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#why do I write all my thoughts in the tags
azullumi · 3 days
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LAST NIGHT I DREAMT OF THE STARS AND YOU, PT. 1
premise — because that’s just how they are; alternatively, “the type to” trend with hsr characters. characters — ruan mei, veritas ratio, aventurine, and robin content tags — gender-neutral reader, established relationship, fluff, slight angst, not proofread, word vomit in some parts, 1.6k words ; headcanons
note from me — seasickness took me out and the fact that i have a 9 hr road trip tomorrow is already making me dizzy. i hope i’m asleep for the 3/4 of it,, also this has a pt. 2 which i’ll upload later on !! anyways i wrote this in between my vacation and trip and in between the long-ass separate fics with sunday and aven so sorry if it seems rusty or out of my style 🙏
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RUAN MEI, (lies in between the line of a good lover and a bad lover) the type to be unable to express her affections for you through words and settles with small and simple gestures that she has observed and seen from everyone around her; having never understood “love” and never knowing how to correspond with such, she’s left silent and confused like a lost child in the wake of it. She’ll find herself staring you quietly, memorizing the lines of your face and how it creases and contorts into different expressions, studying each crevices and edges of the parts that makes up your being to bury you in her memory, and there’s a smile that tugs on her lips every time her gaze falls on you. Oh, she wishes she understood what it all meant (she simply and devastatingly adores you).
RUAN MEI, the type to subconsciously write your name on paper whenever she’s distracted. it’s a small habit she does, one that makes her smile whenever she notices the letters spelling out your name. She has ruined, tainted several of her papers, even important ones, with just a single word, a set of letters that composes of what makes warmth seep into her chest when her mind drifts into the thought of someone—you.
RUAN MEI, the type not understand the underlying reason behind her actions—why she spends the time and makes the effort in between her busy schedule and pile of papers to make sweets for you, why she lets you do her hair despite how messy it often turns out when you braid it and how she can never find the strength in herself to “fix” or disturb the state of your work, why she always seek for the warmth of your hands whenever she’s feeling uneasy or stressed, why she always lean to your shoulder or to your touch when you caress her cheek, and everything. It’s a puzzle board of missing and scattered pieces, unable to comprehend the full image of the mystery—and yet, she still delves into the enigma of her feelings that is intertwined with your existence. Maybe one day she’ll come to know it all and maybe it will be the time when she can finally be honest to herself.
VERITAS RATIO, the type to want to know every single thing you and remember all of it. Perhaps it’s the bare minimum, perhaps it’s something that he just does. “They don’t like that,” He would say when an arrogant fool would even try to give you (or do) something, and he’s there, witnessing it all, knowing the things that you prefer and like. He knows what flowers that you like, knows your favorite color, knows the way you prefer to sleep, knows the small habits that you do when you’re nervous or scared or happy, knows every little detail that paints the whole of your existence. Isn’t it simply just lovely when someone desires to know you from the inside and out? Even if it’s just a little bit, he feels more closer to you in this way.
VERITAS RATIO, the type to be sweet and reassuring towards you (through words and actions), even though he may come off as mean, blunt, or rude towards others. Sure, he may call you an idiot sometimes but he’ll never go past that nor reach the line of degrading and distasteful remarks because he never wishes to hurt your feelings; if ever he did, he’ll apologize and tell you it’s not his intention. “Fool,” But the affection that edges into the tone of his voice cuts the thread of disdain that sews into the word. Oftentimes when texting and it’s easy to misunderstand the tone of one’s message, especially his tone, he’ll reassure you that he didn’t send it in a way that he’s angry or scornful: “The ‘Ok’ that I sent is not a mad ‘Ok’, I am in a rush and could only type that out. I’m not angry.”
VERITAS RATIO, the type to entertain your questions no matter how stupid it can be; he’d give you the answers every single time. He doesn’t mind being treated like a walking encyclopedia or dictionary if it’s you—he’d hate it if you were going to ask someone else instead of him (although he probably never told you that discomfort). I mean, you have a well-known member of the Intelligentsia Guild, someone who parallels a genius, just right at the tip of your fingertips, why bother asking someone else?
AVENTURINE, the type to like listening to the sound of your breathing, the sound of your heartbeat (to listen to the sound of you blinking, to listen to your hands soothe). It’s comforting, in an odd way, and he never tells you but it helps him fall asleep—watching the rising and falling of your chest, seeing your calm face wrinkle ever so often while you sleep. He keeps the sound of your heartbeat close to the pocket on his chest, weaving the rhythm of it to his pulse, and before he knew it, the dawn will come in quiet solitude.
AVENTURINE, the type to be always on fight-or-flight mode. Perhaps it’s the way that he grew up, perhaps it was the harsh and cruel environment that he’s in, but he’s always on guard, seemingly on defensive mode as if danger lurks at every dark corner. His shoulders are always tense, his hand either hidden or playing with the ring on his finger, it’s like he never can’t seem to relax himself even when he’s in the comfort of your arms. It follows him everywhere, trailing behind his feet, and forces him awake at night—he doesn’t even know where the fear, the anxiety, is coming from, he just knows it’s there. One wrong step and his thoughts will come crashing down like cold downpour, one wrong move and you’ll come to leave him. Sometimes a little reassurance comes a long way and it’s all he needs when his mind is being tormented. (He will learn to live with it, even if he can never seem to understand or know it. He will come to know peace as if it’s all he had in his hands when the sun first held him).
AVENTURINE, the type to immediately smile after a kiss. It’s utterly affectionate; parting, staring deeply into one’s eyes with his cheeks dusted with a certain color and he’s grinning—warmth beams from his expression and there’s a certain feeling that intertwines into his gaze and he knows it’s love because it’s all he feels whenever he looks at you. He’s the type to laugh into a kiss, feeling ticklish all over his bones as if your hands are ghosting the sensitive parts of his skin, and you’ll ask him, “What?” but he’ll only answer with, “Nothing.” He’s not drunk, the ache of wanting simply swells up in his chest and all he can think of is how much he adores you.
ROBIN, the type to try and make time for you. Her schedule is always packed, filled with all kinds of events and tasks that she needs to do. It’s overwhelming, everything feels overwhelming for her and it’s hard to know which one she should prioritize first not when she has a lot of things on her hands. Sometimes she feels lost, feels the weight too heavy on her shoulders, feels like her feet are tied to the ragged earth, feels the cage closing on her. She tries so hard to be the perfect lover for you, to become someone that will reach beyond your expectations; she cradles that perfect image, broken in all of its edges, that were constructed for herself close to her chest even if it feels like a knife to her heart. But really, all you need is for her to be herself (not the star that everyone admires and wishes to reach) and sometimes, that’s all she needs to hear from you—that she doesn’t have to hold on to the shattered chains when the coldness of the metal reminds her of what she has to carry.
ROBIN, the type to go on all kinds of dates with you, silly or not, and even matches clothes with you. She’s usually the one to make the invite to match, thinking that it’s cute and the both of you rarely ever has time like this so why not make the most out of it; who are you to even say no when she’s beaming at you so warmly? She has all of her options laid on the bed, displayed on clothing hangers, asking you what you’re going to wear or what color do you want. It’s lovely, sweet, seeing her like this and you could only pray to whoever aeon is listening that nobody comes to ruin the day the both of you rarely have for each other.
ROBIN, the type to bring you all kinds of souvenirs and gifts from her (universal) tours, sometimes having bought too much that you don’t know what to with some of them; the type to send you letters every time she’s away so that you won’t worry for he, especially knowing what happened last time, the type to always try to keep in touch and keep you close no matter the stars between you and her. She’ll ask for one thing that you own that she can carry with her person, making a promise that she’ll come back and return it—the item a testament to her vow—, but for the meantime, she’ll keep it so she has a little piece of you everywhere she goes and she can say that you’re always there by her side.
