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#yes cecil included
milk-ducts · 6 months
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///spoilers
…,,,
me thinks they want eachother carnally ..
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quatregats · 28 days
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Thought I had managed to figure out the whole timeline of where Villena had been during the war and now I'm going back through all the sources I have saved and I feel like nothing is matching up at all with what I have in my head
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down-thedrain · 1 year
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as much as i love sans undertale i need cecil to win so that i can finally lay my undertale phase to rest. my demons won't leave me until i can show them that my hopes and aspirations are bigger than they are. and then the next chapter of my life will finally begin
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kerink · 1 year
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in light of people's confusion over cecil's longevity in @sexymanotd i wanted to document a bit of his history for those unfamiliar or nostalgic
welcome to night vale is a podcast written by joseph fink and jeffrey cranor. cecil gerschwin palmer is the main character and voiced by cecil baldwin.
it debuted on june 15, 2012 it reached its peak in popularity in 2013-2014
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despite this, wtnv has been one of tumblr's top fandoms since staff started tracking fandom-related data in 2014
for the longest time the only thing we knew about cecil's appearance was: "He is wearing a tie. He is not tall or short. Not thin or fat." and that wasn't until episode 19 which aired march 15, 2013. for almost a full year we had no idea what cecil looked like. so tumblr's collective unconscious kicked into high gear and we did what we do best
we created a tumblr sexyman
from know your meme: "Defining traits of the archetype include skinny body type, trickster or villain role and dapper clothing."
know your meme identifies wheatley (portal 2, 2011) and the onceler (the lorax, 2012) as being likely tumblr's first sexymen. and the onceler fandom was at its peak in 2012-2013, the same time as wtnv. in addition to this, the hannibal fandom has been cited as one of the contributing factors to wtnv's success on tumblr.
so tumblr had created an archetype that worked and the wtnv fandom was made up of mostly hannibal fans - the foundation for putting cecil in a suit was there. and honestly? cecil's at work in the show, why wouldn't he be well dressed?
however, while this explains his attire it doesn't explain some of cecil's more unique sexyman features, namely the tentacles. for this we have to return to the 2014 fandom review analysis where you can see the most popular fandom at the time: homestuck
haven't you ever wondered why almost a quarter (189/923 at time of writing) of E rated wtnv fics on ao3 are tagged tentacles or tentacle sex? why cecil having tentacles for a dick is such a seemingly popular headcanon? well look no further then homestuck cultural hold over.
throughout all of this, the development of the sexyman archetype on tumblr and the rise of homestuck, one creator really stands out: kinomatika
kino was one of the most popular homestuck artists on tumblr at the time, popular for their eridan fanart. if you google image search "welcome to night vale" kino's art is still one of the first results you'll get
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their design was so popular in fact it was featured in wtnv related articles from the time
and yes there were absolutely other artists giving cecil tentacles and moving tattoos at the time, but it can't be understated the reach kino had and the influence their homestuck roots had on their design choices
i recommend going through the archive of @nightvaleartclub to see how cecil used to be portrayed back in the early days. unfortunately the earliest fanart i've been able to find is july 2013 and i find it hard to believe it took tumblr a year to draw him. although, i started listening at episode 5 and didn't start drawing him until then myself so who knows...
cecil has had tumblr's heart in a vice grip since episode 1, with "20,000 posts, 183,000 blogs and 680,000 notes using the #Night Vale tag" during its first week. tumblr's love for wtnv has always been fairly genuine, from the impact the writing has had on tumblr humor and future story telling, to how wtnv paved the way for lgbt+ representation in indi media, to how it popularized podcasts as a medium for story telling, to the little comforts some of cecil's quotes still bring people today
cecil is not only a founding father of tumblr culture, but also a blorbo of the people. cecil the character in canon has a tumblr account where he posts his art and slash fanfiction.
although cecil's character has developed over time and we've come to see what a ditzy, eccentric, brat he really is, changing his status from sexyman to babygirl, cecil is absolutely a character you should embrace. and you know what... despite what i've said in the past
#cecilsweep
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[ID: Images one and two are Google analytic graphs for the search terms "welcome to night vale" and "wtnv" between June 15, 2015 and January 27, 2023. They both depict very sharp spikes around 2013-2014 until the lines decrease greatly over time.
Image three is a drawing of Cecil from Welcome To Nightvale. He is white, with white hair, glasses, a third eye on his forehead, and he is wearing a suit. In the background is the silhouette of a neighborhood from the WTNV official art, a galaxy, and a moon. It is tinted purple. Image four is the always has been meme. Instead of the earth is the tumblr logo, and the text is: “a wtnv fansite?” “Always has been”. End ID] id thanks to @princess-of-purple-prose
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cheemscakecat · 1 month
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About Omniman and Debbie dating…
Spoilers
I headcanon that the reason why Debbie gave him a second date is because she had no idea he was an alien on the first.
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“Our first date was 20 years ago, Nolan.”
“Oh. Mostly I remember you dumping me right after.”
”Oh yeah, because you were a ****.”
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“Come on, I flew you to Rome!”
“Yeah, and you expected me to worship you because of it.”
So we hear the Viltrumite cover story when Nolan is explaining where he’s from to Mark. We can assume that Cecil and maybe the Guardians knew about Omniman being an alien, but we can’t say the same for the human public.
I’m sure the cover story was eventually spread around for the in-universe comics or whatever superhero interviews he had, but we don’t know exactly when that happened.
She said he only got another date when she saw him save kids on the news, but that could be an exaggeration. People that have been married for a long time tend to tease each other and say odd things, and I think that’s what she was doing.
Here’s what I think actually happened:
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Nolan saved Debbie from getting crushed, and they struck up a long enough conversation to set up a date. At this point, she had no reason to think that he wasn’t a human superhero, because those and human supervillains are the majority on Earth. And Viltrumites look human.
But our guy here is from fascist Viltrum, and their culture and language centers around war, conquest, and power; they also had a mere 50 people left in their population from the plague, so repopulating was [and still is] top priority.
Nolan was way too impatient and trying to woo her using his instincts. … Which are to talk using the authoritarian soldier tone of his people, and prove himself a worthy mate by exhibiting his powers.
Debbie got the vibe that he was some narcissistic human superhero with red flags, so she decided one date was more than enough.
Our fella spent a few weeks trying to puzzle out why this tiny human female rejected him [the equivalent of a few days of deep thought]. At first, he was offended that something so weak was unimpressed by Viltrumite speed and strength. Eventually, he couldn’t stop feeling how attractive it was for something so helpless to be so feisty and courageous like a Viltrumite female. And also to be sweet and disarming when in a good mood, unlike the females of his race who were always seen with the same unapproachable and serious body language and speech no matter how happy they were.
[Not that he understood these feelings. He just understood the need to win this woman over.]
So one day Debbie opens her front door to Omniman in civilian clothes, standing like this:
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And the first thing bro says is
“I’m here to request a rematch.”
And so she’s like:
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“…You’re what?”
”A rematch… of that dinner. From before.”
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“You mean a second chance?”
She practically hears the dial up noises in this man’s head as he tries to puzzle out a response to that.
“I believe so. Yes.”
And that’s when something clicks in her head and she remembers that aliens exist, and that Omniman kind of showed up out of no where. That’s how she got the idea to ask him if he was human or not, and got a hushed admission that he’s from off-planet.
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At the baseball game she was frustrated but not that surprised that she needed to explain why the kid’s baseball game matters. I get the feeling that this isn’t the first time she had to explain a seemingly mundane Earth concept to Nolan.
But yeah, not knowing how messed up Viltrum actually is, Debbie gave Omniman a second date because she figured out he was an alien. And that meant there would be weird cultural differences, including how they try to date.
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lewkwoodnco · 4 months
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tis the damn season - Lockwood x Reader
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A/N: estranged best friends to lovers trope my beloved!!! 😍 AHHH this is one of my fav fics I've written in a while. Poem below is Golden Boy by Cecil Miller, and the Spanish line is taken from a streetcar named desire by tennessee (idk how 2 spell) williams! this might be less proofread than normal + includes a few of my pre-infection hallucinations? lottt of angst, wc 5.1k!!
P.S. I think I'll be doing a part 2 to buy me presents! but not until a little later ahah and also the 12 days of fics are totally going to spill over hahah
TAGLIST | MASTERLIST
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Lockwood stares out the kitchen window. Both inside and outside, there is a bleak stillness in the air that sinks in his bones like a plague. It's too cold and too early in the morning for anyone to be properly out and about. But the season always messed up his sleep schedule more than usual, and now that they had taken a break from their cases for the holidays, there was nothing to occupy his treacherous mind, and its return to taut requirings of Christmases past.
