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#yes he does kill the dragon at the end of the movie but he does break down and cry about it
quartzblockz · 3 months
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If I got my way the Minecraft movie would not feature a drop of cgi if would be all practical effects with sets and shooting on location with props and puppetry for the monsters and shot on film with an emphasis on recreating that 80s fantasy film vibe with that darker tone a lot of them have vis a vi Labyrinth or the Dark Crystal and other movies in that similar vein
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If I really got my way the movie would also be completely without dialogue for probably the first idk 30min to an hour with simply an incredibly epic soundtrack to accompany Jack Black as Steve exploring this new world in a perfect world he wouldn’t speak the whole movie but I could never expect to have Jack Black in my movie and not have him talk
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adobe-outdesign · 18 days
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Kung Fu Panda 4 Rewrite Thing
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Been chewing on this movie for a while now and wanted to take a shot at improving it. Some parts are a bit rough but I think this gets the general idea across.
As a rule, I'm trying to keep most of the characters and elements/plot beats in place rather than spinning things off in a completely unrelated direction. I also am aware of the restrictions placed on this movie, such as an unwillingness to rehire high-profile VAs and runtime limitations. This is just meant to be a "what if" kind of thing. That said:
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We open with a stylized sequence of Po telling the story of his and the Five's latest battle. As it ends it's revealed he's at the grand opening of Mr. Ping's brand new bigger, better noodle shop location, talking to the customers.
As one of them asks where the Five are now, Po explains that they got summoned to their own individual missions, but they'll be back soon.
(Yes I am still having them be MIA, as Po needs to be alone with Zhen for part of the movie. However, they'll only gone for the first part of this rewrite and for a very specific plot-related reason.)
(The thing with Po needing to give up his title of Dragon Warrior makes no sense for multiple reasons, so let's just drop that plot point entirely. I get that it's meant to tie into the "change" moral, but I'd rather have Po imparting this lesson onto Zhen instead of learning it himself, as otherwise it undermines the character growth he had in 3.
Also, Po isn't carrying the staff around with him constantly in this rewrite, as it looks a bit silly and isn't plot relevant here.)
A messenger shows up to report that the Jade Palace is under attack. Po decides to rush over just in case Shifu needs backup... which he does, because he's being kidnapped in a small one of those magic-proofed cages from the actual film.
(Shifu being kidnapped was tossed around in the writing room originally and I want to keep it in this rewrite because it A) gives Shifu something to do, and B) I want to allow Zhen to openly be working with the Chameleon in order to help flesh out her character and avoid the lackluster plot twist, meaning she'll need new leverage against Po later on.)
The figure behind the kidnapping appears to be Master Elephant, which confuses Po as he's been missing for several months. Right as he's about to land a finishing blow, the figure shape shifts into Master Chicken, throwing Po's attack and resulting in him getting a bad head injury. He does his best to pursue the attackers, but can't keep up. Dismayed, he returns to the Jade Palace...
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...And finds Zhen trying to steal something, using the commotion outside as a distraction. Po fights, but he's still badly injured and can't give it his all, resulting in Zhen being able to slip away with her prize—a dust bunny from under the furniture. Po is baffled.
(Side note: I would probably redesign Zhen so she actually looks like she matches the other characters' style, but I digress.)
Feeling dismayed, he returns to the noodle shop, where both his dads work on treating his wounds and comforting him. As Po explains what happened, Mr. Ping mentions that customers have been circulating rumors about a shapeshifting sorceress in Juniper City. Po decides that that's where he needs to go, promises his dads he'll be safe, and leaves.
(I'm cutting Mr. Ping and Li's subplot, because as much as I love them they don't really add much to the plot. It also feels like it goes against Mr. Ping's characterization in KFP 1 and 2 in particular.)
This is where we can have the scene of the Chameleon vs. the crime bosses. This can mostly stay the same except one of the bosses attempts to attack her when she shape shifts, causing her to retaliate with a magic-based attack. She also needs to straight-up kill the guy to establish her and her sorcery as a legit threat.
Po arrives at the Happy Bunny tavern to look for a ride to Juniper City. As he talks to Fish and Chip, he notices Zhen nearby doing some black market trading with Granny Boar to obtain a white feather. Po confronts her and she tries to run out with the feather, causing the boar family to pursue in a big fight scene.
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Po and Zhen manage to escape, Zhen stashing the feather. Po threatens to have her sent to jail, but Zhen confirms she's working for the Chameleon and can lead Po to her so he can rescue Shifu. Po dislikes this situation, but has no choice but to agree.
(Unlike in the actual film, I would make it so her lair is hidden in some fashion; magic that keeps it camouflaged would be appropriate for a chameleon, or it could be underground or hidden behind something. Regardless, it should be impossible to locate without Zhen's assistance.)
On the boat ride over to Juniper city, Zhen says that she has to "obtain" one more item from the local history museum or she'll be in big trouble with the Chameleon. Po doesn't like this detour, but once again has no choice in the matter.
Po asks why Zhen would want to work for someone so obviously evil, and this is the point where Zhen admits she was adopted by the Chameleon and we get her backstory.
(I would establish that the Chameleon has an actual name, but only Zhen uses it. It shows that Zhen is closer to her than most, not quite seeing her as a mother but not fearing her enough to use her preferred title. Also, the Chameleon's the only KFP villain without a proper name and that bothers me.)
The backstory can be the same, but the part about her living on the streets and meeting the Chameleon for the first time should be merged into a single flashback.
Zhen says that Po couldn't understand, but Po reveals that he's also adopted, and that he probably would commit some noodle-related crime if his dad asked him to. Still, Zhen insists that people don't change, and that includes her.
They arrive at Juniper city (Po is impressed at its size but he very much is not acting like he's never seen a city before). Zhen covers up her muzzle and tucks her tail under her clothes so she won't be recognized.
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Zhen is ready to break into the museum, but Po says that he's got this and goes up to the guards to tell them that he has some official Dragon Warrior business to take care of and will need to borrow some ancient artifacts.
Unlike in the actual film, everyone ready acknowledges him as the Dragon Warrior. The guards are more than happy to loan him whatever he needs... until Zhen's tail pops out and the guards recognize her, prompting them to attack.
During the scuffle, Zhen uses a chi blast to knock back one of the guards, but almost gets taken out by the other guard coming up behind her. Po defends her but gets mildly injured as a result.
After the fight, Po asks about the chi move and Zhen states that the Chameleon taught her the basics.
Zhen confirms that the Chameleon is a master of chi, and that the sorcery she uses is a specific type of chi manipulation.
(The reason I'm connecting chi to her powers is that it makes them feel a bit less out of left field, and helps 4 feel like a logical progression from 3.)
Zhen admits that she's not very good at using chi, but Po points out that it took him years to use chi in battle. He also compliments her on her kung fu, and she confirms she's self-taught.
(In this rewrite, Zhen is good at fighting but not quite at the level she is in the actual movie. This is to address the issue of who taught her if the Chameleon doesn't know kung fu.)
He takes a moment to give her a few pointers, which causes her to ask why he took that blow for her earlier, figuring there's a catch. Po just says it's the right thing to do, but Zhen is skeptical, figuring he only did it because he still needs her to lead him to Shifu.
The reminder of Shifu prompts Po to move on, and they grab the item Zhen was after, a 500 year old set of blades, then run for it.
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Po and Zhen arrive at the Chameleon's lair, and Zhen shows Po how to get inside and tells him where Shifu is being held. She says that she'll take the items to the Chameleon, which will distract her while Po breaks him out. Po thanks her, and the two separate. Zhen warns him of booby traps on the way out.
There are indeed booby traps, such as those saw contraptions from the actual movie and a bunch of guards. It takes Po a few minutes, but he eventually gets through them.
Po finds Shifu being held in a dark room. Shifu is glad to see him, but warns him to be careful as the Chameleon's likely not far away. Po explains Zhen's distraction and moves to free him... only for a cage to fall down and trap him as well.
"Shifu" is then revealed to be the Chameleon in disguise, who slips through the bars via shape shifting into a mantis and thanks Zhen for her help. Zhen apologizes to Po, who's naturally upset ("I mean, I know you were evil, but I didn't think you were THAT evil").
Zhen hands over the three items she collected, and it's confirmed what they are: a dust bunny that contains a clump of Tai Lung's fur, a feather from Lord Shen, and a pair of blades once wielded by Kai.
Po mistakenly interprets this as the Chameleon being a collector of kung fu memorabilia and tries to chat about the Jade Palace's collection, much to her bafflement.
The Chameleon explains that a trace of a person's chi remains long after their death, and demonstrates by doing The Tongue Thing on Kai's blade, stripping its chi, and immediately taking his form.
(As you may have picked up on, this rewrite removes the spirit world elements entirely. While they are really interesting, I think cutting them is the best option because:
1. There is so much plot involved with bringing Po's old enemies back that you could make that an entire movie in and of itself. It's hard to do it justice when you're cramming it in around the edges of this movie.
2. It makes the Chameleon too similar to Kai in terms of abilities.
3. Having her rely on stealing other's kung fu makes her come across as weak despite being a powerful sorceress.)
Po asks her if her goal is to take over China, but she says no; she just wants to end the practice of kung fu for good, and prove that sorcery is the superior option. To prove it, she has Shifu brought in.
While having your chi stripped does not remove one's kung fu abilities in this rewrite, it is still removing part of one's life energy and thus weakening them severely for a period of time—ergo, Shifu is still unable to fight at his best. Still, he manages to hold his own.
Instead of using kung fu, the Chameleon relies on the brute animalistic strength and inherent abilities of the forms she takes, switching whenever she's loosing to keep her opponents on her toes and even transforming into Shifu himself for a period. She also uses a few chi-based attacks.
Just when it looks like Shifu is about to win the fight, she uses her tongue to strip the chi from the fur clump, taking the form of Tai Lung. Shifu is so shocked and distraught that he fails to attack, allowing the Chameleon to land a serious blow.
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She returns to her original form and states that when the blood moon has risen, she will battle and take down every master in the middle of Juniper city, where everyone can learn just how useless kung fu and the people who teach it are. She leaves Po in his cage panicking over Shifu, who's unresponsive.
