I can't stop thinking about the rings on Hermes' fingers. I can't. Whats the story behind those? Did he start wearing them because Charon gave them to him as a job well done? The weirdest gift imaginable to your professional associate?
Did Hermes steal them to be a cheeky bastard and got them fitted and put them on for the jokes? Did he start wearing them apropos of nothing? Just happen to start accessorizing like his professional associate? Is it part of a shared uniform? Can we see the employee handbook?
Did Charon go out and get rings commissioned to look exactly like his for not one, but two of his partner in crimes' fingers, slide each lovingly onto Hermes' corresponding digits, and then gently hold his now bejeweled hands in his own to see how they match, knowing Hermes will now carry something of Charon with him when he leaves him for his dangerous work?
I'm just. Asking. Questions. But I swear to God, if we get Charon's portrait and he has a feather or an orange ribbon somewhere on his person, I will be inconsolable for days.
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DP X DC PROMPT #25
(#) = Notes at the end of post
(*) = Just me building off of other ideas.
✦
Family Reunion
Clockwork sends an adult Danny, newly appointed Ancient of Space, on a mission through time again. Except this time, it isn't located on Earth, but a distant planet he's never even heard of before. Clockwork didn't tell him any specifics on what he was supposed to do or when he was supposed to return to his own time, just to blend in and have an experience. He would know when it was time to return.
Needless to say, he has a blast! His core is bursting with happiness at getting the chance to explore this unknown corner of the universe with a sky full of constellations he's never seen and fascinating locals. Considering he might be here a while, he buckles down and learns all about their culture and their traditions and even eventually learns their language without having to use the two-way translator Clockwork gave him.
He spends decades there, not even having to worry about how he never appears to age, the people here being incredibly long-lived. However, he eventually meets someone. Someone he falls head over heels for. He gets married. He has kids. He watches them slowly grow into adults as well. It isn't until one of his sons informs him that he's expecting his own child(1) that Danny feels a tug at his core.
He ignores it, but over the course of a few weeks, it's gone from the occasional pull to a full-on yank at his entire being, along with a sense of dread that something was going to happen to this wonderful little planet. To his family.
He becomes restless and loses so much sleep, it's a miracle he can even stand. His family are worried for him, but he assures them that he's just feeling a little under the weather. One night, he's sat up in bed, unable to sleep again. His gaze is fixed lovingly on his spouse, but nonetheless sad.
He doesn't miss when all the soft sounds of the night stop and a green glow appears behind him.
"It's time to leave, isn't it?"
"Yes."
"There isn't any way I could stay? I can't bring them with me?"
"I'm afraid not. There are some things that can't be changed or stopped, even when they fall into your domain. I'm sorry."
"Why send me here just to make me abandon them like this? What was the point?"
Clockwork is silent, but when Danny turns to look at the ghost, he's gone.
Danny takes a few more precious days to spend time with his family. Kiss his spouse. Hug his kids. Feel the strong kicks of his grandchild he won't be there to witness the birth of.
The night he leaves, he places a letter on his spouse's nightstand, gently kisses their forehead, and disappears in a flash of green, never to be seen again.
Years later is when Danny gets the news. That the planet Krypton is no more and that his family is gone. He searched the Ghost Zone for them, but he never knew the location of Krypton in the cosmos. Their afterlife is beyond his reach, in a place that isn't even on the Infamap.
He nearly drowns himself in grief when he finds a sliver of reprieve in the form of a news broadcast. An extraordinary man in blue and red with the kryptonian symbol for such emblazoned on his chest is shown fighting off multiple enemies at once. He is the spitting image of his father and Danny as well.
He had a grandson. His grandson was alive.
✦
(1) This was Kara, not Clark. Danny left before he even found out about Kal-El being in the oven, so there will be a misunderstanding at first. Then Kara pops up later, and Danny just bawls his eyes out that he had two surviving grandchildren without even knowing it this whole time. How he first meets either of them is up to you!
