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#A COMPLAINT ON ITS OWN...

sergle · 9 months

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I turned off rbs on that earlier post abt the AU that thin people live in because I could feel it wanting to grow legs. and. contrary to popular belief, I do Actually value my sanity. a snippet before I go finish making my stew: what's unsaid here, but should be EXTREMELY OBVIOUS. Is that nobody takes issue with someone who is thin, making their own post or talking to a friend, bringing up a time someone made unsolicited comments about their body. and complaining, bc who isn't going to complain abt someone being shitty at you. (that's not "skinnyphobia" btw it's usually just misogyny) but that's not what happens, bc what happens is that someone uses the time Jimmy called them emaciated in high school as a REBUTTAL, AGAINST a fat person who was already talking about their own bad experience. and that one time the dress shop didn't carry XXXS is Proof that fatphobia isn't real and that thin people suffer just as much. check and mate. your thing can't be true, because someone was mean to me Once.

#A COMPLAINT ON ITS OWN...#is a complaint on its own. in public or private whatever #but specifically going to spaces where fat people are venting about some horrible shit that's happening to us #and the unbelievably dehumanizing way that we were treated #and replying to THOSE people. with your thing. about jimmy calling you names.#as if that is an argument for any kind of case.#sergle.txt #like. it. is nothing. it's literally nothing. you're just establishing how little you understand abt the topic #and how desperately you want it to be about you. when a fat person was not even talking To You. you just jumped in?

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pinazee · 11 months

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I think i finally figured out why disco/SNW Spock interpretation irks me. I couldnt figure it out because Peck is a good actor and his character hasnt diverged so much that it should anger my TOS loyalty. Plus im usually pretty open minded about creatives doing their thing.

TOS gave the impression that spock only ever let his guard down with Kirk. He was his best friend minimum. He was the most human, the most emotional because of Kirk. And SNW is nearly retconning their relationship. So you see, its my loyalty to spirk thats getting in the way. I want to preserve his special relationship with jim so im struggling to allow spock to show his humanity with anyone but him.

#just my own issues with it #im sure there are some valid complaints but mine are too tainted by my spirk loyalty lol #imma be honest the love triangle probably irks me the most #or maybe its just the sheer quantity that his humanity is leaking #his anger in the baby gorn episode #punching that vulcan for chapel #laan realizing he lost his sister and its toll on him #vulcan sex in ep 1 lol #smiling in ep8 though i know that was the space clouds doing #anyways im consciously making the effort to let it go #i enjoy SNW to let this get between me and the rest of the characters i adore #just gotta allow spock and kirk to develop in this new way #trusting the writers #star trek #star trek snw #star trek strange new worlds #strange new worlds #spirk #spock

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rxttenfish · 6 days

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Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

#all the care guide says is 'biomass'#monster prom #asks #vanillabeenflower #this is. so long i am so sorry.#and its still not my entire thoughts because i have so many thoughts #this is an unedited ramble tbh and im very sorry for that #i have more complaints like #how fucking snide and condescending the narration is to its own characters #which it already had but gets even worse in the later games #which is why despite loving aaravi i dont want to play moncamp at all #where a character says they like something or feel something and the narration has to be so. sarcastic about it?#like how i mentioned about how it feels like how its looking down on them as people #instead of whats probably the intended read which is #more jokingly calling them dumb in an affectionate way like how you might do with friends #and ofc theres the whole miranda rant #i hate what theyve done with the merkingdom and i HATE adrien as a concept i wont lie #just. cool. this female character is too stupid to count as a lore character. we obviously need a MALE character to fill in instead #we cant just have miranda talk about this or center any of the other female characters #and how they feel about this and whats going on for them #no we need to make up a new man to talk to instead #im. im still really bitter about it i wont lie.#like i said i could go on and get way more specific about it #i just feel like any and all emotional weight to this has died and the characters are more and more obviously actors on a stage #for your own self gratification rather than their own people living their own lives #this is so bitter and i really shouldnt put this in the main tag #i am so sorry everyone who will see my rant. but my peace must be made.#dont worry im already asking myself if im just making all this shit up myself #what if some of us liked that the characters were so mean to the player and had no qualms about aggressively rejecting us #because it gave some illusion of them being able to make their own choices and decisions in what they wanted

