one attempt to break the spell with Ice's appearance. But before any of that, Datura remarks, they need to meet with Tetra and Pearl in their agreed meeting spot. Maybe the two Seawings have found a better solution?

That night, they seek refuge in a small cave. As Datura is fast asleep, Ice approaches No-one and tells him to break the spell right now, no matter the cost. No-one thinks about it. On the one talon, he wants Datura's approval, and Datura said no. On the other talon, he's always up for more appearances. For some reason, another one of his favorites recently disappeared. Besides, Datura doesn't need to know, right? They can just pretend that the magic on the chains...wore off, right? Or maybe Icebreaker had choked to death on a seal bone, and that broke the spell overnight? No-one follows through with Ice's request, touches her with his earring and seals the deal. He then concentrates all his power on the chains, telling them to break, telling them to release the magic they contain, telling them to reverse Ice's spell. The chains continue to shine bright blue, not reacting to anything. No-one is secretly offended that Ice's magic seems to be stronger than his own. Ice then asks him if he can try giving her “new” powers by “making her an animus”, but that doesn’t work as well. Somehow, the chains seem to prevent any magic entering or leaving Ice’s body. Ice seems frustrated, but doesn't have another outburst like in the Rainwing kingdom. Instead, she just looks tired and defeated. Ice and No-one agree to not tell Datura about any of this, for their own reasons.

The next day, they travel towards the meeting spot. No-one asks Datura what it's like to live in the Sandwing kingdom, and to everyone's surprise switches his appearance to a Sandwing. Datura, instead of being impressed or maybe even slightly more interested in No-one, accusingly asks who this is. No-one, realizing he did something bad, switches back to one of his Rainwings and explains that the Sandwing was some random bandit he stumbled upon, a really bad guy who wished for a lot of treasure because he was just so greedy. Datura, more or less convinced, drops the topic. As soon as they reach the meeting spot, they bump into Tetra just as she emerges from the ocean, not with Pearl, but with a group of Seawing soldiers. Ice, Datura and No-one are wary at first, but then Tetra explains the situation. The Seawing soldiers stay back to let them speak in private and Tetra presents the Queen's armband. Datura is worried about Pearl while Ice is angry about yet another decision that was made over her head. "So the Seawing Queen offers to release my magic, just for me to seal myself away again?" Tetra points out that she just needs to promise not to hurt any Seawings, which should be reasonable, but is interrupted by Ice who tells her that she's just a kid who doesn't understand the bigger picture. As the situation tenses up, Ice apologizes and explains how they just suffered another failure with Queen Bloom (leaving out Ice's wish with No-one) and that she's terrified of not being able to stop Icebreaker in time. Tetra seems understanding and assures her that everything will be fine with Queen Agate at their side, leaving out her own reluctance about the whole situation - her father is still on her mind. Maybe she just wants to convince herself.

Datura thinks loudly about how an alliance with the Seawings could help when it comes down to numbers. Icebreaker's army may not be big, but their magic would probably make each Icewing as dangerous as ten Sandwings. Ice agrees, painfully aware of what spells are circulating in the army, having tested most of them herself. There's also the question of Pearl: What will Queen Agate do with her if they don't agree to her conditions? After some more talking, Datura calls over the Seawings and asks them to relay a message to Queen Agate: Datura agrees to join forces with the Seawings, but urgently needs to travel back home to her sick mother first and cannot wait for a meeting with Agate. Ice will accompany her for her own safety and later meet Agate and her soldiers at the same river that Pearl and Tetra used to travel into the continent. There, the Sandwings and the Seawings will form a stand against Icebreaker's army. She leaves out their plan to heal Taipan to try and break the spell without Agate's help. And the Rainwing? Oh, that's just our forest guide. We bribed him with mangoes. He has nothing to do with this. The Seawings agree and leave to pass on the message.

Datura, Ice, No-one and Tetra are left to figure out their next steps. Tetra asks No-one to heal her wing so she wouldn't be a burden to them, and he does under Datura's and Ice's watchful eyes. She then asks if he can somehow show her how Pearl is doing, and he enchants a puddle to do exactly that, still using Tetra's appearance. Pearl seems fine, but she's surrounded by unfamiliar dragons. Tetra then tells him about her plan to heal Pearl from whatever affliction is keeping her from breathing air. Datura raises her concerns again, but is ignored by the overexcited little Seawing. Tetra raises her arm, showing No-one Pearl's armband and asks him if he can enchant it to make Pearl breathe air. He obliges, still appearing as Tetra. As for her final wish, she asks him to magically transport the armband onto Pearl's arm. He does. Looking into the puddle, they see the armband appear on Pearl, and as soon as it does, Pearl's eyes widen, her gills flutter, her little hands shoot up to her throat, bubbles gushing out of her nose and mouth. "What's wrong?", Tetra screams, realizing too late that No-one's spell was literal. No-one panics, bringing back the bracelet onto Tetra's arm. Pearl calms down, seemingly breathing normally again. No-one removes the enchantment from the puddle and reaches for Tetra's armband to do the same, but she backs away from his grasp. "I want to keep it", she says. "You do? After almost killing her with it?", Ice asks. "I want her to have the choice.", Tetra retorts and ends the discussion, not acknowledging that she has already taken that choice away from Pearl.

The group then sits down to figure out a way to get into the Sandwing kingdom, get past Sidewinder and heal Taipan. Tetra, feeling that she has to prove herself after her latest screw-up, offers an idea.

Book 6: Sidewinder

The last book would be from Sidewinder's perspective. A full scale war is about to break out before her doorstep and she hasn't slept properly in weeks. She tries to avoid her fellow Sandwings, because every time one runs into her, she gets barraged with more problems. The soldiers are running out of rations. The scouts still aren't back. The weapon shipment is late. Sidewinder has no idea what to do about that. About any of this. This isn't what she imagined it would be like, to finally be in charge with Datura and her mother out of the picture. Advisors pop up here and there, but their advice boils down to "step down and let an actual adult handle this" sooner or later. Her aunt Hognose, Taipan's younger sister, even insinuates that she's about to challenge Sidewinder (and Taipan, indirectly) for the throne. Taipan would have her head for this, if she knew. But Taipan isn't here right now.

Devastating news hits: a troop of Sandwings Sidewinder sent to patrol the border to the Icewing territory had been wiped out by a mere handful of Icewings. Only one survivor managed to crawl back and relay the horrors: when the Icewings attacked, they brought storm clouds and snow with them, their spears finding their way into Sandwing hearts, their scales effortlessly deflecting poisonous tail barbs as if made of diamond. "They were showing off", the survivor coughs weakly, "They didn't even use their ice breath."

Before Sidewinder can even react, more news hits: Her sister Datura was seen entering the Sandwing territory from the other side and immediately captured. Sidewinder perks up. Datura is back! Datura was smart when it came to things like this. Datura always did her history homework and sometimes stayed up late reading battle reports in the library. Datura will know what to do. Sidewinder orders her soldiers to bring Datura to the stronghold immediately and runs outside to greet her. It's a strange sight: the soldiers are dragging her limp sister forward like she weighs nothing and she doesn't even protest. She's wearing a strange golden armband Sidewinder has never seen before and she's missing her glasses and her veil. Sidewinder almost feels sorry for her and is about to bend down for a hug, until she remembers how their last meeting ended. Betrayal. "How dare you leave me like this!", Sidewinder hisses, but Datura barely acknowledges her. "How dare you leave your kingdom! Do you know how many soldiers we already lost? Do you know how hard it was to keep everything together on my own? And you just left me here to go play with your friend- wait, where is she? Where's that creepy Icewing with the chains?" Datura still doesn't answer. "Answer me, before I drive my stinger into your skull!", Sidewinder screams. Only then does Datura look up and say, with a voice that is not her own, "Wow. You really are a terrible sister."

While Sidewinder is distracted, Ice, Datura, and No-one disguised as a Sandwing sneak into the stronghold to heal Taipan. No-one assumes Datura's form to fulfill her wish and casts a spell on her mother. It seems like it doesn't work at first, but then Taipan opens her eyes. Datura seizes the moment right before her mother freaks out and explains the situation. Taipan, too weak to be angry about any of this, agrees to try and free Ice under a similar condition as Queen Agate's: Ice must make a magic oath to never use her magic against Sandwings (or Seawings) again. Ice retorts that she will take the oath in front of Taipan and Agate once they have defeated Icebreaker, which Taipan is fine with. She royally announces to Ice that she is now free to make spells, right as Sidewinder bursts in with guards. The chains don't react though, Ice's magic is still sealed. Silence falls over the room. Sidewinder stares at the two Daturas, unsure which one to scream at. The guards move forward to arrest the strange Icewing in their Queen's quarters, but are stopped by Taipan who reaffirms her authority as the ruler of the Sandwings. Sidewinder watches as the guards are dismissed, feeling her own authority slip away all the same. This is it. She's done. She's not needed anymore.

As her mother turns towards her, she anticipates a scolding for all the things Sidewinder screwed up during her "reign", if you could even call it that. Instead, Taipan thanks her and says that Sidewinder likely did the best she could do in such a situation. Bewildered, Sidewinder stares at her mother, ultimately unable to accept her affection. "Now that your favorite daughter is back, I'm clearly not needed anymore", she scoffs, "She's probably dying to tell you in great detail what a terrible leader I was, so keep your praises." With that, she storms out of the room. As she runs through the stronghold, she sees how quickly the news of the Queen's comeback has spread. Excited whispers in every corner, heads held up higher, brows furrowed and eyes shining with newfound confidence. Sidewinder feels sick. She leaps out onto a balcony, the very same one she taunted Datura from after banishing her. Sidewinder sits down to cry, but is interrupted by her sister.

She tries to antagonize Datura, but all that anger from before is gone, only sadness and exhaustion remain. The two sisters share a hug as Datura tells her that she missed her, despite everything. Sidewinder apologizes for banishing her, which Datura accepts. She tells Datura how she always felt sidelined while Taipan fussed over Datura due to her condition, as if Sidewinder didn't matter to her at all. Datura points out that whenever Taipan wasn’t fussing over her, she spent her time with Sidewinder, doing all the fun things Datura wasn’t allowed to do due to her condition: fight training in the blazing sun, hunting for food in the desert, visiting different parts of the kingdom to check on her people, and so on. After all, Taipan loves them equally, but she had to treat the sisters differently due to their different needs. Sidewinder understands. They sit in silence for a while as Sidewinder feels all the tension, hurt, anger and sleepless nights fade away, even if just for a moment. Datura then tells Sidewinder that Taipan has summoned everyone to the war room to plan the next steps, and asks Sidewinder to come. She agrees and the two sisters enter Taipan's war room, a huge space with a giant table in the middle, covered in maps and small dragon figurines. A complimentary bowl of dried lizards sits on the table. Taipan sits at the table, along with a few important Sandwing generals. Ice and No-one are also present, the latter assuming the form of a Sandwing. Sidewinder immediately notices that something is off about him, as he doesn't carry himself like a proper Sandwing would. He doesn't even curl his tail tip properly, for three moons' sake! Tetra sits in a bucket of water in the corner, shooting a glare towards Sidewinder and shaking her head at her. Sidewinder has no idea what she did wrong.