Zhen follows the Chameleon outside, where we get the "does the blood moon always rise so slowly" gag. Noticing that Zhen looks troubled, she asks what's wrong, and Zhen talks about how Po encouraged her to do the right thing. Even though she's been told that kung fu masters are elitist, selfish people, she couldn't see any of that in Po.
(Side note: I want to establish in this rewrite that while the Chameleon will claim up and down that Zhen is only a pawn for her to use, she does care about her to some extent, even though probably loathes the fact she does. For example, when talking to Zhen here, she might pick some rubble out of her fur or something to show there's a teeny tiny bit of actual affection hidden there.
The reason for this is that all other KFP villains have had an emotional anchor—Shifu for Tai Lung, Shen's parents for Shen, and Oogway for Kai. The Chameleon being abusive but having some real love for Zhen and Zhen struggling with her gaslighting adds a lot more depth to both of them.)
The Chameleon finally reveals her backstory, which should be told in a hyper-stylized way à la the flashbacks in KFP 2 and 3. Just like Zhen, she grew up on the streets as an orphan, broke and starving. She admired kung fu greatly and wanted to learn it, but everyone turned her away for having no money to pay for lessons.
One day, she found a shiny jade amulet on the streets that someone lost, finally giving her a much-needed break. She is able to use that money to enroll in classes.
The problem was that while the money changed her financial status, it didn't change the way people saw her. Her master still considered her a lowly gutter rat and treated her as such, verbally insulting her and beating her down during training sessions. It's very much like how Shifu treated Po in KFP 1, except worse, especially because the Chameleon is a small and fragile animal.
Finally, during one training session she became too injured to move. Her master told her to quit and started to walk away, only for her to grab his leg with her tongue to trip him up. However, at the peak of her self-loathing, she instead discovered her chi stealing abilities and transformed into him. It's not shown, but it is implied she killed him.
As the flashback ends, the Chameleon shifts into Zhen and tells her that no matter how much you change, you can't change the way other people see you. Siding with Po, she says, will only get her hurt. Zhen nods and unexpectedly hugs the Chameleon, telling her she knows, and runs off.
Cutting back to Po, we see him frantically trying to break the bars of his cage. Zhen comes forward and drops down on her hands and knees, apologizing for everything. Po says that she came back, and that's what matters.
She reveals that the "hug" was actually just a way for her to get the key off of the Chameleon, and she uses it to unlock Po's cage. Po runs over to Shifu and he and Zhen heal him with chi, and we get a callback to the "I'M NOT DYING YOU IDIOT" scene from KFP 1.
However, while Shifu's not dying, he is very badly injured and can barely walk on his own. Po asks how they can take on the Chameleon and her army with just three of them, but Zhen holds up the key and suggests they get an army of their own.
Running downstairs, Zhen reveals where the other masters are being held. To Po's shock, the Furious Five are among those captured. Tigress confirms that the summons they received were traps laid by the Chameleon, and she already has their forms.
Also down there are the other crime bosses, as it feels like they just disappear in the actual film after their scenes.
Zhen only manages to unlock the Five's cages before before the Chameleon snatches the key back with her tongue, revealing that she knew Zhen was lying to her. Behind her, her army assembles.
Tigress confirms that that the Five will take on the army, and Po faces off with the Chameleon one-on-one. She strips the feather and uses Shen's form to fly up and take the upper ground, trying to kick a cage onto him. Zhen helps deflect it, and the Chameleon tells her to stay out of the way. Po and her continue to battle.
Despite Po's best attempts at blocking it, she does finally stick him with her tongue. He grabs it and throws her a distance in her fragile base form, injuring her but still giving her some of his chi in the process.
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The Chameleon takes on Po's form next, and we get a fight similar to the one in the movie, though once again with her using less kung fu and more magic and physical attacks.
She mentions how she was rejected and tries to tell him that he should be on her side, because a bit fat panda like him must have been treated just as badly as she was. Po denies this, but Shifu admits it's pretty accurate. Po says he's not helping.
Po admits that she has a point, except she forgot one thing, and we get a callback to the "I'm THE big fat panda" moment from KFP 1.
The two attack at the same time. As the dust clears, it's revealed that neither are doing great—Po has gotten a lot of little injuries and the chi stealing has weakened him. The Chameleon is struggling to shapeshift at all, with the attempt causing her pain, and instead settles for trying to blast him. Zhen steps in and manages to redirect the attack back at her.
The Chameleon takes the blow and ends up back on the floor as a parallel to her flashback. Zhen reaffirms that she disagrees with her worldview—people can change, and she's going to prove it. If the Chameleon wants get to Po, she'll need to get through her first.
The Chameleon kind of laughs this off at first before realizing she's dead serious. She states that Zhen isn't even good at fighting, but Po disagrees, giving Zhen a confidence boost. The Chameleon struggles to her feet as if readying an attack, everyone braces themselves... and she surrenders, too injured to fight and unable to bring herself to hurt Zhen.
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(There are a few reasons why I think her surrendering makes for an interesting defeat here:
1. There's no spirit realm portal to yeet her into in this version;
2. There's only so many times Po's enemies can be yeeted directly into the spirit realm before it gets old;
3. It adds character depth, and;
4. It ties back nicely in to the theme of change and that it's never too late to do the right thing.)
Zhen helps the Chameleon up, Tigress does the same for Po, and Monkey does the same for Shifu. The five reveal that despite being exhausted, they still managed to wipe the floor with the Chameleon's army, which Zhen thinks is incredible. Po introduces Zhen to them formally, and Shifu asks if they can save the introductions for after they get medical treatment.
Later on, Po (carrying the staff Oogway gave him) approaches Zhen, who's sitting under the peach tree by the Jade Palace. He asks her if she's doing okay after everything that's happened. She says she's alright, but is pretty scared of what's going to happen next, given that the Chameleon's in jail and she has nowhere to go.
Po reveals that him and Shifu have been talking, and he plans to open a new school as part of the Jade Palace that will offer free kung fu lessons to anyone who's interested in learning. Zhen asks if there are any spots open, and we end similar to the actual movie, with her training alongside the five.
the credits still end with the Jack Black cover of Baby One More Time because it slaps
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Ninjago movie influence appreciation post: ✨
The Ninjago movie influenced the show a lot yet there are still a lotta parts which aren’t talked about as much as they should be~
The redesigns are either great or okay | A lotta the people who hated them when they came out have either left the community or just accepted that this is how ninjago is gonna look. Which isn’t a bad thing, personally I love the redesigns cause they all look more grown up.
Each ninja got a specific weapon | Before the movie the main four had their usual weapons but Lloyd and Nya had the same weapons as Kai. It’s not bad on its own but making each ninja have a specific weapon just adds a little more individuality to them, plus it created a great situation in Dragons Rising where the new ninja can get their own special weapons too :>
The original plot for S8 SUCKED | the original idea was for it to be a direct continuation of Hands of Time, but due to the movie they were forced to add Garmadon. Most people don’t like Hands of Time but both the haters and the enjoyers can agree that the original S8 plot is mediocre at best. IMO it might’ve killed the series, ninjago was starting to go into a rut where not everyone enjoyed the new seasons, and another Hands of Time might’ve been the end of it.
Color coordination | maybe it’s the impeccable autism but I love how the ninja have very clear colors now. The OG’s (besides Cole) didn’t change that much and Nya got to be (almost) consistently the gun metal gray ninja, which would’ve been awkward if they didn’t swap Cole to having black and orange as his main colors. It’s just simpler and I like how Nya isn’t a coin toss every season now.
Garmadon got to come back | yes it does diminish his sacrifice in ToE but at the same time he’s a very dynamic and good character in the show. He brings out Lloyd’s personality more, he’s a great metaphor for the struggle to being a good person, and he’s consistently the snarkiest character in the roster. At least in Crystalized where him belittling Lloyd and the overlord is what gets me through the slug that is the crystastrophe.
If there’s anything else that the Ninjago movie did that was good for the show please inform me I’d love to know more (:
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lovelytayforce · 1 year
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Why Oogway from Kung fu panda is the most supportive grandpa and not a huge bitch! And your fave villain is actually a huge bitch! <3
Now, I know what you’re thinking? Why the inflammatory and very obviously vague post? Because it’s being spread everywhere like wildfire and I’m tired of it. We get it, you all love your men like Tai Lung and Kai but they're not the UwU babies you HC them as, and blaming Oogway isn’t making them look cool or cuter. So, without further ado, I, Oogway’s lawyer will step up to this fandom’s unjustified hate for him just cause they got hit with the consequences of their actions. Now, let’s start with the first movie because you people can’t seem to grasp the simple lesson in the film that “Your actions have consequences.” Okay, remember that? It’s very important. And I need you to remember it okay? I’m counting on you! Alright, let’s start with the literal first scene with MR. PING AND PO: Yes, this is important, just stick with me okay? Po asks his father right at the beginning if he ever wanted anything else in his life outside noodles.
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He even calls his own dream stupid, and you can see he slightly regrets it in the scene if you watch closely enough. This was the first mistake Ping made, he was repeating a cycle of denying the younger generation of their own dreams and needs without even realizing it. Now, we can actually get to our favorite turtle. Two things we have to talk about before we move on is the fact, this second scene is dedicated to foreshadowing mostly Shifu’s character, every little reaction to Oogway is a means to tell us why Shifu needs to calm down and think before he acts. Remember? “Your actions have consequences.” Now, you're probably looking at the scene like, this was just a funny joke scene but no. Shifu is distressed expecting nothing but the worst news while Oogway is calmly accessing the situation at hand, he doesn’t reprimand Shifu because he knows the pain his friend is going through, he was there for it and stopped it before it could kill him. Shifu here displays everything about the quote below, had he not rushed Oogway and merely listened to the very end he would have understood what to do. 
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This is one of the rawest quotes that follow Shifu and his son throughout the first film, they are both avoiding the inevitable, trying to stop what must come. Life doesn’t bend to your will and that’s what Oogway is telling Shifu right here in the present. But what does this dummy do? Try to ruin what Oogway was doing from the get-go. 