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qan-t · 9 months

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one of the little things i love about 00 is how sumeragi got to be single and happy and marina got to be single and happy and how kati did get married and wasn’t made to settle down and stop being a commander to go be another female character cursed with “now that i’m married my personality is Wife” syndrome. that feldt never ended up with setsuna and that was okay, because love that doesn’t result in a relationship isn’t wasted love and the experience of loving someone is fulfilling in its own right. that louise gets her happy ending with saji, because a physically disabled mentally ill woman who’s been hospitalized for two years is no less worthy of love than anyone else.

#this was in my drafts #i never got around to editing and posting so here it is finally #gundam 00 #anew's case is disappointing but she's an outlier imo #the dying part specifically #a human and an innovade finding love is great on its own #chris dies too but so does lichty at the same time so the vibe is totally different #no sexism complaints from me there

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lavenderjewels · 3 months

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i have a lot of issues with jjk in the recent years, but i do think the culling games colonies were enjoyable and fun, and that the character development and exploration tends to get overlooked. watching shibuya animated really made me realize that, even though i love that arc, it’s more about the chaos of that single day—the characters put in bombastic fights, power reveals, the villains’ plans set in motion, introductions of major plot lines and characters. kenjaku sealing gojo, yuuji’s entire fight with mahito, and toji’s second death were great emotional moments, but i like that chapters after the arc and in the culling games colonies make more time with self-reflection.

maki’s complicated relationship with her parents and sister, and her moment of enlightenment. panda’s familial bonds and having to say goodbye. yuuta discussing with uro and ryu on what’s meaningful in their lives, love, and the increasing pressure of being strong. yuuji’s overwhelming guilt and hatred of himself reflected in higuruma’s own past and thoughts, with him trying to spare yuuji from that blame. megumi trying to save tsumiki and yuuji, but inadvertently making everything worse, spiraling into killing others, and drowning in despair, when he’s the one who has to be saved. uraume’s funny relationship towards sukuna and kenjaku. kenjaku’s motivations unraveling with their desire to find something beyond their limits in a chaos they cannot control, and killing their friendships.

There’s more than that, but it was when I finally started to really love some of these characters, even ones we’ve known from the start of the series

#the hakari kashimo fight was just cool though not much else to say #I’m stopping myself from rambling more on this post but the moments between maki and kamo (and his past) was also great #same with yuki and choso (until she died😔)#jjk spoilers #jjk manga spoilers #i was the sole culling games enjoyer of the jjk gc i used to be in 😭#not like I didn’t have my criticisms in this arc either #there’s just a lot I do like about it and I think most of the battles are just fun to read on the page #90% of my major issues are from recent (1-2 years) chapters 😭😭#culling games #also I consider the post shibuya-colonies chapters to be the culling games arc #and sukuna taking over megumi and the gojo fight to be its own thing/a shift into other arcs #this isn’t some analysis post just being a little positive rn #with my recent complaints lol

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spacedlexi · 11 months

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it honestly frustrates me when i see people reduce the ericsons cast down to "just some teens in the woods" acting like theyre no different than any other group of lone teenagers from other existing properties and treating them like an overused trope

it is sooo important to acknowledge the "troubled youth" aspect of the whole equation. theyre not just some random teens in the woods clem stumbles across. these kids were abandoned by their families for their various "difficulties" and fucked up by The System before the outbreak even began. and then once zombies started roaming the streets their familes never came back for them and the adults that were in charge of taking care of them just left them there to rot in that old boarding school (except for ms martin who was like their lee 🥺 the only person who ever saw them as the scared traumatized kids they were and died protecting them)

the whole aspect of them already being fucked up by the adults that controlled their lives is like.....kind of important when discussing the whole "delta is stealing kids to force them to fight in a war they have no real part in and want nothing to do with" aspect of the season. and its important when comparing them to clem and her journey of also suffering at the hands of the adults around her forcing her to become self reliant. AND its important when discussing the "just trying to build a safe home (and future) worth fighting for in this world that wants them dead" aspect of the season as well