Taipan tells Datura to tell them everything, and Datura does. She retells her adventure with Ice, their meeting with Pearl and Tetra, their discovery of No-one and Queen Agate's deal. She finishes at the point where they attempted to break Ice's spell with Taipan, and formally turns to No-one to ask him to break the spell with his magic. No-one and Ice share a look that Sidewinder knows all too well: they screwed up something. Ice then explains that they already tried when Datura was sleeping, that it didn't work and that they were so sure that Taipan could break the spell that they decided to not tell Datura because they didn’t want her to be mad at them. Datura is angry that she was lied to, but doesn't push it further.. Instead, one of the generals speaks up: If those two lied to Datura about such an important thing, who are they even loyal to? That Icewing may say she’s part Sandwing to gain our sympathy, but she might as well still be loyal to the Icewings. And nobody knows who or what No-one even is, let alone what his motives are. Datura says that she's been travelling with them for weeks, that she could rely on both in difficult situations and that she trusts them. But the generals want to hear it straight out of the horse's mouth. Ice grabs her chain and slams her shackled wrists on the table. "Everything I ever did since escaping Icebreaker was to try and free myself. I want to free myself to stop Icebreaker, because this war is entirely my fault. If I never existed, Icebreaker wouldn't have a giant magic army right now. My loyalties couldn't be further away from that wretched Icewing. Or any Icewing, for that matter." Satisfied, the generals turn to No-one, who turns to Datura. Datura combines a raised eyebrow with a claw gesture, in a "go on, say something" kind of way. No-one takes off his earring, revealing to the generals (and Sidewinder) that he's a Skywing. He says that he's been on the run from the Skywing kingdom all his life, because, as everyone knows, Skywings kill animi when they're discovered. He's been travelling all over Pyrrhia since, always hiding his true identity and never making any real connections. He also admits that he never really cared about other dragons and always acted in his own selfish interest - until he met Datura. He's been helping her and Ice, at first just to gain more appearances, but then even beyond that. He could've left after Ice made a wish with him, or after Tetra’s wish, or even Datura’s wish. But he didn’t, and he wants to understand why. Sticking around and helping the Sandwings further might help him understand someday. The generals and especially Taipan are less impressed with that answer, so Taipan asks Datura to personally vouch for No-one, trusting her daughter’s judgement. Datura does, and the discussion moves on.

Since they couldn't free Ice with Taipan or No-one, it was safe to assume that Agate and her animi would likely be a bust as well. Still, they needed the additional support from the Seawing army to have any chance of winning in a fight. There was also another advantage – well, two, actually. For one, Icebreaker has no idea that the Sandwings have Ice. She may be a cruel, cruel dragon, but Ice is still her granddaughter, if that even means anything to her. If not, it's safe to assume that she'd at least want her animus maker back, because she hopefully respects her (pure) Icewing subjects too much to give Ice's role to one of them. On the other talon, they have something that Icebreaker definitely would not expect: No-one. Now they need to combine these little advantages into something tangible that could actually stop Icebreaker's conquest. Taipan calls for a break and tells everyone to get some fresh air to stimulate their brains.

Sidewinder watches as Ice walks over to Tetra's bucket and puts her forearms into the water, clearly uncomfortable with the heat and dry air of the desert. Tetra scoops up some more water with her webbed talons and pours it over Ice's head. Meanwhile, the Sandwing army generals discuss something with Taipan, who's trying to keep up a tough appearance, but her talons shake slightly as she reaches into the lizard bowl. Datura calls over her friends (and Sidewinder) and offers to take them on a little tour of the stronghold. Sidewinder has a quiet chat with No-one, where she asks him if he really told the truth earlier. He says that he did, but he doesn’t know how else to prove it. Sidewinder tells him that whatever happens next, he should do everything in his (magic) power to protect Datura. That’s how he’ll prove it. The two then rejoin the group. Sidewinder, still thinking about how Datura wasn’t allowed to do the “fun things” as a dragonet, suggests a friendly game of “Sting-you”, a traditional Sandwing game that requires all players to cover their tail barbs with a special covering and then run around in teams to “sting” each other with their tails. Whoever is “stung” has to fall to the ground and be “dead” until a teammate arrives to help them up. Whichever team is left with the last “living” player wins. Tetra doesn’t want to play because she’d want to have Pearl on her team and would be the odd one out, so it’s between team red (Datura and No-one) and team blue (Sidewinder and Ice). Team blue narrowly wins. The group has a laugh and eventually returns to the war room, where Taipan and the generals are already studying maps on the table. Taipan greets the group and reaches into the lizard bowl.

"Icebreaker.", she says after she's done with the lizard. Even though her voice is still weak, everyone immediately turns to listen. "Based on Ice's intel and what the scouts managed to find out, she is not interested in diplomacy. She doesn't care about our territories or our resources. She just wants to unleash a second, magic-induced scorching onto Pyrrhia and rule over the ashes. Or the ice and snow, for that matter." Everyone nods in agreement.

"That's why we will kill her."

Palpable tension covers the room as soon as the word "kill" leaves her mouth. Datura, No-one, Tetra and even Sidewinder look over to Ice. "But what will happen to Ice’s shackles if Icebreaker...", Sidewinder begins, but doesn't finish the sentence when everyone turns to look at her. Ice has a strange look on her face that Sidewinder doesn't understand.

"We will have to lure her out first. I suggest we send her a message and tell her that we have Ice, and that we want to discuss a peace treaty directly with the Icewing Queen. Obviously she's not interested in peace, but she'll hopefully want to see Ice. Maybe she's already covered in all sorts of magic artifacts that protect her from harm, so she's probably feeling confident and untouchable. And this will be her mistake. You, animus." Taipan turns to No-one. "If one can give a dragon magic, one can also take it away, correct?"

"I...think?", No-one says. "I've never tried it before."

"Try it now. It is of utmost importance.", Taipan says. No-one looks around the room helplessly while every other dragon avoids his gaze like hatchlings who don't want to be called on by the teacher. Nobody wants to risk their soul for an experiment. Ice is ruled out by default, Tetra is just a kid whom nobody wants to harm, which would leave Datura and Sidewinder. Sidewinder steps up: "Make me an animus. I'll enchant something small to see if it works, then you undo everything." Datura protests, saying it's too dangerous, but Sidewinder doesn't want to hear it. "I've screwed up enough already. Just let me do one good thing here." After some discussion, No-one lays his hands on her and gives her magic. Sidewinder immediately feels a strange tingling in her claws. To see if it works, she looks around to find something small to enchant and lands on Datura's sunglasses, offering to make them unbreakable. Datura gives her the glasses and Sidewinder enchants them. She then violently throws them against the nearest wall, stomps on them and tries snapping them in half for good measure, but the glasses are unharmed. Sidewinder likes this power. But before she can do more, No-one picks up a dried lizard and enchants it to take away Sidewinder's magic if he snaps it in half. He snaps it in half (and then throws it into his mouth), and the tingling in her claws immediately stops. She feels a mix of disappointment and relief, knowing that she'd definitely be the type to quickly corrupt her soul with this kind of power. No-one suddenly makes a weird face, and his Sandwing appearance seems to phase in and out of existence, his Skywing appearance flickering underneath. He panics and reaches for his earring, shifting to one of his Rainwings instead. “What in the three moons was that?”, Taipan exclaims. No-one explains that sometimes, his appearances fade for no apparent reason. Ice asks whether it has something to do with how much he used them for enchantments or maybe how powerful the enchantments were and No-one shrugs, he’s not really keeping track of any of that. Tetra asks how many he has left and he starts cycling through 3 Rainwings, another Skywing, a Mudwing and then Ice, Tetra and Datura. “Huh”, he says, "I thought I had more left.” Tetra asks what will happen to the real versions if their appearances in his earring fade, but he doesn’t know. Taipan waves it off, they’ll deal with this later.

Now that it's proven that magic can be taken away, the planning can continue. Tetra, from her bucket, offers to meet the Seawings at the river and lead them to a spot in the Sandwing territory where they can prepare for the fight. The others agree, saying that Tetra should be kept safe and away from the Icewings (and she'd be useless in a fight anyways). Datura offers to represent the Sandwing kingdom together with Sidewinder, since Taipan is in no shape to leave the stronghold. Taipan doubts whether Icebreaker would come out of hiding if she saw that the actual Sandwing Queen isn't there to meet her, only her daughters. Maybe she'd even see it as a sign of weakness and attack immediately. Tetra holds up the armband Sidewinder saw on the "fake Datura" earlier and says that one of the sisters should use it to appear as Taipan. If it fooled Sidewinder, it would definitely fool Icebreaker. And now that No-one is on a tight budget when it comes to appearances, it would be better to work with what they already have. Datura and Sidewinder look at each other, unsure who should bear this responsibility. On the one talon, if Datura did it, she'd have to go without her veil and sunglasses, because Taipan definitely doesn't wear those and it would raise suspicion. On the other talon, Sidewinder is unsure whether she can pretend to be a convincing Queen, after her failure as "temporary Queen". Taipan flat out asks Sidewinder if she will do it, and she says yes.

The planning continues. Taipan will send a message to Icebreaker, telling her that she has Ice, who's still wearing the magic-sealing chains, and asking her to meet. Datura and Sidewinder (disguised as Taipan) will bring Ice to the meeting spot (which will be close to the river the Seawings are hiding in), accompanied by some guards. No-one will be among them, disguised as a Sandwing guard. When Icebreaker is close enough, No-one will snap two enchanted twigs in his mouth: one will stop Icebreaker's heart (a spell that they can't test beforehand, for obvious reasons), one will take away the magic from all Icewings nearby as well as their enchanted objects. Because nobody knows how far the spell will reach, it is important to get as many Icewings as possible to be near Icebreaker, which will be achieved by placing a battalion of Sandwings in visible (but not threatening) distance away from the meeting spot. If the spell to kill Icebreaker fails, at least the magic will be gone and the Sandwing guards, all highly trained, will kill Icebreaker - with No-one's magic help, if necessary. Either way, the Seawing and Sandwing army will attack the weakened Icewings at once to push them back into their frosty habitat. Ice, Sidewinder, Datura and No-one will escape back to the castle, protected by the attacking armies. Taipan and Agate will handle the rest from there.

Taipan dismisses the group for now to begin preparations. Datura offers her friends to stay over in her room, as it’s big enough for everyone. (Tetra brings her bucket.) She also invites Sidewinder to this sleepover. The latter remembers how the two of them used to do these all the time as dragonets. Datura tells everyone to get settled while she finds some comfy rugs the other dragons can sleep on. Tetra notices that Ice looks down and asks what’s wrong, but Ice says that she’s fine. Sidewinder asks whether this is about killing Icebreaker and Ice winces. She confesses that she’s terrified of being stuck in chains and sealed away forever if Icebreaker dies. No-one suggests that killing her might also break the spell. There might be at least a tiny chance. Ice laughs and says that it doesn’t matter anyways, the decision wasn’t in her hands anymore and she’s only left to hope for a minuscule chance of gaining a happy end out of this. Sidewinder loudly reflects upon her own desire to make decisions – she wanted to become a leader so badly, but once it happened, she was suddenly making decisions that would affect an entire kingdom and that terrified her. Ice listens, and something about that seems to make her think. Tetra says that there’s still the option of Agate and her animi, but Ice just shakes her head and asks to drop the topic before Datura returns. The group has a little sleepover party with snacks and Sandwing board games before it’s time to sleep. In the dead of night, Sidewinder opens one eye and sees Ice standing at the window, staring outside with a blank facial expression. Sidewinder silently watches for a bit and then begins to fall asleep again. Just before she’s gone, she hears Ice and No-one quietly whisper something to each other.

Hard cut to the next day. Sidewinder, disguised as Taipan, stands next to Datura. In front of them lies Ice, chains wrapped around her arms and a rope tied around her snout. Behind the trio, mere steps away, five Sandwing guards, two of them looking awfully similar to each other. In the distance, a small figure leaves the sea of white spikes and wings and tails. Icebreaker, accompanied by guards of her own, walks over to them, her eyes piercing, her smile anything but warm. She breathes in deeply, and then breathes out a cold sigh that chills Sidewinder to the bone.

“My oh my”, Icebreaker says. “What a predicament you’ve found yourself in.” The words are aimed at Ice, but somehow Sidewinder feels them hitting her own heart as well, making it skip a beat.

Icebreaker’s gaze rises up to meet Sidewinder’s. “It’s been a while, Taipan. I hoped we’d meet again under more savory circumstances, but alas.” Sidewinder ignores Icebreaker’s deliberate omission of any kind of formality one would expect when addressing a Queen.