Slowly, the other residents of Portland Row start to stir. George grumbles about their spluttering heating system and having to plod through the snow to get the mail, and Lucy promptly falls asleep in the cup of tea she's just brewed for herself. They were all exhausted, and rightfully so, given that the holidays was prime time for people to start looking into properly clearing out ghosts to keep their homes warm and cheery.
He slips out just as George's complaints about the heater start ramping up, and his mind is so scattered that he forgets to put his coat on. It's a little more brisk than what was completely tolerable, strictly speaking, but it was only just for a minute. When he reaches the mailbox, he runs into Mr. and Mrs. L/N, old family friends who had helped him more than he deserved over the years. They made some polite conversation while he rifled through the bills and letters.
"Oh, Anthony, we wanted to invite you over to tea sometime this week. Y/N's home for the holidays."
His hand slips and an envelope slices his finger open. It was bound to happen, given his glum and careless mood, and it takes every ounce of self-restraint to suppress his cry of pain in front of them.
"Home...as in here? London?"
Ever since she had left for boarding school, there would always be some talk of her dropping by for Christmas every year. But the plans would never be fully solid, or some other pre-existing commitment would prevent her from making the trip. He was suddenly feeling oddly claustrophobic. He glanced up and down the street, as if expecting her to be hiding in some bushes.
Mrs. L/N seemed to pick up on his distraction, and her brow furrowed with concern.
"Of course London. Where's your coat, dearie? Aren't you feeling chilly?"
"...yes. Now that you mention it...perhaps it's best I head back inside."
He gave a stiff sort of wave and walked back, mind reeling. Eight years. Eight years since he last saw her. What the hell was he supposed to do if he saw her now? How was he supposed to feel?
Luckily, he doesn't get much time to panic because as soon as he walks in, he narrowly dodges a wrench being lobbed at his head. Apparently, eleven freezing days with improper heating was more than what George could bear. It's usually a rather quick fix, but maybe the comparatively more extreme frost this year had corrupted the system beyond Lockwood's capabilities, because two hours later he was still no closer to getting it fixed.
Some time later, there's a knock on the door. He yells for someone to get the door, but he's buried too deeply in the house for anyone to hear him. Grumbling, he dusts himself off and walks to the door himself, head buzzing with frustration. He's so preoccupied with what more he could possibly do to get the heating working again that he doesn't think to check the peephole first. So when he opens the door, he gets the wind knocked out of him.
"Anthony."
It was her; rosy-cheeked yet looking effortlessly warm. Her facial features had lengthened and rearranged themselves as compared to when he last saw her, but there was still something expensive to the twist of her mouth and the crinkles near her eyes.
"It's been so long."
Even her voice was rich, like honey. Now that she was standing in front of him, the stitch in his chest from the morning seemed much more familiar. It had been some seasonally grievious paste that had coated his lungs and stoppered his mouth that made him feel eerily weightless if he dwelled on it too much.
He didn't know what to do. Exchange pleasantries, or skip to the part where he slams the door in her face? Before he could decide, he hears some shuffling behind him, and almost instinctively opens the door wider.
"Y/N. These are my associates. George Karim, Lucy Carlyle...Y/N L/N."
"Right. Lockwood and Co., was it?"
The four of them glance at each other, exchanging fleeting smiles for a good half-minute, before George has the sense to usher everyone inside for a cup of tea.
The kettle's already on, and George hands out the cups of tea waring mittens, his glasses barely visible behind the scarf mummifying the lower half of his head. If she notices the cold in the house, she doesn't comment on it.
They make some polite small talk. She's pleasantly amiable and a perfectly gracious guest, and talks about her Christmas dinner plans. Lockwood is disinterested and surly and wants to talk about his fragmented sense of self. At one point, his responses start to become so clipped that he earns a poorly concealed kick from Lucy, accompanied by a stern look. Luckily, it doesn't seem as if she's noticed. She was looking at the white blanket of snow over their garden carefully, as if dismissing their presence.
"Your garden looks beautiful. I'd love to have a look around."
George and Lockwood exchanged a look. It was freezing outside, and the harsh temperatures were clearly not worth braving for the little of the flowerbeds they could see. George opened his mouth to tell her as much, in his own snide way, but he hesitated. Lockwood felt his heart sink.
The thing was, she had had a magnetic effect on most people ever since they were kids, a quality that made it difficult for any grown adult to refuse her or for any child to oppose her. It was the same reason why she was sitting in his house, drinking out of his teacups, eating his share of biscuits (George and Lucy had clearly conspired as soon as they picked up on her staying for tea). But he had been sure that if there was anyone who could pull away from this siren call of hers, it would be George. The very boy who was meaningfully looking at him, trying to express some uncommunicable panic.
"Er...Lockwood?"
And so, he ended up taking her out for a brief and awkwardly quiet stroll in their garden once she was done with her tea. They meandered through the garden path stiltedly, and every snow-dusted weed and sapling seemed to astound her. Still, she divided her attention sufficiently to continue the ocnversation.
"Homeowner and agency head at fifteen. Impressive."
"Thank you."
"I bet you're the media's darling."
He shrugs.
She turns to him, eyes generously pooling with faux concern.
"It can't have been easy."
It wasn't easy, not that she would know anything about it. He wants to be spiteful towards her, lash out at her. God knows she deserved it. But something holds him back.
"So...that was George. And Luce."
She jerked her head back in acknowledgement, but he could see the slight smile playing at her lips as she did so. He had forgotten how terribly exasperating she could be.
"What?"
She shook her head, but that only made her smile grow wider, and so she finally relented. There's a vulpine twist to her lips that Lockwood has no patience for. "Nothing. I'm sure they're lovely people, of course. But if I wanted to know who you were hanging with while I was gone, I would have asked you."
He shrugged. "I wanted to share a bit of my life now. They're just about all of it."
She hums pleasantly, stopping short in front of one of the flower beds. She bends down and picks up a freshly fallen violet, its deep indigo harsh and unrelenting against the fresh, pure snow, against the season of vacancy and death. She holds it up in front of Lockwood.
"Viola Odarata. Symbolises humility. Flores; flores para los muertos. Flores."
A part of him wants to sneer at her in painful irony. How arrogant of her to think she could waltz back into his life as she pleased.
"That what they teach you in your boarding school? Useless facts about violets?"
She shivers, even though the air is completely still with no breeze, and her lips part. Too late, he realises he's gone too far. Her smile slips a fraction, and she takes on an air that makes him feel obliged to apologise. He resists it, and for a moment he sees something flash in her eyes, but it's gone before he can place it.
"Forgive me, but you don't seem terribly happy."
"The Problem's raging worse than ever. Happy things don't come by easy these days."
"...I suppose. It wouldn't -" For the first time, Lockwood thinks she might be feeling nervous. Her humanity, manufactured or otherwise, draws him in despite himself. "It wouldn't have anything to do with me...would it?"
He takes in her carefully manicured appearance, her intentionally pieced together life made up of the dreams she worked towards and achieved. And all he had was a house that was more of a burden than a blessing on some days and this inchoate dread over a Problem whose end was nowhere in sight. But he doesn't know how to express this resentment, this jealousy.
"I'm alright if you're alright."
Sad, dispirited eyes look into each other, searching for the fulfilment they're sure the other has found. She speaks in a tight voice.
"It's okay with the both of us, then."
She suddenly reaches out, and gently holds his finger with the papercut with a firm but comforting pressure. His first instinct is to pull his hand back, but he doesn't, and as the long seconds pass, he feels increasingly vulnerable. The cut was no longer bleeding, and was even well on its way to healing over just fine, but it was irritated from where he had relentlessly picked at it.
"Looks fresh."
She traces the cut with her other hand, violet folded in her palm, with a feather-light touch. The surreality of the moment - of her standing inches from her, her breath tickling his fingertips, her warmth spreading through him - catches up to him and makes his breath hitch. It was unbearably intimate and made him feel like the exposed, raw wound he had been nursing for the eight years she had been gone. And how like her to return with pockets full of unfounded promise to stitch the tears in his skin.
And just as quickly, she lets go of his hand and steps back, and Lockwood feels as though cold air has been forced into his airways. She tucks the violet behind her ear, and drifts back inside. The tilt of her joints is so familiar that it stirs something in him. Something long gone, something he was gripping like a fist.
