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#whys it still make me CRY
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ughhhhh i know this i know this i KNOW THIS so WHY am i still CRYING
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Sooooo that infamous sentimonster theory amiright? 👀
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beanghostprincess · 18 days
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Sanji and Usopp during The Sabaody Incident™ won't leave my mind.
Usopp standing in front of Sanji protectively because he is wounded and he can't fight, so Usopp will do it for him ("I'll do what you can't do").
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There is just something about Sanji's expression when he realizes he might actually lose Usopp. This is my interpretation, at least. He is literally frightened.
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Usopp helping Sanji stand up to run away. This is crucial for something I want to point out later: Sanji needs help to stand up. (Also, Brook disappears trying to protect them both and saying he will do anything to save them even if it costs him his life. I am feeling sick).
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Sanji being self-sacrificing and blaming himself for not being able to protect them/act sooner is not new. But he does manage to gain the strength to fight when Usopp is the only one left with him and the possibility of losing him is even more real now.
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The thing that I love the most about this is not Sanji sacrificing himself for Usopp, because he does that. He is like that. But Usopp not running away or moving in the slightest because he refuses to leave Sanji on his own.
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Something I'd like to point out too is that Sanji actually touches Kuma before Usopp disappears. He tries to fight and protect him and Kuma could've easily sent Sanji to Momoiro Island right away, and yet Sanji was just sent flying far from the scene and forced to see Usopp disappear in front of him.
And I am not saying that "not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew" but not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew.
Not to mention that we can't deny (right after Water 7/Enies Lobby) that Usopp is one of Sanji's strongest bonds within the crew. This specific scene focusing on them both is more than enough to prove it.
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Sanji seeing Usopp disappear in front of his eyes without being able to do anything to save him.
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Remember what I said about Sanji needing help to stand up seconds ago? Well. This is him the moment Usopp disappears. What adrenaline and the power of love do to a mf.
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They are so "I can lose everything, but not you. Oh God, not you" shaped.
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puppyeared · 9 months
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The garment, worn by those in good standing with Hyrule royalty, has been reworked with the latest improvements, such as a new shoulder guard.
#I miss my wife tails. I miss her a lot. I’ll be back#I love the champions leathers design but the story behind it is so sweet too like. she wanted to thank him so she went and#got some improvements added to it?? and she wanted to see his face when she surprises him with it hello?????#I think my favourite part is the half chest just for angst. I like imagining she was very particular about the armour placements#and had a chest piece added because yknow. right over the heart might I add#originally I wanted this to be more angsty but halfway through I was like wait this would completely miss the point#in my mind the armor isn’t just ‘I don’t want you to die again’ but also ‘I want to keep you safe as best I can’#in her diary she was like links armor is wearing down so you know what? I’m gonna add more armor to better protect him!!!#and with her upbringing in mind (and the conversation she had with him about whether he would still choose to be a knight if things were#different) she could have totally asked him to stop doing it altogether. but she made the armor for him instead#sidenote she also got to be a teacher and scholar like she wanted and that is so. dont look at me I’m crying#I don’t know if ANY of this makes sense I’m just rambling. yes I wear the champions leathers every chance I get why do you ask#btw if you squint the leathers chainmail and sweater are taken from the hylian armor chestpiece! slightly modified on the tunic but cool#my art#myart#tears of the kingdom#totk#totk spoilers#totk zelda#totk link#botw spoilers#botw#breath of the wild#loz#loz fanart#comic#tw blood#blood
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sunbloomdew · 9 months
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19yo baxter my worstie <33 (pls i love him sm)
my moot @maybeanartist02 told me that baxter reacts in a pretty interesting way if you tell him that you volunteer and this is one of the things he says. pls his reaction is everything, it's so fun skfhskjfshsdfjs just when i think i know everything about baxter ward i learn 5 new things in one playthrough,,,
i've been thinking about this line for days so i had to get it out of my system somehow (o/////o " ) this started out as a simple doodle omg
clothes ref i found on pinterest below!
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i'm sorry but im an eye shirt hater. i don't like (to draw) it,,
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samanthamulder · 10 months
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THE X-FILES (1993-2018)
SEASON FOUR — The truth will save you, Scully. I think it'll save both of us.
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dootznbootz · 6 months
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Odysseus was afraid the entire year on Aeaea in the Odyssey.