“I’m here to talk about your plans.”, Sidewinder says. “You’ve been gathering an army near our border. What for?”

Icebreaker ignores the question: “Oh, but first, you gotta let me in on your secret.”

“M-my secret?”, Sidewinder asks. Icebreaker continues: “I’ve met Sandwings your age, and they all sound so dreadfully harsh and raspy. I always assumed it’s that dry desert air. How did you manage to keep such a pleasant and youthful voice?”

“Honey-glazed cobra cutlets”, Sidewinder answers while trying to hide her panic, “keeps the throat fresh. I would invite you to try some, but we have other matters to attend to.” Icebreaker closes her eyes and nods slowly and meaningfully. “Right, of course. I couldn’t help but notice that you have my granddaughter with you today. I hope she didn’t cause you too much trouble?” “Splendid. May I come closer to have a chat?” This is the moment everyone has been waiting for. Icebreaker makes a step, then hesitates. “Lemming”, she says with her head slightly turned towards the group of Icewings behind her. One of them jumps, then quickly stammers the following: “I enchant the enemy’s animus-touched objects to come to me!” Before anyone can react, Agate’s armband flies off Sidewinder’s arm, followed by Datura’s glasses and No-one’s earring. Lastly, the two sticks, still wet from his spit. Icebreaker’s eyes widen, then she composes herself. “Much better”, she says, studying the “new arrivals”, Sidewinder and No-one. “Taipan’s dead, isn’t she?”, she asks, “I did hear about the terrible poisoning. Why else would the Sandwings be led by these pathetic little children trying to play tricks on me?” Icebreaker steps closer. One step. Another step. So do the Icewing soldiers. They are surrounded. Datura looks to Sidewinder, who’s muscles seem to be frozen in place. Nobody moves, until –

Somehow, Ice had removed the rope from her snout and screams: “Icebreaker!!!” Her voice makes the Icewing Queen stop dead in her tracks. “You poor soul.”, she says coldly. “Have you had your share of fun running around with these creatures? Have you had enough?”

“I have”, Ice yells, “You were right. You were right all along. Everything beyond the Icewing kingdom is just a lawless wasteland. Seawings with multiple Queens, Rainwings who let just about anyone rule without question and tyrannical Sandwings who kept passing me around like some kind of bargaining chip!”

“Ice–” Datura says sharply, but Icebreaker interrupts her. “Oh, no, let her speak.”

“They treated me like trash”, Ice continues, wriggling towards Icebreaker as quickly as she can with her bound limbs. “They’re enemies, all of them. None deserve to stand between you and your perfect frozen continent.”

“Correct.”, Icebreaker says with a content smile.

“And those items you took from them were meant to kill you!”, Ice hisses. She’s now at Icebreaker’s feet. “All this time they were plotting to end your life. But unluckily for them, I’ve been plotting too. A spell that could end this war before it even started.” “I’m intrigued.”, Icebreaker says, unable to hide her excitement about a new spell. For some reason, her Icewing subjects weren’t big fans of experimenting with magic while Ice was gone.

“Do it. I allow it.”

Ice’s chains instantly lose their cold blue glow, appearing like regular metal chains. Ice turns towards Sidewinder, Datura and No-one. “This is for my enemy. My captor. My tormentor.

Die.”

Icebreaker’s eyes widen, her hands shoot up to her throat. She falls to the ground, convulsing. “And you.” Ice turns towards the Icewings. “None of you Icewings will ever use magic again!” Dark clouds accumulate in the sky above them all, and thunder begins to rumble. Ice looks down at her hands, her mouth moves and the chains fall off, disintegrating into dust.

“Ice!”, Datura screams and leaps forward, but Sidewinder holds her back. Ice looks back at them one last time before a flash of lightning descends from the sky, striking the earth. Ice disappears, with only smoke and a black stain on the ground where she stood just moments ago. The Icewings are shocked at first, then charge into battle to avenge their Queen who has now stopped moving. Sidewinder signals the Sandwings to attack and prepares to retreat. Datura is still standing there screaming Ice’s name, so Sidewinder drags her along. No-one enchants the magic items to come back and his earring flies into his open palm while the rest of the items get trampled by the Icewing soldiers. He puts on the earring and switches to his Sandwing appearance.

The guards do their best to shield the trio from the oncoming Icewing onslaught, but are quickly overwhelmed. An Icewing aims his ice breath at Datura, so No-one spits a mouthful of fire in his face. Another tries to stab Sidewinder with a spear, she ducks underneath and buries her stinger into his throat. A group tries to cut them off, so No-one enchants the rocks beneath them to shoot upwards and launch the soldiers into the air. Datura has a hard time seeing in the harsh light without her glasses, so both Sidewinder and No-one guide her through the battlefield. The latter turns the ground behind them into quicksand, enchants the Icewing spears to turn against them and hits them with anything else he can come up with. Suddenly, his Sandwing guard appearance flickers and disappears, right as the real guard’s throat is slashed by Icewing blades. No-one switches to one of his Rainwings and continues casting spells, but soon, this one also disappears. One by one, his appearances start to flicker and fade, and he hesitates, almost getting hit by a flash of ice breath.

“Use ours!”, Datura screams as Sidewinder whips around to sting another Icewing. He catches her tail in his hand and buries his serrated talons in it. She roars and Datura spits fire in his face until he lets go. No-one switches to Tetra and fires off another enchantment, then to Ice, another enchantment, then to Datura. A spear hits him in the shoulder and ice breath grazes the tip of his tail. He heals his injuries with magic and carries on. Suddenly, an Icewing manages to rip off the earring and crush it between his teeth, destroying the illusion and revealing No-one’s Skywing form. He tries to retaliate with fire, but another soldier hits him with his weapon, throwing off his aim. Then, out of nowhere, another spear flies through the air and hits Datura straight in the throat, piercing it entirely. She lets out a silent scream that turns into a gurgle as blood spews forth. “NO!”, Sidewinder screams and No-one dashes towards Datura, ripping out the spear with one hand and closing the wound with the other - his first enchantment he did as “himself” in years. He then hurls the spear back where it came from and it pierces something, someone, creating a blue fountain. But the Icewings just keep on coming. All hope seems to be lost, when suddenly, the Seawings arrive, attacking the surprised Icewings from the side. It’s this critical moment that allows the trio to finally escape more or less unharmed.

Epilogue

The war between the Icewings and Sandwings (now aided by the Seawings) wages on. Queen Taipan and Queen Agate need to negotiate new terms, now that Ice has disappeared without a trace and Datura didn’t assume leadership of the Sandwings. Sidewinder aids Taipan in any way she can, gaining knowledge and confidence in the process. Tetra leaves to go find Pearl again, who has been given a new identity and reunited with her parents thanks to Agate. The two kids have a lot to discuss. No-one, scared of becoming like Ice, refuses to do any more enchantments for this war and tries to leave the stronghold in the middle of the night. He casts a spell to make Datura’s glasses reappear in his hands and plans to drop them off by her door as a goodbye gift. Before he can do that, he runs into her. She was also about to leave on an entirely different journey to find Ice (fiercely believing that she’s still alive and out there somewhere). She knows that her mother would not approve of her leaving, but what else is she to do in the kingdom? Be Queen? Sidewinder’s there for that. The two agree to leave together and send Taipan and Sidewinder messages every so often.

And that’s how it ends.

Thank you so much for reading through the entire thing! As noted in the title, this is just a first draft and also the first time someone other than me reads this – so of course I expect you to find plot holes, inconsistent character moments and other stuff I could improve on. If you're nice about it, maybe I'll even listen ;) (joking) No matter what, I hope this serves as a (more or less) satisfying conclusion for all my WOF characters you know (and love?).

#wof #wings of fire #wof oc #icewing #sandwing #seawing #rainwing #skywing #dragon #dragon oc #very long post #buzzkill wof arc

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captainmera · 4 months

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My God I love your depiction of the Wittebane brother ❤️

Do you think there might have been a chance that your Pip wouldn't kill his brother when Calec goes to Demon Realm? He seems way more tolerable of weirdness and is actually curious about the taboo things. That it makes me wonder if other steps were taken by people around him, maybe he would make different choices and not turned into a brother-killing genocide goop man. Obviously, the blame is still his for what he did, but I can't stop wondering what if.

And him getting along with Evelyn instead of hating her right of the bat is really cute.

Thank you! :D <333

He grew up with this theatrical bisexual of a brother. Pretty sure the reason Belos didn't give a hoot on the Boiling Isles about queer stuff is because he kinda knew, and accepted, that Caleb was kinda queer. In some cases, people can ignore or bend certain rules for people they love. Even disregard them or pretend they don't apply or exist.

(long rant about writing and narrative foils and blah blah under the cut)

Unlike Caleb, I think Philip is the sort that only picks-and-chooses whatever rules he feels will supports his personal wants/thoughts and tosses the rest.

Caleb was not hiding it as well as he thought he did. lol.

I think that, sure, there was probably a turning point for Philip.

And absolutely, people around him influenced him. He's just a kid, a vulnerable one at that, in a protestant Christian cult.

I kinda like to think of it as a corruption arc. Mostly because it seems (to me) that the whole reason Luz was meant to have a depression-arc and Philip getting all "YoUrE JuSt LiKe Me!" thing was because.. There was supposed, I think, to be similar beginnings for them.

But Luz, in season 3, got depressed and felt a lot of guilt, so her arc is going from this happy-go-lucky kid interested in different things, to a depression arc where she questions herself. While Philip has a corruption arc, where he gradually goes from a well-meaning kid interested in different things, to evil and delusional.

I am also combining Luz, King, and the Collector into Kid-Philip's themes.

King is fascinating as a pre-narrative foil for kid-Philip. I think. As King was very clingy to Luz and didn't want her to leave, he too had a delusion about his own importance (disregard that it was kinda true in the end there). King tried to dictate (in that book episode) about what his and Luz' book should be about, how it should go, and it really hurt Luz' feelings. In the end, they solved it. But as a narrative foil, I think for the Wittebanes, they probably had a similar struggle on a larger scale, and it didn't get resolved.

The Collector, too! They're desperate to be close with someone, anyone, who gets them and wants to play on their terms. Kinda like Belos wanting him and Caleb to be witch hunters. Not accounting that Caleb is his own person outside of him-- Which, if you think about it, Caleb made his whole life (in my version anyway) about taking care of Philip. So I'm sure Philip felt like he really was Caleb's entire world. And then suddenly he wasn't. Because of a witch. The Collector, despite having this incredible power (just like Pip having his brilliant brain) is still a child and using their power in selfish ways. Not intentionally, I think, just out of a fear of abandonment or isolation.

I personally am in favour of nobody-is-born-evil-but-anyone-can-become-evil kinda thing.

I would like to explore how Philip gets corrupted.

I am slowly influencing Philip in my fanfic with little things that will, eventually, boil down to not so great moments.

The thing about delusions is that the person truly believes in it. Philip believing he's a hero has to make sense and feel believable.

Belos is a jerk. Philip isn't, yet. He becomes that jerk. But I don't want to write a sociopath. I also don't like using less-favourable mental illnesses as an "easy way out" to write why Philip became Belos and a genocidal maniac.

I have strong feelings about de-stigmatizing mental illnesses in writing, without romanticizing them or leaving out the really awful and less discussed sides of it. This includes diagnoses within all the clusters of the DSM5. I will not sit here and say I only support a diagnosis like Autism or GAD, and not things like Histrionic or Borderline.

And including people with MH issues and personality disorders is important, too, as well as not trying to downplay them.

People throw around Belos with things like Narcissism and Psychopath, without actually understanding what those means or what the different types there are. For example, is he a grandiose, oblivious or a fragile narcissist?

Yes, these disorders are looked down upon. A lot of people who have them aren't very nice people. But that doesn't mean they're evil or have no heart.

