#3x10 Man Of Honor | Explore Tumblr Posts and Blogs

bronx-bomber87 · 7 months

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Happy weekend Fandom :) Per usual we have a few high content eps then the next is a little lower. Still a good ep to be had though. Seeing a softer side to Tim for Angela. What a good friendship they have. And the continued reasons to dislike Lucy’s parents so much. I go off on her mom so be prepared. They spend this episode apart which always makes me sad. But it’s a great episode regardless. Let’s get this started.

3x10 Man Of Honor

We start off the ep with some flashbacks to the academy. At first I thought my clip was shaky, then I realized its Nolan's shoddy camera skills not mine LOL This is the one moment I wanted to highlight out of the academy shots. Lucy’s reason for becoming a cop. It’s prominent for later in this episode. Especially with her bloody mom….Her feeling adrift since college and not knowing where she belonged. That when she stepped into the LAPD It finally clicked.

Saying she didn’t feel the time she spent before this was a wasted effort. Which is amazing most people regret the wasted time. To me I agree with her. It’s that time before you find your thing that eventually leads you to it. That need to want to protect others from harm as part of her reason. Fantastic and very Lucy. I do love her finding her place as a cop. It’s why she fights tooth and nail at everything she does with this job. What Tim saw in her from day one. That fire and drive to succeed. Love our girl.

The scene in roll call is hilarious. Jackson’s dad told him when he got P2 he got bottle of whiskey. That he was called up to the front and given this. They are both operating under this assumption when Grey mentions them. It’s too damn funny. I love their friendship so much. It truly one of the best parts of this episode. Jackson gets tongue tied so Lucy steps in for them both. Telling Grey it's their first day as P2's all exicited.

He asks them if they want flowers? Cupcakes? It's why Grey asks Lucy what the reward is for making P2 above. They’re insanely embarrassed by the time Grey is done with them. They get to ride together which is the highlight after all that. It’s so weird to have roll call without Tim there though. I feel his absence but I guess even T.O.’s get days off. Boo.

We catch Jackson and Lucy in their shop. Jackson keeps getting ‘Congratulations’ texts from his family. You can see the slight jealously on Lucy’s face. I totally get it. For the most part I relate to Tim. When it comes to poopy unsupportive parents I'm right there with Lucy. She and I are alike where I too have tried on a lot of hats. Just trying to find myself as well. My parents being judgy unsupportive jerks the entire way.

Lucy has finally found what her calling is and just wants her parents to be proud of her. Makes me wanna cry just writing that out. Because even when you don’t have good relationship, there is still a part of you craves that approval. When really is should be the other way around. They should be vying to be in your life.

Jackson invites her to his family tradition dinner. So sweet he really takes care of her so much. Lucy declines because her parents are supposed to come over for dinner. She thinks they’re finally coming around to her being a cop. Jackson is so excited for her and says that’s great. I love this scene. They’re so excited to be riding together it’s adorable. Getting to use ac and listen to music haha It's precious.

We cut to Tim on his day off. Yelling at Kojo to move when he’s given up on their walk LOL It's the way Tim whines at Kojo that makes me laugh so hard. Kojo refusing to get up even though they are close to the house. That dog clearly runs that relationship and it makes me giddy to no end. I adore any scene we get with Tim and his dog. Ovary explosion for me. I’m a huge animal lover. To have a dog and Tim in a scene? Phew lord. Gimme. Tim gets a text from Angela saying she needs him ASAP. He finally gets Kojo to move by asking him if he wants a steak? Lmao Spoiled Fur-baby.

Tim gets to the address and it’s a wedding dress shop. He enters hesitantly wondering what is going on... He asks the employee where she is? They tell him she is currently in the changing suite. She’s gone through half their tissue supply. Aww poor thing. Tim sighs and makes his way to her. Once inside asks what’s wrong? Is she going into labor? Lmao No love. Nothing like that. He is straight with her when she asks if she looks fat. I love how he tells her like it is while also being sweet about it. The Tim Bradford special. Telling her who cares what her stupid friend thinks. If she's not ashamed of her baby bump then screw everyone else.

Angela is still upset she can’t hide her belly in her dress. Then we get to see protective/supportive Tim come out. Mmm one of my fav flavors. Asking her ’Who said you have to hide your belly?’ Angela tells him her bridesmaids did. The dress she’s in was supposed to camouflage it the best and its not doing that.

I adore him building her up when she’s down. Look at him taking the skills he learned from Lucy. Using them in this scenario. I love it sfm. Tells her to show off her baby belly. To be proud not ashamed. To wear what she feels confident in. Ugh my heart Timothy. He’s doing exactly what she needed. This is why she texted him. To be that emotional support friend. Her face says it all in that gif above.

What I love about this scene we get to see another side of him. Not just work Tim. A supportive and thoughtful friend. If Lucy could see him right now she would be dying haha He asks her what her dream dress is? Angela tells him what she wants. He says he’ll go get the dress lady and they’ll start there.

I love this man so much. It’s insane. She looks so at ease and taken care by the end of their scene. What a good bestie does. Can only hope we can have scenes like this when Tim marries Lucy. Angela helping him out but giving him crap in a loving way baha Good man right here. Already loved him before this but this only adds to it. Like a sundae that was already delicious and adding on more yummy toppings. Only makes it even better.

Angela is trying on more dresses. Tim asking her if she’s doing ok? I’m loving this soft version of Tim. If he’s this sweet and supportive with Angela. Can only imagine how he would be with Lucy and their plans when they get there. Angela says hard to get dress on over her bowling ball. Naww Tim’s face when she finally comes out is so cute. Once again all I can think of is his face when he sees Lucy in hers someday. I'm sorry I can’t help it LOL My brain is wired to go there now with them together.

Tells her ‘Whoa.’ building up her confidence even more. It’s so sweet. Angela agrees it’s perfect and thanks Tim for doing this with her. He does the sweetest smirk and lets her know ‘Of course’. A crash interrupts their little moment. Two ladies are fighting over a dress. Tim and Angela come out to see the fight. The dress lady says she’s called the police. Not to worry. Tim starts to film it in case they need it for evidence.

Then his future wife and her bestie show up on the scene. Tim couldn’t be more delighted to watch her and Jackson handle this. Lucy is distracted the minute they enter the scene. Tim Is in a dress shop for one and two with Angela. Her reaction couldn’t be more pure and adorable. Asking if he’s there to help her pick out a dress? Just the thought of it is making her so happy and proud of him. The immediate joy on her face.