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Had Shifu not panicked and quickly told Zeng to leave then Tai Lung would have never escaped. IT'S IRONY AND say it with me, the consequences of his actions. Oogway even tells him this in the scene where he reveals it is time to pick the Dragon warrior, and Shifu makes so many assumptions that Oogway never speaks of the legend itself. Shifu makes the Dragon warrior seem bigger than life itself but Oogway never says that. If you haven’t realized: Shifu assumed things. 
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He’s not actually seeing the true picture Oogway is laying out for him, he’s just waiting for that big moment, uncaring of how it affects others. (Aka the five cough his own daughter cough and even his own son cough) He’s clouded the water for everyone and only Oogway is the one who sees it for what it is. Oogway does nothing but tries to guide Shifu away from this mentality that not only destroyed his own son but himself in the process, remember the Ping scene I showed you at the beginning This is the same thing. Shifu has done nothing but projects himself onto others and that’s not only an aspect in the films, it was in the short “Secrets of the scroll” too. 
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“You must let her grow into what she must be.” - Oogway. This isn’t the first time he's said this to Shifu and surely will not be the last. Shifu is by all means a stubborn character who leans very heavily toward how traditional Kung fu is taught along with its ideals. He focuses on strength, speed, and endurance above all else which is also shown in the film's training course. He does not divert from tradition, just like Ping. Oogway doesn’t hold the same ideals but respects Shifu unconditionally despite their differences. Because he respects and cares for Shifu along with his children. He does the very same with Po, never outright disagreeing because that’s not helpful to them, that won’t allow them to grow as people. Into who they are meant to be. Po goes on and on about how he sucks and Oogway is understanding, he doesn’t say “Oh you’re great just the way you are.” He allows Po to vent the way he wants to and gives him actual support when he needs it most.
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Po shouldn’t be concerned with how he sucked today, because he can try again tomorrow and get better as time goes on! And that’s the truth when you start something, especially something as difficult as Kung fu with a teacher who's comfortable bullying someone 40+ years younger than them is HARD. But what Po needs to focus on is the PRESENT. He tells that to EVERYONE. To focus on the now instead of the past or the future, that’s why it’s a gift. Because you can choose who you want to be at that moment. The past is already gone, decided, and written, and the future is uncertain and leaves you with nothing but anxiety at what could be. But right here, right now. You have a choice. And now we get to the main man himself, Tai Lung aka the loser stuck in the past: Now again, you’re probably pausing like “Really man? Calling Tai a loser from the get-go, do you have no shame?” And I reply with a “No, I do not.” Because he is a loser and the film shows that. Very clearly. I know we all love the awesomeness of the escape scene but think about the context of it real quick: This FORTY-YEAR-OLD MAN, let me say this again FORTY YEAR-OLD MAN, was hard-pressed to release himself for one thing and one thing only, The scroll saddled with his revenge for something he was never promised after endangering innocents in the past and then endangering more guards for a scroll. Take that in for a moment. Doesn’t that sound like loser behavior? Don’t you think maybe he could have taken that time to, I don’t know, think about why he wasn’t chosen or if he wanted literally anything else in his life. He had no one to talk to, so he should have been using that noggin’ for something useful but he didn’t. 
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Oh, lookie here! It’s “THE CONSEQUENCES OF SHIFU’S ACTIONS NEGATIVELY AFFECTING THE PEOPLE AROUND HIM!” 
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Also, this man is out of his goddamn mind. Like we have to move forward here so we can realize the full delusion in this single frame. But I’m getting off-topic, we have to talk about when he was rightfully denied the scroll. Now we have to note two very important lines here because Tai Lung fans have very selective memories, so we need these screencaps
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Okay, that is the first line, the second is Po’s line before this, it’s very clear even to the common folk in the Valley, Tai Lung was an ambitious, selfish, and one-track-minded fella. With the line: “He turned bad and went to jail.” Now, let’s think back for a minute about Oogway’s morals. He supports people who are kind and uplift others even though sometimes they do questionable things, Shifu bullying Po-but that’s for another conversation. But he obviously would not pick someone who is solely focused on such a selfish goal. We all know the scroll is blank, and you have to love and accept yourself for who you are in the present. Tai Lung would not be able to understand much less accept that because he wanted the scroll to change him into something Shifu told him about, not Oogway. Oogway had every right to refuse Tai Lung, that’s his school, his house, his scroll and without him, he and Shifu would be without a roof. Now, remember what I said about Shifu’s beliefs in traditionalism right? You're supposed to listen to your master as they guide you, Shifu albeit a stubborn student and Master, listened to Oogway, and Tai Lung should have followed suit, he grew up there. But no he CHOSE to ruin everyone else's day, and let me show those innocents by the way. 
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HE'S LITERALLY ASKING FOR SHIFU TO COMMIT FRAUD! Tai Lung showed what his ambition truly was and Shifu didn’t see until it broke right through him literally, Tai lung doesn’t even hesitate to swat his father aside before going for the scroll before Oogway stops him and spares his life for his old friend, Shifu. Because he cares. Oogway cared about Tai Lung and let him choose who he wanted to be. Remember? Actions have consequences. Tai lung has had two instances of his life where he could have chosen to do better and what did he do? He fucked it up. Just decided to be a bitch ass sore loser instead of bettering himself which is what Kung fu is about, it’s what Po did. But you know, that’s life.  Speaking of, Shifu is mostly at fault for this. I think everyone knows that? Oogway as I said above with the short, tries his best to guide Shifu on his horrid parenting journey but such is life. I’m sure we all know someone who shouldn’t be a parent and if we could we would ban them from being around children in general. Back on topic, Shifu has a problem of not listening to Oogway as we’ve established: - Didn’t listen til he got sick to let Tigress be herself - Bullied Po and didn’t listen until Oogway died - Filled his son and daughter’s heads with untrue folklore of the Dragon warrior missing key elements such as Kindness in the memo… - Also, he tried to “Well, ACK-TUALLY” him in an argument about control. Shifu is not a very bright man. And neither is his son. Po and Ping are a direct mirror to this though in the fact that, unlike Shifu, Mr. Ping stops and realizes his son is in distress about the whole situation and does something special. He tells him the secret ingredient which is nothing but believing something is special because he believes Po is special. Shifu stopped believing in his son, which is why Oogway asked him to promise to believe and even took his meek reply of “I’ll try.” When Shifu and Tai Lung met again they couldn’t mend what Tai Lung destroyed, not even an apology could heal what his son broke inside Shifu. And Oogway knew this. Because you can’t force a peach tree to grow into anything else but what it was meant to be. No one in the Jade Palace was meant to be the dragon warrior, they should have been training for themselves but they followed Shifu. Nothing was ever promised to anyone. And again, that’s the beauty of life, you can change. Every day you change, every time you look into that blank scroll you see every little change you worked for and some you got along the way figuring it out. Tai lung does not have that though, all he has is Kung fu and that’s Shifu’s fault. Not Oogway’s, you cannot blame someone who never promised you a thing and simply told you no. You have to move on.  Tai Lung even naively states, he only thought of Shifu’s opinion, never the Master who bestows the scroll itself. He was not in the present, all he wanted was the future he was never promised and blamed everyone else for it and hurt his own father, in the process. Not once, but twice. Shifu only admitted Tai lung was not meant to be the Dragon warrior and that it was never his decision to make and even goes so far as to ask Shifu to falsify the results of who the Dragon warrior is. Shifu was too late in allowing his son to dream. Oogway had nothing to do with any of their dramas. They decided to push themselves so far instead of cherishing the present. And that’s why Oogway is the best grandpa because he doesn’t force his ideals down your throat because he listens to your troubles without downplaying how bad you feel because he believes in the power of change that we all have but accepts we don’t always take the right path. That is the true gift. The gift of change. As for Kai um idc, he was stealing people’s chi, aka killing them, and being a horrible person to people who helped Oogway in his darkest hour, so fuck him. I still love his theme but again, Kai’s actions caught up with him and he caught them tortoise's hands for being an asshole.  Bye~! Also, Shen's a bitch too.
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throughdarkeningskies · 2 months
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there's something very poignant to me about the ending of nimoma the movie vs nimona the graphic novel
spoilers to follow
the ending of the graphic novel is so much more bitter and sad than the movie is. nimona, having been betrayed and mutilated and hurt for her entire life, is trapped by the Institution, again, is used for her powers, again, tries to defend herself, again.
and ballister betrays her. he uses the doctors magic-suppressing gun against her. he promises to help her. he promises he can save her.
nimona retaliates that he's not the first one to have tried to help her, save her, change her. that this is who she is, what she is, that it always will be.
she checks on him in the hospital. they have this final glancing moment, across a crowd, and she's gone.
nimona, a character punished for her very existence, constantly isolated, remains so. she will always be outside the crowd, unloved and unsupported, waiting for the next attack, next betrayal, next abandonment.
ballister reflects that if he ever sees her again, he hopes she will know him as a friend. he does care for her, he does want to help her, but he doesn't know how. or if he even could.
which is why the ending to the movie kills me. nimona betrayed again, trapped again, alone abandoned by herself again. and this time she's tired. she's exhausted, she's so deeply hurt, she wants it to be over. they've insisted so much for so long that she should be dead, and she gives up and agrees.
just like in the novel, ballister charges onto the scene as the dragon is confronted by the Institution. just like in the novel, she's simultaneously terrifying and vulnerable. she's given up. and he hits her with the iconic line -
'I see you, Nimona.'
he SEES her. he's her friend, he's seeing her at her worst, HAS seen her at her most violent, and he's not trying to hurt her, or change her. he just SEES her.
and like!!! it hits so deep because that's the thing that nimona as a character needs, has always needed, to be seen and loved without condition. to be known as she is without the presumption that she needs to be different. that she'll be punished for being different.
and fundamentally I think that's why I think she's able to come back at the end of the movie, when she couldn't in the book. as much as book ballister cares for her, there isn't a place in his life for her to be safe anymore. while movie ballister has fucked up at various points, he's able to show that he's safe for nimona, he won't try to hurt her or change her. and its all that nimona ever needed.
it's lovely to see those two in juxtaposition because there's a hint of something unfinished in the book's ending. a confusion. where do we go from here? could we ever have gone anywhere from here?
and the movie is finally able to answer: yes.
anyway. thanks for coming to my ted talk
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hrodvitnon · 9 days
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Lately, I've been noticing that people are comparing MV Godzilla to Doomguy and a cat. It's funny because there's one thing all three of them got in common: people misunderstanding them as violent and angry jerks who hate everything, when that just isn't the case at all.
