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#what people think of her when public image was
hqbaby · 1 day
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six — i believe you
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mess it up — gojo x reader & sukuna x reader
⁀➴ when i told you i’m fine, you were lied to. when the love of your life falls for someone else, you decide to move on—by pretending to date your best friend, the campus fuckboy.
previous — masterlist — next
word count. 1.7k content. profanity, sukuna is a little gross, reader’s a bit of a menace
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Satoru had heard about you. You had cultivated the perfect image for the public, the diligent, hardworking, sweet girl on the tennis team who had a smile for everyone. Most of them loved you, and those who didn’t were apparently only one conversation with you away from falling head over heels. He’d heard about you, but he didn’t buy it.
He had quite a reputation himself. Some kind of golden boy, a god among mere mortals. But he was well-aware that the whole facade was built on a few bouts of witticism, a few flirtatious jokes, a steady stream of good grades, and nothing more. People liked to believe in the idea of someone, so he never really bought the idea of you.
Until he saw it for himself.
He and Suguru had spent the morning on the basketball court. They’d been on a week-long bender of parties, nights out, and copious amounts of alcohol. Classes were starting up again in a few days and they decided they needed a reset. Get some fresh air. Touch some grass.
They were heading to the locker room when they passed by the tennis court. There was a small crowd gathered, mostly children who couldn’t have been older than ten—and you.
Satoru knew what you looked like. He’d seen you from across the hallway, a few tables away in the cafeteria, on the walkways between buildings. Friends had pointed you out on occasion, launching into gossip about the people you turned down, the matches you’d won over the weekend.
But when he saw you there, right beneath the blazing heat of the last bits of summer sun, crouched in front of a kid who was crying, holding a broken racket, he couldn’t help but think that you looked different. Better than how most people described you. 
Absolutely beautiful.
He must’ve looked stupid when he suddenly came to a stop on the other side of the fence. But he didn’t care. He was watching an angel come down to earth.
You were nodding as the kid cried, explaining what had happened to his racket. When he was done, you ruffled his hair and offered him the gentlest of smiles. You walked over to a bench, took out a racket from a bag, and handed it to the boy.
The kid’s eyes were wide. “But this is yours!” he said, holding the thing in his hands like it was made of gold. “I can’t use this.”
“Who says?” you told the kid playfully, patting him on the back as you steered him in the direction of the other children. “Come on, we’re here to have fun.”
“What are you doing?” Suguru snickered behind him. “You know, watching little kids is creepy. Just saying.”
Satoru shoved his best friend and shushed him. “Will you be quiet for once in your life?”
Suguru slung his arm around his shoulder and sighed. “You’re not gonna get her, you know,” he said. “Many have tried. None have succeeded.”
“Oh, yeah?” Satoru said, walking away. He glanced back at you one more time. You were standing now, calmly telling the kids not to whack each other with balls. “Watch me.”
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“I don’t get it.”
Sukuna trails behind you as you load the grocery cart with boxes of Capri-Sun. The thing is already half-full with loaves of sliced bread, deli meat, and an assortment of vegetables. All of this, he decides, is worth more than what he spends on groceries in a week.
“I told you not to come,” you remind him. “You can fuck off if you want.”
You almost lose your balance as you lift a 24-pack of bottled water, but Sukuna’s quick to grab the thing from your arms and set it down with the rest of the groceries.
He smirks at you, grabbing the handle of the cart before you can get to it. “I dunno, tiger, seems like you need me here.”
You flip him off and march down the aisle to grab a few more things.
“You’re not even getting paid to do this,” he tells you. “Why are you putting so much effort into these kids?”
You shrug, leading him to the register. “They need to eat.”
“Their parents can feed them.”
“Some of them don’t.”
That shuts him up for once.
Sukuna has never questioned the fact that you’re a way better person than he is. He’s known you since high school, he’s watched you volunteer your afternoons to tutor elementary kids, seen you go out of your way to make sure your teachers got the best Christmas gifts, been with you as you attempted to make cupcakes for school bake sales. 
He always brushed it off as things you did to pad your resume, but he always knew it had something to do with you having better intentions than him.
This weekend gig of yours that you started in your second year of college is just another thing on your long list of “good deeds” that Sukuna keeps track of in his head. But he never realized how much thought you put into it until now.
“I can carry that,” you tell him as he grabs the grocery bags from you. “Sukuna, seriously.”
He just shakes his head, sprinting away to your car as you attempt to catch up after him. “Too slow!”
Your best friend has never been the best person. But you’ve always made him want to be.
He loads the groceries into the back of your car and pats himself on the back for a job well-done.
You glare at him as you close the trunk of your car. “Don’t you have anything better to do?”
He boops your nose. “Nope.”
The two of you are about to get into the car when someone calls Sukuna. You both look over at the source of the voice.
A girl.
Pretty with freshly manicured nails, hair in perfectly blown-out waves as she runs over to your best friend. “Baby!” She squeals, pressing herself against his chest. “I haven’t seen you in so long!”
Sukuna tries to place the girl. Someone he met at a party maybe? From one of his classes? A match on one of the many dating apps he’s on?
“Oh, hi,” he says, blanking on the name.
“It’s Mari,” the girl says, fluttering her lashes at him. She pouts, pink lips jutting out as she looks up at him with doe-eyes. “Do you not remember me?”
Mari. Right. 
Yeah, she was a good fuck. Some of the best tits he’s ever seen. He bent her over on a bathroom counter at a rager once and… well, the rest is history.
“‘Course I remember you,” he says, smiling. He pulls himself away from her and looks over at you. You’re grinning, clearly amused by this whole interaction. What a whore, you’re probably thinking about him. “Listen, Mari, I gotta go.”
The girl whines and wraps her arms around his waist. “But why?”
“Yeah, why?” You raise your brows at your best friend, a laugh bubbling beneath your words.
Mari looks at you, barely registering your presence, then looks back at him for an answer.
Sukuna peels himself away from the girl and goes over to you, placing an arm around your shoulder. “This here’s my girl, Mari,” he says. “And we’ve got some errands to do today.”
“Your girl,” Mari says slowly. She looks at you again. It clicks. “Oh.”
“Yeah,” Sukuna says, opening the car door for you. “So we gotta go.”
The girl’s eyes scan your body. She takes a moment, probably decides that she’ll get Sukuna back real soon. He’s never been the type to stick to anyone, she knows this. 
“Okay!” she says chirpily, already turning a heel. “See you around, ‘Kunie.”
As soon as Mari’s turned her back, Sukuna’s shoving your laughing form into the car and rushing to the passenger’s seat.
“It’s not funny.” He groans as you double over in laughter.
You wipe the tears of joy from your eyes. “You don’t even remember her name!”
“Shut up.”
“Your face! God, you should see your face!”
“I will kill myself.”
“And the nickname!” You howl. “What did she call you? Oh, fuck, right! ‘Kunie—”
His hand reaches for your chin and pulls your face right in front of his. Your eyes are wide as he tilts his head, leans forward, and… doesn’t kiss you.
“That shut you up, didn’t it?” he says, smirking at the stunned expression on your face.
You push him away and shake your head, starting the car. “You’re so stupid.”
“Yeah, well, you’re annoying,” he says as he leans back in his seat. “And, for the record, I’m not always that much of an asshole with girls.”
“Sure, sure, whatever you say.” You hum, backing the car up. “You know you don’t have to turn them down.”
“What?”
You glance over at him. “Just because you’re helping me with this whole charade,” you tell him. “You don’t have to stop… doing the things you usually do. I don’t mind.”
He rolls his eyes. “I’m not doing this for you.”
“Right, because you would rather help me make sandwiches on a Sunday morning than go out with Mari.” You turn the car onto the road. “I’ve never approved of it, but I know who you are, ‘Kuna. I’m under no illusions of us actually playing house.”
Sukuna goes silent. He looks out the window with his arms crossed over his chest, as if he’s in deep thought—but you know him and Sukuna’s never been in deep thought for a second of his life. You’ve probably hit a nerve.
“Sukuna—”
“I’m not gonna let people think you’re getting cheated on so I can get my dick wet,” he tells you. His tone is serious. “I’m still your best friend, and if you think I’m gonna let you get hurt like that—”
“You’re not actually cheating on me though,” you remind him. “This is all for show.”
“I made a promise,” he says. “Let me keep it.”
When you look over at him, he has his eyes on you. You don’t think you’ve ever seen Sukuna look this determined before and it almost frightens you.
You swallow. “Okay,” you say. “If that’s what you want.”
“It is what I want.”
“Okay,” you say again. There’s something happening here. Something solemn. Like a promise between two children made in the dead of night. One that no one else can be privy to. One that belongs to just the two of you. 
“Okay, ‘Kuna. I believe you.”
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notes. the burn is so slow but i’m having so much fun with it 😩 you guys are gonna have to love it too you don’t really have a choice 😩 also we’re getting more insight into reader and gojo’s relationship so the angst is gonna hit us like a train real soon
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xclowniex · 2 days
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What are your entire thoughts on the whole joost eden golan thing
So I think Joost's actions were either xenophobia, antisemitism or a mix of both though leaning to a mix of both.
For those who are not aware, Eden Golan was being interviewed in the big second semi final panel and a report asked her if her participation was putting other contestants at risk. The question was gross as it is not her fault people would want to risk harming other contestants to harm her and people wanting to harm her is also not her fault as she is literally just an israeli women who exists and went to eurovision. Eden's manager said "you don't have to answer that" in response to the question and Joost (who had been covering himself with his flag during her turn being interviewed) uncovered himself and said "why not?". Eden did answer the question elloquently.