Content warnings: Rape, Sexual Coercion, Sexual assault, Sex Work, power dynamics, this will also be long as fuck as I talk too much. This is NOT a "Circe the Goddess Hate Post". I call her out but that's it. I tried to keep this neutral but still making a point (Let me know if I gotta put more)
Lots of lovely folks on here have written great essays on what Calypso did to Odysseus as it's soooo blatantly obvious there. It literally states how he cried every day and how he flinched from Calypso, very straightforward on how he was explicitly raped.
But I've noticed that a lot of people are always iffy about Circe's situation (understandably so, it's not so in your face.) She's usually always mentioned in the "Odysseus never cheated! He was raped!" posts but then the evidence is only ever given against Calypso, and then mentioning how you can't say no or disobey the orders of an immortal and how it was in exchange for freeing his men.
WHICH IS ALL CORRECT!!! But!!!
There ARE immortal/mortal couples who genuinely love each other. Dionysus and Ariadne, and Eros and Psyche are examples. Apollo and Hyacinthus. Psyche indeed becomes immortal eventually and in some versions, both Hyacinthus and Ariadne do too. But even while mortal themselves, their immortal lovers still remained respectful and loving towards them and definitely doted on them. There are definitely power dynamics at play here but there's some nuance.
Odysseus and Circe's relationship, however, is very different. We all know he slept with her at the very least once. And that was in exchange for his men being returned to humans. That was the only time it was explicitly stated. With Calypso, it tells you every night he was enchanted and slept beside her. It was the narrator speaking but Odysseus is the narrator now and it's his story. If you think he lied, this probably won't change your mind anyway.
But even if it was a one-time thing, (which isn't the only interpretation and I will have points that talk about others) then why did he stay a year? What was he doing?
I'm doing a deep dive into the year he spent on Aeaea based on evidence in Book 10 and then the beginning of Book 12. Step by step, and honestly I'm writing this for Tumblr, not as a thesis so I will be a bit more casual but still using sources. To me, it's very obvious that he was uncomfortable throughout the text simply based on the language that is used. But it's very subtle and not an outright statement of "He's been crying every day."
BTW, just so we're clear, this is not a "Circe is the root of all evil, etc." type of post.
This isn't meant to villainize her. She's an immortal being and in mythology that changes things. Everybody is morally gray. I genuinely think if we were to ask her feelings on it, she'd probably be like "Oh, yeah! Turned his men into pigs! Strange little man he was." I don't think she gave a flying fuck.
I just simply get pissed tf off when people think Odysseus was fine. It honestly disturbs me how often I'll go on other websites YouTube and see everyone call him a whore and a womanizer. It's sexism at its finest because 1.) "MaN AlwAyS wAnTs sEx" and 2.) women can't rape/coerce. THIS IS SIMPLY TO LOOK INTO HIS FEELINGS ABOUT IT.
This is also only for Homer's Odyssey, using different translations. If you want to discuss this, (I'd be happy to! Just be nice!) DON'T BRING UP ANY OTHER WORKS.
With all that out of the way, come yell with me 🤗
I've read multiple translations, as I know there's going to be bias depending on who's translating. And having done so, each one has basically the same situations described the same so that's nice for consistency. Also, there are some parts in the story that are vague and that we'll never have answers to.
Odysseus first simply sees the smoke from her chimney and then sends his men in, after drawing lots Eurylochus leads half of the men to check out the house. I mentioned here vaguely how the 2 immortals he sleeps with are both introduced while singing and weaving, which could be seen as an enchantment (which to me is most likely. They both possess magic and are goddesses). So I'm just gonna move past that. Just take a peek and come back or just know that enchantment was likely.
Next, I'll see people often joke on Tumblr about how
"Odysseus says that Polites is his best friend yet only mentions him once!"
I think Odysseus mentions his best friend, the one to jubilantly go in first, to show WHY he would go through with this. How much these comrades mean to him. That's his best friend, and there are approximately 20 others who are now pigs as well. Could you knowingly leave one of your best friends to live a life like that knowing you could've done something?
