Does anyone else remember when Putin the current day hitler that sent an army into Ukraine to murder and rape literally put out an official statement calling Rowling a “brave woman” for fighting against western degeneracy while being the worst thing for women’s rights in Russia since Stalin and giving specific orders to his soldiers to pillage and rape other nations when he sends them in

Like imagine if Orwell was openly endorsed by Hitler and the Nazis right after their invasion of France

No one would be defending him at that point cause a literal monster showed them official support and said his ideology was good for the world

But “feminists” still just openly support her despite her getting the kremlin stamp of approval cause their ideology has fuck all to do with women and it’s just about hating specific groups and pretending to be victims while never actually doing anything useful to address the problems

Pavitr definitely told his Maya Aunty about Miles’s embarrassing mistake btw trust me

Draw Neves at the bar , trauma dumping to heket (she's the bartender)

HFSLKJGKDGJLJKLDS pls this is so funny to me. Neves is a mess when she's drunk. she is now Heket's burden....here she is telling a very silly story

I’ve been highly confused as to why Michael “deeply openly thirsting on Twitter about David Tennant for half a decade” Sheen is half-in half-out the closet but apparently Wales is absurdly homophobic lmao what the fuck how is a country the size of New Jersey that much of a hater bruh we out number the shit out of you

ed and stede would not fuck izzy hope this helps <3

I don't know how to really express this except to come across as a "kids these days" scold, but so much of the criticism of queerness in Good Omens would simply not be a thing if kids these days watched more 20th century queer media. Or more complex indie queer media in general.

People seem to want a show that's like the straight stories they grew up with but gay. Or the gay fanfiction they grew up with. But that's not really the tradition it's coming from. First off the novel was released in 1990. Queer film classics of the time are Dead Poet's Society (1989) and Torch Song Trilogy (1988). The TV miniseries Tales of the City (1993) wasn't made until 3 years later and it was so far out there it never had a huge audience. Philadelphia (1993) is also 3 years out and was basically the first big studio queer film. The first fluffy queer Hallmark-style romcom wasn't until Big Eden in 2000, a full 10 years after publication.

Queer stories from the time it was written were about complex and often fraught relationships between people who the world was trying to force apart. There is an incredibly strong tradition in queer films of relationships with no guarantees they will work out both in the face of their personal baggage and the weight of the world. Take a film like Torch Song Trilogy that's about the two great loves of Arnold Beckoff's life over 9 years and how homophobia shapes them. Both externally (especially Allen) and internally like Ed struggling with his bisexuality and being terrified of being publicly out. Written and starred in by Harvey Fierstein, who identified as a gay man at the time and only came out as nonbinary last year.

The Boys In The Band (1968 play, filmed 1970 and 2020) was a monumental moment in Broadway history where finally there was a play about gay men in their own words where no one died and very strongly showed that homosexuality doesn't make people miserable but homophobia sure does. But that homophobia also throws their personal lives into constant turmoil and none of them are in happy relationships, although Hank and Larry are devoted to each other in their own fucked up way.

"Relationships are complicated and hard to make work and sometimes a struggle against the odds" is an aesthetic of classic queer film making. Partly it was influenced by the Hays Code (although independent films were not bound to it), partly influenced by the rampant queerphobia in society at the time that was inescapable. But it's also an aesthetic choice to resist the banal and unrealistic relationship depictions of straight media. There are actual stakes to the relationship. Queer people were actively resisting a world that said "Romance is seeing someone across the room and instantly falling in love with each other and little conflicts happen along the way but ultimately they're destined to be together and everything is happily ever after." Recall that "stalking as romance" was a completely inescapable trope in 1980s straight romance films, and every goddamn movie was being turned into a romance film.

So queer people in film and television when they can make what they please have a long tradition of saying instead "People don't always realize the feelings they've developed for a queer partner right away. They may have reasons for denying those feelings that are both a reflection of the cruelty in society and of their own insecurities. People struggle with where they belong and their relationships reflect that. Loving someone doesn't mean they don't also drive you crazy and you might fight with them constantly. But that doesn't negate the love or that feeling that even if things aren't okay, they're better with that person around. But maybe that person can't stay around. The world may be against you. And also maybe you don't just want that one person in your life. Soulmates is a very flawed model. Sometimes the strongest love is a struggle with yourself and the world and your person. You have to overcome yourself first. Happily ever after is a lie. You may be happy for a while, and hopefully for a long while, but everything ends. And you have to be ready to love again. Also your platonic bonds are just as important and life-altering as your romantic ones. Sometimes those platonic bonds include fucking if you want them to. Real life isn't a bunch of platitudes and world-altering moments, it's daily work to better yourself and the world around you. Especially when things just fucking suck. But also remember to have fun and fuck the haters. People who don't support you can eat rocks and you should yell at them more to shut the fuck up."

