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#AND ELAIN IS CALLED A PRINCESS IN ACOSF
miss-kitka · 2 years
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“sjm wants to do a little mermaid retelling so obv gwyn will be ariel” “vassa will be ariel” “elain will be ariel”
no, youre all wrong. azriel is going to be ariel and hes going to lose his shadows instead of his voice because of some deal he will make and elain will step up to save him
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princessofmerchants · 4 months
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Nesta and the Cauldron 💫 - a list of questions and puzzle pieces post-HOFAS
"... Wrapped in black eternity, Nesta and the Cauldron twined, burning through the darkness like a newborn star."
—from "Beginning," the prologue of A Court of Silver Flames
(HOFAS spoilers after the break)
I began rereading ACOSF post-HOFAS and boy was I shocked and delighted by what I found in the very first scene of the book, which is also one of my favorite scenes in all of SJM canon...
Here's a screenshot of the last part of the prologue to ACOSF, called "Beginning".
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After reading HOFAS, and learning what we did from the Starborn Princess Silene, along with the events of that book as well as those in ACOSF and going all the way back to ACOMAF,
I have new questions!
What could it mean that Nesta and Elain, both humans, were submerged in the Cauldron in the same way the magical objects of the Fae like Gwydion, Truthteller, and the Dread Trove items were? Does the fact that they were alive themselves first, and human at that, make a difference? (We know from the Blood Rite magic that Nesta is not recognized as a Made magical object in the Rite because her magic is suppressed like everyone else's...)
Was the Cauldron in Hybern different (more corrupt, perhaps from Fionn's death and his potential link to the health of the world in which Prythian resides), than it was when it Made Gwydion, Truthteller, and the Trove items? Or was its corruption (wrongness) the same kind that originates from the Daglan poisoning it before Gwydion and the Trove were Made?
When Nesta stole a large portion of the Cauldron's "raw power," was there more to the power besides its connection to Death, that somehow ties in to either the Starborn power that originates and thrives in the island of the Prison, or perhaps instead to the ancient Fae power that predates the seasonal and solar elemental power affinities that evolved after the time of High King Fionn? Is it similar or different to the way the Starsword/Gwydion and its imbued Made power has an affinity for the Staborn line of Fae?
We know at the end of ACOSF and from HOFAS that the Mother prevents all of Nesta's stolen power from leaving her when she bargains with the Cauldron and the Mother to save Feyre - and here in the ACOSF prologue Nesta and the Cauldron together are described as a newborn star. In being Made by the Cauldron, then first stealing its power but later being gifted back with some of it by the Mother - is there a connection or affinity here also to the power of the land on which the Prison sits that was forged through this process?
Regarding Nesta's bargain tattoo, which was an eight pointed star, the symbol of the Starborn power and its people - is the Mother (Urd in Midgardian parlance) the source of bargain magic in Prythian? As Bryce asks to Nesta - Why was Nesta's bargain tattoo with Cassian an eight pointed star? And also, why do the Illyrians (who were created by the Daglan but led by their ancester Enalius in alliance with the Fae in defeating those same Daglan) have a sword technique and sequence that takes this shape too? And what do any of these details have to do with 1) Gwydion and its Making in the Cauldron, and/or 2) Nesta and HER Making in the Cauldron?
And don't think I've forgotten about Elain - the longtime question of What happened when she went in the Cauldron? remains but with the added layer of how her own experience in the Cauldron and its gifting of Seer powers may or may not be similar or different to not only how the ancient Fae Made objects were imbued with power but also how her sister Nesta was imbued with (that same?) power?
Put differently, is this newborn star imagery (experience?) of Nesta and the Cauldron unique to Nesta because of the amount (and kind) of raw power she took, or is it shared among all humans who have been immersed in the Cauldron (of which we know of three - Nesta, Elain, and Briallyn, though Briallyn is now Unmade - and Jurian we can assume was brought back using the Cauldron with his eye but from what we can tell he has come back human and not Fae, and so we can presume while he was brought back from a terrible half existence, he wasn't Made, at least we have no evidence he has been...)
I'm just really, really interested in the following puzzle pieces:
-Gwydion, Truthteller, and the Trove were Made in the Cauldron
-Nesta and Elain were also Made in the Cauldron, but when Nesta was made she stole raw power from the essence of the Cauldron itself, enough to disable it for a time
-This transfer of power from the Cauldron to Nesta reminds me of how Silene talks about the power of the ancient Fae of Prythian including the Starborn power, and the material way Theia's Star power gets divided into three parts that are reunited by Bryce but that had actual physical locations for thousands of years (pointing out as well that the Cauldron has also always had a physical, material location throughout history)
-The Mother gifted Nesta with some of the power she had stolen then offered back in a bargain to save Feyre - we see that gifted power in action in HOFAS to great effect
-Nesta's bargain tattoo with Cassian was the symbol of the Staborn people and their power and also the symbol of an Illyrian sword technique
-Bryce, Starborn Heir, thinks these things connect Nesta to Gwydion, which was Made by the Cauldron just like Nesta was and which can be wielded by those who possess the Starborn power in some capacity
-Nesta can move through the wards in the Prison in a way no one else in Prythian seems to be able to, and in a way Bryce (Starborn line descendent) could too
I'm not going to actually predict any concrete theories from all of this. But we also know SJM committed to the existence of a multi-verse when KoA was published, after which HOEAB was published, followed by ACOSF....lots of time to think through how she was going to describe Nesta stealing power from the Cauldron in this scene.
I think there's meaning in this ACOSF prologue we are only just beginning to understand, about what the consequences of this tangling between Nesta and the Cauldron will in fact be. 💫
(And, it's the year of our Lord 2024 and there are new things to write and think about Nesta and the Cauldron - what a time to be alive 💃)
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merymoonbeam · 1 year
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Völuspá
here is a thought. I can't be bothered to make this pretty so bear with me here.
Hosab ended with Azriel taking Bryce to the Town house which was empty in Acosf. Nobody lived there.
He gave no warning as he hauled her over a shoulder and tromped down a set of stairs before entering somewhere … nice-smelling. Roses? Bread? They ate bread in Hel? Had flowers? A dark, cold world, the Asteri had said in their notes on the planet. (hosab)
“But why live in this dump, when the town house was sitting empty?” (Acosf)
But in hosab there is clearly someone living there with the fireplace going and the house smelling like bread and roses. The question is who? (I made a post about how it might be Elain living there.) and how sarah is going to tackle this crossover in acotar world?
my take on this is that sarah seems to LOVE Norse myth and heavily inspired by it. There is a famous poem in Norse myth called Völuspá.
Vǫluspá (also Völuspá, Vǫlospá or Vǫluspǫ́; Old Norse: 'Prophecy of the völva, a seeress') is the best known poem of the Poetic Edda. It tells the story of the creation of the world and its coming end and subsequent rebirth, related to the audience by a völva addressing Odin. It is one of the most important primary sources for the study of Norse mythology. The poem is preserved whole in the Codex Regius and Hauksbók manuscripts while parts of it are quoted in the Prose Edda.
The poem is told by Völva(a seeress) to Odin about the creation of the world, it is end and rebirth.
who is a seer? Elain.
What created the acotar world? Cauldron
Who is cauldron obsessed with? Elain.
Who is rebirth? Elain. (?) if we take the book of breathings prophecy as Feyre= Life, Nesta=Death
Life and death and rebirth Sun and moon and dark Rot and bloom and bones Hello, sweet thing. Hello, lady of night, princess of decay. Hello, fanged beast and trembling fawn. Love me, touch me, sing me.
So is she gonna use Elain's book to tackle this creation of the world and it's end and "rebirth"? Does Elain's book take place before cc3 or it is gonna happen at the same timeline?
Now that's out of the way. We have Odin right? Völva tells the story to Odin.
In the poem Völva tells something to Odin about his eye.
The seeress then reveals to Odin that she knows some of his own secrets, and that he sacrificed an eye in pursuit of knowledge. She tells him she knows where his eye is hidden and how he gave it up in exchange for knowledge. She asks him in several refrains if he understands, or if he would like to hear more.
Does it seem familiar? In koschei tales koschei hides his "soul" and there is a whole thing about it.
The most common feature of tales involving Koschei is a spell which prevents him from being killed. He hides his soul inside nested objects to protect it. For example, the soul (or in the tales, it is usually called "death") may be hidden in a needle that is hidden inside an egg, the egg is in a duck, the duck is in a hare, the hare is in a chest, the chest is buried or chained up on a far island. Usually he takes the role of a malevolent rival father figure, who competes for (or entraps) a male hero's love interest.
And in Acowar Elain knows about Koschei's box of black stone.
Elain paused halfway up the stairs. Slowly, she turned to look back at him. “I saw young hands wither with age. I saw a box of black stone. I saw a feather of fire land on snow and melt it.”
Elain shifted her face toward him. Another blink. “They sold her—to … to some darkness, to some … sorcerer-lord …” She shook her head. “I can never see him. What he is. There is an onyx box that he possesses, more vital than anything … save for them. The girls. He keeps other girls—others so like her—but she … By day, she is one form, by night, human again.”
Another thing in the poem is that there is horn.  Heimdallr's horn, Gjallarhorn.
Later in Völuspá, the völva foresees the events of Ragnarök and the role in which Heimdall and Gjallarhorn will play at its onset; Heimdall will raise his horn and blow loudly.
Heimdall's horn, which will announce the final battle, is hidden under the sacred tree, where we find another curious object, Odin's eye.
Who has the horn tattooed to her body and fell to Acotar world? Bryce.
That's about it. Looks like Sarah wants to write Ragnarok :))))))))))
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gwyns · 1 month
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“I feel like it's very fair for me to say that when myself, and many other Elriels, say "Spy Elain" we do not mean Elain turning into 007 so she can run around Prythian in the dark like a stabby stabby girl boss. We mean spies like the women spies from WWII. Spies like Vera Atkins, Noor Inayat Khan, and the infamous Nancy Wake who was described as "the most feminine woman I knew--until the fighting started. Women who leaned into stereotypes of the time to position themselves close to the enemy without being detected. Women who helped the resistance by gathering intel from bars and bakeries and city squares where Axis forces were known to gather. Women who collected intel and carried messages to and from the front lines all while wearing dresses, their intel concealed in shopping baskets or on their own persons. Women who were viewed as weak or passive, women who were never believed to be a threat because of their feminity and outward appearances. Women who were underestimated just like Elain.”
