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#And so what if I just took a pencil drawing and maybe digitized it so I wouldn’t have to redo lineart
majiedoodles · 9 months
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For @elirastudio and inspired by this post
ps elirastudio I didn’t know what color the rag around his neck and down his back was so I assumed it was the remnants of his old scarf
dang this au has got me in a chokehold
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karereiko · 11 months
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Lianne Holmes’ story.
After like 3 years of drawing break I was kinda pushed by myself to draw something for sherliam because of “party” surrounding twitter post about “Lianne Holmes” (it was very funny) and it gave me idea for this short comic.
Mycroft really cares for Sherlock safety and helps their relationship as much as he can, but Sherliam still needs to be quite careful since law and social problems with male-male relationship in those times. No one want for them both to need run away from the country as criminals again.
And 5th page idea came to me a little later. Now I have a headcannon that Albert and Louis knows everything about those 3 years of William and Sherlock live in America because of Billy. They just gave him fruits, sat down and Billy just tells everyone how much Ponytail-senpai and Will love each other and what they did.
I did it mostly with my pencil as I’m very unsure about drawing digitally again after so long break and for sure it would took me a lot more time than with traditional art. I didn’t want this silly thing to take me like forever to do :D. It was fun to do, I only wish the end game after scanning was looking as good as original on the paper. I feel like it lost a lot of charm after I scanned it and pencil text panels looked awful so I re-added them digitally in the end.
Sherlock hair and face was a nightmare to draw. I can’t translate him in my brain to draw him down. I will need to redraw some manga panels with him in order to study, maybe in next short stories I have in my mind he will look better. It will probably take a moment to draw those other comic ideas since for now I wanna write some fanfiction idea I got for Sherliam week first. My felted figure of Sherlock doesn’t even have head finished yet and I wanna finish editing manga panels for amvs and start to make one. At least there is still progress in everything so I will finish those projects all soon or later. 
I hope text is fine too, English is not my first language and I’m always anxious about stuff like that. If there are some mistakes, I’m sorry.
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kraaico · 1 year
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Where/how do you get the ideas to make these super cute art? I love art but I basically copy others and I wanna have my own style.
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What a nice question!! I could honestly write a book about this, but for now I'll keep it condensed. (maybe uhhhh a blog post later or smthn) ....Sorry it's long anyway lol
These are my thoughts as an independent illustrator/artist that has the time and freedom to create what I wish, keep that in mind. I can't vouch for what it takes to get through art school or build a portfolio for <specific thing X> cause I don't know shit about that, this is just for creating art that you love making.
✨️Developing a style ✨️
A lot of people talk about 'finding your style', but I'm personally an advocate of developing a style - and most importantly it being a process that never stops. Now I don't know how old/experienced you are, but especially when you are just getting into art (and with 'just' I mean years) it'll change a lot because you will be improving a lot!
Now for me personally, I've been busy ~finding a style~ since I was 10. And up to like 2 years ago (I'm now 28) I was frustrated I just wasn't able to find one. Every half year or so I'd try to get back into art "for real this time", stick to one medium and general style and/or subject, and within a matter of weeks become frustrated and then not draw for a good while. That style-mentality really took a toll on the fun I had in making art, but also stunted my own artistic development. I was restricting myself at a stage where I should be everything BUT. I told myself I wasn't good enough, not cut out to be a professional, wouldn't be able to sell myself if I couldn't stick to one thing, yada yada. Great mentality. I'm now in therapy!
Anyway, what broke me free of that was a promise I made to myself back in 2020. I told myself I would get back into making art, but this time, just do what feels fun *at any given moment*. Let go of the pressure. I didn't post to socials and just shared with my friends, and eventually started posting to my then very humble Twitter following. I liked Twitter, cause there wasn't the pressure that Instagram always gave me of having to have a perfect feed. So I drew digitally, I drew with pencils, did some painting, got oil pastels, tried collage. And those experiments all influenced one or another. That's been key for me. If I feel like I hit a creative wall, I just try another medium or another CSP brush or another app on my tablet. Just experiment with lines and colors and not worry about what ends up there. (it's usually cats) Creating like this kept the fun in it for me and I've created nearly every single day since then, and that too is key to style development: Create A LOT. Don't hyperfocus on one perfect piece when you can also create 4 good-enough pieces in the same time.
Now on the topic of copying: it's a natural thing to do. Just be responsible about it! (don't share on socials if you blatantly copy something. While it's a good method to learn certain techniques, it's something that should stay in your private sketchbook) Also be sure to study from many different places, don't fixate on just a couple of artists! Find what inspires you in real life: be it buildings or nature or animals or people or objects, and try to capture them in different ways: from realistic to just the basic shapes. You'll find out what kind of style and level of detail you're naturally drawn to soon enough. Creating your own visual library in your mind by drawing many different things is ultimately what will allow you to put your ideas to paper in a quick and intuitive way. Having a (cheap!) sketchbook that you don't show anyone but just goof around in and explore everything and anything is a very helpful tool.
✨️ Generating ideas ✨️
I get my ideas from SO many different places. Many of my cat paintings were actually created to deal with a strong emotion or feeling I was having at the time.
Now externally, I get a lot of inspiration from nature and from the place I live in. I used to live in a fairly urbanized area, but it wasn't until I moved to the country side with wide and far views that I saw daily that I started getting interested in drawing landscapes. I didn't draw a lot of cats until they were chilling in my garden everyday. When I lived at home I drew a lot of fish, cause my dad had an aquarium. What you see and observe everyday matters. Taking your camera or phone on a walk in the neighborhood and capturing small details is a great way to gather inspiration, even if the area is a bit boring. I have a Fujifilm X100F that I try to carry to most places I go, cause I can quickly photograph things and I like it better than phone photography.
I also draw a lot of ideas from the media I consume: shows, movies, games, comics, music... Sometimes it just hits that inspiration button and lights a lil flame that'll turn into an idea. I love the magical worlds Studio Ghibli creates for example and the soothing calmness that games like Animal Crossing and Stardew Valley have. Things like that just work their way into my art, often subconsiously.
I also draw what I yearn for: be it a doodle of a comforting hot bowl of soup when I crave it, or a beach scene cause I want to go for a beach walk. It's fun, and lets me daydream a little about things I maybe cannot have in that moment.
Another big thing is worldbuilding and storytelling: I have this fictional world in my mind that I desperately want to get out, and it will, piece by piece.
So yeah. There's many places to grab inspiration from. Writing down what inspired you is useful. Doing it every year or so is too, cause then you'll start to see trends and get a better understanding of what drives you. Cause in the end that's what's most important, I think: Find the things that ignite a flame in you and then let it out in a way that is fun and comforting to you. Don't worry about what other people are making or that you're not making what you 'should' make!
I hope this was somewhat helpful - it was fun to write at least, I have many thoughts about this :')
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ravangie · 2 months
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Your style of characters is so beautiful!! How did you learn/develop/practice to draw like that?
Ah!!! Thank you!! 💗💗💗✨✨
Here comes a long rant, get ready
Talking about your own art style is kinda tricky, I feel like to artists it comes as second nature, so one doesn't really see it as a so-called separate "style". Rather they see it as a continuation of themselves in a drawn form (at least i do). But if i had to, i'd say that one's art style consists of two things:
1) What comes naturally.
I look at 5 year old kids drawing and see that each one of then has their own unique style. Already. Without even trying.
I've been drawing my whole life and I never tried to shape my drawing style into a box that I could call "my style". I just let the lines flow naturally and followed where they led me.
I started going to live-drawing sessions again recently and my friend told me that she could see "my style" of drawing that she sees in my digital works in those quick sketches that I make during these sessions. I think that's because when I work on digital illustrations, I don't think about how I should draw this or that. I just do it.
So, practise! With time, the ways you personally draw things will flow to you. When you draw one thing a 100 times you start to notice simularities in all of the 100 different examples, and then you systematize what you've learned and put it to use drawing your 101 drawing. After a while you won't even think about it before drawing them in the usual for you way.
I like to draw freely, not picking up a pencil from paper, with my lines just flowing naturally everywhere that I want them to. And I try to keep that same feeling in my finished drawings (where there is lineart still visible).