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DRUM ROLLS PLS *dundundundundun* special mention to the one and only beloved feli @dr-felitas !! i think i owe you a lot of end notes so here i am :3 also i’m sorry if i publish this and i still haven’t responded to your messages (if you have sent me cause im on dnd to avoid my dumbass from checking and looking at the phone during car rides knowing that i get motion sick) ANYWAYS i would like to begin this with i love you mwamwa, you’re one of the sweetest and most wonderful souls i have ever met and anyone who tells u otherwise will get a boulder thrown to their head 🫵 im glad to have met you, that my anti-social ass went ahead and messaged you despite the fact that we only talked once or twice AND IT WAS OVER ASKS OR COMMENTS BUT YEAH !! idk what or where i’ll be if i hadn’t done that; maybe not replying to my friends idk (again im sorry if i take business days to answer i sometimes get busy or i sometimes dont have the energy :3 i hope u still love me hahahaha… *slides down the wall*) again, i really appreciate and adore you for everything. you are a brave and kind person and i only hope for the good things for you. don’t be too mean or harsh to yourself 🫂 know that i’m always here to listen to you no matter what you’re saying. you’re never a burden to me and i hope you’ll come to see just how you shine and radiate with so much warmth and kindness, it’s like love itself is found in you. ily lottss mwaa <33
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sunday, himeko, welt, gallagher, and jing yuan next !!
© azullumi — do not plagiarize, copy, repost, nor translate any of my works.
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hurlingdown · 17 hours
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Ima eat you and your writing it’s so good can I please get a whiny sub Luffy x domtop male reader who’s like kinda tall I’m talking a tad bit shorter then brook type tall you can ignore if this is too specific 👍 love your work
eat you up (top male reader, nsfw)
tags: whiny!sub!luffy who loves how big reader is, in terms of size and cock, anal sex, size kink, virginity loss, cum eating, tongue-fucking, blowjob, he has no gag reflex, luffy being luffy, bit fluffy ngl
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Luffy revelled in your size difference. 
The way you towered over him, your large hands being able to completely encircle his waist. Not to mention, you made such a good makeshift bed that he just couldn’t help but snuggle into your lap most afternoons, just to take a fat nap. 
You never really minded, as it didn’t interfere with your routine. Plus, having a lap warmer with you anywhere you went was undeniably a huge bonus. 
Today was one of those afternoons. 
Luffy hummed a song, squirming on your lap to find a comfortable position for his nap. You didn’t think much of it at first, until he started shifting about, his back pressed against your chest to directly sit on your cock. 
You froze, feeling the heat rush to your face, and somewhere else—it didn’t help that the rubber captain never kept still. Still, you couldn’t find it in you to push him off, as he had looked up at you with an adorably blinding grin, his gummy smile having wormed its way into your heart long ago. 
“Luffy,” you began awkwardly. 
“You’re hard today.” 
You spluttered. “I’m what today?” 
He turned around in your lap to blink innocently at you. “You’re harder than usual today, y/n!” 
“Oh. Haha… I am, aren’t I?” You let out a breath of relief. It hadn’t occurred to you that Luffy quite possibly didn’t know about that sort of stuff; or perhaps wasn’t interested in all, seeing as he never bat an eye to the beautiful, well-endowed Boa Hancock who practically threw herself at him at every chance. 
You were absorbed in your thoughts until you felt a hand palm your hard cock roughly. 
“Luffy!” Your hips bucked upwards, nearly throwing him off your lap. “What was that for—” 
“So yours does the same thing, too. Shishi, I thought my dick was broken when I touched it and it turned hard!” 
Oh. So he had touched himself before. Guess you could save yourself from having to give ‘the talk’ to an absolute airhead. 
“Wow,” Luffy continued to squeeze and fondle your cock through the thin layer of your pants, making you bite your lip to suppress a groan. “You’re pretty big!” 
“Captain,” you snapped, finally, glaring at him as he pouted. “This isn’t appropriate.” 
“But why not?” he protested, still not releasing his death-grip on your cock. 
“This—we—aren’t in that sort of relationship.” 
Luffy simply frowned. “Do we have to be in a relationship to touch each other’s dicks?” 
“Well, no, but—” 
“Good!” 
Before he went back to straight-up kneading your poor cock, you grabbed his wrists and bound them behind his back with one hand. 
“But why?” he whined loudly, bottom lip jutting out as he stared up at you. “I want to! You gotta let me! I’m the captain!” 
You sighed. “You may be my captain, but that doesn’t mean you get to take advantage of your superiority to sexually harass me whenever you want.” 
“I’m not sensually harassing you, or whatever that is!” 
“It’s ‘sexually harass’, not sensually harass. And—why do you even want to do this in the first place? You’ve never acted like this before when you napped on me before.” 
“I just suddenly want to! What’s the matter with that?!” Luffy looked petulant, almost angry as he couldn’t get what he wanted, and he retracted one of his legs hooked around your waist to tramp on your cock. 
You let out a guttural moan at that, and Luffy’s eyes had widened visibly, as though he wanted to hear more. 
“Hey, y/n? My dick’s hard.” 
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“Is this what you wanted, baby?” 
Luffy’s knees were pressed into the mattress above his shoulders, making good use of his stretchiness as he shudders and whines a response beneath you. His hole is stretched perfectly around your cock, warm and wet and tight, taking you to the brim so well. 
“Y-yeah, puh—please!” he wailed desperately, raking his nails on your back as you angled your hips, thrusting up into his sweet spot. “So—so big—ah!” 
“There it is.” You grinned, hands fully wrapping around his waist to tug him back onto your cock like a ragdoll, perfectly nailing his prostate again. “Think we found it, mm?” 
Luffy nodded his head weakly, trembling all over as you railed him into the mattress with each heavy thrust, before dragging him back. “Feels really g-good! Right—right there!” 
“Here, captain?” You purposefully missed, tip of your cock barely grazing it, and he whined shamelessly. 
“No! Not there!” he moaned, shaking his head in frustration as he looked at you with pleading eyes. “Y/n, I need it s-so bad!” 
You would have never thought that Luffy was capable of such dirty talking. But right now—with your captain willingly spreading his legs for you, hole stretched wide open and insides rearranging themselves to fit your huge cock, you couldn’t even process it except for how good it felt. 
“And what’s the magic word, love?” 
“M-magic word?” He blinks at you confusedly. “I don’t know any—any magic word! I’m not—a magician, ah, silly!” 
Warmth curled in your chest at how utterly ridiculous Luffy was, and you gave a little laugh, before leaning down to kiss him. Luffy kissed you back with eagerness, biting and sucking impatiently at your lower lip. As you fucked your tongue into that pliant little mouth of his, mirroring your cock’s every thrust, he had sucked on it and moaned around it, drool spilling down the sides of his mouth as though it felt heavenly for him. 
“So full…” Luffy whimpered around your tongue, eyes rolling back in ecstasy—and you couldn’t pinpoint which hole he was referring to. 
You reeled back after a long kiss, going back to pounding into him as he whined for “harder”, for “more”, and “wanting to eat the funny liquid that comes out of your cock”. 
Your breath hitched in surprise as you realised what Luffy meant. “Want me to cum down your throat, baby? That what you want?” You could feel yourself getting closer and closer, his warm, spongy walls pulsating around you every time you pulled back, as though wanting to keep you inside forever. 
“Yes, yes—wanna, wanna know what you taste like, y/n!” he babbled mindlessly, clinging on to your shoulders as you flattened the head of your cock against his prostate, grinding hard and deliberately. “Ugh, ugh—it feels weird—” 
“Yeah? You gonna come for me, sweetheart? Fucking do it—cum on my cock, captain.” 
With the mention of his title, Luffy’s eyes squeezed shut before his head lolled back with a loud, drawn-out moan, body jerking violently and cock spurting all over his chest and abdomen. His hole clenched around you as tight as sin, and you had to hold back with all your willpower to not come on the spot. 
Luffy panted, still twitching beneath you as he raised one shaky finger, bringing it up to his face to point into his open mouth. Asking silently. 
You couldn’t believe what you were seeing, but once you got the green light, you rammed back into his twitching hole, no longer prioritising his pleasure over yours, only able to process how divine it felt to be making love to your captain. As you felt yourself getting closer and closer to your orgasm, you pulled out of his hole all of a sudden and plunged your cock into his ready, parted mouth, cumming so hard down his throat you felt yourself ascend. 
Luffy’s lips wrapped around the base of your cock, sucking hard and milking you throughout your orgasm. You groaned, low and deep, thrusting messily into tight wet heat as cum steadily dribbled down a vacuum, as though insatiable. 
You released your hold on his hair as you felt yourself go soft, staring incredulously down at a red-faced Luffy who was sucking at you as if he was trying to swallow your entire cock. 