Lots of children can display early signs of these, and in a rough time like the colonial 1630s of America, it is not unthinkable that those rough times bred some dysfunctional people. I'm sure Philip has his own slices of pie as far as mental health goes, just like Caleb and many other struggling people.

But, I will not write from an angle that implies Philip just has darkness from the start in him.

There's a reason why I had Caleb go on a rant about being born evil in chapter 5. Because puritans, and Christians alike, at the time - truly did believe bastards were just... Half people. Did you know that if an orphanage found out a baby was a bastard, they wouldn't let it suckle the nursery goat's udders. Because they were afraid it would soil the milk and, in turn, might give the non-bastard babies bad influence. Somehow.

With that kind of logic in your culture, it's no rocket science that people would put nonsense together and think it made sense.

I'm much more interested in how puritanism and witch hunting culture influenced and corrupted Philip into becoming who he became, and why he refuses to budge on his beliefs to the point of murder.

As the owl house, the show, has commentary on systems influencing cultures in a bad and positive way. But in particular, the one Belos tries to influence the Demon Realm with; being a not-so-great way. So! With that as a clue: what made Philip turn bad, most likely, was partially the puritanism and its extremist ways. I think TOH is also a bit of a nudge at the HAYS-code of Hollywood and how it has trickled into most all the American culture-core. As it's both trickled into schools, morality, politics and other things outside cinema.

Just pointing at him and going "He's a sociopath because he became a genocidal tyrant" is, to me, cheap. Not only does it further stigmatising mental illnesses by implying only a disorder can make someone do such evil things. But it also disregards the most horrific truth of all; that the true monsters are people not at all unlike yourself. And that they, too, were children once.

#ttocw #caleb wittebane #philip wittebane #toh #the wittebane brothers #the owl house #toh fanartthe owl house fanart #toh comic #wittebros #wittebane #toh caleb #toh philip

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piratecaptainscaptainpirates · 6 months

Text

I've been thinking about the pacing this season, and I think a lot of the issues with telling instead of showing we've been noticing come down to two big factors.

ALL the episodes this season are sticking very strictly to 30 minutes or less. Most of s1 did that, too, to be fair, but some of the most important episodes - 4, 8, and 10 - are all closer to 35 minutes. It doesn't sound like a lot but that's extra breathing room that we're not getting now, it means some things that were almost important enough to make the cut had to get chopped. We're probably missing a lot of little lines that would've rounded things out because the writers had to bank on us getting it from context.

I wouldn't be surprised if the writers went in expecting a 10 episode second season and Max hit them with cutting down to 8 eps, or they had to make the hard choice to save as much money as possible to increse the odds of getting renewed and decided to cut it to 8 themselves. Either way, I definitely think they'd planned on 10 episodes and because of that some things feel rushed; it's really starting to show in ep 7 and I think that's because they just haven't had the space to set things up they thought they'd get.

I really think that we're missing an episode here, and I'm pretty sure it would've gone between 5 and 6. That would've been the logical place to let Ed and Stede's relationship breathe a bit between their second kiss and having sex in 6, and it would've been the right spot to wrap up some lose plotlines (when did Ed get off probation? How does he feel about it? The crew seem so much more comfortable with him in 6, does that make him feel safer and more loved?) and forshadow what's coming up (literally just one line with Olu feeling bad about what happened with Zheng Yi Sao would've made that so much less jarring).

On the whole, I genuinely think the writing this season has been smart and efficient, but not to the same standard as season 1 (which, to be fair, was a very high standard, but still). And I really think the things that matter (Ed and Stede's arcs) are largely done very well.

But it has still been so obvious that they tried to make this season as cheap and palatable for Max to produce as possible. I really hope it pays off. I think it will - like I said, I think the writers always managed to keep sight of what matters, and that's Ed and Stede's story. And I'm grateful that, despite trying to make this show an easy one for Max to make the decision to renew, they didn't compromise on the queerness.

But it stings. You know any other show that's so successful and has not only such a devoted fanbase but such a deeply invested cast and crew would've been renewed a long damn time ago. I am so, so happy we got s2, and I've loved it, really I have, but I'm still a bit sad thinking about what we could've had.

#ofmd #ofmd s2 spoilers #our flag means death #really hope it pays off and we get s3

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relaxxattack · 7 months

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Piggybacking off the last anon, what is it you like about Jane so much? I find my feelings on her kind of mixed but I lean towards positive.

okay i haven’t read act six in probably like 5 years so bear with me here. *cracks knuckles*

jane is sooo so interesting and it’s really a shame people miss like everything fun about her.

pre-scratch she used her detective work to literally succeed at tearing down the crocker cooperation, to the point that HIC has to fucking abandon ship and head into another universe to have another shot at her evil empire. pre-scratch jane is also fucking hilarious! if you didnt enjoy her antics with john as nannasprite you must just have no heart

meanwhile HIC breaches a new universe, and her FIRST fucking order of business is to NEUTRALIZE JANE CROCKER because of how goddamn detrimental she was to HIC’s plans the first time around.

not ONLY does HIC pump subliminal messaging and brainwashing into nearly every aspect of jane’s life, she also tries to straight up mind control her basically whenever possible! she ALSO sends assassination attempts after jane 24/7! (people will seriously try to say that jane lived a safe normal life… as if she wasn’t almost killed by walking into her backyard.) this is because HIC is fucking scared of jane, as she very well should be!

jane is also NOT a boring weepy annoying crybaby like everyone and their mother complains about. jane is literally the most fucking supportive friend and emotion-repressing dumbass you could ever hope to meet. jane combines john’s emotional repression and jade’s intentional cheerfulness together into one of the most fucked up cases of emotional repression in the whole comic

act 6 suffers from a LOT of shitty writing choices, but it’s not jane’s fault the whole act turns into a soap opera— and she’s ALSO not the only one who acts all soap-opera-y either! literally all of the alpha kids suffer from this, people just like jane the least so they project it all onto her. despite the fact that she did her very fucking best to NEVER talk about her feelings, to the point where she ONLY started telling people about shit when she was mind-controlled or took mind altering substances to make her do so! and you can say “ohhh that’s stupid she shouldn’t repress things in the first place how dumb” but, one she’s sixteen, and two, everyone eats that shit up when it comes from like. literally any other character.

people (cough hs2 writers) act like she would actually be “pushy” with a relationship on jake— as if she wasn’t literally the one who helped him make the decision to explore dating dirk?? because she thought it was the right thing to do???

jane is incredibly thoughtful and mature and people really throw all of those traits out of the window with preference for a version of the story where she Comes Inbetween Their Fave Gay Pairing as if she wasn’t, again, the one who got them together. jane is also extremely interesting in terms of queerness; she’s got the makings of a really interesting arc, not to mention she’s the only human girl that dresses mainly masc! there’s a lot there that people just don’t care to explore.

people just have less patience for the prospit kids in general. not to mention homestuck fans love to be misogynistic and berate jane for stuff they love the men doing, or claim she’s coming between them when she’s not, etc etc. and then because no one was writing fun meta posts about her, nobody ever rereads the comic to grab little scenes or lines to expand the online discussion about her! and then because there’s no discussion about her, people assume she’s boring and don’t go looking for bits to start discussing, which cycles on and on forever until we have the ripple effects we see of that misogyny today. which mostly consists of, “oh i hate jane because she was a villain is hs2”, or, “i know hs2 isn’t canon but i still don’t care for jane because she doesn’t do anything that interests me.” (and she’s only not interesting because of the cycle i mentioned before causing NO ONE to have meta discussion about her).

idk, it’s been a while since ive read so i could be talking out my ass but that’s what i’ve got.

TL;DR: jane is fucking COOL, she just suffers from intentional fandom ignorance. and she’s also a canonically hot, fat, masc woman, so i don’t know what else you could possibly want.

#oh god i didn’t mean for this to get so long #lol i hope this helped????#jane crocker #homestuck #op #hsmeta #long post

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infamous-if · 8 months

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There's been some discussion recently about MC that caught my attention because I agree. MC feels like a loser when you think about all of the other characters. When I play an MC who did nothing wrong to Seven it just feels like Seven is angry for no reason. Seven is allowed to act like a child while MC has to take it? Doesn't seem fair.

Everyone has something going for them and what about MC? No one likes them and everyone hates their guts. Aren't they supposed to be the main character? Why does everyone hate them? Why aren't they considered more talented? It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

I don't want this to come off any way but I feel like the story would be stronger if you made MC a bit meaner or at least made people acknowledge MC as a better singer.

I don't want to sound rude but I'm very much exhausted by this topic. I've probably explained this 5+ times but I'll try to break it down one last time just so people can understand what I'm trying to do.

First, to get it out of the way, we are only on Chapter 2. I just want to reiterate that. The story just started.

It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

Secondly, MC is a character I try to give as much customization to, both personality and appearance wise. There's a variety of ways you can approach everything, or I at least try to in a way that doesn't sacrifice what I want to write for the plot, but I think people are under the impression MC is 100% a blank slate character when it's not true.

MC is still dependent on the plot and I always strived for MC to have their own narrative arc. The same way the ROs have their own character arcs, MC will have their own, because they are a character in their own right and going through some that fundamentally changes their life. That means the MC from Chapter 1 will not be the MC at Chapter 20. They will be different. That's what a character arc is. Character development is expected. How can you expect a slew of ROs to grow and change and MC remaining stagnant? Doesn't make sense narratively and it seems unfair to MC.

The MC is not a completely blank slate, and that's where people are getting it confused. In the beginning, MC is going through such a change with BOTB, without their family, and on the heels of a band breakup that's still impacting them today. MC is a little down, maybe even depressed if that's how you read it, and they're getting pushed to be leader by their manager. They are not really okay right now. They have to be professional and put on a brave face for the sake of their band, who, if you paid attention to what Rowan said in Chapter 2, are all depending on this. This is what they worked for since high school. MC is not going to flip a damn table on Day 1 just because you want them to. MC can fight, if you choose, against UWB. That's not supposed to be a smart choice, but emotions get the best of all of us.

They are only just navigating a worldwide globally famous show with a cheating allegation hanging over their heads, and a manager who wants them to be leader when, up until now, they haven't been. They've just been friends making music and miraculously having a fanbase. Now they're really in it. They have been thrust head first into the industry in a way that is so big that MC has to go from singer playing with their friends to a leader of a band who may just become globally famous in a few months if they play their cards right.

A lot of their actions are influenced by the fact that their band almost broke up and it's a thing that hangs over their head. Their past influences them. That's...how people work.

Now, if we're at Chapter 20 and MC is still acting like a scared bunny who doesn't know what they're doing, then be my guest. Scream in my inbox, I'd understand. That would be terrible writing, but we're not. The tour just started.

I play an MC who did nothing wrong to Seven it just feels like Seven is angry for no reason. Seven is allowed to act like a child while MC has to take it? Doesn't seem fair.

MC doesn't have to take it lol. I've always given an option to be rude to Seven/try to put them in their place.

People think I favor Seven when that's not true. (Seven isn't even my favorite RO)(That title goes to August lol). Seven acts the way they act because they are not in a healthy headspace. Their actions are not meant to be understood, because they are not entirely justified. Seven has a lot of growing up to do, but I have never sat here and advertised Seven's emotions as correct. Everyone knows Seven is childish, everyone knows Seven is handling everything terribly. People in the story have mentioned it. Their abandonment issues GREATLY influence their characterization and actions. MC has abandonment issues as well, of course, but MC is not as emotionally unstable as Seven. That's canon. It is what it is. Seven has a whole subplot about it.

As do other ROs. The only difference is that they're not so open about their struggles. Seven just doesn't care. Their emotions guide them. They can't control it. That's who they are. I have also said that many times.

I don't know why you think Seven can get away with everything when 1) it's only been 2 chapters and 2) no one knows how anyone feels about Sev because it's in MC's POV. Seven goes through their own trial by fire. As every RO does......thats a narrative arc.