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Here, found an example of a quick live sketch without any boobies for ya (just to be safe) and a linework for one on my more recent digital works. See how I try to keep the lines alive in the same way. And add highlights where I deem them necessary just for something interesting to the eye.
2) Your inspiration.
Everything that you see and like impacts your style, whether you mean it or not. My friend (other friend) watched Wolfwalkers the other night and immediately texted me saying she could see the inspiration that I've drawn from that movie. And she was right. I am a fan of the artstyle of the whole studio, so it's only natural that i, maybe even unconsciously, took something that i liked from their works and incorporated it into my own art style.
When I asked my friend what exact simularities she saw, she couldn't pinpoint them, she said it's just the vibe that she's getting. And i was content with that answer. Means i didn't copy and paste, but rather interpreted what i liked in my own way.
Also. Very important. You have to love what you draw. You're gonna wanna spend some extra time and add those extra couple of strokes that don't add anything in meaning, but are there to just be pretty. Sometimes those couple of strokes make the biggest difference. I think it's is very important to take time to just sit with your work and listen to what it needs to make it truly finished. A drawing can go from empty and unfinished to fantastic in just a couple of lines.
So. There it is. Sorry for the long answer. Or maybe you're welcome? Anyway hope it satisfies you!💖💖
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ponds-of-ink · 7 months
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MXES and Vanessa One-Shot: “Of Voice and Vision”
Took a bit of time, but I did remember to write this today! :D Here’s one of the Pre-Ruin scenarios I’ve had in my head for a few days now.
(don’t worry, the title will make sense in a minute)
It was the standard procedure today. Vanessa would take half-an-hour to set up equipment. MXES (or “Black Hare”, as he had been nicknamed in his data for a while) would use that time to review his previous lessons. And Gregory would be out with Freddy for a while– so long as he didn’t stir up any trouble.
What wasn’t standard was the eager smile Vanessa had. Even as she struggled to fix some last minute issues, she kept humming along to songs on her work playlist. “Just a couple more minutes, Mix,” she told the confused hare on a separate monitor. “Then we’ll be all set.”
MXES tilted his head. What was his creator so happy about? It wasn’t her birthday. Nor was it any of her companions’ or coworkers’. The nearest holiday was weeks away, last time his internal calendar checked.
Then again, any occasion could be a personal holiday to a human being. A vacation, a newborn, a romantic date… But, again, everything was standard. No such event had been entered into his software.
MXES continued to observe. Vanessa still hummed and typed away. The main computer whirred as final corrections travelled through its code. A sharp ding soon emitted from its speakers. Vanessa pumped her fist into the air before recomposing herself. “Well, Mix, are you ready for today’s ‘lesson’?” she asked, turning her attention back to the digital creature.
MXES’ ears raised. Oh. Maybe her happiness was related to the lesson. Odd.
However, that didn’t stop him from drawing himself up to full height and nodding proudly.
”Great,” Vanessa replied brightly, switching between tabs. “I’d say ‘Get ready’, but you look raring to go!”
MXES would have bowed, but now wasn’t the time. Bit by bit, his body faded from the secondary monitor. His world slowly shifted from this grid landscape to the very same room his maker was in. Soon, he was floating over her hastily-made bed.
“So how was the transfer?” Vanessa asked, inching her office chair towards the bed. “Was it slower than usual?”
MXES raised his hand, then lowered it until it looked flat. He tilted it left, then right.
“‘Only a little slower?’”
He nodded.
Vanessa’s eyes lit up, but her expression maintained its casual facade. She swiveled around to pick up a clipboard from her desk. “Everything feeling all right?” she inquired further, clicking her pen. “Any lagging or twitching?”
He shook his head. Nothing he was aware of.
Vanessa scribbled down some notes. Her eyes bounced between her listener and the paper before her. “Does anything look different to you?” she questioned. “Like a pillow being moved or a pencil not being in its cup holder?”
MXES tilted his head. Now why would she ask that question after he was “out” of the computer? He couldn’t really talk without assistance, after all.
Regardless, he looked around. The bed was a bit out-of-sorts, but everything on it was in their usual places. The pencils (save that one pen) were all in their spots. His creator was in the same chair she was always in… Except now she had rainbow-like streaks and a name floating above her head.
MXES bobbed his head, then frantically gestured to the text-like apparition. There was no way that was showing up on her end, was there??
Vanessa looked up in confusion, then shook her head. “Don’t worry, big guy,” she chuckled. “It’s just something only you can see.”
The hare slumped his shoulders. Phew. Crisis averted.
“What can you see though? Can you read it?”
MXES blinked. Obviously, he could. That was one of the lessons he had ages ago. Trying to convey it, however…
Well, he had to at least give it a shot.
He straightened himself up, readied that voicebank code, then activated it.
“Vvvvv…”
Wait. There was data here. New data.
He gauged Vanessa’s expression. That light in her eyes grew even brighter. He could practically register the excitement vibrating throughout her entire body.
Well, now he had to keep going. No use letting her bottle up all that emotion.
“Vvvv… aa.. nn.. V-ann…”
The syllable sorting was going to take some time, but at least he was getting close.
“Van…esss…uh?”
“Try finding the ‘vuh’ sound bite,” Vanessa suggested, her legs already shifting back and forth. “It should be in there.”
MXES nodded. Okay. Seemed easy enough.
“Vuhh.. nesss.. uhh.”
Now it was just the matter of putting them together. Just like reading.
“Vanessa”
Like someone on too much caffeine, Vanessa dropped her clipboard and laughed wildly. “It works!” she cried out joyfully, springing onto the bed. “The voice bank works! You said your first actual word!”
MXES’ ears raised. “Iiii… d-id?” he questioned slowly.
“Yeah!” Vanessa exclaimed back before grabbing a pillow and squealing into it. Then after a battle with self-regulation, she continued. “And that’s just the first layer of the iceberg,” she said, moving into a sitting position. “You know why you saw my name over my head?”
“Nnn.. oo. No.”
Vanessa stifled a laugh. “You know how you kinda had trouble with the facial recognition stuff sometimes?” she pressed on.
MXES just let out a “huff”. How could he forget?
“Well, I finally got an updated version of that software,” Vanessa explained, motioning a free arm towards the computer. “It’s almost the same as the Glamrocks’, but I’ve made a few tweaks— Stuff like you not having to deal with singing happy birthday out of nowhere or giving expired Fazbear discounts. You’ve even got your own database so you can keep an eye on repeat ‘visitors’.”
“Ohhh,” MXES responded, letting the emotion programming guide his tone. “S-soo.. I.. cannn.. re… re…mem…”
Vanessa’s smile weakened. “Yes, you can remember people a lot better now,” she cut in, her voice turning more quiet and gentle. “Just don’t stress out your voicebank today, okay? I don’t want you getting ‘tired out’ from all that syllable-searching. Try sticking to shorter answers. Like.. maybe.. One or two words.”
”O…kay, Vanessa,” MXES grumbled, crossing his electric arms.
A stress-free Vanessa got up and returned to her chair. “Talking about that database,” she resumed as she wrote more notes in her clipboard, “ I put in new options for you so that you could figure out exactly what changed. Hair color, glasses, prosthetics…”
Although MXES tried to pay attention, a new idea sprang up. If he could actually process people now, then could the same apply to non-humans? Could he see what he looked like?
MXES quietly teleported past his rambling creator. He looked around carefully. Were there any reflective surfaces that wasn’t a window? Or a lit-up monitor?
A small hand-mirror caught his eye. It was in a lying down position on some table, but he had training in dealing with reflective surfaces ages ago. Surely that data couldn’t have been erased.
He positioned himself in front of the nightstand. As he wasn’t prepared to handle real-world objects, all he could do was lean down and peer into the glass.
To be honest, a top-down view wasn’t the most… flattering angle. But what did MXES care about flattery? All he was concerned about was the fact that he was a strange bunny-like thing with lines running down his face. He knew he looked intimidating, but this was… not what he was expecting. Was it scary? Interesting? He wasn’t even sure what to make of it.
“Hey, Mix,” Vanessa spoke up beside him. “That’s, uh, not a good way to check out your reflection.”