“Women who were underestimated just like Elain” and you know who does underestimate Elain? Azriel. Amren actually called him out on this in ACOSF. And I’ve seen E/riel’s say that they want Elain to stay soft and feminine, but they keep having her wear leathers or come up with theories of her and Gwydion. But Elain being a spy (one like Sorscha/not wielding a weapon) still doesn’t make sense given her characterization. Elain wants to be seen.
uh yeah? pretty much everyone knows that spying doesn't equal being a warrior, like hello?? they can overlap, yes, but clearly that's not the standard. that's why cassian had such an issue with it, he's a warrior through and through... and this e/riel thought they ate? we're not stupid. they're the ones going around screaming about spy elain while also tacking warrior traits onto that and making content of her with swords, in leathers, with blood dripping down her face. like that is not elain, honey! don't try to condescend to me when i know what the majority of your fandom does
this doesn't change the fact that elain has not once in canon showed us she gives a shit about spying. azriel has also not shown any indication that he's giving her "secret lessons"... funny how that only came up after THE CANON moment of him giving gwyn private lessons was mentioned, but no it has zero correlation with that, i'm sure! elain has always been a secret spy, warrior, princess of the court of nightmares, ruler of the dusk court, wielder of gwyndion and mother incarnate
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Acotar characters from least to most kinky? 👀 I’ve been living for your rankings
@moodymelanist I'm combining this with yours. YOU KNOW WHY
17. Amren- I'm sorry but she just does not feel exciting to me? We saw her with Varian and she's giving "50 Shades of Grey handcuff merch" and "Lights off only".
16. Jurian- 500 years as a mood ring has made him very, very quick.
15. BOTTOM OF THE LIST TO MRS. FEYRE ARCHERON- literally half the High Lords are willing to CRAWL at her feet and she spends most of ACOMAF pining over Tamlin. Offered a threesome with MR GOOD AT SEX HIMSELF HELION and says NO???? because WHY??? I've seen her fuck, the kinkiest she ever got was in the sky and it low key felt like a crime
14. Vassa- Fire in her blood but like, is also a bird most of the time so she's just not fucking very often. Seems like it would be aggressively angry though, and that's why she's above rooftop sex Feyre
13. Gwyn- Probably should be higher on this list but points for reading about smut and asking about Cassian. Learning what NOT to accept, seems like she would communicate.
12. Mor- Pillow princess. Nothing wrong with it, but that's as exciting as things ever get.
11. Elain- SORRY. I hate to do my girl like this but she can't even talk about a PERIOD without blushing. Do I think she's a secret freak? Yes. Do I think she could ever ask for what she wanted without whispering it? NO. Points for being so hot everyone is on their metaphorical knees begging for a taste.
10. Cassian- I read ACOSF. He didn't do anything groundbreaking. Most interesting thing we ever got was the information that the bat boys used to fuck in the same room. Points off for not communicating his needs during sex.
9. Tamlin- Knows where the clit is, goes down AFTER finishing. Multiple orgasms, beast form idk he deserves this spot. ANNUAL ORGY HELLO????
8. Nesta- Again, I read ACOSF. Daydreams about a threesome but gripping the headboard was as far as they ever got. Also loses points for not being honest with the person she was having sex with.
7. Tarquin- Can't prove it, but our respectful king gives off the vibes. Am aware, from cursed tags on shifting post, that my followers would let dolphin Tarquin do unspeakable things to them.
6. Rhysand- Feels like this man has had sex with men and women. Very friendly with Helion. Offered Feyre a threesome, would put all his money on his willingness to go through had she said yes. Is a crime he didn't, tbh. Seems game for anything. Down for a lot more than eating someone out in paint.
5. Emerie- Something about a woman with a sword. Something about a woman who can carry their injured pal up a mountainside. BDE. Cannot prove she's fucking wild. It's just a feeling I have.
4. Azriel- Mr. Big wingspan himself. Mr. Doesn't need poetry to get laid. Have seen zero proof of these claims so it's just the fandoms word against the text. Has been pining over one woman for 500 years, curious what sex with a man like that is like. Feels like your on your hands and knees a lot, and he's telling you not to talk.
3. Eris- FIRE. IN. HIS. BLOOD. "See how a future High Lord plays" BIG DICK, HE EXUDES IT. Mean. Would throw you against a wall. Filthiest things pour out of his mouth. Lets you spend the night, do not expect breakfast. Bruises your cervix, worth it.
2. Lucien- Mr. Fire in his blood? Mr. company at the border? Mr doesn't need to go to the pleasurehall to get laid? Participating gleefully in the annual orgy (when not forced?), only wanted to do Summer Solstice because there was a promise of sex. Libertine, laid back, fun as fuck. This man will never call you back but that's okay. You had a good enough time.
HELION YOU ALREADY KNEW. HELION SPELL CLEAVER. HELION WARRIOR LIBRARIAN, SECOND HOTTEST (allegedly) HIGH LORD. CAUGHT FUCKING ANOTHER MANS WIFE IN 4K, GOT HER PREGNANT WHILE BARELY EVEN TRYING. BI-KING.
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shallyne · 1 year
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Ever since you said that Feyre's real father is Apollion, I've been obsessed with this theory too. tell me more please🙏🏼🙏🏼
OH MY GOD YES anon it's my biggest dream to convince people of my theories, you made me so happy. Okay but so, there's not much to add to what I said because we know next to nothing about Apollion
BUT I can imagine that someone would argue "Feyre said she has her father's lips and hair" or whatever and girts of all, we don't know how mother archeron or Apollion look like and second of all, Apollion can shapeshift and we all saw in acosf that when you shapeshift while making a baby, it does play a role.
And then, what I already said is, that the book of breathings called Feyre princess of carrion and princess of decay and that's both things that you could very well associate with hel. ND the fact that it's PRINCES of Hel. Come on.
Everybody seems to think that Elain is the youngest child, too. BECAUSE SHE IS. Because Elain and Nesta are only Feyres half siblings. That's why Elain gives youngest sibling energy.
And Apollion has leathery wings in Hunts dream I think and you know that it's said that kinks are genetic? MOTHER ARCHERON HAS A WING KINK AND SO DO THE ARCHERON SISTERS
Plus, Feyre seems to have a connection to monsters which seems very hel-y to me
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ephemeralsx · 1 year
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they hate on feyre because they wish nesta and elain had the relevance in the series that feyre has as the heroine, it’s not even in the characters the fans are just immature and so because people self insert they do that with the sisters and have to be either to soft girl like elain or the bitchy one like nesta no grey area personality like feyre where she’s a mix of both, they need to be either the “cold girl boss” or “the princess type” character, because this series isn’t that complex and feyre hasn’t done much wrong at all to warrant the fanbases dramatics but this is just an immature petty fanbase that self inserts onto the sisters so they trash on feyre with whatever made up nonsense they come up with all while wishing their characters had what feyre has. her storyline, man, powers and title.
they lie and claim they don’t think she’s interesting of course just to seem superior all while elain and nesta are less impressive than feyre. they don’t have her powers of each court, they aren’t the first and only high lady like she is, they aren’t mated to the most powerful fae to ever exist, the lord of night, they aren’t lady of the night court, they aren’t as important to the inner circle as feyre is having met them all first giving them their first nephew, they don’t have cass or az as a high lord who calls all the shots with BDE, they don’t have the most popular love story of sjm’s, they don’t have the beautiful storyline that feyre has nor do they have a glow up story like hers (from neglected, bullied, manipulated, beaten, starved and killed to strong happy powerful wealthy first high lady, rhys’ only ever lover we know of (az and cass have histories which nesta and elain stan’s hate) she’s come a long way, is known as their country’s savior for freeing them all as cleverly as she did. what did nesta and elain ever do? i like elain! i don’t even hate nesta. but it’s easy to clear a nesta or elain stan when they’ve barely got anything going for them compared to their younger sister. don’t self insert too much guys to where you lose sight of how uninteresting your faves really are…feyre stan’s can at least say we aren’t deluded, jealous or miserable as hell 😂 at least we got three books dedicated to us and a novella. what do nesta and elain get? one book each? a less iconic love story than feysand? don’t piss a feysand off yall, bc it’s so easy to shit on her sisters and we’ll all happily do it. we win because the sisters stan’s will always have to deal with feysand being the more important and popular in the series regardless of them getting books sjm will always involve them and make them important as leaders of their family.
i mostly agree with you! its insane to me how someone can absolutely hate a main character eho has 3 books completely in her pov, like if you dislike it so much stop reading it and stop bitching about it.
i actually love nesta, but i can admit that the abuse towards feyre in their childhood is very much real, and honestly makes me sick when i think about it. feyre deserves all the apologies from them. and nesta did apologise, thats why i love her, she grew as a character and found her true self. i won’t share my opinion about elain for the sake of my sanity bc i don’t want elain stans attacking me, plus my opinion about her is pretty irrelevant for this topic.
anyways, i wouldn’t say nesta is less impressive than feyre. of course, over the course of 4 books, feyre had more history since nesta hasn’t really been a main character since lately. i love feysand, to be honest, even more than nessian, but i think the reason for that is just because we know them the best. if nesta was the main character from the start, things would look way different. even tho acosf was like a bible long book, i feel like nessian was rushed and a bit of a disappointment (too centered on lust instead of love in my opinion).
but anyways, you’re right, *some* nesta or elain stans lose themselves in the role of the icy bitch or the flowery princess and often overlook or even hate on feyre. which makes me incredibly sad because i relate with feyre the most. the kid who always got overlooked but was still faced with the burden if responsibility.
calling feyre boring or irrelevant just because she settled down and just wants to be happy is so incredibly wrong. think about her whatever you want, but some hate is out of pocket and just unnecessary
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wingedblooms · 2 years
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The seeds Sarah planted for Elain in ACOSF
I don’t know how many times I’ve read that Elain isn’t developed enough to get her own book, but it puzzles me each time. We have seen her grow significantly over the series and despite what some say, Sarah planted many seeds for her arc in ACOSF. This post is long (so many seeds), so take a seat and get comfortable. And if you notice any missing hints that might influence Elain’s story, please share! Many thanks to @offtorivendell for previewing this list and providing feedback.
1. We learn that Elain was Papa Archeron’s princess and they once lived happily together in a manor by the sea. This information seems like the opening of a fairytale. Through Nesta’s POV, we learn more about their childhood experiences. While Nesta was her mother’s creature, Elain was her father’s princess. Her word choice and proximity to a specific parent sets the sisters apart, in turn making their perspectives and development different. Nesta’s mother honed her ruthlessness and taught her how to scheme her way into a formidable match. And we are shown Elain’s heir-like resemblance to her father in their warm brown eyes, association with love and beauty, and desire to travel.
“We weren’t always poor. Until I was fourteen, my father was as rich as a king. They called him the Prince of Merchants.”
He gave her a tentative smile. “And you were his princess?”
Ice cracked through her. “No. Elain was his princess. Even Feyre was more his princess than I ever was.”
