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#theyre literally one of if not the most mature group of the series even while being a bunch of kids who make choices i dont agree with
spacedlexi · 2 months
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the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭
#twdg#i love the way s4 connects back to lees whole 'murderer' thing back in s1 😭 guilt...atonement.....systems of punishment#i love thinking about s1>s4 themes and crying#anyway this is partially why i hate when i see the ericson cast reduced down to 'just some teens' its so much more than that#them being abandoned in a boarding school for troubled kids is SO IMPORTANT its not 'just some school'#anyway its also probably why theyre my favorite cast#theyre literally one of if not the most mature group of the series even while being a bunch of kids who make choices i dont agree with#because they actually love and care about each other. even when theyre mad. because theyre all they have left#i do think the vote was a fair way to handle it even tho i still ultimately find it cruel. they couldve talked it out#but this is still a story that needs conflict to resolve so is what it is#they would rather they leave than have to face their confused feelings. the most immature thing they do. but understandable#they did such a good job crafting that cast for clem GOD an entire ensemble built around her and aj....delicious#zombie/post apoc media about love and community my beloved 😭#sorry but get tf out of here with that 'humans are evil and everyone dies' lame ass bullshit we are nothing without community#the amount of love pouring out of s4 is like getting my ass kicked but then they give me a big hug and kiss after and send me on my way#s4 my absolute beloved i really love it more and more every time. so much to appreciate even with it the way it is#the themes bro the themes........ the connections between seasons 1 and 4 you are everything to me#it speaks
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on ch 82 and what the hell is the deal with phos
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super long wall of words ahead, you've been warned. also, im not qualified to discuss the emotional effects of trauma, so please correct me where im wrong and don’t hesitate to add on this post
contains an analysis of phos’ character arc, explanation on why and how they snapped and what might happen to our child next:
1. genki phos 2. post winter phos 3. laphos 4. on trauma 5. on snapping 6. speculations about the future
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so, first things first, I could not help but notice the sheer number of parallels between this chapter and other significant points of the story. it seems to me that parallels are becoming more and more frequent as the moon arc goes on, and that’s not just because there are simply more chapters to draw parallels from as the story grows in size.
I believe that we’re at a turning point in the story, or even that the turning point has been reached, (aechmea telling barbata to fix phos for the umpteenth time is most likely going to give phos the last treasure, but ill get to it).
so, to try and understand what in the seven hells is going on with our baby at this point (the fandom collectively adopted phos since chapter 2, sign the papers if you haven’t already and donate to the fund to send phos to therapy) let’s retrace phos’ character journey.
1: genki phos
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the phos who is too good for this world, too pure, the cinnamon roll who has no idea what the hell is gonna happen to them. oh joy.
hnk sets off as a coming of age story. phos is the youngest, they’re seemingly useless in a society that values usefulness above anything else so genki phos is initially driven by lack of purpose.
i’ve speculated already on the characteristics of the lustrous society, a society that emphasizes sameness over difference and that has no place for outcasts like phos and cinnabar. your value, in lustrous society, is dictated by how much and in which way you can contribute to the survival of the species, with elite fighters (the diamonds) being at the apex of the social pyramid and everyone else coming after.
additionally, while gems live in a highly interdependent and close-knitted society, such interdependence never takes into account emotions, loss, imagination, introspection and free-thinking. the society is extremely practical, apathetic, immobile, and everyone is expected to conform to that.
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think about antarc: they’re the poster child of lustrous society: a 3 mohs hardness gem who managed to become an elite fighter out of sheer willpower, who’s blindly loyal to sensei, who sacrifices themselves for the greater good (the group’s interests > the individual’s interests), that does little if any introspection and that is happy about all of this and wants to leave it this way.  
phos isn’t like this at all.
since the very beginning of the series we learn that phos is an anomaly. and that’s okay, other gems have been anomalies, like padparadscha, cinnabar, even antarcticite, but while those gems found a way to tip toe to the margins of lustrous society to remain unobtrusive exceptions, or forge themselves into proper, useful members of the group, phos cannot do that. which is ironic, because we know that one of phos’ core characteristics is that they’re able to change and to bring about change in a world that is as immobile and still and stiff as… well.. rock.
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like @ruddy-rutile​ pointed out in a past analysis, phos’ problem wasn’t so much that they didn’t fit in, but that they didn’t fit in the appropriate way: they’re emotional, they’re loud, they’re unreliable, they’re not apathetic. they’re kind. compassionate. imaginative. and imagination is something the other gems lack.
this fuels a deep sense of self-hatred that even at this early stages of the story is lying just beneath the surface and oozes out quite easily, like when phos wants to help ventricosus and mumbles that it’s no problem if they die in the attempt, they’re a good for nothing after all, what difference would it make if they dont come back. at least they were able to help someone, contrary to how they were unable to help cinnabar.
this is the leitmotif of the series: phos is a kind, selfless gem who cultivates a deep sense of self-hatred. the internalized pressure and need to feel useful turns into a necessity for change. they need to save cinnabar, they need to save ventricosus, they need to become a fighter, they need to help sensei.
contrary to most of the other gems, phos loves and loves openly and unconditionally, they’re self-less by nature and that selflessness is a barrier that hides the real reason theyre so ready to put their life on the line for other people: the fact that phos thinks that their own life isnt wort a scrap.