MXES shook out of his trance. He looked over his shoulder to see Vanessa standing next to him. “Sss.. Saw-rre,” he murmured, slumping a little. “G-Got diss..track-ted.”
“Hey, it’s all good,” Vanessa said warmly, ‘patting’ him on the back. “I was wondering if you’d try out that new tech on yourself. Could you tell it was you, or do I need to rework something?”
MXES’ ears raised a little. “I.. could,” he answered simply, bobbing his head. “Very… weird.”
“What’s so weird about it?”
MXES looked back at the mirror. “Lines…” he relayed, pointing to those exact features. “Skele..tun… bunny.., glowy mouth??” He paused to ‘open’ and ‘close’ his mouth. “Mouth’s…a.. smile,” he gasped in realization. “It’s stuck??”
“Well, yes and no,” Vanessa answered sheepishly. “It looks like a permanent smile, but you can express other emotions. But your face isn’t stuck that way because you smiled so much one day.”
MXES “sighed” in relief. Okay, good. He wasn’t the victim of an old adage gone horribly right.
”In case you’re wondering,” Vanessa added softly, “there’s a reason for all of these.. ‘design choices’ that I’ve made for you. I don’t think your database is ready for the whole story, but I can tell you that none of those were an accident. Especially the ‘bunny’ part.”
MXES tilted his head from side to side. He wasn’t trying to ask for a change, if that’s what she was thinking. He was just trying to express his concerns and process them with her! Like trying to match up all the bizarre quirks of English spelling with these phonetic syllables! Sure, both of those things would take getting used to, but that was to be expected.
”Don’t… fret,” he snipped out at last, slowly reaching for Vanessa’s head. “Pretty.. head.”
Vanessa blinked. “I’m sorry?” she asked, moving her head forward so he could ‘pet’ her better.
“Don’t fret,” MXES repeated, ‘patting’ her on the head. “Pretty head.”
The woman snickered in spite of herself. “Are you calling me ‘pretty head’?” she clarified.
“Yes,” MXES replied confidently. “That… phrase.”
”I think you mean ‘Don’t fret your pretty little head’,” Vanessa corrected, emphasizing the omitted words. “But that’s on me. I set the bar too low for you.”
MXES would have cheered up, but his database told him otherwise. He lowered his hand and continued to scowl. “Still,” he huffed. “Pretty head. Don’t fret.”
Vanessa processed his words, then sighed deeply. “You’re right,” she admitted. “I shouldn’t be putting myself down so much. Not after everything that’s happened.”
The hare teleported to her side. He wasn’t quite sure what to say now (or even what “everything” meant), but he knew he had to be there. Either this was going to be a fretting-turning-crying event or the “storm” of gloom was going to pass.
”Hey, Mix,” Vanessa piped up, alerted the ghostly figure. “Thanks for complimenting my hair. I haven’t gotten these highlights in a while. I almost thought I grew out of them.”
MXES rolled his eyes and “exhaled” gently. All right. It was just a gloom-storm passing over. “You’re wel..come,” he said warmly, smiling a bit more.
“And, hey, while we’re at it,” Vanessa grinned slyly, “I could say that one of my proudest achievements was making all those cool lines on your model. You look like a cool citizen of the future!”
The poor hare couldn’t stop grinning. Or tugging down his ears. “Lesson.. please!” he sputtered out in a flustered tone. “Signals… mixing!”
“Okay, okay,” Vanessa laughed. “We’ll get back to your update check-in. Don’t want you to get your emotional codes in a twist.”
“Th-Thank you,” MXES stammered, already feeling himself stabilizing. If this was what getting a compliment was like at this stage in development, then it was only a wonder how he’d feel when he was completed.
But that was a potential issue for another day. All he had to “fret” about now was the rest of the new features. She did say the stuff he’s seen is only the first layer of the iceberg.
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lostxmelody · 7 months
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i lied actually. just realized i still had micron pens from literally like five years ago. i am fucking shocked they still work, wtf are these things made of? they've just been sitting on my desk for five years rotting away. well, whatever. finished mikoto.
it is odd, going back to art after not touching the subject for a long period of time. it feels like everything you do is worse, that you've missed your prime and the knowledge of how to draw slips through the cracks in your fingers the more you try to hang onto it.
i never learned how to draw characters. my art teachers were strictly against it, thus i only ever really learned realism. could shade a cube or any geometric shape in my sleep at this point, but thats not really helping me draw anime characters much, now is it?
and its especially frustrating having grown up with solely traditional art because it feels like it could never compare to what people post digitally now. well, art isn't a competition in the end, so i suppose it's useless to compare it so much, but you get what im saying, don't you? it's rare to look at a pencil piece of a character and have that same wow factor you get from digital art. not that people don't do it, of course, there are many many many talented artists out there that could draw with things that aren't even meant for art and create a masterpiece.
in the end, this is merely another drop in the bucket. an art piece everyone forgets about, myself included. i am glad i took the time out my day to do something like this, though, and i am unbelievably proud of myself for being able to post something like this publically. it is something i could have never dreamed of doing two years ago. now, im past the point of worrying-- who cares anymore? i like what i like, so i post what i like.
it is average -- maybe even below it -- but it is mine.
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Stickronpa - prologue part 1
???:".... Arrg..."
-I felt my head spin, it hurt as if I got hit it, but rubbing my hand behind it I didn't feel anything wrong.-
???:"Where... Where am I...?"
-I finally opened my eyes to find myself in some sort of supply closet, a few bottles of cleaning products and a drying rack. It was dark and I tried to get up, feeling very dizzy and with wobbly legs.-
???:"H-Hello?? Anyone out there??"
-I knocked on the door several times, I could feel the knob and started to turn it to get out.-
???:"Come on... Open it!!"
-the door opened briefly and I felt my body fall to the ground very hard, I raised my head slowly, someone was opening the door!-
???:"Second!!"
-a familiar voice... Green! I lifted my head, it was him!! I felt relieved that I wasn't alone in this weird place! I tried to get up, he helped me a little.-
Green:"Hey man, calm down... How did you get into that closet?"
-I looked at him, and I looked at the closet-
Second:"I have no idea... I just... woke up trapped inside!"
-I still felt this dizziness, my head was still spinning.-
Green:"You too?? I woke up in a room near here! I was alone and started looking for other people! Glad I found you, knowing you I don't doubt it and I would start having a panic attack!"
-I laughed nervously, but Green was right... I suffer from anxiety attacks a lot when I'm alone... I don't like being alone...-
Second:"Do you... Do you think the others are here...?"
Green:"Most likely, I hope Purple is okay..."
- Green was worried, Purple is also nervous when they are in strange places...-
Second:"Let's find the others then!"
Green:"Sec, did you get any weird paper?"
Second:"A strange paper? Like a note?"
- as soon as I asked, he took a piece of paper from his pocket, the paper had a green symbol, It looked like a musical note surrounded by sound waves.-
Green:"I found this in my pocket when I woke up, here it says to go to the main hall to meet the other "participants", and here is my name and... A title?"
Second:"A title? Wait a second!"
- I started looking in my pockets, I felt something in my coat left pocket, it was an identical note! But the symbol was different. It was a symbol of a digital pencil with a line circling it and changing to something similar to flames.-
Second:"Here it says the same!"
Green:"Do you have a title too??"
Second:" yes, it says... Second Coming the Ultimate Artist!"
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- why was I described as "Ultimate"? It looked like a title the Dark Lord would use!-
Green:"It makes sense! You are an amazing artist! Without you Alan wouldn't be as good at drawing or animating!"
- Green smiled at me, I couldn't resist being embarrassed, I felt my cheeks turn red. I pulled my hood up to hide the embarrassment.-
Green:"Haha, sec... Sorry, I didn't mean to embarrass you! I think I better say what my title says. Green, the Ultimate Musician!"
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- come to think of it, these titles kind of make sense I'm an artist, and I was practically born being a good artist hehe... And Green makes amazing music! Even if they keep me up at night...-
Green:"I think we'd better go to this main hall, maybe the others will be there!"
- Me and Green agreed and followed the corridor we were in until we reached a larger corridor. There we saw a brown door and a red door, both reaching almost to the very high ceiling. We opened the brown colored door, which we were surprised...-
???:"Finally arrived!"