It's also an unfortunate trend I've been noticing, and now Godzilla's getting mischaracterized to hell and back as a dumb, angry, and violent brute by these people after GvK and GxK, especially on Twitter. In worst cases, I've even seen them say that Godzilla shouldn't be a sympathetic character at all, and that he doesn't need to be because Kong's already there, and as everyone knows, mammals are supposedly "more" sympathetic and relatable than reptiles are. Even though these are all fictional characters at the end of the day, and if so many works can make you sympathize with dragons, non-humanoid robots, and even a literal talking tree-man, among many other non-human and non-mammalian characters, then what's stopping you from doing the same thing to a big nuke lizard?
Also, they act as if Godzilla has never been sympathetic in any of his previous movies before. As if the original Gojira movie, most Showa era movies, Return of Godzilla and Heisei era as a whole, Kiryu Saga (though that applies more to Kiryu himself), and even MV Godzilla's own solo movies and in Legacy of Monsters magically don't exist to these people.
(Apologies for the sorta rant there, but this is really disheartening to see. Even Matt Frank himself has joined in with saying that MV Godzilla is a jerkface and that's all what he should be.)
As if we need another reason to avoid the Wretched Hive of Media Illiteracy and Bad Takes! But if it's any consolation, this house/blog is a MV Godzilla Support Zone: We know why Godzilla behaves the way he does, and he's just as sympathetic as Kong is. Have I made the Doomguy comparison myself? Yes, but only in jest and in response to a meme that also compares Kong and Suko to Kratos and Atreus. (Y'know, from that franchise about a guy who gets angry and kills gods; the guy who, according to old memes, would see stale bread as grounds for deicide; there's a lot more to the guy than that, but not to anyone who thinks "Kratos having nuance is boring" and are so allergic to water that they won't even touch the surface of an iceberg video.) I know how to make a joke and have the required media literacy to understand there's more to these characters than surface-level dumbfuckery.
Godzilla is like Doomguy in the sense that he loves something soft and fluffy (Daisy/Mothra) and will go through bloody hell to save the world; they both harbor scars physical and mental. He is also like cats in that he may bite and scratch, but he is subtle in showing his trust. His story may not have the found family angle like Kong, but Godzilla is still a big grumpy lizard with soulful emotional eyes who saves the world and loves his moth wife very much. Anyone says otherwise, I've got a bridge to sell them.
(Matt Frank, you better be trolling or I will be very disappointed and not reblog any of your art for a while.)
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harvestingsun · 15 days
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SPOILERS FOR KUNG FU PANDA 4
This is a massive rant btw. I have a lot of thoughts about this movie
(TW: Bad spelling and not remembering any names 💀)
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Yh so I'm ranting rn
Like it was good, but not great 🕴️. Does not compare to the first 2, DEFINITELY not the second one, that one was just 🙌🏽 . And u know, that's ok, it's hard to pull a puss in boots and do better than the originals, but still the movie was lack luster
These are my points for why:
1. Plot was SO obvious. As soon as I saw that fox I knew she d be the new dragon warrior, cuz yh. Just obvious. And you know what? I wouldv been fine with that if they developed her character more. Like her bond with po SHOULDV been developed SO MUCH MORE. It felt like their whole dynamic was she was sarcastic and he went 🥺 n that's it. Like, why couldn't they have bonded more on them both being orphans ? How she feels unwanted because the world has rejected her and KEEPS rejecting her, but Po (who has gone thru a very similar thing) can teach her that yes that may be true, but that won't always be the case and once she finds her found family she can feel accepted, just like what happens to Po.
2. The villain and her daughter - so much potential but not enough done for them. Like just. I loved their dynamic, just SO MICH POTENTIAL BUT NOT ENOUGH GIVEN. There was one flashback of them meeting. That's it. There was basically only r4 interactions between them aswell: the betrayal scene, the "I'm using you" scene,the flashback and the final fight. And in NONE of these does it show how strong of a connection they have what about their relationship makes the fox betray Poe for the chameleon??? I wish we had a shi fu and tai lung type flashback where it showed the chameleon raising her and them developing a bond so that we know how hard it is for the fox to go against her orders
3. The villain herself - what motive ? U cannot convince me that "I'm evil because all the kung fu masters rejected me because I was too small" WHEN THERES A SNAKE THE SAME SIZE AS HER AND A F*CKING BUG WHO ARE BOTH AMAZING KUNG FU WARRIORS . like no. Just no. Someone would accepted her. U can't use her size as a reason for her becoming evil, just no. Instead, why not explain her reason being that she was poor/living in the streets ? A large portion of the movie is set around how there's a large group underground who have turned to crime, and poverty is often rampant in cities, so why not use that ? It also allows her to bond more with the fox as they have the same upbringing, but instead the chameleon was never able to get past how no one helped her and everyone rejected her, whilst the fox is able to accept where she is and find ppl who will accept her. Then they could've had a rlly impactful scene in the end where the fox accepts change and wanted the chameleon to change with her because SHE loves her and would fight for her, mother daughter style. Like writing that out just rlly made me think about how much they missed the mark, almost all 3 KFP movies are about father-son bonds, this movie could've had an impactful mother-daughter bond n it blew it 😩. So yh, I don't think the villains motive was fleshed out enough, I just don't think that her being small should have been the main centre for her character. Compare her to all the past villains, her motive is too simple and not developed enough
4. Tai lung and shen. NOT USED ENOUGH. How dare u bring those GODS OF VILLAISN back and not use them properly. And also have Po barely be surprised about them . SHEN IS THE MAN THAT COMMITTED MASS GENOCIDE AGAINST UR SPECIES, KILLED UR MOTHER AND LEFT U AN ORPHAN, Y R U NOT SHOCKED OR WORRIED THAT HE S HERE. And on top of that, ain't no what that peacock would simply bow and go " 🙂" and leave. He ain't bowing to Po, why would he respect him ? Shen doesn't CARE about being the dragon warrior, that wasnt his calling or whatever. Like, i could hav accepted it if he at least had a sentence apologizing for his actions, just ANYTHING that explains why he s so calm. I'm not angry that he is calm, I'm angry that it wasn't explained 🕴️(and tbh, I don't even think he needed a redemption arc much. He did horrible stuff, yes he has trauma, doesn't explain his actions. His death was a result of his arrogance and karma for his actions, I just think his character was fine (stressing him as a character was well written) the way it is, of anything this movie and taken away from his character )
And tai lung. Most of his character in this was comedy. And him going from "you are a mistake🙄" to "actually ur not a mistake 😏" within 10 minutes was annoying. I wish there was more interaction between him and Po. Then fighting together, bonding. Have them BOTH grow to move on from the title of dragon warrior together, since that title is such a grand part of both of their identities that they both have had a tough time letting go of. Once again, I'm not angry that he made jokes n was acting goofy (that was fun, I liked that), I'm annoyed that the movie didn't explain or provide context for why he was able to get over his past feelings and beliefs.
I can understand that they died and were able to let go of their actions in their mortal life, i just wish that it was addressed or properly shown. Especially shen, in his last moments he was given the chance to fess up n be good and he still refused. Bro died with u finished business, I would like to see how he came to terms with that or at least hav it b addressed
Overall, the bringing back of the past VILLAISN was fumbled. So much potential, but not used and on top of that it just kinda makes a joke of them and their original actions.
--> quick add on that I just remembered. Where r the five ? Like, I understand that they could've get the actors back or whatever. Ok find. But why not hav the chameleon capture all of them at the start and then they remain captured/past out/in a coma the rest of the movie until they R rescued :/. Like. That's such a better way of writing them out cuz a. It gives Poe even more incentive to want to take down the chameleon B. It makes the chameleon a much more threatening villain, cuz all the chameleon does in this movie is push one dude down some stairs, and then bring back so dead ppl, lick them n put them in a cage 🕴️. I would appreciate more stakes. ALSO PO SHOULDV TALKED ABOUT HIS FRIENDSHIP WITH THE 5 MORE, cuz this guy is a yapper, ain't no way he ain't talking bout them. It couldv once again been a way he bonded with the fox, if both of them had looked up to the 5 or something like that, or maybe even just about how Po can't wait to accept the fox into his found family
ANOTHER SIDE NOTE: wish they developed po and the foxes friendship. I might hav said this b4, I hav bad memory. Just there could've been more bonding , wish there was but alas 😪
5. Poe s trauma ? Now, I'm a psychology student. I love seeing mental health and depth show in movies so I kno I'm being a bit picky. I just wished that we could see more of Poe coming to terms of all the stuff that has happened to him. Or at least referenceing it. I just think that he was way too jokey and light hearted the whole time. Like, there was a scene where fireworks suddenly went off next to him. I wish he flinched or anything like that, since fireworks were such a big thing (almost a trigger) for him in the first movie because of the mass killing of his species by shen. Like, even if he has gotten over it all, it would have been great to have him reference everything he s been through. It could hav been one of the things he bonded over with the fox, how yes, times get tough but you can get thru it if u r supported by the right people
Like tbh I think it wouldv been rlly cool if this movie focused on love :both the healthy and toxic types. Bringing back old villains can reference old baggage , like the toxic love between tai lung and shi fu, and the chameleon and the fox. It could be about breaking those toxic habits and changing to move past them and let the last go. Po couldv acted as the message of that, he could show his surroundings characters how to let go of the past to move on to a better future . Like, after everything he s been through that wouldv been so impactful.