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as someone who believes to be worthless, guided by shame and guilt just for being alive and fueled by a deep desire to feel loved and accepted (just like a child), phos is unable to cope with grief and emotion if not by guilt tripping themselves even further.
the fact that the amethysts were almost taken is their fault, the fact that cinnabar is suicidal is their fault, the fact that antarc was taken is their fault, same with ghost’s abduction. the only way phos knows to cope with this guilt is by doing what every other gem does: bury these feelings deep inside their head and throw themselves into work. be useful, like alexandrite, rutile or red beryl.
2. post winter phos
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what was a story about purpose, about phos’ coming of age, reaches an end at this very point, with antarc’s death. phos has become stronger at this point of the story, they have agathe legs and gold arms and they have grief to cope with, trauma.
just like alex’s job is studying the enemy and red’s job is making clothes, phos’ job is the one they originally desired for themselves: to fight. because there is nothing as valued as a good fighter in gem society and probably young phos unconsciously hoped to overcome self-hatred by taking on the most useful job there is.
post winter antarc is a skilled soldier, so skilled that bort wants to pair up with them. phos has reached their old goal: through loss and maturity, now they have a place within their society, they’re accepted and appreciated, valued but not loved. because these gems are so, so bad at emotions.
and this is where ms ichikawa begins to fool us all. she had us think that this story would be simple, but now hnk starts its steep and unrelenting detour toward existentialism and phos begins their dance toward madness and bottomless grief.
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post winter phos is a soldier, they can fight off lunarians, but theyre still blaming themselves for antarc’s death.
we already said that phos is a very emotional gem and they possess a fervid imagination (probably just like lapis). so what do they do? they start thinking. “maybe i can retrieve antarc if we collect enough pieces. if i can communicate with the lunarians. if i can understand why we’re fighting.”
thinking quickly turns into questioning: why are we fighting? why are we so weak? why am i different? what changed me? is it the new additions, is it just life experiences? can we change? how can we change? antarc told me i shouldnt shy away from life, so im gonna push myself further and further.
that’s when shiro’s arc happens and sensei seems to know something about it, something he won’t tell the gems. phos’ questions suddenly turn to him.
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phos is pretty much paranoid at this point of the narrative: they have experienced loss for the first time. consumed by guilt and grief for antarc’s recent abduction (even if phos still doesnt know what death means, we’ll get to that in a while), phos cannot think straight. they can’t be questioning the one authority every gem recognizes, the person phos and everyone else wants to protect, their leader, father, teacher.
phos feels like scum just for even thinking about it, as loyal and young as they are. and yet once you start questioning one minuscule thing about the way you have always lived your life, more and more will follow. it’s a cascade effect and it becomes faster the higher the number of questions, until you’re left with nothing but doubts and you must take into your hands the responsibility to find out for yourself.
this is more or less what happens to phos. they feel awful for doubting sensei the first time, in chapter 27, so they spill their guts to cinnabar, confessing their sins. but what cinnabar says does anything but put phos at ease: of course phos is doubting sensei: he’s shady, everyone knows.
however, while cinnabar is a quiet outcast, extremely prudent (and cowardly if you want) in the way they decide to face life, phos is the total opposite. they just needed a little nudge, they were already on the edge of a cliff of doubts and existential fears. cinnabar’s words are the second, big step that sets phos off on their path to the moon.  
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chapter 28 is when we see phos self-destructing because of this inner conflict for the first time, a pattern that will be repeated again and again the more phos loses sight of the truth, of a reliable something, a goal to cling onto and find direction.
it is ironic, because phos becomes a direction, a goal, the gems and the moon people’s hope (ch 59 and 72), but in doing so they have no hope left for themselves. let’s not forget that phos is very young by gems’ standards, not to mention in comparison to the moon people. how fair is to expect from a traumatized child to save the world and find answers to questions that run thousands of years deep and give phos nothing in return?
the pressure is enough to break phos and it does, quite literally, over and over and over again.