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When they return, Lockwood excuses himself to his room for a bit of air, ignoring how closely George is watching him. He sits on his bed and takes a deep breath. His nightstand has a few miniature picture frames on it, and in one of them the picture's been flipped around. It's a picture of him and her, taken a few months before she left. It's how he remembered her before seeing her today. Sometimes, when the urge grew too great, he would tilt the frame under his nightlight, and make out the barest outline of their figures looped together on the other side of photograph.
He didn't know what to make of her departure, all those years ago. One day, they were swinging on tyres in her parents' garden, and the next day, she wasn't at school. But as the years churned on, the string tying his heart to hers stretched and tore a slow and painful death from him, out of the cavity she left, and he never felt quite the same again. And as they continued to age, the wound became old news and scabbed over what was once raw and paralysing, but a part of him always wanted to know why she did it, to be angry with her for being so callous.
And now she was back, pulling him under by the ankles, ripping the gash open viciously.
He didn't know how exactly to deal with it, after years of thinking of her adjacently, daring only to keep her in his peripheral vision, where he was kept safe. Maybe it was all part of a larger problem; the twitch in his hand and his recurring nightmare.
He's ten years old again, at a train station he's never been to, and likely one that doesn't exist. It's hard to see just about any discerning features, except for the massive train peeking through the fog in front of him. He looks to the right, and sees her strong fingers wrapped around a railing, her standing in the door of the train. He can't be sure of much, but he's certain she's looking at him. He stretches the moment as long as it will last, because it's all downhill from there.
There's a terrible groaning sound, and the train reluctantly starts to chug along, steadily gathering speed. He walks alongside it, gradually picking up his own pace, until he's nearly sprinting. All the while, she watches him with amused eyes, secure in her place on the train. He's panting, choking on the fog, eyes streaming. But if he can just reach her scarf whipping in the wind, the train will stop, and she'll step out, cool and gleaming and impervious to the cloud of dust surrounding her and-
He wakes with a start. He knows how it ends.
She slips through his fingers every time.
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She stays for the rest of the day, and the four of them spend a cosy afternoon decorating their Christmas tree, carefully dodging the random mugs of hot chocolate littered across the room. While they were digging out the ornaments from the attic, she finds a box that he, evidently, had not tucked away deep enough.
"Remember these?" She holds up a flimsy, crumbling Santa Claus ornament made of construction paper. "We had so much fun making them."
He nods stiffly, subtly shifting the box towards a corner in the living room. It smarts his eyes to look at the hideous thing, as if its very sight was corrosive.
"Took me a while to find them, though. It must be a pain to dig them out every year."
He puts down the bauble he's hanging, and sighs. "I haven't...brought these out in a while."
Even her look of perplexity looks artificial. "Why not? Aren't there so many happy memories attached to these?" Her face falls ever so slightly. "Do memories of me not make you happy?"
Luckily, they're interrupted by Lucy placing a handful of miniature marshmallows into their hot chocolate. When she moves over to George, Lockwood wordlessly starts hanging their crafted ornaments, and she doesn't press him for an answer. When they're done, the tree looks a lot more crowded and chaotic than it normally does, similar to how Lockwood was feeling with her around. He looks at her, and isn't sure how he feels about the asymmetry of having her here.
Later, when she's about to leave, it starts snowing heavily, too heavily for her to walk home. So after a phone call with her parents, she decides to spend the night. Lockwood's in his bedroom when he hears a knock on his door. It's her, dressed in a spare set of Lucy's pajamas.
"I thought you'd be awake."
She wanted to know what he was doing, and what he was doing was wrapping some Christmas presents. Immediately, she obligingly offered to help, and she was too eager for him to outright refuse. Of course, he might have thought differently if he had known how abysmally little she knew about wrapping gifts. And so they stay up till the early hours of the morning, both of them trying equally hard to teach her the most basic of gift wrapping skills. As the night wore on, they got increasingly drunk on laughter over her heinously criminal attempts and Lockwood's limbs started to loosen up. At one point, he had given up entirely and placed his hands over hers, puppeteering the night's only decent gift wrapping while she smothered her laughter.
He doesn't remember much after that. When he next regains his consciousness, he's lying curled up next to her, with the late morning sun streaming through his windows. He watches her breathe, slow and steady, with a face so relaxed, amiable and familiar.
As her eyes start to flutter open, he panics and tries to look anywhere else, which isn't easy given how she's only inches away from him. They glance at each other, silently acknowledging their positions, and the silence hangs heavy in the air. He clears his throat awkwardly, trying to put as much space between them as he can with his arm wrapped under her. "When do you leave?"
She scrunches her forehead as she thinks. It's one of the few parts of her he instantly recognises and he gets caught off guard by a rush of affection, and a flash of an impulse to smooth out the wrinkles.
"Monday."
He pulls a face.
"We'd have the weekend together. Isn't that enough?"
They stay quiet, watching specks of dust float through the sunlight filtering through his partially drawn curtains. With how close they are to each other, they're not looking at each other's face, and it's unclear if she's asking him, or herself, or the dust they're watching. Was it enough?
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Later that evening, Lucy wants to take a walk along some of the emptier roads in the snow. She takes their trip as her cue to leave but Lucy insists she come along, so she does. The four of them had cycled as far as they could, and when they reached the too-slippery parts of the road, they had dismounted and left their bicycles in a corner. Lucy and George were wandering around a bit ahead of them, while they slowly shuffled through the snow. She had picked up some newspapers on their way there, and was looking through them as they walked, taking particular interest in the odd article on Lockwood & Co.
"You've certainly had your fair share of media coverage."
"Along with a decent helping of frenzied media sensationalism, I suppose."
"My apologies. I forgot I was talking to the Anthony J. Lockwood of Lockwood & Co. Now, is the arson bit complimentary, or would I have to pay extra?"
She was teasing him, and it was irritating. There was a reticent air about him and after some politely delicate probing, which he had been too preoccupied to entertain, she had resorted to amusing herself. Toying with him like a figurine, the way she did all those years ago.
"You wear your grief so beautifully, Lockwood. Like...like jewels between your teeth..."
She pauses, flipping through the newspapers interestedly with inky fingertips, which flickered like shadows next to the soft white snow.
"...and you have such a winning smile. Golden boy." She laughs, and the sound feels like icicles pressing into his skull. "Golden boy," she trills, "you were a bit of a child. The world was having its way with you. You tried to...er, something...golden boy!"
She smiles at him lazily, expectantly, as if anticipating some kind of applause. But Lockwood is in no mood for her childish whimsies.
"I'm fine. I don't have any grief."
She frowns exaggeratedly. "'Course you do."
"I don't."
She mumbles, turning back to her newspaper. "Fine, then. Not like I'm the one holding onto...some kind of...ache."
He digs the heels of his palms into his eyes. How could anyone be this self-aware and yet completely oblivious? The strain on his self-restraint peaks and he buckles within himself.
"Why are you here, Y/N?"
She looks away from the snow. "Lucy said it'd be nice out here."
"No. I mean why are you here, in London? Here, at Portland Row?"
Her lips are pressed together, and there's something guarded in her eyes.
"I just...wanted to see how you were doing."
"Liar."
The word drops from his tongue in such an aggrieved manner with such vehemence that it makes her choke.
"How could you say something like that?"
He scoffs. "Please, let's not pretend you weren't dying to leave at the first chance. Not that you had the decency to tell me-"
"-I was ten!-"
"- having me go through the humiliating process of finding out on my own-"
"What do you want me to say, Lockwood? I'm sorry I left? I'm sorry you were alone? I'm sorry I was too selfish to give a damn about you?"
"-and you'll come back, choking on your silver spoon only to leave again and again and again until you're all alone-"
"You never wrote!"
"I didn't think you'd want me to!"
"I didn't know what I wanted!"
"Then what do you want?"
"YOU, you idiot!"
He stares at her, speechless.
"I was ten. And I was so foolish. How could I have thought of anything but you?"
With that, the last of her rosy, polished, alluring boarding-school airs fell apart. He looks at her and sees his own anger and yearning reflected back at him; anger and yearning he's hardly ready to face. Despite all their efforts to get away from the other, to move on, something between them held fast. Or perhaps it was that they were hopelessly, irrevocably intertwined.
"Of all the roads I could have travelled, you are at the end of every single one of them. Every single one of them, except the road I did travel. I'm here, Lockwood, because I thought I might have...I might have chosen wrong."
"So you think you can just stroll back now that it's convenient for you? I didn't know if I'd ever see you again, do you realise that?"
"What do you want me to do, Lockwood? You keep pushing me away. I feel like part of a past you're forever trying to run away from. So fine! I'll leave, then. I'll go back to the sorry hole I crawled out of, back to friends I don't care about, back to dreaming of the only person who's ever truly cared about me. Is that what you want?"