“Luff,” you huffed, gently wiping away a line of his own cum that had somehow splattered on his collarbones. “That’s enough.” 
It was then that he finally pulled back, frantically sucking air through his mouth. “I—I couldn’t taste it,” he whined, the corners of his lips turning down unhappily. “Your cum, or whatever. I couldn’t taste it and it went down my throat!” 
Oh. Oh. 
You suppressed a laugh—because that was what he was being prissy about. Caressing his face affectionately, you went to lay down beside him. “I’m sorry. Next time I’ll just put the tip inside.” 
“It’s fine. I felt full enough.” 
Luffy had to stop dropping these one-liners that made you gape. 
“What? Why’re you lookin’ at me like that?” He looked at you, frowning with confusion. “Y’know, this almost made me as full as the banquet-thingy Sanji put together last week. There was so much yummy food! Your dick was really good, too, though—so don’t get jealous.” 
You really had to get used to the way Luffy talked—because he talked way too much and it drove you absolutely crazy. In an almost ‘too good’ way. This had to stop. 
“Luffy.” You pulled him into your arms, pressing a kiss to his cheek as he giggled happily. “Stop talking.”  masterlist! p.s. luffy is such a fun character to write lol
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brodieland · 16 hours
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.˚ 𓈒 ࣪.𝝑𝝔 Royal Rivalries !! ´ˎ˗
Luke Castellan x Fem!Zeus!Reader Synopsis: you and Luke finally get married to one another Tag(s): royal AU, arranged marriage, allusions to previous nsfw activities(LOL) Word Count: 1264 A/N: sorry this took over 2 weeks, I really don't know why it did😭, actually I do know why I was to busy watching Bridgeton, does it show in my writing be honest😭🙏🏻🙏🏻🙏🏻🙏🏻. anyways this ones a little shorter bc it was bothering me on how long its taken me to update this, but lemme stop yapping!!
╰➤ MASTERLIST pt4
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It was the day, the day you'd been... dreading? Waiting for? You didn't know anymore. Currently you were laying in your bed in a silk robe with rollers in your hair, relaxing whilst getting all nice and pretty for your big day. While you were thinking about how your wedding would play out, your door opens and your siblings enter the room.
"Happy wedding day," Jason and Thalia cheered.
"Hey guys," you smiled and sat up.
"How you feeling," Jason asked as he sat at the end of your unreasonably large bed.
"I'm about to be a wife, I don't know its kind of weird."
"Are you saying you're not ready to commit to your wifely duties," Thalia joked, the sub context not lost on you. Suddenly you're regretting telling your dear sister all of your business. Ehh not really she kinda funny with it.
"What constitutes as 'wifely duties?'" Thankfully, Jason was oblivious.
"Oh, you knoww-"
"Enough," you shut your eyes.
"Well, we have a gift for you," Thalia said as Jason handed you a box.
"I bought it by myself and Thalia slapped her name on it."
"I don't think the logistics matter."
"Shall we see this gift," you did the grabby hands and opened the box. It was a polaroid camera.
"To document the honeymoon," your sister beamed.
"Yeah!"
"Guys... I don't think I get a honeymoon," they looked at you dumbfounded.
"What."
"To be fair, us getting married was an apology for slapping Luke, so I don't think I get a, um, prize."
"I think somebody already got part of her wedding night prize anyways," Thalia muttered under her breathe, causing you to smack her shoulder.
"What?"
"Ignore our foolish sister Jason."
"Yes, ignore me and my foolish thoughts."
You and your siblings stayed in your room and hung out for a while before your servants came in to help you finish getting ready. They were ushered outside as you were zipped, plucked, and pampered. You were gorgeous, but moving on..
﹒º. ౨ৎ
The wedding was to be held at your estate, per Zeus' orders most definitely. The ceremony was to start at any moment, and once again you were sat away waiting in a room with your siblings.
"I'm still upset we couldn't throw you a bachelorette party by the way," Thalia complained as she ran her fingers through her basket of rose petals.
"And what would we have even done with fathers eye never leaving our sides?"
"I could accomplish anything with nothing but a dream," the three of you chuckled, then began to turn your heads to the sound of the bells, indicating the start of the ceremony.
"Are you ready," Jason extended his hand.
"Never," you chirped, gladly interlocking arms. "But is my flower girl ready?"
"I was born ready," Thalia smiled as she pushed through the doors, littering your path with rose petals.
"Deep breathes little brother, deep breathes," you whispered, not knowing if you were truly talking to the little brother by your side, or yourself.
One thing you were nervous about is not the actually getting married itself, but who would be outside when you opened the doors. You had little, if not absolutely no say in the matter. You didn't know the people sitting in the crowd, the flowers hung around the room, or even the color scheme the room has taken. Though of course knowing your father, it would be white and gold, very Greek.
You were knocked out of your daydreams by a nudge to your side. "It's time."
You nodded as he opened up the door, introducing the two of your... future. Your life, as dull as the statement may seem, was dulled down to a single moment. The moment you were handed off to another man. One you didn't want to marry, but right now, it didn't seem to bother you as much as it did before. Obviously you weren't going to tell that to Luke, no need to inflate his already large ego.
You finished your walk, and Luke is standing right in front of you, taking your hand from Jason as you hugged him off. The wedding went smoothly, though you mostly zoned out as the priest began his speech, only zoning in into Luke's big brown eyes. Ever since the past week together, the tension has gotten thick and even after the day you were trying on wedding dresses, why it has only gotten worse.
You didn't know you craved the feeling of being skin to skin until that moment. You knew doing such actions before wedlock have just as much ruined you, and you know you should care, but you just wanted more. You wanted cake, and now you had it, and you were most definitely going to eat it, too.
"I, Luke, take you Y/N, to be my wife, to have and to hold from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, till death do us part."
"I, Y/N, take you Luke, to be my husband, to have and to hold from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, till death do us part."
"I do." "I do."
"You may now kiss the bride."
The two of you moved together with the speed of magnets, how much you oddly missed the feeling. This kiss was different, more tender, less hurried and hungry than the last. You liked it, very much indeed. The two of you parted, breathless, and turned to the cheering crowd (ignoring Thalia's eyes, her knowing eyes, that this was not in fact, the first kiss between the two of you).
Luke held out his arm, to which you interlocked with, and walked down the aisle together. "Told you I knew what would be your dress," he whispered.
"I'm soo smacking you when we pass through those doors," you gritted out through your smile. As you scanned through the crowd, curious on who was witnessing such a moment, you saw many familiar famous except one, the Aphrodite princess Luke went around floundering about with. It made you chuckled, just a little, that your father seems to have lost her invitation.
Now the two of you were behind closed doors, away from the cheering crowd. Only for a short time of course, for there'll be a party later in the evening. "Wonderful acting, it almost seemed like you liked me."
"Oh shut it," you knocked his chest with your bouquet. "Your teasing isn't very husband material."
"And what, prey tell, would be considered husband material?"
"Hmmm.." you pretended to ponder as you brushed your imaginary beard while looking between Luke's eyes. "I shall give it some thought."
He hummed in response as he softly grabbed your hand from your chin, holding it in his. "You're smiling."
You didn't even realize you were, "So are you."
"Why of course, I've just married the most beautiful woman I've ever set my sights on."
You rolled your eyes with your smile still evident on your face. "Why must you insist on poking fun?"
"What makes you thinking I'm jesting," Luke leaned down, close enough for his nose to touch yours. You didn't bother answering before slowly leaning in again. It was a slow and affectionate kiss as he slide his hands down to your waist, pulling you close. You both pulled away, still standing close to one another.
"Shall we make it to the party?"
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wingsdippedingold · 2 days
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My statement on ACOTAR characters
(unedited; really just a brain dump)
I know I use a lot of pro and anti tags when it comes to ACOTAR, and while I do have characters I like more than others, I really just dislike them as a whole. I think the series is poorly written and SJM is the one I actually hate.