(*) What this means power-wise for Clark is yours to decide. As well as what Clark already knows about his grandfather from the stored information his father left him. What his father thought of Danny disappearing without a word is also up for you to decide.
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this is a completely normal and nonchalant post about the camera angles used for alhaitham in the archon quest and his story quest
when we’re introduced to alhaitham the camera angles avoid allowing us a view of his eyes, which creates a mystery around alhaitham, his motives, and in turn causing us to question the validity of his words - is he a trustworthy ally or not?
Since this is a tactic used to reinforce the idea that alhaitham’s sincerity should potentially be questioned, i think it’s Interesting that this can be seen in the closing of the archon quest - after kaveh is introduced
the camera angle yet again reverts to concealing alhaitham’s eyes, which then acts as obscuring the truth of the matter - as well as alhaitham’s vagueness, which is an evasion tactic he uses often, and is even addressed in his character story 2. “It’s reason enough” is indicative that his stated motive - although actually, it is a presumed motive supplied by dehya - is enough of a motive to satiate everyone’s curiosity
the idea here is that there is an alternate reason he undertook the archon saving plan, rather than just to secure the job of the akademiya’s scribe. this points to another reason which couples into his “way of life” - so it’s telling that this is the same quest in which kaveh is introduced and is seen only in his interaction with alhaitham, in which alhaitham reveals that kaveh is his roommate
kaveh becomes inextricably linked with alhaitham’s “way of life”, and thus alhaitham’s contentment. This subtext created by the camera angle becomes surface text when interacting with alhaitham after the cutscene
Alhaitham attributes his enjoyment of the gathering to the genuine happiness that “the people” present in the grand bazaar feel - in this alhaitham indirectly links himself to “the people” feeling genuine happiness, as he, too, is present with the intention of celebrating
This discussion of happiness and overall contentment - first mentioned in alhaitham’s motive for maintaining his satisfactory “way of life” - is then immediately is followed by a mention of kaveh
Alhaitham mentions that he has taken “both” keys upon leaving the house, which references their living situation as roommates, but also refers back to alhaitham’s first mention of kaveh due to kaveh being missing from the archon quest, and therefore alhaitham had the house to himself
Kaveh returning to sumeru, back to alhaitham’s house, and therefore his key being present to take, is a premise explicitly linked with alhaitham’s happiness, and his general way of life - kaveh being present in alhaitham’s life IS the status quo which alhaitham wants to maintain, is the alternate reason behind “it’s reason enough”
Returning to camera angles, this is a little self-indulgent, but in alhaitham’s story quest, the deliberate choice to include kaveh in the frame when alhaitham mentions the importance of one keeping their priorities in check is interesting, not only in visual confirmation that, yes, kaveh IS one of alhaitham’s priorities, but also that it directly parallels the aforementioned scene in the archon quest with the frame “it’s reason enough”
In contrast to the “it’s reason enough” frame, alhaitham is outright expressing his multitude of priorities, which extends to beyond that of his job - with kaveh being explicitly in frame
This story quest scene ‘pride and prejudice’ literally mirrors the archon quest ‘a toast to victory’ in this regard, as in the latter, the camera angle focusses on the opposite side of alhaitham’s face, ensuring his eyes are covered as he makes allusions to more than one prospective motive, but in the former scene, the other side of alhaitham’s face is shown where his eyes are revealed and his words are less cryptic - solely because kaveh is in frame and can directly be linked to one of alhaitham’s motives, or priorities
Overall, kaveh is extremely important to alhaitham and the game tries every angle (literally) to convey this point. Alhaitham wants kaveh in his life, so much so that kaveh’s presence has become engrained with his “way of life” he seeks to maintain
(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
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i said i would post my piano covers here, so...what better song to start with than the iconic one from psmd? :'^)
this was all done by ear (except for the beginning where i used bespinben's score because those chords are tough to figure out, so shoutouts to them)! this song holds a special place in my heart for many reasons: it's the reason i played psmd and restarted playing the piano, just to name two!
by the way, there's a little surprise at the end 😊
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