The thought of him doing this makes Lucy so damn giddy. Jackson doesn’t have time for her work flirt and goes after the suspects LOL Tim’s reply is classic Tim. God forbid she get to see another soft side of him. Which is exactly why she’s so giddy BTW. Tim replying to her question 'All he’s doing right now is watching her not do her job.' Ha God Tim you could’ve at least said hello. She gets nervous and side steps before helping Jackson. It's adorable. She's totally lost her place in her excitement and is clearly distracted by it.

The more the situation escalates the more Tim and Angela enjoy themselves. Angela commenting ‘They grow up so fast don’t they?’ One of them tries to take off with the dress. Tim helps Lucy out cause he can’t help himself. Sticks out his leg tripping the suspect. He could not be enjoying himself more if he tried. Just being a proud hubby filming her arrest and making comments along the way hehe Lucy's face while he does this. She is not amused at all. I’m cracking up. God I love these two idiots so much. Act more married please. You are fooling no one.

Her dinner will her parents Or really parent has arrived. Lucy being a wonderful daughter her mother doesn’t deserve. She's made lotus root soup which is her favorite for their evening Trying to curry favor with her before their dinner even begins. I get it. Her mom shows up solo…. Congratulates Jackson before he leaves. She is nicer and more of a supportive parent to Jackson than her own daughter… ugh been there…Lucy asks her where her father is?

Her mom says off handedly like it’s no big deal he’s at his book club. Like this dinner meant nothing to him. Her face kills me. Trying to just shake off the hurt. Melissa crushes this scene btw. My heart breaks for her over and over. Lucy continues to brush it off and say they can have a girls night to celebrate then. Her mom drops the hammer very early. Doesn’t even try to pretend to be happy about her graduating to P2. Says she isn't there to celebrate.

Saying how they need to talk about this whole police thing. Like it’s just been some random hobby the last year or so for her. Even gives a sarcastic 'Brava.' Like she didn’t almost friggin die from this 'hobby' last year. Telling her to do something meaningful with her life. To get a real profession. The emotional abuse happening in this scene hurts to watch. It gets under my skin as the hits keep coming. Basically saying what she’s doing doesn’t mean anything. Once again Melissa is wonderful in this scene. Watching how it slowly escalates and her body language through out. Trying to take what her mother is telling her and not let it affect her. It works for a little bit but not long...

States she wants Lucy to do something she’s proud of. One of the rudest things to tear your child down with. To only think of yourself and how their decisions make YOU look. Pisses me off so much. Just because my parents are the same damn way. To only think of themselves and not of their child. Such a narcissistic way to view Lucy and what she’s done with her life. How her career embarrasses them and they'd prefer her to just leave the last year or so behind. Just because it doesn't puff them up around their friends.

My parent's are obsessed with status as well. If I'm not using my degree (which I only got for them BTW) for a job it's not something to be proud of. Even though the job I currently have gives me independence to live on my own with no roommates (which is not cheap these days), pay all my own bills, and take care of me and my dogs with no help. But since it's not what they consider a profession to be proud of they aren't proud of me. So I relate painfully so to Lucy in this scene. Also the school thing such a boomer answer. My parent's are the same way.

To think school is the only answer to everything. That obsession with status and only wanting your kids to do their approved career choices. What makes them look good and smell good in front their social circle. Instead of thinking hey my kid is happy, they’re providing for themselves, they love what they do. They’re independent. No they only think how it negatively impacts them. I'm so mad for Lucy because I’ve lived this. The heartbreaking way she asks ‘Can’t you just support me?' Thinking why is this such a big ask?

This is why the support she gets from Tim is EVERYTHING to her. Why she lives and breathes for it. When you’re torn down your entire life it’s hard to have self esteem. Hard to believe you’ll ever be good at something. Even if you are you don't truly believe you are until someone tells you repeatedly. Emotional abuse growing up leaves lasting scars. You can see where it all stems from for Lucy in this one scene with her mother.

Her mom goes on to tell her to find a career that really helps people. Like a doctor. Uh she has. You just don’t like it. Says she doesn't mean to be blunt, but really she does. If her mom would take her head out of her ass for two seconds. She would see Lucy already has all the things she’s harping on her to achieve. I want to hug Lucy so much while her mom berates her. Giving me flashbacks to my own mother. The pot shots leave wounds that are hard to heal.

The way she says ‘They'll always love her but’ and there’s the emotional manipulation. Basically saying our love has a price tag and that tag is the job of OUR choice. Not the one that makes you happy but the one that is socially acceptable for them. The way she cringes and moves away from her mother's touch. Knowing it’s manipulative. Hurts my soul to watch. Last thing she wants right now is fake affection.

I do need to commend her for having the backbone to tell her mom to give her space. I've never had the guts to stand up to my mom. I just avoid her like the plague these days. Rarely interact with her. Easy when she lives on the other side of the country. All the way in Alaska and can stay there. So huge props to Lucy for being overwhelmed and setting a boundary in this moment.

That if she’s done expressing what a disappointment she is that she can just leave. Her mom doesn’t fight her in the least really. She does a little stomp trying to exude some power over her. It doesn't work. Then Lucy yells at her to go and she finally takes off. Phew. Hard scene to watch. The shot that pans out of Lucy is a great one but a heartbreaking one. Makes me so emotional to watch this scene. This scene resonates with me so much in the worst way. I wanna hug her so badly in that last gif. Wishing Jackson was there to do it for me.

The cuteness continues for Tim and Angela while they taste test cakes. This is a much needed contrast to Lucy's SL atm. Angela sighs and says this is stupid. That no matter what she picks Patrice will overrule her. Tim is sitting there all arms crossed. Has become one of my fav poses for him. Yum Tum. Says all authoritatively ‘Don’t let her.’

What I’m loving about theses scenes is we’re getting background on Tim. Which I always love getting. Why am I not surprised his dad got drunk and ruined his wedding? That his whole family seems like one giant disaster zone? (Other than Genny) I love him taking his past experience to help guide Angela with her wedding. Such growth. Saying a million things like what his wedding had you can’t control. But this she can. So to pick what she really wants.

Angela says she wants a Tres Leches cake, but Patrice will think it's too ethnic. SMH ..Tim goes into protect mode once again. I love it sfm. Letting her know ‘Screw Patrice. If she has a problem with Tres leches or anything else for that matter she can answer to him.’ Side note anytime Eric says any Spanish word I wanna climb him like a tree. He says it with the right inflection and it’s sexy af. You know he learned all that from his wife and I love it. Feral Caitlin will cool down now but hot damn. Protective Tim and a slight accent with a Spanish word? Lord help me. Also in the black hoodie? He’s trying to kill me.