The issue I have with Joost's actions is that they were not about whether or not Israel should participate as that decision had already been made and Eden was already at Eurovision, but instead they were just him being xenophobic and/or antisemitic.
Eden Golan, just like every other contestant, is not her government.
If we were to act like every contestant was their government, then why did Bambi Thug not recieve backlash for Ireland's treatment of refugees? Why did the Azerbaijan contest not recieve the same level of backlash for their government trying to ethnically cleanse Armenians? Why did Slimane not recieve any talk about the Mali Wedding Airstrike (which killed children) that France did back in 2021?
Why is it okay for Joost and other contestants to treat Eden Golan like she is the Israeli Government whilst not holding other contestants to the same standard?
This goes even further once you bring in how after Russia invaded Ukraine, Joost collaborated with a Russian Artist CMH. Now, either CMH also represents the Russian government entirely and Joost supports Russia's invasion of Ukraine or, CMH does not represent the Russian government which makes his treatment towards Eden Golan even worse and reaffirms its antisemitic roots.
Lastly, someone sent me an image of a Joost song (which is what I think spurred this current ask) where Joost has a hitler mustache. You can find that post and image here.
So lets put the evidence together, Joost treats Eden Golan as being the Israeli Government but doesn't hold anyone else to that standard, including a Russian artist right after Russia's invasion + he willingly took and the uploaded publically online, a picture of him with a Hitler mustache.
At the very best, he is just xenophobic, at worst he is antisemitic or a mix of both.
Am i sad that Joost is antisemitic? yes very. I really liked his song europapa and a few other songs of his. It always hits a bit harder when an artist you like turns out to be an antisemite. I was ready to get super into his music and then bam, i find out he is an antisemite.
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potato-frend-blog · 2 days
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Different Types of Propaganda: Part 1
Hello chuckle fucks of Tumblr, it's clear to me that you no fucking clue what propaganda is or how to spot it.
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So 1st is what is propaganda?
Definition of propaganda:
the spreading of ideas, information, or rumors to help or injure an institution, a cause, or a person ideas, facts, or allegations spread deliberately to further one cause or to damage an opposing cause https://www.merriam-webster.com/dictionary/propaganda
dissemination of information—facts, arguments, rumors, half-truths, or lies—to influence public opinion. It is often conveyed through mass media. https://www.britannica.com/topic/propaganda
information, ideas, opinions, or images, often only giving one part of an argument, that are broadcast, published, or in some other way spread to influence people's opinions https://dictionary.cambridge.org/us/dictionary/english/propaganda
Propaganda Techniques Explained
This video does a good job of summarizing the different techniques
https://www.youtube.com/watch?v=sybo484veJY (you have to copy the link because the video doesn't allow playback.)
Agenda Setting:
Agenda: a secret aim or reason for doing something. (https://dictionary.cambridge.org/us/dictionary/english/agenda?q=Agenda)
A situation where critics perceive inexplicit political motives (or an institutional tendency to overlook underprivileged perspectives) to lie behind the choice of topics covered (e.g. in the news, current affairs, and documentaries), their relative importance (inferred from sequence and the relative amounts of space or time devoted to them), how they are presented, and what issues are backgrounded or excluded (see also selective representation). Media agendas are often set by ‘authoritative sources’ in government and industry upon which news organizations rely. The primary concern is that those in power thus call attention to issues that suit their agendas and distract attention from those that undermine them. It is usually argued that this influences or determines the terms and scope of public debate—not by telling people what to think but by telling them what to think about and controlling the salience for them of particular issues. (https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095355782)
Agenda setting means the "ability [of the news media] to influence the importance placed on the topics of the public agenda". If a news item is covered frequently and prominently, the audience will regard the issue as more important. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)
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(https://www.researchgate.net/figure/Agenda-Setting-Theory-Model_fig1_307536314)
Fear Appeal:
A psychological and rhetorical strategy in persuasive communication such as advertising that seeks to evoke a response of fear or anxiety in the audience by showing them an undesirable outcome that they can avoid by heeding the warning. This strategy is intended to increase the effectiveness of the message and it is commonly used in health and safety campaigns, such as those warning motorists not to drink and drive. (https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095812722?p=emailAWHA3YEy2eMug&d=/10.1093/oi/authority.20110803095812722)
For example, fear can be used to drive votes toward a particular candidate or party—a method that relies on our natural instinct to find safety in numbers. And, a meta-analysis conducted by Albarracin and her colleagues found that messages with fear are nearly twice as effective as messages without fear (Psychological Bulletin, Vol. 141, No. 6, 2015). (https://www.apa.org/news/apa/2020/fear-motivator-elections)
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(https://thevisualcommunicationguy.com/2017/09/14/the-fear-appeal-advertising/)
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(https://en.wikipedia.org/wiki/Irreversible_Damage)
Appeal to Prejudice
Prejudice: an unfair and unreasonable opinion or feeling, especially when formed without enough thought or knowledge. (https://dictionary.cambridge.org/us/dictionary/english/prejudice)
The one who makes the appeal to prejudice attempts to persuade you to act or feel in a certain way by associating his person, product or proposal with a certain one or more of your prejudices, positive or negative – a prejudice being a prejudgment wrapped in emotion and having a history. Not only does he rekindle your prejudice, he also arouses in you warm feelings toward the one (himself) who apparently shares your prejudice. And so it becomes much easier to make you believe or buy whatever he has to offer. (https://agloa.org/wp-content/uploads/2019PropGuidelinesSecD.pdf)
Using loaded or emotive terms to attach value or moral goodness to believing the proposition. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)
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Der ewige Jude, a pseudo-documentary directed by Fritz Hippler and influenced by German Minister of Propaganda Joseph Goebbels, featured scenes of Jews in Warsaw and Lodz ghettos. The film was popular in Germany and occupied Europe, with notorious sequences comparing Jews to rats carrying contagion. The film also highlighted the alien nature of East European Jews, with "stereotypical" Polish Jews transformed into "western-looking" Jews. The film's crude characterizations and gruesome footage made it a hit with audiences, demonstrating that there was no difference between Jews in East European ghettos and those in German neighborhoods.( https://encyclopedia.ushmm.org/content/en/article/der-ewige-jude)
Inevitable Victory + Bandwagon
Inevitable: certain to happen and unable to be avoided or prevented (https://dictionary.cambridge.org/us/dictionary/english/inevitable?q=Inevitable) + Victory: an occasion when you win a game, competition, election, war, etc. or the fact that you have won. (https://dictionary.cambridge.org/us/dictionary/english/victory?q=Victory) = Certain to happen and cannot to be stopped or averted occasion when you win a game, competition, election, war, etc.
Bandwagon: an activity, group, movement, etc. that has become successful or fashionable and so attracts many new people. (https://dictionary.cambridge.org/us/dictionary/english/bandwagon)
An effort is made to influence you to act in a certain way by asserting or implying that that is what is popular or what the majority is doing (https://agloa.org/wp-content/uploads/2019PropGuidelinesSecD.pdf)
invites those not already on the bandwagon to join those already on the road to certain victory. Those already or at least partially on the bandwagon are reassured that staying aboard is their best course of action. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)
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(https://www.newyorker.com/news/john-cassidy/the-big-question-about-donald-trumps-rise-in-the-polls)
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(https://x.com/AHA_tylersgap/status/734961473265373185/photo/1)
Beautiful People
The type of propaganda that deals with famous people or depicts attractive, happy people. This suggests if people buy a product or follow a certain ideology, they too will be happy or successful. (This is used more in advertising for products, instead of political reasons.) Usually for advertising rather than political purposes, sexual arousal may also be used. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)
depiction of attractive famous people or happy people to associate success or happiness with adherence to an idea or cause or purchase of a product. (https://www.dailywritingtips.com/50-types-of-propaganda/)
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(https://quizlet.com/855901690/persuasive-techniques-flash-cards/)
Big lie
The repeated articulation of a complex of events that justify subsequent action. The descriptions of these events have elements of truth, and the "big lie" generalizations merge and eventually supplant the public's accurate perception of the underlying events. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)
A big lie (German: große Lüge) is a gross distortion or misrepresentation of the truth primarily used as a political propaganda technique. The German expression was first used by Adolf Hitler in his book Mein Kampf (1925) to describe how people could be induced to believe so colossal a lie because they would not believe that someone "could have the impudence to distort the truth so infamously". Hitler claimed that the technique had been used by Jews to blame Germany's loss in World War I on German general Erich Ludendorff, who was a prominent nationalist political leader in the Weimar Republic. (https://en.wikipedia.org/wiki/Big_lie)
A deliberate gross distortion of the truth is used especially as a propaganda tactic. (https://www.merriam-webster.com/dictionary/big%20lie)
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(https://thenevadaindependent.com/article/big-lie-looms-over-nevadas-legislative-primaries)
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(https://en.wikipedia.org/wiki/Political_views_of_Adolf_Hitler#Mein_Kampf)
Black-and-white fallacy
Presenting only two choices, with the product or idea being propagated as the better choice. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
type of cognitive distortion characterized by the tendency to see things in absolutes, with no shades of grey in between. This type of thinking can manifest in various aspects of life, from relationships to work to personal beliefs. (https://www.psychowellnesscenter.com/Blog/how-does-black-and-white-thinking-affects-your-mood-and-behavior)
only two choices are given. You are either for something or against it; there is no middle ground or shades of gray. It is used to polarize issues and negate all attempts to find a common ground. (https://www.cuesta.edu/student/resources/ssc/study_guides/critical_thinking/103_think_logic_errors.html#:~:text=This%20technique%20is%20also%20called,to%20find%20a%20common%20ground)
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"“Globalize the Intifada” is a phrase used by pro-Palestinian activists that calls for aggressive resistance against Israel and those who support Israel. The most prominent expressions of intifada have been through violence so this phrase is often understood by those saying and hearing it as encouraging violence against Israelis, Jews, and institutions supporting Israel. While the intent of the person saying this phrase may be different, the impact on the Jewish community remains the same."