- that grave and rude voice, I recognize it everywhere...-
Green:"Orangutan?"
Orange:"I already told your brat, my name is not "orangutan", It's Orange!!"
-It was MT, or as he preferred to be called, Orange. Green laughed, he liked to make fun of him. I hesitated a bit but ended up laughing too.-
Orange:"Son of-"
???:"SEC!! GREEN!!!"
- within seconds, we felt a tight hug from Red. He was strong even though he was younger and smaller than me or Green.-
Red:"I was afraid I hadn't found you!!"
Second:"us too Reddy..."
- I patted him, his smile was so softening, I smiled back.-
Blue: "Did you get that note too?"
Sedond:"Blue!"
- I hugged blue who laughed hugging me back, I saw Orange roll his eyes.-
Green: "yes, did you guys get titles too?"
Blue:"yup, I don't think it makes much sense, but creative..."
- He said with a smirk, he's soo full of himself.
Blue: "mine says Blue the Ultimate Alchemist!"
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-alchemist? would it be because he makes potions?-
Red:"my turn!! I'm Red, and you guys know that already hehe. I'm the Ultimate Animal Caretaker!"
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Blue:"super suits you buddy!"
-Blue smiled, patting Red's head, who smiled too-
Orange:"Excellent! Now it's me? Arrg!"
-He seemed uncomfortable sharing his title-
Green: "Any problems, orangutan?"
- MT glares at Green.-
Orange:"Whoever the idiot made those notes sure has a horrible sense of humor! They used my nickname instead of my name!"
Green:"Okay, and...?"
-Green smirked. MT was pissed-
Orange:"You annoying brat.... Arrg! Mongo Tango..."
Second:"And the title?"
Orange:"arrg.... I don't feel right using that title but.... It's The Ultimate Monarch..."
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- Monarch? But... He renounced being a king... I don't know what that means, but now I understand why he doesn't feel comfortable with that title...-
Red:"I thought you liked being seen as royalty..."
Orange:"I "liked it", but I have no more reason to keep that title after... You know..."
-he stared at us... I feel a little bad now, even though I know he was evil at the time, he was "almost" our friend now...-
Green:"Don't blame us! blame-"
- the door behind us opens, and there were the rest of our group...-
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-they were Yellow and Purple!-
Yellow:"Guys!!"
Blue:"Yelly! Purp!"
- Blue and yellow hug each other as if they've been separated for a long time, Purple smiles and looks towards MT.-
Purple:"Oh! You are here! I was very worried, King..."
-MT mutters something, he grits his teeth looking down before looking at Purple.-
Orange:"Good to see you're doing well little prince..."
-He seemed to force himself to say it, trying to be "nice." I could feel Purple get a little embarrassed about it.-
Purple:"I-I already told you not to call me that..."
-They hold the arm, MT flashes an awkward smile. they complain don't know smile...-
Orange:"And I don't like it when you call me that either..."
Blue:"so it's just us?"
-Before we could speak, the door opened once more, this time two people entered and...-
Blue:"You!?"
-who did we see in front of us was.... Chosen One and Dark Lord??-
Blue:"No fucking way I'm staying in the same place as this killer!!!
- Blue raised his voice pointing to Dark who was there staring at us one by one.-
Dark:"I guess you're still pissed that I killed your little friends isn't it..?"
- He spoke in a tone that left me with a shiver down my spine... I... I thought...-
Green:"s-sec..?"
-my hands were shaking, I was almost hyperventilating. I try to look at the floor try not to look at them... I think Green and the others noticed that...-
Blue:"Better get away from us before they have a panic attack!!"
-Blue was in Dark's face and he was grinding his teeth. Green pulled me away from them a little for reassurance. I close my eyes and take a deep breath trying not to think about that day...-
Green:"He won't do anything ok...?"
- Green smile trying to keep me calm...-
Chosen:"Enough of that! Dark, don't try to pick a fight with anyone!"
-Dark range before heading to a far corner of the hall.-
Chosen:"Sorry about that..."
Red:"I-I... H-he......"
- Red was holding his shirt chest, he was very nervous, I could see..."
Chosen:"Yes... I know very well..."
-He looks at the ground keeping his posture.-
Chosen:"Are you okay kid?"
-He turned to me, approaching me a little, I felt my foot move backwards, Green kept his hand on my shoulder massaging my back with the other.-
Second:"Y-yes.... I just...-
Chosen:"You thought he was dead... didn't you?"
-It almost sounded like an interrogation, I could only nod. he sighed-
Chosen:"Me too... He somehow survived... It took time to tend to his wounds and burns..."
- I laugh nervously, He looks to the side.-
Chosen:"We all get the titles right?"
Yellow:"Yes, mine is Yellow, the Ultimate Inventor!"
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Blue:"nice title, as much as the owner!"
-Blue gave a little wink to Yellow who laughs with a blush on her face, Blue just kept looking at her with a flirtatious look. These two, always flirting with each other.-
Blue: "I'm an alchemist you know? What do you think? Does it suit me?"
Yellow:"very much, Bluey..."
- MT looked disgusted with this display of affection. Blue and Yellow were very open about their relationship, even though they weren't officially dating...-
Chosen:"Are they...."
- Chosen looked confused as he looked at them with a raised eyebrow.-
Red:"Nope, they're not dating yet! They just like to show how passionate they are for each other!"
-Chosen face the two, his eyes then directed towards Dark who for a second was looking towards us but quickly he lookd at the huge stage in the hall.-
Green:"And you Purple?"
-Purple jumps, they look at Green surprised and a little nervous...-
Purple:"M-me?? A-ah I...."
-They look to the side, holding one arm with one hand-
Purple:"I... I don't have a title..."
Red:"Whoa!?"
Purple:"Yes.... All my card says is... "Ultimate ???"..."
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- we look at Purple, how do we all receive titles and among all of us they don't have one??-
Yellow:"It doesn't seem very fair..."
Blue:"Whoever brought us here will get a beating until they give you a title you deserve!!"
-Blue smirks, clenching his fists with the full intention of punching someone. -
Yellow:"Blue, no threats!"
Blue:"Alright... Alright, sunshine!"
-Yellow blushes a lot and punches him in the shoulder. he laughs scratching his head.-
Second: "hey, Chosen right? what's your title?"
-He looked at me silently and I sigh after looking at Dark and then at me.-
Chosen:"I am the Chosen One... The Ultimate Chosen..."
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-He looked up at the ceiling trying to ignore eye contact. Chosen? I think they took his name too literally...-
Green:"Chosen? For what?"
Chosen:"I was created with that name... It represents how strong I am and How powerful am I..."
Blue:"If that's the case, can you get us out of here?"
Chosen:"Sorry to inform you, but unfortunately my powers and Dark's are not working, believe me, I tried..."
Red:"Y-you mean... Are we stuck here??"
-Yellow tries to calm Red who was shaking from the situation. I can't blame him... I look at the Dark Lord, he was staring at me with a cold gaze. I felt myself being targeted...-
Chosen:"Are you wondering if he also has a title? Yes, but he didn't tell me what it was—"
Dark:"Ultimate Destroyer..."
Green:"W-what?"
-Everyone looks at Dark.-
Dark:"My title... is The Ultimate Destroyer..."
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Second:"o-oh... G-good to know..."
-I tried to smile but he didn't fall for it...-
Dark:"The title fits me! It's all I know how to do anyway..."
-He looks to the side and comes back to sit on the stage.-
Chosen:"I'm sorry about that kid..."
-Chosen says goodbye to me and goes to where Dark was. Soon more people start arriving little by little. A purple woman, some kind of scientist, and...-
Purple:"father..?"