[...]Circe—and deep inside they heard her singing, lifting her spellbinding voice as she glided back and forth at her great immortal loom, her enchanting web a shimmering glory only goddesses can weave. Polites, captain of armies, took command, the closest, most devoted man I had: ‘Friends, there’s someone inside, plying a great loom, and how she sings—enthralling! The whole house is echoing to her song. Goddess or woman—let’s call out to her now!’ So he urged and the men called out and hailed her. She opened her gleaming doors at once and stepped forth, inviting them all in, and in they went, all innocence.
(Fagles, Book 10)
In the Odyssey, it's never mentioned why she turns people into animals. I think they were turned into pigs because, throughout the Iliad and Odyssey, Odysseus is often associated with boars. His men are associated with him, therefore: 🐖 Piggy. From what we know, the lads were just eating her food. With how much Xenia and hospitality are a large part of the story, they probably thought they were safe. They were GUESTS. This is especially welcome after the Cyclops and the Laestrygonians. And it literally says "All innocence". They were simply naive.
Then Eurylochus runs back, so terrified that he couldn't speak at first. He then begs Odysseus to just leave the men behind. Odysseus has shown that he does TRY to save his men when it is truly not reckless to do so.
But I shot back, ‘Eurylochus, stay right here, eating, drinking, safe by the black ship. I must be off. Necessity drives me on.’
(Fagles, Book 10)
Then the famous warning from Hermes. I've seen folks bring this up when talking about this. YES, he is literally commanded by Hermes to not refuse her if he wants his men back in basically every translation. It sounds like Circe was warned as well. When? We don't know, but it sounds like Hermes didn't pick "sides" here.
Strange that he was still like, "Sleep with each other" to both, because he could've been like, "Circe, there's this guy named Odysseus. When he comes to this island, change his men back." But who knows, maybe it was Circe's idea from the beginning and Hermes went along with it. Just food for thought.
Now here’s your plan of action, step by step. The moment Circe strikes with her long thin wand, you draw your sharp sword sheathed at your hip and rush her fast as if to run her through! She’ll cower in fear and coax you to her bed— but don’t refuse the goddess’ bed, not then, not if she’s to release your friends and treat you well yourself. But have her swear the binding oath of the blessed gods she’ll never plot some new intrigue to harm you, once you lie there naked— never unman you, strip away your courage!’
(Fagles, Book 10)
But that doesn't explain why he was there for a year afterward! Nor if he himself was okay with it, which is what I'm trying to delve into as he wasn't.
Also the knife thing? She's still immortal. It was meant to startle her. Her dad is Helios. Odysseus would've been toast, literally.
Also note this exchange wasn't a "Yippee! Hermes says I'm going to get laid!".
...just approaching the halls of Circe, my heart a heaving storm at every step, paused at her doors, the nymph with lovely braids— I stood and shouted to her there. She heard my voice, she opened the gleaming doors at once and stepped forth, inviting me in, and in I went, all anguish now …
(Fagles, Book 10)
Another translation by Ian Johnston, (they all say the same thing essentially but trying to make a point.)
I continued on to Circe’s home. As I moved on, my heart was turning over many gloomy thoughts. After I had walked up to the gateway                                                of fair-haired Circe’s house, I just stood there and gave a shout. The goddess heard my voice.                      She came out at once, opened her bright doors, and invited me inside. I entered, heart full of misgivings.
HE👏WAS👏SCARED! The tone is solemn and suspenseful. He was just told that without Hermes' help with the root, he wouldn't be able to survive and bring back his men. Circe was dangerous.
He made her swear not to harm him.
Straightaway she began to swear the oath that I required—never, she’d never do me harm—and when she’d finished, then, at last, I mounted Circe’s gorgeous bed …
(Fagles, Book 10)
Please note that she NEVER promised that to his men. His comrades did NOT have moli in their systems. He had no way of truly ensuring their safety in any way from Circe.
He then refuses to eat or speak, literally "lost in grim forebodings". If he "just got laid", then why isn't he happy? Not many men can say that a goddess CHOSE to have sex with them. He did it to get his men turned back. It was an exchange. I don't think Circe is "Evil" so maybe it slipped her mind. Or yes, she could've thought, "Hey, I got what I wanted. He's handsome enough. Homer never shuts up about how hot this guy is He hasn't brought up the pigs yet. I'll just let this play out. Maybe HE forgot. I don't have to do anything." We don't know. But Odysseus probably felt like he got deceived.
"Hey, I did my part of the deal. I slept with you. Now do yours."