Overall, just a lot of missed potentials in this movie. Still liked it tho. So here are some things I liked.
Visuals: fun visuals . Tho I do think some of the scenery wasn't as memorable as previous movies. Like comparing this villains hideout (wrong word but oh well) to shens, shens is so much more memorable and impactful. Looking at it you feel intimidated. In this movie, not so much. But it was still very pretty and u can tell some hard work went behind it, had some great animations, very smoothe, so yh :)
VIOLA DAVIS AS THE CHAMELEON 🙌🏽🙌🏽🙌🏽🙌🏽 LOVE HER, LOVE THE VOICE ACTING JUST 🙌🏽🙌🏽🙌🏽🫶🏽🫶🏽🫶🏽 like, the chameleon wasn't fleshed out as much as I'd hoped, but I still love her because I can FEEL that's she could be AMAZING cuz everything else was great except for the lack of backstory. Like I love her power, I love her character design, I love her voice .
The gay dad's 🙌🏽🙌🏽🙌🏽🙌🏽 I loved them. Highlight of the movie for me🙌🏽🙌🏽🙌🏽 every scene I saw them I smiled. I just loved them so much, that was so cute, I love how they cared about Po so much AND CARED ABOUT EACH OTHER!! That was so cute. Loved that so much. I would watch an entire movie of them cuz just 🙌🏽🙌🏽 loved them so much.
So yh, that's it. Gonna go rewatch all the other movies now
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sicklyseraphnsuch · 4 months
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RotG and HiJack Recs
Alright, I'm building this list because some of these fics are just a tad dusty, and they could use more love. (A lot more love, I am literally dying from how much I adored these.) But note that a good few are incomplete.
Let's start with:
INCOMPLETE FICS
The Long Road:
Presently Gen, but Hiccup very much falls for Jack. He does however retain his feelings for Astrid, so bear that in mind. There's the classic Viking mindset when it comes to homosexual relationships that's pretty much giving Hiccup like a lot of anxiety.
But beyond that! I cannot shower this fic with enough praises! It gives me the same sort of excitement that the RotG movie does. Jack's characterization is Spot On. He's friendly and outgoing and also incredibly secretive and flighty. It balances out Jack's blunt mannerisms with a joyous charm and just that hint of vulnerability (which he keeps so well hidden lol).
The plots take place after HttyD, during the Riders of Berk TV series. Jack is folded into the Dragon Rider group who considers him some kind of Elf. Yes, this is Jack Frost in all his frosty glory. The way the story builds on a solid foundation of camaraderie and friendship, giving plenty of scenes to show how Hiccup and Jack became great friends, lends well to the Hiccup's realization of: "Oh I'm into him". Without giving too many spoilers, that "oh" moment is forever ingrained into my memory because of how PERFECTLY timed it is.
This blends Guardians of Childhood book verse with HttyD book verse, mostly via cameos over lore. Overall, a beautiful, fun, and simply enchanting read. I cannot recommend this enough.
A Story about Ice, Dragon Fire, and Belief:
Another gen fic. Mostly, it's about North looking at Jack and going, "he's my son now", and Jack having absolutely none of it. When placed together with Stoik and Hiccup's relationship, it becomes an almost interesting study of contrasts. North is the guy who's trying to prove something to a boy that he disappointed. Hiccup is the guy who's trying to prove something to a man that he disappointed. But ultimately, it ends up the same with a schism forming between the two pairs the harder one of them tries to breach it.
Also, it talks about how Jack is a force of fucking nature? And his blizzards can kill and have killed in the past? There's a little bit of trying to reconcile that with his new ID as a guardian. North is not doing a great job helping here.
But really the Crown Jewel of this fic is North and Berk's reactions to North (and by proxy his relationship to Jack). We go a little into the historical Viking side of things (like the pillaging et al), and apply that lens to this jolly old man. Let's just say some troubling (hilarious) assumptions are drawn. Also...
Everyone loves the sleigh.
I think this is one of the few RotG and HttyD crossovers that really do a good job of merging the two movies. Primarily because it's not just Jack in Berk. And this just made me hungry for more fics where more of the RotG cast arrive as Berk, and be just 100% fantastical and strange as the bedtime stories they are. Put some respect on the Guardians name, if you know what I'm saying.
In the Shadows of My Mind:
This one is an RotG only fic. No pairings except for whatever's going on between Pitch and Nightlight (and by proxy Jack). It's not a for real pairing. That said, it's such a complex and intricate relationship that doesn't resemble a romance but remains markedly intimate. Basically, this fic takes advantage of Pitch and Nightlight's ridiculously long history then throws Jack into the mix. Alive, human Jack in an early 18th century colonial town wherein he very recently did not drown (and boy, isn't that suspicious?)
My favorite thing about this fic is how spot on the dialogue feels? The lexicon, the syntax feels true to the time its set in. Although, I can't say that it is accurate as I'm not an expert of this time period in this region. Regardless, it certainly appears that a good stack of research went into this.
All that said, this fic has captured Bill Joyce's writing style the best, but with a deeper, more complex, more mature layer underpining that bedtime like vibe. There's a good host of OCs but genuinely, I didn't notice them as OCs. I could really believe they were characters of Joyce's books. Not to mention, they feel like fully fleshed out individuals even if they have like maybe two paragraphs of screentime.
The entire premise hinges on the idea of "what if Jack survived the skating accident" and everyone's reactions to that, as well as... the hidden secret thing that involves Nightlight. GoC spoilers are hinted so beware. But the little interplay between Nightlight and Jack is such a delicious little mystery, and also makes me so sad. These two boys deserved better.
Then we throw in Pitch for fun, because Pitch is always fun, and he just makes the whole thing even more complicated or as Jack calls it, "unnatural". But he's not even the main villain. It's Christianity. JK. That said, the fic does explore the idea of well, how would a fairly backwater colony be able to explain how Jack survived or... the powers that's slowly revealing itself from within him. There's a particularly nasty boy (around Jack's age), who is an OC and I believe an exceptionally well placed one. The OC understood his role to play and he plays it fantastically. Everytime he shows up, I too feel scared and indignant and excited all at once.
Speaking of great OCs, shoutout to Jack's Da. His appearances are brief but the impact is maximized with each appearance. He has that sense of realism and whimsy baked into him that I could gush endlessly about.
Overall, just a pure delight to read. Will re-read again and again.
Zastruga:
Total Gen fic. And a classic in my opinion.
I started reading this when I was in college - note the publish date. Nevermind the update date. Because even after all these years, this story? Still good. Still very very good.
This takes the original RotG plot and makes it more epic, and also more sad. RotG was very joyful at its core, which this fic somehow manages to retain. But it's just under a layer of sad. It's not overwhelming angst though, just enough to really pinch your heart.
Also whereas the movie has a few epic battles before things go really wrong, this fic stretches that out into a proper war against Pitch (and Jack). That's right. Jack is with Pitch ala Mother Gothel/Judge Frollo style. Jack isn't locked up entirely. He's given just enough rope to hang himself with. Mind the Jack whump is what I'm saying. But also do note that Jack's character remains as steadfast and loyal as he ever was in RotG, so the whump just hits nicer since this Jack isn't so irrevocably changed.
I have re-read this before. I will re-read this again. Nevermind the incomplete status. There's plenty of chapters that simply give me great joy.
COMPLETE FICS
It's the Great Spirit Sleigh, Hiccup Haddock:
Gen fic, in that there's no pairing actively getting together. But remains faithful to the original canon's hinted love interests. So Hiccup has a big crush on Astrid and Jack leans towards Tooth. That said, the relationship between Hiccup and Jack is just plain adorable and also heart-wrenching. They care about each other. So Much.
Now this is just a good holiday cheer. It literally has the Hallmark movie template, which is the point really. You know, the whole "oh no, a holiday is ruined" followed by "clever and charming ways to fix the holiday". With Hiccup and Jack taking the starring roles.
If you know your Hallmark movies, then you know that the leads get together in the end. And they don't in this fic. But the amount of "Gosh do I care about you" is so good. It's a lot of hurt and a lot of comfort. And I am here for it.
Also, this fic was completed way before the HttyD 3 movie so it doesn't have a canon compliant ending. That may be a bonus for some of you.
Scary Monsters and Super Creeps:
Pre JackRabbit (Bunny/Jack). But honestly the pairing isn't the main focus, mostly that Jack and Bunny admit to liking each other (but not to each other). So their dynamic remains in the best bros category. The pairing mostly shows through the plot machinations.
So long story short, Pitch opens the Guardian-Verse and recruits the other versions of the Guardians - the corrupt versions. And it's good, action/adventure fun. There's some gore, so mind that. Because the corrupt versions are nasty little things that fight dirty. Which makes the action feel like there's legit stakes. Also makes for a quick read because you must know what happens next? Did they get out of this sticky situation? Are they going to be okay? That sort of thing.
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alpaca-clouds · 4 months
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Okay, let me explain!
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Okay, you know what? Given that at least one person (hey there, @vengencefilledwriter) say after my shitpost yesterday, that they wanted to read about this... let me talk about how I very randomly started shipping Astarion with Themberchaud.
Because, yes. It is a crack ship in many ways. However, I will maintain that it actually totally makes sense.
And yes, Themberchaud is the chubby dragon from Dungeons & Dragons: Honor Among Thieves. I kinda talked about him a bit before (but tumblr search cannot be assed to show that to me), so...
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See, me shipping the two arose from Wishing Well, the Astarion-centric longfic I am writing right now (which is also the sequel to Voice of the Voiceless). The story takes place about a year after the end of BG3 and centers around Astarion and Tav finally visiting the other vampire spawn, who in this have simply settled the Grymforge, after it was abandoned by the duergar.
Given the story takes place completely in the Underdark and features a conflict centered around the duergar, I thought it would be a fun little thing to have Themberchaud show up at some point as a cameo.
Yeah, I thought wrongly.
Because then I started the research on Themberchaud, and oh boy, let me tell you guys, this dragon is actually such a poor little blorbo who in truth just needs a big ol' hug!
Yes, yes, I see you there, muttering: "But red dragons are chaotic evil." To which I just say: "Sssssssh! Listen!"