-We all looked at Purple and then in the direction they were looking... It was a dark blue stickman... Was he... Purple's father...?-
[To be continued! Because of the image limitation, I will have to continue the prologue in the next part! Hope you're not upset about it!TwT]
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goron-king-darunia · 2 years
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Eggtober 12 Avocado Toast (Featuring Tomato and, of course, Fried Egg.) Clip Studio Paint, Gouache Brush, Dry Gouache Brush, Airbrush (for the barely visible bread texture) and Freckle Pen (for the pepper.) 20 colors, 1 hour 30 minutes. Took a little longer on this one because I spent an inordinate amount of time lovingly rendering the tomato that I knew no one was going to get to see in the final product. (Don’t worry, I saved it to another layer since @quezify said last time that he appreciated the peek behind the curtain.) This was another request by a friend. I must say, I wake up every day excited to choose an egg from the many options I have available and just... have fun putting it down on (digital) paper. I’ve got some yammering about that, but since I’m already going to post a “behind the scenes” under the cut, I’ll shove the musings down there too. As always, big thanks to the Egg Master Supreme, @quezify​ for organizing this. It’s wonderful to see so many people getting into art again or branching out and drawing eggs for the first time, all because one zany dude said to Tumblr “You know what? Let’s paint eggs for a month.” And enough of us said “Hell yeah” that I get to see so many different styles and mediums. Loving every moment of it!
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(Art first, because LOOK AT THOSE TOMATOES! I love how they came out, I want to shove them in my mouth! AAAH!) Now for the rambling musings. I’m starting to get really comfortable with the gouache brush, a tool which I previously never used, and I’m also getting more comfortable with art in general. My usual process from childhood, when I did much more art, was to slap down pencil work on real life sheets of paper, line it in pen or photograph/scan it and upload it to my computer to line with the pen tool, and then just do everything with pen for bright, solid colors. Most of my other techniques were one off flukes, like the fire I did in my icon’s background. And my newer process, as an adult who just started learning Clip Studio Paint, was fairly similar. (I just started with CSP recently because it came free with my newest tablet and my old standard, Photoshop Elements [I dunno the version, 7 maybe?], was too old and would resize on my new rig so all the buttons were SO GODDAMN SMALL it was a pain to use.) The only difference is that, as an adult who’s home more often than not, I skipped the paper. Sketch, linework with the pen tool, then color under the line art with pen. Or, for a certain other project, I color under the line art with the watercolor brush. I’ve always wanted to try gouache because I’ve seen it worked with IRL and it’s got such pretty results! Opaque like acrylics and oils but flows like watercolor. I suppose it never occurred to me to look for it in the toolset. The last time I even used brushes meant to represent real media before CSP was when Corel Painter was a thing and I had it with my very first drawing tablet. And even then I didn’t use it often. I mostly used the watercolors because that was my favored medium IRL. But I quickly started to prefer Photoshop Elements which also came with my first tablet. And slowly I stopped using anything resembling traditional mediums. But I figured, hey, Eggtober is already a time for me to learn some new tricks and get some practice in, watercolor will look too translucent and it has a paper texture to it that I’m not sure I want. Let’s see if this thing has Gouache. And it did. And now it’s my favorite brush. The way it blends naturally, the ease of pressure controls so the opacity is easy to alter stroke by stroke. It feels like laying down real paints. Once I got used to how it behaved it just... clicked. So yeah, now that I know how to work with it and now that I had the brain explosion necessary to figure out my new process of laying down the darkest colors first and working my way up, it was all too easy to go “Oh. I like laying down these colors. And instead of trying to predict where I’m going to put the avocado, I’m just going to draw the full tomatoes for fun and practice and then figure out the avocado slice placement.” And then I spent roughly 45 minutes just... adding detail to tomatoes. Because it was a genuine joy and I was smiling the whole time and I could just look at those juicy tomatoes forever. So yeah, I know I say it every time, but I for real owe quezify everything for giving me a reason to pick up a new tool and learn and just have fun with it. Kicking my depression’s ass, my ADHD’s ass, my artblock’s ass, and my (lack of) motivation’s ass, all with the power of “Egg fun, draw egg.”
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sanderchu · 2 years
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Hello!
Firstly I wan to say I love the pics you do they are a ✨work of art✨! Also I have a suggestion and you don’t have to do. Y/n (she/her) was the girlfriend of one the dream team members and she made a ver y good detailed painting/drawing of them.
Thank you so much and you are such an amazing writer!!!
Work of Art
Char: dream team
[writing] or hcs
Note: decided to do all and skip to the drawing part :)
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Dream (digital art)
You smiled as you watched dream stream on his bed as you also worked on your tablet. Dream just thought you were looking at something or reading something since he heard no noise on your screen until he turned around to check on you to see you looking at him then back down then up again. “Alright chat I think that’s enough for today, bye :)” soon after dream ended stream and walked over to you sitting on his bed, “so you gonna tell me what you were doing?” You hid your tablet in your chest until finally letting it go and revealing it
A stunning drawing of him was shown on the screen. It was a beautiful work of art. Dream was speechless as he smiled at your work admiring every part of it, “I love it” he said before kissing your forehead and asking how you did it listening to every step.
George (painting)
You and George sat at a park bench with a table together. You sat on one side as George sat on the other. You were painting something and peaked over every once in a while, not thinking anything of it. George thought you were drawing what was behind him. He even asked a few times if he should move out your way but you declined and kept painting.
After a while George got curious on why you didn’t want him to move and kept denying it so he got up and walked over to your side. His jaw dropped as he saw not just the background but also a detailed picture of him. He watched as you signed your signature at some part of the painting. “Do you like it?” You asked looking up at him, “I-“ he was lost for words but managed to get out, “I love it”
Sapnap (sketching)
“Stay still!” You yelled playfully at sapnap who kept doing different poses on his chair. “Whyyyy” he whined as you payed attention to your sketchbook, “because if you keep moving I can’t finish this” he finally stood still in his chair from just straight boredom. He watched as you glided the pencil on the page ever so slightly and how you did quick hard strokes in between. “Can I see nowwww” he whined once more
He watched as you jotted down what looked to be a signature before walking over to him and showing it to him, “what do you think?” The picture was screaming talent as he grabbed your sketchbook and took a closer look noticing how you got every single detail he had currently. From his nose to each strain of hair on his head. “This is amazing your so talented”
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Editor: It’s ur fav captive person here! Sans is actually really sweet and kind maybe being unable to leave the closet is a good thingg…. - rayne ( @rayneywidows )
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oliveroctavius · 3 months
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What inspires your art? Like, how did you come up with your art style, how happy you are with it and if there are any other artists that inspire you?
Asking a few people as a way to understand and grow as an artist at a crossroads. Have a good day.
This is a fun ask! Not sure how helpful my answers will be to you, but here they are.
I've honestly put little to no thought into "coming up with" an art style. I'd say that what comes out of my brain and hands is maybe only 1/3 calculated stylistic decisions, with the rest being "what is most fun for me" and "what is easiest for me". I draw a lot of faces because I enjoy caricature; I do most of it in scribbly mechanical pencil on scrap paper because that's what I usually have on hand.
My one big starting point is that when I started drawing at age ~12, I was copying characters out of The Adventures of Tintin. I learned just enough from Hergé to get simplified human figures I didn't hate and then went iteratively on from there. Mostly I just drew short humorous fancomics for myself and never colored them.
In high school I considered going into an art career, so I took art classes. At the time I thought they were fun but mostly irrelevant to the stylized character art I drew in my class notes every day... but looking back my comic art drastically improved 2015-17, so maybe I was wrong. I eventually decided I'd go into tech instead and leave dressing as a hobby, which I think was the right choice for me.
The closest I've ever had to a Style was in the music fanart and OC comics I did in college. The imagery mostly came out of my own brain, and I worked out what tools were easiest and most enjoyable: multicolor sharpie pens and India ink with watercolor washes; binary or hard edged brushes on digital work that I could fill in quickly with the bucket tool. I accepted that I wasn't a great draftsman and got scribblier and more manic.
Since then I've gotten back to the world of fancomics where I try to pastiche the original inking style—I've done Jhonen Vasquez, Steve Purcell, John Romita, Jack Cole, Scott Wegener, and C. C. Beck (though that one was way too ambitious and I may never finish). But I'm not doing this because I want to absorb them into my default style, though I certainly learn things from it. I do it for the project itself, because I feel like there's a lot of characterization and world-rules built into the way different art styles depict their worlds. I have great interest in stories which use restricted or contrasting stylization on purpose to convey meaning.