Even their gods-damned father had a portrait on the wall along one side of the grand staircase: him and Elain, smiling and happy, as they’d been before the world went to shit. Sitting on a stone bench amid bushes bursting with pink and blue hydrangea. The formal gardens of their first home, that lovely manor near the sea. Nesta and their mother were nowhere in sight.
2. Mama Archeron once predicted Elain would wed for love and beauty (which, as others have pointed out before, sounds an awful lot like lovely beauty), and comments dismissively that she doesn’t dream beyond her garden and pretty clothes. Nesta absorbed her every word, and channeled her mother when she told Elain to return to her little garden in a heated argument. She later challenges Nesta on her hypocrisy when she tries to keep Elain from living beyond the safety of her garden. And thanks to the Cauldron, we know she now dreams far beyond anyone else in this realm. It seems we have more to learn about what the middle Archeron sister wishes to make of her life.
My Nesta. Elain shall wed for love and beauty, but you, my cunning little queen … You shall wed for conquest.
Elain is pleasant to look at, her mother had once mused while Nesta sat beside her dressing table, a servant silently brushing her mother’s gold-brown hair, but she has no ambition. She does not dream beyond her garden and pretty clothes.
That fast, the power in her receded, vanishing into smoke on the wind. Leaving only exhaustion weighing her bones, her breath. “It doesn’t matter what I think. Go back to Feyre and your little garden.”
“Why?” Elain demanded. “Shall I tend to my little garden forever?” When Nesta flinched, Elain said, “You can’t have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater.”
3. Elain’s relationship with Nesta is strained and evolving from their past. Elain used to trail after Nesta to comfort her when she had awful arguments with Feyre. She catered to her needs, and in turn, Nesta defended her as a mother would. Elain’s absence in the intervention scene is therefore significant and indicates a shift in their relationship. She does not reinforce their past dynamic, and in later confrontations, seems to challenge it directly. Based on the evidence below, her presence might’ve simply been used by Nesta to delay the inevitable: getting help to address her addictive behaviors before they destroyed her immortal life. While we are ultimately left with hope for their future, they have yet to discuss their mutual hurts and find a new way forward.
Nesta didn’t bother to look pleasant as Feyre twisted to face her, taking a proper seat on the couch, the velvet cushions sighing beneath her. Her sister swallowed. “We need to make some changes, Nesta,” Feyre said hoarsely. “You do—and we do.” Where the hell was Elain?
&
Feyre swallowed, but didn’t balk. “That is enough. You’re moving up to the House, you’re going to train and work, and I don’t care what vitriol you spew my way. You’re doing it.”
“Elain needs to be able to see me—”
“Elain agreed to this hours ago. She’s currently packing your things. They’ll be waiting for you when you arrive.” Nesta recoiled.
4. In contrast to her sister, we see that Elain has started to heal. She is taking care of her body, has found friends in the Night Court, and is moving on from her heartbreak with Graysen. Does this mean her healing is finished? Of course not. Healing is an ongoing journey. But these clues might indicate that her story will focus less on her healing arc and more on her finding her own voice and using it to be the architect of her destiny. And we’ve already seen glimpses of this through her quiet steel, direct responses, and bold statements (see #6). This might also mean that her counterpart will receive more intentional healing support, while she tries new things with his encouragement.
Tending to the gardens of Feyre’s veritable palace on the river, helping other residents of Velaris restore their own destroyed gardens—she had purpose, and joy, and friends: those two half-wraiths who worked in Rhysand’s household. But those things had always come easily to her sister. Had always made Elain special.
Elain stood at the wall of windows, clad in a lilac gown whose close-fitting bodice showed how well her sister had filled out since those initial days in the Night Court. Gone were the sharp angles, replaced by softness and elegant curves.
She peered down at herself, bony and gangly. Her sister turned toward her, glowing with health. Elain’s smile was as bright as the setting sun beyond the windows.
Elain cocked her head. Didn’t dissolve into the crying mess she usually became when Graysen came up. Instead she said, “You’re angry with me.”
5. We finally learn Elain’s scent: a delicate mixture of jasmine and honey. Not only is jasmine heavily connected to the Night Court, but like honey it balances opposing forces. It is a flower that soaks up sunlight during the day and blooms at night. It has a soothing scent that can both help someone relax…and heighten their desires. Add some sweet honey to that, and you’ve got yourself a beautiful aphrodisiac (love that for her). In ancient cultures, honey is connected to both life and death; it is specifically included in religious references of land that overflows with plenty (land of milk and honey), and it was also buried with those who had died. Do those words sound familiar? They should. In ACOTAR, the fae Feyre was forced to murder start reciting this before they die: “Cauldron save me / Mother hold me / Guide me to you. / Let me pass through the gates; let me smell that immortal land of milk and honey.” More on that in a future post very soon. But big takeaway: even down to her scent, Elain is a blend of life and death, day and night.
Her sister’s delicate scent of jasmine and honey lingered in the red-stoned hall like a promise of spring, a sparkling river that she followed to the open doors of the chamber.
6. Elain seems to be done with being told what to think and do. She asserts herself and doesn’t balk from others. In fact, she even challenges and dismisses the most powerful characters, Nesta and Rhys. This change in behavior has been building since ACOFAS and it will likely manifest fully in the next book.
“I still wanted to come,” Elain went on with that focused calm, the quiet steel building in her voice. “I wanted to see you, to explain.”
Silver lined Elain’s eyes, but her voice remained steady, sure. “There was nothing that could have been done to save him, Nesta.”
Elain stiffened, but refused to balk from whatever she beheld in Nesta’s gaze. “You think I’m to blame for his death?” Challenge filled each word. Challenge—from Elain, of all people. “No one but the King of Hybern is to blame for that.” The quaver in her voice belied her firm words.
When Elain burst into the dining room of the House, Cassian and Rhys were shaking off the frigid air that had been howling through Windhaven. Her brown eyes were bright with tears, but she kept her chin high.
“What happened.” When Rhys spoke like that, it was more of a command than a question. Elain waved a hand in dismissal before flinging open the veranda doors and striding into the open air.
Elain remained in the doorway, her face pale but her expression harder than Nesta had ever seen it. “You do not decide what I can and cannot do, Nesta.”
Elain cut in sharply, “I am not a child to be fought over.”
“Look who decided to grow claws after all,” she crooned. “Maybe you’ll become interesting at last, Elain.”
7. And she is ready to hone her powers and help her court. Elain accepted the task of tracking down the Trove without hesitation. As we’ve seen in the original trilogy, her powers are extensive and they were critical in the war against Hybern (discovering a missing queen, Koschei’s box, Suriel’s whereabouts, and preventing her family’s deaths). The Night Court will need her powers to outmaneuver those who scheme against them and avoid another devastating war.
Cassian shifted in his seat. “So we track down the Dread Trove—how?” Elain spoke from the doorway, having appeared so silently that they all twisted toward her, “Using me.”
Elain said, “Then I will find it. I might require some time to … reacquaint myself with my powers, but I could start today.”
But Elain turned on her heel. “Find me when you wish to begin.” The doors shut behind her.
8. Amren (the ancient who flatters no one) reminds us that Elain is more than capable of defending herself and shouldn’t be underestimated. This is another callback to the times she defended her friends and family in the previous trilogy, to everyone’s surprise. Amren places emphasis on Elain’s capability and choice to determine whether or not she will train. We do not hear anything more about Elain tracking down the Trove, but it is after this point (specifically on solstice) when Nesta wonders if she is, in fact, taking lessons.
Amren said, “We do not have the time to wait for Nesta to decide. I say we approach Elain tomorrow. Better to have both of them working on it.”
Amren drained her wine and said to Cassian, “Nesta has a week. One more week to find the Trove with her own methods. Then we seek out other routes.” She threw a nod toward Azriel. “Including Elain, who is more than capable of defending herself against the darkness of the Trove, if she chooses to. Don’t underestimate her.”
Cassian and Azriel looked to Rhys, who merely sipped from his own wine. Amren’s order held. As Rhys’s Second in this court, short of Rhys overruling her, her word was law.
9. We learn that she is incredibly observant and has a vivid memory, and when she shares what she knows, it sets important events in motion. Despite what Feyre claims about her in ACOTAR (Elain just doesn’t grasp certain things), Nesta contradicts this by thinking that Elain was the only one who fully grasped her fierce nature and emotional depth. Despite what Nesta said about her being a loyal and loving dog, Cassian contradicts this with realizing that she sees and understands everything Nesta did. Notice a trend of assumptions and contradictions? @onceupona-chaos made a fantastic post about this very topic. SJM is intentionally setting up her character arc with these contradictions, expanding what we know about her, and preparing us for more development. And without the intelligence she provided, we wouldn’t have Nesta’s iconic Court of Nightmares scene or the musical gift from Cassian on solstice.
She had been born wrong. Had been born with claws and fangs and had never been able to keep from using them, never been able to quell the part of her that roared at betrayal, that could hate and love more violently than anyone ever understood. Elain had been the only one who perhaps grasped it, but now her sister loathed her.
&
“I’d forgotten,” Feyre murmured. “About this, and about her dancing.”
“Nesta never spoke of it afterward,” Elain said. “I just observed.”
Nesta was wrong, Cassian realized, to think Elain as loyal and loving as a dog. Elain saw every single thing Nesta had done, and understood why.
10. And somehow, she has evaded praise for Hybern’s death…like a spy. Rhys recalled her role in killing Hybern in ACOFAS, but we don’t get a hint of it in Nesta’s point-of-view and she claims the responsibility in ACOSF. Not once does Nesta correct others’ misunderstanding; she embraces it like a warrior. This is curious, but if the next book is focused on spying, it also makes sense. Spies don’t crow about their accomplishments like warriors do as that would blow their cover.
“I know,” Emerie said, releasing Nesta’s hand. “You killed the King of Hybern.”
“Yes.” There was no denying that fact. And she couldn’t bring herself to lie that she wasn’t the least bit smug about it.
&
Merrill bared her teeth. “You think I do not know you? The human girl who was shoved into the Cauldron and came out High Fae. The female who slew the King of Hybern and held up his head like a trophy as his blood rained upon her.”
&
“You slew the King of Hybern,” Gwyn repeated. “With the shadowsinger’s knife.”
“Luck and rage,” Nesta admitted. “And I had made a promise to kill him for what he did to me and my sister.”
11. Elain may be better than Azriel at keeping secrets. She discovers things that others do not (again, observant) and knows how to keep that information private.
Feyre smiled. “Elain was the only one who guessed. She caught me vomiting two mornings in a row.” She nodded toward Azriel. “I think she’s got you beat for secret-keeping.”
12. She’s also sneaking around and surprising trained warriors on the regular. We know she’s up to something and Nesta’s thoughts about it might be a hint, but we’ll have to confirm in the next book.
Elain spoke from the doorway, having appeared so silently that they all twisted toward her, “Using me.”