She doesn't wait for a response, and turns around and walks away from him.
"Y/N, come back."
She silently picks her bicycle out of the snow, dusting it off.
"You can't cycle in this."
Still ignoring his words ringing through the dead winter silence, she steadies herself and cautiously swings a leg over her bicycle. Lockwood starts to walk towards her.
"You'll fall. You'll hurt yourself. Y/N. Y/N!"
But she's already off, gliding soundlessly like a ghost through frigid air on icy roads.
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He's already regretting his words by the time he reaches 35 Portland Row. When he first walks in, the house is so deathly quiet that he's convinced she's left. But her bicycle is thrown down in the garden and he knows she's too averse to the cold to walk home in the snow.
He walks slowly, his measure footsteps echoing on the wooden floors of the house, and he eventually finds her in the living room, sitting with her back to the door, staring at the drawn curtains. The fading evening glow spilling through the edges is streaked across her face and there's a soft crunching sound. As he comes closer, he sees the bowl of ice glinting in her lap, like fractured light, with her face as blank as a canvas.
"Have you gone completely mad? You'll fall sick."
She doesn't even flinch, as if she hadn't heard him. When she speaks, there's a dreamy quality to her typically strong and clear voice.
"I didn't want to come back. This city is nothing I want. I was always going to escape some day. And yet..." she trails off with glazed eyes, as if trying to look through some distant fog. "...and yet."
"You were right." The run back had left him mildly breathless, but was also exactly what he needed to get rid of the buzz in his head, giving way to some much-needed clarity. "About the...heartache. I was just sick of it. You're miles away. I love you in your sleep. I still reach the end of road alone. But I loved you all the while and...somehow that made the pain of leaving you worth it."
"I'm restless. I'm lost. I'm selfish." She swivels her head with an unnerving smoothness, grin wide and grotesque, ice glinting between her perfect teeth. "I'm so alone, Lockwood. Just like you said."
He doesn't know what to say. He walks towards her and picks up her bowl but her fingers close around his wrist like a vice. The gleam in her eye makes him want to pull his hand back. He's too old to play her games and lose.
"That's a bad habit."
"I'm a bad habit. One you can't seem to kick even after all these years: tell me, Anthony, why is that?"
"Y/N, stop. You'll spoil your teeth."
It only makes her grind her teeth even more tauntingly. It's an awful sound. "Good. Let them fall out, one by one. It's what I deserve. Maybe I'll finally learn my lesson."
Her grip on his sleeve lessens, but she doesn't let go. She grips the bowl with her other hand even tighter, as if suddenly terrified.
"Leave me be, Anthony. Leave me...to my vices...and violets and...violence."
He reads her face. He tries to figure her out, to read her like the open book she once was to him. When he doesn't leave, she shovels more ice into her mouth, uncomfortably clacking with her teeth, and continues.
"I was racing ahead...into some glorious sunset, towards some fantastic rainbow, at the end of which was some miraculous snowdrop and a wish to soothe my nomadic soul. I didn't have time for the boy with the sad eyes two streets down from me."
"I convinced myself that you resented my escape from the Problem. I was 15 with the bitter taste of lemongrass in my mouth and a stitch in my chest when I realised I spent all those years missing you. I couldn't run away from it, not truly. So I pretend. I pretend you don't hate me and I pretend I'm not an awful person and I pretend there's a chance you'd want me as much as I want you. I came home to tell you how terribly fond I was of you. It was only at your doorstep that I realised I had run out of places to hide."
"I don't have time for love. Nor the capacity for it. But I am tired of trying to outrun it."
She closed her eyes. Her voice was barely a croak. "I'm sorry I didn't tell you I was leaving. If I could...I'd wish away the past eight years of misery." She opened her eyes. "Some nights, I can pretend they never existed. But I can't wish your happiness into existence."
Lockwood somehow finds his voice. "I thought this was the life you wanted."
"It is Christmas, once again, and my heart is lonely as an island...once again. What part of this could I possibly want?"
He lets go of the bowl of ice and covers her limp, frozen hand with his own. She speaks in a low voice, barely stirring the dust in the room.
"I'll never forgive myself."
He sits down next to her, his feather-light lips pressed to her temple. She feels drained, and exhausted, as if the spirit that had driven her for so long was finally fatigued. Her breathing was uneven and her lungs felt lopsided. But what a blessing it was to finally fall in the one place she knew her landing would be soft.
"One day. One day, I'll..."
------------------------------------------------------------------------------
He pulls out a fresh violet from his coat, still damp from the morning dew.
"Call it even?"
She accepts the flower and gives him a sweet smile. He revels in this smallest of victories.
Their peaceful moment gets shattered by the deafening train horn, which unpleasantly reminds Lockwood of where they are.
She hesitates for a moment, but then extends her arm and holds his face. There's a troubled look on her face, like there's something indescribable she wished to communicate just at the tip of her tongue. But the compulsion passes, and she settles for a trembling brush of his cheekbone with her thumb.
"You're such a darling, Anthony. I don't care what any newspaper or lawsuit has to say about you. You'll always be a darling to me."
"Good, because soon enough you might just be the only one."
She grins, widely at first, but then it chips, and for once he can admit that the sight breaks his heart. She gives him a hug, and he holds her like she's one of the precious metals that adorn her jewellery.
"You'll come back, won't you?"
"Perhaps. See you another weekend."
When they break apart, she swiftly picks up her suitcase with white knuckles and marches to the carriage without looking back. The train horn blares for a final time. The doors shut, and the wheels groan to life. He searches for her face, and finds it, but the reflection of the train station lights hides her eyes. It's at this moment that a disconnected part of him realises he doesn't want to wait for another weekend. He wants her here, and he wants her now.
The train picks up speed, and Lockwood tries to match it. But he's not trying to run. He knows that won't work, it never does.
"Y/N!"
That gets the attention of most passengers, including her. This train accelerates much faster than in his dream, and he's got an awful stitch running down the side of his torso by now, but he's beyond caring at this point. When she sees that it's him yelling like a maniac, she presses her flushed face to the window, eyes wide with disbelief.
"Would you stay?"
TAGLIST: @dangelnleif @elenianag080 @avdiobliss @mitskiswift99 @mischivana @houseoftwistedspirits @ahead-fullofdreams
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smallmediumproblems · 2 months
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Propaganda under the cut
Why isn't John/David/Cecil/Obituary Writer/etc here?
I'm specifically excluding narrators who are also primary characters in the story. There are a lot of really good unreliable main character POVs, and some that are very, very popular. There are also a LOT of found footage / "documentary" shows, so the pool of "main character who is technically also the narrator" is monstrously large. This is for narrators who have things to say about the story but are moderately to severely removed from it. You'll notice I've also excluded the Documentarian from The White Vault, because by the time she's commenting on the story, she's also a main character.
Madeleine can stay because she's very polite.
Madeleine the mouse
Madeleine doesn't exactly serve a narrative so much as she plates and seasons it before bringing it out. Part plot device, part confidante, and all bohemian authoress. But please, consider the other candidates long and hard before you vote. She's not really too unreliable, she's just incredibly biased.
The Voice of HartLife
You have to be a special kind of unreliable for one of your characters to break down the fourth wall into your recording studio to kick the shit out of you.
The Historian
*Gesturing at a lithograph of Eisen and Telesphore making out sloppy style* "Truly, it is tragic that the men of our generation have lost such deep platonic bonds as are depicted here. So secure were they in their brotherhood that our contemporary idea of friendship fails to-"
The Narrator
No, not Leon. The other guy. I can't possibly describe what his Whole Deal is without spoiling a major plot twist of the show, but guys. He killed Matt Damon, guys. He killed Matt Damon while trying to murder dozens of other people at the same time. (Hundreds? I don't know how trains work.)
Dubrach
Yes, I know it's not really confirmed. That's what unreliable narration is all about. But what could be more reliable than the literal word of god on the puny machinations of his flock? :) :) :) Also he's voiced by Alisdair Stuart, our dad.
The Malevolent Patreon Hastur
...is specifically not included, because a) people are going to think I'm talking about John, and b) brand recognition is going to skew the whole thing, as if Madeleine isn't going to sweep for that very reason. But I'm mentioning him here because of the time he made people so angry that the actual real live writer had to come out and remind them that this is a fictional character. iykyk.
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eliaswoodt · 6 months
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The Name List
Organized from A-Z (yes I will add more names whenever I find more I like, probably in reblogs)
I currently have 1035 names (and that’s only including the first names. I have a list of last names, too.)