It's also just fun, which is my first priority. But I do think my technical skills have been regressing a bit from lack of use + perhaps from using others' work as a crutch too often. It's a little embarrassing, but it is what it is. I'm sure the trend will reverse if/when I put more time into full pieces and daily practice again.
Oh, and I did make a list of favorite artists back in 2018 which holds up. If I had to extract some advice from this meandering post, it would be to figure out what methods and tools make your artistic workflow easier and consider how you want to make those part of your "style". That's extra true if this is something you're going to be doing for long periods of time like a job.
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kenthenugget · 1 year
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How Batching Comics Saved My Life
Jesus its been...quite a while since I last posted onto any of my tumblr accounts. Its not that I didn't forget that I had an account here, its just that I've been busy with school and my drawing Crescent Blue. Meaning any free time I have is limited which results in me neglecting like half of my socials. Comics and college has made doing social media difficult. That and I wasn't sure how to handle 2 out of the 3 tumblr blogs I have. But I've thought that I had use this specific blog for text blog posts, along with drawings I'm working on and stuff like that. Most of it will be a lot of writing type stuff like this so this should be fun. Anyways, onto the topic I wanted to talk about.
I've been drawing Crescent Blue for coming on 4 years now. And those 4 years were spent drawing its first Chapter. Its overly long chapter. I have realized the mistake I made back when I was prepping to draw it back in 2019, where 16 year old me who had never drawn a comic at this scale decided to go out adapting the opening chapter draft which was written to be the length of a double length tv show pilot (because that's how wrote scripts back in the day) without realizing the implications of how many pages I would have to draw, and that maybe I should've done more prep work to make sure I wouldn't be working on it well into college. Because I probably would've gotten burnt out with it after being stuck on it for so long. And that would end up happening when 2021 rolled around. Thanks to mental health struggles I faced through out 2020, which lowered my tolerance to drawing comics which I didn't enjoy, I had drawn a total of 28 pages by going into the new year. Feeling ashamed of that pace, I managed to motivate myself and make it a new years goal to devote more time to my comic and get faster in order to complete my first chapter. This manifested in a couple of ways, from illustrating backgrounds in graphite as to avoid inking them and potentially screwing them up, to manning up and move to drawing it digitally as opposed to traditionally (I did not have access to photoshop or a good drawing tablet when I had started so I did what I had always done and use paper, pencils and inking pens/brushes. However, I would get my XP Pen Artist 12 for my 17th birthday 2 months later, and I would be able to use photoshop at home by early 2020). But what I mostly did was focus on drawing pages more, moving onto the next one after finishing the last one without taking a break. Basically muscling my way through with the expectation that I would eventually get faster. This did not work, and here's why.
This one by one approach isnt bad on paper, and there are plenty of artists out there that drawing comics this way and don't have any issues. For me, the issue I found with this process was that it didnt lend itself very well to spend. Not all pages are created equal, taking longer or shorter to complete depending on the complexity of the drawing. In my experience, there were pages that took only a couple of hours to complete, and others that took days to get done, and this isn't factoring in stuff like school. This aspect brings up the problem with me muscling through pages. There are times where I dont want to work on my comic, and often times after I would finish a page, I wouldn't have enough motivation to get to the next one. But in my attempt to not spend years drawing my first chapter, I would force myself to draw pages even when I didn't want to. This results in numerous cases of burnout and art block, which can cripple you and slow you down, defeating the point of muscling through it all. One notable instance of this I can remember happened in February last year.
By July of 2022, I would've been drawing Chapter 1 for 3 years and as my new years resolution, I wanted to get it done by that time. I had made great progress in 2021, catching up to page 75 by the time of new years, and I felt confident in my ability to get it done that year. That hope was shattered when I did what I had done with one of my pages and complete a future page ahead of time. Said page was the last post I made on this blog which I've actually completed a few weeks ago. The numbering for that page is 148 (was probably lower last year as I did end up adding pages during that time thanks to rewrites). And at that time, I had just passed the 80th page mark. It was then that I realized the implications of what I needed to do in order to get Chapter 1 done that year. I would've had to draw more than double the amount of pages I had drawn in 2021, and given the way I was drawing comic pages at the time, I knew deep down that wouldn't be possible. But not wanting to admit it, I tried muscling through the pages I was working on, hoping that if I pushed myself beyond my limit I would miraculously become faster and more efficient. But that didn't happen. The stress caused by my realization and the refusal to accept it caused me to become more and more agitated, which caused me to make errors and not draw as well as I would've wanted. Said agitation also clouded my thoughts and made drawing more and more difficult as soon as I knew it. I had burned myself out.
I think I've done a good job at laying out why this method didn't work for me, and if I was still drawing comics this way, I would not be finishing my first Chapter this year. And at this point, I would like to take a moment to shout out @the-underground-beauty. If it hadn't been for her, I not have found out about batching and I wouldn't have been even close to ending this long ass chapter. I was in a discord call with them and other art friends I knew, and I talking about ways of becoming faster at completing pages. They explained that they batched multiple pages instead of drawing them one by one like I had. Like, you would do the layouts for one page, then you would do the layouts for the next page, same goes for sketching and inking. This makes it so that instead of dumping all of your energy into one page, you're spreading that work into multiple pages and thus, become more efficient. Now you might be wondering how this would be better than my old method. Wouldn't working on multiple pages at the same time instead of going one by one be worse? In my experience, it's the complete opposite.
Along with the upsides I've mentioned above, its also very flexible in regards to inking/coloring. In the past, I found myself getting board with pages and wanting to move onto the next one but couldn't because I had to finish the one I was working on. I don't need to worry about that with batching. I can go in chronological order or skip pages to come back to them latter. This can be very handy when it comes to complex pages that would take a lot of time to complete. If Im not feeling up for it at that moment, I can just skip that one and come back later once I feel ready. It also points out the most time consuming part of drawing comics, sketching. Inking is one thing, but when you're doing a lot more work when doing the sketches. And depending on what the storyboards call for, the sketching process for a given page can take a pretty long time and a lot of energy. But with the batching process, the energy I would've spent finishing said page with inking and shading/coloring can be better spent on other pages. This means that I would need to worry a whole lot when inking as most of the hard work was done prior.
Batching also helps with putting what you're working on into perspective. Throughout most of my time drawing my comic, I found it difficult to view the pages I'm working on as being apart of a much larger story, rather than on a page by page basis. I would spend so much time on them that I would view the page I was working on as being its own separate thing, unrelated to the pages that came before or after. Batching, in a way, solved this issue, because now that Im working on a part all at once instead of going page by page, it helped me view what I'm working on as being pieces of a story, rather than being their own thing. I felt that the pages I was batching had more unity to them than the ones before it. Its difficult for me to describe this feelings, because I would always get it when finishing a part and rereading it. Pages that would take weeks to complete took more a couple of minutes to read, despite the specific pages taking so much time to finish. I haven't had that feeling after adopting batching as my new method of drawing comics, since every page all at once.
But how has it worked in practice? Well to see if batching was effective or not, I decided to batch the remaining six pages of what would by episode 7 on CB's tapas page. I got those done in a week. And 2 months later in May, I began work on pages 95 through 105 and this was the true test to to see if batching could really be effective for an entire part. I got it done with in a month. The after that wasn't as successful, but I mostly contribute it to external factors that had nothing to do with batching. At the start of this year, I decided to ditch the part by part method and go at the remaining 67 pages of Chapter 1 all at once. At the time of writing this, I'm still not finished with this Chapter yet but I don't expect it to be for quite long. I anticipate on wrapping it all up around June of this year. So with all this being said, I think I can conclude that batching comics has been way more effective in terms of speed. Over a 100 pages over the course of one year, way more than I had in the past with the old method. If I hadn't switched up the way I had been drawing comics back in March of last year, I don't think I would've come this far! Now I am aware that batching might not work for other artists, and that's fine. But if you are in a place like I was and want to get pages done quicker, I suggest giving it a try and see if it works for you or not :)
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bigjimbopickens · 1 year
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Hi! I wanna say I love your art first of all! I just read the message under your last post about Kevin’s art video and you said you’re mostly self taught - I’m curious about how you get into that? I’d love to learn to draw but have no idea where to start!