Elain had already departed with Feyre, claiming she had to be up with the dawn to tend to an elderly faerie’s garden. Cassian didn’t exactly know why he suspected this wasn’t true. There had been some tightness in Elain’s face as she’d said it. Normally when she made such excuses, Lucien was around, but the male remained in the human lands with Jurian and Vassa.
“You came,” Elain said behind her, and Nesta started, not having heard her sister approach. She scanned Elain from head to toe, wondering if she’d been taking lessons in stealth either from Azriel or the two half-wraiths she called friends.
13. She is riveted by the stories of her sister, her friends, and the legends of the Valkyries. Rhysand uses this opportunity to make a very interesting connection: some Valkyries were as lovely as Elain before they transformed into bloodthirsty creatures like Amren on the battlefield. Is this a hint for the other side Elain is hiding, and the true reason she was asking Amren about changing forms in ACOFAS? Is she a lovely fawn on the outside, and a fanged beast on the inside? We’ve actually seen this transformation before: in ACOWAR, Elain accepted Truth-Teller as the lovely fawn and then became a fanged beast when she stepped out of a shadow, bared her teeth, and slammed Truth-Teller through Hybern’s neck. This change from a soft creature of spring to a fierce creature of darkness also aligns with the myth of Blodeuwedd. Elain can be both soft and fierce, and no, she doesn’t have to choose one over the other.
“We never heard of them in the human lands,” Elain said. She’d been as riveted as Feyre to hear Cassian tell of it: first of Nesta and the others’ interest, then of the brief history of the female fighters. “They must have been fearsome creatures.”
“Some were as lovely as you, Elain,” Rhys said from beside Feyre, “from the outside. But once they set foot into the arena of battle, they became as bloodthirsty as Amren.”
14. Like her sisters before her, she will also have to address the mating bond, but Elain might have more than one bond to choose from. SJM uses specific language when Nesta thinks about Elain and Feyre growing closer—she thinks about the bond Elain had chosen. She could have written something else, like the sister Elain had chosen, but she didn’t. Instead, she decided to make us think about a choice Elain may have between bonds.
Elain and Feyre—that was the new status of things. The bond Elain had chosen.
15. When she is in the presence of her mate, Elain loses all her newfound boldness. If Sarah wanted to pursue an endgame between Elain and Lucien, this would have been the perfect opportunity to plant seeds for it. Instead, we see their mutual discomfort and disinterest. Lucien doesn’t even use her name, only referring to Elain as “his mate” when asked about her. Elain doesn’t buy a gift for Lucien, barely thanks him for her own gift, sits as far away from him as possible, and withdraws in his presence. He, in turn, is disappointed and pained yet again. Sarah persisted with this dynamic intentionally, and she consequently made it very hard for readers to root for them…because mate or no, who wants to read a story where the male accepts his fate despite his perpetual disappointment and the female slowly, but surely, loses her spark of life? It is painful to read even now, so unless we want more of this sad dynamic, the bond needs to be addressed in the next book.
“Why are you here?” Cassian asked, unable to help the sharpness. “Where’s Elain?” “I am not always in this city to see my mate.” The last two words dripped with discomfort.
Elain, the wretch, had taken the seat between Feyre and Varian, about as far from Lucien as she could get. Azriel remained in the doorway.
He and Lucien did not exchange gifts, though the male had brought a gift for Feyre and one for his mate, who barely thanked him after opening the pearl earrings. Cassian’s heart strained at the pain etching deep into Lucien’s face as he tried to hide his disappointment and longing. Elain only shrank further further into herself, no trace of that newfound boldness to be seen.
16. In contrast, Elain behaves demurely around Azriel. She avoids lingering eye contact and smiles shyly at him. Cassian’s thoughts prompt us to wonder why, and close readers may at this point put together the clues Sarah has sprinkled throughout the book, from Azriel’s reactions to Elain’s behavior. And on solstice we have an answer to our suspicions, thanks to Nesta’s keen observation: when their gazes linger, something charged is exchanged between them. This interaction parallels what we see between Nesta and Cassian—their gazes linger and something goes taut between them—to help us understand what is growing between Elain and Azriel: romantic tension.
“I always thought she was born on the wrong side of the wall,” Elain admitted. “She made ballrooms into battlefields and plotted like any general. Like you two,” she said, nodding to Cassian, and then, a bit more shyly, to Azriel. Azriel offered her a small smile that Elain quickly looked away from. Cassian tucked away his puzzlement. Lucien was certainly not here to snarl at any male who looked at her for too long.
“I was just checking on dessert,” Elain explained as they approached the doorway and Azriel. Nesta met the shadowsinger’s stare and he gave her a nod. Then his gaze shifted to Elain, and though it was utterly neutral, something charged went through it. Between them. Elain’s breath caught slightly, and she gave him a shallow nod of greeting before brushing past, leading Nesta into the room.
And our Nessian parallel:
Nesta grew still as Cassian’s gaze met hers. The space between them went taut, the sounds of the exercising priestesses fading into nothing, the sky an azure blur above, the wind a distant caress on her cheeks— “You too, Archeron,” he ordered, pointing to where Emerie and Gwyn now exercised, apparently doing their best not to laugh. “Do another fifteen.” Nesta threw a scowl at all of them and began her curls again. That was why she’d been avoiding eye contact with him.
17. We are also conveniently told that Elain is not a virgin. We learn that she not only slept with Graysen, but she also seemingly enjoyed it. Sarah felt this detail was important enough to include, and when we’re thinking about her writing preference for heroines, it makes sense. Sarah prefers to write about romance from the perspective of a female who has been intimate before.
Nesta snorted. “You’re living amongst beings who have none of our human primness, you know.” Elain squared her shoulders again, just as Nesta added, “It’s not like you and Graysen didn’t act on your feelings.” It was a low blow, but Nesta didn’t care. She knew Elain had given her maidenhead to Graysen a month before they’d been turned Fae. Elain had been glowing the next morning.
18. Elain indicates that she’s ready for more intimacy with Azriel. The interaction on solstice demonstrates that (1) Elain sees and understands Azriel without him needing to explain himself, (2) she gets him, but not her mate, thoughtful gifts that lift his spirits, (3) she is very attracted to him and wants more than glances and touches. And all of that is reciprocated: (1) Azriel reads her easily without the use of his powers, (2) he gets her a romantic gift that matches her character, one she wants to wear immediately, and (3) he is drawn to her and even exhibits mate-like thoughts (touch, smell, taste) that are typical for Sarah’s fae males. Most importantly, both of them lower their guard around each other and seek the other’s intimacy, despite past trauma, heartache, fear, etc. The charge between them is primal (like Nessian’s): Azriel is turned on by the thought of how she might taste, and Elain is turned on by his touch. This is more than casual relations. Both could seek that out in a heartbeat without issue. This attraction is nail-scratching, mountain-trembling, soul-cleaving romantic chemistry.
She hadn’t bought her mate a present. But she’d gotten Azriel one last year—a headache powder he kept on his nightstand at the House of Wind. Not to use, but just to look at. Which he’d done every night he’d slept there. Or attempted to sleep there. […]
Elain murmured, “You put them in your ears, and they block any sound. With Nesta and Cassian living there with you.” He chuckled, unable to suppress the impulse. “No wonder you didn’t want me to open it in front of everyone.” Elain’s mouth twitched into a smile. “Nesta wouldn’t have appreciated the joke.”
He offered her a smile back. “I wasn’t sure if I should give you your present.” He left the rest unspoken. Because her mate was here, asleep a level up. Because her mate had been in the family room and Azriel had needed to stay by the door the whole time because he couldn’t stand the sight of it, the scent of their mating bond, and needed to have the option of leaving if it became too much. Elain’s large brown eyes flickered, well aware of all that. Just as he knew she was well aware of why Azriel so rarely came to family dinners these days.
“It’s beautiful,” she whispered, lifting it from the box. The golden faelight shone through the little glass facets, setting the charm glowing with hues of red and pink and white. Azriel let his shadows whisk away the box as she said softly, “Put it on me?” His head went quiet. But he took the necklace, opening the clasp as she exposed her back, sweeping her hair up in one hand to bare her long, creamy neck.
He knew it was wrong, but there he was, sliding the necklace around her. Letting his scarred fingers touch her immaculate skin. Letting them brush the side of her throat, savoring the velvet-soft texture. Elain shivered, and he took a damn long time fastening the clasp. Azriel’s fingers lingered at her nape, atop the first knob of her spine. Slowly, Elain pivoted into his touch. Until his palm lay flat against her neck.
He needed to know what the skin of her neck tasted like. What those perfect lips tasted like. Her breasts. Her sex. He needed her coming on his tongue—Azriel’s cock strained behind his pants, aching so fiercely he could hardly think. He prayed she didn’t peer down. Prayed she didn’t understand the shift in his scent.
Her arousal drifted up to him, and his eyes nearly rolled back in his head at the sweet scent. He’d beg on his knees for a chance to taste it. But Azriel just stroked her neck again. Elain shuddered, drifting close. So close one deep breath would brush her breasts against his chest. She looked up at him, her face so trusting and hopeful and open that he knew she had no idea that he had done unspeakable things that sullied his hands far beyond their scars.
“Yes,” Elain breathed, like she read the decision. Just this taste in the dead of the longest night of the year, where only the Mother might witness them. Azriel’s hand slid up her neck, burying in her thick hair. Tilting her face the way he wanted it. Elain’s mouth parted slightly, her eyes scanning his before fluttering shut. Offer and permission. He nearly groaned with relief and need as he lowered his head towards hers.
19. Elain is hiding another side, even from her family. We can see this in her confrontations with Nesta and it is discussed specifically in Feyre and Rhysand’s bonus chapter. This is a very clear hint about Elain’s character arc, one Sarah intentionally highlighted for readers. Elain isn’t sweet and innocent (none of Sarah’s characters are). And their conversation reminds us that, as a gardener, she is used to getting her hands dirty and torn for a pretty result. Why else tease this information now if Sarah didn’t plan to show us what this looks like in the next book?
Rhys asked, “Have you ever seen Elain act like that before?”
“No.” I chewed on my bottom lip. Rhys’s gaze tracked the movement. “I mean, she’s been brave when she had to be, but she’s never been confrontational.”
“Maybe she was never given the chance to be that way.”
I whipped my head toward him. “You think I stifle her?” Rhys held up his hands. “Not you alone.” He surveyed the study as he thought. “But I wonder if everyone has spent so long assuming Elain is sweet and innocent that she felt she had to be that way or else she’d disappoint you all.” He sighed toward the ceiling. “With time and safety, perhaps we’ll see a different side of her emerge.”
&
I glowered at Rhys. “You think Elain’s boring?”