(https://www.ajc.org/news/what-does-globalize-the-intifada-mean-and-how-can-it-lead-to-targeting-jews-with-violence)
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See when people say "Globalize the Intifada" it implies that there are only two choices in the conflict. One, is the pro-Palestine side, that the aggressive resistance against Israel, and those who support it, and the pro-Israel side is the ones they are against. Without realizing that there is a peaceful option. ( The one I do not know because, one I am not a politician, and international politics is a mess. And two I do not know enough about the conflict to support a peaceful end where everyone is satisfied. )
Cherry picking
suppressing evidence, or the fallacy of incomplete evidence is the act of pointing to individual cases or data that seem to confirm a particular position while ignoring a significant portion of related and similar cases or data that may contradict that position. Cherry-picking may be committed intentionally or unintentionally. (https://en.wikipedia.org/wiki/Cherry_picking)
Present only evidence confirming your position, while ignoring or withholding an often more significant portion that contradicts it. (https://www.propwatch.org/category_results.php?cat_id=1&id=29&k=cherry+picking&p=propaganda.php)
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Example : “CLAIM: Four recent shootings show there has been an “incredible rise” in transgender or nonbinary mass shooters in the past few years, making the group “by far the largest group committing as a percentage of the population.” Donald Trump Jr. spread the narrative widely on Twitter, claiming the supposed “incredible rise” and later saying there was a clear trend forming. Hundreds of other social media users amplified the idea. Trump Jr. did not respond to a request for comment.” THE FACTS: While specific data on transgender and nonbinary mass shooters can be hard to isolate, available information shows that the overwhelming majority of assailants in mass shootings are cisgender males. In making the claim, social media users are citing four examples over the past five years in which the assailant in a shooting identified as trans or nonbinary: the November killing of five at a gay nightclub in Colorado Springs, Colorado; a 2019 shooting at a Denver-area school by two shooters, one of them a trans man, that left one student dead and eight wounded; a 2018 shooting at a Maryland warehouse that left four dead, including the shooter; and the shooting Monday in Nashville. The number of mass shootings committed by those identifying as trans or nonbinary — and their ratio compared to mass shootings committed by other groups — is hard to quantify. It depends on the database used, how the act is defined, and how gender identity is recorded — for example, transgender males may statistically be counted as just men. But experts agree that the most reputable information still shows a clear pattern that cisgender males are the most likely to commit such an act of mass violence.” (https://apnews.com/article/fact-check-transgender-nashville-shooting-misinformation-cd62492d066d41e820c138256570978c)
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(02:15: cherry picking definition: Biden highlights only wage growth in "the bottom 40%," while not mentioning that, due to inflation, real wages actually declined for all other income groups.) (https://www.propwatch.org/category_results.php?cat_id=1&id=29&k=cherry+picking&p=propaganda.php)
Classical conditioning
That is, if A is always present when B is present and B causes a physical reaction (e.g. disgust, pleasure), then when presented with object A in the absence of B, that same reaction will be experienced. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
The behavioral psychological method that systematically transfers feelings, thoughts, or dispositions through relationships. It pairs an object, event, or variable that elicits a particular natural or reflexive response (unconditioned stimulus) with a neutral one to the point that only the presence of the latter is required to induce the originally impulsive and event-specific response. This time, it’s no longer neutral but a conditioned stimulus. (https://www.thecable.ng/classical-conditioning-potent-political-strategy/)
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(https://sites.psu.edu/intropsychf19grp7/2019/11/15/classical-conditioning-puppy-training/)
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As you can see, the food products in both these ads have been depicted as mouth-watering and delicious, and are designed to cause consumers to feel hungry. (https://www.advergize.com/marketing/classical-conditioning-examples-in-psychology/#Classical_Conditioning_in_Advertising_Examples)
Ad hominem
A Latin phrase that has come to mean attacking one's opponent, as opposed to attacking their arguments. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
attacking the character or motive of the person making an argument, rather than attacking the argument itself. (https://www.propwatch.org/term_results.php?cat_id=1&id=23&k=ad+hominem)
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(https://thinkingispower.com/logical-fallacies/)
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(35:19: ad hominem definition: Warnock attacks the character of Walker and his allies for making allegations against his church, without addressing any of the specific allegations against his church.) (https://www.propwatch.org/term_results.php?cat_id=1&id=23&k=ad+hominem)
Ad nauseam
This uses tireless repetition of an idea. An idea, especially a simple slogan, that is repeated enough times, may begin to be taken as the truth. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
repeating something over and over again, until it forms a mental association and/or becomes perceived as truth. Based on the "mere exposure effect," is a psychological phenomenon by which people tend to develop a preference for things merely because they're familiar to them, including things they don't like. This principle for example makes people more likely to prefer listening to a song they've heard before over a new song they've never heard and to believe something they hear repeatedly, even if they know it's untrue.(https://www.propwatch.org/category_results.php?cat_id=1&id=24&k=ad+nauseum&p=propaganda.php)
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"Make America Great Again"
(https://www.msnbc.com/msnbc/donald-trump-dropped-378000-make-america-great-again-hats-2015s-final-quarter-msna786506)
Appeal to authority
Appeals to authority cite prominent figures to support a position, idea, argument, or course of action. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
(also known as an appeal to false or unqualified authority) plays on people’s feelings of respect or familiarity towards a famous person to bypass critical thinking. It’s like someone is telling us “accept this because some authority said it.” (https://www.scribbr.com/fallacies/appeal-to-authority-fallacy/#:~:text=An%20appeal%20to%20authority%20)
appeal to anonymous authority - insisting something is true because an unnamed expert, study, or generalized group (like 'scientists') says it's true (https://www.propwatch.org/category_results.php?cat_id=1&id=73&k=appeal+to+anonymous+authority&p=propaganda.php)
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(09:56: appeal to anonymous authority see definition: There are "those that say" you can test too much, without identifying who those people are.) (https://www.propwatch.org/category_results.php?cat_id=1&id=73&k=appeal+to+anonymous+authority&p=propaganda.php)
Cognitive dissonance
People desire to be consistent. Suppose a pollster finds that a certain group of people hates his candidate for senator but loves actor A. They use actor A's endorsement of their candidate to change people's minds because people cannot tolerate inconsistency. They are forced to either dislike the actor or like the candidate. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
Creates a feeling of mental stress when we encounter ideas or beliefs that conflict with our own. (https://www.propwatch.org/term_results.php?id=99&k=cognitive%20dissonance)
Psychological conflict resulting from incongruous beliefs and attitudes held simultaneously. (https://www.merriam-webster.com/dictionary/cognitive%20dissonance)
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Common man
The approach attempts to convince the audience that the propagandist's positions reflect the common sense of the people. It is designed to win the confidence of the audience by communicating in the common manner and style of the target audience. Propagandists use ordinary language and mannerisms (and clothe their message in face-to-face and audiovisual communications) in attempting to identify their point of view with that of the average person. A common example of this type of propaganda is a political figure, usually running for a placement, in a backyard or shop doing daily routine things. This image appeals to the common person. With the plain folk's device, the propagandist can win the confidence of persons who resent or distrust foreign-sounding, intellectual speech, words, or mannerisms. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
Establishing a connection with an audience based on being just like one of them and being able to empathize with their concerns. (https://www.propwatch.org/category_results.php?cat_id=1&id=30&k=common+folk&p=propaganda.php)
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(04:53: common folk see definition) (https://www.propwatch.org/category_results.php?cat_id=1&id=30&k=common+folk&p=propaganda.php)
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(https://movieposters.ha.com/itm/movie-posters/war/world-war-ii-propaganda-us-government-printing-office-1944-navy-poster-285-x-40-i-m-proud-of-you-folks-too-jo/a/7132-86871.s)
Cult of personality
A cult of personality arises when an individual uses mass media to create an idealized and heroic public image, often through unquestioning flattery and praise. The hero personality then advocates the positions that the propagandist desires to promote. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
A situation in which a public figure (such as a political leader) is deliberately presented to the people of a country as a great person who should be admired and loved. (https://www.merriam-webster.com/dictionary/cult%20of%20personality)
“Nazi propaganda often focused on glorifying Adolf Hitler as Germany’s sole savior in order to inspire a sense of personal devotion to him. Many films, books, newspapers, magazines, and other items portrayed Hitler as a strong and self-sacrificing father figure who personally embodied the character traits of the “ideal Nazi.”” (https://perspectives.ushmm.org/tag/cult-of-personality)
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(Recently appointed as German chancellor, Adolf Hitler greets President Paul von Hindenburg in Potsdam, Germany, on March 21, 1933. This pose was designed to project an image of Hitler as non-threatening to the established order. This particular image is from a popular postcard. The photo also appeared widely in both the German and international press. Hitler appears in civilian dress, bowing in deference to the heavily decorated von Hindenburg. The March 5, 1933, elections had conferred legitimacy on Hitler's leadership.) (https://encyclopedia.ushmm.org/content/en/article/making-a-leader)
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(https://foreignpolicy.com/2020/09/30/washington-trump-and-cults-of-personality/)
Demonizing the enemy
Making individuals from the opposing nation, from a different ethnic group, or those who support the opposing viewpoint appear to be subhuman, worthless, or immoral, through suggestion or false accusations. Dehumanizing is also a term used synonymously with demonizing, the latter usually serves as an aspect of the former. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
Psychological process whereby opponents view each other as less than human and thus not deserving of moral consideration. Jews in the eyes of Nazis and Tutsis in the eyes of Hutus (in the Rwandan genocide) are but two examples. Protracted conflict strains relationships and makes it difficult for parties to recognize that they are part of a shared human community. Such conditions often lead to feelings of intense hatred and alienation among conflicting parties. The more severe the conflict, the more the psychological distance between groups will widen.