That is a fundamentally different outlook on what a "good relationship depiction" looks like. Personally, I thought I hated romance movies and then I started watching queer romance movies and discovered I love them and watch them all the time. Because it turns out what I hated was relationships being shown that had nothing at all to do with reality and privileged incredibly toxic ideals. Finally there was complexity, there were stakes, and there were people who had to truly want to be together enough to fight the world for it and not because they happened to be there. There were people actually talking out their problems and looking for resolutions. (And sometimes that resolutions was "I can't fucking deal with this bullshit anymore and I'm out.") For the first time it felt real.

I'm an aroace trans gay man. Nothing about relationships or being in relationships has come easy to me, and the whole paradigm of straight patriarchal romance depictions makes absolutely no sense to me. It's completely alien. Queer romance stories actually feel human.

And that's the tradition Good Omens is coming from, even as it's being retold in 2019-2023 and hopefully beyond. Gaiman's work has always been based in that queer media paradigm. (I've been remiss and daunted and haven't read Pratchett but from what I do know his work also seems to sit more in that world view.) It's a beautiful cinematic tradition and it's baffling to me that people would resist it instead of embracing it for being honest.

And that's when I turn into a crotchety old man complaining about the youth not connecting with the history of their beautiful culture and instead begging for assimilation into a shithole allocishet media landscape that doesn't actually want them except for their money and has nothing at all interesting or valuable to say. But it's very funny (annoying) to me when people claim Good Omens is someone against queer culture when it's so thoroughly bathed in the best of queer media's storytelling traditions and what people are asking for is straight media with the serial numbers filed off. Like, stop being boring please and know literally anything about the culture the adults in the room lived through and were influenced by. The world didn't begin in 2015.

EDIT: I also want to add that in straight media arcs are linear. Traditionally in queer media arcs are cyclical. Queer media very often depicts people going around in circles relearning the same lesson over and over as they inch towards it sinking in. But every time they go through the cycle they gain just a little bit more enlightenment and slowly move towards a better place. From the comments this is an immensely important distinction. People don't actually have cathartic moments where suddenly all their past bad programming is shed and they saunter forward a new person with none of their old baggage. In reality people fall into the same patterns over and over even though they have had every opportunity to learn better. "People magically get better" is a trope of straight media that's an outright and frankly dangerous lie. Again, Good Omens follows the queer tradition not the straight one and it's depicted 6,000 years of that cycle. The world didn't end, and the wheel keeps turning, as it always has and always will. That's so fundamental to queer storytelling traditions I forgot to even mention it.

Heyo, let’s talk about my girl Meryl and why she’s so critical to the plot of Trigun Stampede and Vash in particular! (Well, that’s true for any Trigun, but Tristamp theories are rotting my brain atm.) Some spoilers for Tristamp and vague talk/references to the other series ahoy!

Meryl gets way too many accusations thrown at her for doing nothing/not enough in Tristamp. To the point that I started a rewatch to see if I was misremembering, but absolutely not! Those first three episodes alone, she’s critical to how things develop! She’s a foil to Vash, just like Wolfwood is!! She’s essential to his humanity!!!

But it took until I was watching ‘98 for the first time this weekend for it to crash into me like a freight train exactly what Meryl means, just like it took Trimax for the full weight of Wolfwood to click into place for me. Because she’s set up a lot like her older anime counterpart (though no one gets the same amount of character interaction—Tristamp, I adore you, but please slow down and let these poor folks breathe). She doesn’t understand Vash at first, she even goes so far as to call him a coward in a really low blow for what she easily recognizes as his bravery (and sometimes stupidity) later. And while they both (well, pretty much all the Trigun protags, let’s be honest) share their bullheadedness, I see a lot of people say she’s just like Vash... And I disagree, sorta.

She’s just like Rem. Just look at that last episode.

The two women don’t have the same belief systems, they have wildly different paths, and they come into Vash’s life in incredibly different ways. Meryl may keep Vash in check sometimes, but she’s not a mother figure imo. But they still play a similar role.

After over a century of traveling alone, we see (especially in other versions of Trigun) that Vash is often used and abandoned. Even when he makes genuine friends, they let him drift in and out of their life—and to their credit, he’s good at that! He can’t handle any more pain, so he slips away before the hurt catches up. But not Meryl! She ain’t gonna let that happen!!! At first, yeah, she follows him because of her job, but it never takes her long to go from frustrated and fed up to growing fond of Vash. And I especially love the career shift in Tristamp allowing her a complete out, to walk away and abandon Vash when things get rough, and no one would blame her for it.

But she stays. Because she sees that he’s good and worthy of the love that he denies himself. She sees this vile, hopeless world that they live in through his eyes, and sees the beauty in it too. She’s the first person to have faith in Vash not just as a savior, but as a person—unlike anyone has since Rem.