Angela replies really? Tim nods his head and says 'Hell yeah.' Then proposes to him with a cookie to be her man of honor baha I love this episode for them. He tells man of honor isn’t a thing...She says yes it is. Lets him know he’s only person who’s made her feel sane. That she needs him to get through this wedding. He caves and says fine hehe Angela tells him his first duty is to fire her current made of honor Gretchen LMAO His reply ‘What?! ‘ I’m rolling. I love this man so much.

We catch Lucy and Jackson at the station next day getting their war bags loaded. Lucy saying he got in late must’ve had a good time. He shows her the necklace they gave him. St. Michael. Patron saint of cops. Lucy looks jealous and asks if his parents will adopt her? Jackson immediately sensing something is wrong. He asks if she had trouble with her folks? Picking up on Tim’s habit of being a lying liar who lies. She isn’t truthful with him and he can see right through it. The concern written all over his face.

Angela invites Gretchen to the station to be fired by Tim. It’s too funny. Tim asks why she can’t fire her? She says she’s working a case and has to go. Tim calls her a coward when he see’s Gretchen arrive lol. Another fun piece of history for Tim. He was at Angela’s nieces quinceanera. It’s how he introduces himself to Gretchen seeing as they met there before. Love them being close enough friends for him to attend that.

Gretchen is legit eyeing him the entire scene. Her eyes checking him out up and down. Can’t blame her look at the man. He is a sight to behold. Low key hits on him asking him if wants to make a little extra cash as the stripper? LMAO Too bad Lucy isn’t around to see this interaction. He always gets so flustered when someone does. I swear he doesn’t know the gorgeous creature he is when they do this.

Tim tells her she’s been fired from MOH. His cute little look when he says Angela picked him to be her man of honor. He’s happy to do it for her but doesn’t want anyone to hear it....lol You think she’s gonna be mad. Nope just relieved. Telling Tim it’s been a nightmare. Pulls out this massive book of ‘Patrice’s picks’ and the anti-anxiety meds that come with it. My god. Also the phone just for wedding needs. Tim’s face is hilarious he looks so very overwhelmed.

Lucy and Jackson get to end their day on a high note. They were able to link up with Nolan/Harper on their OP. Rescued a little girl and got her safely back to her mom. This scene is so validating for Lucy. Reminding her despite what her parents think this is her calling. That this is the right path for her and she’s helping people like she wanted to. May not be the way her parents approve but she is. Grey telling them that little girl wouldn't be here without their hard work. They're being put up for an award too from Grey as well. That is the icing on the cake for her in this scene. She needed this after that horrible fight with her mother.

We find Tim and Angela on the rooftop walking toward something. She asks him what he’s doing? He tells her ‘Being your man of honor.’ They walk up to a trashcan that has the 'Patrice picks' book in it. He tells her he has one job. Give her the wedding she wants. He douses it all in the lighter fluid. Hands her the lighter and asks if she cares to do the honors? Then Angela praises him and calls him amazing.

He could not be cuter when she says this to him. Being Tim he deflects it with sarcasm saying ‘All the time.’ Ha! It’s much different than the smile we get out of him in 5x13 when Lucy calls him amazing. But it is different when the love of your life calls you that vs your bestie. Still I love this for him. The Patrice phone rings and Angela tosses it in the fire. Tim has them step back cause the battery in it is gonna explode LOL Such a damn cute episode for Tim I can not stand it.

Best part of the episode for Lucy is this next scene. I love Jackson so very much for his loyal and loving friendship. Also for how he handles this whole thing. Knowing something is off with her. He called her mom and was told what her mom said. Tells Lucy he told her mom if she didn’t apologize to her she wasn’t going to set foot in their apartment again. Such a good friend. That’s a true blue bestie right there.

Then he follows it up with something even sweeter. Handing her a jewelry case saying this was from the West family. To remind her there are people out there who are proud of her. Proud of what she’s accomplished. I’m melting this is so damn sweet. I might get a cavity. He helps her put it on. Then tells her he’s taking her to dinner. For baseball steaks. She asks if they can do sushi instead? LOL Jackson easily concedes and says ‘Deal.’ He'll do whatever she wants.

Jackson takes care of Lucy so well. Filling that role until Tim is ready to step in and take his place. He would’ve been SO SO happy for her and Tim. To see Lucy be taken care of and treated like a Queen. Which she so very much deserves. To see her properly loved and happy. Makes me emotional thinking he’ll never get to see how happy Tim has made her.

Such a good episode even though Chenford were apart their SL’s separately were so good. What makes them so great. Can have amazing SL’s even when apart. Although I prefer them together heh.

Side notes-Non chenford

Getting to see Capt Anderson in their graduation flash back. My heart. I miss her.

The flashbacks to them at school were every cute. Lucy kicking ass in their combat classes. Of course she did. Nolan even commenting 'Think twice before taking on recruit Chen’ Obviously.

Nolan had a SL but I didn’t care about it until it involved Jackson and Lucy 😂

Thank you as always to those to like, comment, reblog and support these reviews. They’ve helped me a lot getting through this extended hiatus. I hope they’ve been helping you all as well. Shall see you in 3x11 :)

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renegadesstuff · 2 months

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SHE FOUND HER FOREVER FAMILY WITH TIM (& TAMARA OFC) 🥹❤️

#lucy chen #chenford #tim bradford #tim and lucy #lucy and tim #tim x lucy #lucy x tim #the rookie #the rookie series #the rookie edit #the rookie s6 #the rookie spoilers #the rookie season 3 #3x10 #man of honor #the rookie season 6 #6x03 #the rookie parallel

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lucysbradford · 4 months

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TIM BRADFORD & ANGELA LOPEZ

– 3.10, "Man of Honor"

#edits #the rookie #s3 #3x10 #tim bradford #angela lopez #eric winter #alyssa diaz #therookieedit #tim is the best man of honor

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rebelcaptain4life · 1 year

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Tim "I thought I'd have a couple of kids by now" Bradford being completely shocked that Angela would try to hide her baby bump 🥺

#the rookie #the rookie 3x10 #man of honour #man of honor #tim Bradford #Eric winter #angela lopez #alyssa diaz #rebelcaptain watches the rookie

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whimsicallyenchantedrose · 3 months

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Season 3 Rewatch Drabbles: 3x10 The New Neverland

(gif by just-be-magnificent.tumblr.com)

Summary: A series of 100-500 word drabbles to accompany my rewatch of season 3 of Once Upon a Time. There will be a drabble–either a deleted scene, a “fix it” fic or a character musing for each episode of the season. Focus will be on Emma, Henry, the Charmings and Killian–with an emphasis on Captain Swan’s epic love story.