Sorry for getting back to this so late I am not as active on Tumblr. And yes, I am mostly self-taught because of my circumstances growing up. To those who don't know, I am SnowfallWarning/Big Jimbo and I am currently an animation student. I do 2D animation, concept art and character design and I graduate this year (hopefully). I am disabled both physically and mentally which is why I mostly do digital art. I have a coordination disorder (dyspraxia) and am blind in one eye but that doesn't stop me. For my entire childhood I was discouraged from drawing as I apparently wouldn't go anywhere with it or that I was terrible. Where I lived most of my life had no opportunities for someone like me so I had to leave to continue pursuing art. Because of the poor access, the only things I had was notebooks, school supplies and an old iPad mini to draw with growing up. I learned everything I currently know now from using those. I don't know what got me into drawing still, may have been Warrior Cats and dinosaurs. Like what Jose said in Kevin's video, art comes from the soul. It is human expression and we've always been doing it. Anyone can be an artist and we all start somewhere, trust me. Here's some stuff I usually tell people because I do get asked this often (I'm also not the best teacher): 1: Experiment. Find what works for you. Be messy with it, not every piece needs to be perfect. If you are a digital artist then also trying different programs can be helpful too. Maybe you're better at drawing landscapes, characters or abominations that defy God. 2: Use references if necessary. Not sure why for a while it was considered "cheating" to use references. Everyone in the industry uses references, I would know. If you also want, you can try tutorials but I found I learn more from references. 3: Take inspiration. I'm always adding things I see in other people's art to my own style if I like it. Though try not to copy them. 4: Tracing. I believe tracing is okay for learning purposes. It's how I learned to draw humans after doing exclusively furry art for years tbh. I tend to stick to real-life references for this, this is a great site for practice: https://line-of-action.com (if you're not okay with nudity then do remember to turn that off). "But where do I even start?" Grab a piece of paper and pencil (or open a blank canvas on a digital art program if you prefer that) and just start doodling whatever. If you have an idea then go for that as well. Every class I've had in college so far has started with drawing and rendering a bunch of shapes to see where everyone was at and to get a feel of our styles. So maybe try that too. Draw random shapes with different materials/brushes, colour them in and add details like shadows and highlights. I know it seems ridiculous but I do it every once in a while to experiment and try different methods. You probably won't improve overnight. Hell, it took me 7 years to get to where I currently am. A lot of people quit because they think they're not good enough when pretty much every artist is only proud of about 10% of their work. Definitely the case for me. Not every piece is going to be a masterpiece and the imperfections can be what makes it special, so please don't be so hard on yourself. Don't be discouraged because other artists may be better than you either, they've probably been doing it for longer. So please, if you are dedicated enough, keep trying. I'm sure you will get somewhere :) So basically, - Use whatever material you got and draw what comes to mind, even if it's terrible it is a great start. - Experiment with your style and/or materials. - Reference, take inspiration and trace for memory. - Don't give up but do take breaks to avoid burnout. - Try not to be intimidated by other artists, we also don't really know what we're doing tbh (and just as afraid of you as you are of us).
I hope that all made sense and was somewhat helpful :)
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cycloptics · 5 months
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This is basically a diary entry that gets dark but maybe it’s onto something? I needed it okay
Basically I’m just talking about art and being autistic and quitting my job after hitting burnout
And also some personal traumatic shit I guess
Please don’t feel inclined to read this if you don’t want to I think I just needed to put out my real fucking feelings into the world ya know?
Something really crazy has happened since I hit burnout.
I spent forever hating every piece of art I did, whether it was painting, drawing, or nail art. I’ve hated all of it, never thought I was good enough. I still don’t, of course, but I do atleast feel like I see potential during the process.
But now, since I’ve got the support of people who love my work, or love me, I’m able to look at it again (after a break of hyperfocus) and I can say “okay.. wow, that’s pretty good. I like that.” And that’s fucking HUGE! But what’s even crazier is I looked back and old work I did, work that sat in my sketchbooks abandoned forever, and I am like holy shit. I did that. And I love that.
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I painted this in 2019-2020, I’m not even sure when, but I remember being in my apartment, I remember this being one of those pieces where I was desperate to make art. I desperately looked for ways to make a living doing art, just so I’d be able to paint. I bought a Wacom pen and a laptop, I was determined to learn digital art.. and I hated it. Then I bought an iPad and Apple Pencil, still didn’t love digital art. Then someone said “you should do nails” and I thought it was perfect. Then I went to school and did that. Worked my ass off. Went to the best salon in my area and worked there, killing myself and burning myself out in the process, trying to be perfect.
**TW: death, PTSD, loss of a pet, loss of a parent, hospitals**
Then my cat got sick, and even though I syringe fed him prescription food and cat pedialyte, gave him meds, and tried everything, he died.
Then a week later my dad tore his Achilles and ended up in the hospital with 2 DVTs and a PE. He then fought for 2 months to stay alive for us. I watched my dad code and survive multiple times, spent Christmas in ICU with him on a bipap to breathe, watched him lose his fucking mind, praying to god, almost fighting god, seizing, shaking, crying, desperately kissing me and my brothers heads while not being able to say anything other than beg god. I tried everything I could to bring his mind back, because it was my dads biggest fuckin fear was losing his mind. I brought pictures and showed him.. the guilt I feel for going to work while my dad was in the fucking hospital. The calls I got. The way he begged me to break him out of there, and I will always regret not doing that. I’ll never forget it the faces my dad made, the sounds he made, when delirium took over and he was so scared, and looked nothing like himself. Covered head to toe in bruises and restrained to the bed, because they tried to put a Bipap on him when he was sleeping. I’ll never forget seeing how broken my dad was, a man who was so prideful and stubborn, and whose biggest nightmare came true when his youngest daughter had to help him use the bathroom. The way my dad never wanted to seem weak, and the way my stepmom humiliated him. The way she made him sound so pathetic to the doctors that they gave him too much oxygen constantly, because she said he couldn’t do anything without almost suffocating. The way she lied and said he was on 2 liters every night, because that’s how she got her oxygen. She was on 2 liters. My dad refused to use it. The way that him getting too much oxygen made his COPD worse. How that’s what ended up being the cause of death. Not the blood clots that I was so terrified of, that it was COPD. I’ll never forget New Year’s Day and me having full blown OCD had texted everyone in my family begging them not to do laundry because it would mean my dad would die, and finding out my stepmom did laundry because she isn’t superstitious.. then that day finding out my dad was never gonna make it out. I’ll never forget moving to comfort care, and trying to make sure my dad heard all his favorite songs as we all said goodbye to him, or the fact that when it came down to it, my dad was taken off of everything and still refused to die in front of his kids. That my brother made us leave. And he died soon after we left the room. I’ll never forget falling asleep and swearing I’d hear his voice. Crying to Al green in my car. Going fully nonverbal after he died. I thought I knew death because my mom died, but I was wrong. I didn’t know death was so fucking UGLY.
Probably the worst part of death is finding out that it’s so fucking gutwrenchingly ugly. it’s so rarely peaceful. The portrayals I saw of it or heard of it, those were coping mechanisms from grieving people just hiding the reality of it.
I also can’t forgive my stepmom for cremating my dad when he had a literal plot next to my mom, with a headstone my grandfather carved (family biz was monuments) or the fact that she told everyone he didn’t want a funeral.
My dad would never have deprived his kids of the opportunity to grieve him properly.
So I don’t have his ashes, we never did any service, and I’m still pretty fucking fucked up from it.
Then two weeks later one of my best friends died, she was the same age my mom was, with kids the same ages me and my brothers were when my mom died, and she died suddenly with no warning, just like my mom. Her parents called me to tell me. Her dad a week before had reached out to see how I was doing when my dad passed. The universe really is funny that way.
Then another friend died, liver failure. Fucking what? And I couldn’t go to that funeral because I had to work, and I had already taken off too much time for all the other deaths. Couldn’t be the sad employee with all the dead friends and family members apparently. And it gnawed at me that I let work keep me from being with my dad when he was dying, that I missed a funeral because of the pressure to be at work, that I was having breakdowns during nail appointments and only heard about how fucking slow I was.
So I quit my fuckin job. And I regret nothing.