She pressed me to eat. I had no taste for food. I just sat there, mind wandering, far away … lost in grim forebodings. As soon as Circe saw me, huddled, not touching my food, immersed in sorrow, she sidled near with a coaxing, winged word: ‘Odysseus, why just sit there, struck dumb, eating your heart out, not touching food or drink? Suspect me of still more treachery? Nothing to fear. Haven’t I just sworn my solemn, binding oath?’
So she asked, but I protested, ‘Circe— how could any man in his right mind endure the taste of food and drink before he’d freed his comrades-in-arms and looked them in the eyes? If you, you really want me to eat and drink, set them free, all my beloved comrades— let me feast my eyes.’ So I demanded.
(Fagles, Book 10)
He doesn't trust her despite what she had told him that he should when they sleep together. He has figured out that while she will not hurt him, his men were not a part of that oath, the men he was trying to protect in the first place.
She is then moved by how they rejoice when they see one another again. While turning people into animals for funsies isn't cool and coercion is fucked up, I think she comes to see this group as not quite friends but I think she did find them entertaining in a way.
This is very strange but I've seen some folks say that since Odysseus was pissed at Eurylochus for still not believing him about Circe is proof that "Oh he was trying to defend her!". Which??? Uh, Eurylochus was literally questioning his leadership as a whole. Calling him reckless and shit. He is captain and he's the King, he can't let that shit slide. The text literally says "Mutinous". Also if I had to sleep with someone I did not want to especially if it was to save my friends and I got called names afterward I'd get fucking pissed too.
Only Eurylochus tried to hold my shipmates back, his mutinous outburst aimed at one and all: ‘Poor fools, where are we running now? Why are we tempting fate?— why stumble blindly down to Circe’s halls? She’ll turn us all into pigs or wolves or lions made to guard that palace of hers—by force, I tell you— just as the Cyclops trapped our comrades in his lair with hotheaded Odysseus right beside them all— thanks to this man’s rashness they died too!
They stay a year. Again it's never stated that Odysseus slept with her that whole time. You could interpret that. (Honestly, I feel Circe would get bored with him? She's a goddess, she's got more important matters than mortal men. And she definitely doesn't love him.)
His men DO have to bring it up that "Odysseus has forgotten his native land." Maybe they thought they could sneak out without her knowing??? I am fucking REACHING but hold on as Telemachus did because he knew Nestor would well, be Nestor and try to coax him with "Have a meal with us! Let me tell you about how badass I used to be in my youth." But to sneak away from a goddess? Without her permission? That won't end too well. Aeolus in the beginning kicked out Odysseus when he tried to ask for another bag of wind. If she didn't want him around, she could literally boot him out. While she didn't force him to stay like Calypso did, she didn't "release" him either.
We don't know if they've been asking for a long time. Odysseus does say to Circe that they have been begging him nonstop, but he could also be saying that to try and convince her. He's good at persuasion. I think while he knew he could rely on her for food, shelter, and good advice, he still didn't feel...SAFE with her. I think he was possibly avoiding her personally.
I think HOW he asks her to leave is important to know as well.
...but I went up to that luxurious bed of Circe’s, hugged her by the knees and the goddess heard my winging supplication: ‘Circe, now make good a promise you gave me once— it’s time to help me home. My heart longs to be home, my comrades’ hearts as well. They wear me down, pleading with me whenever you’re away.’
(Fagles, Book 10)
Throughout all of Homer's works, the characters grasp another's knees when they are desperate and are literally at the other person's mercy. Priam did when begging Achilles for Hector's body back. The man who literally killed his son and was defiling his body by dragging it around. Leodes grabs Odysseus' knees to beg for his life before Ody kills him. If he saw her as a friend, and not a captor, WHY DID HE FEEL THE NEED TO BEG IN ORDER TO LEAVE?! No one, who is in a healthy relationship, has to BEG for permission to leave. Or to "Break up", if you interpret them as still sleeping together.
And even Circe acknowledges that he is there against his will!
‘Royal son of Laertes, Odysseus, old campaigner, stay on no more in my house against your will.