Word Count: 736

Other Chapters: (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (12) (13) (14) (15) (16) (17) (18) (19) (20) (21) (22)

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Killian sat brooding on his bar stool at Granny’s diner nursing a mug of beer. As he watched Emma converse with her lad, his heart sank. He loved her, wanted her more than he’d wanted any woman in centuries. He wanted to be with her, be the man she came home to at the end of the evening, the man she confided in, loved, gazed at adoringly, the man she allowed in her life and in her bed.

But more than anything, he wanted to see her happy. They understood each other, that was true enough. Though the circumstances couldn’t have been more different, their lives were similar in a heartbreaking way. Like him, she’d seen too much pain, too much hurt, too much fighting just to survive. He deserved the fate he had, but she didn’t. She deserved everything, every happiness life had to offer.

Even if it wasn’t with him.

He’d had hopes when they were in Neverland that he could be a part of that happy future with her–especially after the earth-shattering kiss they’d shared. He’d been quite serious about pursuing her, courting her, winning her heart honestly and with no trickery.

But it had all been a beautiful but unattainable dream–as odd as it was to have one of those on a land seemingly built on nightmares.

He’d seen that clearly as soon as the Roger had touched down upon the waters of Storybrooke and his passengers had disembarked. He hadn’t expected a ceremony in his honor, effusive speeches of gratitude. He hadn’t even really expected thanks, but he had hoped for…something. Some acknowledgement, some camaraderie, some, any, sense of belonging in the group of triumphant heroes.

For a split second, he thought he’d get it. The lady Snow had spoken of someone they needed to give credit, someone they needed to thank, and his heart had lept, thinking it was he of whom she spoke.

But he should have known better. It was Regina who was the focus of her gratitude.

No, Killian could see it clearly at that moment. Pan had been right. He was, and would ever be in their eyes, nothing but a pirate, a villain, someone with whom they could make temporary alliances when the situation called for it, but someone to never truly trust or allow within their inner circle.

He couldn’t blame them, truly. He’d spent centuries committing the vilest of acts in pursuit of his revenge. There was far too much in his ledger that he could never wipe out. Swan deserved someone worthy of her. Henry deserved a better father figure.

Whether or not Neal fit the bill, he didn’t know. Swan hadn’t given him details of how Baelfire had hurt her, but it was clear he had, deeply so. Perhaps the wound would prove to be too deep to overcome, but Killian had to give the lad the opportunity to try. He owed him that much at least. He would not be the cause of another family breaking apart.

Maybe a miracle would happen. Maybe in the end, Swan would choose him, but in the meantime, Killian knew what he had to do. He had to back off for the sake of the boy–both the boy Baelfire had once been, the one Killian had betrayed, and Swan’s own lad.

Aye, perhaps a miracle would happen, but Killian didn’t trust to hope. He’d long since lost the right to wish for miracles.

Note: Grrr! If there’s one thing (other than Neal just being…well…NEAL) that makes me crazy about 3x10, it’s the fact that the heroes just seem to dismiss Killian. Look at what he did for them: He went back to Neverland, the place he’d spent centuries of the worst years of his life. He chose to bury the hatchet and work with his sworn enemy. He’d offered his ship and his services for as long as they needed them, and in exchange? In exchange they took it all for granted, not even thanking him, barely even acknowledging his presence. They’ll give Regina credit for the role she played in saving Henry, but they won’t even acknowledge the far greater role Killian played, and it just makes me both sad and angry for him. Thus this fic. We know Killian suffers from a good deal of self-loathing. This is what I assume led to his decision to back off when it comes to Emma.

NEXT CHAPTER->

#season 3 rewatch drabbles #cs fanfiction #ouat fanfiction #my fanfiction #3x10 the new neverland #killian jones

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freedom-in-the-dark · 11 months

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A Fight Taken To Heart: How Edward Teach Became a Queer Ally in Honor of Charles Vane

This piece was originally written for the fantastic @blacksailszine, which unfathomably came out over a year ago (and you should check it out if you haven't!). Somehow, I managed to procrastinate posting this here for that long, which is asinine. Especially because I'm actually very proud of it!!!

The news about Ray Stevenson today has me emotional (of course) and thinking again about how his performance as Blackbeard had a great impact on me. In his honor, it feels like a fitting day to finally share my tribute to his character on this blog.

Without further ado... please enjoy my meta below 🖤

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The first time we see Edward Teach’s eyes, they’re framed in a mirror with a heart carved above it. Within the context of a scene designed to convey that Teach is a figure who commands fear and respect, this seems to be a curious choice for an introductory shot. Yet, much like many details placed throughout Black Sails’ meticulous narrative, the mirror’s design is poetic in hindsight because Teach’s heart was his ultimate motivation.

Over the course of multiple scenes, the first half of season 3 introduces us to both the pillars of who Teach is as a character and the primary characteristics of his relationship with Charles Vane. Taken as a whole, the picture painted of Teach’s presence in the story is that he acts as a metaphor for heterosexuality, toxic masculinity, and tradition. We learn that Teach had nine wives over the course of eight years, at least partially because he is motivated by the desire for a son. He glorifies strength above weakness, and he defines strength as superior physicality, independence, and sufficient leadership. He reminisces about the original state of Nassau in his youth, in which the standard was an enforced masculinity, powered by the notion that “one had to prove his worth.” And as he says to Vane and Jack in 3x02, in his view,

“You have taken away the one thing that made Nassau what it was. You have given her prosperity. Strife is good. Strife makes a man strong.”

Upon his introduction, Teach sees only the small picture of Nassau, not its place in the bigger picture of the world. He looks upon a Nassau rich in monetary plunder, preparing to come to its own defense or go to war, and he sees the ease in which men can typically join any crew as a marker of a lack of conflict. What he fails to take into account is that the primary strife now originates externally rather than internally because it is the strife of oppression, and that the solidarity that results from that strife creates its own version of strength.