Angel, Atticus, Atlas, Apollo, Ares, Athena, Achilles, Artemis, Adonis, Avery, Aubrey, Aubry, Aceline, Ashlynn, Aislinn, Anjanette, Arthur, Archer, Addison, Arrietty, Amity, Autumn, Alastor, Alastair, Alasdair, Alistair, Alison, Arren, Arin, Astra, Aoife, Adalyn, Adeleine, Astoria, Agnes, Angus, Abigail, Ann, Anne, Ambrose, Adeline, Avarsel, Agatha, Ari, Azariah, Aniyah, Armani, Anastasia, Annabelle, Adah, Adelaide, Avis, Amelia, August, Axel, Adelina, Amir, Amin, Ayala, Arne, Averett, Adil, Astro, Ava, Anti, Ailun, Akemi, Asahi, Akari, Asako, Atsuko, Azumi, Aka, Aren, Akko
Blossom, Bambi, Babs, Bo, Bella, Blair, Bea, Bonnabel, Badeea, Betty, Bailey, Boris, Bee, Bugs, Blaise, Benjamin, Bog, Buford, Beatrice, Bryce, Bryan, Bazil, Brutus, Bellamy, Brigitte, Bailee, Bailey, Bao, Belladona, Belladonna, Bell, Bill, Bishop, Bones, Boneothy, Benno, Behemoth, Barry, Bellynn, Bowie, Bunki
Clover, Canyon, Cleo, Cameron, Celestial, Celestino, Ciro, Camilo, Cain, Charlotte, Clara, Corey, Cin, Charlie, Cassidy, Chiara, Callista, Cisco, Cynthia, Casper Clinton, Celestina, Clement, Christopher, Cornelius, Clifford, Claudius, Carey, Carrie, Coatl, Cyrus, Cyril, Cecil, Caisus, Castiel, Calla, Cosmos, Cherry, Cheryl, Crowley, Crow, Cassius, Cliodna, Clíodhna, Cliona, Conan, Cordelia, Calypso, Cas, Cillian, Chiyo, Chiaki, Chihiro, Calcifer
Danny, Darlene, Dex, Dot, Diana, Daphne, Demeter, Daedalus, Daeddel, Darphel, Dawn, Derrick, Derek, Dravan, Dravid, Drae, Dallas, Dimas, Dominic, Damien, Drew, Delilah, Dakota, Darian, Darius, Darwin, Devan, Darla, Dagmar, Daelyn, Dale, Dae, Dacey, Desmond, Dabria, Daniel, Daniela, Danialla, David, Davis, Donnel, Dennis, Demitrius, Delaney, Daiki, Daiyu
Everest, Emery, Ember, Elliott, Elliot, Earlana, Eliseo, Ezequiel, Emie, Evan, Eloise, Eric, Emmet, Elizabeth, Eugene, Ethan, Eret, Ester, Elias, Eos, Ellis, Edwin, Ebony, Elijah, Eliza, Enzo, Elissa, Edward, Eddalyn, Esther, Eda, Edalyn, Edalynn, Edison, Eddison, Estervan, Emma, Eden, Erfan, Eun-hae, Erytheia, Egan, Errol, Eiichi, Eiji, Eriko, Etsu, Etsuko, Eiichiro, Ezume
Flint, Finn, Fae, Fred, Fritz, Fang, Frankie, Frank, Fermin, Freddie, Freddy, Finley, Freya, Fai, Felix, Freda, Faolan, Frey, Feylynn, Faelynn, Failynn, Felipa, Febby, Febbie, Febie, Feby, Flynn, Fuji, Feiyu, Fukiko, Fumitaka, Fumito, Fuyuko
Griffin, Garnet, Gothi, Gertrude, Gabe, Grant, Giovanni, George, Gage, Gregory, Gabriel, Gabrielle, Guy, Gilbert, Guadalupe, Gerry, Grey, Gray, Gia, Grace, Gracian, Gracis, Gracie, Gretel, Gideon, Griffilow, Ghost, Ghazaleh, Gavin, Gryphon, Griffith, Goliath, Grayson, Greyson
Harmony, Hannah, Harlei, Harlie, Haritha, Haris, Harry, Harlan, Harvey, Hadrian, Harley, Hari, Harlow, Howl, Hank, Harper, Herbert, Humphrey, Hestia, Helios, Hephaestus, Hollis, Hunter, Hero, Henry, Helda, Hajar, Hasta, Hadis, Howard, Howie, Hannan, Haoyu, Hisako, Hachi, Hiroto, Hoshiko, Honoka, Hiroshi, Hiro, Haitao, Hamako, Haruhi, Harue, Hayate, Hide, Hideyo, Hidetaka, Hisaye, Hisayo, Heiji, Higari
Ivy, Ivey, Ivo, Ida, Iris, Ilyssa, Illy, Irene, Iren, Isaiah, Ira, Idelle, Ivan, Illaoi, Isabel, Isabell, Isabelle, Isobell, Isabella, Ismelda, Io, Ismael, Isolt, Icarus, izuru, Isamu, Itona, Ichiro, Ichiko, Ichigo, Isoko, Ishiko, Isaye, Inari, Ikuko, Itsuki, Itsuko, Inosuke
Juniper, Jupiter, Jinx, Jamie, Javier, Josiah, Joan, Jake, Julia, Jamil, Jamila, Jesse, Jessie, Jess, Jasper, Janus, Jordan, Joshua, Julian, Juilliard, Julius, Juliana, Jeremiah, Jace, June, Junebug, Jazzy, Jackson, Jackie, Jackalynn, Jodie, Johnnie, Jan, Jaime, Jason, Jorge, Justin, Justice, John, Jay, Janelle, James, Jennifer, Jillion, Jill, Jana, Jonah, Jaycee, Jaxen, Junpei, Jona, Jun, Jin
Kenneth, Kat, Kas, Kris, Keith, Kingston, Kaeton, Kingsley, Kent, Katherine, Kyle, Knox, Kristen, Kristin, Kristeen, Kylie, Kaylee, Kamila, Kehlani, Kendall, Kerry, Kry, Kenny, Kath, Kathleen, Krow, Kix, Kedrick, Kennon, Klaus, Killian, Korallia, Krank, Kaz, Kaede, Kirara, Katsuhiko, Keisuke, Kanako, Kenji, Kaemon, Kamin, Katsu, Kaki, Kazane, Kazuyuki, Kazushige, Kenta, Kei, Kimi, Kin, Kohako, Koichi, Kota, Koji, Koharu, Kosuke, Kuma, Kumi, Kuniko, Kuniyuki, Kideko, Kazuko
Lullaby, Lotte, Lapin, Lorelei, Loralai, Lorelai, Luna, Lily, Lucy, Lee, Liana, Lola, Lethe, Lance, Laurence, Luther, Luca, Lennon, Logan, Lennox, Ilias, Liu, Lui, Luis, Lefu, Liam, Lyall, Lowell, Luella, Leona, Leonie, Leon, Lev, Lincoln, Lin, Link, Laverna, Lazarus, Lewis, Louis, Louise, Levi, Leslie, Lesley, Leilana
Marley, Marlai, Mei, May, Mae, Marceline, Marshall, Marshalee, Millie, Mallorie, Marcela, Melanie, Maddison, Mary, Mirabel, Marsh, Murphy, Montgomery, Mildred, Memphis, Molly, Maverick, Maurice, Muiris, Morgen, Max, Moses, Marion, Merrill, Monroe, Melanthios, Maxwell, Matias, Melissa, Maëlle, Marlene, Meredith, Maybelle, Margaret, Maeve, Moss, Mara, Maria, Myrtle, Mona, Mark, Markus, Michael, Micheal, Michelle, Mahsa, Minoo, Mehdi, Mohammad, Matin, Morpheus, Marlowe, Monica, Marilia, Magnus, Malachi, Malachy, Maggie, Makoto, Megumi, Mio, Maemo, Maemi, Masa, Masaaki, Masashi, Michi, Midori, Michinori, Momo, Motoko
Natasha, Noelle, Noni, Neville, Nixon, Neda, Natalio, Ned, Nausicaä, Noxis, Nova, Nathen, Newt, Noah, Nash, Nox, Nathara, Nathaira, Nathair, Nyoka, Nagisa, Nathan, Nate, Nik, Nick, Naohiro, Naoko, Nara, Natsu, Naoya, Nishi, Nobuko, Nori
Olindo, Ollie, Oliver, Ophelia, Odysseus, Orion, Osono, Oxen, Onyx, Otto, Ottoline, Otitile, Ottavia, Octavio, Olivia-Marie, Oakley, Omar, Olivia, Oscar, Octavian, Octavia, Oz, Octavius, Otta, Oisin, Orson, Orlos, Osiris, Owen, Odalis, Odell, Ozuru
Penelope, Patton, Paddy, Percy, Paulie, Page, Pazu, Phoebe, Phebe, Prairie, Porter, Parlay, Pally, Piper, Parker, Payton, Phil, Paul, Philip, Pyre, Piers, Phylis, Patricia, Payne, Payneton, Pip
Quinn, Quincy, Quil, Quinley, Quinstin, Quinlan, Quillen, Quavon, Quaylon, Quensley, Qing, Qrow, Quilla, Quianna, Quita, Qiao, Quinella, Queenie, Qaylah, Qailah, Qitarah, Quenby, Qadira, Qudsiyah, Quan, Qian, Quinby, Quella
Roseline, Raul, Rahul, Rafael, Roque, Rogelio, Remmy, Rei, Rey, Ray, Robin, Ro, Reika, Rowen, Rowan, Rose, Rosie, Ralsei, Riley, Remus, Rosalyn, Rosalin, Rosaline, Renata, Ron, Rat, Ratt, Reef, Roxy, River, Reed, Rufus, Robbie, Renee, Rivia, Ross, Rex, Ruth, Rosemary, Rosabe, Rosabee, Rosabell, Rosabelle, Rosabel, Rai, Rain, Rosella, Rosalie, Rhody, Robert, Raelinn, Rebane, Ren, Rollin, Ralph, Roxanne, Rox, Roderick, Reginald, Reggie, Rio, Ryu, Ryo, Ryoji, Rinmaru