(Fagles, Book 10)
[...]Odysseus, man of many resources, scion of Zeus, son of Laertes, don’t stay here a moment longer against your will
(A.S. Kline, Book 10)
This is probably another reach that you can ignore but the whole "they wear me down", could be trying to appease her. "Look, you're REALLY cool, it's actually my crew that wants to leave hahahah please don't kill them"
I mentioned before how Telemachus snuck away from Nestor but that was simply out of necessity because he needed to go home now. Not rest for the night. NOW. Nestor is just everyone's grandpa. Menelaus kind of talked more but Telemachus is very straight up in "Please I have to go now" and Menelaus immediately got things ready for him. He never has to beg and clasp his knees. Telemachus was never afraid. Menelaus is a fun uncle and Helen is your cool auntie.
Back to Circe! She tells him instructions for the underworld, they were in her bedroom. But that might've been the only way to speak with her. As even Penelope is usually away from the suitors when they are in her halls, Circe may have done the same. The text never states she played hostess physically. If she was hosting in the halls during the day, why did Odysseus wait until night to talk to her? He could've just asked her while she was on her throne in front of everyone. (He did so with the Phaeacians)
Or maybe he went alone because she only swore an oath to not harm him and so he didn't want his men near if she decided she didn't want to let them go. I could be missing something here so feel free to say something. Idk if this was a pride thing on how "I don't want others to see me beg".
She has info he needs in order to go home as well. She tells him to go to the Underworld.
She gave him new fine clothes and put on pretty clothes herself but that doesn't mean they had sex. Nausicaa gave him nice clothes as well but he never slept with her.
Then he leaves. Immediately. Not even doing a headcount as he didn't realize one of his men had died. (That was negligence on his part but he wanted out) He booked it, to the UNDERWORLD BY THE WAY. Circe even had to sneak the animals he needed for the sacrifice. Odysseus even basically said "She's a goddess. She can do things mortals can't" at the end of the book. And it almost feels...Numb? Solemn? Neutral? Gives a "It is what it is" vibe.
But Circe got to the dark hull before us, tethered a ram and black ewe close by— slipping past unseen. Who can glimpse a god who wants to be invisible gliding here and there?
(Fagles, Book 10)
She’d slipped past us with ease, for who can see a god move back and forth, if she has no desire to be observed?
(Johnston, Book 10)
She's a goddess. She has magic. She can do whatever the fuck she wants.
NOW ON TO BOOK 12!!! That was long! GET A SNACK AND WATER! LUCKILY THIS'LL BE SHORTER!
In Book 11, Odysseus swears, upon all his loved ones in Ithaca, to Elpenor that he'd give him a proper burial as he's been "unwept, unburied". So in Book 12, he sails back to Aeaea to fulfill his promise.
But you know what's funny to me?
He didn't tell Circe he was there.
He didn't even go to greet Circe himself. He sent his men to go get Elpenor's body.
The biggest clue that he didn't love/trust her is that if she was his "Affair partner" then why not go see her for "one last night together"?
SHE came out herself and pulled him aside to know what happened and then gave more advice.
I dispatched some men to Circe’s halls to bring the dead Elpenor’s body. [...]
Nor did our coming back from Death escape Circe— she hurried toward us, decked in rich regalia, handmaids following close with trays of bread and meats galore and glinting ruddy wine. [...]
But Circe, taking me by the hand, drew me away from all my shipmates there and sat me down and lying beside me probed me for details
(Fagles, Book 12)
In every translation, it talks about how he sits, and she lounges/lies down. That's not sex 🙃 In some translations, it even says he tried to be with his shipmates but she pulled him away!
So we lay down and slept beside our ship’s stern cables. But Circe took me by the hand and led me away, some distance from the crew. She made me sit, while she stretched out beside me on the ground. 
(Johnston, Book 12)
Then, she gives advice about the sirens, Charybdis, Scylla, and her father's Cattle. He tries to ask if he could save all his men. She scolds him for even thinking he could try. He again books it out of there.
I think we all know it wasn't "love". But I think a lot of people think Odysseus was willing and happy with whatever this was. "Friends with Benefits", if you will. I guess you could see it that way but I will say that makes me feel itchy with the whole power dynamic and fear. I don't think folks who have that arrangement have to beg on their knees to ask if they can leave though.
I mean the entirety of Book 10 gives me the vibes of "Laughing uncomfortably because you don't want to upset the other person". To just grin and bear it.
A lot of this was just putting the text here and picking it apart step by step. What you do with this is up to you. It's rambling while banging pots and pans together.