3. Laphos
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lapis’ head comes at a time when phos was literally no longer able to manage this pressure.
it brings a waft of fresh air, it brings what emotional, kind phos needed to detach themselves from grief: coldness, rationality. and yet, it takes something away from phos as well: laphos is the phos that can no longer talk with cinnabar, the phos that brings cairn to reject the gems altogether and launch themselves into their kin’s killer’s arms. laphos is the gems and lunarians’ hope for a brief time, then it becomes the enemy.
i find it interesting how phos feels responsible for goshe and morga’s abduction too, even if phos was unconscious when it happened. phos has no clear boundaries between themselves and the rest of the world. they feel responsible for everything and guilty for everything. whatever they do will never be enough neither to make up for their past mistakes nor to find everyone a clear sense of purpose, safety, truth.
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ichikawa plays with truth a lot. truth is that the lunarians are bad people and the gems must defend themselves, truth is that sensei is shady, truth is that the moon people are actually good, truth is that death is real, truth is that sensei is evil, truth is that cinnabar hates phos, truth is that the gems are evil, truth is that sensei is the only one that loves phos. who knows what the next truth will be, but can you call it truth, at this point?
if there is one point, i believe, that ichikawa is trying to make clear is that truth is subjective and that it changes, just like phos’ goal, the more knowledge you acquire and the more mistakes you make. truth is subjective but it must be sought after: you gotta keep fighting, you gotta move on even if you keep making mistakes, even if you cant undo your actions.
and another thing i think she’s trying to say is that you cannot make it alone. the moment phos tried to take it all on their shoulders, they moment they acquired lapis’ head, is the moment everything came crumbling down ten times faster than before.
and the most ironic part is that phos is still kind, even underneath that mantle of aloofness: they tried to do everything by themselves because they didn’t want to put anyone in danger, but in doing so they manipulated the gems just like aechmea. and aechmea knows and he’s been using phos for this.
4. Even more trauma
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running after truth and after newer and more nuanced goals, phos has completely lost sight of themselves.
where do their alliances lie? what about their history? phos wakes up in ch 72 after the night raid and immediately breaks into pieces because they’re reminded of how cinnabar attacked them, the one gem they thought was their friend. one of the few truths phos had been clinging to.
phos wakes up after the night raid and asks the enemy “to the lunarians i look like a gem and to the gems i look like a lunarian. what am i?”
they break into pieces because they still believe they’re useless. they couldn't save cinnabar, they couldn't save antarc, they couldn't communicate with the earth gems, they couldn't even see adamant.
this is reminiscent of the very beginning of the manga: phos needs to feel useful, they need a goal, they need to be good at something. and just like they were ready to get lost at sea forever to help ventricosus they’re ready to die for someone else’s cause (not even phos’ own because they have no idea what to believe in at this point) just to be of use. after all, to phos, phos is nothing more than a scrap.
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euc disagrees. ch 71 “we need you in our future” is a sentence that phos has probably ached to hear for centuries. “we need you. you are loved, you mean something, you are enough. you belong. we cannot build a future where you aren’t part of the equation. you matter”
and look at the way phos looks at euc. they can barely believe them and in fact they don’t. phos expresses some concern about dying (”after all, those less than 5 includes me”) but they still throw themselves into danger, they still take no care of themselves.
Phos’ self hatred and self-destructive tendencies run deeper than euc’s words could ever cut. those words meant well, but they were too little too late. phos thinks they don’t deserve this kind of hope, they  cannot understand it, cannot fathom a world in which they are true and so they will go on believing that they are alone and worthless. next time they go on earth, they’ll go alone and unharmed
it is ironic. they did so much, they went to the moon and back multiple times, put their life on the line multiple times, made more progress toward unveiling the truth about the lunarians and finding a way for them to be free of samsara than anyone else did in hundreds (presumably) of thousands of years. they did it by themselves. in barely three hundred years. that’s impressive. and yet it’s not enough for phos. in their mind, they just keep failing.
so what’s the big deal? they can sacrifice themselves, it’s the least they can do and no one will miss them after all. unfortunately, this is true, at least to some extent.
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im appalled by how little even the moon gems care about phos. they’re so self-centered it’s almost funny.
even alex, who has gone through loss and grief if not as much at least in a way similar to phos cannot find enough compassion in themselves to be concerned about phos’ wellbeing after a few months on the moon.
ive heard people mention how this could be a result of the moon people injecting who knows what into the gems or manipulating them someway or another, but i believe that there was no need to. phos is an anomaly after all, their kindness is an anomaly. the lustrous are little more than self-centered children: they are able of little if no introspection and they cannot process complex emotions like grief if not by shutting off those emotions altogether.