”Why are you so determined to defend Nassau?” he asks Vane in 3x02, because the island is no longer anything special to him. “A lion keeps no den,” he tells Vane in 3x05, “Because the savanna, all the space within it. . . belongs to him.” Teach is not beholden to Nassau for haven or home, because he was able to assimilate into civilization whenever he had cause or desire. He married multiple women, flew under the British flag, and even spoke their “language” of flag codes (3x10). While Teach is certainly a pirate, it is by choice rather than survival.

As a result, he cannot understand the importance of true solidarity amongst the oppressed–and thus, Nassau’s defense–because he’s never needed it, as a straight white man who’s never been limited by oppression. And because this is a narrative where piracy is arguably a metaphor for queerness, filled with characters who do not have the luxury or desire to play by civilization’s rules, Teach sticks out upon his entrance. It’s also partially why he’s initially framed in an antagonistic light; he is not “with them,” and therefore, he is “against them” by default in some capacity.

The exception, of course, is his bond with Vane. Teach is one of many characters motivated by the desire to leave a legacy; as he says in 3x03, “There is an instinct to leave behind something made in one’s own image.” In his case, this manifests as his desire for a son–but he saw parenthood as an opportunity to mold and form another man to be his reflection. Teach wanted Vane to be a copy of him, but Vane never was, and it’s the primary source of the conflicts between them.

Teach had no love lost for Nassau, and so he calls it a “burden” on Vane, while Vane insists that he is “committed to it” and Jack by extension (3x03). Teach scoffs at the idea of such loyalty, deriding and discounting Vane and Jack’s relationship, casting aspersions on Jack’s character in the process–even as Teach demands to receive such loyalty from Vane himself. It’s evident that Teach doesn’t understand core aspects of Vane’s personality and motivations, but Vane is unequipped to explain himself to him.

This is partially because Vane initially doesn’t understand his own motivations either, especially in the face of his father figure’s disapproval. His inner struggle is exemplified in how he’s torn between allegiance to Teach, or allegiance to the rebellion for Nassau’s independence and his people caught in the fight. Flint summarizes Vane’s internal conflict by bringing it to light for him in 3x06:

“They took my home. I can’t walk away from that. Can you? Forget me, forget Teach, forget loyalty, compacts, honor, debts, all of it. The only question that matters is this: Who are you?”

It is not insignificant that a gay man says this to Vane. The struggle of finding oneself is inherently queer as a framing device, especially in the context of a narrative where piracy and freedom are pursued by the marginalized. The fact that wrestling with identity is the defining point in Vane’s arc implies that the answer exists beyond the bounds of what others would ascribe to him. Straight people–particularly in regards to Black Sails’ main cast of characters–are not faced with this question.

And various players do try to ascribe an identity to him. Teach tells Vane that he’s a lion, while the Spanish soldier calls Vane a fellow sheep (3x05); Eleanor lists Vane as the antithesis to civilization (3x01) and calls him an “animal” to his face (3x09). Yet even up to his end, though civilization and history would paint him differently, Vane’s motivations were always painfully human. Vane was driven by emotions on a deeper level than most recognized, and by desire for two primary things: freedom and honest loyalty.

Vane felt empathy for the unfree, and he was defined by wanting to avoid living in chains again at all costs–literally or metaphorically. He explicitly compared the fear that slaves face to the wider struggle of the pirates on Nassau (3x01), and the fear they feel as they sit on “Spain’s gold on England’s island,” expecting a retaliatory response. Vane feared subjugation or submission at the hands of any person or power, considering it a fate worse than death; to him, “no measure of comfort [was] worth that price” (3x08). His manifesto was “side with me. . . and we’ll keep our freedom,” and he said he was “[a man] who would die before being another man’s slave again” (2x06), which became his ultimate fate.

Pursuing freedom defined both Vane’s life and death, but it was not an abstract concept. It was freedom to a purpose: freedom from expectation; to make his own choices; to define home as he saw fit; and, crucially, to surround himself with honest people who provided mutual loyalty and respect without subterfuge or manipulation. This is why Jack, who knew him best and cared for him most, called Vane a “good man” and summarized him this way in 4x07:

“He was the bravest man I ever knew. Not without fear, just unwilling to let it diminish him. And loyal to a fault. And in a world where honesty is so regularly and casually disregarded…”

Vane exhibited and sought both honesty and loyalty. It was also how he expressed his love, and the way he wanted love to be expressed to him in return. That is partially why Eleanor so effectively acted as his downfall: he repeatedly trusted her, but she could not or would not be loyal to him. By contrast, as he told Teach in 3x02, Vane found loyalty and commitment in Jack–and in Anne by extension.

So while “a lion keeps no den,” as Teach said, what a lion does keep is a pride. A lion may be free to roam, but it does so with a family. Teach did not begin to understand the significance of that to Vane until after Vane gave his life not only in the name of freedom, but also in defense of his family and home.

This turns Teach’s earlier question of “Why are you determined to defend Nassau?” into the unspoken question of Why did Charles Vane willingly die to defend Nassau and those who are fighting for it?

When Teach called Nassau–and, to some extent, Vane’s partnership with Jack–a “burden,” Vane tried to explain to him that wasn’t the case. At the time, Teach didn’t listen. He gave Vane an ultimatum: I’ll help protect these people, but you have to leave them, their cause, and your “commitment” behind.

Teach thought leaving all of that behind was freedom, and it was a definition of freedom he thought that he and Vane shared, referring to the two of them as being “of the same mind” (3x05). But Vane was unable to leave his people or their fight behind, because that’s not what freedom meant to him. For Teach, freedom meant solitary independence; for Vane, freedom came to mean solidarity (3x09):

“Because they know that my voice, a voice that refuses to be enslaved, once lived in you. And may yet still. They brought me here today to show you death and use it to frighten you into ignoring that voice. But know this. We are many. They are few. To fear death is a choice. And they can't hang us all.”

After Vane’s death, Teach listens. In the absence of being able to listen to Vane directly, he does the next best thing: he goes to the people Vane valued most and died to protect. In the name of the mutual interest of revenge, he listens to Vane’s family.

At first, Teach obviously thinks Jack and Anne are both weird–to use a different word, he thinks they’re both queer–and he makes that clear in underhanded comments. Neither Jack nor Anne fit into the boxes of “man” or “woman” in the traditional senses that Teach is most accustomed to valuing. He doesn’t understand why Vane would align with them and their cause above all else, or why Vane would be loyal to them and value their unconditional loyalty in return. But Teach seemingly knows that if he can get to know them, then perhaps he can understand what Vane saw in them, and–in turn–learn more about Vane as well. Vane lives on in pieces of them, and so it is upon listening to them that Teach ends up indirectly listening to Vane one last time.