I honestly can't really criticize or defend any character properly, because the characters themselves are just deficiently made. They all come from the same dumbass author. The main thing keeping me in the fandom are the actual people in it, because they have actual thoughts that make sense, and I find discussing the topics presened entertaining. So I don't wanna hear any "Well if you hate the books so much stop talking about them" bs
I don't hate Rhysand, in fact I think he has a lot of cool moments. I like the idea of him not bowing to anyone but his own people, so he got a knee tat of Velaris (even if I think its dorky). I enjoy his outlook on what's right, and I did genuinely like him early on. But I think the way SJM writes his actions (especially political ones) and their justifications incredibly disjointed poorly thought out. I think he's wrongfully used and justified and digs people into a bad way of thinking ethically because SJM has made no move to do anything but portray him as a white knight. Had the narrative acknowledge some of the things he's done as actually bad, in fact that most of them have bad outcomes for some even if they benefit others, I'd have no issue with him. SHe just writes him doing heinous things for reason and then is like "Oh but he's traumatized so its okay!"
I don't dislike Feyre, but I think she's often shoved into a backseat role in her own series. I know this is a multi-pov story, but seriously? How the fuck did SJM make Feyre's pregnancy climax to nothing more than more Nesta hate??? Why was her experience and thoughts just completely missing in the plot that literally revolved around her?? I find her flaws charming, and yet they're often forgotten or used to justify things that shouldn't be justified. I don't have any issue with her beyond the SC disaster. But, I think the fact that there's Feyre antis in general speaks to how bad of a writer SJM is. You can't even make people agree on liking your main fucking character? In fact most Feyre antis are Pro Nestas... which is ridiculous. How poorly do you have to write for people to pit sisters against each other WHEN YOUR MAIN TROPE IS FOUND FAMILY. The way SJM uses Feyre pisses me off endlessly
I think Feysand has its moments, and I don't hate anything about them specifically - but rather how they're presented and treated by the narrative. I think they make sense together, and I prefer them to Feylin, but I hate how SJM and fans bend over backward to justify everything.
I'm not a Nesta stan, I just think the narrative (and especially SF) is an injustice to real world issues and the logic used against her makes no sense in reference to the other characters. SJM says she loves her so much, but shows her none. I find the way the fandom treats her lacking empathy, and SJM has done nothing to actually better her character. I think its ridiculous no one acknowledge that she grew up in the same fucking cottage as Feyre with the same parents. SJM constantly dredges up new shit to pit her and Feyre against each other instead of just letting them be happy. She treats Nesta like she's irredeemable, and when she does "redeem" herself its literally in service to the people who are forcing her to fix herself??? She's used as a point for juvenile drama and placed in a cycle of being antagonized with no outlet to place blame. See my full thoughts on her here
I don't actually despise the ic, I think they all are just wasted and thrown into whatever whirlwind situation gives SJM a boner. I think Morrigan had so much potential, but SJM decided it would be better to use her for petty drama and forwarding a ship. I don't hate her because she doesn't do anything for the woman in the CoN, because quite frankly I don't think SJM has thought that far. I don't think Cassian's the worst man alive, but I think SJM has a poor grasp on him and what a healthy relationship (even in the bounds of a fantasy novel) is. And I just find Azriel particularly useless, he's not a thoughtful sensitive soul, he's just yet to be focused on. And I do not look forwards to the day he is, based on his first and only current pov.
I'm not a Tamlin stan, in fact I really don't care for his character, but I think he suffers from lazy writing and some severe character assassination. I think the switch up on his character after the first book is absolutely ridiculous.
I dislike how SJM throws Elain around and treats her like a little precious baby and making her out to be an airhead whos absolved from the same crimes Nesta's hated for.
I'm not an SJM fan, I'm an avid SJM hater. I actually despise her, and while I won't write out my entire long list of grievances with her here, just know that literally all of my issues with the series would be gone if she was just a better person and writer. Seriously, I think she lacks so much mechanical and analytical skill (which is crazy, she's been publishing books for 12+ years and written like 15) and I see no change in the future. She constantly retcons, switches characters up for whatever her narrative calls for, and sacrifices good character writing for a fast track to mediocre faerie smut.
I hate the way she sexualized Feyre's experience under the mountain. I hate the way she immediately objectified Feyre when she got pregnant (the blurb describing Feyre walking around while pregnant is insanely kinky and I hate it). I hate the way she throws around trauma and mental illness like cute little stickers so that she can pick and choose the aspects she thinks are cool. I hate that she's fucked up people's perception of abuse and mental illness. I hate the way she uses poc and steals credit for representation she didn't care to make. This isn't even all of it, its just what I can remember within the 9 minutes I spent writing this brain dump. SJM does not deserve more of my time 😭
If I was a character in the series I genuinely think I'd avoid all of them, because I don't care, and if I somehow did have to be cornered with any of them, I'd hate all of them. But If I ever faced up with the mother (aka Sarah), it'd be on sight. My hatred for her knows no bounds. Hate is a strong word, and one I used so many times in this post (something SJM does a lot too though, so I'm not worried, seriously get a thesaurus and stop using the same phrases every 6 pages) because it's true.
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eclipseofthoughts · 4 hours
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Here's my problem with a lot of the "you don't care about buddie, you just wanted to see two men kiss" takes I've been seeing.
I promise I'm going to be chill about this, so just be chill back please.
I don't think some people realise how, just, mean they sound when they write things like this. Like it hurts to read stuff like that, and a lot of people aren't tagging 'anti' when they post it and I'll get halfway through the post before I realise what it's about.
Ship wars suck and hurt and as a multishipper I wish they didn't happen, but they do and here we are.
The large, large, amount of people shipping bucktommy still ship buddie. We can enjoy both and it doesn't hurt you. Filter the tag if you hate it that much, but don't act like we have personally betrayed you and the ship at large by enjoying a fictional character. You don't have to like Tommy and I understand why people don't: he's not that well developed, he doesn't have the buddie history and they haven't had much time together. But this season is shorter and packed with plots and I think the writers did the best they could with the little screen time bucktommy has had. But it's not going to work for everyone and that's fine.
Make posts about buddie, say what you don't like about Tommy, tag it under anti and we can all enjoy ourselves. But don't come for other fans who probably still ship buddie, just because we're enjoying what we have now.
We all wanted bi Buck and we never thought we'd get it, so yeah, a lot of us are just enjoying Buck explore that side of himself and have romantic scenes with a man. It's just... Nice. Can't it just be a nice thing?
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lucabyte · 4 months
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I don't know how everyone isn't also always constantly thinking about how burial rites seem to be potentially one of the few things Siffrin instinctively remembers about their culture. But rest assured. I am in fact always thinking about it.
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Textless version where they're just hanging out. It's fine!
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bunnyhysteria · 27 days
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does anyone wanna talk about how the fandom has hyper projected onto shen yuan and went the mile with at least a leap of interruptation of one line yet turn a blind eye to the rest of canon?
specifically I'm talkin about the broke american college studentification of shen yuan coupled with the fanon that he's chronically ill. these are two beasts of their own and should be tackled differently so I will.
I personally and strongly disagree with how a lot of fanon portrays shen yuan with messy hair, a large hoodie, disgustin room, and general I guess losercore aesthetics lmao. and now I'm even wondering if he was explicitly a college student or if it was just fanon based on that he's at least 20 years old. I feel this is a mental image constructed not from canon, but the idea of what kind of person would be his age and show his behaviour online... from a western perspective.
I believe that he would be far more put together, especially as he is a rich pretty boy in modern china. the difference in acceptable levels of casual, especially for a son of a very wealthy family, are much different between america and china. honestly I do find it a bit sad I wear a slightly frilly button up shirt and a short skirt and suddenly I'm a model in my area but I digress. I definitely think that shen yuan would probably even be actively into street fashion, give how well he seems to take to shen qingqiu's own pretty boy life. I also have a hard time believin that such a low life style person would readily take to the upkeep and demands of life as an immortal master with specialty in the fine arts.
there's also something to say about his resemblance to shen qingqiu (re: mushroom body), as well as I've seen some people claim that shen yuan was tall due to his lack of reaction nor stumbling with his new towering height. while the two adaptions I know if depict him with short hair, I think he could have readily had longer hair as well, maybe shoulder or so length. if "not reacting" is grounds to stand on (which is also used for the chronically ill headcanon), one could reasonably point out he doesn't seem to have any trouble with his now waist length locks. even slowly growing out my hair I'm having shocks to what the life entails, so I can't imagine being fully chill with sudden long hair. however, with the it's modern china argument for fashion, it is most reasonable he'd have short hair.
and yet, despite all this evidence in favour of a distinguished shen yuan ignored, the fandom took his pretty boy waiting to die line and ran with it, hard. I have been told this was due to a fan translation note implying that it could have hinted to chronic illness, and it was instead warped as fact of what the line was trying to say. I've also seen the lack of reaction claim used on him supposedly adjusting very well to living with without a cure, often paralleled to some people's chronic illnesses. this is a fair headcanon and is not really a problem on it's own. I just want to speak my thoughts on it, especially in contrast to the other popular fanon arising from ignoring a fair bit of canon implications and then taking one that most likely was not even in that direction as gospel.
first and foremost, as a disabled person myself, I find a lot of fandom depiction of chronic illness to be very divorced from reality, used to play into the losercore vibe, often just thrown in there with feelin like the creator forgot they gave him a disability only to suddenly write a single sentence goin "look! he's disabled!", and worse of all as if it could be his only justification for wasting his life away on the internet.
