i think the most annoying part of dog food discourse is how many people will act as though proplan/hill’s/Royal canin diets aren’t extremely and prohibitively expensive and that THAT is the reason so many people look into healthy alternatives.
People complain about corn being in the first five ingredients on most of those feeds because, regardless of other factors here, that is not an expensive ingredient. But it makes up a large chunk of the dry food. So the dry food should be fairly affordable, right?
Oh… with tax you’re spending about $100 for one 45lb bag of food where the third ingredient is wheat and the fourth and fifth ingredients are corn.
Oh… well! It’s slightly cheaper! But the second ingredient is rice, third is wheat, fourth is corn, and then fifth is poultry byproduct. None of those are very expensive so this just must be the low end cost of dog food unfortunately. The vets recommend it so surely that means prices aren’t inflated, right?
Oh? This one has similar ingredients with the only real difference being no corn? And it’s half the price?? Well surely that’s just a fluke.
Oh. Oh no.
This one even has CORN in it and it’s $20 cheaper?? Wow!
Like listen at some point I don’t care if your dog food has the ichor of the gods in it, I’m not spending $100 every five days if there are cheaper options with just as many “good” ingredients in it. If you think I’m a dog abuser because I can’t afford this overpriced garbage, that’s too bad. I don’t care. My dogs are perfectly healthy with the food I give them. Great weight and great coat. People giving dog food recommendations that aren’t those top three hyper-expensive dog foods aren’t trying to epic own those dastardly vets half the time, but I really don’t blame the ones who do lose trust in vets when the only heartworm protection they recommend lately are expensive triple-action brands like Simparica Trio that costs $120+ as opposed to the other heartworm protections that are only about $40-$60 on average, which is still cheaper even if you add on a $20-$40 flea and tick protection separately, and only recommend dog food that costs $85+ a bag even if your dog doesn’t have specialized dietary needs.
Those top three foods are GREAT at making competent prescription diets, I don’t deny that. I do still have to criticize the pricing of those prescription diets though because I have spoken to DOZENS of people who had to pull their pets off of a prescription diet and struggle to find something comparable because they couldn’t afford the food, and that’s terrible! These are not poor companies! Purina, Royal Canin, and Hill’s can ABSOLUTELY afford to lower their prices to make their food accessible to people who need it for their animals but they don’t. They probably never will. Because at the core they are run by greedy corporations. It doesn’t matter how many good nutritionists are on board if the company is run by people who put profits over customers and make the food impossible for people to afford.
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ヾ(•ω•`)o Hiiii!!!! Don't worry about it! Don't be afraid. It's not real.
Excerpt from: https://en.wikipedia.org/wiki/The_Black_Phone
"In 1978, a local serial child abductor and murderer only known as "The Grabber" prowls the streets of a suburb in North Denver. Finney Blake and his younger sister Gwen live in the area with their abusive, alcoholic father Terrence, whose wife committed suicide after having a series of disturbing psychic dreams. Finney is frequently bullied and harassed at school, but his friend and classmate Robin fends off the bullies.
Having inherited her mother's ability, Gwen dreams about the Grabber's abduction of Bruce, a boy Finney knew from Little League. Two police detectives, Wright and Miller, interview Gwen at school, believing that she may have knowledge about the Grabber. When Terrence learns about the questioning, he beats her with a belt. Soon afterward, the Grabber abducts first Robin and then Finney.
Finney awakens in a soundproofed basement with a disconnected black rotary dial telephone on one wall. It begins to ring on its own at times; Finney hears only static when he first answers it, but then hears Bruce's voice telling him about a floor tile he can remove in order to dig an escape tunnel. Finney starts to dig, but the foundations of the house are sunk too deeply for him to go beneath them.
The Grabber brings Finney a meal and leaves the basement door unlocked. As Finney is about to sneak out, he gets a call from Billy, another past victim. Billy warns Finney that the Grabber is waiting at the top of the basement stairs to punish him if he tries to leave, as part of a cruel game. At Billy's suggestion, Finney uses a hidden length of cable to climb up to the basement window; however, his weight pulls out the grate covering the pane, leaving him with no way to reach it again.
As Gwen confides to Terrence about her dreams of Finney's abduction, Wright and Miller question an eccentric man named Max who is staying in the area with his brother and who has shown great interest in the Grabber's crimes. It is revealed that Finney is being held in Max's basement, and that the Grabber is his brother.
Finney receives a call from Griffin, a third victim, who gives him the combination to the lock securing the house's front door and tells him that the Grabber has fallen asleep. He sneaks out and unlocks the door, but the Grabber quickly recaptures Finney after his dog Samson barks to wake him. A fourth victim, a juvenile delinquent named Vance, calls to tell Finney that he can break through a wall and into a freezer in the adjacent room. Finney does so, but finds the freezer door locked. As Finney despairs over his fate, he receives one last call from Robin, who urges him to stand up for himself and fight back by packing the phone receiver with dirt to use as a bludgeon.