Sage, Sam, Syd, Selkie, Storig, Sal, Sirius, Summer, Susie, Scott, Sunni, Sosuke, Sophie, Satsuki, Sheeta, San, Sulley, Sully, Savannah, Sappho, Selene, Shaw, Sean, Seán, Shaun, Sawyer, Sabrina, Sebastian, Shane, Stan, Socks, Snom, Stolas, Spencer, Sammie, Stevie, Samus, Sarff, Sullivan, Seth, Susiebell, Susiebelle, Sadreddin, Shellaine, Sverre, Saoirse, Sylvania, Sanae, Silas, Sumi, Shiori, Shinzu, Sile
Toby, Tobias, Teddy, Ted, Tomas, Thomas, Tomothy, Tyche, Taiga, Tundra, Tracy, Timothy, Troy, Tatum, Tommie, Tommy, Theia, Tae, Trix, Trixy, Thanathos, Tod, Todd, Toddy, Tora, Torie, Theodore, Theo, Theophania, Talos, Thanatos, Teddy, Tomohito, Tazu, Tanjirou, Touya
Ulysses, Urijah, Uriyah, Urina, Ukiah, Ulnar, Ursula, Ulric
Virgil, Vanessa, Vito, Venacio, Vylad, Veronica, Valentina, Violet, Velma, Venus, Verna, Veld, Victoria, Victorie, Vinyl, Vincent, Vasuki, Vex, Valor, Valentine, Valerie, Valeria, Valerius, Vitoria, Vic, Victor, Vik, Vikktor, Viktor, Vick, Vicky, Vicke, Vickie, Vidya
Wynn, Willow, Warren, Wilbur, Wylie, Will, Walle, Whisp, Wade, Wendell, Wendy, Willard, Wes, Wallace, Wilber, Wyatt, Wybie, Wynnie, Wennie, Winnie, Wynnston, Wynston, Wynsten, Wiles
Xenophon, Xuan, Xio, Xori, Xanthos, Xander, Xavier
Yen, Yukio, Yae, Yoko, Yume, Yaeko, Yui, Yuzuki
Zane, Zana, Zion, Zachary, Zach, Zachariah, Zander, Ziana, Zoe, Zula, Zenix, Zenith, Zaharia, Zaria, Zack, Zakaeia, Zara, Zakaria, Zev, Zaira, Zanata
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braxiatel · 1 year
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Goodtimeswithscar is a sexyman and I will prove it to you
If you are still on the fence I encourage you to look at the sexypedia - a wikipedia dedicated to tumblr sexymen - and checking out their tropes page. Scar meets 35/62 on a list where recent winner of the tumblr sexyman poll Cecil Palmer of WTNW fame only has 8 listed on his character page!
35!
Scar is Textbook, and if you need proof I have gone through all the tropes and explained why they apply to him!
VOTE SCAR!
4th Wall Blurring: This one is arguable due to the nature of the medium but I’ll include it
Animal Theming: See: animal hybrid headcanons and designs. Cat Scar, panda Scar, hyena Scar, avian Scar - they’re everywhere!
Angst: That cactus ring… magic mountain. need I say more? This boy has angst. 
Bait: *gestures at the shirtless skins*
Capitalist: she sells sea shells on the sea shore but the value of these shells will fall due to the laws of supply and demand no one wants to buy shells cause there’s loads on the sand step one you must create a sense of scarcity 
Chaoslord: HotGuy! [snipes you for no good reason]
Criminal: shells will sell much better if the people think they’re rare you see bear with me take as many shells as you can find and hide them on an island stockpile them high until they’re rarer than the price of diamond
Con Artist: step two gotta make the people think that they want them really fucking want them hit ‘em like Bronson influencers product placement if you haven’t got a shell then you’re just a fucking waste man
Dealmaker: three it’s monopoly invest inside some property start a corporation make a logo do it properly shells must sell that will be your new philosophy swallow all your morals they’re a poor man’s quality
Distinctive Voice: I do not need to make any arguments here. Have you heard him???
Quotable Catchphrase(s): well hello there, scarred for life, “a-ma-zing”, etc.
Distinctive Laugh: I think I autism stole Scar’s laughter (whoops) so I’m giving him this one too, but also that gigle is just very good and we all know it, right?
Dominating: from the trope description: “Characters who assert their power over others. Could be through manipulation, magic, smugness, or force of personality.” Yes. 
Duality: Convex did not put their whole entire vexussies into that possession storyline for us to forget about it. 
Egotistical: This one is arguable and a question of characterisation, but I think that we can all agree that on some levels, yes. 
Eldritch: From the trope description: “Since the typical sexyman is a tall mostly human looking pale twink, in a vast majority of the cases the eldritch is a heavy implication lying just under the surface.” Hello? Vex Scar?? 
Gay: See subsection: 
LGBTQ+ Coded: That cactus ring. Mumbo “eye candy” Jumbo. The season 7 mayoral race. Concorp. His jolly rancher arc. This man has so many boyfriends. 
Girlboss: listen I think a lot of characters who aren’t traditional girlbosses get called so, but with Scar I think it’s accurate okay. Did Scar utilize girl power effectively when he and Cub were blatant war profetiers during the season 6 civil war? yes. Absolutely. Girlboss. 
Glowing Neon: vex blue anyone?
Hot-headed: Don’t let his calm exterior fool you. Remember. Scar when someone steals his horse: *sets their whole entire house on fire*. 
Intelligence: yes but also see subsection
Smartdumb: Okay listen. Scar is Smart. Scar is very smart. And I specifically have to make sure you know I am talking character only here because cc!Scar seems to me to be a Very intelligent person with a wide field of knowledge. But uhm. c!Scar dies so much and so often in ways that are completely unavoidable. He does silly things without thinking of the consequences. I have seen enough people calling him a himbo (beloathed term) enough times that I do not need to argue this point. He is smart but also babygirl Why are you like this.
Johnlocked: “When two characters are shipped extensively by fans despite the pairing not necessarily being canon (or even present) in the original work.” it started out with a cactus ring how did it end up like this, it was only a cactus ring, it was only a cactus ring
Knifemurder: Hotguy! [snipes you a second time] 
Magnificent Bastard: This Is The Whole Point. Scar oozes charisma even when he is the villain and that’s why he is so beloved. He is smart, he is stylish, he is charming, even while he is killng you. This is the point. 
Marked Canon/Fanon Divergence: “Sexymen with a large gap between how they are in the original work (Canon) and how they are commonly portrayed in fanworks (Fanon)” see : the fake crystals vs Scar actually having magic, the abs being painted on vs shirtless Scar everywhere, etc.
Monster Features: vex scar vex scar vex scar
Nonhuman: like the vex thing is literally canon it’s not fanon those cons sure did vex 
Pale Twink: We could have done many things with this collection of blocks people, and yet my dash is full of shirtless twinks/twunks every day ending with a y. Curious. 