Maybe you see him as drugged the entire year and still sleeping together, as the moli "wore off". Even then, just because her magic can't affect him, there are plenty of natural concoctions that can be created that can affect mortals.
Maybe you see the entire year as sex work in exchange for shelter and food.
Maybe he was just alongside his men the whole time under her roof and was avoiding her after the exchange. After he got asked by his men to finally leave, he would start to walk up to that room only to freeze and turn around, thinking "One more day won't hurt. Should wait until I know she's in a sympathetic mood".
I beg of you, however, PLEASE understand that there was fear and coercion throughout his entirety on Aeaea. He wasn't staying to get laid. While there is so much going on and too many things that are left vague to really know exactly what happened, it is consistent that he was scared/numb. Lots of people go through with things they don't really want to do just to appease others. There are plenty of situations of sexual trauma where one person goes through something and the other has no idea the other person isn't okay. ESPECIALLY WHEN SOMEONE CAN HARM THE PEOPLE YOU CARE ABOUT AT ANY MOMENT!
Sexual trauma is a very complicated thing and while he was scared, he definitely wasn't as traumatized by her as he was by Calypso. Calypso was a torturous hell while Circe was a year of walking on eggshells. Not comparable but I still think it should be acknowledged. It's wild because I read the Odyssey and kept thinking "Y'all are calling the sex slave a cheater? The guy who slept with a goddess to get his men back? The ultimate simp apparently doesn't love his wife??"
Things I'm adding that shouldn't affect the argument as it is not in the Odyssey but I want to mention as it's a "fun fact": Odysseus' dad was an Argonaut. Laertes probably met Circe as well, (or knew of her) with the whole purifying thing and maybe Odysseus heard his dad tell stories of her. Later myths also have Circe with the habit of turning her crushes (or their lovers) into something with Scylla and Picus.
In conclusion, Yeah, he was afraid of her. At least to an extent. And don't pull the whole "Ancient men didn't get raped". Male victims exist and deserve compassion for what was done to them and women are capable of sexual abuse. If you think otherwise, you are not a true feminist and Fuck you. I said in the beginning this'll be casual and I don't wanna write a fancy ending. You can still think Circe is neat but you have to know that this was fucked up.
If you think a lot of this is bullshit or wanna give more context or wish to yell with me but still know he wasn't alright on Aeaea, cool. If you want to point out mistakes or something I should keep in mind with interpretations then feel free to say so but give text evidence. If you try and bring up the Telegony and/or Madeline Miller's Circe, fuck clean off. This is Homer. If you call Odysseus a whore and not the malewife he canonically is I'll start biting. 😤
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bylertruther · 2 years
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people who think will byers hates himself for being gay when will byers is one of the very few characters on the show that has refused to change himself to fit anyone else's idea of what he should be despite the fact that people, including his own father, have been harassing, bullying, and abusing him for it literally his entire fucking life are just...... so weird.
will's entire POINT is that he will survive and brave whatever you throw his way against all odds and come out on the other side of it still clutching on to his sense of self and hope that tomorrow will be a better day. the entire point of his character is that he loves what he loves without apology or shame.
he sings "that weird song he loves" in the middle of hell because it reminds him of his brother and offers him comfort in a place where there is none. he creates art because he loves it and doesn't care if it isn't something boys do, then he gifts it to his friends because he loves them and wants them to know it, too. he loves dnd and writes campaigns and dresses up for them because they bring him joy and he just wants to spend time with his friends even if they think they're "too cool" for it now.
he knows that sometimes it's harder than it should be to be gay in a homophobic society and has been harassed for that literally his entire fucking life it's LITERALLY how they introduce him to us not even twenty minutes into this fucking show and YET !!!!!!! he doesn't back away from that. ever.
he gets picked on for his clothes, but he doesn't change them. he gets called names, but he doesn't make any attempt to conform. his best friend, the boy that he's in love with and his very first friend ever, tells him it isn't his fault that he doesn't like girls and shamefully asks him if he really thought they were going to play games together in his basement for the rest of their lives and never get girlfriends, and what does will do?
he says yeah. i guess i did. i really did.
will faces all of that and goes to a new place where he has the golden opportunity of a clean slate, and what does he do? when assigned to do a presentation on his hero... he picks alan turing of all people. and when his brother later on tells him that he loves him no matter what, essentially giving him the It's Okay To Be Gay I Love You So Much And Always Will talk, still there is no denial on will's part here either.