Themberchaud...
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Okay, even if you play DnD there is a very high chance that you never really encountered Themberchaud, because he is kinda locked into one place: Gracklstugh. The duergar city in the north of the underdark. And while the movie kinda plays his fatness as cute and funny, actually it is in his case super tragic!
See, Themberchaud is a slave. Because the duergar's masterful weapons can only be created in dragonfire, which is why for so many hundreds of years they have held themselves a dragon slave. The current one is Themberchaud.
Of course, given that dragons by nature have a rather big ego, they know well enough to not let him know that he is a slave. He has all the servants he wants, gets gold for his hoards and unlucky adventurers to feast on, and all they ask of him in return is that he keeps their forges running.
Well, and just to make extra sure that he plays along, they use some of the psychic powers they have gotten from their millennium of illithid enslavement to keep him content.
The fact that he got fed so much without having to hunt for it, is what made him so fat. And in fact that came as a bonus for the duergar, because the fact is, that Themberchaud has become so fat that he could no longer leave his hoard and hence very unabel to flee or fight back.
But dragons get stronger as they age and as such it becomes harder and harder to keep him controlled. Which is why he was supposed to suffer the same fate as all the other dragon slaves before: Get killed.
Something went wrong however. We just do not know what. Only that for some reason by the time the movie takes place, Themberchaud has somehow managed to escape Gracklstugh. But something is very clearly wrong with him. Because for one, he does not seem to have any capacity for reason in the movie - and also... his dragonfire somehow does not work. And remember: The duergar kept him for his fire.
Now, maybe his mind got just melted away by the psychic magic. Who knows. But yeah, that is the backstory there.
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Okay, did I successfully get you invested in the story of the poor dragon? Yeah?
Hopefully. Let me just talk about why I ended up shipping him with the sad vamprie boy. Which kinda brings me back to why Themberchaud did not just remain a cameo in Wishing Well. Because I was planning the story and hence researching, I realized something: Astarion and Themberchaud are weirdly similar.
They both were slaves for around two hundred years and barely know anything but slavery.
Their respective masters used mindcontrol of them, which would logically lead to them both having trouble to even know who they are. Were they begin and the mind control end.
Both of them were abused by their masters through food. While Astarion was starved, Themberchaud was overfed. But both is still abuse through food!
Their enslavement ended through some circumstance (which for Themberchaud is still unknown) the plan of their respective masters to kill them failed.
Throughout their enslavement they were kept from the sun. (Note: While it is not explicitly said for Themberchaud that he wants to escape the underdark to see the sun, there is some implication for that.)
Like, those are actually fairly strong parallels. Something that undoubtedly was not intended by anyone, because I kinda doubt anyone at Larian even had Themberchaud in mind, when they were creating Astarion.
Never the less: Those are parallels.
And those parallels made me decide against the Themberchaud cameo......... in so far that instead of being a cameo, he literally becomes the sixth ranger in Wishing Well. Because he and Astarion pretty much talk to each other for like 1 hour and instantly are like: *scream* "BESTIES!!!" With Astarion afterwards being very unwilling to abandon the big dragon once more.
I will spare you the shenanigans that happen afterwards, but let me just put it like this: When they get granted a wish, Themberchaud gets turned into the more handy form of a dragonborn, which allows him to travel to the surface world. Because, you know, see the sun for himself.
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Yes, yes, I hear you once again: "But that is just what happens in your fic!" Which, yes, sure. You are right. But you know what?
I still totally think that the two of them would totally at least platonically hit it off if they were ever going to meet. Because they just are so darn similar in their dramatic backstories as runaway slaves whose masters were trying to kill them.
Like, just look at all the bonding potential there!
What I love about it too, is that it has Astarion in the role of a caretaker for someone. Like, people (well, mostly Tav) took care of him, when he needed it and now he is capable to support someone else who has lived through similar shit.
You understand me? ALL THE HURT/COMFORT POTENTIAL!!! JUST LOOK AT ALL THE POTENTIAL?
And yes, in case you are wondering: No, Astarion does not break it off with my Tav in that stuff. Because polyshipping is a thing xD And that polycule is already just a bit bigger.
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And, just... Look people. I JUST WANT MY BLORBOS TO BE HAPPY TOGETHER, ALRIGHT?! *feral*
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safety-writes-noms · 7 months
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I SAW DRAGON AND STARTEDNABRAGRHAHB
holding out my idea of wolfwalkers type shit but with dragons. im jsutbtrghgrhgbrjrghrgjngrughibkjfggfhbjgrfihdkjh SMASHING MY HANDS ON MY DESK. PLEASE.
just imagining big angry dragon miguel with gold accents trying his damn hardest not to snap as hes got a bunch of smaller dragons clambering on him and excitedly talking while waiting to be told what to do. being dragons and all they go around and make sure theres peace between kingdoms and stuff ....
sobbing into my hands. i need to see more dragon content im GGGGHR AAHHHHHH
YES OMG PMG I LOVE DRAGON AU’S (so sorry this is kinda late 🙏 school seriously beat me up this week. Also YOUR ART IS SO SO SO COOL!)
(Also also I’m so sorry but I’m not familiar with the wolf walkers series and never got the chance to watch it :(( but I absolutely love the animation style and premise from the ads I’ve seen)
THIS IS NOT NSFW AT ALL!!! KINK BLOGS AND NSFW BLOGS DNI
I can just imagine miguel grumpily walking around with all of the spider kids either nestled on his back or chattering somewhere in the cave, waiting to get assigned their missions. I am in LOVE with the idea of Miguel sending them out to keep the peace between humans since sometimes humans can be very… not wise. Idk actually, maybe the some of the spider kids are humans and that’s how they meet Miguel or peter and Jess (bc I’d love to see them as dragons theyre so cool)
imagine a human Hobie just confidently walking around a dragon’s cave/network society and just casually arguing with a giant dragon Miguel. I’m feel like he’d get in the dumbest arguments with him just for the giggles. I can see him also baby sitting a hatchling mayday, keeping her fully entertained while Peter goes off to finish missions too dangerous to bring her along. Their little interactions in atsv were adorable especially the little salute he gave her.
or the fight between miles and Miguel ☹️ even tho I love him (Miguel) and understand why he did that and his motives, I’ll always feel so bad for miles. I feel like it would even be worse because instead of having a 6’9 roughly judged 310 pounds of muscle man chasing after you and pinning you down, there’s a ten ton dragon hellbent on having your dad die for the sake of the canon, claws, wings, VENOM/FIREBREATHING. It’s pretty much game over at that point. Ofc miles is a resourceful amazing wonderful intelligent human so I think he’d be able to reason with him. Besides, even then I kinda doubt Miguel would want to kill a kid, even if they’re a human. Nurturing instincts don’t go away after ur daughter dies 😋! Actually Miguel might even nom miles in an effort to keep him from messing up the canon :( can you imagine being so so terrified of this huge creature and getting nommed and you don’t know you’re safe and you’re panicking and —
The hurt and comfort is strong here :o. And the guilt. So much guilt. Once they work out their issues (there are so so so many poor dudes) I’m sure they’ll be besties. But that’s for human miles au
dragon miles would definitely get the short end of the stick. Even if he’s a hatchling (kind of, he’s in that odd stage between adult and adolescent but on the younger side) he’s still a whole lot more durable than if he’s a human. Which means that Miguel won’t be nearly as cautious handling him physically. Ouch. Miguel genuinely wants to protect miles in the movie but does it in the worst way possible. That would probably transfer over to this universe too.
But still because I absolutely LIVE for found family, I want to imagine they work through their problems in a long and very very non linear path that has setbacks and leaps forward and minor changes and everything because I love all of these characters sm and without depth they don’t feel like people. Plus imagining sleepy spider kids/dragons stumbling into Miguel’s section of the cave system/lair and deciding to take a quick nap there because it feels safe and waking up with Miguel curled loosely around them, wing slightly shielding them from the chilly drafts and hsjskskdjskj they have my heart. (Miguel will deny it later.)
or peter b taking the human kids out flying to let them feel at least a little what it’s like to taste the sky while Miguel lurks in the background anxiously, crimson eyes tense just in case peter accidentally drops one of them. Not that he would, he may be goofy but he’s most definitely not stupid.
I can imagine Miguel trying his hardest to stop some of the kids from doing things that he thinks is wayyy too dangerous for them and just giving up and tucking them away in his brooding pouch. If they won’t listen to his very very valid concerns then he’ll just have to make sure they don’t go anywhere >:(. Plus it’s warm and safe and even though Miguel will never admit it, he feels calmer if they’re there, protected completely bc he’ll never let anything hurt them. At least not while they’re nestled in one of the literal safest places in the world. I can’t imagine anyone would have an easy time getting to them when there’s a very protective and vengeful dragon guarding his precious brood.
and I haven’t even really gotten into the other characters either :( especially exploring the relationship between Jess and Gwen or Hobie and miles/gwen and pav but I feel like I’m writing too much so I’ll end it here. If you or anyone else wants to continue this thread/au PLEASE PLEASE PLEASE GIVE ME AN ASK! I LOVE THIS AU SM 😭😭
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medusapelagia · 7 months
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Eddie's Month Day 5 + Whumptober Day 5
written for @eddiemonth and @whumptober-archive 
Prompts: Eddie’s month day 5: Role Model | Slow Down - Ozzy Osbourne | Brave Whumptober day 5: “You better pray I don't get up this time around.” - Debris | Pinned Down | “It's broken.” Rating: Mature Relationship: Eddie Munson/Steve Harrington WT: injuries, hospital WC: 1308
Some moments define your life.
Moments that seem like others and then, when you rethink about them, you realize that they were particular moments that changed your entire life.
The first one was the day Wayne decided to visit his brother when he came back from Vietnam.
Eddie didn’t really like the silent man who kept smoking one cigarette after another while looking at him with something that he wasn’t able to define. It took him a few years but he finally understood that he was looking at him with pity.
That day, even if Eddie didn’t know it, was the day Wayne decided that the kid deserved something more than a junkie as a mother and a petty thief as a father.