In a discussion spurred by Anne’s concerns, Jack and Teach debate the merits of murdering Eleanor Guthrie or chasing Woodes Rogers, and they bond over their shared understanding and memory of Vane’s “distrust of sentimentality” (4x02). They can chase an empty version of revenge in the name of justice, fueled by emotion... or they can fight to win the war of resistance that Vane gave his life to incite. Between the two of them and their shared grief, and in an echo of Vane’s internalized arc, they find that the only question that matters is this: Who was Vane, and what mattered to him most? They both discover they already know the answer.

For Teach, acknowledging that answer involves fully accepting that Jack and Anne were the family that Vane chose, that the rebellion for Nassau’s freedom was personal enough to Vane that he died for it, and that this is a fight which holds value and necessity that Teach initially misunderstood.

Teach is straight, and his views on masculinity are not fully incompatible with the ones civilization enforces. Oppressive powers hold no true threat for him, because he is capable of assimilation; he could leave Nassau and thus the rebellion for its freedom behind. He always planned to. But after the sacrifice of the man he considered a son, he chooses to become an ally in the fight against white supremacy, and an explicit supporter of Jack and Anne–the queer found family that Vane prioritized, and died to protect.

Teach always thought he was molding Vane into his own image, but the reverse became oddly true instead: Teach allies with the cause, gives his life for it, and indirectly protects Jack and Anne with his final moments, echoing and honoring Vane’s sacrifice.

Woodes Rogers expected to keelhaul Teach into submission by default, through torture no man should have been able to repeatedly survive. But to fear death–to submit to death on anything other than one’s own terms–is a choice. A pirate’s fear is an opponent’s victory; Vane and Teach both knew that, and embodied it. Teach’s unwillingness to let fear diminish him or to be broken by Rogers was largely the result of his own principles and hard-won defiance, but it was also the only reason Jack and Anne narrowly avoided the same fate.

It aligns poetically: in the final months of his life, Teach’s actions were motivated by old shifting shrapnel lodged in his chest and the beating of his heart, which he referred to as “a grim little timepiece” (3x06). And “the louder that clock [ticked]”–the more the shrapnel moved, and the closer his end became–the more inclined he was to pursue happiness and purpose (3x01).

Ultimately, he was keelhauled 3 times, and then he was shot.

For Charles–tick.

For Jack–tick.

For Anne–tick.

And for Nassau–

Boom.

How fitting.

After all, Edward Teach always expected that his heart would bring about his end.

--------------

If you'd like to read more of my meta about this show, here are the other pieces I've written:

• Black Sails, Queer Representation, and the Valid Canonicity of Subtext

(I should crosspost that to tumblr at some point ^)

• The Flinthamilton Reunion Is Definitely Real

• James Flint Is Gay

And my pinned post on Twitter @/gaypiracy has a collection of the shorter posts / writing I inadvisably did on there.

Don't forget to check out the Black Sails Zine for a variety of incredible work :)

#black sails meta #edward teach #blackbeard #charles vane #black sails #edward teach meta #this is mostly going to get seen and scrolled past by people who are into that Other Show now isn't it? probably lol #vanerackham #what on earth is the trio's quasi ship name?#vanerackhambonny #fuck it I don't know #charles vane meta #my meta #okay I'm done. but in all seriousness I'm still very proud of this piece of writing!!!!#thank you to Ray Stevenson for all that he gave us by playing Teach with such gravitas and depth. RIP to a wonderfully talented man

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chenfordspiral · 10 months

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Tim and Lucy in every episode of The Rookie 3x10 || Man of Honor "Right now I'm watching you not do your job."

#chenford #the rookie #lucy chen #tim bradford #lucy x tim #tim x lucy #chenfordedit #chenford edit #tim and lucy in every episode of TR #s3 #3x10

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queseraone · 3 months

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Alright, next question: we’ve done favorite Chenford episodes, but what are your 5 favorite non-Chenford episodes and/or storylines and/or multi-episode arcs?

I sort of answered this one here, but that was specifically about favourite non-Chenford episodes, so I'm going to answer this with a mix of episodes and storylines/arcs.

It's really, really hard for me to separate Chenford from The Rookie, because clearly they're my favourite part (shocking, I know). So there are certainly more I'd love to include in this list, but tried to exclude because while I love every part of them, I love the Chenford parts most of all. (Looking at you Standoff (1x09) and Plain Clothes Day (1x14) and about a dozen more....)

1. The Dark Side (2x10) and Day of Death (2x11) - Sorry not sorry, this is absolutely the top of the list. Yes, lots of Chenford, which we love, but as an overall arc it's phenomenal. Everything from the Lucy/Jackson/Nolan/Armstrong bar night to the Angela/Wesley parts to the perfect creepiness of Rosalind Dyer to (yes, duh) the Chenford of it all. And I'll rave about the acting and the scenery and the sound editing (the song choices, and of course the use of silence) until the end of time, because it's just so, so good. (I'm resisting the urge to add Now and Then (2x12) to this, because while it's still a part of the arc, it leans more heavily on the Chenford side... but I can't leave this without celebrating them continuing the story beyond just the little bubble of those two episodes. It's truly refreshing that they didn't gloss over Lucy's recovery and have everything just back to normal right away.)

2. Safety (2x07) - I yammered on a bit about this here, but I LOVE this episode, and Tim and Lucy don't interact in it at all. I don't think there's anything I dislike? Football Tim cold open ✅, Tim and Nyla and the challenge coins ✅, the beginning of the Lucy/Nyla duo of awesome (seriously, everything at the bomber's house) ✅, Angela being a sassy queen in her security gig ✅, and how Tim and Jackson's football storyline suddenly tied in with Angela's story ✅. One of my absolute faves!

3. Man of Honor (3x10), Triple Duty (3x13), and Threshold (3x14) - I'm specifically talking about Tim as Angela's man of honor. Their friendship is amazing, and seeing this all play out is so much fun. Tim bursting into the bridal shop ("you're going into labor?") is hilarious, and then him helping her find a dress?? Ugh my heart! THIS FRIENDSHIP!!! And then Tim and Nolan trying to reduce the guest list, and Tim and Jackson showing up with riot shields??? I love it all so much. (Doesn't hurt that it culminates with Tim in a tux *fans self*)

4. The Q Word (2x19), The Hunt (2x20), and Consequences (3x01) - I'll give credit where credit is due, I absolutely did not see the Armstrong twist coming. It all seems glaringly obvious now, but hindsight is 20/20. This is one of my favourite arcs. It was unexpected, a great Nolan/Harper team up, brought Rosalind back, and just really exciting to watch. (And while I don't hate Nolan like so many others, I do enjoy when he gets knocked off his pedestal a little bit and faces some real challenges.)