“I think she’s kind, and I’ll take kindness over nastiness any day. But I also think we haven’t yet seen all she has to offer.” A corner of his mouth tugged upward. “Don’t forget that gardening often results in something pretty, but it involves getting one’s hands dirty along the way.”
“And torn up by thorns,” I mused, recalling a morning this past summer when Elain had come into the house, her right palm bleeding from several gashes thanks to a stubborn rosebush that had pierced her gloves. The thorns had broken off in her skin, leaving sharp splinters that I’d had to pull free.
20. Elain will be the next one to experience the Night Court’s family intervention. The final hint in Feyre and Rhysand’s bonus chapter is also clear, and it echoes the conversation Feyre and Elain had in ACOWAR. Now that Nesta is on a healing path, it is Elain’s turn for help. For reasons I have already covered, it likely won’t look the same as her sister’s journey, but it will involve finding her voice, making choices about her life, and embracing her whole self (even that other side).
I sighed, absently rubbing my still-flat stomach. “Let’s focus on helping one sister before we start on the other.”
“Agreed,” Rhys drawled.
Although Elain was not active in Nesta’s healing journey (and based on their past dynamic, I would argue that she shouldn’t have been in order for Nesta to grow and start their relationship anew), Sarah planted many hints throughout ACOSF for her story. These hints parallel what we see for Nesta in ACOFAS: thoughts and comments from other characters, such as Cassian, Feyre, and Elain, with very few on-page interactions. Her story gave us a clear conflict that was necessary to resolve first. And now, with Elain, Sarah has set up clear inner and romantic conflicts for her story that need to be resolved next:
Inner conflicts: struggling to find her voice and embrace her full self, including the other side that she’s felt the need to hide
Romantic conflicts: enduring an unwanted mating bond, familial and political obstacles that stand in the way of romantic fulfillment
Overarching conflicts: allies refusing to sign treaty, mole(s) in the Night Court, scheming from Beron, queens, and Koschei, a mysterious fourth Trove item, and a missing Bryaxis
Paired with clues about her Made power, social skills, observational skills, stealth, secret-keeping, and potential training, she is ideally poised to address several of the overarching conflicts with her friends, family, and love interest:
We have a fae territory on the continent that is proving difficult to convince, and a female who can supposedly convince anyone to do anything with a few smiles.
We have moles in the Night Court who will need to be discovered and dealt with, and someone who has Cauldron-blessed abilities to hear, see, and track things that others do not. Bonus: she also has a strong connection to the Spymaster and spies in his employ.
We have a powerful death-god who would love to escape his leash and cause mass chaos, and a Made seer who has had visions involving him even though he is not woven into the fabric of this realm (which was the limit of the Suriel’s knowledge). With training, who knows what information she can access on Koschei, those who are working for him, and his plans?
There is a fourth Trove item shrouded in shadow that Nesta could not see, and a deadly monster on the loose. Would Nesta be able to track them both down with her remaining power? Or would a seer—who has her full powers and doesn’t require bones and stones to track things, including foreign beings—be better equipped for the job?
Elain as the next main character not only makes sense based on all the seeds Sarah planted in ACOSF alone, but her story is also necessary to move the plot forward with her power and role. It’s time for her family to come and find her, so she can finally begin.
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elriell · 3 years
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Why Elriel is most definitely a Sleeping Beauty Retelling!
Since this was brought up a few days ago I cannot get the idea out my head that Sarah is basing Elriel’s story on Sleeping Beauty, and now we know she hid crumbs in her other books, alongside a quick browse of her pinterest boards it seems more and more likely! Especially since she loves her retellings.
A daughter was born, and they called her Aurora. Yes, they named her after the dawn for she filled their lives with sunshine. 
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Listen well, all of you. The princess shall indeed grow in grace and beauty, beloved by all who know her. She'll walk in springtime wherever she goes!
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There are so many parallels between Elain and Aurora, they are both beloved by all, kind creatures who thrive in springtime. Aurora is named for after the dawn because she filled their lives with sunshine, A) tell me this isn’t Elain and B) the meaning of her name;
Elaine as a girl's name is of Greek origin meaning "sun ray or shining light".
Yet another parallel is Aurora believing they still treat her as a child, who does that remind you of?
Oh, dear. Why do they still treat me like a child? 
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Even if love is full of thorns, I’d still embrace it. I know that in between those thorns there is a rose worth all the pain.
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Could this be any more spot on? We have spoken extensively about Elains, not only willingness to get her hands dirty but the pleasure she derives from creating something beautiful from her labour. If this isn’t a metaphor for Azriel and their future situation I don’t know what is... 
This is very important, it keeps getting brought back up in text to show us Elain is going to fight through the bad to get to what she wants. Her hands might bruise and bloody in the process but she will to do it to enjoy the fruits of her labour.
Which leads me to why even further than a Sleeping Beauty retelling I think it will be Elain saving Azriel and breaking a curse/spell. Let us look to SJM’s pinterest board shall we!
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These are just a few of the SB reminiscent pins she has saved, one of the more recent ones in the bottom right. Notice it is the girl saving the man, tell me you do not get immediate Elriel vibes from that, the roses, the colours.
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There also seems to be a lot of cursed/chained art too, I definitely think something is going to happen to Azriel that Elain has to save him from, my best guess would be Koschei. 
Elain’s story thus far has heavily emphasised on choice, as we have seen through her interactions with Lucien and their bond overall, hence why I think it will be her making the choice to save him rather than him coming for her.
He has already saved her, it is time for her to shine. It would also grant her the opportunity to explore her own agency, and not what is expected of her.
 A ray of hope there still may be in this, the gift I give to thee. Not in death, but just in sleep, the fateful prophecy you’ll keep, and from this slumber you shall wake, when true love’s kiss, the spell shall break.
I think that it is interesting considering she is a seer, that Sleeping Beauty has so many references to visions, fate and so on, after the Azriel POV where we are shown he clearly believes it is fate that three sisters would all fall for three bothers.
Almost like it is... Fate. 
This will be the ultimate moment where Elain gets to decide her future and potentially follow her own fate. Not to mention we know the Cauldron loves Elain and gifted her with her abilities, could this be another tie-in, gifting her the ability to wake/heal Azriel? 
But see the gracious whim of fate - why, 'tis the self-same peasant maid, who won the heart of our noble prince but yesterday. She is indeed, most wondrous fair, gold of sunshine in her hair, Lips that shame the red rose, in ageless sleep, she finds repose. The years roll by, but a hundred years to a steadfast heart, are but a day. And now, the gates of a dungeon part, and our prince is free to go his way. Off he rides, on his noble steed, a valiant figure, straight and tall! To wake his love, with love's first kiss, and prove that true love conquers all! 
Love’s first kiss? Could this be why she didn’t allow them to kiss in the hallway... Anything is possible but the parallels are certainly interesting at this point you can’t deny! 
Also here are a few more little crumbs she could have been planting through the series, the colours we most see Elain in are pinks and blues and the most run along joke through the movie is her dress being changed from one colour to the other... Nothing major but certainly interesting.
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These were by no means the only references to her wearing those colours I am just trying to be brief. 
Not to mention Roses really took a bigger role in ACOSF in regards to associating them with Elain, while she certainly had past references to them before but adding in her fathers gifts and Azriels gift both being roses. Hmmmmmmm.
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There was a few more little things but I would love to hear everyone else’s thoughts!!!! If not SB what retelling would you think? I am a die hard Hades/Persephone fan so I am sad that is already been done because LBR they are perfect for it hahah
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sisididis · 3 years
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Lucien and the pearl earrings
Can we talk about Lucien’s genius being reflected in his gift choice in ACOSF? His gifting pearl earrings to Elain instead of a pearl necklace or a pearl bracelet is brilliant for more than one reason. 
1. Earrings are lightweight and discrete
Elain’s taste in jewellery is the complete opposite of Amren’s. 
Amren, our favourite treasure-hoarding firedrake, has a “diamonds-are-a-girl’s-best-friend” approach when it comes to opulent, eye-catching jewellery. The more bigger, the better. The shinier, the better. Chicken egg-sized ruby brooch? Check. A ruby necklace that could give Elizabeth Taylor a run for her money? Check. 
Elain’s tastes are far more delicate and demure. If Amren is Catherine the Great in terms of taste, then Elain is Princess Diana. 
Lucien doesn’t get enough credit for being perhaps the most observant character in the ACOTAR series. Given that his interactions with Elain were scarce and brief, he must have milked them for all their worth, studying every inch of Elain, taking in her every habit, her very speech pattern, her most minimal trademarks that others can easily overlook. Except for Lucien.
I think this is also why Elain was extra flustered when she opened her Winter Solstice gift. It took her a split second to realise that Lucien must have surveyed her like a hawk to take notice of her pearl love. It surprised her as much as it terrified her. It was another wake-up call, another instance in which the full scope of his devotion to Elain became apparent. 
2. Earrings (if lightweight) do not restrict movement, do not press down nor suffocate. Simply put, the wearer can forget they’re wearing them
Lucien is dead clever. He suspects that Elain feels the pressure of the mating bond whenever he’s around. The last thing he wants is that pressure to be transmitted through his gifts. He wants his gifts to remind her of him in a way that does not suffocate (e.g. necklace) and does not shackle her (e.g. bracelet). With earrings, they just dangle and quiver with movement. 
Earrings could never overwhelm Elain nor leave her feeling constricted in any way. 
3. Lucien is trying to get Elain to embrace her new Fae identity by beautifying her least favourite Fae trait (e.g. pointed ears)
In ACOWAR, Elain is glamoured to appear human in front of Graysen and his father, while pleading for human refuge and protection during the war. 
“Elain silently surveyed the tent, head tipping back. Her mass of heavy brown-gold hair shifted with the movement, the faelight dancing among the silken strands. She’d left it half-up, the style arranged to hide her ears should the glamours fail at Graysen’s estate.” (Chapter 51)
Appearance-wise, I believe that Elain’s new pointed ears are her most dreaded change ever since she became immortal. In the books, she often styles her hair down, billowing and masking the sharpness of her ears. 
Lucien doesn’t miss any hints. He knows about it. He knows it all. 
I don’t think that his choice for earrings was random or on a whim. 
He took all of these things into account. 
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Feyre Archeron
You do not falter.
You do not fear.
You do not yield.
Feyre Archeron, sweet and whimsical and bright. Cursebreaker, Princess of Carrion, High Lady of the Night Court. A girl who understood desperation and poverty, who drew herself up, who set her jaw and said “I will make this world a better place.”
Feyre has done so much for YA literature, and for young girls who are not fiery and angry. She has shown them you can be gentle and patient, and yet proud and dignified. My lovely Feyre does not need a knife or power to be revered: she is wonderful without magical aid.