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the moon gems are still vaguely concerned about phos. in ch 76, when phos departs for earth for the last time, they do tell them to be careful and come back if things get bad, but they do little more than that. it’s little comfort and too little emotional closeness and by no means close to the huge amount of support and (emotional) assistance that phos needs at this point.
phos tries to make do with what they have: a will to end this war and the superficial words of what should be their family, but it’s not even remotely enough. and yet phos, just like any other lustrous, is very bad at introspection: they don’t notice or if they notice they repress it. what’s one more thing down the subconscious after all? it’s fine. phos can take it, until they can no more and they snap without having any idea that they will snap.
phos’ journey, which has made them increasingly more emotional, fragile and human (the last one quite literally) has also made phos even more alone than they were at the beginning of the story. more alone, with the same sense of worthlessness, the same urgency to be good for something or self-destroy, and so much more grief, trauma, guilt and repressed emotions.
5. snapping
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“I mustn’t think of anything” phos reminds themselves in ch 76. because thinking never brought anything good and because euc would see right through it. 
once again, phos is repressing emotions. here they go, trying to be a cold blooded killer, ready to betray sensei again, the one person who has been good to them and that phos tried to hate with all their heart but just couldnt.
as ive written in a previous analysis, one of aechmea’s lowest blows was to tell the gems he was exploiting and manipulating to reach a salvation he doesnt deserve that if the gems want to acquire freedom they must do so by themselves. talk about coherence. 
but that isnt all, he sinks even lower than this: he makes phos and the others question sensei’s affection for them. he says that sensei’s love is fake, it’s synthetic, the gems should totally make him pray or destroy him, no remorse, no strings attached. it’s such a dirty move.
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no wonder it confuses phos even more. phos believes it, or tries to, they say they want to break sensei into pieces, but after the night raid they realize that it cant be that simple. sensei never attacked them. he has always been good to phos. and phos feels even more worthless, more of a traitor for daring believe in love, in sensei’s affection, when here they are, on the lunarians’ side, ready to betray him again. 
how dare phos hope for anything? they dont deserve love, they dont deserve hope, they dont deserve happiness. they can try to give it to other people, they’ll kill themselves in order to do so, but they have no more hope and no love left for themselves, and they had so little to begin with.
as ive said, phos has little self-awareness and little introspection. i do believe that they had no idea they were going to snap until they did. even in ch 77, when sensei tells them he cannot pray, phos spends their last seconds of consciousness (before being attacked by all of the gems) to kindly ask him to pray. they dont care about themselves, but they dont reflect long enough to consider that reaching out to sensei like that could be interpreted as hostile by the paranoid earth gems. i think this is the first sign that phos is about to snap: they’re quite literally desperate.
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tired beyond measure and forced to spend 220 more years in isolation, broken into pieces scattered all over the island, when phos comes to their senses again once kongo reassembles them they’re beyond despair. this war is taking the last toll on them and phos has no more energy to go on.
“please,” they say “pray. do it for no one else but me. grant me mercy,” from one bodhisattva to the other. they’re still somewhat normal, but when sensei fails to pray again phos can’t take it anymore. desperation and rage, fueled by hopelessness, worthlessness, grief and exhaustion make phos launch themselves against sensei, which, ironically, it’s exactly what the story needs.
apparently, phos is human enough to activate sensei but not human enough to make him pray. however, when the two of them join hands, sensei can actually pray. maybe it’s because both phos and sensei are intended to be bodhisattva? maybe because human voice commands are not as strong as contact? i have no idea.
phos has snapped by the way, and it’s weird how they go from “If only you weren’t here” to “sensei actually loves me” in a couple of chapters. in a certain way, we’re seeing phos going back to their roots: they love sensei and trust in sensei’s love, they’re once again openly emotional and impulsive, they’re once again ostracized by the gems (of course, much more violently this time).
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i have written about how, after ‘fusing’ with sensei for a brief second, phos doesnt speak for the entirety of ch 81. they look and act like a literal monster, a scared animal, which is ironic since we know that they’re now human. i hypothesized that they might be reborn and that’s why they don’t speak, they’re a literal infant, but in light of ch 82, i think they’re simply hurt beyond measure. 
they reversed to their old emotional persona, vomiting out all the emotions and pain and rage and hate they repressed during these 300 years. and yet they still don’t hurt anyone, not as much and as deliberately as they could at least.
they’re conscious enough to recognize the notebook and be reminded of their lost friends, realize how little the earth gems care for phos and for what they’re doing. and, i believe, when phos is rescued and comes back to the moon, they are, for the first time in the whole manga, enraged by the earth gems’ stupidity and sheer ungratefulness.
phos has been fighting for the wellbeing of everyone for centuries, putting their life on the line, never asking for anything in return and always believing that they were doing the right thing. and yet it’s not enough.
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aechmea is a clever politician, and like every good politician he’s good at picking up changes and turning them in his favor. 
he notices that there’s something wrong with phos and with the way they feel about the gems. maybe he doesnt yet realize that phos is angry at them for being ungrateful, but he senses something so he provokes phos: “you said to leave you on earth last time. did you change your mind?” that is “i’m not your enemy. see? im doing what you want me to do. not quite like those people down there on earth. oh, wait, were those your friends? aw, such a pity. to think they attacked you after everything you’ve done for them. but they’re your family, right? i’ll send you back to them if this is what you want. see? i’ll listen to your wishes. i am grateful.”