When all hope is gone, when Vash has lost his way, when he stumbles and falls, Meryl—who starts off doubting him!—is the one there to pick him up and remind him that he’s loved, that his love for humanity isn’t for nothing. Throughout the entire series, she has faith in him. She chooses Vash even when he won’t choose himself. She’s tired and done living in this selfish world of awful people, and she becomes the anchor that ties Vash down to what’s good in humanity. She’s just as critical as Wolfwood in taking a distant, disheartened, and broken Vash and reconnecting him to a world that cast him aside. And we’ve already gotten so much of that in Tristamp. It’s most obvious in the ending, but it’s built up so beautifully imo. She’s not as flashy as our fighters YET, but she’s absolutely essential to Vash, and I will die on this hill. I can’t wait to see her come crashing back into the picture with Milly next season.

its crazy how coming into clinical social work, i really just thought I was up against systems and cycles of trauma....but it turns out i'm up against those two things AND other therapists. the amount of work spent correcting mistakes from other clinicians--whether with clients or during the classroom--is fucking crazy.

i totally get we're all on different journeys in terms of being clinicians. but it is insane finding out day after day of therapists and clinicians saying the worst things ever to clients. demeaning them, telling them "it's all in their head", the racism and the ableism and harm that is caused. like no fucking wonder people are afraid to seek therapy (on top of the accessibility issues). while i'm a little biased and think that at the very least clinical social work training focuses on viewing people within their environments (so not engaging in the medical/individualist models of practice that a lot of counseling programs focus on), that doesn't mean it gives every person the skills to be an effective therapist. i'm also not saying i'm the best clinician ever--I'm literally in training--but boy! it is jarring seeing how some of my peers interact in class and wondering...is that how you are with your clients??

my social work program at the very least also has a focus on anti-racism, but i know students from other programs and some of them don't even mention racism AT ALL and focus entirely on diagnosing people "correctly", or finding the perfect form of therapy to use on a client. but man, what none of these programs teach are basic life skills. wanting to be a clinician isn't enough, especially considering that an inhumane amount of people in my program are 1. so nervous about making mistakes that they lose scope of their practice 2. have so much internalized racism/white guilt to work thru 3. or they have absolutely no listening skills.

again, im not trying to make it seem like I am the number 1 clinician in the world ever. I don't even have a psych background or bachelor's in social work. my reasons for going into social work are quite selfish (I want a job that is very flexible, easily transferable, and can be done in different contexts), and the helping people part is just a plus. i'm just saying it's very jarring seeing other people in training and realizing they too are working with clients. i have conversation after conversation about these issues with other BIPOC/queer/marginalized clinicians, so I know i'm not the only person worried about some of the people that will be out of this program in a few years practicing on their own or with vulnerable populations.

"The Boy With The Thorn in His Side"(x) - The Smiths × 2023 Strollonso moments + pundits' reactions

-leans into the mic- Hey guys so if they are making Izuku let go of OFA there is probably a very specific reason for it. There is possibly a hidden special quirk that never got developed, and would require him to finally give up on always wanting or admiring everyone else's quirks. Never appreciating his own self EVER.

Also BTW Tomura would totally try to kill Izuku once grabbed it. They are not friends so it a very risky tactic.

Also Also; if DFO his natural quirk is AFO and Yoichi's dream of his brother quirk being the kindest quirk in the world can become reality. As he takes the quirk away and thus makes it so Tomura can't hurt anyone or himself anymore.

Thank you for coming to my ted talk.

Hazbin Thoughts:

I don’t know about you, but I honestly don’t blame Alastor for taking a solo swing at the first man aka the Supreme Misogynist. Sure, we can bash on him for his superego trip like “Alastor, what were you thinking taking on Adam all by yourself?”

But if that were me?

💥🥊 💥🥊 💥🥊

And really, should we expect Alastor, man-hating girl’s girl, to NOT try to beat the shit out of Adam?

Can’t criticize him for that, personally.

“Rad fems” defending Matt Walsh the ���it’s not rape if they enjoyed it” guy cause he did a transphobic and misogynistic documentary that they never watched is just more proof they are reactionary and fascist

This scum will break bread with evil if that evil justifies their hatred towards LGBTQ people

But they claim to be feminists and do the slacktivist performative outrage if you say a wrong word or have the wrong thinks so it’s fine to do a little fascism in their minds as to why are the “good guys”

Just as the Nazis and Soviets considered themselves the “good guys” for fighting the plots of “international Jewry” and “decadent west” with gulags and concentration camps

This is why anti fascists fight their evil ideology with every ounce of our being whenever the scum pop their heads out of their holes

If you own an iPhone I immediately do not trust you why you using that shit come get android it's so much better

Something about Hua Cheng's expression here is killing me--I know this is supposed to be a delicate moment of reassurance but the pure hater energy radiating off of him is just immaculate

having sensory problems is tough because how to i tell my stepdad that i want to throw a brick at him for having a snack in the same room as me-

TF One Orion Pax