I once read a fanfic that seemed to just list a bunch of things he had or did because of his disability in a very list-like way, but a believable combination enough to presume they at least knew someone disabled, only to leave his cane at home after establishing his unamed illness with 50 symptoms could suddenly k.o. him at any time. not only did nothing happen while he was out, I question why someone of his status yet so severely disabled would not have an ambulatory wheelchair.
I also question the lack of mental illness present in many fanfics. this is not only due to that chronic illness does not really exist independently of mental illness, but I feel that shen yuan is canonically very mentally ill. not only is he wasting his life away with no purpose, heavily implied to be neglected, but he immediately accepts and welcomes a foreign life with no consideration of going back. many people write fanfics of shen yuan pressed about his identity and wishing to be seen for him, but as I've noticed and have pointed out to me by others, that's just not the case. there is no canon reveal because there is no identity conflict. he may divorce himself from shen jiu adamantly, but he marries himself quite well to shen qingqiu, readily switchin how to refer to himself near instantly.
I also feel there's something to say about how he's not only welcoming a foreign world, but one with severe danger that he has to face. and what does he do? dissociates like hell. it takes him a couple books before he even sees those around him as people! I also feel that him not even recognizin that he was cryin from literally ripping a chunk of his own leg out until binghe pointed it out speaks volumes. he let binghe rawdog him in a craze with excruciatin pain that literally killed him and was like "yea this is fine ah what do you mean there's a chance binghe might be dead when I get back noo". could even make an argument that his ignorance to his harem is more than just comphet, but also believin that he wouldn't have value to others in that way. his value is his status: a status he didn't earn and has never earned.
I don't know. I feel there's a lot more to shen yuan than the fandom looks at or rather the fandom digs into things that aren't even there as if it's the penacle of his character. I wanna see more exploration of shen yuan as he is rather than what the fandom wants him to be. or at least to me, his pretty rich boy complex feels far more interestin than the hundredth "oh yea he's chronically ill" shoved in for little to no reason other than they can't comprehend his behaviour without it. as if to say "well if only he could physically do other things, he would. he's not like those losers who can't get a grip of themselves." completely ignorin the depths of mental illness they could explore. it feels both saneist and ableist, in different directions. he's only so pathetic because he's physically disabled. that he can't be any other way, otherwise he's just not likeable.
like give him a couple personality disorders to explore his behaviour with or something! show how he's actually so used to playing pretty composed rich boy in public and that's why he so easily slipped into his idea of shen qingqiu! something!! anything!!!
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starflungwaddledee · 4 months
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Bandee and Starstruck 🎀💖
starting off my february starstruck dee ship-a-ganza with the big one. they do seem like... the obvious answer, huh...?
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they have far and away the most development together and the strongest personal relationship, both in what i've posted, and in her story overall! would kill or die for each other in a heartbeat. i would be absolutely lying if i said i'd never thought about it, but i'm not 100% convinced my thoughts lead me to romance specifically...
they're already pretty insane about each other! starstruck in particular is madly in love with bandee in every way it's possible to be. loves him the way he loves kirby, i think (pretty sure he does not know this. might be shocked to learn it.)
however she's daft as bricks, so he'd have to initiate, and i can't really imagine anything in their relationship would change.... so he'd have to mostly want The Title or the Performance one way or another, and i'm not super sure he would!
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katabay · 7 months
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L'APPEL DU VIDE
okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.
this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.
combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.
jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.
to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:
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J. G. Ballard, The Drowned Giant
anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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mishy-mashy · 5 days
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Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much
He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks
He even parallels Hawks when they talk about that particular look in their eye
From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,
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He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running
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When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.
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This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.
Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.
Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.
Kudo is a bit like Aizawa.
A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?
His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)
He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)
He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)
He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.
Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.
The first thing they perceive is a person's character.
When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.
Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.
Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.
If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."
Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.
Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.
It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.
When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.
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Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.
The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.
When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive
He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*
En tried going first. Kudo rejected him, saying he would go first.
"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."
Too. TOO.
KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.
I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,
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- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first
- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.
- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.
He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP
(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])
- "Too."
- Bruce's trust in him, but knowing when to pull Kudo back from going too far
Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is
1) Take away the recoil of his existence as a Factor on the boy
2) Reassure him that it's okay, so it doesn't weigh on his conscience
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Even if only in thought, STILL!
KUDO LOOKED SO PROUD OF MIDORIYA!
I bet Kudo is suuuch a sentimental fool
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> [Be me and watch your new friend die]
> [I have Yoichi's Factor]
> [It's like I carry his will now]
> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]
> [Hey Bruce, let's figure out how it transfers]
> [Bruce's common sense VS my rabid ideas]
> [I win]
> [Bruce was unwilling the whole time and still ends up with the Factor]
> [The Factor is named One For All, after something in Yoichi's favorite comic book series]
> [We pass it on to the future to carry forward]
> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]
> [Decades later, my sweet vaulted friend reminds me of when we met]
> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]
SEN - TIM - ENT - AL!
When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.
Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.
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All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.
[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?
Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.
He explains
- the transfer of vestiges, and why he should go first
- his Quirk
- why Quirks are Quirks
- reports to Midoriya what's happening and what's next
- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"
When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.
Eye reflection. Kudo can really see people for who they are, and understands others, and himself.
I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes
It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.
AFO never reflected anyone.
But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.
"Yoichi?"
"He's gone."
"You killed him, Demon Lord."
And AFO hated that reminder.
Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.
And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.
Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.
He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.
Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.
Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.
Kudo's lying about the world being black and white.
Kudo and Bruce saw the world as black and white. This was mentioned in the void.
Kudo also says, "Victory meant life. Defeat meant death."
But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.
Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.
Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.
Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.
Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.
Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.
Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.
But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.
Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.
Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.
Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.
He wishes the world was black and white, because it'd be so easy. But it's not.
Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.
Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)
#KUDO IS UNDERRATED NEEDS MORE CONTENT RECOGNITION HES THE KINDEST WITTLE BOY EVER#my thoughts#i think ppl who write resistance stuff should also consider that not everything was black and white#there will be moral arguments where you cant decide. and the resistance has faced those sorts of things where There Is No Right Answer.#kudo is really kind tho. exactly because he cares so much he does all these things and tries to harden himself#but like exoskeletons work - its only an armor to protect the soft squishy insides and keep them from drying out#i woke up and had to put this stuff down#me: *picks up a sentence note in my fic notes* *puts it down here and elaborates*#the line was in relation to putting down stuff about the vestiges to remember dynamics#[Kudo is the kindest despite appearances]#kudo seems like he would be fiercely protective over ppl he cares about. exactly because hes seen so many of his comrades die over and over#kudo#bnha#mha#boku no hero academia#my hero academia#spoilers#ofa#one for all#bruce#bruce is the meme of “*chuckles* I'm in danger” and its just. Kudo w/ his new crazy idea chasing him down with Gearshift and Yoichis Factor#hikage shinomori#en tayutai#yoichi shigaraki#ive been thinking he was kind for a long time but never elaborated why. if u look at his actions words and thoughts it all makes sense#theres underlying kindness in there. he wants to be kind but the world would scorch him if he didnt have a stick up his ass#also adding on to the prev tag of kudo and fiercely protective- because in their times comrades were everything. otherwise you were alone#the world sucks resources are limited and youre a diseased human [Meta]. but you have someone willing to walk with you.#also about the [Kudo is the kindest] note among the vestiges- i dont think any of the other vestiges would do what kudo did#calmly volunteering himself rather than it being in panic. extending a hand and saving what shouldve been his mortal enemy. yknow
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gloriousmonsters · 10 months
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the entire vibe of twilight princess is just *touches ground* something terrible happened here
edit: OKAY a few people requested/expressed dismay that so much was just in the tags so I'm taking them from the tags and putting them under a cut here :P i'm happy people like them
#no gerudo in the gerudo desert. the twili being the product of ancient magic mass incarceration. zelda's depression and guilt and fuckin#'i don't deserve a bedframe' type room. the triforce of power keeping ganondorf alive - what do the gods want? guess they must be crazy#or maybe we kiiind of fucked up (no gerudo) (arbiter's grounds) (there was a war in ocarina and we don't talk about it)#(and there is an implied war potentially one of attempted extinction hidden between the pages of TP's history)#(hyrule's very good at not talking about its wars) (zelda says 'this is the least i can do' and tries to kill herself to save midna)#(your shade from the past teaches you how to kill and tells you to seek power and teaches you to kill again)#(putting an enemy on the ground isn't enough unless you finish them quick)#(your shade from the past wears armor. the spirits slipped chainmail under your kokiri clothes.)#(the monsters that claw blindly at you are the warped souls of the captured. the benevolent spirits of light insist they're beyond saving.)#(the arbiter's grounds is so so full of the furious dead. in the desert. the gerudo desert)#(the princess sees you not knowing who you are but only seeing that you are a monster and are chained and she apologizes)#(zelda gives her life to save midna and when ganondorf dies she prays in silence)#no esteemed deed is commemorated here etc etc#anyway. ignore all that. i'm obsessively thinking about the idea/theory of link fighting on the side of the gerudo in the past of TP#(hence his appearance on Ganondorf's armor) bc it makes everything Even More Fucked Up#thinking abt this game depresses me so much. i love it
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lightningidle · 2 months
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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jacksprostate · 7 days
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Treatise on why No, the doctor just giving the narrator of Fight Club (full name) his requested sleep medication or sending him to therapy would not have Fixed Him
Firstly, saying giving him the insomnia meds would’ve fixed him ignores the reason he has insomnia in the first place. He is so deeply upset by his place in society that he literally cannot sleep. Drugging him to sleep would not change that. That, of course, is the easy, quick response.
But with regard to therapy? The biggest flaw is that it ignores a central tenet of the book. Part of what tortures the narrator and drives him to invent Tyler is that his feelings about this collective, systemic issue are constantly reduced to a Just Him thing. His seatmates ask what his company is. He’s the only one upset at the office. He gets weird looks if he says the truth of what he does. People will do anything in their power to pretend he is the issue, as an individual, because it is far scarier to consider the full implications of the systemic issues implied by what he is saying. Everyone treats it as if the issue is him, so he goes insane. He does anything to get someone to say, holy shit, that’s fucked up, what you’re a part of is wrong. In an attempt to feel any sort of vague sympathy and catharsis, he goes to support groups to pretend to be dying, because then at least people don’t habitually blame him for his anguish. 
Saying therapy would fix him ignores that his problems are not individual. They are collective. It’s the reason the entire story resonates with people! Something deeply, unignorably wrong with society, where people would rather blame you for bringing it up than try and address it, because it feels impossible. I don’t blame people for this, really, because it IS scary. It’s terrifying to sit and feel like you’ve realized there’s something deeply, deeply wrong, but if you say something, people will get mad at you since it’s so baked into everything around you. Or, even if they agree, it’s easier to deal with the dissonance by pretending it’s individual.
And it’s not like that’s not the purpose therapy and medications largely serve, anyway. Getting into dangerous territory for this website, but ultimately, the reason the narrator was seeking medication was because it’s a bandaid. A very numbing bandaid. For these very large, dissonance causing problems, therapy does very little. Medications do what they always have, and distract you with numbness or side effects. It’s a false solution. He is seeking an individualized false solution because he has been browbeaten with the idea that this is an issue with him alone, when it's plainly clear it's not. 
Don't get me wrong. Obviously he has something wrong with him. But it's a product of his situation. It is a fictional exaggeration of a very real occurrence of mental illness provoked by deep unconscionable dissonance and anguish.  There is a clear correlation between what happens and his mental state and his job and how isolated he is. 
The thing is, even if he were chemically numbed, I do think he would’ve lost it regardless. Many people on meds find they don’t fix things. For reasons I’ll get into, but in this case because even if numbed or distracted, once you’ve learned about deep, far reaching corruption in society, it’s very hard to forget. Especially if, in his case, you literally serve as the acting hand of this particular variety. He’s crawling up the walls. 
So why do people say this?  Well, it's funny I guess. Maybe the first time or whatever. But also, often, they believe it, to a degree. Maybe they've just been told how effective therapy and meds are for mental illness, they believe wholeheartedly in The Disease Model of Mental Illness, maybe they themselves have engaged with either and have considered it successful. Maybe they or someone they know has been 'saved' by such treatments. 
But in all honesty.... What therapy can help with is mentality, it's how you approach problems. For issues on a smaller scale, not meaning they are easier to deal with my any degree, but ones that are not raw and direct from deep awareness of corruption; these are things that can be worked through if you get lucky and get an actually good therapist who helps build up your resiliency. But when your issue is concrete, something large and inescapable? It's useless. At best it can help you develop coping mechanisms, but there is a limit for that. There is a point where that fails. To develop the ability to handle something like this requires intense development of a comfort with ambiguity and dissonance and being isolated and a firm positioning of your purpose and values and and belief in wonder and all the other shit I ramble about. The things that the narrator lacks, which lead him to taking an ineffectual death knell anarchist self-destruction path. Therapy, where the narrator is, full of the knowledge of braces melted to seats and all the people that have to allow this to happen? It fails. 
And meds — meds are a fucking scam. We know the working mechanism of basically none of them, the serotonin receptor model was made up and paid its way into prominence. We have very little evidence they're any better than placebo, and they come with genuinely horrific side effects. Maybe you got lucky. I did, on some meds. On others? I don't remember 2018. The pharmaceutical industry is also known for rampant medical ghostwriting, and for creating 'off-label' uses for drugs that have gained too many protests in their original use, then creating a cult of use to then have 'grassroots' campaigns for it to be made a label use (ie, legitimize their ghostwritten articles with guided anecdotes). 
The DSM itself is basically a marketing segregation plot. It's an attempt to legitimize the disease model by isolating subgroups of symptoms to propose individualized treatments for subgroups that are not necessarily all that separate. But if the groups exist, you can prescribe more and different medications, no? Not to mention, if you use the disease model, you can propose that these diseases are permanent, or permanent until treated, considered more and more severe to offset and justify the horrific side effects of the medications. Do you know why male birth control doesn't really exist? Same reason. They can justify all the horrible side effects for women, because the other option is pregnancy. For men, it's nothing. 
And they're not bothering to invent new drugs without side effects. When they invent new drugs it's just because the last one got too bad of a name, or they can enter a new market. Modern drugs don't work any better than gen1 drugs. They still have horrific side effects. At best, the industry will shit out studies saying the old one was flawed (truth) so they can say this new gen will be better (lie). They're doing it with ssris right now. 
Fundamentally, the single proposed benefit of any of these drugs is that they numb you. To whatever is torturing you. It's harder to be depressed if you can't feel it, or if you just can't muster the same outrage. Of course, there is people who find that numbness to be helpful, or worth it. But often, it's stasis. For the people who have problems that can be worked on, it serves as a stopgap to not actually work on said problems. The natural outcome of the disease model is stagnation for those whose need is to develop skills and resiliency. It keeps them medicalized and dependent on the idea that they're diseased and incapable. Profitable. Stuck in the womb. 