“During the protracted conflict, feelings of anger, fear, and distrust shape the way that the parties perceive each other. Adversarial attitudes and perceptions develop and parties begin to attribute negative traits to their opponent. They may come to view the opponent as an evil enemy, deficient in moral virtue, or as a dangerous, warlike monster. Such images can stem from a desire for group identity and a need to contrast the distinctive attributes and virtues of one's own group with the vices of the "outside" group…Enemy images are usually black and white. The negative actions of one's opponent are thought to reflect their fundamental evil nature, traits, or motives. One's own faults, as well as the values and motivations behind the actions of one's opponent, are usually discounted, denied, or ignored. It becomes difficult to empathize or see where one's opponent is coming from.”
“Once certain groups are stigmatized as evil, morally inferior, and not fully human, the persecution of those groups becomes more psychologically acceptable. Restraints against aggression and violence begin to disappear. Not surprisingly, dehumanization increases the likelihood of violence and may cause a conflict to escalate out of control. Once a violence break over has occurred, it may seem even more acceptable for people to do things that they would have regarded as morally unthinkable before.Parties may come to believe that destruction of the other side is necessary, and pursue an overwhelming victory that will cause one's opponent to simply disappear. This sort of into-the-sea framing can cause lasting damage to relationships between the conflicting parties, making it more difficult to solve their underlying problems and leading to the loss of more innocent lives."(https://www.beyondintractability.org/essay/dehumanization)
“In Virginia, for example, we are witnessing the most anti-LGBT legislative session in the state’s history. So far, 9 anti-gay and anti-trans bills have been introduced. Some of the bills reveal a fixation with determining the “anatomical sex” of students to ensure that trans students are expelled from communal bathrooms. One goes so far as to impose a $50 civil penalty on any student who uses the “wrong” bathroom. Others seek to prevent trans people from updating their Virginia birth records to match their gender and limit nondiscrimination protections based on sex to people whose gender matches the gender assigned to them at birth.” (https://www.aclu.org/news/lgbtq-rights/legislators-across-country-set-their-sights-transgender-people)
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(https://www.worldjewishcongress.org/en/news/defining-antisemitism-talking-about-israeli-policy-by-using-classical-antisemitic-tropes)
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(https://www.tumblr.com/the-library-alcove/search/zionism)
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(https://en.abna24.com/story/1410340)
Demoralization
Propaganda towards an adversary to erode fighting spirit, and encourage surrender or defection. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)
Propaganda in wartime must seek to demoralize enemy morale. A primary objective of propaganda aimed at enemy nations is to break down their will to fight. It seeks to lower the enemy’s will to resist and it does this in several ways. One is to picture the military successes on the propagandist’s side. Another is to picture the armed might and economic power that the enemy has to face. Yet another is to picture the moral superiority of the cause against which the enemy is fighting. It is part of a nation’s strategic plan to intimidate enemy leaders, to separate them from their people, and to break down resistance by producing evidence that the mass of the enemy people have been deceived and misled. (https://www.historians.org/about-aha-and-membership/aha-history-and-archives/gi-roundtable-series/pamphlets/em-2-what-is-propaganda-(1944)/war-propaganda)
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(https://x.com/Cluffalo/status/1790011284471083192)
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They would be their generation's Andrew + Edward/Sophie. Full-time senior working royals. A very nice home on a royal estate or in close proximity to one. Attending state banquets and participating in state visits. Representing King Charles and the UK with other royal families. Titles for their children. Signature causes and projects. Well-liked by the public. Huge charities and patronages. Growing list of military honors, and Harry would probably have taken over most of Prince Philip's military portfolio.
Suppose this happened, would the brf like it? One of the squad’s talking points is that the brf got jealous. Suppose harry and meghan became successful in the brf, would the brf really not sabotage itself? Also, let’s face it, harry and meghan did get the young-ish chronically online crowd at first, would the brf like that when those people would compare the rest of them negatively meghan online. Although I guess before everything was exposed in 2019, I remember the attitude on social media, particularly twitter, was that they weren’t specifically hostile towards the other brf members yet. I guess some of the viral tweets i remember from that time were like “ex-british soldier marries successful actress” or when meghan and kate attended wimbledon together, the tweets were like “they should leave their husbands and run away together” (which was weird). I guess what I’m saying it meghan really did get that crowd at first, so would the brf like that?
Also, I remember it’s said that the brf asked meghan to continue working as an actress? How do you think that would have worked? Would she still be a working royal? And what if harry married another woman, let’s say, cressida? Would that woman also be given the option to work because as we found out from harry, charles was concerned they didn’t have enough money for harry’s wife?
No, it'd be fine. The BRF knows they have an image problem in that most of their working royals are older. As long as Harry and Meghan pulled in and kept the youth attention - eg Gen Z/Zillennials (since William and Kate had the Millennials covered) - and knew their place in the larger BRF (eg they cooperated when senior royals requested the media cycle for a speech), they weren't going to care.
Some people (cough Charles cough) might've been prickly at someone else taking their press but the overarching BRF as a whole largely wouldn't have minded. William and Kate certainly wouldn't have minded or cared.
Then for your other questions, I'll go one by one.
Also, I remember it’s said that the brf asked meghan to continue working as an actress?
Yes, allegedly Harry was told that there was no money to pay for Meghan and that she should continue working.
How do you think that would have worked?
Meghan would've kept working as an actress and accompanying Harry only to official family events (Trooping, Easter, Garter Day, Ascot, weddings, services of thanksgiving, etc.). The Duchess of Kent would be a good person to look at - she stepped down as a working royal in the 90s and became a music teacher instead.
I believe the Duchess of Kent's career is what they tried to model the then-Countess of Wessex's career on when she planned to continue working after marrying Prince Edward in a half in/half out status. Where Sophie ran into trouble with her career (she was in public relations) is that she was caught in a sting operation by a reporter pretending to be a sheik (or something like that) speaking very candidly about the royal family. Sophie quit her job, Edward quit his companies, and they joined the firm as full-time working royals in 2002 - it was spun as coming onboard for the Queen's jubilee celebrations and then they just stayed as working royals.
Would she still be a working royal?
Most likely not. If Meghan kept working as an actress, she would not have been allowed to be a working royal as well. The half in/half out experiment with Sophie and Edward wasn't successful so the BRF was not going to let anyone else try it out. They didn't even let Beatrice and Eugenie have half in/half out and that was something Andrew 100% was fighting for.
And what Beatrice and Eugenie had 2012 - 2015ish is probably what Meghan would've ended up having - a "working career" with a ton of vacation time, perma-invites to all the family events, and some personal charities.
And what if harry married another woman, let’s say, cressida? Would that woman also be given the option to work because as we found out from harry, charles was concerned they didn’t have enough money for harry’s wife?
I am fairly certain that if Harry had married anyone else - Cressida, Chelsy, heck even Sara Macklin (the model he was alledgely seeing when he started dating Meghan) - that woman would have been invited to be a working royal.
I'm sure of that because of Charles's "magnificent six" plan, which was his vision for the monarchy when he was King. He wanted a slimmed, streamlined monarchy of just him and Camilla, his sons, and their wives. The plan had been in the works for awhile, but Charles "officially" debuted it in 2012 at the jubilee balcony:
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Meaning there absolutely was every intent for Harry's wife to become a working royal.
So possibly one of two things happened:
Option 1 - Everyone knew Meghan was bad news the second they laid eyes on her so "we don't have the budget for her to become a working royal so she should keep acting" was an attempt to keep her away.
Option 2 - Harry's wife was only meant to become a working royal under King Charles only. So in the meantime under Queen Elizabeth, Harry's wife - aka Meghan - needed to keep acting or doing some other kind of work to occupy her time but whatever work she did had to be in line with royal protocol (ie no merching or monetizing her status) so she could be "promoted" to working royal when the time came.
Or Harry just made it up/misunderstood the discussion. (I suspect this is actually what happened.) Someone asked something like "does Meghan intend to keep acting after you marry?" and Harry heard "Meg can't be a royal, she has to keep acting" instead.