will has NEVER, EVER denied being gay. he has NEVER tried to change that part of himself. he has ALWAYS stood tall and braved another day even when it was scary and hard. he has ALWAYS remained true to himself even though that has only ever made his life that much harder.
he said that sometimes he feels like a mistake for being so different from other people, but that being loved and accepted makes him feel like he isn't one at all and like he's better for being different and that gives him the courage to fight on.
literally what the fuck are you guys on about when you talk about will being self-hating for being gay. where is the canonical evidence for that? and more than that, why are you so keen on throwing away all of his acts of bravery and the sheer fucking strength of character that he's had since the very beginning? it would've been so much easier for him to conform, to be the "man" that everyone has always pushed him to be, but he doesn't ever do that. he stays true to himself no matter what. so, again, where the hell are these self-hating receipts?!
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nehoteika · 1 year
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maybe i feel like i lost you or something
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uncanny-tranny · 9 months
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I think it can be true that certain lifestyle changes can help with pain and disability, but people really overplay how those changes will affect people's lives.
I've found that exercise has helped my back pain - I have had chronic back pain that PT didn't touch, but exercise has helped. However, what hasn't changed is what exasperates that pain, and when my pain is especially exasperated, it doesn't matter how much I exercise, I'll be in my bed trying so hard to get out, and I'll be seeing white. So, yes, exercise helped me, but it did not save me. That's an example of what I mean.
It's fine to give (solicited!!) advice to people about how to manage things like this. But I'm begging people to be realistic about this. Lifestyle changes can only do so much, and disabilities are - surprise! - disabling.
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rawliverandgoronspice · 9 months
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behold: my least favorite string of words in the entirety of Tears of the Kingdom.
#totk critical#totk#tloz#gerudos#when will my brain return from the imprisoning war....#I just stumbled upon it again doing research yesterday and....#there's so many layers as to why it aggravates me#that it's spoken from the perspective of a masked woman as to embody all gerudos while removing her own identity#in the context of her loyalty to rauru as well#that giving birth to a bad man makes you responsible for his actions (he's not a toddler anymore he's an adult ok)#or more metaphorically that your initial conflict with hyrule makes you Sinful and cursed and you must Feel Bad Now *shame shame*#that she's passing on that ageless guilt with no expiration date onto the shoulders of *a teenager* and it's considered GOOD???#(wind waker shaking crying right now)#ALL OF THAT to prop her up to swear her loyalty to the people planning to go murder their ancient king (sure he's a Bad but still???)#using some sort of weird ass original sin scenario that is arguably not any gerudo's fault but Ganondorf's#(or if it is then it's not shown so ???)#the vibes are so so so off I just really !!!!! don't like#this is stuff like this that makes me reject that it's a good story about alliances being formed in good faith#because this is just manipulative#maybe the alliance angle everyone's stronger together was the intention but the execution is another story entirely#gerudos never benefited from ganondorf's actions also#so it's not even a case of making reparations for the way you benefit from systemic oppression due to your ancestor's actions#gerudos won literally nothing in ganondorf's war#apparently he even subjugated them if they weren't on his side (like.... a king would.... not to excuse it but the double standard here)#so it just instrumentalizes the ageless sin of motherhood + suffering under a bad monarch billion of years ago for war#so uhhh.... yeah that's not... that's pretty bad imo#the gerudo girl could have went “hey girl this man used us and still hurt us to this day let's kick his ass once and for all”#and this would have been a different story entirely#a little cheap but not.... That Bad
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spacedlexi · 2 months
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the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭
#twdg#i love the way s4 connects back to lees whole 'murderer' thing back in s1 😭 guilt...atonement.....systems of punishment#i love thinking about s1>s4 themes and crying#anyway this is partially why i hate when i see the ericson cast reduced down to 'just some teens' its so much more than that#them being abandoned in a boarding school for troubled kids is SO IMPORTANT its not 'just some school'#anyway its also probably why theyre my favorite cast#theyre literally one of if not the most mature group of the series even while being a bunch of kids who make choices i dont agree with#because they actually love and care about each other. even when theyre mad. because theyre all they have left#i do think the vote was a fair way to handle it even tho i still ultimately find it cruel. they couldve talked it out#but this is still a story that needs conflict to resolve so is what it is#they would rather they leave than have to face their confused feelings. the most immature thing they do. but understandable#they did such a good job crafting that cast for clem GOD an entire ensemble built around her and aj....delicious#zombie/post apoc media about love and community my beloved 😭#sorry but get tf out of here with that 'humans are evil and everyone dies' lame ass bullshit we are nothing without community#the amount of love pouring out of s4 is like getting my ass kicked but then they give me a big hug and kiss after and send me on my way#s4 my absolute beloved i really love it more and more every time. so much to appreciate even with it the way it is#the themes bro the themes........ the connections between seasons 1 and 4 you are everything to me#it speaks
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Being on The Clone Wars Tumblr for the first time ever.
