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#without appropriating
inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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cyandocs · 11 days
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17th Century Gaydar
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With @canisalbus's characters Vasco and his QPR wife Ludovica. Consider this a Headcanon but I imagined they were likely set up as like, teens- maybe not fully arranged marriage, but marriage was heavily implied with their courtship. So here I imagine them as like 15/16 which is why they're kind of smaller and scruffier, as well as having their outfit colors a little lightened. Also Ludovica in cute ear bows moment. I THINK this is my first more or less official online artist fan art??? I hope I did them justice.
*edit forgot to color in Vascos hands consistently my bad **EDIT I CANNOT BE TRUSTED TO POST ART WITHOUT FORGETTING SOMETHING
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holly-bearie · 1 month
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my bestie??? speaking to someone else??? improper. disgusting. horrendous.
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halorvic · 1 month
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Futurama S11E07
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vinceaddams · 9 months
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Early 18th (and late 17th) century fashions are so under-utilized in vampire media and I think it's a damn shame.
I don't actually think I've ever seen a single image of a vampire character in an early 18th century suit. Hardly any movies set in that era either, and hardly any historical costumers who do it. (Even my beloved gay pirate show set in 1717 takes nearly all of its 18th century looks from the second half of the century. Not enough appreciation for baroque fashion!!)
Yes I love late 18th century fashion as much as anyone, and 19th century formal suits are all very well and good, but if you want something that says old, dead, wealthy, and slightly dishevelled, then the 1690's-1730's are where it's at.
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(Retrato del Virrey Alencastre Noroña y Silva, Duque de Linares, ca. 1711-1723.)
There was so much dark velvet, and so many little metallic buttons & buttonholes. Blood red linings were VERY fashionable in this era, no matter what the colour of the rest of the suit was.
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(Johann Christoph Freiherr von Bartenstein by Martin van Meytens the Younger, 1730's.)
The slits on the front of the shirts are super low, they button only at the collar, and it's fashionable to leave most of the waistcoat unbuttoned so the shirt sticks out, as seen in the above portraits.
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(Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil, 1734.)
Waistcoats are very long, coats are very full, and the cuffs are huge. But the sleeves are on the shorter side to show off more of that shirt, and the ruffles if it has them! Creepy undead hands with long nails would sit so nicely under those ruffles.
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(1720's-30's, LACMA)
Embroidery designs are huge and chunky and often full of metallic threads, and the brocade designs even bigger.
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(1730's, V&A, metal and silk embroidery on silk satin.)
Sometimes they did this fun thing where the coat would have contrasting cuffs made from the same fabric as the waistcoat.
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(Niklaus Sigmund Steiger by Johann Rudolf Huber, 1724.)
Tell me this look isn't positively made for vampires!
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(Portrait of Jean-Baptiste de Roll-Montpellier, 1713.)
(Yeah I am cherry-picking mostly red and black examples for this post, and there are plenty of non-vampire-y looking images from this time, but you get the idea!)
And the wrappers (at-home robes) were also cut very large, and, if you could afford it, made with incredible brocades.
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(Portrait of a nobleman by Giovanni Maria delle Piane, no date given but I'd guess maybe 1680's or 90's.)
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(Circle of Giovanni Maria delle Piane, no date given but I'd guess very late 17th or very early 18th century.)
Now that looks like a child who's been stuck at the same age for a hundred years if I ever saw one!
I don't know as much about the women's fashion from this era, but they had many equally large and elabourate things.
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(1730's, Museo del Traje.)
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(Don't believe The Met's shitty dating, this is a robe volante from probably the 1720's.)
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(Mantua, c. 1708, The Met. No idea why they had to be that specific when they get other things wrong by entire decades but ok.)
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(Portrait of Duchess Colavit Piccolomini, 1690's.)
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(Maria van Buttinga-van Berghuys by Hermannus Collenius, 1717.)
Sometimes they also had these cute little devil horn hair curls that came down on either side of the forehead.
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(Viago in drag Portrait of a lady, Italian School, c. 1690.)
Enough suave Victorian vampires, I want to see Baroque ones! With huge wigs and brocade coat cuffs so big they go past the elbow!