I’ve been there. It’s easier, to wallow, and resist growth because it’s difficult and painful and unfair and cruel and you can think of five billion reasons to justify your languishing. But don’t listen to anyone who tells you you’re just permanently damaged, no matter how nicely they word it, no identity or novel pathologization, no matter how many benefits they promise, especially if they swear up and down some lovely expensive medications with little solid backing and plentiful off-label usage and side effects that’ll kill you. Some days it feels like they want us all stuck in pods, agoraphobic and addicted to the ads they feed us to isolate the markets for the drugs they’ve trained us to beg them to pump us with. Polarization making it as easy as flashing blue light for go, red like for stop, or vice versa. I worry about the kids, for fucks sake. That’s a bit dark and intense, and I apologize. But I want you (generic) to understand, there is a profit motive. Behind everything. And they do not mean well. They do not care about your mental health or your rights or your personhood or your growth. They care about how they can profit off of you.
For those struggling with immovable, society problems, like the narrator grappling with how his job fits into and is accepted by society while his rejection and horror in the face of it does not, it can work about as well as any other drug addiction. Your mileage may vary. From what I've seen, recovering from being on prozac for a long time can be worse than alcohol. They put kids on this shit. They keep campaigning for more. Off label, again. A pharmaceutical company’s favorite thing to do has to be to spread rumors of someone who knows someone who said an off label use of this drug helps with this little understood condition. Or, in the case of mental illness, questionably defined condition. And like, damn, I know I'm posting on the 'medicalization is my identity' website so no one will like all this and has probably stopped reading by now, but yall should be exposed to at least one person who doubts this stuff. Doesn't just trust it. Because I mean, that's the thing right?
It's so big. What would it mean, for this all to be true? Yeah, everyone says pharmaceutical companies are evil and predatory and ghostwriting, but to think about what that really entails. Coming back to the book, everyone knows the car lobby is huge and puts dangerous vehicles through that kill people. What does it mean if the car companies all hire people to calculate the cost of a recall and the cost of lawsuits? No one wants to think about the scale that means for people allowing it or the systems that have to be geared towards money, not safety like they say. Hell, even Chuck misses the beat and has the narrator threaten his boss with the Department of Transportation. And shit, man, if every company is doing this, you think Transportation doesn't know? That they give a fuck? You're better off mailing all the evidence to the news outlets and hoping they only character assassinate you a little bit as they release the news in a way that says it's all the fault of little workers like you, not the whole system. Something something, David McBride, any whistleblower you feel like, etc. 
So I don't blame you, if your reaction is "but but but, that can't be right, people wouldn't do it, they wouldn't allow it" or just an overwhelming feeling of dread that pushes you to deny all of this and avoid thinking about it. Just know, that's in the book. That's all the seatmates on the flights. That's all his fellow officemates. It's easier to pretend, I know.
But think about, how the response fits in with the themes of the book. The story, as a movie too. What drives the narrator’s mental breakdown? How would you handle being in his position? How would you handle being his seatmate? It’s easy to say you’d listen. But have you? Have you had any soul wrenching betrayals of how you thought society worked? How about a betrayal by the thing that promised to be the fix of the first? Can you honestly say you wouldn’t follow that gut instinct, saying follow what everyone says, that person must just be crazy, evil, rude, cruel, whatever it is that means you can set what they said aside?
For a lot of people, they can do that, I guess. Set it aside. Reaching that aforementioned state of managing to cope with the dissonance and ambiguity and despair is very hard. The narrator made the Big Realization, but he couldn’t cope. He self-destructed. Even when people don’t make the big realization consciously, they’re already self-destructing. It’s hard to escape it when it feels easier than continuing anyway. When it feels like the only option,
Would therapy fix the narrator of Fight Club? Would meds fix the narrator of Fight Club? No. He knows too much. All meds will do, by the time he’s in the psych ward, is spiritually neuter him. A silly phrase, but really. Take the wind out of his sails. 
Is he fixed if he doesn’t try to blow up town? If he just shuts up and settles in and stops costing money? If he still can’t cope with the things he’s unearthed? Do you see how this is a commentary in a commentary in a commentary?
Fight Club is an absolutely fascinating story because of this. The fact that it addresses the fallout of knowing. The isolation. The hopelessness. The spiral that results from a lack of hope. This is, I think, what resonates most with people, even if not consciously. Going insane because you’ve discovered something you wish you could unknow. It’s a classic horror story. Should our society be lovecraftian evil? I don’t think so. 
Do I think changing it will be easy? No. Lord knows a lot exists to push people who make these sorts of Realizations towards feelings of individuality and individualized solutions and denial and other distractions and coping methods. And to prevent people who make One realization from expanding on it and considering further ramifications. Fight Club itself gets into this; the isolation of men being a strict part of the role society shapes for their sex leaves them very vulnerable to death fetishes, in a sense, and generally towards self destructive violence. It helps funnel them away from substantial change and towards ineffectual change. Many things, misogyny, racism, serve to keep people isolated from one another, individualized, angry, and impossible to work with. Market segregation; god knows even appealing on those fronts has become such a classic ploy that companies do it now, the US military frames its plundering that way, etc. 
I’ve wandered a bit but ultimately, my point is this: Fight Club is a love letter to the horrors of critical thinking, and the importance of not falling into the trap of self destruction and hopelessness in the face of it. The latter is why Tyler was an anarchoterrorist instead of anything useful. The latter is why it was a death cult. It’s important to work through the horrors of critical thinking so you can do it, and stand on the other side ready to believe in each other. It’s worth it.
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fiapple · 18 days
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i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.
just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.
you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.
to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.
#obligatory disclaimer that i’m aware luffy is the protagonist & a lot of interesting stuff is explored w him. this isn’t abt him though.#part of me wonders if this is an aspect of why people will write off this arc sometimes tbh... like that & the political themes.#but yeah anyway i get why people say that for all there are 100% misogynistic tendencies in oda's writing & character design#it is very very hard to say that he as an individual is an ideological misogynist. like the level of care he puts into his female cast mem#-ers generally speaking & how he approaches what existing as a multi-dimensional individual would look like in their specific contexts is#like... in a lot of ways still something that is unprecedented across all forms of media.#but also not the point but anyone who says nami in particular doesnt get real fights/is unskilled um... no you're wrong read her fight in#alabasta & then all of skypeia.#like in alabasta she takes on arguably a stronger opponent than sanji when considering the structuring of BW. not only that but she does s#with a weapon she has never used before while actively reading the instruction manual. and she WINS. she wins based on sheer intellect &#the ability to utilize skills the audience already knows she has. the pre-existing basic fighting skills she's introduced with are elabora#-ed upon by incorporating her skill w navigation. same with the way her cunning is used in skypeia to cover her lack of sheer brute. &#the best part about it is she's fucking tough in a way that makes sense! she isn't strong/weak just for the sake of positioning her as such#it is thoughtful & it strengthens her as a character rather than just like giving the power-scaler types smth to mindlessly chew on.#like do i wish nami got to fight more & take a more active role in that regard even if i don't think she needs to be a fighter in the same#sense as the monster trio? yes absolutely. i'm guessing this is going to be smth that bothers me potentially even more with robin.#but that does not mean her fights are not masterfully written when she gets them or that she isn't tough as a bag of nails.#respect my darling woman or die.#skypeia#nico robin#nami#grey's one piece tag
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suddencolds · 29 days
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~
#delete later#another journal entry 📝 for the void#i have not been sleeping well for the past 2 wks 😵‍💫 i always wake up like clockwork after 5-6 hrs which feels like not nearly enough#i feel like i've done everything there is to do (consistent exercise + consistent sleep times + earplugs + weighted blanket + no caffeine)#last night i took melatonin too but no... same problem staying asleep 😭#ahh whatever. i'm just frustrated that it has to be this way :(#anyways in an act of spite i reread like the 4 wips that have been sitting in my drafts from the past few weeks#i think something that will never cease to surprise me about writing is that more effort/time doesn't necessarily translate to better#results; i suppose that's the case with all kinds of art but#it does feel somewhat unintuitive. one of my fav professors in uni said to not dismiss those 'lightning in a bottle' moments (in art) as#blind luck... but to instead analyze the circumstances and iterate on recreating them. and i think one of my artist friends who i deeply#respect said something similar (wrt artistic rituals/setup). i have too many thoughts on writing and on my own creative processes and#weaknesses to fit into any number of tags here. :') that said...#*shakes ch2 draft* after everything i did and all the hours i spent WHY are you still so bad?!!! D: i am baffled and frustrated.#and why do i prefer this other [redacted] draft which i hammered out with utterly no regard towards the quality??#anyways. back to the drawing board i guess T.T
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skitskatdacat63 · 8 months
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Boy King AU | Vettonso + Martian | 1.3k
There's something about putting the future emperor of the Holy Realm on his knees like this. About how easily he goes, how willingly, how obediently. What would his adoring public think if they could see him now. If they saw their beloved king pressed down like this, in the cramped space between Fernando's legs. When they realized their little boy king took it like he was a little concubine instead. 