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look how intently he looks at phos as phos incoherently and obsessively repeats the same thing over and over: “he would have prayed. he would have prayed for me. he loves me. he would have prayed.” if you want, this is also a syìubtle way for phos to apologize: they still feel responsible for their failure, but aechmea must understand: phos did everything they could, it would have worked, it was the gems’ fault.
adamant put phos back together, showing phos that he still cares. he is the only one that loves phos, while the gems (all gems, phos doesnt care much for differences at this point) keep hurting phos even if phos is only trying to help. so they must be killed. to hell with them all. and, notice, phos doesnt include themselves in the ‘gem’ category: they’re no longer a lustrous. they’re a monster, a liminal creature.
with nothing left to believe in if not sensei’s love and a promise to make him pray and then die in peace, phos wants to destroy the only thing that they believe stands between them and finally being useful, but also between them and freedom (freedom from suffering, from guilt, from existing, from their pain, from being): the gems.
this isn’t the first time that phos wants to kill something: in ch 68 they spoke about crushing sensei to pieces. it’s heartbreaking how phos went from “if only the moon people weren’t here” to “if only sensei weren’t here” to “if only the gems weren’t here.” will it turn into: “if only i weren’t here?” who are phos’ allies? who does phos feel kinship with? who is phos? they no longer know, and they’ve not known for a long time.
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aechmea has noticed and he’s quick to turn the situation to his advantage. he shakes phos’ hand, he’ll grant them freedom just like phos will grant the lunarians’ freedom. he’ll forgive phos for failing, for their sins, for the bottomless despair and guilt that phos has been living with for centuries. salvation, hope, that is all phos needs.
as @rinboz pointed out, phos’ gold in ch 82 takes the shape of a lotus seed pod, a direct reference to when antarc was abducted and the gold had turned into a lotus flower. 
through pain, phos had blossomed into a new character that day, marking the beginning of their long journey toward truth and toward discovering that there is no truth. the day the story changed from a coming of age manga to something much, much more intricate.
phos’ pod is empty, they have nothing left to lose, it’s a dead flower. this is the end of the journey that started with antarc’s abduction. when phos wakes up again, it will probably be with new memories and a new addition to their body, possibly red diamond. 
phos’ self destruction has reached its apex because it finally became so intense to extend outwards, to other people that, in their immense grief, phos wants to bring down with them. this might be a minuscule form of progress: anger is better than repressing emotions at least, but phos’ problems are far from being solved.
6. on the future
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what will be of phos then? it really depends.
the fact that they’re finally showing all that sufferance and those emotions they tried so hard to repress is good, but aechmea is still there to take advantage of it. 
phos will never be free as long as they dont associate themselves with someone that truly loves them and as long as they cant find someone that can help them deal with their emotions. aechmea is just using them and only ichikawa knows what he meant when he told barbata to be careful with those 200 years emotions.
theoretically, phos was unconscious during the timelapse, but if there are emotions to treat carefully maybe they weren’t? maybe the change we’ve seen in phos this chapter depends on what they had to endure during that time. or maybe aechmea simply wants to make sure that his pet is easy to use.
i do believe we’re close to the end. i dont know if it will be the end of the series or just the end of phos as we know them. i could hope for something good to finally happen to them and for them to heal, but it would take a therapist or someone that loves phos. 
maybe euclase could side up with sensei, they seemed the most concerned about phos’ status and the most prone to believe them. maybe goshe and cicada could do something again, maybe rutile will fix padpa once more and padpa will talk with the earth gems (not very likely, but im throwing theories left and right at this point), or maybe barbata will refuse to follow aechmea’s instructions, at least in part, and try to help phos.