It took Wayne almost three years to gain Eddie’s custody, but in the end, the State was more than happy to give a troubled kid to an adult who was willing to raise him while his parents were in prison.
That day, the first day he met Wayne, Eddie was wearing a band t-shirt his father shoplifted somewhere and that was way too big for him, but he loved it.
He still has it, somewhere.
The image has faded and the cotton is so thin that it is almost see-through, but Eddie keeps it as a relic.
Another moment that will define his life forever is the day Chrissy Cunnigham, lovely Queen of Hawkins High ,sat with him and asked him for drugs. The strong kind, not just marijuana as most of the tough kids in high school did.
And he said yes.
Now that they are getting ready to fight an interdimensional monster he asks himself: why did he say yes? Why didn’t he tell her to have fun with her friends instead of searching for consolation in drugs?
He should have never said yes.
But he thought he was helping.
He thought that he could have helped her, little by little, gaining her trust and helping her see how beautiful and kind she was, inside and out.
But they didn’t have the time.
When he turned toward her with the little plastic bag, he found himself deep in a shitty horror movie with a fucking monster ready to kill every stupid teenager in Hawkins.
So he did the first thing he learned when he was a kid.
He ran away.
Like he had run away from his father when he used to come home drunk and tried to beat him.
Like he had run from the bullies that were trying to cut his hair.
Like he had run from the police when he was dealing a few miles away from the trailer park.
Eddie has run all his life. He is a pro at running. Could win a fucking medal if he wanted to.
But tonight is different.
Tonight they are at war.
And what is worse, is that he has a kid to take care of.
The look that he has shared with Harrington has said everything there was to say.
The knight is going to slay the dragon and he is going to keep the kid safe, and he fucking will.
The adrenaline of the concert he has played on the roof of the trailer is fading away fast, those monstrous creatures are trying to get into the trailer and Eddie can’t allow that.
If they get inside they could hurt Dustin, and even get into their dimension.
No fucking way.
So Eddie does what he knows best: he runs.
The only difference is that this time he is running toward the peril instead of away from it.
Fuck it.
If the ex Keg King was able to fight a fucking monster with a nailed bat and nothing more, he could do the same, right?
He is a man. His role in society is to protect the people he cares for!
He takes the bike and the demobats follow him. He looks around him, he will never make it to the woods as he was thinking.
He leaves the bike and takes the nailed shield.
He just has to hold the line. Someone will come to help him. That is what happens in all his books.
Straider will appear from nowhere and will save him.
The demobats shriek and he yells at them.
He closes his eyes.
Now that he is alone, surrounded by demobats, he doesn’t feel so brave anymore.
He thinks of the old faded t-shirt. He should have put it on for good luck. 
He would like to be buried with that on. 
No stupid suit for him.
He falls.
Everything hurts.
Someone is screaming his name when the earthquake starts and the bats fall to the ground. Dustin is holding him tight.
“I didn’t run.” he says, tasting blood in his mouth.
“No, no. Look at me! Look at me!” Dustin screams, and then someone else is kneeling at his side.
“We have to bring him back. Now.”
“But…!”
“Robin, Nancy, help Dustin. I think his ankle might be broken.” 
Someone is lifting him, and Eddie whimpers when they move him.
“Hey, if you are still complaining, it is a good sign.” Steve says, sounding cheerful.
“Harrington?” he asks, confused.
His vision is blurry, but someone is carrying him in a fireman’s carry and is running through the debris of the earthquake. 
What happened?
When did it happen?
What the fuck is going on?
They are not going back to the trailer, they are going down a crack in the ground.
“Are you sure, Steve?”
“Do you have a better idea, Rob?”
It seems they are out of ideas because Robin and Nancy keep going down a few feet away from them.
“You get to the other side with Dustin, then you’ll help me with Eddie.”
“Slow down, big boy.” Eddie complains.
“You will rest when we get to the other side. Just hold on.”
“You better pray I don't get up this time around or I’ll ruin your reputation. The golden boy brought me to the other side. How does it sound as a title?” he tries to joke.
“Better than being killed by a maleficent creature with psychic powers, honestly. But I’d prefer something like ‘brought me to the dark side’, it sounds more badass, doesn’t it?” Steve replies and Eddie laughs. Everything hurts, but he laughs.
They are still walking down the crack when Steve groans “I asked you not to do anything stupid.”
He did.
But for once Eddie wanted to be the brave one.
“Are you angry with me?”
“Don’t die on me and I might forgive you.”
Steve.
Brave Steve.
The expendable one.
Still, the one that is bleeding to death is Eddie.
“I didn’t run.”
“I know. But a friend of mine told me that there is no shame in running.”
“Wise man. You should introduce us one day.”
“I will. Now hold on tight. I’m going to push you through the crack and I don’t think it is going to be fun.”
Spoilsports, Eddie thinks, and the burning pain is the last thing that he feels.
***
When he opens his eyes he is in a hospital, his right arm is handcuffed to the bed and there are two figures asleep on some cheap plastic chair.
One is Steve, his hair messier than ever, the other is Wayne, who has a duffle bag at his feet with a faded t-shirt half out.
Eddie will quickly find out that they do not have a home anymore, and all their belongings are in that duffle bag. 
He will learn that he is still the first suspect in the murder of Chrissy Cunnigham.
He will remain handcuffed in the hospital for weeks, but when he will finally leave, hand in hand with Steve fucking Harrington, he will wear a faded t-shirt.
Almost see-through.
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felixcloud6288 · 8 months
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Fullmetal Alchemist Chapter 30
We've had one traumatic death, yes. But what about second trauma?
Y'know how Greed said Ed was the type who doesn't mind getting beat up but will lose his cool when others get hurt?
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Greed is also that type of person. This is the only time he's been furiously angry, and it's after seeing Loa and Dorchet killed in front of him.
I wonder if Bradley knew Martel was inside Al's armor before she tried to kill him. If she had kept quiet and let Alphonse quietly sneak her out, I wonder if the scene would have ended with Bradley saying something like "Before you go" and then running his sword down Al's chest.
The scene transition after Martel is killed implies Al lost consciousness from the shock. I wonder how that works though. I know falling asleep and being rendered unconscious are two different things, but I'd assume there are some overlapping characteristics that should cause Al to be unable to fall unconscious because of his condition.
I wonder if Martel's blood spilling on Al's bloodrune might have momentarily disrupted the seal and disconnected Al from his armor and if maybe Ed pulling Al's soul might have had something to do with Al not having his memories to begin.
I've got no real ideas with that. If something comes up later, I'll talk about it then.
But Al managed to reach that silhouette of his mother and that's what caused him to lose his whole body.
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Bradley demands to know if Ed and Al traded any information or made any deals with Greed and threatens to kill them if they did. Considering what Bradley is, it's pretty wild he'd make that threat. He was willing to kill one of their sacrifices to ensure their plan wasn't found out. Or maybe he was intimidating them into silence.
Al being a suit of armor was probably known to the Homunculi long before this point. Greed found out because of the rumors in East City after the fight with Scar, and Lust was on the train to Resembool. Bradley asking about why Al is a suit of armor might be the first time they considered him as a sacrifice candidate though.
I'm glad Ed pointed out the inconsistency from Bradley saying he wants to find out what the military conspiracy is but then killing a bunch of people who could have been potential leads. Of course we as the readers understand it's because the conspiracy goes all the way to the top at this point.
Wouldn't it suck if you bought a house in Central and there's a window that allows one of those searchlights at Central HQ to beam into your house?
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The scene with Riza is playing out like that scene with that white girl in every horror movie, right up until she pulls out a gun and shoots Barry.
I just love how she hid a gun in her grocery bag. Did she put it there after leaving or does the grocery store stock fully loaded revolvers next to the pet food? And where did that other handgun come from? She's not keeping a holster of any kind and just before this panel, she was using her right hand to hold her groceries.
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Her grocery bag also had dog food so she canonically has Black Hayate at this point.
There was a missing person flyer for Yoki.
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We can still see the bullet holes Danny and Maria gave Barry.
We see the military banner. It's a horned(?) dragon(?) with a winding tail.
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It must suck for the people whose office windows are behind the banner.
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Spoiler Discussion
Bido being established as not at the Devil's Nest during the raid shows how far ahead Arakawa had the story planned.
Arakawa planted a little seed here which would bloom into a major plot point dozens of chapters later. Hindsight and this scene proves she planned to have Greed return and have him betray Father a second time.
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jasminedragonart · 1 year
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Dear disney, if you want to know what your old movies are actually about instead of simply saying the women in them are useless, perhaps read this post here:
Snow White: Disney thinks Snow White is about a woman who needs a prince to come save her. Untrue. The prince doesn't even come into the picture properly until the end. Snow White, in the old Disney film, is actually about a girl in witness protection. She's hiding from a woman who wants to kill her. She's making smart decisions by lying low and making friends with people who the queen certainly won't imagine her step daughter associating with- namely because she's supposed to be a princess and she's also supposed to be dead until the huntsman messes up. She's not useless. She's surviving. You don't have to girl boss her up because she doesn't need to be.
Cinderella: disney also thinks this movie is about a woman being saved by a prince. I would like to remind Disney that the prince doesn't do shit. Cinderella is the one who goes to the ball. Yes, with help, but she is the one who decides to go. she is the one who decides to defy her abuser to go to a prince who is offering her a way out of her horrible home life. Cinderella gets out of the room with help, but Cinderella is the one who decides to go. She doesn't need girl bossing up.
Sleeping Beauty: not much to say here. Sometimes it's okay to be saved by a prince. I still love this film. I love Aurora and how she likes singing and dancing and wandering in the woods because some girls just be like that disney. They don't all need ambition.
The little Mermaid: disney thinks she needs girl bossing up because a prince saves her. In reality, Ariel of her own volition, has the ambition to go above the water. it's not about a prince, she wanted to go before she saw him, but the prince is a bonus too. Plus, he's literally the only way she can stay above water, so yeah, I would turn on the charm too. Ariel is already strong willed and independent. Her voice being taken away doesn't take away from that. If anything, it shows her determination.