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cyhaitham · 3 months
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and maybe its not fair to yori or kohaku for the emotion to be love.. like idk. kohaku's view of her actions VS what those actions truly are are completely opposite
#Also i really hope im being nonstereotypical when it comes to BPD. Kohaku's is just a very extreme case+combined with other mental disorders#It might make more sense for Kohaku to have come from a home where love is distorted that way but I like her backstory?#I mean being in the spotlight and watched all the time since theyre like nobles#Being held to an extremely high standard since childhood#and nothing below those standards being accepted in any form#would have a negative mental effect on someone with BPD already right?#Hmm#im trying to think of the core reason kohakus view of love is so deluded#Like Kohaku was held up to those standards had a very uptight household no mistakes aloud#her obvious disorder was completely ignored; her mother refusing to believe her daughter was “crazy”#and this would destroy their social standing in her mind#and the whole no daughter of mine is some “psycho” type mindset#Kohaku was told to push it all down . pretend she's fine . mantain her perfect grades etc#So yknow there was obvious neglect there. rich parents. I wouldnt say kohaku was spoiled but shed always get what she wanted#So maybe that could be part of her obsession with yori? i guess? and how#a person of such lower social standing would be utterly unacceptable for kohaku to be associated with#and Yori is so unique in Kohaku's eyes- she's an angry righteous person that takes risks and doesn't care#what people think of her when public image was#taught to kohaku to be everything to their family.#so like being with someone like yori could be a sort of freedom from this life Kohaku's forced to live#like Kohaku has always been able to be herself around Yori#even when she started to get really clingy all the time yori didn't mind#and shed try to help her with her manic episodes and everything- her anxiety/paranoia etc#and when Kohaku felt like shed lose Yori (when she met Tatsuko)#she did everything she could Not to lose her. (lying&sabotaging Yori's relationship with Tatsuko)#cus she didnt want to lose the only tether she had outside of her nobility. or whatever.#... What was i talking about originally
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nazumichi · 2 years
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michiru wins prize for “weirdest and longest list of adults that pick her up after school” (I did not win a prize for catchy names btw)
#raii talks a lot#i got upset at myself for a bit because I was like “oh yeah shirou and marie. that’s it” no it’s not !!! she’s got a lot here#well like obvi I think people are. very intimidated by shirou I mean. daily occurrence ishim kicking ass and taking name in public it’s very#“oh fuck I took a paper clip today without asking he’s gonna get me” - grown teacher. he doesn’t get anyone although I do think he was prett#close at one point probably did some convincing to get a dress code exception bc michiru wasn’t comfortable with skirts and flats#like “did the guy who saved the city last month just pick up my student” and also “….that’s marie itami…”#I imagine marie didn’t want to be caught dead at a school bc cool points or whateverbut. maybe michiru mutters something later abt idk kids#being mean as kids are and marie was like “do these kids have names. just asking btw. can you show them to me.”#for financial reasons or something. michiru stands there behind marie who’s gonna yell at an old guy for being a pushover like “this is the#best day of my life.”#THE IMAGE THAT IS MICHIRU LOOKING UP AT THE SKY AFTER SCHOOL AND TEACHERS LIKE “where’s her ride” AND THIS FUCKING ALBATROSS#pingua just picks her up. like no literally he picks her up and puts her on his back andflies off with a “good evening to you nice people!!”#she could fly herself but she’s got bags and also this is funnier to her#shirou and marie on an important mission pingua out of town and the mayor of animacity pulls up like “that one’s mine” and everyone loses#their goddamn MIND. like that’s the whole mayor. that’s the kid with the weird arms. that’s the student who keeps getting c’s. she’s taking#the junior idol with her what’s happening#rare normal days when Jem or melissa pick her up#sorry for thinking abt michiru picking up school again in anima city and having some little normalcy and getting to learn again#and play on school team and hang out with nazuna and nina after classes and getting detentions and being a kid. as if it’s my fault
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monicahar · 1 month
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“my wife.”
how they address you. why does it make your heart skip a beat each time?
characters; neuvillette, wriothesley
—female pronouns obvi, aaaa this is so random😭 fluff, tad bit of crack, has suggestive themes/dirty jokes cause that's my humor in general, just tryna get into writing again heehaa don't mind me ʘ⁠‿⁠ʘ
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NEUVILETTE always accompanies the term with unmatched affection. it rolls off his tongue perfectly like a match made in heaven, coupled with the serene image of you instantaneously appearing in his mind before he even thinks of the uttering the endearing term. he still finds it surreal that you are both even lawfully married, yet the way he calls you his wife is already on instinct. is it too presumptuous of him?
well, in the end, he can't find any means to worry about it when you seem to equally adore the nickname.
“ooohh, say it again, say it again!”
he can't tell whether he married a child or not, but he still obliges your request and calls you his wife affectionately once more.
meanwhile, furina nearly gags everytime she hears him say it so softly—like using any other tone when referring to you would land him in the hands of the fortress of meropide. sure—she might've been the one who set up both of you—but the drama and thrill akin to watching a romance film has delightfully ended, and she can only meddle so much in marital matters. the iudex just might actually have her head in a platter if she were to do anything mischievous at that point.
but while a happy neuvillette is running around announcing 'my wife' this and 'my wife' that, you are currently stuck on what to call him in return, sadly enough.
“at this point, i think i'm just going to call you daddy.”
it was unfortunate with the way he choked on some of the water he was drinking—well, thank goodness he didn't spill much as before. for this wasn't the first time you said something unprompted while he was in peace with his water—he can only internally sigh.
“and what exactly has influenced you to arrive at such a conclusion, my wife?” he does not miss the tiny shudder of your body that followed the endearment. your face burns a tad bit at that, and he softly chuckles.
“your effect on me is no joke, you know?” you pout at his amused smile, “the way you refer to me so sweetly makes me want to call you my dearest husband everytime.”
“i don't recall voicing any complaints. is something else holding you back from doing so?”
you nod solemnly in agreement at that, which prompts him to raise a brow in mild curiousity.
“thing is, i really like calling you by your first name. same with monsieur neuvilette. there's something mildly erotic within it—you get what i mean, hehehe...” he only stares at you, clearly unimpressed, and a bit concerned at the implication. you clear your throat, apologizing under your breath.
“still—it's such a devastating predicament to be unable to choose between the three.” you sigh defeatedly, moving to slump your entire weight on his lap. you mutter, “my dearest husband monsieur neuvillette...mmm, no, that's too long.”
chuckling at your dramatic antics, he plants a soothing hand on your waist, the other fixing your wrinkled clothing as you practically melt against his hold. “and you thought settling on daddy was the appropriate option?”
“i'm not hearing any objections.” you jest, feeling cheeky.
“please refrain from calling me such a thing in the eyes of the public atleast.”
“...huh? you're actually allowing it??”
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WRIOTHESLEY on the other hand, says it as if he's flaunting. it leaves his lips like a taunt each time, indirectly telling the other party 'i have a hot wife and you dont' even though most of the time the people he mentions you to don't even know what you actually look like. it's silly, childish even, but you still love it nonetheless.
sigewinne and the other inmates have collectively told you that ever since you got married, he has never uttered your actual name to anyone else. some find it weird, some find it somehow disrespectful, and some are now convinced he's crazily obsessed with you, and now he's showing it off every chance he gets, much to everyone's dismay.
it's arrived to the point where a small percentage of people have actually forgotten about your name, and now refer to you as the duke's wife, or even duchess, to which you made a face at. that's kind of pushing it by then.
anywho, in the end, it's funny and endearing, maybe even makes you a bit giddy, but there is no way you're telling him that. the situation might escalate even more if possible.
“you know, my wife is very mean to me today.”
as a pair of strong yet gentle arms wrap around your waist, you resist the growing smile on your face, deciding to mess with your husband for a bit.
“is that so?” you continue your chores without a care in the world. he huffs.
“mhm. she won't look me in the eye the whole day, even though she seemed sooo happy last night.” face instantly burning, you hiss as you slap his arm in a fit of embarrassment, pulling a hearty chuckle from the man behind you.
“—and now she's hitting me as well. i can't believe this.” you both know very well he was not fazed in the slightest bit.
“if her husband wasn't such a pervert then maybe—”
his facade cracks as he forces out an awkward laugh, “hey now, baby, you know i'm nothing like that.”
“wriothesley.”
he clears his throat awkwardly, “okay, maybe a little. it's exclusive for you though! my wife doesn't have to be so mean about it, you're making me reallyyy sad here, y'know?”
there it is again, you think. that nickname. that damned word that makes you want to turn around and smash your lips against his and—wait, hold yourself together! don't forget the reason you're being cold to him!
“you deserve to feel remorse. i've been struggling to even move the whole day because of you.”
you go rigid.
you didn't mean for that to come out so bitter...oh no.
“oh. so that's what this is about.” you don't even have to turn around to know that there's a smug look on his stupidly handsome face, his grip on your waist turning into soothing circles as he presses a kiss to your neck.
“if my wife wanted a massage, she could've just said so.” it's husky when it leaves his mouth, leaving you to shiver with the chills he enunciates.
flustered, you completely disregard the way your knees buckle at the endearment laced with that low voice of his, hitting his arm once more, earning a tiny 'ouch' from him.
“pervert. i want rest, not another round!”
“heh, i didn't say anything about another round, my perverted wife.”
“you—” you are abrupt cut off as you yelp in surprise when your feet are raised off the ground, your face now much closer to your husband's as he carries you gently in his arms.
“shhh, just let me take you to bed. if my wife was feeling terrible the whole day, she should've just told me in the first place so she could stay in, don't you think?”
he's right, but you're still angry. “shut up.”
“just letting you know i'm not completely at fault, wife.” you attempt to ignore the furious beating of your heart, face burning at his smug expression. “i'm not the only one who wanted it.”
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hsr version...? if i feel like it...🤔🤔
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fancyfade · 2 years
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Manual Wheelchair Tutorial by Fade31415
So... I technically drew this 3 years ago but forgot to post it. I think I was going to clean up the end and make a nice recap, but I ran out of steam and then just left it as a wip for years. I got reminded of it because I was talking to a friend about how to draw wheelchairs today.
This covers most of what I view as the most common errors when it comes to drawing characters who use manual wheelchairs. I hope it helps you a lot.