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inkedhntr · 9 months
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He got a brother
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egberts · 22 days
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fat ass fig
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markscherz · 3 months
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Really diggin' the silmarillion-blogging in the tags lately! A precarious crown upon the most excellent frog vibes
Then you may also enjoy Uroplatus fangorn, a species of leaf-tailed gecko we described a few years ago.
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Photo: Frank Glaw and Miguel Vences.
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ghost-bxrd · 3 months
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Bruce with fae!Dick is just: I have no idea what this kid is or what is happening, but this child is mine now :)
I like to think he never asks what Dick is, he just don't want to know for the sake of his mental health
Ngl that was my first thought too ksksks
On one hand we’ve got Bruce the world’s greatest detective but on the other hand… well, Bruce can only handle so much weirdness in one day and his new child is basically the embodiment of Weird™️ 😭😂
Dick is just happily swinging from the chandelier and having animated conversations with a bird about the weather and meanwhile Bruce is just standing off to the side like :)))) my child isn’t like other children :)))))
Everyone else: awe, yes, everybody thinks that about their own kid.
Bruce, who just saw Dick rotate his head 360° to keep track of a firefly only to then eat it and because it allegedly insulted him: yes :))))))
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ashfdhfgdsfk · 1 year
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graham
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grxceful-ly · 1 year
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peter bringing mayday with him to do spider stuff because yeah, he had things to live for before--but now he has a child and he is going to raise this child and be there for her and maybe if she’s there, strapped to his chest, he’ll be more careful. he’ll consider his life almost as precious as hers. maybe bringing mayday to work is a precaution. 
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jtl-fics · 9 months
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Fluent Freshman - Part 34
PREV
Sometimes when you have bad anxiety it’s hard to judge how scary something actually is.
FF breaks into a cold sweat practicing his order in line at fast food places. FF shakes with nerves at the prospect of asking about where a certain building was on campus from a stranger. FF’s stomach twisted into knots when he thought Andrew was leading him to his death in the basement of Eden’s. It’s hard when everything in life feels like the scariest and most impossible thing you’ll ever have to deal with.
Still, FF had felt like he had been getting braver. Had felt like he might be getting just a bit better in regard to confronting his fears.
He’d been getting better.
He managed to laugh with the cashier when he ordered combo number two-teen instead of twelve before break. He had asked for directions to the nearest bathroom from a stranger when one of Kevin’s shakes had gone straight through him. He had even gone down into the basement with Andrew and realized he had friends.
Looking at Daniel makes that progress feel far away.
His stepbrother’s name tastes like ash in his mouth.
“I just want to talk.” Daniel says raising his hands up placatingly. “We’re family.” Daniel says pointing between himself and FF.
“We’re not family and I don’t want to talk.” FF says because they aren’t, and he doesn’t. Daniel is one of the top two people in the entire world he doesn’t want to talk to ever.
“There’s your answer, now leave.” Captain Neil dismisses Daniel who still has his hands up.
“C’mon talk to me. We’re brothers John.” Daniel says and FF feels his entire body tense at the name.
“John?” Nicky looks back at him in confusion.
“That’s not my name.” FF hears himself say more than he consciously says it. “It was never my name.” he swallows tart cherry flavored bile. It really was one of Kevin’s better smoothies and FF would feel terrible if he puked it up. The world sways as he tries to breathe through the nausea of hearing Daniel call him by that name again.
He changed it the second he turned 18 last March. He’d signed his contract as a Smith not a Stanton. He would never let someone take it from him again even if hearing his first name still made his heart ache.
He feels Kevin’s hand on the center of his back steadying him and maybe he is swaying and not the world. Kevin takes the smoothie out of his hands before he can drop it.
Nicky must see something too because his friend abandoned the front line to steady him with an arm around his shoulders. He thinks he sees Captain Neil take his place.
“Of course, it was! It’s the name our dad gave you.” Daniel says and FF’s stomach cramps at the thought. “He’s still hurt that you changed it and that you haven’t reached out. Do you know what it’s like to find out your brother was hurt during a press conference?” Daniel asks and FF can see how he’s going for the sympathy card here looking at the others.
It’s his usual tactic.