Perpetual Smiler: Okay listen this is partially the nature of the medium but also 1) that is a distinctive smile and 2) have you see the fanworks? 
Power: This man tried to sell fake magic crystals and we all just decided he can do magic. He was an elf once and now fae/elf Scar headcanons are everywhere. 
Scars: I- I’m not explaining myself here. yes??? 
Tall: I can think of one, maybe two portrayals of Scar that have made him short. 
Theme Song: four expand, expand, expand clear forest make land fresh blood on hands five why just shells why limit yourself she sells seashells sell oil as well six guns sell stocks sell diamonds sell rocks sell water to a fish sell the time to a clock seven press on the gas take your foot off the brakes then run to be the president of the united states eight big smile mate big wave that's great now the truth is overrated tell lies out the gate nine polarise the people controversy is the game it don't matter if they hate you if they all say your name ten the world is yours step out on a stage to a round of applause uou're a liar a cheat a devil a whore and you sell seashells on the seashore
Unkempt: so those rugged life series Scars, huh? 
Villain: Scar has been the villain several times and has a Long list of crimes to his name
Technically Antagonist: see 3rd life
Villain Protagonist: unreliable narrator Scar my beloved. I love how he just *does terrible things edited to make him look like he’s just a silly little guy having some harmless fun*
Well-Dressed: Hmmm I wonder why waggon/tycoon Scar routinely wins every Scar skin poll. Also he has enough outfits to include these sub categories too: 
Suitguy: “Characters who typically wear formalwear, specifically suits. Often includes waistcoats, top hats, bowties, and pinstripes. Other neckwear may also be worn.” Again. The tycoon skin really lives rent free in all out minds, huh?
Long Coat/Cape/Robe/Etc: bathrobe wizard Scar my beloved but also do you know how many thirst trap last life Scars I’ve seen?? 
White Twink Humanization: He is made out of blocks in canon. We did not need to make him like this and yet we did. 
White Hair: last life Scar beloved by many <3
VOTE SCAR!
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Recently I noticed that I haven't really drawn Cecil and Ray interacting so I drew this! It was supposed to be a simple sketchy drawing. But then it became a beast that took almost a month to create.
(The building in the background is another project I started months ago that I wanted to include here. It's also where these two guys live.)
I'm very pleased with it, I've never really done something this labor-intensive before, and I hope you guys like it too! ^^
(Yes, I am open for commissions~)
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brf-rumortrackinganon · 2 months
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Kate narrating a documentary about bee-keeping and honeymaking? Earthshot giving us a 6 episode documentary series about their winners narrated by Cate Blanchett or a 2-hour special about Cape Town and South Africa (and every Earthshot city) by David Attenborough or a local expert? A 30-minute travel program about Cornwall by the Duchy of Cornwall? 3-minute YouTube videos about their charities and patronages produced by the people who work there or who benefit from services posted ahead of their visits? William narrating a documentary about his homeless initiative in Cornwall? A summer exhibition in KP’s display hall of Kate’s dresses or a Kate-curated show of the Royal Collection or loans from her patronages?
Yes, yes, and yes!!!! William and Catherine really are the first gen of royals to belong wholly to the social media generation. They should use it’s global reach much more expansively and more expertly. 
For Catherine: yes to beekeeping lol! Show the children - during small, limited vignettes - helping her. Further though, she has a degree in Art History. The BRF/RCT has a priceless art collection, most of it largely unseen/unknown by the greater public. Pair these two gems together in some (“fun yet informative”) documentaries…even a series. Same for the BRF photo collection. The BRF has been photographed by iconic photographers…Cecil Beaton, Richard Avedon (D/Dss of Windsor lol), Annie Leibowitz, Mario Testino (those stunning Diana photos). Sure, some of it’s been done before, but let the people see these treasures again in an updated modern media presentation - interspersed/“edited” :) with pertinent film footage and interviews - and hosted by Catherine.
And not just the BRF art/photography treasures, but ditto for their fashion (an entire series in itself!), jewelry/tiaras (what exactly IS inside the Royal Vault, anyway, hiding unseen?), castles/palaces/homes (let’s see inside Balmoral, Sandringham, Kensington, Adelaide Cottage (limited access), Frogmore House - but minus Frog Cott…we already know what Soho House design looks like, although Frog Cott cemetery might be informative…), priceless antique furniture, properties/gardens, horse stables and animals, even their vehicles (rare carriages, automobiles, boats, aircraft)! How about a documentary on the Royal Ballet, hosted by Catherine and Charlotte, w footage included of Granny Diana at the RB? Each of these categories could easily fill an episode, presented by C. The catch, of course, would be to present all of this “to the people” in a way that doesn’t scream “let y'all eat cake!” but rather “this is yours, be proud of its beauty and history, which also is yours” ala Jackie Kennedy at the White House.
And separately from the above “fine arts” themes, yes, let’s also see much more in-depth coverage - by William and Catherine - of their charities and the bts work/progress involved, especially as related to Early Years research and work!
For William: yes to a documentary tour and inside look at the Duchy of Cornwall (that is much larger than just Cornwall lol)! William could pilot the helicopter - filmed up-close-and-personal inside the cockpit - as he takes us on the tour, with on-the-ground coverage as well, of course. And YES to expanded coverage of Earthshot and the ongoing progress of its winners (and nominees). Show the people what innovations Earthshot is catalyzing. This also has the built in advantage of appealing to youth, diversity/CW, and cutting edge climate change concerns….ie, the future. BTW tie in Earthshot with the Duchy of Cornwall and show us how the Duchy is incorporating climate change initiatives…organic farming, wind power, sustainability, re-planting, etc.
All of this could be widely and easily disseminated to a large, young, global audience both on social media/KP youtube and via media networks (ITV, BBC, etc.). Get busy, William and Catherine! Make your impending future reign a glorious one, a British Renaissance! (From an American fan with British ancestry)
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My hope is for Kate to include the kids in one of her promo videos for her Christmas carol service. I’d love to see them decorating a tree together or baking holiday cookies while they’re still young and small(ish).
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iolaussharpe-24 · 25 days
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I've realized something.
Brian Petsos movies don't have a lot of fans. Oscar Isaac fans like his characters in Brian Petsos movies. We don't talk about Revenge for Jolly!; we talk about Cecil. We don't talk about Ticky Tacky unless we're praising Lucien and/or comparing/connecting him to Anselm. We don't talk about Lightningface; we talk about how pathetic Basil is and compare him to Steven Grant. We don't talk about Big Gold Brick unless it's to bash it, talk about the cast, and obsess over Anselm. I didn't think this at first, because I just assumed I was the wrong kind of viewer for Petsos projects (I previously mentioned that they kind of reminded me of Jim Jarmusch movies), but the more I've looked around online at reviews and discussions, I've been finding this pattern of negativity. It seems like everyone just kind of agrees that Brian Petsos doesn't really make good movies, but Oscar Isaac makes them worth seeing at least once. And, yes, I am aware that there are things Petsos has done without Isaac, but when you search 'Brian Petsos' the first things that come up are the ones that Oscar Isaac is a part of. This includes The Letter Room, which was written and directed by Elvira Lind but Petsos does have a part in solely as an actor. Even on his IMDb page, there's little to nothing about him but half of the available information is, and I quote, "frequently works with Oscar Isaac". In my opinion, that's pretty telling on it's own. I'm not trying to be mean here, I just think this is kind of an interesting thing to note. If you disagree, please let me know. I'd be happy to debate this. Personally speaking, I've watched Revenge for Jolly!, Ticky Tacky, Lightningface, and a tiny bit of Big Gold Brick. (For the record, I know that Petsos didn't direct Revenge for Jolly! but he wrote and starred in it.)
One thing I will say in Petsos' favor: There's very clearly a lot of genuine passion and love in his work and it does show. Interviews with him, the proud displays of nonsensical strangeness, and the fact that he's able to keep making movies all reflect that. You can tell that the people involved are having fun and I think that's the most important part. I think his weakness (to me) is that his projects feel like they lack something. Revenge for Jolly! didn't feel like it was going anywhere for most of it's runtime. Like it wanted to be and do something but didn't know how. It had fairly decent moments... in the first half. But those moments only landed out of shock value, and they very quickly became predictable. (Also, what was up with that bar scene?) Ticky Tacky and Lightningface felt flat. Like bread that didn't rise. Maybe they needed more time to really explore their premises and characters. Like, if we saw Lucien and Claire together before he finds out about the cheating, or if we get to know Basil before the lightning strike. Both of these are about people going crazy, but without that sense of who they used to be, it doesn't really hit that hard and leaves you wondering 'what the hell did I just watch and why?' This is one thing I think Revenge for Jolly! understood, because we get to see Harry, Jolly, and Cecil before the inciting incident of the movie. We get a sense of their relationships with one another. I can't speak for Big Gold Brick because I haven't seen it in full so I'm not going to bother saying anything for the bits I saw either. That's just not fair for anybody.