as always, im afraid we’ll have to wait. in the meantime, please hug phos. if you read up to this point hug phos. hug them now and shower them with love, because no one else will
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juunshua · 6 years
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Because the kids are large scale financial investments anything that rocks the boat, even if it's for the overall health and wellbeing of those investments, dissuades implementation. Which still doesn't make sense considering investors should care more about prolonged market value and profit rather than immediate payment if money is the real reason. Milk them for all you can while you can bc there are plenty if younger kids ready to take their place? Unfortunately for everyone involved. (1/)
I guess 7 is the magic number when members can start branching off to their own thing because they've established themselves in other fields. After promoting as a singular entity for so long, they probably jump at the opportunity to promote themselves in an area of particular individual interest. Def saw that with hyoyeon. With everyone in snsd except her doing something outside of group promos, she kinda faded into obsecurity despite being one of the dancers with the most control in kpop (2/)The produce series has always had evil editing so I am not at all suprised hongki is barely there. Kahi's first bit of substantial screen time in season 01 was devoted to yelling at a girl for not keeping up. Evil editing is so real. It's hard to shake the idea that popular=good when there is a plethora of evidence to back up that idea and very little of technically decent popular media, especially in an industry that values the end goal rather than the process. Kids are anxious to debut (3/).I should make an edit: gfriend sells and theyre changing the idea that a girl group choreo should be easy but after the public turned off to the concept change between their og trilogy to fingertip, somu rethought their strategy by bringing out summer rain and the repackaged even though they are the most boring songs of gfriend's entire discography. Most recent comeback brought back the guitar riffs but kept the harder aesthetic of fingertip. #giveumjidirtyblondehairagain (4/).Tbh I'm all for girl groups who did the whole innocent, oppa! concept when they were 16 performing increasingly mature songs because apink's newest song been my jam. And as for groups with injured members, the reason why staging changes (kneeling -> standing) is bc it is the easiest way to limit use which otherwise can lead to inflammation without changing large portions of the choreo. (6)
after fifty thousand years i reply alskdfj im so sorry technique anon omg hyoyeon is really one of the best dancers in kpop?? huzzah i keep listening to their title tracks hoping one day their music will appeal to me again but rip nothing :( sunny summer was so underwhelming i really wanted to like it but i just :( they seemed to be going on a positive trend though? like u said the guitar riffs came back thats why i was super excietd for sunny summer but then..... ... ahaha but apparently its just a special comeback and like nothing as serious ? and i guess i get it chill summer vibes but it seemed a bit too...chill...for me like i feel like the verses were pretty interesting but led up to an unfulfilling chorus. i really loved semina oh my god. semina and oh my are def my fav comebacks (?debutish? for semina) of the summer in terms of music and in terms of being summeryahahaha i love cute concepts a lot really, and i agree like esp when these kids are so young theres no need to push them to concepts that don’t suit their age. but i guess in terms of personal preference, apinks new comeback is probably my least favorite of everything they released alskdjf is it tropical house? they introduce the song as being ‘tropical’ but im not sure if that means ‘tropical house’ because idk musical genres, but if so, pet peeve #1 = tropical house (even if its not tropical house...the instruments they use alskdjfl god) . then my pet peeve #2 would be the little ‘oh oh oh oh NYAH NYAH NYAH NYAH NYAH NYAH” (i know its more nahnahnahnah but how fast they say it lends itself more to the ‘nyah’ sound and like SLKDFJ) like ive said it before but my ears are incredibly sensitive to any nasality and i literally cannOT get past that nasality and tropical house as a music trend in it of itself is just so SO nasal sounding too in general? man the melodic line is a BOP but i cant get past the instrumental really it bothers me so much. i appreciate the almost fusion with their old apink sound with current music trends though! its still definitely an ‘apink’ songahh i see!! that makes sense!!!
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groundramon · 6 years
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Homph I finished tri and I wrote down my thoughts as I was watching because I had too many funny shitposts and nobody to share them with bc charlie hasn’t watched tri yet
PS i wont be reblogging tri spoilers (besides MINOR stuff like, digivolutions of already confirmed digivolution lines or non-spoilery shitposts, but I’ll try to tag shitposts as #tri spoilers anyways [digivolutions specific to tri ill tag as well but not ones that were already basically confirmed]) for a while so ur safe here!  I’m just gonna like everything/most things because then I can rb em to hisyaryumon lmao (also u should check out hisyaryumon....its me n charlie’s digimon blog)
EP 1:
- ok. alright. ok. good. they’re dealing with kari’s emotions now instead of just. nothing.  ok. alright. cool.  Still dont like how obscure/”artsy” they’re being with it, this is digimon not kagerou project, but ok.
- Also. I stand by tk and kari being one of the few good straight ships in digimon.  just saying.
- kari: this is my fault... me: god damn it shut up you little brat also me: god relatable ALSO me: ill take whatever display of emotions i can get
- I love how nobody believes tai is dead like.  They’re upset and worried but they’re also like “nah. he cant be. that fucking asshole just left us in our time of need” (actually only matt is the last one)
- Gabumon i would die for you also im crying and I think that’s the first time tri managed to make me fucking CRY
EP 2:
- I had thoughts but then the 02 kids happened and I entered another plane of reality.  I don’t feel real right now
- the only one I can remember is evil!gennai being a dumbass and being like “SUFFER AND SQUIRM YOU PATHETIC HUMANS AS YOU FIGHT OVER THE LAST SEAT” 1. humans are KNOWN for their ability to care for others you dumb obvious fuck and 2. is. is the entire tube going? because that tube can fit too people if they squish.  This isn’t a joke I’m serious it can.