“Fred is not my dad. You, Lucas, and Greg are not my brothers.” FF can feel a headache coming on along with the stomach cramps. He wishes that Aaron had let him restock on Pepto because the tart cherries maybe aren’t the best thing at the moment.
Daniel has always been the worst part of his stepfamily.
Greg had been a physical bully. Lucas had always followed Greg’s lead. Fred hadn’t looked at him more than he had to from the very moment that FF had made it clear that he did not appreciate the 13th birthday gift of ‘a new name’ and still intended to spend time with his grandmother. His mother had been distant for ages, but he always felt her watchful gaze making sure he did not step out of line, did not give her an excuse to put him back on the medication that left him as a zombie.
Daniel was different.
Daniel wanted things to be a certain way, but he wasn’t like his father or his brothers. He didn’t force FF to change, didn’t bully him into accepting a name that he had never wanted, and never let on to the fact that he was watching.
They’re the same age. Daniel had come to him like he could be a friend something he had been in short supply of after his two years of being little more than a medicated zombie. Daniel had gotten close; Daniel had pretended to actually care and acted like he only wanted what was best for FF.
It might have even worked.
If FF wasn’t such a loyal grandson.
Daniel had tried to poison the well between him and Gran, had tried to tell him that he needed to leave her behind and be happy in his new family.
FF had been stalwart.
Then Daniel had gone after his Gran and FF dislocated his thumb punching him.
“You don’t touch her.” He had said seeing Daniel for what he was for the first time. He saw a monster where a friend used to be but he had told this monster all of his secrets, all of his weaknesses, and had given him ammo.
Daniel came off as sweet and caring. He was athletic. He was a good friend. He was smart.
He was just also evil and made sure that FF suffered every single day they lived together because FF saw that evil in him when no one else had.
More than anything FF had been happy to bid him farewell when he’d signed his legal name on the contract to Palmetto State University’s Exy Team.
Just the sight of him brought up bad memories.
“No brother here to talk to it seems.” Captain Neil says.
“Bye Daniel. Kevin and Aaron, you two can walk back.” Andrew says and FF feels hands on his shoulders and found himself being steered towards the Maserati and FF stiffened instantly at the sight of it. “Smith?” Andrew questions.
FF had been doing better.
Screaming and pointing.
A hand reaching.
A sharp swerve.
Blood in his eyes and smoke in his lungs.
“I’m scared.”
Tiny hands in his.
“It’s going to be okay; I promise.”
Waking up to his grandma holding his hand in the hospital.
He’d been getting better.
“See, you’re still upset over what that guy did. Why are you clinging to the last name of the guy that did this to you?” Daniel asks from behind him, “He almost killed mom and you. He did kill our two-“
“Stop.” FF hears himself say and he turns to Daniel. “Jay and Robin weren’t your little siblings, they were mine. I’m not your family, I never was and never will be. I’m not scared of cars anymore.” A lie mixed in with multiple truths.
Maybe it’ll make Daniel happy to see that FF still knows how to play all of his favorite games.
He turns to Andrew who is staring at him patiently, “I’m not feeling well.” He says.
Andrew looks at him and FF figures he probably looks as shitty as he feels, “Someone will have to sit on someone’s lap.” He says.
“Smithy, sit on my lap.” Nicky says and FF can’t help the way he leans into Nicky’s warmth as his friend guides him to around the car keeping himself between Daniel and FF. Nicky gets in first and FF doesn’t hesitate to crawl onto Nicky’s lap.
He thinks he hears Daniel start to say something, but Andrew slams the door shut on his way to the driver’s side. Andrew doesn’t move from the passenger door, blocking it with his body.
Nicky guides his face into his neck, “Can we buckle-up?” he asks, and Nicky almost dislodges him he’s so quick in his compliance.
“Of course.” Nicky says and there’s the feeling of the seatbelt and the click of it locking into place. Nicky’s hand was in his hair.
FF doesn’t know if it just took a while or if he was just drifting in his thoughts as Nicky stroked his hair. “Are you scared of cars?” he asks voice quiet.
“Yes.” FF answers because it’s Nicky. “I was in an accident.” He explains just as quietly as Nicky had asked.