Image description is in alt text, but there is a back up image description under the cut in case that does not work for some reason
[image description: a 4 picture long wheelchair tutorial. the background is white and the text, when it appears, is black and in calibri. each step will be labeled with "Step #" and a description of the drawing next to it, and "text" and then the text that is written to explain it to follow.
Step one text: So, you want to draw a character who uses a manual wheelchair? Awesome! I can't approve more. Drawing characters who use wheelchairs is a bit different than drawing standing characters, because of obvious posing differences. But to start, you need to know what parts of a wheelchair you will draw. So, without further ado, here are 3 wheelchairs!
Step one image: a simplified drawing of a chubby woman sitting in a quickie GPV manual wheelchair and resting her hand on the handrim of one of the wheels. this is labeled "the artist"
step two: next there is a lineart drawing of three wheelchairs. one is a tilite TR series 3. this is an ultralight wheelchair with a bucket seat (the back is lower than the front), a big cushion and a short backrest that kind of contours to the back of the person who would sit in it. the caster wheels (front wheels) are very small and the footrest is just two little metal bars. next image is a quickie GPV. this is also an ultralight wheelchair with a low back, but its caster wheels are slightly larger, the back has regular upholstery (it does not look like it was made to conform to the back of the person who sits there) and the frame is boxier -- there is no bar underneath the seat where the wheels would attach, rather each wheel is attached to the side of the chair. the next wheelchair is an invacare tracer. it is how most people imagine wheelchairs when they hear 'wheelchair'. it has no cushion and it has a high backrest with handles. it has high armrests that would be comfortable to rest your elbows on if you were just sitting. the wheels are not bicycle wheels like the previous two but are rather plastic. it has big footrests and big caster wheels.
text: the wheelchairs on the left are the ultralight, sporty kind. I have one of them (the quickie). the one on the right is a more standard one you might find in hospitals or as the public wheelchair in grocery stores or the mall.
step three: first is text to accompany the tilite. "This wheelchair has a really thick cushion - it's pressure relieving, which you need if you use your chair ufll tiem and especially if you have a spinal cord injury. This wc has the smallest caster (front) wheels. They are hte most handy for turning in small circles." next there is text to accompany the quickie gpv: "This one has the one I use -- it isn't pressure relieving, but is still useful." next is text to accompany the invacare: "this wheelchair has no cushion - you do not want to sit on it for long. This one has the biggest caster wheels - they are useful for not 'tripping' when your front wheel gets caught on an obstacle.”
step four text: like with all complex drawings, you want to break it into simple shapes first. I normally have a box underneath the seat, a rectangle for the backrest, and a trapezoidal thing for hte area from the box to the footrest. these are the most important shapes, because your character will rest on them and they will move with your character.
step four image: the lineart of each wheelchair has been put on reduced opacity, so we can see the square representing the backrest of each seat (the square is the smallest for the tilite and biggest for the invacare), the box for each seat and area underneath it, and the trapezoid for the footrests. the next step labels the images of these simplified shapes as the lineart is removed. "Note the proportions of each set of shapes is not the same - just like how you wouldn't draw all your characters with the same proportions on their faces!"
step 5: we see the same shapes to form the wheelchair, but now with blue circles drawn where the back wheels would be.
text: next shape is the wheels - two circles
step six: next we see the wheels and shapes have been reduced in opacity and the basic structure of everything about each wheelchair: footrests, caster wheels, upholstery details, axles has been drawn on in orange.
text: the next stage is everything else that's structure - front wheels, handlebars, cushions, footrests.
Step seven: we see the lineart on top of the lowered opacity sketch.
text: you can then do detailing like axles, spokes, upholstery, etc and lines
step eight: next we see three drawings of different characters. there is patience, a skinny white woman sitting in a blue invacare wheelchair. kelley, a slightly chubby black woman wearing a stripey dress sitting in a red quickie gpv wheelchair and doing a wheelie while smiling. then luke, a white man with short blond hair wearing khaki pants. he is sitting in a tilite chair.
text: once you get your wheelchair basics, you need to find out which kind your character uses. here are three characters who each use one of the example WCs. patience uses the invacare. she needs one with a better cushion, but circumstance prevents it. Notice the chair is a bit wider than her hips - it's not custom fitted. Also notice she has to turn her elbows out awkwardly to move. the high armrests prevent a smooth push. her wheelchair has big caster wheels and far-back back wheels. it is made for stability and difficult to turn,but also difficult to knock over. Her chair indicates a lack of resources or temporary injury, and is primarily a transport chair
kelley uses a wheelchair like mine - it is fairly sporty, but has a box-y frame underneath. this makes it heaver than if it didn't.she has a mediocre cushion - it protects her, but only some. her back wheels are further underneath her body than Patience's, which makes it possible to do the wheelie (demonstrated here). her wheelchair is supposed to look line one you'd use full time, but it is a little old.
luke has a spinal cord injury. he has a very thick pressure relieving cushion for medical reasons. his chair is also ultralight, with no boxyness under the frame. his chair is the newest and lightest - it indicates his wealth/resources, but also that he needs to use on full time.
step nine: just a drawing of me sitting in my wheelchair holding my hands up to show fingerless wheelchair gloves. we're looking at me from above.
text: when you're choosing what wheelchair to give your character, think of both their disability and their resources and go from there. questions to ask yourself: is it made specifically for them or is it mass-produced or a hand-me-down (if it's custom, the seat will not be too wide or narrow in comparison to their body and their feet will rest on the footplate naturally). do they want more stability (further back back wheels, big caster wheels) or maneuverability (the inverse). do they need a pressure relieving cushion? how long are they using their wheelchair per day? how long have they needed a wheelchair? Do they have health insurance? do they have access to a lot of spending money? How much can they spend on their wheelchair? are they athletic etc etc
posing steps:
step one: a sketch of two people standing up. one just shows the outline of a person's body, with legs that are ind of triangle shaped, the other shows a sketched pelvis and rib cage to go along with the bones of the legs and arm. text: step one: Most people have this sketch anatomy they put before drawing their characters for real. I kind of scribble around like on the left, but some people use skeletons on the right.
step two: there are now too sketched pictures of people in wheelchairs. one shows lightly traced human form (arms articulated, curve for a stomach, legs that are kind of triangle shaped and pointing down) sitting in a wheelchair that is just the sketch of footrests and wheels. the other sketch shows the sketch of a body with a circle for hips and an oval for a rib cage and the person doing a wheelie (lifting the front end of the wheelchair off the ground and leaning back). their wheelchair is also sketched out and defined by a circle for their wheels and 2 lines, 1 of the seat and 1 for the backrest. text: you need one of those for your wheelchair character. important: they should have both the person's main anatomy features (Usually upper body and at least hips) and the wheelchair's. for me, these are the back wheels, footrest, and seat. why simplify to just those features? Take a look at this incredibly quickly drawn wheelchair.
step three: there is a lineart drawing of a manual wheelchair with slightly cambered (angled towards the seat) wheels, a backrest, and a footrest. the frame is light and there are no handlebars. there are labels pointing to different parts of the wheelchair: Backrest, handrims, wheel, axle, seat, footrest, and caster wheels (the ones in front). text: there are a lot of parts, and not all of them are essential to your pose. trying to draw the whole thing straight out of the gate will frustrate you.'
step four text: take a character in heavy armor: if you draw her pose without taking her armor into account, her armor will clip through her body. if you draw a wheelchair using character without keeping her wheelchair in mind from the beginning, the pose won't make sense.
step four image: next we see two lineart drawings of different characters. one is a bulky woman wearing plate armor. her hand is on her hip and she is trying to scratch her back with the other hand. there is the label "shoudlerpad clips through face" and "thumb clips through chestplate." the next drawing shows a woman in a wheelchair with one foot rested on her knee and her arms rested back, such that they would be rested on the back of a regular chair, but the back of her wheelchair is not wide enough for them to actually be resting on anything. the text here reads "elbows not resting on anything" and "foot not on footplate"
step five: there are two images, one is lineart on top of a 3d modelled apartment with sketchup, the other is a colored in version of that lineart with the background also colored in and no longer a 3d modelled screencap two characters, one old woman wearing a green jacket and one younger woman wearing a white shirt and blue undershirt, are sitting on a couch. the old woman is leaning forward and the young woman is resting her arm on the couch. behind the young woman is a bookshelf.
step five text: you may say you'll just draw the chair first and then the person, but while that works for regular furniture, it doesn't work as well for most manual wcs. take this comic panel with characters on a couch for example - I 3d modeled the room and then drew the characters on the furniture. it works because you don't move furniture in most poses - you rest on it. but your wheelchair needs to move with you, especially if it's an ultralight one.
step six image: there is a flat color drawing of barbara gordon in her wheelchair. she is wearing a black sportsbra and black shorts. in the first image we see she is doing tricks in her chair, zooming through the air (as if she has just launched herself off the ground in a skater park or somethign) while her left hand is resting on a structure and her right hand is heading towards the right handrim. the next image shows her right hand planted on the ground and her chair and body above her, such that she is briefly doing a one-handed handstand, but the motion line indicates that she is moving and this will not last. her left arm is near the handrim of her left wheel.
text: take exercise Oracle - she is doing tricks. Her WC is an extension of her body. That is crucial to getting natural looking manual wheelchair users after posing.
step seven: we see a lineart drawing of paula from young justice. she is sitting in a standard manual wheelchair with high armrests (goes up to the bottom of her ribs probably) and a high backrest (goes up to just below her shoulderblades). she is setting her hand on the armrest, leaning forward, and holding her other hand out.
text: of course, there are exceptions - if you have a clunky WC, it is harder to move with your body. Take Paula from young Justice - here, i drew her resting her hand on her armrest, because she has a clunker wheelchair. her pose is already mostly static - she's sitting down - and she poses around that.