Seven was always going to be a plot point, whether they were an RO or not. They were always going to be MC's former best friend.

This one bothers me the most, mostly because I don't know where this came from. "No one likes them" Jenna and The Jewels does. Slow Crawl does. Their fans do. We haven't even properly met the other bands. Of course there will be bands who don't like MC: they're competitors. They're not friends. They don't know MC, why would they be biased towards them? Because they're the main character? They don't care about that?? It's how fiction works.

Maya is following the band around because of how much she admires MC.

Orion quit his job because MC's singing inspired him that much.

G listened to MC and saw something in them. Literally calls them the 'Chosen One'

Fans of the old band preferred MC over Seven. They liked the songs where MC sang solo. MC was better for their future over Seven. Hence why it was Seven getting demoted, not MC. I've said this. It's in the story.

I don't see how being the lead singer of a band on a global show at 26 makes anyone an actual loser but I digress.

Literally in Part 2 MC is acknowledged so maybe it'd be better if we waited? Say a good few chapters...?

If you wanted a story where MC is Queen level famous right out the gate and the #1 draft pick for BOTB and has no problems and better than everyone, then I'd advise you to look elsewhere. I don't like that. I like giving MC obstacles because conflict creates story. I like MC having to fight for their spot. It's more realistic, and this has never been a story of fame. It's been a story of their journey to fame.

That's their narrative arc. They grow into it.

You are allowed to hate/dislike Seven. I encourage it. I have given MC the option to hate Seven, because I'm aware that what Seven is doing is unfair. I am not punishing you for hating Seven. And this goes for all the ROs. It does not bother me if you dislike my characters. It means I haven't made them squeaky clean and have made them realistic enough to have people both dislike and like them, much like real life. I get it.

I've always advertised Infamous as a messy, angsty and dramatic story. I've used the term 'melodrama' for it often. I've always said the ROs--especially Seven--are flawed. Some more than others. I've said, verbatim, they are not wholly good people. I don't know why people act so shocked when they act some type of way. Like...I've always stayed true to what the story is. Half the dynamics aren't healthy right now...but that's the 'growing up part' of the story we haven't even gotten to yet?

If that doesn't interest you, then that's perfectly okay! If you don't like the narrative arc I have planned for MC, that's fine too! It just becomes a bit disheartening when people ignore the narrative.

I will try harder to write in a way that specifies my intentions. I always believe that if more than a handful of readers have the same complaint, then it's on the writer to fix it.

I hope my tone didn't come off rude, I'm just really really tired of this. I've had to deal with this since even before the demo dropped :) but your critiques are valid and everyone is always free to express themselves however they want. <3

#inbox #'MC is a loser' convo will always follow me I guess #MC will win a grammy and someone will be like: “they're kinda...loserish though? imagine winning a grammy at 30 and not 20 lol”#/j #ill add this to the faq and never talk about it again

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demodraws0606 · 3 months

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What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)

Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.

I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not

Exemple's being :

-Akito's second comm foreshadowing his third event

-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event

-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation

-Probably way better exemples that I forgot

I've seen people make Some assumptions which I don't agree with but there is one thing I think is true

There is 100 pourcent gonna be struggle between corporation/reality and WxS.

Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.

The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution

We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.

Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).

This is the only time the chorus is like that, the others have a much more even distribution.

In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.

It's even more evident considering the lines they chose to make WxS sing compared to only just Rui

Emu/Tsukasa/Nene saying kimi (you)

Rui saying boku (i)

Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.

In fact remember how the flashback that showcases that has Rilley working on a film

Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.

Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.

In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange

And then we of course have Tsukasa's solo lines

Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.

Then we got his big boy solo lines

These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.

And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.

IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.

What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.

And with that let me bring back Tsukasa's lines

These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.

Now if you think about everything I've layed out I think you can gain a pretty clear picture.

Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.

Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .

Which now you get into the line distribution where WxS is implied to be talking to Rui.

And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.

Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.

Now how this would happen really depends since there are multiple ways they can go about it with the time they have.

There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :

-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview

-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally

But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi

Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.

Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.

Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.

#project sekai #pjsk rui #rui kamishiro #wxs #wonderlandxshowtime #project sekai theory #project sekai analysis #rui kamishiro analysis #wxs rui #wxs tsukasa #tsukasa tenma #rui #cyberpunk deadboy #i'm sorry if this giant wall of text makes sense to nobody but me but i need this to leave myt mind otherwise i explode #and also i'm not looking at twitter for theories of this event because twitter is the breeding ground of bad takes so idk if i'm the only #one but it's very interesting #anyways i really don't want any “but what if the comm is not at all related to the event at all” because we've had active confirmation #colorpalet describe events and give at least on sentence prompts to commissioners (which we know pinnochioP and the creators of Mr.Showtime #I believe) and again even if it WERE the case and it was a fluke or a rewrite or whatever #it doesnt change the fact colorpalet made an active choice to make the line distribution and 2dmv like this #this is the motherfuckers that foreshadowed an arc ender years before through a fucking song cover art #complain about their writing all you want these motherfuckers love little detail oriented shit like this for better and for worse

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littlenastieswewhispered · 14 hours

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i get that spike/spuffy antis have to hate season seven on principle (and the fact that they act like spike’s arc is entirely frivolous and unimportant is so wildly dismissive of buffy’s i don’t think they actually even like her!), but so many are straight up factually incorrect about what actually happens. i don’t know if it’s a media literacy issue or a choice to be obstinate. probably a mixture. when you want something to be a certain way, misunderstanding something gives you room to declare yourself right.

their main talking point is that ensouled spike forces his presence on buffy. this… just doesn’t happen even once in the season. at all.

spike doesn’t return to sunnydale to see buffy. he goes back to the hellmouth. probably because it’s all he knows, as a demon he considers it home, and not for nothing he’s already being controlled by the first who wants him in place for a specific purpose.

in the first episode, lessons, buffy comes across spike on her own. he’s at some of his most insane for this interaction, and he walks away from her. in the next episode, beneath you, buffy seeks spike out. she goes to the basement and can’t find him. he’s actively hiding from her.

later in the same episode he gets himself cleaned up and goes to her, for the first and only time. he says it’s because something terrible is coming and he wants to offer his help. he tells her if she doesn’t want him around, tell him and he’ll leave and she can revoke his invite (which notably is still active). she doesn’t. she accepts his help.

they talk while looking for the demon and buffy says she can tell something is different about him but she doesn’t know what. spike makes a point to say he isn’t going to tell her what it is. that’s MAJOR. spike does not want buffy to know about his soul. he doesn’t put it on her, and he doesn’t make it her problem. he ends up telling her only after it’s nearly forced out of him and he’s triggered back into insanity after a lucid period. after he reveals his soul, he leaves.

in the next episode, same time same place, buffy seeks spike out. he’s once again hiding in the basement, so she knows where to find him, but he does not go to her. she enlists his help that episode, twice.

the next episode is help. buffy goes to the basement to see spike. she asks if he knows anything about cassie. he later helps buffy save cassie from the boys trying to sacrifice her.

in the next one, selfless, buffy once again goes to spike. it’s a definite a pattern. buffy seeks out spike. it’s actually a lot like much of their relationship in season six, only much more one sided. she tells him to leave the basement because it’s bad for him.

the next episode, him, sees a big shift. it’s still buffy going to spike, but this time she doesn’t just leave him in the basement. she actively chooses to help him out of it, getting xander to let him move into his apartment. there’s a huge and important change in their dynamic now. they are solidly in each other’s lives, and that was and continues to be buffy’s choice.

i won’t do little synopses for each episode from the rest of the season, but from here spike offers to leave at minimum four additional times, half a dozen or more total all season.

he earnestly wants buffy to kill him in sleeper and never leave me, because he’s devastated and terrified that he’s killing. buffy says no, she’s going to help him and she believes in him. she rescues him, because she wants to, and moves him back into her house.

later on spike seems to be gaining back control of his mind, but when the first threatens him he once again says he’s a danger and needs to leave and buffy says no because shes not ready for him not to be here.

buffy wants spike in her life. she makes that fact extremely clear. maybe at first it wasn’t for the healthiest reasons, but a major theme of season seven is spike and buffy healing both as individuals and growing closer together because of it. their relationship empowers and strengthens buffy, and the final episode is called chosen for a reason. this season is about buffy’s agency. that starts when she decides who’s in her life and who isn’t.

there’s never a single moment where spike makes that decision for her. he doesn’t once tell buffy she has to accept him, or that he should have access to her. he doesn’t come around when she says to leave, because she doesn’t say to leave. he stays away from her until she beckons him back. over and over.

spike doesn’t think he deserves anything from buffy. he believes the opposite, even encouraging her to date and hiding his heartache about it. he doesn’t make his insanity and suffering her problem. she volunteers to help him.

i understand having issues with the writing choice of spike back in buffy’s life at all after what happened in season six, but only if you’re engaging with it honestly. you can dislike that buffy makes the choice to have spike around, but it’s obvious when you disregard her agency and pretend he’s the one calling the shots. you hate a story that didn’t happen, and it’s impossible take seriously.

#spuffy #btvs #buffy the vampire slayer #you’re the one buffy #i believe in you spike #btvs meta #rant full steam ahead #basically a subtweet to a particularly pathetic anti on insta #spuffy is endgame #buffy loves spike #and spuffies stay winning

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skamenglishsubs · 12 days

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Subtext and Culture, Young Royals, Season 3, Episode 4

Last episode ended with Simon coming home to a smashed window, this episode starts the morning after, Simon takes the bus to school, while Wilhelm is anxiously waiting for him.

Culture: At a high school level in Sweden, there's national tests in Swedish, English, and Math. Like everywhere else, the purpose of these tests is not only to grade students, but to align all schools across the country to combat grade inflation.

Blink and you miss it: Vincent is trying to cheat by looking at Nils' answers.

Blink and you miss it: Vincent draws a dick in the gravel while waiting for the others to be done with the test.

Subtext: This entire episode is overflowing with examples of privilege. For Vincent, and many other rich kids like him, studying and learning doesn't matter, they'll graduate regardless, so he doesn't care about the exam, he only cares about the graduation party.

Cinematography: Even with Felice and friends being completely blurred out in the background, you can still see Stella and Fredrika turning to look at Sara, and then turning their backs on her.

Culture: In the US, a lot of people are using "socialism" as a catch-all phrase which means politics they don't agree with, regardless of its actual ideology. Likewise, in Sweden, a lot of people use "communist" in the same way about generally left-wing politics, which is what Vincent is doing here.

Subtext: Wilhelm asks Simon if he can reconcile the conflict of dating a royal while being anti-monarchy, but the real question is of course if Wilhelm can reconcile the conflict in himself.

Subtext: This is where the show's political stance shines through, and this argument, that Wilhelm wasn't allowed to choose his life for himself, is the main argument they're gonna use in the finale.

Subtext: Wilhelm is weakly defending the monarchy, but just ends up repeating what his mother told him; it's a privilege, not a punishment, but does he believe it himself?

Subtext: The letter-to-yourself plot is mainly there in order to help August along his redemption arc, but here the show is using it to reinforce the point of the previous scene. Who does Wilhelm want to become? Does he have a choice?

Culture: In Sweden, Säkerhetspolisen, SÄPO, is the government agency in charge of national security, which includes providing security and assigning bodyguards to the royal family.

Subtext: Note the great use of passive voice here by Farima to avoid taking responsibility for the decision to force August to join the birthday foundation event. She's also expertly bargaining with Wilhelm to get what she wants.

Subtext: We know it was the far-right assholes who posted comments to Simon's videos a couple of episodes ago.

Blink and you miss it: Jan-Olof really perks up when Linda talks about moving to Gothenburg, because that would probably mean the end to the relationship between Wilhelm and Simon, which would solve all of his current problems.