“Siblings?” Nicky asks voice choking with emotion.
FF pressed his face into Nicky’s neck further and hopes the pressure will stop his eyes from watering. “Yes.” He says. “Younger.” He manages.
Nicky holds him tighter, and FF is glad Nicky doesn’t tell him it’ll be okay.
FF doesn’t know if he drifts or if the others are listening to Daniel’s poison and falling for it. He’s glad that at least he’ll still have Nicky.
Eventually, the doors open, and he thinks he hears Daniel’s voice, but all three doors shut quickly.
“What an asshole.” Aaron spits.
“That doesn’t necessarily disqualify him.” Kevin says.
“We’re not talking about this right now.” Captain Neil hisses, “Smith, we’re going to get you to Abby’s, okay?” he says but FF doesn’t really have the energy to do anything more than a thumbs up.
The car ride is smoother than usual. It’s also quiet other than Kevin reminding him that he’d sleep better if they’d stop by the store to grab more smoothie supplies, Aaron smacking him upside the head, and Andrew threatening to kill both of them if they got tart cherry and avocado smoothie on his interior.
By the time they’re at Abby’s FF is almost asleep in Nicky’s lap but he forces himself to wake up and climb out of the car when Andrew opens the passenger door for them. He finds it hard to look at any of them at the moment.
“Sorry about all of that.” He manages looking down at his feet. “You shouldn’t have had to see that.”
“Smith,” Captain Neil’s hand rests on his shoulder and FF startles slightly as he looks down into the blue eyes of his Captain, “if we got what we deserved, we wouldn’t be Foxes.” He says as FF takes a long and steadying breath. “You have a past and that’s what brought you here.” Captain Neil squeezes his shoulder.
“You’re one of us and we take care of our own.” Andrew says before pushing him towards Nicky, “Get him to bed.” He says.
Nicky didn’t need to be told twice. Abby and Grandma Smith were out checking out a restaurant after the game, the two having become good friends during their stay. FF was glad his Gran was somewhere else and didn’t have to see him like this. FF was even more glad for his friend’s help as Nicky dragged him through his bedtime routine. “Don’t expect this when we’re roomies.” Nicky teased as he helped FF change.
It was hardly five minutes between pulling up and Nicky tucking FF into bed. “We’ll be by tomorrow, call me if that asshole shows up, okay?” Nicky says pointing at him.
FF, still to tired, just gave a thumbs up and closed his eyes.
He just hoped he drank enough of the smoothie that he wouldn’t dream.
***
Nicky left Abby’s house and made sure to lock the door behind him after he had checked a grand total of three times that FF was asleep in the guest bedroom, he’d taken up residency in.
Siblings.
Nicky’s heart ached.
He found the rest of the Monsters loitering outside by the Maserati with Aaron pacing, Kevin wiping his tongue on his shirt, as Andrew and Neil sat on the hood sharing a cigarette.
“He’s asleep?” Andrew asks.
“Out like a light.” He looks over to Kevin, “What’s going on with Kevin?” he asks.
“He tried some of what was left of the Smoothie he gave to Smith.” Neil says with an amused laugh. “He didn’t like it.” He says.
“I’ve been aiming for nutritional, not delicious.” Kevin argues, “Smiths hasn’t complained.”
“Smith is a little too nice for his own good.” Aaron rolls his eyes, “Which is why we’re not letting that asshole get his way!” Aaron adds.
“Being an asshole doesn’t stop you from being good at Exy.” Kevin crosses his arms.
“Obviously!” Aaron returns gesturing at Neil, Andrew, and Kevin.
“I resent that.” Kevin and Neil said at the same time as Andrew just shrugged.
“Hey, what the hell are you guys talking about?” Nicky asks hating feeling locked out of the loop. He didn’t regret climbing in the car to hold FF but there’d been too much time between when he’d sat in the Maserati to when the rest had joined for there to have not been a conversation.
“You didn’t hear?” Aaron asks incredulous.
“I was busy.” Nicky hisses and at least Aaron has the good grace to blush.
“Daniel Stanton wants to try out for the open spot on our roster since Lisa decided to stay home.” Neil says through gritted teeth, “The University already approved that he can try out.” He adds.