Am I broke as fuck? YES. Have I figured out how to make money for real? Nope. Have I listed anything? Nope. But I will.
Because burnout really taught me that I know what my real passion is in life and what makes me happy, and it’s fucking paint. And art supplies. And doodles. And hyper focusing on something and picking it apart for hours and not having someone over my shoulder telling me I’m too slow, or it’s not good enough.
I’m still in burnout, but if I didn’t hit it, I’d never have allowed myself to heal. I’d never have let myself focus on my actual needs, because I never let them matter. Just had to be a machine that did perfect work to make money for others while I took enough to pay my bills.
And tbh, I’m fine with only getting by, as long as I am doing something I actually enjoy.
Anyway. This started about me realizing that I don’t absolutely suck at art, but I think I really just needed to let out all of these feelings without worrying about anyone else’s. I people pleased through grief. What a dumb thing to do. Fuck masking. Fuck it. I’m done.
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art-tip-collection · 2 years
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hi im so sorry for dumping this but im really at lost on what to do
rn i have so many ideas i want to draw and i have sketched them traditionally (on paper w/ charcoal pencil) usually i usually scan those sketches to finish it digitally, but then after that i just hit a slump and end up Not finishing it because everytime i look at what im working on i always think "it's not worth it" and "it looks so weird what the hell are you even doing" and so i just.. Not.
please do you maybe have any advice? im so sorry for bothering
You're not a bother anon! It sounds like you're focusing too much on what you want your art to be rather than taking it for what it is. I know it's hard to go through, because I'm currently hitting this grey area with my own art.
I have three bits of advice.
First, accept that this is where your skill level is at, and that's okay. It's okay to want more from your art, and I believe you will be able to improve it in the ways you want! But it will take time and effort, and it's okay to be where you're at, be proud of how far you've come! The fact that you're finding and identifying things you don't like in your art means you've gotten better at looking at art too!
Second, if you really don't think your art is worth it, remember why you're making it in the first place! What inspired you to start? What makes you want to improve? What has you continuing to make art despite everything? Remember what it is that has you pursuing art, and it will be worth it.
Third, if you haven't already: take a break. Take a rest, consume content you enjoy. Read your favorite books or watch your favorite shows. Eat food you like and let yourself rest. Do nothing, and take as long as you need. Sometimes you need to give yourself some time to figure out what you need or what you want. For me it took me a few months to get back to art. I'm not as fast as I used to be, but I'm happier.
Good luck anon, I know you'll make it through this.
Mod Green
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trashyandtiredsol · 7 months
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Okay @kredena-dark you have unlocked an unskippable rant!!! :D
Some of this is just me explaining stuff, so don't mind that- actually idk I'm just info dumping rn, it explaining everything in full detail, but still explaining :P
Idk how long it'll be so- CUT TIME
💚Okay- posca pens!! Fuckin love those!! It's a liquid marker of sorts and there are thinner nib ones and thicker nib ones. There's also a very limited amount of color options. Which include pastel like colors, black, white, gray, silver, gold, basic color saturated colors, forgot if the green is more of a forest green or a more vibrant green tho :P
They can be so smooth and solid looking!! Which is what I like about them!! It's like markers but better!! :D
Really wanna get every single color for myself instead of only using them at school :/
💚 Woodworking has been going really great so far!! For woodworking 1 I took last year, it was introducing all the machines, taking safety tests on those machines plus ones for how to be safe in the workshop. It's where I made a box and a shelf were the drawer is now stuck in, which sucks, plus a phone holder with 2 holes for pencils.
Woodworking 2- very nice~ I'm working on another shelf, this time with 3 drawers!! And hopefully they won't get stuck :P. We also make a bowl, which I'll fully fully work on once my shelves done!! We actually learned a new machine for this!! It's able to make the wood rounded, so we can make a bowl and practice making the wood rounded.
💚Ink is a very nice tool for traditional art in my opinion!! You can put a blob of sorts and shape it however you want, then once it's dry you can use a sharpie or a pen or a fineliner sharpie pen to make something out of it :D
You can also just use the line pens and sharpies by themselves and create different values with thicker or thinner lines and I have shaky hands!! Which can really make your lines feel more organic in a way!! Also really helps me feel loose drawing!! But then sometimes it's rather annoying, like with digital art and when I want to make smooth straight and curved lines!!
💚 Speaking of digital art~
I ABSOLUTELY LOVE HOW THAT'S BEEN GOING FOR ME SINCE I'VE STARTED DIGITAL ART!! :D
I think it was..... Less than a year ago? Around that long ago :P
Anyway- I've made myself my own Sona and it's great!! My hair color and just having a pixie cut hair works quite well with the cat ears!! And all the markings and just- everything that's gone into making them has been so great~
And the art apps I use!! It took a few tries with multiple other art apps and looking up which would work for a phone and what was free to use. But I found Infinite Painter and HiPaint and they are so great!!
I found Infinite Painter first off, and it's worked splendidly and hasn't crashed or glitched on me at all!! And the brush options are so nice!! It's a great beginner digital art app, it doesn't overload you with so many brush customizations!! Even though there still are plenty of customizations, you don't have to adjust them if you don't want to!! You can just change the opacity and size of it if you want!!
And then there's HiPaint!! I REALLY like the brushes this app has, it's actually so much better than Infinite Painter!! And you can customize the stabilizer!! I currently have it a 20%. I actually thought I'd have it at some higher percentage since my hands shake, but it's quite comfortable at 20%!! I could maybe slide it to 21 -25% , just for a bit more smoothness. And- this app has glitched out once before and it wouldn't let me do anything at all!! So I tried restarting my phone a couple times and that didn't work so I uninstalled it AND I FRICKIN LOST MY PROJECTS ON IT AJSJDJFJFFKDJF that fuckin sucked, but luckily I already posted the doodles I did on there and I screenshotted the sona sketch I did, but I did loose my linework and the start of me coloring it :/. But I did redo the linework and finished it all and it looks very nice!! So didn't really lose anything permanently!! It hasn't glitch again so that's good~
💚hmmmm I'm running out of what to add!! Might just leave this as is~
Idk I wanna show this as soon as possible so I can talk more about this with you Kredena!!
(this is mainly for Kredena, but to anyone else reading, I hope you like this all!!)
Ye you know what idk what else to add, probably all my head cannons and such for every fandom I've ever been in, but I don't even remember all of that rn so- this is it I guess, maybe at least for now!! :D
💚Update: BANNER IDEAS FOR MY BLOG HERE :D
I have some very nice ideas!! There's one with my sona wearing my in progress green scarf!! There's another with a winter setting with a certain way the trees would look that I really wanna try doing!! There's a flower pattern idea for spring!! I also wanna do one with a pattern with better pumpkins and fall leaves and candy corn!! For summer I'd probably do a Sona drawing with a sunny background with my sona wearing shades and, OH OH MAYBE STANDING IN AN OCEAN!! OH I LOVE THOSE CONCEPTS SO FRICKIN MUC AJSJDDJFJajsjsjdjsffjdjAHSHDajsjdhASJDHDjajsdj!!
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neptuii · 7 months
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Okay so I took a break from making digital art for a few months because as much as I love making art I started to experience problems with starting or finishing my projects. I'm not sure if I could call it an artblock as I didn't had any problems with making traditional art. I think I was (and maybe still am) going through a neurodivergent burn out caused by a lot of things in my life. I'm still on the path of recovery and getting my life together. Also, sitting in front of the screen all day had a huge impact on my mental and physical health so that's why I gave up on making digital art for a while as well as tried to minimize the time I was spending on social media overall. What pushed me yesterday to make this art piece digitally is that I was completing one of my tasks I was putting off for so long- clearing out my phones memory storage. It was such a mundane task that was taking me so long that I just had to take a break and I started doodling in my sketchbook. I drew my persona with some clouds coming out from the head and thought: wow, that doesn't look so bad. Might use it as a profile pic. I was too lazy to color it though and I didn't want to use a bland, pencil drawing as my pfp so I just grabbed my laptop and graphic tablet (they were so dusty...) and just started fucking around with the brushes and color pallete lol Anyway that's all for now Have a good one, folks
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