5. Greenlight (1x12) - PAIN. I miss Andersen so much, she was an absolute badass. I can't watch this without crying, and that alone speaks to the power of this episode.

Oh, and for shits and giggles, I'm also going to name my least favourite...

I hate, hate, hate that arsonist arc from early season 4. It was painfully obvious who the real killer was - literally the moment I saw him I was like "yup, there's your guy". It was just too much. It felt like a departure from the overall tone of the show, just way too dark, and yet somehow also leaned into a bit of a cartoonish depiction of a villain? The worst.

(Oh, and the double dose of shoving of The Rookie Feds down our throats backdoor pilot for The Rookie Feds is a close second... hated everything about it.)

Part of me wanted to add Under Siege (5x22) to the favorite arcs list, but since it's still ongoing, I will instead say I can't wait to see how to all plays out! Love seeing this team come together for each other!

#asked and answered #makeitastrength #chenford #the rookie #the rookie questions #opinions #episode rankings

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all-eyes-lead-to-the-truth · 5 months

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All Eyes Lead to the Truth | Season Three Master Post

We’ve come to the conclusion of a momentous season! From some of the most iconic episodes to some of the most beloved characters, season three was full of intense chapters!

Check out this thread to see all the characters we got to meet!

3x01 | The Blessing Way - The Well-Manicured Man (@fridaysat9

They were all living on the precipice of the end of the human race, but they were only concerned with jobs, school assignments, and playdates.

Life, as it should be.

3x02 | Paper Clip - Victor Klemper (@monikafilefan)

The offspring of a rebel syndicate member unearthing truths Victor has spent decades trying to bury beneath buttercups and begonias has marked him for certain death.

3x03 | D.P.O. - Darin Peter Oswald (@gaycrouton)

His friend was scared of him, and it made Darin feel powerful.

3x04 | Clyde Bruckman's Final Repose - Clyde Bruckman (@fridaysat9)

A funny thing happens when you see your own death. At first you try to make sense of it– what could it mean, why the tears, why her? Then you try to change it.

3x05 | The List - Dr. Juan Ullrich (@monikafilefan)

Juan fidgets with an evidence bag, trying not to blatantly stare at the agents holding an entire conversation with their eyes while systematically categorizing every sway of their bodies, every touch of her hands.

3x06 | 2Shy - Lauren MacKalvey (@gaycrouton)

2SHY > You have no idea how beautiful I think you are. I must confess… I feel inextricably drawn to you. I can’t stop thinking about what you said the other day… You don’t deserve to feel lonely, Lauren.

3x07 | The Walk - Leonard 'Rappo' Trimble (@admiralty-xfd)

Every night, he walks again. And every morning he wakes in the same bed with the same phantom pain. Every day he wishes he’d just died; that explosion that didn’t quite kill him cost him his life, anyway.

3x08 | Oubliette - Lucy Householder (@monikafilefan)

She has to go. It’s all so clear now. She has to go back. Through the woods, through the house — into the dark. Maybe she was never meant to leave it at all.

3x09 | Nisei - Penny Northern (@gaycrouton)

It was the strength of these women that got her through those experiences, and it was the strength of these women that would help her embark on this dark path they were all destined to walk.

3x10 | 731 - First Elder (The Well-Fed Man) (@admiralty-xfd)

The one thing that can be manipulated more effectively than any other is her fear of the unknown… of what happened to her last year.

3x11 | Revelations - Owen Lee Jarvis (@fridaysat9)

He gave of himself, abandoning what little life he’d had, to honor God’s words and do as he had been called.

3x12 | War of the Coprohages - Dr. Bambi Berenbaum (@gaycrouton)

Bambi felt a flush spread across her chest as his hypothesis brought a smile to her face. Hearing that he hadn’t been merely indulging her earlier was a refreshing change of pace.

3x13 | Syzygy - Detective Angela White (@admiralty-xfd)

Detective White stops as Agent Scully finally glances over at her, somewhat defensively. And then she gets it. Everything about the way she’s been treated since the agents arrived makes perfect sense.

3x14 | Grotesque - Agent Bill Patterson (@fridaysat9)

Patterson figured that Mulder might have a theory about a potential copycat killer, but no; he’d been researching gargoyles and goblins. Monsters recorded in dusty old tomes pulled from the library shelves.

3x15 | Piper Maru - Kimberly (@monikafilefan)

Kimberly Cook is good at her secretarial job. So when the man she’s been working closely with for two years is troubled, she refuses to let him file the feeling away like some confidential case in his cabinet.

3x16 | Apocrypha - Luis Cardinal (@admiralty-xfd)

The Scully woman is not simply angry, she’s unhinged. And there’s a small part of him that understands; it’s the part of him that, prior to working for the Smoker, had never been asked to shoot an innocent woman before.

3x17 | Pusher - Agent Frank Burst (@fridaysat9)

Frank doesn’t care if he has to tell him his mother’s maiden name and his favorite breakfast cereal if it means getting his location.

3x18 | Teso Dos Bichos - Officer (@monikafilefan)

He doesn’t get paid enough for this shit.

3x19 | Hell Money - Hsin Shuyang (@gaycrouton)

The gods might not be listening, but the devil was waiting for him down the street, ready to play a game with all the men whose American dreams had turned into nightmares.

3x20 | Jose Chung's From Outer Space - Detective Manners (@fridaysat9)

That's a bleepin' dead alien body, if I ever bleepin' saw one.

3x21 | Avatar - Carina Sayles (@monikafilefan)

She can tell he doesn’t do this. Doesn’t drink alone in a bar, letting a stranger slowly seduce him.

3x22 | Quagmire - Queequeg (@gaycrouton)

Queequeg was loved.

3x23 | Wetwired - 'Doctor' Stroman (@admiralty-xfd)

Another town, another test, another shitty motel room… but always the same boss.

3x24 | Talitha Cumi - Teena Mulder (@monikafilefan)

If only Bill had known back then that the untrustworthy person he was referring to would sleep with his wife and father his son.

Stay tuned for more perspectives coming in Season Four!