“That asshole wants to be a Fox.” Andrew says.
There were many noise disturbance calls from the usually quiet neighborhood that night as Nicky Hemmick let his opinion on this be known to the world.
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MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
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its-your-mind · 5 months
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Tbh I??? Really love these Bell’s Hells Company Retreat Activities???? Bc like. It’s not like any of them have been overly cagey this whole time, or actively hiding big secrets from each other. (someone at some point mentioned how BUCKwild it would have been to watch the M9 try to play What The Fuck Is Up With That within the first ten episodes of c2, with all the shit all of them were hiding and how much their early relationships were based on a mutual understanding that no one would expect each other to bring up the past unless it became a danger - the only one who ever poked that particular bear was Beau with Caleb at the start when she traded access to the Archive for the reason why Caleb gets fucked up by fire, and that private conversation shaped their relationship for the rest of the campaign BUT I digress.)
Nothing anyone confessed during the Honesty exercise was… a surprise. The only one who hadn’t shared the entirety of his past (that he remembered) was Chetney, and his was never the past that felt like a threat - that revelation was more along the lines of FCG’s type of “tell me about your family trauma so I can fix you” line of questioning.
The truths the Hells offered up to each other… they were significant (Fearne, I was disappointed in you for being afraid of your power), and scary (deep down, both Delilah and I kind of want the shard), and hard to say out loud (even on the nights I bunk up with one of you, I feel so lonely), but critically, so little of it was surprising. No one was sharing anything earth-shattering about their pasts or previously unknown plans for future betrayal.
And during the Communication exercise - none of them - Chetney, Imogen, Ashton, or Orym - doubted that their directors were leading them the wrong way. They listened, and paid attention to instructions, and didn’t try their own path because they felt like they knew better.
And then during Trust! The part that should have been the hardest!! All of them were obviously distrustful of each other, shooting around stressed looks, sending familiars to dive-bomb to check for flesh, but like… none of them actually turned on each other. None of them ganged up, or broke off, or stood in opposition - they were wary of each other, and they got the task done.
So… it didn’t really lead to any huge shifts in the dynamic. But that was never really what they needed! The Hells have trusted each other since the beginning, and even when they’re actively having to fight each other, it’s always with a desperation born from a place of concern. They really do care for and love each other. I don’t think any of them, if they sat down to think about it, truly believed that one of them was going to betray the others.
But they haven’t had time to sit and think about it. They have been actively fighting the literal end of the world since like… ep 45 (first irl Ludinus sighting/convo). The apocalypse happened. Has been happening. For thirty episodes now. They spent a good chunk of that time apart from each other, and then the rest of it desperately reaching out to anyone with more power than themselves to beg for their help.
So yeah! It’s not a big surprise that they’re all bottling up a lot of their own shit right now! There aren’t that many personal issues that feel like they deserve more attention than the literal end of the world.
It was inevitable something was going to give. And since Ashton’s shit was up next for dissection because they had a past that brushed up against the Primordials? Of course they were the one whose internal lockdown broke first. And of course when it did, it physically shattered Ashton, too, right along those same fault lines where Milo put them back together the first time. It’s so good that they had friends who were there, past and present, to make sure none of the pieces got lost. To put them back together.
We watched Laudna break down right after, specifically because she was back home, in this place where Delilah had first tortured and killed her, where she had lived as a wraith haunting a castle. Delilah had been slowly picking the lock on the cage the Hells had forced her into, and Ashton’s “betrayal” was the last tumbler Delilah needed to snap into place to break the lock in Laudna’s mind. And her mind shattered, fragmented in the same way it had been after she was first brought back as Delilah’s vessel. How beautiful that it was Laudna’s love of children and her desire to make Ashton a gift (meant to be part insult, “because you’re a child,” and declaration of her care for him, “I like children.”)
And Fearne… Fearne almost broke down after them. Slamming the hammer down next to Ashton’s head over and over and over, screaming at him, wandering away through the city, sleeping alone in the woods… She saw the cliff’s edge coming. That’s why she asked them if they could stop at her Nana’s first.