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libras-interactives · 11 months
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Ive been steadily plugging away at both interactive fictions this week; writing for Lackadaisy, and coding for Asoiaf. Here's a little update for those that are curious. The projects actually have names now!
The Last Spring is my ASOIAF interactive fanfiction. You can customize your Lady's appearance, her House, her personality, and pick between three love interests (so far): Ned Stark, Stannis Baratheon and Ashara Dayne. It's set a year before Robert's Rebellion, when Mad King Aerys was still in power.
This update will add House Mormont, as well as the Playful & Disarming personality and many text changes.
If I have the energy, I'd love to add the beginning of Chapter 2 to the update as well; aka the aftermath of your outburst with the King. And! Improve the character creator now that I'm (slightly) more knowledgable. Also, hmm, whose the next love interest... ~
You can play an outdated version here. Includes House Arryn and Beesbury, and the whole first chapter. 25k+ words last I recall ?? Yes she's messy but she's my baby.
Next! Under the Devil's Moon is the Lackadaisy one. I haven't mentioned anything about the plot, so let's do a fancy summary:
1925. You work for Cecil Flynn, a ruthless high-rolling lawyer and gang-adjacent businessman based in Chicago. While not your first choice of employment, you made a deal with this devil three years ago. Since then you've turned into an excellent investment. Chicago has been your home for three years, but now your employer has decided it's time for a change of scenery: St. Louis. A wildly popular speakeasy has fallen into Mr. Flynn's crosshairs. It's a shame what you may have to do, but that's just business, isn't it?
This was another challenge for me: A way more advanced character creator (30+ options) and getting to choose which specific characters you feel platonically or romantically for (you can be aromantic and/or ace too!). Rocky and Mordecai are my focus in love interests, but I'm absolutely planning for more. Devil's Moon has a very different story structure than Last Spring, one that's more forgiving of additional love interests and time skips (my betas picked up on this quick).
So, that's the 411! I'm just proud of my progress and wanted to share. Once I pretty up the html I'll post some pictures. It's been lots of fun to learn more and challenge myself :>
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yourbelgianthings · 4 months
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yes cecil used to be an intern no i am not including him because he would just sweep
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ducktracy · 3 months
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what is your most favorite form of animation in your opinion?
OHHHH WHAT A THOUGHT PROVOKING QUESTION!! i love this!
the famous Eliza copout answer would be to go “ALL OF THEM”, and there is genuine truth in that! but i can’t entirely kid myself, i’m such a sucker for traditional hand-drawn animation. part of that comes from a sense of familiarity, but i really, REALLY love how inescapably human it is. there’s a human touch in every pencil stroke or brush stroke on a cel, etc., etc. i’m incredibly big on feeling a connection with the artists that made this possible, the demonstration that yes, this literal feat of magic is possible and here is someone physically doing it right now… not to say other mediums are exempt from this (which is a point i’m about to indulge in shortly), but, at least for me, i just feel the most powerful connection with traditional animation. actually getting to see the pencil lines on paper. seeing where the cel paint has maybe begun to smudge or chip with age or human error. it’s a living archive of human touch. and i love how that is able to translate in the actual product itself—not just talking about looking at relics! (which is another benefit: physical relics!!!)
BUT! i have to say that i am also a HUUUUUUUGE fan of puppetry and stop motion. the day the stigma of puppets being scary dies is the day i will be a free and joyous not-so-man.. and yes! this includes all puppets! like traditional animation, i LOOOOOVE how innately human it feels, maybe even MORESO than traditional animation. you always always always feel the human touch involved. that, and it’s just so CREATIVE! so many cool ways to make art!!! so many wonderful set designs you can have! so many creative PUPPET designs you can have! the challenge of making these characters or sets feel lifelike or, at the very least, convincing to your intent.
it’s a big reason why i love Popeye cartoons as much as i do, since they combine two of my greatest animation loves (traditional animation + physical 3D sets) and it’s truly a magical experience to see them together.
this is also where i take the time to shill Beany and Cecil. WATCH BEANY AND CECIL!!!!!!! more recordings have been recently uncovered and they’re wonderful!! reading Bob Clampett’s interview with Mike Barrier and Milt Gray and how he got emotional talking about his experience working on it made ME emotional! it’s one of the reasons why i love and resonate with his work so much, i definitely share a very similar reverence for stop motion and puppetry. tell me you don’t crack a smile watching this
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and the great Frank Tashlin did stop motion of his own!! which, again, is why i love and resonate with HIS work so much too!!
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BUT YES!! this is just a blip really—i love so many styles and mediums of animation for different reasons, and look forward to all the ways well be able to incorporate these various styles and techniques together. animation is such a great feat and so beautiful through its versatility; we’d get a lot more done if there were fewer arguments about what the Best way to animate is and, more accurately, how we can adapt and combine and innovate new ways to continuously reach new potential we’ve never seen before
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vulpecular-draconic · 1 month
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i’ve been thinking about non-otherkin/non-therian alterhuman identities recently and i realized i haven’t really explored that yet in myself. i have a fairly good grasp on my kintypes (for now at least), but i’ve been ignoring or even in denial about some of my other alterhuman identities.
it started yesterday evening (march 26), when i began to officially question whether maned wolves are a kithtype or kintype of mine. i still don’t know, but today, as i was researching about what hearttypes feel like vs what kintypes feel like, i realized that i’ve felt non-kin alterhuman things before now.
first my mind went to cecil palmer from welcome to night vale. i hyperfixated hard on that podcast when i first listened to it last year. i still get unreasonably excited about it, especially about cecil.
i once briefly considered being fictionkin to cecil, but brushed it off immediately — one, because i don’t feel like i am him (which is a pretty tell-tale sign i’m not), and two, because our personalities aren’t similar except for a few surface-level things. i dismissed it as extreme gender envy and tried to ignore it.
but i still felt (and continue to feel) an intense connection to him.
i’ve related very strongly to characters before, and to characters much more similar to me than cecil is. yet even the character i’ve had an intense spinterest on for several years can’t compete with this flavor of feeling. it goes deeper than gender envy (although it does include that). i want to be him. i’m not distressed that i’m not, but i do thoroughly want to, if just for a few hours. that’s not the full feeling, but it’s the facet i can articulate best.
i denied the possibility of being alterhuman in any way about cecil for so long because i was worried that if i decided to call myself fictionkin, i might lose myself in trying to adopt the personality of someone so different from me. (for a long time i didn’t know how widely acknowledged it is that fictionkin don’t have to match the personalities of the canon version of the character.) i didn’t want to consider fictionhearted either, as i was worried taking that first step would be crossing some line.
i think — well, i know, i just like to allow room for uncertainties — that cecil is a hearttype. (kithtype? fictionkith??)
there’s nothing else he could be to me, honestly. hearttype is the closest i can succinctly come to describing this feeling, and by “closest” i mean pretty darn precise.
and now my other revelation: hearthomes.
although i’ve got cecil as a hearttype, i don’t think i’d describe night vale as my hearthome. i’m fond of it, yes, but my chest doesn’t ache with the longing to live there. no, that honor goes to the world of tangled.
i don’t want to get too detailed, as this post is long enough already, so i’ll keep it short:
i’ve wanted to live in the world of tangled/tangled the series since i first watched the show. i don’t have any hearttypes or kintypes from there, not even an oc-kin. but it feels like home.
i’ve been asked what fictional world i’d live in if i had to choose one. i always immediately answer the tangled universe. for all the plot holes and underdeveloped lore, i absolutely love it, and if a portal opened up in my room right now to take me there i’d hardly hesitate. my favorite spot in disney world is that small tangled-themed section, even if it is just relegated to the bathroom area. it’s the closest i’ll ever get to actually being there. it felt bittersweet when i visited. my heart swelled looking at it all, and i think i’ve cried about it, but i don’t have any concrete memories of the latter.
sooo… yeah. i’m ‘hearted to cecil palmer and the tangledverse is my hearthome.
i’ll add these to my intro post soon. i don’t feel like i need a questioning period for these like i do for the maned wolf. they’ve been boiling in the back of my mind for so long that i already just… kinda know.
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