Subtext: Like Farima, he bargains with Linda and Simon to get what he wants, for Simon to stop posting things to social media. It's almost as if their strategy was to do nothing at the start, waiting for things to blow up so they could swoop in, help out, and start making demands in exchange...

Blink and you miss it: The option to inactivate and hide your social media account is right there, but of course Simon has to choose to delete everything, because it will cause more drama and anguish.

Blink and you miss it: Fencing! Woohoo! I did fencing for five years as a kid until 8th grade or something, but I only did foil, and not épée like these students. I have absolutely no idea where these two are coming from or going to though, where would they practice? Is there a hidden fencing hall somewhere on the grounds that we haven't seen yet? How many kids at Hillerska are fencing? Also, he's carrying a practice blade and not an electric competition blade, so that checks out. Of the three types of modern fencing, épée is unique in that the entire body counts as a valid target, while in foil only the torso counts, and in sabre only the upper half counts. Oh wow, it looks like the gear is now wireless and every fencer carries their own indicator lights. Cool! Back in my day you had to be strapped in with a cord for competitions.

This tumblr is now about French School fencing. Allez! Touché!

Subtext: The narrative is that it's perfectly ok for the crown prince to be gay, as long as he's not gay gay.

Culture: The show keeps saying this, but in real world Sweden it's no longer the case. Supporting los jibbities is viewed as a completely mainstream and inoffensive opinion, on par with supporting human rights in general.

Subtext: Another example of privilege is being in a position to do a lot of good, and then just not caring about it. Simon is fighting for the causes he believes in, so seeing Wilhelm just casually throw it away is extremely disappointing for him.

Subtext: Unlike Vincent, August is actually a natural leader, someone people listen to, which is why he manages to quiet down the room when Vincent is unable to. Maybe a good quality in a future king?

Subtext: Simon is continuing the argument from before. Wilhelm could have shown solidarity with mental health causes or LGBT causes, but chose not to. However, he immediately decided to join in solidarity with the other rich kids protesting the school rules, which is rather selfish.

Subtext: Colour theory! Sara in purple, because part of the reason she's back at school is that August asked her to? And Simon in yellow, because he sure isn't loving Wilhelm very much right now.

Subtext: Just a reminder that Sara has actually been completely out of the loop since the end of season 2. She has no idea about the school rules, what's happened at home, how it's going with Simon and Wilhelm, or what's happening at school.

Blink and you miss it: Fredrika is so close to stop striking as soon as she's threatened with repercussions.

Subtext: I keep hammering this point home: The culture is in the walls, it's not something some of the kids made up. The visiting alumni were also hazed as new students and kept it going as third years. Same for the parents of all these kids. They're all part of the system, they all kept the cycles of abuse going, because they want the school to be like that.

Subtext: Privilege is thinking you can get things your way with almost no effort. None of these kids have ever struggled or protested something for real and then not been given what they wanted, so they seriously believed they'd win immediately.

Subtext: Another theme of this season is bringing secrets out in the open. We've all seen August struggling with body dysmorphia and an eating disorder since season 1, but no-one has ever called it out and put words on it, until Simon immediately recognizes it and calls it out.

Subtext: ...while the rich kids are just stuck in denial, because eating disorders is for poor people or something, it's not something that happens to them. And if it did, you certainly wouldn't admit it to anyone else.

Subtext: August tries to jokingly fend off Nils because he doesn't want anyone to know that the letter actually meant something to him, until Nils pushes too hard, and August punches him.

Subtext: Vincent talked a big game about striking in solidarity, but when they're caught as hilariously unprepared as they are, they're not pooling their resources in solidarity with each other, and instead resort to selling them to the highest bidder. Capitalism in a nutshell, illustrated perfectly by the behaviour of spoiled rich kids. Also, pet peeve, the English word for the currency of Sweden is "kronor", not "crowns".

Lost in translation: They're actually repeating a single word in Swedish, "svikare", which is pretty hard to translate. The verb, "svika", is a bit worse than letting someone down, but not as bad as betraying someone. The adjective, "besviken" typically means disappointed. So "svikare" means a person who is letting other people down, disappointing them, or betraying them.

Subtext: The culture is in the walls of the place, but the kids are also pretty damn complicit in continuing all the shitty traditions. This looks like a game of strip poker or truth or dare that went off the rails and just resulted in more bullying, with everyone joining in.

Subtext: The other girls are upset with Felice because she broke the code. You don't snitch to outsiders, you don't tell the truth, you keep up appearances.

Blink and you miss it: Henry won the potato chip auction, happily ate the entire bag, and passed out in a chair, clutching the bag. Mmmm, sourcream and onion.

Subtext: Speaking of closing ranks towards the outside, this also applies to this strike. It would be bad PR for the school if anyone outside found out that it happened, so it's better to solve it quietly and discreetly. Vanessa can trust the kids not to snitch. Vincent is also right, the parents, who are paying the tuition fees, are on their side.

Subtext: Felice can't be seen talking to Sara, so she checks that the coast is clear, and then drags Sara into a private bathroom to have their conversation.

Subtext: Likewise, Sara was probably Felice's first real friend.

Subtext: Nice little foreshadowing. I would have loved seeing Simon's drawing though!

Subtext: Well, he could have just made his social media private, but the show has to maximize the drama, so here we are, piling on more examples of how Simon is losing himself to the monarchy, that maybe he can't reconcile the conflict.

Subtext: Erik spent three years living at Hillerska, of course he wouldn't have told his then twelve year old kid brother about all the shit going on at the school. August spent an entire year living with Erik at the school, seeing what went on first hand, so of course he knows a side of Erik that Wilhelm doesn't.

Subtext: August has been trying to keep his mouth shut and avoid Wilhelm, but since they have yet another fight, he decides to drop the bomb about Erik to hurt Wilhelm.

Subtext: Again, the culture is in the walls. This is not something that only Erik's class did, once. It's probably been happening to all the boys for decades. It happened to the current second-year students, it happened to Erik, and lots of students before him who kept this shitty initiation tradition going.

Culture: Let's talk about the gay porn hazing a bit more. To me, this is an urban legend. I heard about it when I was a teenager back in the 90's, but I don't personally know anyone it happened to, or anyone who did it to anyone else. It was always hearsay, it happened to a friend of a friend's brother, or a classmate's cousin's friend or something similar, as is typical of urban legends.

Let's also make one thing absolutely clear: It doesn't work. The homophobic idea behind this shit is that if you are forced to watch gay porn and get a boner, you are gay, and if you don't, you're straight. But that is actually not true, erections don't work that way, and the fear of being found out is quite the boner killer. Also, what if you like guys, but the guys in the porno aren't your type? There's just so many ignorant misconceptions behind this idea.

I've also seen a lot of fan comments that keep playing into this ignorance; that the only reason Nils decided to stop the tradition was because he obviously failed it. Or that the only reason August is against it is because he failed, and the only reason he failed is because he's secretly not straight. No. Remember that the test doesn't work. Nils probably passed, despite actually being gay. August might have failed, despite being completely straight. Regardless of what happened, they both found it humiliating, and that is why they made a pact to stop it.

#young royals #young royals subtext #young royals analysis #young royals season 3

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stagefoureddiediaz · 13 days

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Costume Meta 7x05

Hello, Hey, how we all doing??

Ready for another super long meta post??

There is so much to talk about this week - admittedly mostly Buck and Eddie related, but there is also plenty going on for Hen and Karen as well.

No Bobby this week as we only see him in uniform, and only the one costume for Athena as well. I also want to say that I am not doing any of the costumes from the Madney wedding that we saw at the end of the epsiode - I want to give them the space they deserve and I will probably write a separate pre episode meta for those costumes specifically! All I will say is Maddie looks stunning, Buck in white - hello! and Eddie in a just a collar making him look like a pink priest - hilarious!

The rest is under the cut as always 😎

Let's start with some of the guest characters.

Alien Hand syndrome man continues to prove the check means bad things theme, which makes me happier than you can ever know!!

Then we have Deidra in her very bright pink coat. If you read my promo meta for this episode you will have read a fairly sizeable section at the end on my thinking about the use of pink in this season (going to make a separate post during this hiatus so its all in one place). All of the times we see it in this episode, play into (and I guess prove) my thinking. Deidra is acting with good intentions and while I don't think she's naive or innocent in the strictest sense of the word, she is perhaps continually being naive in thinking that not revealing Mara's past is the right way to go (don't come at me about child protection etc I am fully aware of what the real world laws state, but this story arc really highlights the fact that in trying to protect children who are at risk and in the system, they can also cause ongoing harm if things are not taken on a case by case basis - its a whole other essay that I am not getting into here).

Then we have Mara herself who is never without pink - namely her pink blanket. The pink plays into the theme of innocence especially with Mara and while she may not be innocent of the act of maiming Denny, her innocence goes much deeper. Its meant as a very clear signpost of the innocence of childhood - that pink blanket and her clinging onto it is a symbol of her clinging onto her childhood, despite the fact that she has gone through a terrible loss and trauma. she is still a child and the show is clearly going to play into the idea that as she settles into the Wilson home and is able to work through the trauma, her need to cling onto her childhood in this way will diminish and we'll see her slowly become less attached to the blanket. We already have signs of progress with the colour journey her tops have been on - lavender, pink and then the turquoise one at the end. Lavender is also a colour associated with childishness or lethargy, pink the colour of innocence, and childhood. While turquoise is a colour of calmness and clarity. its signalling HenRen's breakthrough with Mara and that she's growing and beginning to feel secure.

Hen and Karen

Hen and Karen go on a real colour journey this week - I'm doing them together (along with Denny) because they very much work in tandem clothing wise (and also because I was running out of pictures again - whats new there!)

So first up we have Karen in this beautiful dip dye ombre dress in purple, pink and mauve. it also has this drip staining pattern which has deliberately been created during the dying process. The lavender at the top of the dress is representative of hope and serenity, this is Karen in a great place - about to expand her family and fulfil a dream. The pink as I've said is all about innocence and naivety - more innocence in this case - both the new baby being innocent and Hen and Karens innocent hopes for their future. The dark mauve at the bottom of the skirt - eating into the pink is such a choice - gathering storm clouds, foreshadowing the turmoil about to come - taking away the innocent hope. mauve can be standoffish and withdrawn, and in this context those are great descriptors for Mara and her struggles that Hen and Karen will need to help her work through.

Hen's in cyan blue trousers - which is a colour associated with clarity and balance. whilst the cream, black and blue jacket with stars on is the beginning point for a theme that runs through the Wilsons arc this week - black is a power colour, associated with many things, but for Hen and Karen in this arc it is very much about protection and strength. Here for hen it is mostly about protection - protecting this new baby they are about to take in. The cream is warmth and tranquility.

Hen is wearing check - foreshadowing the upcoming struggles with Mara. Karens bronze and black Jacquard trousers are a symbol of strength - bronze as a colour means strength and support, it's also a symbol of faithfulness. It's telling us that Karen will take the lead on supporting Mara and being strong for her.

We see a lot of white on Karen in this episode, white, like pink is a colour of innocence, but it is more associated with purity and balance. It is also a colour of neutral refelction. By this I mean that it amplifies other colours by providing a neutral background - allowing other colours to shine. I find this a really interesting thing when connected with Karen - it amplifies her strength and supportive nature when the Wilsons meet Mara.

Hen adn Karen in bed are in dusty versions of blue and pink - Karen innocently tries to touch Mara and that is when the screaming starts. Putting Hen in blue is about relaying her trustworthiness and sets her up as a soothing and calming presence for Mara - hence the sleeping on the floor of her room!

At the hospital, We see Denny in red - he was wearing it when Mara woke the house up and its an indicator of what is about to befall them (in the same way Bobbys red in the cruise ship disaster adn Athenas red in relation to Harry, or Bucks back in s5 when Eddie broke down).