Because she needed it. And the rest of the Hells say, “Why? Do you think Nana Morri can help us in this?” And Fearne says, “Well, I don’t know, but…” And Imogen says, “Do you need it for you?” And Fearne says, in a small and shattered voice, “…yes.”
And that’s the end of the discussion.
They go home, to a place where they are safe and have time, for the first time since Ruidus was locked in place.
And so they have time to be Honest - and they are. Fearne likes to watch them all and play with their hair while they sleep. Orym has thought through how he would neutralize them if he absolutely had to. Ashton thinks it would be better for him to be dead than for Fearne to be hurt. Imogen is scared to face her mom. Laudna dreams of leaving this behind. FCG is jealous of the people around him with a heart, because they have possibilities he doesn’t. Chetney hasn’t settled down once in 400 years because he’s scared he’s cursed to drive away any family he has.
Behind all of this - I want to know everything about you. I need to make sure you don’t hurt each other. I would sacrifice myself to keep you from pain. I don’t want to choose between my blood and this family we’ve built. I want you all to be safe. I want you to pursue happiness. I don’t want to lose you.
And then, Communication - follow along this path. Listen to my voice. Keep calm, keep quiet. Stay the course. I will keep you safe. Keep walking, keep walking, and… you’re there, honey.
And finally, Trust. Two of them are going to be replaced by fae beings bent on preventing them from completing their mission, and they have to complete this task without letting the infiltrators stop them. Okay. Let’s all stick together. Keep eyes on each other. Wait for the doppelgängers to give themselves away somehow. Do you remember these small, banal details about our mutual history? There’s a possibility that action you took was malicious, but I know you well enough to know that might have been a mistake you made on your own. Here, I’ll walk into traps to show that I’m not going to stop you. I’ll get out of your way and take out the threats. I’ll be eyes in the sky and send my familiar to poke you to test if you feel like you should. But nothing you’re doing makes me see you as a real threat - just the possibility of one. I trust you. I trust in you. I trust myself to know enough about you to identify if you’re doing something differently than normal.
And the result of those exercises? No new information, but maybe some things that we all had lost track of amongst the chaos. I am not shocked by your Honesty. I know deep down that I can rely on your Communication. I do Trust you. I know you. I care for you. I know you care for me, too. Even when I have doubts, even when you fuck up, even when things break bad and you make the wrong call…
We are a team for a reason, and no matter what we said in the beginning, it is not just out of necessity or convenience. Are we a bunch of fucked up, broken people? Absolutely. Are we going to continue to fuck up? Probably. Does that change how we feel about each other? No. Never. As long as you’ll have me, I’ll be here, fighting alongside you. Helping you up when you stumble. Offering a shoulder when you need to cry. Standing over you to protect you if you fall. Laughing with you in good times, kicking ass for you in bad. This is our family, damn it. It is strange, and broken, but it is ours, and it is good.
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satans-knitwear · 10 days
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Silly Little Creatures being Silly Little Creatures = my favourite thing to behold.
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shigure · 10 months
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thoughts on "writing oberon"
i don't think oberon is compelled to lie about everything intrinsically. if you ask him coffee or tea he can pick one. if you ask him what color the sky is he can tell you blue. if you ask him who won the superbowl, he's not googling it just to make sure he gets it wrong.
vocabulary for this post
vortigern: abyssal worm that destroys and loathes
faerie king: who he pretends to be
oberon: both/neither, just the fastest way to refer to the unit as a thinking being/practical reality
the nature of his lies comes from his existence as a walking contradiction. the faerie king is perfectly suited to faerie britain on the surface - he's friendly and silly and popular, and he enjoys playing pranks and entertaining people. he's never experienced any major loss like murian has, and he's as loyal to his wife as aurora is to melusine. the fairie king as presented by shakespeare doesn't have anything substantial going on between his ears. || the destroyer of faerie britain has always been disgusted by every part of it. he's keenly aware of how it was made; he's the will of britain trying to kill itself rather than limping along as this colossal parody propped up by moronic culture thieves. and just like the place itself, he's being paraded about as some kind of clown - hell, a cheater to boot. he's a walking insult to his own dignity, and he will only feel peace when it's all been blown to pieces.