I have seen unacceptable hatred concerning the High Lady, stating she is weak and useless, that she has done nothing to be worthy of her throne. Since when do women have to be rude and bitter to be sovereigns? Since when do we get to name ourselves feminists and then turn to ridicule girls for being kind? 
Feyre’s strength has been kindness and warmth, from the first page of ACOTAR to the last of ACOSF. She loves unconditionally and irrevocably, from her blood family to the IC, and never sidelines a single soul. She ventured beneath the mountain for Tamlin, underwent those awful trials for the sakes of strangers, tried time and time again to reach out her hand.
She loves Mor like a sister, protecting her day and night, looking after her without a second thought, mindful of her trauma always. 
She loves Cassian as though he were her brother, lounging with him because she understands he needs physical contact, teasing him, coming to him with tears on her face.
She loves Amren in her own way, offering her unswerving privacy and respect, going out for dinners together, buying her incredibly thoughtful gifts.
She loves Azriel, even if their relationship isn’t a loud one, offering him silence and respect and warmth.
She loves her sisters, defending them without fail, risking her life every night while they complained ceaselessly, working to help them the best way she knows how.
She loves her son, proving over and over that she would give him the world, giving him all the kindness and affection she never received as a little girl, taking her trauma and learning from it.
And she loves Rhys, broken, shattered, ruined Rhys. She lights lamps to banish the darkness, kisses away his nightmares with aching gentleness, giving him brutal honesty and her stark opinion.
Feyre does not need to fight and rage in order to be a YA character. She is allowed to be soft and sweet and patient, is allowed to forgive those who wrong her, is allowed to set her boundaries. My girl fought for her entire life, pleading her for mother’s attention, hunting in those dangerous woods for her family, giving herself to a world of poison and hatred.
It is okay for Feyre to set down her knife and rest. She can take time with her son (still can’t believe she’s a mom, but she deserves that happiness) and husband, work on healing her own trauma. 
She did not fuck her way onto the throne. Yes, Rhys married her and gave her the title, but Feyre was a queen without a crown. She proves every day she is worth more than your stupid fucking hate.
Feyre worked so hard to try and make her world a better place, and she is happy to share that joy with her family. I am sick of characters taking the burden of the world onto their shoulders. Feyre shares her victory with those she cares for, so they might feel that wonder, so they might do their part, so that she might sit back every once in a while and breathe.
She is allowed to want her own space, to say “I am not allowing this” without being called a bitch. Feyre is perfectly within her rights to see a suffering sister and intervene.
I have my own little sister, much like Feyre herself, warm and patient and loving. If she was suffering and drinking in copious and abusing herself, I would step in without a second’s hesitation. She is my fucking sister. I am always going to look after her, like Feyre looked after Nesta and Elain.
Some of you comparing Tamlin to Feyre, do you not have siblings? Or friends, for the matter? It is not abuse to remove your loved ones from a toxic environment where they are hurting themself. I went into this in detail, via my Nesta and Feyre post.
Feyre is the kindest YA protagonist I’ve ever read, with the courage to remain warm in such a cold world. She doesn’t take shit from anyone, but she does not start any, either. She tries to seek the good in people, to find that light within, and such is the beauty of our High Lady.  
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kanejdorogaya · 3 years
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Ok, but can we talk about just how unloved Feyre was till she entered Prythian?
Reading the first three books, we've always known their mother was cold and Nesta let her go out hunting in dangerous woods (I know, I know it's oft repeated), and their dad loved Elain the most.
But ACoSF, from Nesta's perspective just makes it so much clearer?
• Their mother
Their mother was clearly a cold, scheming woman, and she trained Nesta to dance, and basically become a smaller image of herself, like a protégée. Elain was the doll to be dressed up. Feyre hardly came into the scheme of things because she was so little, and basically nobody took notice of her. Like, she didn't matter, at all. Nesta would marry a prince or something, and Elain would marry for love. But cmon, at least talk about Feyre.
She literally tried to organize Feyre's birthday on a different day than the actual one, and then forgot. And called her strange and withdrawn for having been born on the longest night.
• Their father
Their father treated Elain like a princess, in Nesta's own words. She says Feyre was more his princess than she, Nesta, was. But he too, barely said anything about her hunting. Feyre goes to Prythian, and he says Go, Leave Us. Like seriously, you want to speak up then?
At the end of the War, which ship does he come on? The Nesta. Honestly, Feyre and her dad have a negligible relationship.
• Her sisters
Nesta and Elain have always been closer. It genuinely bothers Nesta, that Elain 'chose' Feyre? The two elders, excluding her, using her as a sack of money when they were humans, and failing to notice her suffering? To the extent that they didn't know she couldn't fucking read? They actually think Feyre will bring any harm to them, and Nesta is always, always protecting Elain? From her own sister? Nesta's explanation for spending Feyre's money: "I knew you could always get more." That's so... ugh.
Little Feyre, staying behind to beg the creditors to not kill her dad, or smash his legs. While the elder two, ran off to hide, without a thought for the youngest, the only one who stayed?
Yet Feyre loves them all. Doesn't understand Nesta, maybe, but loves them and has never, not once said anything remotely as hurtful as Nesta has said to her. (I would like to say at this point, that I'm not a Nesta Anti. I admire her, and I relate to her depression and certain thoughts, but there are a few things I cannot forgive her for)
That is why the Inner Circle is her family, her true Court of Dreams. That is why she fell in love with Tamlin. The first time she truly felt loved and wanted.
Feyre and Nesta have one of the most complex relationships, and fingers crossed, that they'll be closer now, but being the youngest in a family and watching everybody, everybody choose someone else over you, treat you like shit, and then use you when it benefits them just sucks.
This is why I remind you to not hate Feyre. To not call her Tamlin 2.0. That is the most disrespectful thing you could say, and I can't see anything similar between Feyre and Tamlin. At all. She tries her best, to do what she thinks is right. And ok, maybe sending her to Windhaven to train was harsh, but the intent was not to harm?
Feyre has died, loved and lost, been imprisoned, abused in so many ways, depressed and so much more. I stan Feyre Archeron, because she is strong, and if I'm half as strong as her at 21, I will be beyond happy.
(Let me know if I quoted something that was not canon. That said, not to be rude, please don't come at me and hate on me for expressing my views and what I feel about Feyre. I feel the SJM fandom is the most toxic fandom out there, and it makes me scared of saying what I think, because it starts fights, and I honestly don't have the energy to fight)
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princessofmerchants · 3 years
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what’s the firebird fairytale retelling
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Image Details: "BILIBIN, Ivan [Ива́н Я́ковлевич Били́бин] (1876-1942). 🇷🇺 Ivan Tsaryevich-Grey Wolf-Firebird, 1899." by Halloween HJB is marked with CC0 1.0
Hello! The Firebird is a figure in Slavic / Russian folklore, and there are many translations and versions of a story that features this character. Many of them also feature a character named Ivan, and the famous ballet retelling of it includes the evil sorcerer Koschei as the antagonist who has captured thirteen princesses, and the Firebird helps Ivan free them by defeating Koschei.
I am not an expert on all versions, but I read a novel retelling of the story, Firebird by Mercedes Lackey, many years back and the version of the story she draws on has Ivan (in her story, called Ilya) as a maligned youngest brother of many brothers who are all bullies to him for his interactions with the Firebird, before he sets off on the adventure that brings him to the realm of Koschei.
But if I were to guess, if SJM draws from any version it will be The Firebird ballet by Stravinsky. I will grab a few quotes from that Wikipedia page that summarize the ballet's story and bold the details that map to what we know about Vassa and Koschei, from Elain's seer visions and from Vassa’s own words about Koschei in ACOWAR:
The ballet centers on the journey of its hero, Prince Ivan. While hunting in the forest, he strays into the magical realm of the evil Koschei the Immortal, whose immortality is preserved by keeping his soul in a magic egg hidden in a casket. Ivan chases and captures the Firebird and is about to kill her; she begs for her life, and he spares her. As a token of thanks, she offers him an enchanted feather that he can use to summon her should he be in dire need.
Prince Ivan then meets thirteen princesses who are under the spell of Koschei and falls in love with one of them.
Then later:
Exhausted, the creatures and Koschei then fall into a deep sleep. While they sleep, the Firebird directs Ivan to a tree stump where the casket with the egg containing Koschei's soul is hidden. Ivan destroys the egg, and with the spell broken and Koschei dead, the magical creatures that Koschei held captive are freed and the palace disappears. All of the "real" beings, including the princesses, awaken ...
I don't believe SJM will do a literal retelling but instead, similar to what she did with Beauty and the Beast and the legend of Tam Lin in ACOTAR (the first book), draw on elements from the source material but combine it with her own world building to tell us a new version. The only players I feel sure would play a role in a retelling of this in the ACOTAR universe are Lucien (Ivan/Ilya), Vassa (the Firebird), and Koschei (Koschei). 
More thoughts after the break that contain ACOSF SPOILERS about my ideas for what could happen in future books, given the above lore I think SJM is drawing on.
What I would LOVE is, if Lucien goes on an adventure to Koschei's lake on the continent to face Koschei in order to free Vassa, that Elain would join him, perhaps from two motivations: 
1) To offer her seer powers in aid of this mission that would track back to the wider plot conflict already set up, with the remaining human queens, Fae wanting to land grab in the human realms (e.g., Beron), the Trove, and of course, Koschei; and, 2) Perhaps, as a way to finally face her mating bond with Lucien, not necessarily to accept it immediately, but if they travel together to help the wider conflict, they could test the bond together and see if this is something they both want to choose or not (and Lucien would absolutely go for this because, even though the chance of a rejection lays at the end of the journey, he wants to figure this out as much as she does)....then cue an Elucien love story that is layered into the Firebird retelling ☺️
And yes, I just showed my Elucien cards, but this theory of how their book could go technically allows for either outcome. But whether Elain is involved as I am speculating here, or less so, I honestly believe Lucien will be the one to travel to the continent to face Koschei to free Vassa from her curse, and free the other girls Koschei has trapped in the process. 
This single line in ACOSF, ch. 7, bolded at the end of the political discussion about Koschei, is SJM telling us almost as literally as she can from the middle of the narrative, that this is what is coming, and I adore SJM for putting this in there, easing my Lucien, Firebird-loving heart that my hopes for this plotline are well founded:
“Certainly.” Vassa peered at her hands, fingers flexing. “I fear what may happen if he ever gets free of the lake. If he sees this world on the cusp of disaster and knows he could strike, and strike hard, and make himself its master. As he once tried to do, long ago.”
“Those are legends that predate our courts,” Eris said.
Vassa nodded. “It is all I have gleaned from my time enslaved to him.”
Lucien stared out the window—as if he could see the lake across a sea and a continent. As if he were setting his target.
I always hoped this would be the next full length novel after Nessian's, but now I'm thinking it might be the last one because it would end with Koschei's demise, and he seems to be the big baddie for this trio of novels, of which ACOSF was the first. 