We again have Karen in white amplifying the other colour she is wearing, which in this instance is this buff/brown oversized sleeveless coat in teddy fleece. The brown is stability, dependability and responsibility - playing into the fact this episode really highlights Karen's position in the family as this stable rock which Hen and Denny lean on when they need support. Karen's unswerving and solid personality is once more being shown off. Its really a key thing for them to show as it feels like a set up for Mara and how she is going to bond and rely on Karen and that dependability as she unpacks her trauma.

The orange jumper is a really interesting choice. I do love the loose threads on the design of it - paying into the idea that Hen and Karen are at a loose end and unsure what to do going forward. But, the orange itself is generally an open minded colour, its energetic and its also a colour of transformation. These are all things we know are true of Hen and Karen and it hints at the fact that they will fin a way forward. Once again we have Karen in white amplifying Hen's orange and the energy and idea of transformation the colour brings.

Denim jacket and white tee. I love the distressed nature of this denim jacket and the way it plays into both scenes we see it in - playing into the distress Hen feels over finding out what Mara has gone through and how it explains why she has become non verbal and incredibly protective over her pink blanket.

Again the white of amplification and purity. Hen has pure intentions and the white amplifies Karens black when they are at dispatch listening to the 911 call.

We also have the Karen necklace back - once more showing this ism't about Hen - its about Karen and their family.

Black on Karen for this scene is such a choice. Black is a power colour, it means strength and protection. Here it is showing Karens determination, as she gains understanding, to protect Mara and support her through her trauma - it is representative of Karen choosing to use the power she has been given through gaining information. The gold highlights hint at success.

I love these lavender pyjamas on Karen - lavender is a soothing and sleep inducing colour (along with its scent which is possibly where the association came from for the colour) along with a Japanese print of mountains and trees, which plays into the idea of serenity and peacefulness.

Hen in contrast is wearing fairly bright and bold black and green. The green is all about that growth and learning once more, the growth of Hen and Karen, learning more about the issues Mara faces and seeking a solution, but also the growth of their family. The black is a reflection of power - much in the same way Karen wearing black when they heard the 911 call Mara made, here it is Hen, representing the protection that Hen and Karen are offering Mara.

Athena in green - again with the mesh open weave knit - this may be a theme for her this season - potentially something to do with feeling caged or caging someone/something - especially children as both scenes we've seen it so far have been to do with young people and the law in some respect - ending up in the system - Harry through is crime and Mara through her parents death.

Chim

This dark bottle green with a fawn brown (what I think is a polo) shirt underneath is Chimneys only non uniform costume this week . This kind of dark green, is as always a signal of growth, but its also a colour of harmony, and right now - everything in Chim's world is harmonious.

Maddie

I don't thinkI've said it yet, but I am so happy to have Alayna back dressing Jennifer - I feel like we're really back on track with Maddie's costuming after last season where they somehow managed to make Maddie look terrible. The costuming overall last year was fine - not as good as Alayna's work, but it was for the most part good - except for Maddie where it was all over the place!

Anyway - Maddie in black here is very much about focussing the attention on Hen and Karen - like with CHimney's muted green, in tandem they are making the viewers eye focus on Hen and Karen - especially Karen - who is the brightest in the room.

Maddie wearing this sage green colour when Buck comes out to her is sheer perfection from my perspective - we, once more have the green of growth and renewal, the green of learning - Maddie learning more about her brother - this new thing that he is realising about himself and choosing to share with her (even if inadvertently). But this green is also sage green - sage as in the play on sage advice - which we see Maddie give him. Buck needs that good advice - he needs to hear that its ok, that he can take the time to figure himself out and that its ok that he's only just uncovered this aspect of himself and that it doesn't invalidate him being an ally up to this point!

Ok not going to lie - I got a little carried away from here on out - so sorry in advance for the rambling mess you're about to read!

Marisol

I'm doing Marisol in a weird order - because I wanted to talk about her date night outfit in tandem with Eddies - because its relevant. So we start of with virgin Mary Marisol! Honestly this outfit is just perfection from the costume department - they saw the brief and went to town and I love it. Its so good to see what they can do when they get to play!

One of the things I really love about this costume is the blue that they chose. Because that blue - that is Bucks blue! the virgin Mary blue is usually a much brighter royal blue. It really helps to place Marisol in parallel to Buck and we get the play on t he fact that Eddie seeing Marisol in this way changes everything for him, whilst later on, whilst Buck is in the same blue, he reassures him that nothing will change between them.

Look, I'm not going to lie, when I saw Marisol in blue and yellow for this scene I laughed because Blue and yellow (as I've gone on a million times about) means queer coding so to blatantly put Marisol in it - in a washed out form, and very much connecting her to Catholicism - genius move. It marks her out as a roadblock, but also puts her into the role of beard (unknowingly on her part) because Eddie is still in the midst of his repression, even if it is beginning to unravel now.

The black top with spaghetti straps is clearly a theme they're going with on Marisol, as are the ditsy prints. The yellow high waisted trousers are interesting because of the specific shade of yellow. Yes the whole communication theme still applies here -and we see it in action, but this shade of yellow is sallow and sickly (one of the reasons its called sickly yellow is because its the colour of a lot of medications!!) - this relationship and its restart are ill and that automatically means its going to struggle to survive.

It plays into the more negative meanings around the colour - uncertainty and idleness and cowardice. For me the cowardice aspect is an interesting one in relation to Eddie - he has behaved cowardly up to this point - hiding out and not having the conversations that need to be had, and even in this scene it is Marisol who takes the lead.

It's really giving us an indication of things Eddie needs to work on in regards to himself - and once more it comes down to communication. Communication has always been Eddies major flaw - that he isn't good at it, unless really really pushed into it - essentially under duress. The other thing with communication is that it plays really well into the catholic guilt aspect - this idea that growing up catholic has taught him to repress part of who he is - to go along with what is expected of him, but that it also taught him not to ask for what he needs, to not communicate. We see it in this episode with his inability to say no to Marisol (the whole hiding out at Bucks so he doesn't have to have sex speaks volumes) even down to suggesting there's a third type of guy - who just needs a minute. Because, while that might be true to a certain extent, the fact that he says this off the back of her expressing her distress and upset about how all guys are one of two things, speaks volumes - its not him saying this because that's how he actually feels, its partly him saying it because he is pushed into a position where he doesn't want to be the bad guy. its really not a good place to be restarting a relationship from.

We also have the ditsy print of doom in play again - like I've said before, ditsy print on Eddies girlfriends - never a good sign - its really playing into this idea of Eddie jumping in headfirst with gay abandon (pun intended) and then regretting his life choices. Shannon wore ditsy print a fair amount - especially in the I think I'm pregnant' and 'we should get a divorce' scenes. Ana wore ditsy print A LOT - she was wearing it when Eddie had his panic attack in the shop and at other key moments that marked the death knell for their relationship. And so this appearance of ditsy print here marks the same - the relationship is not long for this world

OK date night Marisol. The way this outfit played out more or less as I expected, She was very much an 'innocent' bystander in this scene (whilst also creating one corner of a triangle with Buck and Eddie) , and the ditsy print very much played into this. Like I said in my promo meta, both Shannon and Ana were costumed in ditsy print as well as in lots of pink!!!

The other aspect of this outfit that is making me laugh is the fact that the skirt is giving me 1980's/early 1990's teen vibes (not to out myself as old but trust me I had some just like this back then and I wouldn't be caught dead in it now as a grown woman!!) and the baby pink handbag looks like something an 8 year old would have to play dress up with - its all very childish and immature - naive one could say, and while it didn't play out quite how I was expecting, her being a novice nun, sure explains a lot of why she comes over as pretty immature.

The other aspect of this childish style we're seeing on her plays into Eddies narrative of looking for magic and trying to recreate what he had with Shannon. He's attracted to Marisol because she is immature and childish - it reminds him of what he had with Shannon when he was young, and when you're trying to recapture that, its easy to fall into the trap of thinking someone behaving in a naive manner is you finding what you'd been looking for. Eddies journey, along side his catholic guilt, is about learning that he cannot recapture or recreate that magic he had when he was young - that the love of youth - in all its innocence is not something that is sustainable or actually what he wants in the present.

Then we have Eddie in white. I spoke in the promo meta about how the white set him and Marisol as opposites and that remains true - very true on more than one level. What I especially love about it and something I could not have predicted is how it plays into the novice nun aspect of their story this episode - truly this show is a comedy! Because nuns wear black and white this is an obvious play on that, but it is also a play on the fact that Marisol is still a practicing catholic, whilst Eddie is very much not. The other aspect of this white is that of Eddies two non uniform costumes, it is the first one and we get this black and white play on religion - the black and white of nuns and priests - the black and white of being religious or not. Eddie never questions if he wants to become a practicing catholic again - he is lapsed and that is how he intends to stay.

Eddie in uniform, with his green trainers, blue towel and water bottle. the blue towel and bottle play into the buck and Eddie blue green theming we see with them. But what is interesting is though is that Eddie is fulfilling all the colour theming on his own - he is both blue and green - to me this is about Eddies own struggles within himself as well as foreshadowing the Eddie Marisol break up down the line (green shoes suggest a road needs to be to walked before we get there) - it hints at Eddies internal struggles and implies that its will ultimately end in a break up a bit further down the line.

I also think it's only when in Uniform that Eddie can admit to his catholic guilt. Because we all know when Eddie is struggling with some form of emotional turmoil, he wears a black singlet - and he could've been wearing the same here, it would've been totally fitting with the situation - he is going through something emotionally and struggling with it.

But he's in his uniform. Part of it is to have him on a different level to Buck - they are both struggling with something in this scene. When we have previously had Buck and Eddie scenes like this one at work, the one dressed in uniform, tends to be the one offering advice to the one not in uniform. That isn't the case here. Part of it comes back to Buck not actually needing advice, but needing to reveal something about himself - to confess. Eddie is the one who needs advice.

This is a flipping of the traditional narrative for these scenes and is proof that even though Eddie might later tell Buck that nothing is going to change between them, that it has in fact already changed, it is just that neither of them are fully cognisant of that change at this moment in time. It is a key indicator to use the audience that this has happened before but that things are not going to play out the same way this time.

Put it this way - Eddie has form for doing something extreme with his relationships with women in the aftermath of Buck doing something dumb - its one of the manifestations of his repression. This time its asking Marisol to move in with him in the immediate aftermath of Buck going full green monster over Tommy.

Last time it was in the aftermath of Buck begins and then doubling down with Ana after the shooting when Buck had hooked up with Taylor and before that in the aftermath of Shannon's death and Buck suing the department he went and joined a fight club - but he has form. Its completely in character for him to pull this sort of a move. I know he says he's going with his gut but I argue he is in fact ignoring his gut - or at the very least confused about what his gut is telling him, because that would mean actually looking at why his gut reaction to Buck doing something dumb makes him do something dumb in turn connected to these women in his life.

Eddie in black - this is the same shirt as the white one - just the reverse colour - which is important. This shirt has several layered meanings to it. its about the reversal of what Eddie wants - from him being bubbly and excited about Marisol moving in, to the dread of her having moved in and wanting her to move out - his feelings go from white to black - light to dark - happy to unhappy and it all sums up the relaity of that relationship - while it was new and unserious, it was fun and light, when things got real - it becomes dark and oppressive.

I'll go into more detail about this shirt when I get to Bucks costume for this scene - because they are connected!

The other thing about this outfit is that the green trousers have been replaced with jeans. Now I see a couple of reasons for the wardrobe department doing this. Firstly is that it plays into the 'nothings is going to change between us' of it all. Its a visual indicator that in fact things have changed (along with Buck wearing a brighter shirt than we normally get in these buddie heart to hearts that take place in Bucks loft but more on that later) the Buck being bi and going on a date with Tommy of it all aside, this is the first time we've actively seen Eddie hiding out at Bucks to avoid his girlfriend - this was a barrier that had existed between them previously that has now been broken down. Then there is the fact that Eddie does go home to Marisol - and he couldn't be wearing green at that point because she was wearing blue and Eddie in green would've meant break up time - only the Marisol as a plot device arc isn't yet over (it will be soon I promise - all the costume signs are there!) so that couldn't happen.