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copperbadge · 29 days
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Let's Talk About Missing Persons
So, I've seen this post circulating last week, and a few others like it in the past year. I think this probably needs to be discussed every few years, and it feels like time.
First, a few caveats: there are reports on the post that Abby has been located and is fine, so no need to reblog and also that's great news, I'm very happy she is safe. Second, I did not especially doubt the veracity of the post, so I'm not impugning the people who made and posted it, but I also declined to reblog it for reasons I'll get into. Third, I know that especially in marginalized communities it can be dangerous to involve the police, and that Missing White Woman Syndrome means it can be difficult to get media coverage. I understand why Abby's community may have chosen to search for her in the way they did.
However, for everyone's safety, I do not link any missing persons post that requires you to contact an individual to report the missing person's whereabouts. If the poster doesn't ask you to contact the police or a known missing persons organization, I won't do it.
This is for the safety of the missing person.
When you see a post with someone's photo, name, and last known whereabouts, and you are asked to contact an individual -- a family member, partner, friend, etc -- what you are being asked to do is report on the whereabouts of one person you don't know to another person you don't know. You don't know that the person you're talking to isn't an abusive partner or parent, a stalker, or a person who means them material harm. One of the Insta accounts in the missing image doesn't appear to exist, and another has no bio and very little captioning on their images. I couldn't verify that Abby even knew these people.
Again: when I looked at the image, it looked sincere to me. I didn't doubt those people were earnestly searching for a friend they were worried about. But also, an abuser doesn't look like an abuser until they do. So I don't make exceptions, because a missing person is missing but a victim outed to their abuser has strong odds of being murdered. The most dangerous time in the life of an abused person is when they are leaving their abuser. Even if a victim simply logs on to say "Hey, I'm fine, these people mean me harm" the abuser has now flushed them out of hiding, and manipulated them into making a public statement.
If you can't verify positively that the person searching does not mean the missing person harm, you should not be circulating a post, full stop. At the very least, if the community doesn't wish for the help of the police (understandable) or can't get the help of an organization or community (frequent), the missing persons poster should advise you to speak to the missing person, not the searcher, and notify them they're being sought, as long as it's safe for both you and them to do so.
This isn't intuitive. We want to help, and search posters like that tug on the heartstrings. We know that when the police get involved even in something this innocuous, it can be perilous for everyone. But in situations where someone is so vulnerable, we have to concern ourselves first with harm reduction, which in this case means not spreading someone's photo with a stranger's contact information on it.
I'm glad Abby was found and is fine and that her searchers were in earnest. But that will not always be the case, and it's important to remember that.
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nothorses · 10 months
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"the public education system is intently evil and all teachers are abusive because it was the worst experience ever for me personally"
guys, look, I'm legitimately sorry that happened to you. that's fucked up. it shouldn't have happened, and it shouldn't be allowed to happen again to you or anyone else. I'm sorry.
public school was hard for me too, at times, and I'm still suffering the consequences for the harsh grading, the arbitrary deadlines, the hours of completely useless-to-me homework. I could name a few teachers who have been pretty fucking terrible. the fact that nobody considered getting me evaluated for ADHD has had an impact on my self image and academic success that I can't erase.
and also.
I grew up in an area where education, in particular, is incredibly progressive-leaning. educators are working really hard to create and try out education philosophies and practices that prioritize kids and their learning, rather than teachers and what they think kids should learn.
My sex ed was comprehensive, and came entirely from school. My gay sixth grade teacher taught me about HIV/AIDs in a useful, accurate way. In high school, I learned about the way orgasms work & I was prepared not to feel shame for normal stuff.
I learned that Communism was not what the USSR actually practiced, and what it really means. I learned about atrocities and, specifically, the genocide of indigenous people committed in/by the US. I learned about the military industrial complex, the school-to-prison pipeline, and I learned about manifestations of racism specific to my local area. I learned about Stonewall, and the intersection of the civil rights movement with gay rights and disability justice.
My creative writing teacher taught us about LSD, and the real reasons we shouldn't do it, after a hilariously ineffective assembly run by some local cops. He spoke gently, carefully, and emphatically about his friends and his own experiences. Later in the semester, he read us a story he wrote about two gay men finding each other in a deeply homophobic environment.
My sci-fi teacher made me feel safe & seen as a kid with "weird" interests. My US History teacher helped me research and put together a 10-page paper on the modern relevance and mission of Feminism. My government teacher made me feel appreciated for the work I put into the class, and the thought I put into what I said in it, even though he disagreed with a lot of it. My sixth grade teacher bought me books to read with his personal money, whichever ones I asked for. My third grade teacher made me feel safe. My science teacher in middle school made me excited for and passionate about science, and saw and nurtured the effort I put into her class.
A lot of stuff sucks, absolutely. But I am seeing new teaching methods being tried out all the time, and I am watching teachers get really excited when I teach their students about the roots of modern graffiti in US black history & to question property laws, and just...
There's hope. there are so many people doing so much work to make things better. so many people agree with you on what education should be, and are trying so fucking hard to put that into action, and so many public schools- not just teachers, but whole schools and even districts- are really doing that work. so much is getting better.
I had more to say, about necessary childcare and trusted adults and outside contacts and time away from abusive family. But like. Please just sit down and listen to more people on this, and please talk to educators and education professionals about what's really going on in this big huge world of philosophy, science, and practice.
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jyoongim · 4 months
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Themes: posessiveness, slight yandere behavior, mentions of cannibalism, softcore smut,
After 7 years the Radio Demon is back!
But things arent how he left them…
Vox has taken it upon himself to be in charge of all things media
Radio has turned to Video
And Alastor’s little darling aint in her place…oh that just wont do
Your relationship with the Radio Demon was like a match made in Hell.
Alastor was a wild card by himself alone, but you? You never failed to keep him on his hooves?
You had been in the media world looong before Alastor popped up in Hell, having the title (ironic) Media Demon but somehow he managed to bring back the old themes that were once appreciated.
Not those podcasts or vlogs the youth were so prone to do
But things from the good old days.
Things that were considered ancient in the sense of modern tech.
Radio; Talk shows and actual live broadcasts.
Alastor and you quickly rose in popularity in the media realm [(you had a sneaky suspicion it was because he was terrifying and people honesty clung to an overlord’s word)]
You and Alastor had separate broadcasts, but you worked perfectly in sync with one another. Until one day…the Radio Demon disappeared, leaving you to run your show alone.
You did what you could, but the people seemed to miss the charismatic broadcaster as much as you and soon you were approached by Video.
“C’mon y/n, This will be a great improvement to your brand.” Vox smirked as you sipped the tea you were offered. You frowned. You were aware that media came in all formats but you enjoyed the ‘old’ way. “I dont know Vox, i prefer to be out of the camera’s eye” you said. Vox had been begging for years for you to join his team and claiming it would ‘boost’ your reputation. You didnt need a boost. You were THE Media Demon. If anything, you knew it would boost HIS popularity.
“Radio is so old-fashion, video is the future! You should be up to date with these things” he said. You grimaced “i am well aware of the trends, but not everyone likes this new savvy way, it is good to have a little variety”
Vox was getting annoyed.
Having you on the Vees would not only boost his claim to fame, but it would boost his power.
“The people would love to see the Media Demon in the public eye. You use to sing right? How about music production? You would kill sales with that voice of yours”
He was trying to butter you up.
Everyone knew you were a renown singer. A popstar once. You only showcased it a few times broadcasting when it was late at night and were in a mood.
Alastor loved to hear you sing.
“If you made videos people, your image can skyrocket” he continued.
You set your cup down, standing, having heard enough.
“I appreciate the offer Vox, but I will decline. I quite like stereo” and with that you left.
You made your way to the Hazbin Hotel.
To Alastor’s radio tower.
You sighed as you sat and stared at the station.
Maybe i should take Vox’s offer you thought as you collected your topics and put your headphones on.
You turned on the radio and did a count set
“How ya doin tonight folks? Its your favorite radio host and tonight you are in for a treat!” you gave the daily Hell gossip and opened the line for discussions. Letting out a laugh from a few of the responses you finally sighed “I have been offered the damning chance to retire from radio” you started. “I am sure you are all aware that I am fabulous of course, but i mean reverting to video can you imagine? And the audacity of Vox to even suggest just a thing. I think i do quite alright for a media connoisseur” you giggled.
As you chatted away you were unaware of the dark presence manifesting in the tower.
“Dial in im opening the lines to hear your opinions”
You listened in
“I think it could be good to switch it up!”
“Youre the Media Demon you could crush anything!”
“Y/n youre incredible!”
“Video kills the Radio star!”
You were about to chime in when a deep static like voice sounded
“I think you mean Radio killed the Video star”
Your eyes widened and spun around to see Alastor
“A-Alastor?”
His devilish smile sharpened as he pressed a button to cut the lines and removed your headphones “its been a while darling”
You couldnt help yourself as you launched at him for a hug.
You quickly recovered and let him go, stuttering “oh oh im sorry but w-what are you doing here? I-i thought you were gone”
Alastor grinned, bringing your hand up to his lips to press a kiss to it
“Ooooh mon cher i could never stay away from you”
You blushed.
Alastor pulled you into an embrace, his grip a little tight
“So what it is i hear of you forsaking radio?”