First of all, Codywan is slay!
But since when do we simp over Fox!? I thought in 2014 we all simultaniously agreed that we hate him because he shot Fives?! Da fuck!
Disclaimer: I do not mean to attack anyone with this post, i am sure you have your reasons. Please enlighten me.
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jesse-cosay · 1 year
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Last time I went to grab screenshots I noticed/remembered some of the unspoken stuff Lake did around the map car/toad car and it's killing me again.
As soon as the flecs appear Lake pushes Jesse behind them.
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Arguably he could be in their way, aside from the fact that it keeps happening.
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When they get to the door Lake picks him up. Jesse isn't the one the flecs are after, he's of no use to them and he isn't close with Lake yet. They could leave him. They should.
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It would have been just as easy to push him out the door instead of pulling him into the room. But the point is that despite having moments before said this-
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"So are you just gonna keep him now? Or what. 'Cause I kind of just wanna hang out with this deer."
Lake wants to keep Jesse with them. Even though they don't know each other well. Even though it'd be easier not to have him around or explain.
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Look at the soft smile they get after Jesse gets excited about traveling with them! THEY SAID THEY DIDN'T WANT THIS AND YET- JESSE BEING EXCITED ABOUT SPENDING TIME WITH THEM CLEARLY DOES MAKE THEM HAPPY!
The truth is simple. Lake has always wanted a friend, and to be known. They're just scared of losing that person or them potentially turning on them.
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variousqueerthings · 6 months
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VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect
so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent
and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended
but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),
except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)
and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending
rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...
and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)
I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?
and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her
and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out
(also something about both of their mothers being their anchor-points)
there's something there that's at the centre of both rose's and martha's arcs:
is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?
they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way
it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there
opposite sides of the coin, rose tyler and martha jones
I do wish they'd had space in the story for them to talk
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andromeda3116 · 1 year
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in network effect... it's probably going to be a small moment... but when they're trying to escape the hostile planet with art's crew...
and thiago goes back for seth
like.
these are total strangers. they barely even know art. they know nothing of its crew. they got dragged here entirely against their will. they have absolutely no emotional connection to these people whatsoever, except that they are also people, and they need help, and one of them has fallen behind.
and so thiago goes back to save someone he a) has never met before, b) probably doesn't even know the name of, c) has absolutely no emotional connection to, and d) was basically conscripted into coming into horrible danger to find, when he e) had every reason and excuse not to.
he could have kept running. he was leading the others to safety, he could have leaned on that excuse. he had nothing to gain from going back, and quite possibly very much to lose.
but he went back.
because humans, at our best, are the ones who go back for each other. even when it's objectively stupid. even when there's nothing in it for us.
not everyone will do it, but enough will. enough to be a defining trait of our species: we're the brilliant idiots who run into danger to save the wounded and bring each other out to safety. even if we don't know them. just because they can't get out on their own.
that's why it's such a Big Thing in stories when a character doesn't go back -- because this is ingrained into our dna. we have come this far because we build communities. because we build upon one another. because we go back for our wounded even when it's dangerous and we could have gotten out safely and we don't even know them. that's why it's a marker of an evil person or a horribly fraught ethical situation in stories. because that is not who we are. we are not the ones who leave someone behind.
i just. i love what these books say about the nature of personhood and intelligence and love, but i also love what they say about humanity. we're not all bad. we're not our worst impulses. we are the ones who care about a sentient robot because if it can think, it's not a thing, and it deserves to be treated like a person, even if it doesn't want to be a human.
we are the ones who care. that's what makes us human.
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