this of course creates his cynicism. his experiences on the surface befriending the welsh forest faeries allowed him to feel real love for parts of this place, which heightened his disgust for all of it. surely he lamented in an irreconcilable way when barghest, the monster he created, [destroyed part of britain] and killed the friends he had made. and as his perspective becomes more disjointed in a way that can be understood, it all becomes even shakier when you add in that the faerie king is inherently unreliable, frankly just insubstantial - because any strong emotions the faerie king expresses are written to be ploys and no more, the being that is oberon-vortigern cannot voice sadness or anger, lest they be taken for the faerie king's crocodile tears. forget feeling responsible and conflicted, he can't even grieve because his strongest emotions are labelled tricks as soon as he shows them.
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beyond that, it's really important to remember that oberon is an actor. he describes "the faerie king" as a character many times (titania too!), but you and he are not side characters - he calls the two of you spectators, i.e. not actively serving as characters at all. when he is participating, he plays a role. when he is with you, even though he as a person is still tricking you, he's not going out of his way to act like a silly faerie king and entertain you. it might be easier to understand this if you think about what he was pretending to be for you: a PHH faerie fitting in as a lostworld faerie. he's undercover, and even though the guy you talk to is still a faerie king, he's here with a more serious mission that differs from his public face.
him being an actor is crucial for how he was summoned in the first place. vortigern is a writhing mass of hatred for what britain has become. it can't love britain. it can't belong in britain. things that don't belong in faerie britain, like holmes and nemo, are weakened there. if it's going to enter britain, it needs a body that won't hate britain. it will hire itself as an actor to play "the faerie king," and read its lines dutifully. this isn't something vortigern manifested before doing and decided upon, it's something that had to happen as a premise of the summoning itself, to allow vortigern to manifest at all. for the duration of oberon's existence, from summoning til nonexistence, he is there as an actor. that includes while he's being vortigern. look at vortigern's sprite: do you see where his bug feet and bug hand connect to his body? not clearly, no! hell, his legs actually black out so we can't see whether the pants cover insect legs or turn into props. they appear to be melded to his clothes, but those aren't gloves and shoes. they're connected to his body, but they're something as removable as an actor's prosthetic.
all that is to say, [vortigern] [is an actor playing] [oberon] is a statement without removable parts. all that can happen is shifting the order into [oberon] [is an actor playing] [vortigern]. and just like the faerie king's love for the welsh forest faeries was just lines read off a script by vortigern, vortigern's vitriolic disgust for those same faeries is just lines read off a script by oberon. if the "actor" part was optional, vortigern's body would be a hell of a lot more fucked up.
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i've previously likened oberon to an experience i have when i'm discussing something i dearly love with people who also love it, but i mention something i really hate about it. for me, this happens because i get nervous, but i end up panicking and trying to reassure my friends that i really do like the thing in question. so, i end up walking away feeling dissatisfied: i either didn't properly convey my unhappiness with That One Thing, or i did a disservice in expressing how much i love the overall product. when this happens, i feel i haven't done justice to myself.
i don't think oberon has self confidence issues (though obviously he does hate himself), so he's not going through it the way i am. but it's also true that when he's talking about things that really count, nothing he says can do justice to the multifaceted emotions he has about things. furthermore, the automatic devaluing of his most emphatic statements that comes from him being the faerie king is incredibly disheartening.
his options are either be noncommittal and insubstantial, or be sarcastic and dismissive. he's black and white in one, but not grey, instead a checkerboard. he's the ultimate "and" statement. to force an opinion out of him is to pin him to one side, but since the other side isn't less true, whatever he says becomes false. if you use a command spell to make him only speak the whole truth, he will fall silent.
i think that as you spend more time with him, a lot can be better conveyed without words. i think that if you make it clear you understand and believe the part of him that despises you, you can experience the equal part of him that is impressed by and maybe even grateful to you. i don't think it's impossible to understand him, and someone who understands him and still wants him is something he considers an unattainable dream.
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merrysithmas · 1 year
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me when someone says luke is a bad teacher and made grogu "choose" btw being a jedi and his dad:
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what he did was ensure grogu could one day be a jedi AND have his dad now!!!
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