Plus the Az POV bonus chapter makes me think SJM is setting us up for him being a main character in the next book, which makes me think we're finally going to get the Az / Mor situation resolved, and that they both find partners (in Gwyn and Emerie 👀 showing more ship cards, sorry not sorry!) once they talk out 500 years of tension and pain. 
So the Firebird retelling may get punted one more book, which in my head means Elain's story is held off for another book as well... though Elriel shippers might see her playing a main role in an Az novel, and thus the debates continue until we know more ☺️ (she says cheerfully - no anti hate here please!).
I hope this answers your question about the Firebird fairytale and how I see it playing a role in a future book! Apologies for also weaving in my ship theories and predictions. ☺️ But IMO Lucien freeing Vassa from Koschei does not depend on any ship being endgame, and I am ready for SJM's creativity to shine as she (hopefully!) retells this story for us!
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Text
Fiancés, Firebirds, Foxes and Fawns: 3
Author: @exquisitley-obsessed​
Summary: A few weeks after Briallyn's attempt at uniting with Koschei, Lucien opens the door of Lockhart Manor to find Elain, cold from the rain and holding a note from the High Lady of the Night Court demanding her to assist Lucien in building alliances with the human councils. Forced to work together by their exhausted High Lord and Lady, Elain is able to convince anyone to do anything, while Lucien has the acquaintances to go anywhere he likes. Together, they attempt to unite the fae and mortal lands and unravel the deal made between Koschei and Vassa, while Lucien remains haunted by his own promise to Elain's father. ELUCIEN, POST-ACOSF
Pairings: Elain x Lucien, Elucien
Warnings: None.
A/N: This is going to be a long, slow burn fic (hopefully)
MY MASTERLIST
THIS FIC’S MASTERLIST
AO3
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Chapter Four: Playing House
“Who could be calling this time of night?” Vassa rose from her chair, her skirts flowing to the floor.
“Trouble?” Lucien shrugged.
“We can only hope,” Jurian grinned, leaping to his feet with newfound excitement.
“I sent the maids to bed,” Vassa moved to peer out a window where she should’ve had a clear view of the porch, but nothing could be seen through the black rain, “Should I wake the house for guests?”
“We don’t know if it’s a guest, might be something more fun,” Jurian was still grinning wolfishly, now bouncing from one foot to the other, “So…who’s going to open the door?” Both man and male turned to look at Vassa who only scoffed in response.
“Ugh - why me?”
“You’re the queen, princess.”
“How are you going to call me queen and princess in the same sentence?”
“It’s an oxymoron.”
“Oxymoronic more like.”
“Oh Mother, I’m surrounded by children,” Lucien groaned, running his hands over his face.
“The only children in this room are you two. Afraid of answering a door for Cauldrons-sake,” she huffed as she waltzed into the foyer, embellished with russet wood and crimson carpets, Lucien and Jurian on her tail like puppies.
She’d just reached the towering oak doors when something whipped her around, pulling her by her outstretched hand. Turning, Vassa came face to face with Lucien whose eyes were stony with determination.
“I think not,” was all he said, his other hand resting on his belt where his silver sword of Autumn was permanently strapped.
“Why?” Vassa huffed, feeling her heartbeat quicken in response to the intensity of Lucien’s gaze.
“You’re insane if you think I’m going to let a queen open the door to an unexpected guest in the middle of the night, in the middle of a storm, whilst unarmed and being tracked by a Death God.”
Vassa’s wide eyes just drank him in, before looking down at where his hand was wrapped around her wrist. He dropped it instantaneously, as though she had burned him.
“So he does have balls,” Jurian cooed from behind them, but to Vassa, he was long forgotten.
“Fine,” Vassa took a step towards the Fae Lord, allowing her voice to drop a few octaves as she refused to break eye contact, “Go ahead.” She just about purred before turning and walking back to wait at the base of the stairs, missing the confused look on Lucien’s face as he turned to the door.
He should’ve been able to smell whoever was on the otherwise of the door, as well as the Belladonna’s which sat in clay pots on either side of the entrance. But all Lucien was getting, was the smothering dew of the rain, wet overturned earth and the neither-here-nor-there scent of furious winds. He could however hear a soft murmur of voices, from the pitch, female, before a second, shy knock beat on the wooden door. Two heartbeats, and that was it, all the information he could glean given the storm and inches of brick which separated him and his ‘guests’.
With his hand on the door’s iron handle, Lucien’s body felt alive and electric, like a drawn bow ready to fire. There was something in the air, a moment of calm before the storm. Without dwelling on it any longer, Lucien rose to is full height, one of his greatest assets even against other Fae, and yanked the door open.
“Hello?” A small, quiet voice. A voice that haunted his dreams.
***
Touch her. No, don’t touch her. She doesn’t want to be touched. But it is normal for people to touch, people touch all the time, a hand on a shoulder is no affront. Just touch her. But you have no reason to touch her.
That’s what Elain smelt like, or something similar, he supposed.
At first all Lucien could see of Elain was her big eyes, peeking over her purple cloak like beacons. But he’d recognise those eyes everywhere, sometimes it felt as though they were in his room, watching him. She seemed to still as he caught her eye, him standing in the warm orange light of the house, her shrouded in darkness and mystery.
At first all Lucien could see of Elain was her big eyes, peeking over her purple cloak like beacons. But he’d recognise those eyes everywhere, sometimes it felt as though they were in his room, watching him. She seemed to still as he caught her eye, him standing in the warm orange light of the house, her shrouded in darkness and mystery.
In response to the cold and the rain, Elain’s cheeks had flushed a healthy rose. Her eyes were wide, and Lucien could see how the water had darkened and elongated her lashes. If Elain were this beautiful when she was fae, Lucien couldn’t comprehend how magnificent she must’ve looked like a human. Surely there had been suitor after suitor, clawing for a minute of her time, or even a handkerchief or a pearl. Anything of hers to prove to themselves that such beauty was possible – that she was somehow real.
It wasn’t until Lucien had stuttered a meek ‘come in’ when he noticed the second bundle of a person over Elain’s shoulder. When they came into the light of the foyer, Lucien had recognised her as one of the shadow wraith’s that often accompanied Elain in the Night Court. Which one, he could not tell, but she was lesser fae, and lesser fae were always welcome in his home.
Lucien was sure he was in a state of shock, his ears were ringing faintly as Elain entered a polite discussion with Jurian who was smiling enough for the both of them. He couldn’t tear his eyes away from her, convinced that if he even blinked for too long then she’d disappear, back to the Night Court.
Lucien stood lamely to the side, his posture rigid. Vassa remained at the base of the stairs, whatever her countenance was to Elain’s arrival, he didn’t care for it. As Jurian chatted, Elain had pulled back her hood to reveal her hair of deep gold, soaked entirely, as though she had just arisen from a bath. Lucien dug his nails into his palm.
She was so beautiful, and it hurt to wonder how the Cauldron had ever, at any point of time, believed him worthy of being considered a perfect equal to such a creature.
“Ah, might this be the letter?” Lucien forced himself to tune into the conversation.
“Yes,” Elain’s gentle voice washed over him, lapping across his skin and like magic, it began to soothe him. “From the High Lady of the Night Court. I am to be staying with you for some time it seems, an extra hand to deal with the councils. If that would be alright?” Her voice, unlike Jurian’s or Vassa’s, was consistently soft, and in a strange way, it gave her an aura of power. As though she need not speak too loudly or rush her words, as she knew the world would be listening anyway.
“Ah,” Jurian plucked the sopping note from Elain’s palm, and though he really didn’t care, Lucien watched with intent at how Jurian avoided touching any part of Elain’s skin. Instead, he grabbed the letter’s corner and held it out as it dribbled rainwater across the red and gold carpet.
“Oh, um,” Elain seemed to flush, “I promise you it was a note from Feyre. The lettering might be a bit…illegible.”
“I think we can take your word, Ms Archeron.”
“Elain, please,” she whispered politely with a small curtsey that clearly came naturally. Lucien was so taken aback by Elain that he barely had time to recognise that Jurian was putting on a big show of good behaviour for his mate. If Elain had been anyone else, and if Lucien had been back in the Spring Court manor wearing his fox mask, he would’ve winked and told Elain that she was pretty enough to go where she pleased since kings would most likely fall to her feet anyway, but he just bit his tongue and cocked his head.
He needed to say something to her, he needed to be able to look into those eyes. What was she really doing here? Had Feyre truly sanctioned this? She’d said High Lady, not High Lord. Why had she come in the middle of the night? Why was she here, why was she really here?
“Let me take that for you,” was all he ended up saying, looking from Elain to her cloak then back to her eyes.
Some part of him hated seeing Elain in damp clothes with her hair dripping. It reminded him too much of the first time he’d seen her, as his mate, after she’d just been through the most traumatic experience of her life. He wished nothing more than to wrap her up into his arms and send wave after wave of warmth through her to dry her clothes, to make sure she was never cold and shivering again.
Elain seemed to stare at him for a moment, and Lucien wondered if she could possibly be just as taken aback by him as he was of her. How many of these moments, these little pauses between words, were genuine? And how much of it was the drive of the bond?
“Thank you,” She whispered, her hands reaching up to undo the clasp at her neck. As she did so, Lucien adverted his eyes. Something about seeing Elain remove an item of clothing, even a sopping cloak, felt too much like an invasion of privacy. And then she was holding her cloak out to him, and he just nodded at her, allowing his lips to turn up at the corners as he took the damp material, making sure not to accidentally touch her bare hands.
Behind Elain, the twin appeared to cock her head and glare at him, her message clear – ‘and what about me, huh?’ Lucien ignored her as he folded the cloak over his arm and took a step back towards the wall.
“Well, welcome to Lockhart Manor, Ms Archeron,” Vassa then announced herself as she strode forth from the base of the stairs, her posture stiff and elegant. This wasn’t Vassa speaking. This was a queen. “We have spare rooms in abundance which you’re more than welcome to settle into, since the maids are asleep right now please allow me to take you to your quarters.”
“Oh, um, thank you,” Elain nodded and smiled politely, a faint flush spreading on her cheeks, one that threatened to bring Lucien to his knees.
“No luggage, or are you not staying long?” Vassa inquired innocently enough, and had Lucien tore his eyes away from Elain for just a moment, he would’ve seen the slight glint in the queen’s eye.
“My sister will winnow me my bags tomorrow morning. You see, it was paramount we left the Night Court at a certain time. Unfortunately, this was our best window for travelling, but Feyre insisted you would be awake given…” given Vassa’s curse, her inability to see sunlight with human eyes.
“Are you in danger?” Lucien couldn’t bite his tongue as something began to rise within him – Terror? Anger? Worry? Elain’s big eyes drifted back to his, and once more she seemed to pause before speaking.