Tommy

This dark olive green shirt that is almost brown. The brown undertones hint at the stability he represents while the green is hinting at his military past and once more paralleling him with Eddie. One of the things about green as a colour is that its not only a symbol of growth and renewal, but its also a colour of learning, and in an episode titled 'You don't know me' it feels like all the green is very much about education - learning about other people - and the growth that results from it. It feels especially important here for Tommy and Buck - that is after all what going on a date it all about - learning about one another and seeing if you're compatible.

The other fun thing about this green shirt is though that the green plays into the blue green colour theory when it comes to Buck and Eddie and their partners and the end of relationships. This one before its had chance to begin.

For Coffee we have a grey Henley and a blue zip front hoodie with a grey striped undertone to it (I am pretty sure this is actually a hoodie we've seen on Chimney but I can't remember when and I don't think it would be the very same one as pretty sure Lou would not be fitting into Kenneths clothes ever, but Chimney has definelty worn the same style!!). Again Henley's are an Eddie thing, so we once more have the parallel with Eddie being drawn.

The interesting thing here is that the grey blue is the same colour combo Buck wore on their first date attempt - the costume department played a lot with flipping colour in this episode, so to have it done here as well is really fun - the fact there is more grey than blue is also interesting. It's a neutral colour, it is seen as a colour of stability, but is also a colour of uncertainty. It really plays into that theme of uncertainty running through the Buck and Tommy arc. The blue hoodie is actually pretty important because we've had one of Buck and Tommy wearing something dark blue in every scene they've had together - usually the one on the back foot. Tommy in this scene is relatively neutral in terms of position for most of this scene - they are equals - but he is put onto the back foot by Buck asking him to be his date to Maddie and Chim's wedding.

Buck

Where to start with our beloved bi disaster!

I obviously spoke a fair amount about the date night shirt in my promo meta. The navy blue knit bowling shirt with these silver/grey close together pinstripes running down the front playing into the Buck wearing vertical stripes theme we've has running with him for at least the last 2 seasons.

What I said about false starts and this date absolutely played out - in the same way the sperm donation shirt represented a false start on that donation, this shirt also represents a false start on Bucks dating life as a bi man. The white trainers are also carrying on the theme of Bucks Journey towards happiness

What I find most interesting about this outfit though isn't colour theory related. its all about the fit of the clothes. Because these are ill fitting on Buck - not something we see from him very often - in fact I think the only time we see him in anything close to ill fitting to this extent is back in season 1 when he was figuring out who he was and if being a firefighter was the right for him and exploring relationships and what he was trying to find in that arena. The trousers are the most ill fitting of it all, but I'll come to the trousers later on as they are part o a wider Buck costume theme we have going on!

The shirt is a little roomie, but not overly so, it just stands out more because we're so used to his shirts fighting for their life, here this one is baggy and really helps to sell the idea of defeat, but also that h was trying on this new part of himself for size and that it doesn't quite fit. It's the only time this episode we see his clothes not fit him in this way and its a really small but expressive part of costuming that I love to see.

Then we have this blue broadcloth jacket over a white tee and with these plum/brown coloured trousers - they're a bit blink and you'll miss them so its hard to be sure what type of trouser they are, but I think they are essentially smart joggers - jersey material but trousers!

We all know that Buck in white means trouble, I'm putting him outing himself to his sister as the bad thing - along with the fact that the date didn't work out.

I'm really fascinated by the fact that we really seem to be leaning into navy blue and Buck being bi. Navy has always been a colour we've seen a lot of on Buck in general, but there is something about the fact we've seen him (or Tommy) wearing it in every single scene that is about his bisexuality. I'm talking from the kiss scene onwards, not anything before that as Buck wasn't aware of his bisexuality before the kiss. I can't wait to see if it continues!

The green shirt jacket is an interesting one. it obviously helps to play into the buck and Eddie blue green theory, but it does in a smaller way play into the blue green theming we see around Buck and Eddie and their relationships - specifically around issues arising. Both Buck and Eddie wear green when they break up with their significant others and while there is no break up here, there is a break of sorts. This was Buck about to try and tell his Best friend that he was actually out on a date with Tommy and that he's bi

symbol of growth - Buck went in with a goal - to tell Eddie he was on a date with Tommy, but changed tack when he saw Eddie needed to go through something - this is Buck growing as a person - not making something about him.

The other thing about this outfit is that its basically the same as the one Eddie wore at the airfield (even down to the badding of the trousers) - just in reverse - Eddie black trousers, black jacket, green top, and here Buck is black trousers, black top and green jacket - I find this fascinating as a metaphor for where the two of them are on their respective journeys.

Buck is now bi and out (he's told his sister) and has been on a date with a guy (regardless how successful it was - he cannot put it back into the box) - his growth is externalised and therefore expressed through the wearing of a green jacket. We get a lot of storytelling through the various Jackets Buck wears (we've seen him in over 35 at this point!)

While Eddie - who we could say was being taken on a date by Tommy - even if he didn't know it (because who flies someone to Vegas to a sold out fight if its not a date??) wearing a much brighter green that we've seen on him before now (pretty much all of his greens are more army green with a couple of exceptions - much darker greens akin to Bucks jacket in the below picture) - still in the army green wheelhouse, but much bolder. Eddie's queer status is still very much internalised - hence it being underneath the black jacket.

Buck coming out to Eddie from a costume perspective was a glorious parallel that I have already mentioned in the promo meta (I've run out of pictures so you'll have to go watch the scene yourself if you want to see what I mean). Its actually a bit deeper that I appreciated in that promo meta, but that is in part because at the time of writing the meta I wasn't 100% sure it was a coming out scene and I didn't get to see the way it was shot and how that also played into the paralleling.

Costume wise - I already spoke above about Eddies black shirt and how it is reversing him in the episode. But what I didn't mention is that fact that it parallels in colour terms, what he was wearing when Buck informed the firefam that Connor and Kameron were pregnant. Eddie wore a black marl henley - black with flecks of dark grey running through it, and Buck here is wearing a slightly darker blue version of the same top he wore in that same scene. He is standing in the same place at the counter of his kitchen, or sitting very close to the same position and we get similar camera angles. As a whole the parallel is very loud - Buck was happy and proud of something he had done and wanted to share it with his friends - wanted their approval. He was feeling good about himself and confident in his decision.

The biggest thing about the blue - this shade specifically is the way it play into the blue theme we saw last season with Buck - the theme that started in the 5x18 finale at Hen and Karens vow renewal, when he was free of Taylor and moving forward and essentially restarting his search for happiness. We saw it weave a thread through the entirety of season 6, being worn at key moments that played into that theme - after Lev died, at various points in the sperm donation arc, and a key points in the aftermath of his death and rebirth.

The successfully helping create life aspect of this is so interesting. It on a low key level plays into the you don’t find it you make it manifesto that’s been at the heart of bucks arc since s2. the whole year if yes was supposed to be about this very thing - about Buck creating the life he wants for himself - the sperm donation isn’t about the baby it’s about Buck and about him figuring out what he’s missing (which comes back to not only Thomas and Mitchell, but also Lev).

The other thing that ties into this theme is that Eddie isn't really changing but Buck is. Whenever we have a scene at the loft between Buck and Eddie Bucks costume and colour varies, but Eddies stays more or less the same. Bucks colour Palette for these scenes goes - dark grey in the you want to go for the title scene, then we have the grey blue on the balcony and now this much lighter blue. This is highlighting Bucks progression while Eddie who remains in his black shirt and that progression - while Eddie essentially remains steadfast - is key - it’s showing us that while buck is still doing dumb things, he is learning - he is listening to whatever Eddie is telling him - that he’s accepting Eddie’s absolution of his sins more and more - growing and understanding.

It’s building on his long running arc - his fear of being left behind, of not being important enough for people to stick around for - and showing us he’s increasingly understanding that that fear is unfounded - that he’s found his personal- the one who will stay and who is steadfast in that. That’s why we see Eddie unchanging in his black shirt green cargos while buck gets lighter - more unburdened by that fear.

Before you think all is lost on the Eddie front though, we are seeing change - the army green trousers are gone and have been replaced with jeans - perhaps, in the same way Bucks growth into his bisexuality began with his beginning to wear jeans again, Eddies own growth into his own queer identity also begins with jeans - moving him away from Eddie the soldier - fighting for others - being a rock for others and now into a position where he can do his own growing.

In the sperm donation arc, Buck was finally able to donate and was wearing that super pale mint green polo. we don't see the same with the outcome here at this point in the story (although the beige/mint green jacket from the bachelor party is making me👀👀👀 at this moment in time!) - we get this cream open weave linen shirt with black and terracotta and golden brown vertical stripes.

I love that they went with a shirt that has such an open weave - playing into the whole concept of Buck being open and embracing this newly revealed part of him that he's discovered. But what I love most about this shirt is the way it ties back into the Buck learning to accept himself and find his happiness.

Because this shirt is so similar to the one from 6x01 - when he decides he doesn't need a new couch, what he needs is to be ok on his own and with himself.

lets talk Buck and his trousers because the trousers are a whole thing this season and I am truly in love with the long game the wardrobe department have been playing on this one. They know that we have all been out here raising eyebrows at Bucks trousers for the past few seasons as they've gotten shorter and shorter and ill fitting. I know I've made comments in previous costume metas about the fact they must be doing something intentional with them being so short in the leg - that them doing this is giving the appearance of a child who is still in short trousers and isn't fully grown - hasn't moved on to wearing full length trousers yet.

Well it would seem I was right and thats exactly what they were doing, putting him in short trousers to show that he wasn't his fully formed self - that he was growing and learning and figuring things out. because - I've gone back through my spreadsheet and checked his trousers out for all of his scenes and there are only a handful where he has trousers on that are well fitted and the correct length. One of them is at the start of season 6 - at the end of the episode where he moves his armchair instead of getting a new couch - the one time in season 6 we see him most at peace with himself

I remarked in the 7x04 meta that we only saw Buck in his too short trousers in the one scene at the airfield, and from then on, he was was in jeans. Now the jeans are a mimicking thing - Buck hasn't worn stone wash jeans since Eddie appeared on the scene back at the start of season 2, so for him to start wearing them again as soon as he becomes jealous of Eddie and Tommy - and Tommy is wearing jeans - was pretty telling in its own right. It's Buck trying to get Eddies attention (not Tommys - Eddies) because, we do not see Eddie in jeans in 7x04 - but we do see Tommy in them - and in Bucks head he is loosing Eddies attention to a guy wearing stone wash jeans - so if he wears stonewash jeans then maybe he'll get Eddies attention back.

That obviously didn't work out how Buck thought it would, but it did lead to him figuring a new part of himself out.

We can see how his trousers are all now sitting at the correct length, I grabbed this still of the black ones, and you can see in the full length still from the date those are as well (even if they're too big more generally) but the others are all sitting at the correct length as well.

We also see the jeans back for his scene with Tommy - I truly am fascinated by the choice to put him back in stonewash jeans aafter so long as a theming choice for his bisexuality, I really am enjoying this more relaxed looking Buck from a costuming perspective - the journey we've been on with his costumes is great - the increasingly formal style thats just a little too small and tight we've seen over the seasons now slowly relaxing once more into something much more comfortable and well fitted - showing just how far he has truly come.

And thats me out for another week! Sorry it turned into another epic - it would seem `i cant stop myself! Not sure if this has come out longer than last weeks, I think it might've, but I can't be bothered to check! Thank you as always for reading this monster and I hope you enjoyed this deep dive into the costumes for 7x05. I'm off now to hyperfixate on Bucks bathroom door and get myself though this mini hiatus!

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