- oh yeah also when i saw whomstever the fuck his name is (adult guy who i love but fuck names) and he was all bloodied i was like “its a cold day in hell when i see blood in digimon” (I think there was blood in an earlier ep but shh idc)
EP 3:
- didn’t nishijima start off as a fucking life coach to these kids.  What the fuck he was supposed to help them find a career not emotionally scar them by bloodily dying in front of one of them
- im realizing that the reason hackmon was always in his cloak, in the shadows, standing still is that they cannot animate him in any normal position for the life of him.  I drew him with better anatomy when i was 14 and didn’t have a tablet.  No seriously, look:
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I didn’t say it wasn’t bad, you guys are just underestimating how bad the anatomy on this poor creature is.  Why cant ppl draw dracomon or hackmon correctly imma cry
- ordinemon has the best reaction faces
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the best part about these two screenshots is that they literally cut one to the other, first the first one to the second one and then it cuts back to the first one.  They were really proud of these stupid ass expressions.
- I started overcoming my dissociation shock from the second episode and my hypercritical mind was analyzing the shit out of everything that happened (it is Not happy) but then evil!gennai called kari and evil goddess and idk if he’s exaggerating to make her feel bad or if she’s literally a fucking god of chaos and destruction and either way im like
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she did kinda like.  Watch wizardmon die, watch tai die, watch gatomon get absorbed.  The dark ocean is just a metaphor for depression and honestly if 02 wasn’t all over the fucking place I think Kari would’ve had some pretty decent development in it.  Actually you know what, I’m using that as an angle to approach Tri at now, wish me luck bc i might actually give it more leeway now
EP 4:
- I’m not dissociating but I forgot to say anything again and I already forgot what happened
- Cant believe mei is fucking dead
EP 5:
- I like to imagine that Tai got there like a few minutes ago, but he was like “well damn guess yall figured it out without me.  alright ill just. see if I need to do anything” and then meicoomon was Still Bad so he waited for when she struck just to make the most badass entrance possible.  Fucking extra ass bitch
- I forgot to write anything again but uhhh I wasn’t satisfied so anyways lets just get into the Juicy Details
Originally I was actually planning to be kinder to Tri than I expected.  Was very invested during it.  ‘Round the end of the last ep I realized hmmm no this isn’t working out.  Where are the 02 kids.  You should’ve brought them in to save the day.  That would’ve been SO cool and SO fun.  Fucking cowards.
god I’m kinda tired so I’m going to address a couple things I still had problems with, note that this isn’t everything it’s just everything I felt comfortable yelling about without rewatching past eps.  Like I forgot nishijima was all bloodied and presumably died in the last part until they brought it up and I was like “????” ALSO DID THE LADY WHO WAS HIS PARTNER OR W/E KILL HERSELF WITH THE GUN SHE FOUND, I JUST REALIZED LITERALLY AS I WAS TYPING THIS THAT SHE FOUND A GUN AND THEN I THINK IT CUT TO BLACK AND I’M
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DID SHE FUCKING KILL HERSELF WHAT THE FUCK
anyways my problems:
1. They did joe. really dirty.  I’ll write a more proper rant on this sometime later (mostly bc charlie is MUCH better at talking about joe than I am) but basically I can tell you that his character development in the movies squandered his OG character development.  He’s basically an entirely different person.  Like Tri joe isn’t bad, besides being largely neglected (yes he has a whole half a movie to himself, no that doesn’t make up for it all), its just...not OG joe.  He’s a fine character just not the same character, and its NOT fine when you put the two together.
2. THEY DID THE 02 KIDS EVEN DIRTIER IM SO BITTER sorry you nostalgia-blind, money-hungry fucks at bandai, but the 02 cast is PART OF THE ADVENTURES UNIVERSE.  The only people who hate 02 are ones who like the characters but hate the mess of the storyline at the end, or are completely irrational and elitist about their love of the digimon series and would greatly re-evaluate their opinions if they watched the original series and 02 back to back.  They couldn’t even show them in some kind of group montage at the end??? Standing in the background when they call Mei???  Why couldn’t they call mei from a home phone also, but that’s a less important problem idc that much.  It was a cute scene besides the lack of 02 characters.  Whatever.  AND THE PROBLEM IS LIKE kari and tk?  This entire time???  Were like “oh they disappeared. oops” instead of being frantically searching for their lost friends???  Like i get tk and kari probably have fucking ptsd and can’t express any emotions because they watched important people die in front of their eyes at an incredibly young age but also 1. they didn’t address the ramifications of ptsd, so fuck that theory/excuse and 2. THAT??? WOULD ONLY MAKE THEM LOOK HARDER??? and put on a brave face as they look, but inside they’re so scared and so worried.  Not just “oh sweet, they were found/saved, theyre in the hospital but that’s fine” like WHAT theyre fucking assholes if that’s what they’d canonically do lmao.  God I am SO bitter over the ENTIRE thing with the 02 kids, it would’ve been BETTER if they were deleted from the fucking canon entirely.  Would I have still been bitter?  Yes.  But at least I wouldn’t be madder at TK and Kari too.