these kids were forced to come together to survive. and a Lot of them didnt... theyre the only family they have left and you can tell that even when they argue with each other theyre still a close knit group who looks out for each other. theyre a Real family before clem even gets there (and its why what really happened with the twins and brody and marlon hits them all so especially hard)

all of this is what REALLY makes ericsons such a perfect home for clem. its a Real community of her True peers. theyre not Just teens. they mightve had a layer of safety clem never had by at least having walls to keep them safe. and having the benefit of the school being hard to find. its the only reason theyre still alive when clem shows up. but theyre also some of the only people who can Truly understand where clem and aj are coming from. and its why it hurts so much when they vote to kick them out. but its also partially why she merges back into the fold so easily when she returns. plus the fact that shes Really the only one who has any idea what shes doing. shes their rock and she makes them feel safe because underneath it all theyre still just those scared traumatized kids ("EVERYONE is scared, clem..." vi was Definitely including herself in that 'everyone'), and on some level, so is clem

they saved clementines life. and she saved theirs. "the school was supposed to help them with their trauma, now they help each other" its about the LOVE the COMMUNITY the SUPPORT!!!! and thats the shit that makes good zombie media honestly 👌

#it speaks #twdg #there i go again writing another essay but i will Always defend the ericson cast theyre one of the strongest out of all 4 seasons #complaints ive seen about s4 typically include mentions of the teens as a trope being overused and im like.......did you even pay attention #the fact they were branded “troubled youth” and basically thrown away by everyone who was supposed to take care of them is SO IMPORTANT #these kids are Fucked Up but theyre Trying to make a kinder world #nobody talk to me i fucking love the ericson cast 😭😭😭 theres not a single one of them i dont like im serious #them using poor pilgrim of sorrow in ep3....ericsons is heaven to clem 😭 all the comments she can make about feeling safe there 😭😭#clem being everyones rock but violet being clems rock back 🥺😭💕 waaaaahhh thats why it was over for me when vi stood up for them in ep 2 #vi having the courage to stand up to her group for aj........... yeah she had me in a vice grip after that. she fought for them so hard #and if it wasnt for her advocating so hard for them to stay they ALL would have been taken or killed #vi cared about clem so much she undoomed them all #and aj loved clem so much he undoomed her :')#s4 is just the perfect ending to clems story truly itll make me happy for the rest of my life im so happy for u clem 🥺#tfw the media you like gets a good ending and the main characters are respected and it feels like it was made from a place of love #instead of being like...actively hostile to its fanbase and destroying its own characters for the Laughs #and when i say “good” i dont necessarily mean “happy” i just mean “competently written"#i wouldnt call it perfect but it survived both a cancellation AND the financial collapse of a major game studio. its perfect to Me #for what it is (and what it originally almost was with the clems house plot) we truly lucked out so fucking hard #truly a return to form of season 1 but with less despair and more hope which i appreciate :')#all the things ive liked over the years that were destroyed for me by bad or weird writing decisions... clutches onto twdg like a lifeboat #god i love s4 so much nothing has ever been More Specifically Written For Me Personally

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mantisgodsdomain · 1 year

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All these fics about Kabbu and Leif sharing a bed for "shipping reasons" or whatever are a fool's move. Give us the bee! Acknowledge Team Snakemouth's canonical inn arrangements of "all three of them sleep in the same bed" you coward! We aren't here for "romance" or "pairing the boys together because they're the stock standard Shippable Men", we're here for bed sharing!

Team Snakemouth consists of three bugs, and they absolutely should get fic with inconvenient and uncomfortable sleeping arrangements where Vi somehow monopolizes 90% of the bed despite being physically smaller than everyone else, Leif is banished to the very edge of the bed for being Cold, and Kabbu dumps both of his teammates on the floor on accident when he wakes up from a nightmare. The bed sharing fic that we deserve as a fandom should be rooted in deep inconvenience and it should contain at least one instance of someone getting kicked in the ribs, and that's our firm opinion.