“No,” she breathed. Her voice was just a petal in the wind. “At least, only in danger of Nesta finding out I’m missing.”
“You didn’t tell her you were coming here?” If Lucien wasn’t mistaken, that might just be a slightly mischievous glint alight in Elain’s eye. The idea of Elain deceiving her viper of a sister to come across the world to stay with him, seemed far too good to be real, and Lucien couldn’t stop the small grin that pulled at his lips.
“Well, you must be tired after such a journey.” Lucien wished Vassa hadn’t spoken because it pulled Elain’s gaze from his. Lucien also suspected that little travelling had been done since Elain’s companion was a shadow wraith, and able to travel the world via the shades. “Please, let me show you to your room.”
Lucien hated to see her go, as she politely curtseyed to the queen before following her up the stairs and disappearing down a corridor which led to the western wings. It was only when she was, in fact, out of sight, that Lucien felt the reality of her presence collide with him like a pile of bricks.
Suddenly, he was breathing too quickly, no, too slowly. His body was overheating, and his heart was racing. All around him swirled her scent and every cell in his body was screaming at him to follow her up the stairs, to keep her in sight and never let her leave it. Keep her warm, keep her safe.
“Careful Luce,” Jurian’s voice called him back to reality, and he found Jurian peering at him with that god-damn, shit-eating, all-knowing grin, “She’s going to want that back,” was all he said as he nodded at the sopping cloak Lucien had clutched against his abdomen. The rainwater soaking through his linens, and making him shiver.
***
“You say your sister sent you?” Vassa was leading Elain and Nuala down a series of hallways. Elain liked the manor, one she would’ve adored when she was human. There was a crimson carpet that bled across the entire house, embellished with threads of sparkling gold. Deep brown wood covered the walls in panels, and there were candles here, not faelight, which cast the hallways in a warm, watery glow. It felt so familiar, in such a painful way.
“I wanted to be of some use to my sister following Briallyn, she thought I could be of use in working with the human councils given I…well, I…”
“Used to be human?” The queen’s voice was slightly monotonous, almost sounding as though she were somewhat bored, that these things happened all the time.
“Yes,” Elain nodded furiously. She’d been so caught up in the idea of seeing Lucien again that she’d practically forgotten Jurian and Vassa.
“Well, after a good night’s rest you might be able to catch me before sunrise and we can discuss where you’d be most useful.”
“Yes, thank you…what kind of work is there?”
“Meetings with councils and human lords, establishing positive relations between fae and humans which, considering humans were enslaved to the fae a few hundred years ago, isn’t the easiest relationship to manage. There’s also work to be done regarding the human armies, and not to mention the other human queens. We could also use with someone prepared to travel to establish trade routes between the mortal lands and the Spring Court, though, really all of this pales in comparison to cleaning up the mess Briallyn left behind.”
Elain blew out a breath. There was so much going on in the world, in the mortal lands alone, and her family had hidden it all from her. Or had they hidden her from the world? It didn’t matter, she was here now, and she was prepared to make herself as useful as possible.
“Where can I find you, to talk tomorrow morning?”
“I’ll most likely be in the dining room, taking breakfast with Lucien and Jurian.” The Queen swung a hard left and Elain stumbled slightly as she tried to follow.
“Okay…thank you, for everything.” Elain put on her best smile, but the queen wasn’t looking at her.
“You were quite sick the last time I saw you,” was all the queen said in response, and Elain felt as though ice had been poured down the back of her dress.
“Yes, I was,” Elain said quietly, her eyes meeting those of Nuala’s for a fleeting moment. God, where was her room?
“You’re better now?”
“Yes,” Elain practically whispered, not interested in being reminded of those torturous months post-Cauldron. Especially when, technically, she was still in them.
“Good,” Vassa said, and Elain couldn’t read her tone, but then, “Here are your quarters, Jurian’s rooms are just down the hall. If you wish to find me, or Lucien,” she paused slightly, “Then you can find our rooms in the East wing. Just ask a passing maid and they’ll lead you to us.”
Something ugly reared its head inside Elain as Vassa referred to her and Lucien as an ‘us’. And if Elain wasn’t mistaken, judging by the glint in Vassa’s eye, the language had been intentional. But Elain knew this game, knew how to play a courtier, how to manipulate a crowd with a smile.
Interesting, some part of Elain perked up. Maybe she’d gotten herself into more than she was expecting by coming to Lockhart Manor. Or maybe, it was a really, really good thing she’d come at all.
“Thank you,” was all Elain said, letting nothing pass her courtly smile. “For everything.”
***
Nuala had her own room but had stayed with Elain for a while after Vassa’s departure, perhaps reading the slight tension in the Acheron’s shoulders as she perched herself at her room’s vanity. If Elain was rational, then she would be obsessing over Vassa, of what she said and the look in her eye as she spoke. She would try and unfurl the dynamic she was to expect at breakfast tomorrow, when the world was still dark.
But she was thinking of him.
Lucien was different here, and Elain realised that she’d never seen him out of the Night Court. In fact, all at once the chaste meetings they’d had thus far seemed entirely, hilariously inadequate.
He was otherworldly, something about him seemed more fae than the others, even the Illyrian’s with their beautiful wings. Lucien was fire and light in form. His hair, no mortal could even imagine hair like that. In fact, Elain was convinced that even Feyre couldn’t capture it’s essence in her paintings. It was ever-changing, always moving and shifting colours in the light, almost as though it were alive. When she’d first seen him in the Night Court it had been a paler, autumnal orange with what seemed to be streaked with glittering gold. But here, by the candlelight of Lockhart manor, it was the red of rust and blood.
His skin was made of tan plains that rose and fell over the contours of his body in a way that reminded Elain of the deserts she’d seen drawn in adventure books. And then there was his impossible height, taller than everyone, including those back at the Night Court, only beating Cassian by an inch. He had a presence in a room like no other, he demanded intrigue and interest, with his mismatched eyes and brutal scar.
Maybe Elain had only been so nervous of Lucien because of that reason. Because she was used to seeing men who appeared to have not quite come into their bodies, their chins loose with excess skin, their hair wiry and coarse. And Lucien…Lucien looked as though he’d had hundreds of years to hone his body. Tall and sharp, standing with a poise that reminded Elain of a blade. His eyes alert and always moving, and a mouth that quirked to the side, as though there was always some dirty joke resting on the tip of his tongue.
Guilt moved through Elain in a wave. First, guilt over Graysen, then guilt over Azriel. Both men whom she’d also found to be beautiful, in their own ways. The innocence of Graysen, which in hindsight, proved to be a hilarious interpretation. The mystery of Azriel, the way that even when she was convinced he wanted her, she was never entirely sure.
Perhaps it wasn’t guilt that washed through Elain, but rather dread. Because here she was, again, and all she could hear was her mother’s voice echoing in her mind – Foolish girl. Foolish, foolish girl. Her mother would tell her that she never learns.
Or maybe she wouldn’t. She’d only admitted to herself that Lucien was attractive, his eyes searing, looking every bit of the fae prince as he swung open the door, backlit by gold and red light. And the bond was supposed to make her find him attractive, right? She could consult the book she’d brought later. Because that was the problem – what was real and what was the bond? Did Lucien truly care for her? Would he have even looked her way if the bond hadn’t existed? No matter how much she tried, she couldn’t be convinced. Lucien was suited to the bold courage of Nesta or even the quick-wit of Feyre. Elain was brutally soft. Men like Lucien didn’t care for the delicate - right?
“I’m sorry to take you from your sister, Nuala,” Elain whispered, as her friend began to comb through her dripping hair.
“It’s no problem,” Nuala’s voice was like velvet, and in the mirror, Elain could see her eyes were soft and her mouth turned up at the corners. “Sometimes getting away from family can be good for you.”
Elain hummed in response as Nuala began to knot her hair into a crown of elegant braids so that her hair would dry with a curl.
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I recently saw the theory from ACOMAF that the book of breathing’s was talking to not just Feyre, but all 4 of those who are or would be Made when the Golden Queen left it behind and it was whispering; the theory basically said that the book calls Feyre “Lady of Night”, Amren “fanged beast”, Elain “trembling Fawn” and Nesta “Princess of decay”, which is interesting obviously because of the whole death god theory in ACOWAR.
But it also got me thinking about how part one of ACOWAR is called Princess of Carrion referring to Feyre ruling over the death of the Spring Court. I’ve always thought it was weird that it wasn’t called Princess of Decay since the book of breathings had already called Feyre that and it seemed like a waste of a perfect foreshadowing opportunity, which is such a staple of SJM books.
THEN I started thinking about how Feyre always says that she and Nesta dislike each other so much because they are similar, different sides of the same coin and how maybe that ACOMAF theory is right and Princess of Carrion and Princess of Decay could be just another illustration of this???
In conclusion:
1. I wish I had this much factual recall in my ACTUAL JOB
2. I really need ACOSF to come out if only to stop my theory spiraling/obsession.
Thank you for coming to my Ted Talk.
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darklove9314-blog · 3 years
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ACOSF Spoilers
But did it tear anyone else to pieces when we found out more about both Cassian and Nesta’s backgrounds. We caught brief glimpses of how they were both treated as children, but their scars run deep. We got more info on what happened to Cassian’s mother which tore my heart in two for both her and Cassian. I truly had no idea. It also played into who Cassian is as a person. Why he would do anything to protect people from going through what his mother did. It made his reaction in wings and embers that much more gut wrretching.
We also caught more of a glimpse into Nesta’s background and why she has self depreciating behavior. Both her and Cassian do. This mostly attributed to how Nesta was treated as a child. We find out that her father had more of a hand in raising Elain and Feyre than he did with Nesta. It broke my heart when Cassian and her were talking about her dance lessons as a child, ( we find out later that her grandmother used to beat her with a ruler for getting things wrong and call her worthless if she did a mis step) we also see how this attributes to who Nesta is today. During their talk Nesta refers to Elain and Feyre as her fathers princesses while she was her mother’s creature. We also see how these things come into play later in the story and her life. One thing I noticed was how Nesta punishes herself if she does something wrong. It’s prevalent throughout the book. (Nesta digging her nails into her palms when her temper flares, not using her powers because she didn’t use them when they needed them the most, sleeping with males because she felt she was not worthy of Cassian’s love, pushing Cassian away because her fathers death/not protecting Cassian/ what happened with the illyrian warriors, always thinking that she didn’t deserve anything good or loving in this world etc.) it goes back to what happened to her as a kid just like what Cassian’s does.
I loved the conversation of how Cassian no matter how many siphons he got or no matter how much he proved himself still felt the scars of his past just like Nesta still felt hers. Overall I think their scars ran deep and this book addressed a lot of how they could recover from them.
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