After seeing the Grabber's house in a vision, Gwen calls Wright and Miller to give them the address. The police rush to the house and find the bodies of the Grabber's victims buried in the basement. Meanwhile, Max realizes Finney is being held in the basement and rushes to free him, but the Grabber kills him with an axe and attacks Finney, having decided to end his game. Finney uses the byproducts from his previous escape attempts to trap the Grabber in a pit he has dug, beats him with the receiver, and breaks his neck with the phone cord as his past victims taunt him. "
fucked up thing to send him btw
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I feel like I need to start talking more about how one of the big things that Duck Prints Press does is open the door to people who could never even get a foot in with traditional publishing or even most medium/"small" presses (we're a small press, but we're really more of a micro-press, I see places calling themselves small presses that are fucktons bigger than we are).
I've got some anecdotal evidence that people avoid the publications of Presses like this one because they think our writing and editing standards are lower - that we're the people who failed to make it in bigger presses because we weren't good enough - and that, consciously and unconsciously, gatekeeping biases on who is and isn't qualified to write lead people to support small presses less than they might support a more established organization.
So...y'all realize that there are a lot of reasons people wouldn't pursue working with trad pub, right? and I don't even mean ethical doubts, and I don't even mean "trad pub doesn't want to publish certain kinds of stories," though those are definitely factors - we're able to give more space to play with themes and genres because we don't focus solely on "is this marketable" as a sales rubric.
But that's not what I consider the biggest difference.
Hi, I'm Claire, and I own Duck Prints Press, and I have a massive history of clinical depression, including being suicidal in the past. I'm a great writer, and I'm not just tooting my own horn, I've got almost 150,000 kudos on AO3 that suggest that just maybe, I know wtf I'm doing stringing words into sentences. I don't need a big press to tell me I'm competent, I already know that. What I do need is to not end up suicidal again. If I face the gauntlet of rejections that's supposedly "required" as part of gatekeeping trad pub, it will do severe damage to my mental health, and probably destroy my ability to write as depression-induced self-deception eats through what I know to be true.
THAT'S what's different about a micropress like ours. Yes, our founding vision was to work with fans, but the vast majority of the people who work with us have mental illnesses, physical disabilities, neurodivergence issues, and/or other "meatsuits are terrible actually" issues that strict publishing environments can't or, really, won't accommodate. We say "fuck that noise" and go out of our way to accommodate people, granting extensions and ensuring everyone can work on their own schedule. We're able to be very flexible, which means we bring in a lot of people whose incredible skills are overlooked, ignored, looked down on, kept out of, more mainstream publishing options.
If someone has trouble with deadlines? We still work with them.
If someone has an illness that flares irregularly and unpredictably? We still work with them.
If someone needs frequent reminders? We still work with them.
If someone works slowly because they can only do a little at a time? We still work with them.
If someone needs extra time, additional support, special software...we have thus far been able to accommodate literally everyone who has come to us.
As long as the creators who work with us keep communicating and keep showing at least a little progress, we will find a way to make things work, because we want to be as inclusive as possible, and because we know that most people with these challenges, no matter how good they are at writing or art or whatever it is they do with us, would face many more hardships to have these opportunities with a larger, more strict organization.
Just, every time I see indications that people think we're "less" because we're not HarperCollins or Penguin or Tor or something, I get so angry, because it shows so little understanding of how gatekeepy and especially how ableist trad pub is, and I wish more of the people who are thinking things like that would recognize that their behavior is, essentially, snobbery.
And to be clear I'm not saying "people with these challenges never get trad pubbed," that's clearly ridiculous and untrue, but I am saying, people with these challenges shouldn't have to be The Most Exceptional just to have a chance, and we deserve to have a place that will accommodate us instead of having to perform health, perform neurotypicalness, etc. just to succeed. We deserve to not have one flare-up potentially ruin our careers, and we deserve the same opportunities and respect as people who choose other directions.
Between trad pub, small press, and self-publishing, no one route is inherently "superior." Backing one over another doesn't guarantee you're only going to get good stories, or good editing. Trad pub publishes utter schlock sometimes, and self-publishing is fantastic sometimes, and some small presses do have lax standards, and some small presses are exceptional, and I feel like maybe people just really don't understand why places like Duck Prints Press try to exist - it's because we're trying to create spaces that meet us where we are, instead of focusing on rigid conformity, marketability, hard rules, etc.
The only way we'll get a diversity of voices in publishing is by supporting a diversity of publishers. The only way we'll be able to make space for everyone is by supporting the places that carve out new spaces to fit those who didn't fit elsewhere.
I wish more people would understand what we do and why we're here, and that folks would at least try our publications before assuming that we're "like big press but worse at writing/arting/editing."
Idk. I'm just tired, and sick, and still working even tho I'm sick, and frustrated with how hard it is to get anywhere, so here, have a rant I probably shouldn't post.
(this post brought to you by me seeing Chuck Tingle - entirely reasonably, to be clear, Chuck Tingle is awesome and I support him entirely! - celebrating the Camp Damascus release to thousands of notes, and Tor posting a poll about some Locked Tomb short story and getting 1300+ votes, and how I have to claw our way out of the background tumblr noise to get 100+ notes even on our biggest releases)
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