Fernando's bitterness is lifted away in moments like these, like taking off a heavy cloak on a winter's day. It was hard to feel humiliated about his own situation when watching Sebastian debase himself like this. 
He always gives himself up so easily. When Fernando threaded his fingers through his thick curls. When he pulled them, and then when he pressed his face down further down into the vee of his legs.  Sebastian rubbed his cheek into the coarse fabric of Fernando's breeches and blinked up at him. Fernando had to smother an embarrassing sound; he was just like a little cat!
Sebastian quirked his lips up into an odd little smile and slightly rose up on his knees, "What's funny?" Fernando swallowed lightly and schooled his face back into being impassive, "Nothing. As you were." Sebastian simply smirked at him and let himself be pushed back down by the fist clenched in his hair. 
Fernando scoffed internally, there was only so much pleasure in putting the other man in his place when he instead acted like this, this degrading action, was his birthright. He took to ruling and indulging in carnal pleasures as if they were of equal gravity. To be privileged to hold such high station and also let himself be taken apart like this…Fernando felt embarrassed for him.
He is dragged away from his musings when Sebastian moved to settle his hands in Fernando's lap, clutching his hips over the fabric and slightly squeezing; Fernando fought against the urge to shiver. Sebastian pushed up the skirt of Fernando's waistcoat and smoothed his hands over the opening flap of his breeches.
His eyes darted up at Fernando again, a daft smile on his face. Fernando scowled at him, "What?" Seb's grin sharpened, "You could stand to be a little more gracious. This is your future emperor, and future husband might I add, kneeling for you on this dirty, depraved, derelict- ah–" Fernando tugged on his hair again and hissed, "Well then, why don't you show me how eager you are to perform your marital duties?" 
Seb licked his lips, completely unconcerned by Fernando's annoyance, and unbuttoned one side of the closure to Fernando's breeches and moved to open the other–
The door to the carriage flew open, arrival announcement dying on a wheezing breath as the servant took in the image the two kings made. One splayed across the seat, exuding power, the other kneeled, debauched, between the former's legs. 
One would be hard pressed to determine which was higher on the totem of power and titles. 
There was something gratifying about this to Fernando, about being caught. He had been humiliated enough throughout the entire courtship, what was one more thing? And, certainly, what was one more thing if he could drag Sebastian down into the dirt with him. 
"Oh Mark, don't act so abashed! It's nothing you haven't seen before, in fact, we have been in this very position not even a fortnight ago!"
Oh. Yes. That. 
It was hard to be completely pleased when he remembered how Sebastian had already spent years prior to their engagement sampling the palace's ample selection of fellow high-born men. And how all those men seemed to be completely and utterly wrapped around his little finger.
Fernando released his hand from Sebastian's hair as if it had burned him. He did not understand why he felt ashamed with Mark looking in on them like this. Fernando was the one marrying Sebastian, not Mark; Mark was just a lowly courtier who had the esteemed duty of spending practically every waking hour with the brat…something he himself was decidedly not looking forward to. 
Sebastian stayed kneeling, staring impassively up at Mark, still fiddling with the clasp on Fernando's breeches. Fernando gritted his teeth and looked up from where he was watching Sebastian's clever little hands; Mark stared back at him placidly. 
Mark's indifference made the entire situation worse. Fernando now felt as if he was not doing anything unique, not doing anything particularly new. How many other men had Mark caught Seb with in this exact position? Fernando felt like he was just another plaything of the boy king, soon to be boy emperor, except his position was forever, permanent. He was the "Kept King", the king who only kept his throne due to the whims of a boy who doesn't even understand what power is.
Mark coughed, "Well," he says, "Your Majesty, I do believe you have a meeting to attend." Seb pouted at him and whined, "We were just getting to the main course," but still braced himself on Fernando's thighs and got up off the carriage floor. 
Seb pranced down the steps Mark had placed next to the carriage, miming tripping sown the stairs, snickering when his action made Mark reflexively reach out to grab him, and then playfully skipped off the final step. 
Fernando couldn't help but stare as Mark made the weirdest grimace in response, and he inexplicably felt all his mortification seep away from him. Huh. Maybe Mark is-
Seb then turned around and frowned at him, seemingly disappointed, but his eyes are deceivingly sharp, "Fernando, I regret to inform you that I have other duties I must attend to, you will simply have to wait." He then grinned up at Mark next to him and giggled as the other man stiffened when Sebastian looped both of his arms through Mark's. 
He leaned all his weight on the other man, Mark not so much as shifting his weight, "Oh Mark, won't you carry me back to the palace? I'm so very tired after all the horse riding," Seb looked up at him imploringly.
Fernando observed as Mark rolled his eyes and shrugged off the man, though notably not pulling his arm from Seb's grasp, and he got the distinct feeling that this exact scene had been played out countless times before. 
Fernando clenched his jaw as he watched Seb turn and saunter off, Mark trotting alongside him like a loyal dog. Fernando was supposed to be the unaffected one in this partnership, the unflustered one, the unconcerned one. And yet here he stood, in broad daylight, in a foreign kingdom, on the steps of a carriage with his breeches half unbuttoned and his cravat in disarray. 
He heard a cough from beside him, jolted and looked to the side. Sebastian's loyal Horse Master stood there, lounging against the side of the carriage. Fernando had forgotten who had even been driving the carriage in the first place. After Seb has let himself be pushed down, his hair still windswept from their ride together, everything else seemed to fade away. His thoughts were reduced only to how he could mess up the younger man's hair further. 
Jenson grinned at him wolfishly, and casually crossed his legs,  "First time?" he inquired. Fernando glared at him. The other man laughed openly at him, "What? He's a busy man with big prospects. You're not his majesty's only conquest, you know. Now your throne on the other hand…"
Fernando seethed, it was one thing to be humiliated by the future emperor, but to be patronized by the king's horse boy? No. It would simply not do. He closed his eyes in annoyance, pinched the bridge of his nose, exhaled, and prepared a speech about how he was not about to be talked down to by a man who didn't even have a throne to speak of! 
But when he opened his eyes again and opened his mouth to begin his tirade, Jenson was already wandering away to tend to the horses. Dios mío, Fernando was not mentally prepared to spend the rest of his life with all of these impertinent morons. 
#i love how i kept saying to people: no no i shant write any fic for this. only art.#me like two weeks later: hey guys :)#this is just: i was sitting in class and had a drawing idea but then im obv not drawing *this* in class so my brain went into narrative mod#not exactly 'baby's first ficlet!!!' but moreso ive not written in a while so i hope its alright???#but aaahhh this was actually pretty fun!! idk i think it was bcs i was also being brainrotted by the image of seb kneeling....#maybe ill draw it. but it felt like something that needed the context of narrative and not just oo here is a drawing!#anyways you can always ask me for a directors cut-(PLEASE PLEAE BEGGING PLEASE)#see this is why im not cut out for writing fic#its not like i dont think it can speak for itself. more that im just an overly reflective person who wants to explain all my thoughts#if i wrote fic itd really be just: chapter 1. chapter 1.5 chapter 2. chapter 2.5#anyways i think its pretty obvious but this is before their wedding and just like peak bitterness.#well not peak. peak would be the first year- first few months of their marriage#but this is fernando who is only just realizing how naive all his expectations of seb were and getting a glimpse of his future#but mostly: mindgames and power play and: whos actually really winning?#also my god jense is literally the best chara in this au. he is vibing and basically just witnessing ye olde reality tv#mark and fernando are always in a weird powerplay with seb(even if seb isnt even consiously doing so) and jense is just free from it all#hmm now how does one go about tagging fic#vettonso#f1 fanfic#formula 1 fanfic#f1#formula 1#martian#sebmark#also idk why im always so concerned abt tagging when im basically just writing this for my little boy king following i have somehow formed#hahaha! it is art to me!:#catie.art.#boy king au
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