#bug fables #we speak #legal disclaimer this post is a joke and all kabbuleif hate is exclusively to set up the joke #we DO feel that using “and there was only one bed” for romance is just a missed opportunity #especially since it means shoving vi to the side and especially because like. theres already so much fic that treats her as The Spare #it would be nice to get more fic where she isnt treated as baggage and shoved off to the side for the sake of developing her teammates #but we've been making our own food for long enough that we know if we want something good we'll have to make it ourself #so really its just an aimless complaint #we'll get around to writing our own things eventually we just have to bitch abt the state of things a bit first

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lunatic-fandom-space · 1 month

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Question to all my fellow Elisabethheads: What do you guys think of the takarazuka version? like i know it is well-liked but I kinda feel like its liked more by takarazuka fans than elisabeth: das musical fans if that makes sense. Personally, i thinks its quite a bit worse than the original austrian production but its still pretty good. Like, elisabeth is a solid 9/10 for me while elisabeth: ai to shi no rondo is like a 7.5/10 yknow

#i do have a lot of complaints about it but they dont really detract from my enjoyment of it #especially when i look at it as its own thing and dont compare it too much to the original #elisabeth das musical

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alitgblog · 24 days

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so much of this season has been "will you pay me gems for gossip that you shouldn't have to be gems for but ultimately will have no impact on the game anyway" that of course they bring it out one last time for the finale and it's NOT EVEN ABOUT S8 it's about ex in the villa 💀

#litg #litg s8 #writing out my full finale thoughts post rn but thought this deserved its own complaint

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br1ghtestlight · 7 months

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people who complain about bob's burgers becoming more family friendly and therefore "worse" really do not mean anything to me bcuz they've fully stated their reasons for why it became more kid-friendly after season three and i think thats completely understandable and they're allowed to do whatever they want with THEIR SHOW!!!! and honestly the quality hasn't gotten any worse they just swear slightly less than before and make less references to sex but like they go to strip clubs and get drunk etc so its not a fuckign nickelodeon show or anything.... idk object shows are kinda the same where they had more cursing and violence earlier on but now they try to keep most shows kid-friendly (generally speaking in the osc) not because they HAVE to but because its an active choice that they're making. maybe if you literally only like adult cartoons for the raunchy humor yeah you're not gonna like the later seasons as much but quality-wise they're still entertaining so?? maybe go watch family guy or something idk

#i understand not liking that some episodes now feel like they have moral lessons at the end or whatever #but this isn't really what people are talking abt its been a complaint since season 3 or 4 #and I KNOW u guys like seasons 4-8 so its not the same reasons everybody seems to hate later seasons (even if i dont agree w/ that either)#speaking as somebody who has also made active choices in how my characters and their stories are protrayed in a kid-friendly community #also sometimes u want to watch ur OWN show with your nine year old kid and you don't want them seeing all the molestation jokrs which like #is COMPLETELY fair esp as the creator of the fucking show #go watch family guy idk #txt #bob's burgers

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iftadwascool · 9 months

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UNPOPULAR OPINION TIME!

Ghost Files is too long.

they don't need to be over 30 minutes, maybe 45 minutes max. there's never enough "evidence" to fill the time and it feels like they're falling into the traps of other ghost hunters. like in the last episode, that was very clearly a animal of some kind. Ryan even humoring that it was a ghost, even if it was a unfunny bit, really does a disservice to their credibility. and that credibility is what separates them from people like Zak Bagans and other ghost hunting shows.

not every place is going to be the Sallie House or the Waverly Hills Sanatorium. some places are going to be a bust, like the terrible Hobo House. that is just a story to get people to rent out their Airbnb.

you can't always bat 100 while ghost hunting, but you can respect your audience.

#oh yeah and the first link is time stamped #i think the main reason they stretch out these episodes is that its their own money this time #when it was under buzzfeed they do jack all and call it a day #but now they gotta get every bang for their buck #dumb complaints #ghost files #watcher entertainment #ghost hunting #buzzfeed unsolved #ryan and shane

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