wondering about Frank and insects but specifically about how it looks like the WH insects are highly stylized, so does Frank even know anything about real butteflies/insects?
& if he saw a real one, would he recognize it? are all of the species names he applies to the WH bugs real, or are they all made up like "Vibrant Eyespot" or "Fluttering Heartwing"?
and then there's the question - does the neighborhood have some of the more 'undesirable' bugs like moths, worms, roaches, spiders? does it have bugs outside of the generic groups of beetles and butterflies? like are there mantids? leafbugs? dragonflies? weevils? or are those too specific/complex/not-cute for the Playfellow Workshop to have included?
and then there's the question of what are the bugs? props? puppets? are they alive or do the neighbors just perceive them as such? Do they even exist outside of art, storybooks, and animated segments? I highly doubt they're alive like the neighbors are, since in the gif of Frank's head spinning, the framed butterflies' wings are moving. which is kind of horrifying if you think about it for more than a second.
just... the critters Frank loves so so so much being a complete fabrication... every piece of knowledge he prides himself on / delights in knowing being utterly Untrue... oof
(Idk if someone asked this already) since we’re on the topic of gender
sci what is gender to you and how do you see it in you and how you express it in your art?? (Just a young queer artist who wants some light shined upon them 🥺)
I just want to say, that I agree with almost all of your Critical Role takes and you have 1000% better and more nuanced takes than all of Twitter and I greatly appreciate it! The takes over there regarding Liliana and the gods are just wild and you bring some much needed sanity to the content I see
Thanks! I hope you don't mind because I've been thinking about this re: the Twitter takes but the thing about Twitter and Liliana specifically that I've seen is that there's this really bizarre fetishization of like, the fact that she is a (white) southerner (this also weirdly happened for Birdie though to a much lesser extent, and the person who spearheaded that wasn't even American so I have to assume this is a specific corner of Twitter Culture At Large). And like, here's the thing. It's true that fantasy tends to be very British in its accents, and it's also true that accents in a fantasy world are used to convey the same things we'd assume in our world - RP British for educated, southern American for rural, Cockney for rougher types, etc.
It's also true that laying the exact socioeconomic parallels from our world onto, say, Liliana and Orym (who reads to me as non-regional but I, like Liam, am from the Northeast originally) is a recipe for disaster. Or rather, it's not, but it is going to reaffirm your own biases, some of which are dangerous to reaffirm.
There was a popular post on Tumblr a while back, probably not long after Trump was elected, of someone talking about how they were convincing a relative with the confederate flag towards socialism by appealing to the idea of "isn't in unfair how uneven wealth distribution is and how a small group has so much control" and a number of people were rightfully like "uh, maybe you should focus on the racism" or "hey OP ask your relative who they think that small group in control is because I'm getting a really bad feeling they're going to say it's The Jews." And I feel that a lot of the empathy for Liliana from those spaces feels like that OP. Or in other words: I get that you see your relatives in Liliana. Unfortunately, I cannot help but see me and mine in Orym.
You see someone trapped by circumstance and desperation in a dangerous ideology. I see the fact that I haven't gone to a synagogue in easily 6-7 years without there being a security guard present and usually, the doors locked with someone looking through the window to let you in, and then in the sanctuary there's been an installation so that you can quickly bar all the doors in case an alarm goes off or you hear shots in the lobby.
I think there's a great case for seeing yourself in Imogen, who is in a painful struggle with the fact that her mother does love her very much but is in dangerously deep and has done a number of incredibly terrible and harmful things. That latter point is important, incidentally; I get that cult members sometimes rise through the ranks but all but the leader are being manipulated. But the fact remains that a brainwashed person can still commit atrocities, and in this story, they have, many times over. It's especially true because like...sure, plenty of people are like "I lost my relative to a cult and I just want them back and I couldn't harm them," but also, as we've seen, this cult can and will harm Imogen! Plenty of people are also like "yeah I gotta cut them off, it hurts but unfortunately my horribly bigoted and violent relative, while a victim of brainwashing, is a threat to me too." It's not even the full picture of the Temult side of things, let alone the picture that includes the Vanguard's victims.
I also think the Southern gatekeeping is unhinged because it's like. guys there's QAnon members and other cults across the country; the Confederate flag example above was actually notable in that OP wasn't even Southern so you couldn't even write the flag off as deeply misguided heritage but rather was explicitly being used as a hate symbol. It's awfully presumptive to assume all southerners have the same experience (especially since the Temults are portrayed, physically and in accents, as white southerners, not that the experiences of white southerners aren't also incredibly varied). It's awfully presumptive to assume that people find Liliana threatening because they have no personal experience with people like her; often, it's because they have all too real experience with people like her, and it says something even worse about you if you can say "but you guys, I see me and my family in Liliana" when people are telling you that they see them and their families in Orym. I would not, personally, publicly admit that one's empathy extends to the people who remind you of your family but runs out before it reaches their victims. Nor would I publicly admit that I assume everyone who disagrees with me clearly has never had personal experience with this topic.
I should also note that, as I've noted a number of times before, that these are fictional characters and not real people. Twitter seems to be really fucking bad at grasping that. Like, yes, this is the other thing; I do not think that OP should kill their Confederate flag-toting relative, whereas if Imogen did so to Liliana I'd be like "hell yeah." The former is a real person who I do hope gets deprogrammed, just, you know, maybe adjust those priorities; the latter is a fictional character in a story.
I really can't explain why but I truly think that I Met Sarah In The Bathroom by Awfultune is one of the most kandrew songs ever, specifically kandrew from Kevin's pov
Not sure I care enough to engage with the post, but to read SVSSS + extras and come away with the interpretation that SJ doesn't care about why YQY failed to save him, just that he did fail, and therefore would never forgive him or change his behavior towards him if he learned the truth, feels off-place to me. It seems to lean into the view that SJ doesn't actually care about YQY, just sees him as a useful tool, and thus couldn't be hurt by the supposed abandonment - with that interpretation it would then make sense to think he would neither care nor change his behavior (towards YQY) upon learning what actually happened.
This animation follows my and @warriordragonart 's Elden Ring characters as they go from Golden Order fundementalist and the adoring omen she rescues, to disillusioned Frenzied Flame envoy and her bloodflame wielding shadow.