3. I stand 100% by the notion that Digimon is not and will never be cut out to be an adults’ franchise.  It wasn’t designed for adults, and it can’t be skewered towards adults.  These particular characters were designed for kids to relate to and find entertaining.  They do not work when placed into an adult setting.  Like, can you imagine a character like Ed from FMA going to the Digimon world?  I guess in a way that’s just Marcus but like.  Just imagine the FMA cast in Digimon Adventure.  It doesn’t work.  Digimon Tri is basically that except real.  Also Data Squad was darker than Adventure so my joke doesn’t even work.
I guess my primary point is that Tri isn’t mature enough of a setup for an adult audience.  It puts a focus on being “complex” and “philosophical” instead of working within Digimon’s constraints and making something good and adult out of that.  Like!  Digimon is a fucking TOY COMMERCIAL.  Don’t give me messages about the futility of human life.  I want bad puns and emotional characters.  That’s what Digimon has ALWAYS been, and ideally always will be.  Tri could’ve made itself more mature by dealing with the ramifications of the Digital World’s events, how it affected the kids psychologically and dealing with healing old scars.  It would’ve been a more mature take on a story we loved and would use things we loved about the story already - the fact that it took so much time exploring characters’ emotions and was surprisingly mature for the time - to make itself better.  You need to take the aspects that drew adults to the show and amplify them, not just slap on a complex story and unfunny dialogue and be like “oh this is fine, right?”
It’s not that Digimon can’t exist as an adult property, its just that if it repeats what Tri did, it’s got no merit and in my eyes the franchise is dead.  If it survives I guess I’ll be happy that people can still enjoy it but I find it unsustainable and unsatisfying to fans of the older series.  Tri is just a fuckfest of highly specific nostalgia that tries too hard to appeal to old fans without capturing what made the original series so magical, and in part thats because the original series WASN’T FOR ADULTS.  I don’t know about the Digimon Story games, bc they’re T-rated so perhaps they’re a better take on an adult Digimon story than Tri?  But you either need to make your own characters and lore specifically for an adult-oriented Digimon season, or perish.  Also, please make it a series and not a group of movies.  Getting four eps every 6-9 months was hell.
I stand by saying Appmon is a more faithful Digimon season than Tri to Digimon’s original spirit.  I believe it holds more potential for success than Tri and better embodies the spirit of the older Digimon seasons.  It’s dumb, its corny, it has horrible puns, but I LOVE it because it also has a deep dark story and emotional moments.  If you dislike Tri and you agree with things I said that make it unlikeable, I highly recommend giving Appmon a chance - if you watch a few episodes and think “oh yeah, I guess this is decent” you’re going to like it.  It’s everything Digimon has always been and hopefully always will be, just with a different concept.  And hopefully the end of the series doesn’t leave a sour taste in my mouth and I have to redact this statement haha since I’m not done with it yet, but I’ve heard good things about it so I’m hoping not so.
Overall, if you watch Tri, don’t get your hopes up.  It resolves everything okay-ish but it’s a pretty forgettable anime on its own and simply doesn’t work as part of the Digimon franchise.
I am, however, pretty interested in what evil!gennai said at the end about Diaboromon and Daemon.  It raises interesting questions about the timeline too.  We know Daemon is in the dark ocean, so perhaps that’s a hint at a future project?  (They did confirm a future project btw, in conjunction with tri being over)  But what about Diaboromon?  I dont believe that Our War Game (I think thats what its called?) took place after Tri, based on the outfits and ages and stuff, but I also don’t remember the movies that well.  Could Diaboromon still be out there too?  It’s interesting.
However, because of the lackluster performance of Tri, I don’t have my hopes up and I really hope that this “next project” goes in a different direction.  Although I guess if they include the 02 kids, I’ll be somewhat less salty...
Side note, did they ever explain why the gennais went evil?  Like ?  That’s a pretty important thing.  The gennais helped SAVE the human world in 02.  And I get that apparently Tri is ignoring 02′s ending but still.  It’s shitty, because Gennai was still a good guy in the original too (and also they cant just keep is younger look and act like 02 never happened)  MAYBE its something I missed but I dont think so.  God there’s just.  So much wrong with Tri.  I’m very displeased and very bitter and I wanna get back to Appmon asap.
It’s got good moments, its got bad moments, I dont know, I don’t care.  There’s nothing wrong with you if you like it, there’s nothing wrong with you if you don’t, and there’s nothing wrong with you if you flip flop and are split like me.  I just wish Tri fulfilled its potential instead of becoming a boring mess.
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