Beauty and the Beast: belle doesn't need girl bossed up. She's educated. She's strong willed. She's compassionate enough to see the man beneath the beast and not change him, but remind him of his own humanity. The message here is that there is always more than what the surface shows us.
Aladdin: Jasmine doesn't need saving. They don't even get married in the first film. Jasmine is strong willed, she has a mind of her own and while she is spoiled and doesn't realise what life is like beyond the palace at least she's willing to learn. Her father listens to her. He does. He just wants to protect her. Aladdin in this movie is saving himself, not Jasmine. In this movie Jasmine is already a good character, she doesn't need more adding to her.
Mulan: I don't even need to say anything about Mulan. Mulan is literally a story about self identity and putting your family above yourself. It has only a little to do with gender politics in my opinion. More in the way that being a girl is the main problem. I would say that mulan could have been a bird transformed human and you still would get around the same movie. It's about the self, not the gender. Mulan is finding herself finding the person on the inside also on the outside, finding her confidence and her will to do whatever she needs to in order to help those around her, in the end, being a girl is inconsequential to her. So making the entire film about her being a girl and not her finding her dragon guardian inside of herself was a stupid move. Also the magic stuff was weird.
Old movies don't need feminist agendas. They're about women so they're already feminist movies. The only thing disney is doing is ruining good movies with horrible extras and taking away what made them good to begin with. They don't even understand the structure anymore. The magic is gone. The characters aren't driven like they were in their heyday and it's sad.
Disney is a monster.
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alwida10 · 10 months
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I need a word, but I don’t know which one. This trail of thoughts was inspired by a post where someone discovered the nice and cool guy he knew was secretly a serial killer, and how upsetting this revelation was.
So, I was thinking about the Loki series (yes, again), and how it characterized the major players and I noticed something I was tempted to call „one dimensional“, but sadly „one dimensional“ is defined as „ a character who lacks depth and who never seems to learn or grow“. And while I do accuse Larry and co of many things, they do have an arc over the season. So, that’s not the word.
I tried „lack of complexity“ next, but that’s basically the same, so here is the thing I observed. Perhaps you can tell me what it is called.
I am thinking about a character being a „mix“ of good and bad things, in contrast to a character whose facets are all running parallel. Picture a character with different aspects; let’s say their work ethics, their personal life, their hobbies. Imagine someone who is always throughout in their job, polite and well mannered, and has orderly hobbies. They might even change over time, but when they do, all traits show change in the same direction. They start stealing from the workplace, yell at their family and utilize illegal means in their hobbies. On the other side I see characters like Loki in Thor 1, who has many facets:
1. his intentions for the well-being of his people
2. his behavior towards Odin
3. his behavior towards Frigga
4. his relationship to Thor
5. his intentions for jotunheim and it’s people
Over the movie some of those facets change, but not all, making him a complex character, but even without considering that his behavior is different depending on the recipient. This is still the case at the end of the movie. Number 1 & 3 stay fine, 2 & 4 change to the worse, and 5. goes from „i don’t care for them“ to „kill then all“. Another example for this kind of characterization would be Tony stark (after his arc in IM1), who does his best to fight for the greater good, but can be a real burden to those who care about him.
In contrast, Larry‘s traits run parallel. In episodes 1-2 I see this:
1. his behavior towards people that are weaker than him (the mongols, Casey): condescending, threatening
2. his behavior towards people who are more powerful: manipulating, aggressive
3. his attitude towards people: good to be ruled, but not more
4. his attitude towards the time keepers: should be overthrown and replaced by Loki.
He does change over the season, so I cannot call him one-dimensional in the classical sense, but even after the change all traits point in the same direction
1. his behavior toward a people who are weaker than he is (TVA agents in the „new“ TVA): should be protected
2. his behavior towards people who are more powerful (sylvie, the new mobius): we have to work together, treating them with respect or submissiveness, pleading for support
3. his attitude towards people (TVA agents in the „old“ tva, everyone who HWR‘s plans affect): should be protected, consequences for them need to be taken into consideration
4. his attitude towards the ruling person: need to be considered, loki doesn’t want to rule anymore.
I see the same tendency with Sylvie, who changes from a) a badass fighter who can do everything on her own and b) someone who is harsh in conversation to a) someone who needs and accepts help and b) someone who starts opening up in conversation.
A noteworthy exception from this style is Mobius who is show as understanding and welcoming in his personal interactions but is totally okay with killing innocents by pruning. However, at the end of the season his facets are in parallel, too, since he is still verbally welcoming but now against mass murder.
Anyway, I think that is something to consider when writing a character. Real people are seen differently. The dragon-like school teacher can be someone else‘s beloved friend. The lawful and stern father might have been a hippy once. People are multi-faceted.
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sunnidaydreamer · 6 months
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God, I need someone to talk with about Drakengard.
We need a full-scale AAA remake, to get more people to know about this series!
Yeah, people found out about it through Nier, but it's a product of its time engine and gameplay-wise.
I love the series more than I can say, truly love the series, but the controls are AWFUL.
The movie cutscenes are beautifully done, but the graphics are otherwise bland at best.
But the story it tells!
A deconstruction of fanservice and tropes like the Antihero, the Sister in Love with her Older Brother.
Things like gratuitous violence, with some weapon unlocks requiring INSANE amounts of kills.
The characters! You can tell some of them are or want to be genuinely good people, but they're still people.
Inuart loves Furiae dearly, he thinks of Caim as his brother, but he's consumed by envy. Envy because he can see that the woman he loves may care for him, but she's in love with her own brother. Envy because Caim is strong and respected and everything he feels he isn't.
The Empire, the Watchers, use this to twist him and make him your enemy, purposefully setting him up in a pact with the very dragon that killed Caim and Furiae's parents.
Even when Inuart is able to get free of the brainwashing things aren't just magically better. He's fundamentally changed as a person, driven to madness from grief, willing to fight and kill Caim if it means reviving Furiae.
Drakengard also has interspecies romance! Yes my friends, while it is not in your face explicitly, Caim and the Red Dragon, aka Angelus, do end up falling in love. What can I say, Caim knows what he wants in a woman.
And what he wants is a giant red dragon. Follow your dreams, my man!
Manah is the result of an abused child desperately searching for even a crumb of love, taken over and manipulated by the Watchers, but as long as they tell her they love her she clings to them.
This carries over into Drakengard 2. Even though 2 is famously the black sheep of the series as it was not written by Yoko Taro, and some fans of the series won't even acknowledge it, and it is bowdlerized to hell and back it does have its moments.
Manah before the main story of 2 suffered a head injury that left her basically a blank slate. We see that she has grown into a kind person, who wants to help those who are suffering. She genuinely believes that destroying the Seals is the right course of action.
And when it turns out that destroying them triggered the end of the world? That this is the second time that she has brought this about?
It breaks her.
For a chunk of the later half of the game, Manah is full-on insane out of guilt. She's so broken that the Watchers are able to easily slide back into her mind and soul and possess her again.
The way her trauma and insanity are... handled for lack of better phrasing is, to be blunt, kind of terrible though.
Nowe somehow teleports into her mind and kills the manifestations of her trauma/the Watchers. The power of love?
Once they're dead she's magically better! No more guilt or trauma!
In the third ending she's so healed from her trauma that the Watchers have nothing to hold on to when trying to possess her again and she... absorbs them?
Yeah, there's a good reason 2 is.... controversial to say the least.
I love Eris though, you go my pyromaniac daughter, set a woman on fire with a big ass grin. Are Nowe and Manah an example of interspecies romance? Nowe is some kind of dragon-human hybrid called the New Breed, and Manah is human so.... I guess?
This is only the games by the way. There are several novels relating to all three of the Drakengard games, as well as 2 manga relating to 1, but one of the manga was never finished for some reason. 3 also has a manga centered on the other 5 Intoners after they were accidentally created by Zero.
1 also has novels that are like an alternate universe take as well, but I've never been able to read them and I don't know if they're still ongoing or what is happening there.
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evilwriter37 · 8 months
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After Viggo attempts to sacrifice himself to save Hiccup, Hiccup manages to get him out and back to the Edge and save his life in turn. Obviously, Viggo can't go back to the hunters after they tried to kill him, so he stays with the Dragon Riders. (Or whatever other reason for Viggo to be there you prefer. The how he got there part isn't really the point, anyway:) He and Hiccup become a Thing(tm). It becomes very apparent to all of the other riders that Hiccup and Viggo are madly and truly in love. (However long that takes)
Fluff starts here: Viggo has been trying for a while now to figure out how to ask Hiccup to marry him but can't find anything he deems Perfect. Enter Snotlout, telling Viggo if he wanted Hiccup to melt like yak butter and absolutely say yes, that he and Fishlegs could help play some music after dinner one night and Viggo could Serenade Hiccup with the most romantic wedding song they knew: For the Dancing and the Dreaming. (The song from the second movie that stole my fucking heart and won't give it back.) Which also means there are several secret practice sessions where Snotlout has to teach Viggo the song and accompanying dance. (Could add angst or humor here)
Viggo might initially have reservations, not 100% sure if Snotlout was being genuine, but upon talking to Fishleggs, it actually seemed legit.
Snotlout would be high key offended that Viggo didn't initially believe him, but honestly, that's fair.
Hiccup does in fact melt when Viggo starts singing to him, and when the song ends and Viggo is on one knee with a ring held out to him Hiccup legitimately does not have words for how happy he is and just throws himself at his new fiancé knocking them both over.
Snotlout: *gesturing to the happy couple on the floor, Viggo being smothered in kisses* You see that? That right there? I did that. You're welcome!
That! Is! So! Cute!!
Sorry it took me so long to get to this. Spoons have been really low. But I was like: Hey, why not answer asks?
Anyway, yes, yes, yes! This is utterly adorable! Snotlout would be super good at this I feel. He has hidden talents, that now include getting people together.
He’s never going to shut up about it now.
That final image is so adorable though. Hiccup would be all breathless and teary and definitely say yes!
Thanks for sharing!
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