1 | 2 | 3 | 4

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dangermousie · 9 months

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Farscape rewatch, Relativity, 3x10

Both Relativity and the ep that follows it, Incubator, are in different ways, about what forms you, about parents and heritage and being confronted with reality different from prior beliefs. In Relativity, the target is Aeryn, in Incubator, Scorpius.

In Relativity, Aeryn is confronted with her mother, someone who is absolutely critical to her formation as a human being, one of the two encounters in her PK life which created in her the woman who could respond, recognize something inherently full of potential in John’s ‘You can be more’ in the Premiere. Someone who could, however awkwardly, speak up as to his innocence to her superior officer. The second of such experiences was, of course, Velorek, someone who showed unexpected humanity, whom she could have loved, and whom she betrayed. That act of betrayal is what saved John’s life in Premiere, really. That echo of her previous effort to be a perfect PK, that echo of a man who believed she is more than a mindless killing machine. (I love how both with John, and with what little we saw of Velorek, Aeryn is the tougher, less emotional one. And yet not stunted or unwomanly. Too often, when shows try to create a tough lady, they create a man with estrogen, or someone lessened). But the first formative encounter, the encounter that allowed her to realize the wrongness of her behavior towards Velorek, the source of her even feeling anything for him (I always thought her betrayal of him was as much a response to her own feelings she was uncomfortable with), the source of her almost-stomped out but present belief she is an individual, that she has worth, is that childhood encounter with her mother. The woman who was every inch a tough soldier, but who risked everything to come and tell Aeryn when she was a small child that she was her mother, and that she was conceived in love, and that her parents loved each other and her. When Aeryn says that through the years, every time she saw a transport, she would look at soldiers, hoping to see the face of a woman she only saw once, your heart breaks for her. But of course, this is Farscape, and this meeting is different, very different. Xalax Sun is the leader of the squad sent to retrieve Talyn and Crais (I love how Crais was twisty, and clever, and untrustworthy and somehow honorable here. And I love that the only reason John didn’t leave him to die is because he needed him. Though that is not truly all, I don’t think John could kill a man like that, in cold blood). Xalax of the present day is not only PK tough, she is a dutiful zombie, dead inside, someone who has been dead for many years, as a result of her retrieval squad duties (brutal even by PK standards) and as a result of her choices. Her trip to Aeryn was found out, and she was offered a choice to kill Talyn (her lover) or Aeryn, and she chose Talyn (though I don’t think we learn about that choice until ‘The Choice’). In a way, this is a shadow of Aeryn and Velorek, only Aeryn never loved Velorek (she could have, given more time), and unlike Xalax, she was given a second chance, before the soul was brutalized out of her. And that is the thing: Xalax is clearly tormented on a level, but she has locked away all feeling, as unworthy, because she has to justify to herself that what she did was right, the only way to live. And she locked it up because caring brings horrible pain, makes you vulnerable. Does the latter emotional shut-down remind you of anything? It does to me. It makes me think of Aeryn in ‘The Choice,’ also in the aftermath of the death of her love, only she is both better and worse off: she did not kill him herself, but there is no child. It is an instinctive reaction to want to never be vulnerable again, to shut down. And of course, Aeryn is lucky, she is surrounded not by PKs who keep pushing the inhumanity line, but by Moyans, who value feelings, who are beings with souls. And she has John, who is the same man she buried, minus some months of memories (but what formative experiences!) and she cannot fight her love for too long. But Xalax had none of these. If Stark is what John could become in a horrible reality, then Xalax is Aeryn’s personal potential nightmare future. And yet, that nightmare future is not to be, for either John or Aeryn. The episode is shot through with hope and love. After all, this is the episode that opens with John and Aeryn finally having made love (which is really the final commitment and acknowledgment for them), giddy in bed after a night of love-making. I love that in typical Farscape fashion, we first learn of it from the disgruntled Rygel who had been kept up all night because of it (his bed is on the other side of the partition) and is justifiably annoyed. And I love that John and Aeryn know of it, and they are being so silly and adorable, teasing Rygel, with Crichton banging on the wall in pretend imitation (LOL) and Aeryn grinning at him that he was “louder last night, believe it or not.” I love that it’s so real, no ‘holy glow’ sex or some super solemn bit: just joyful and natural and right, and a little silly.

If it wasn’t for the latest crisis, I imagine they would spend the whole day in bed :D I always found Stark listening at the partition a bit odd, but this time it hit me: it is such a change for him to feel positive emotion, joy, happiness, emanating from beings around him. He deals so much with misery and death, he is trying to soak others’ happiness and not pain, for once. And I do love that later, sewing up Rygel (and how like Rygel, to be an ingrate, and how like Stark, to want to save him from dying) he sees/feels Zhaan. He deserves his comfort, whether it was real or not. I am convinced a large chunk of reason they kept Stark on the show was because he was the only one more insane than John. But yes, the reason Aeryn is not Xalax, will never be Xalax, is John and the new world that opened to her when she became ‘irreversibly contaminated.’ He is there for her, through good and bad. Witness his stubborn, blind, quiet/panicked and very adamant refusal to believe she is dead. Witness his instinctive, almost primal insistence on her not being the one to shoot her mother. He shields her the way Xalax was never shielded, he prevents Aeryn from killing her family. And when he is leading her away, and she breaks down, he is supporting her, holding her up and, I never realized it before, covering her ears, so she won’t have to hear the shots. His attention to her, on her, is total.

They save each other, don’t they? Over and over and over again. It is a wonderful thing, but being this loved, this cared for, does lead to the abyss of the other side of the coin: the utter bereftness when that is gone. Aeryn has decided that she is alright, no matter what else happens, as long as she has John (just as that is exactly what Crichton has. No matter what, he can keep his sanity and his soul if she is around). But that means if the one person is removed, the world falls apart. It is because John loved her so much, because she loved him just as much, because they were so organic together, that she cannot face being without him, in The Choice. And I love that is never about a woman needing a man, or needing romantic love to be complete. It’s about Aeryn needing John. And John needing Aeryn. I love the end scene between John and Aeryn. It is incredible: both so grimy, battered, hurt in different ways because of the day from hell, but finding so much comfort and strength from each other, full of so much love and anxiety and relief. The chemistry burns the screen, and the peace they find with each other is palpable. And oh, when Aeryn says she will come to bed soon and they can sleep. Or not. And smiles? They can deal with anything when they are together.

The flip side is that they cannot deal with being without each other. Xalax is the visible proof of the price you might pay for love, just as Stark is visible proof of the costs of torture. In the Farscape world, you have to actively fight to avoid those outcomes, those goalposts.

#farscape

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