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propertyofwicked · 13 days
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WAS IT REAL? - LN
lando is at risk of losing his job if he doesn't clean up his image, and his best friend needs a way of travelling the world. they come up with a flawless plan - which could not possibly go wrong, right?
based on this request! (i went a little overboard im sorry) ✧ my inbox is open! ✧
warnings - fluff, angst, small allusion to smut at the end - fake dating to lovers hehe. also, 5k words??? who am i?? (writen BEFORE the miami gp!! i needed a few days to recover lol)
the song inspo for this got removed from spotify but it is based on "was it real" by ben rodrigues <3
masterlist the playlist
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✧ tell me was it real...
...or was it just pretend? ✧
“and now i’ve had zak sit me down and essentially said ‘we don’t hire slags’”
“he said that your recent behaviour was causing concern for mclarens image - not that you were a slag, lan.”
“same thing,” he argued, ”i’m 24 for gods sake, if i want to speak to women in a nightclub that shouldn’t be any of zak’s business.”
“i think it became his business when someone filmed you, in your mclaren, having what im sure was a lovely conversation with the girl sat on your lap,” she teased back, emphasising her words slightly. he huffed at, crossing his arms over his chest as he leant back into her sofa.
lando had walked into her flat 20 minutes prior, as he had hundreds of times before, threw himself down on her sofa and launched into a long rant about the meeting he had just come from.
since he was at the woking offices, zak had taken the opportunity to discuss the several occasions in recent weeks where lando had been caught in predicaments with multiple different women. when he finally left, zak’s ultimatum ran through his brain on a loop as he drove to one of his closest friends houses.
“clean your image up, or we’ll have to reconsider the possibility of you having a seat next year.”
“it sucks, lan, but i really don’t know how i can help you here,” y/n told him, moving a stack of research notes to the table before sitting cross legged next to him so that her body faced his.
y/n l/n was a newly graduated environmental researcher, who was taking a year out to decide what kind of work she wanted to pursue. she needed to travel, see the world, and experience all elements in her field before she could make that decision - but travelling was expensive and she could not afford to be in anymore debt after university.
“i have an idea,” lando announced, the realisation of what he was about to propose never really settling.
“that’s never good,” she joked.
“no, no hear me out -” he started, “i need to look like a man in a stable relationship, you need to see the world.”
“yeah? so?” she questioned, confused as to where he was going with this.
“look, it’s ok if you say no. i’m just saying - you could pretend to be my girlfriend and use the opportunity to travel the world and research your little bugs.”
“i don’t know, that seems a bit…deceitful?” y/n replied, yet the idea mulled in her brain more than she wished.
“just a few public appearances. you come with me to my races and use it as a research opportunity. maybe stay in monaco with me for a bit? let people film us being domestic and that?” lando replied, stuttering as he tried to think of more reasons - truly, he had started talking before he’d really thought it through.
“it’s tempting,” she replied slowly, “and for the last time lando, i do not study bugs, i study the environments they live in.”
“all expenses paid, travelling the world, looking at trees across the world,” he added teasingly, “- and all you have to do is hold my hand in public,” he finished, trying to summarise the arrangement.
“ok.”
“ok?”
“yeah, what’s the worst that can happen?”
✧ tell me all the places that you wanna see...
....i can take you all the places that you've never been ✧
the two of them fell easily into a natural act, almost gaining a sixth sense for cameras and fans and reaching for each other. it started small - a hand on her back, standing close to each other, being seen arriving and leaving together. but it hadn’t been enough, many pointing out that y/n had been at races and stayed with him in monaco multiple times, and concluding the two were still, just friends.
so they upped the ante. lando began holding her hand when they walked anywhere together, kissing her forehead lightly as they both pretended to be clueless to the snapping of cameras. at the last race, y/n had spotted a reporter and made a quick decision to tug at lando’s fireproof, pulling him down and pressing a soft kiss to his lips.
“that’s new,” he had told her, laughing lightly, but keeping his hands firmly on her waist.
“camera,” she told him, smiling up at him as he nodded.
and lando kept up his end of the deal, the two of them using the week of the australian grand prix to visit the great barrier reef.
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their plan was working - the two were elated that people were finally putting the pieces together and believing the two really were together. even zak began to notice the positive effect y/n had on not only his image, but lando’s entire life.
“say y/n,” zak started as he walked up to the woman, “you work in environmental protection, don’t you?”
“i guess you could say that,” she responded, too tired to correct him, and slightly startled that he’d approached her as she sat minding her own business in the garage before the race began.
“we’re doing some work with the barrier reef group and oscar in a few days - would you consider being a sort of environmental advisor? just tell oscar a few things that he could talk about for the project?” he asked her assertively, smiling as her eyes widened at the request.
“i’d love to! but im supposed to be flying back tomorrow. let me ask lando later and ill get back to you?” she replied.
“sure,” he replied, smiling at her again before returning to his job. she was filled with excitement, it wasn’t often that she got to talk about her degree, and being able to contribute to a project of this scale was an amazing opportunity.
and her excitement only continued throughout the race, a feeling she always got watching lando compete, but overwhelmed when he cross the line 3rd. y/n ran round to join the rest of the mclaren team at the pit lane, watching as the podium cars pulled in and the drivers hopping out to celebrate with their teams.
lando climbed out, removing his helmet quickly before turning, scanning the crowd for y/n, and half sprinting when he spotted her. later, he would celebrate with his team, but for now he ran to her, pulling her in closely as he pressed his lips hastily to hers, pulled in closer by her hands cupping his jaw. when they pulled away, he kept her close to his embrace.
“im so proud of you,” she told him, smiling as he bent down to kiss her again, before rushing off to join his team.
y/n tried so hard to push away the feeling rising in her stomach - she didn’t like him like that, it was just the excitement of watching her friend succeed. so she ignored it, the same way she pushed away the feeling she got every time he calls her angel, even when they were alone.
im only here so that he keeps his job she reminded herself.
lando was distracted - he got podium, he was excited, his team were celebrating. yet he couldn’t help but let his thoughts linger to that feeling that shot through his veins when he’d kissed her. the same feeling he got every night, when she wrapped an arm tightly around his chest as they fell asleep.
she’s only here for research opportunities he told himself.
“im so proud of you,” y/n told him later that day as they left the track. wrapping her arms around his neck, she pulled him in to a tight hug, his arms falling naturally to hold her waist close to him. lando risked everything in that moment, pulling slightly back to look at her, before pressing a kiss to her lips.
“camera,” he told her, feeling her hesitation. her smile fell slightly before she leaned up to kiss him again. of course - the cameras, that’s why he kissed me she thought to herself, saddened slightly at the realisation.
there was no camera. they were totally alone.
✧ colours of the sky in your eyes
...fragments of the truth in your lies ✧
lando felt alone, his apartment felt so empty without her. he was happy she had the opportunity to stay in australia and do what she loves, but he couldn’t help but dwell on the flames igniting inside of him when he saw the videos of her and oscar together. it wasn’t jealousy, he told himself, he just missed her. after spending the last few months in close proximity, it made sense that he missed smelling her perfume around, or hearing the way her voice travelled through his brain.
y/n had a calming effect on him, and right now, lando was anything but calm.
which is why he found himself going back to his old ways, in a club, surrounded by women he wouldn’t remember the next day. he was too gone to remember that people with cameras tend to follow him around, capturing his every move in 4k - and he was far too gone to realise that publicly he was in a relationship, a relationship that should not include him leaving a club with a blonde.
and of course, y/n had seen the images blasted over twitter, headlines titled “cheating scandal?” consuming her entire feed. it was hard to remind herself that this thing between her and lando was not real, it was all pretend. and no matter how many times she told herself that fact, y/n couldn’t help but feel jealousy consume her entire existence.
the flat had never felt so awkward than the week before their flight to japan for the next race. she had returned a few days after the incident, lando greeting her at the door with a tight hug and a kiss to her forehead, but something was off.
“you have fun?” he asked her offhandedly as they moved to the kitchen, grabbing a bottle of water for himself.
“i did,” she said with a smile, though her tone held malice, “did you?”
lando’s hands stopped opening the cap of the bottle as he breathed in sharply.
“the fuck does that mean?” he replied, his tone harsh in defence.
“i was just asking if you had a good time, lando,” y/n answered, “she looked pretty, your type.”
“nothing happened, y/n,” lando told her, his voice sounding almost guilty.
“it’s ok if something did happen - we aren’t actually together,” she assured him, even though she could feel the jealousy bubbling up inside her again, “can you just be more cautious next time? im not sure i enjoy being told i deserved to be cheated on every time i open twitter.”
“im sorry, y/n, i am. i dont know what i was thinking,” he apologised, his eyes still softening with his guilt.
“clearly not a lot,” she tutted, before moving to take her bags to her room.
the rest of the week followed a similar vibe - the two of them barely spoke if they didn’t have to, making a few affectionate public appearances to show the world that their relationship was as strong as ever… oh the irony y/n thought every time she saw something dismissing earlier lando’s actions. however, by the time they flew out to japan, the friendship between the two seemed to have recovered - lando had almost sighed in relief when he saw her smile at him again.
“where you off to today?” lando asked her, pacing around the hotel room as he packed his bag for the day.
“the marina,” she replied, smiling as she pulled her coat on, “looking at the fish.”
“gross.”
“what time is qualis?” y/n asked him, ignoring his statement.
“uhh…3 i think - but you should try and get there by 2?” he told her, glancing down at his phone to see the current time. lando strode over to her, cupping her face lightly as he pressed a quick kiss to her head - this was becoming second nature to him, and she wasn’t sure how he felt about it.
“perfect!” she replied, trying to stop the nervous blush rising her face, ignoring the way her stomach flipped, “ill be there,” she added before pressing a quick kiss to his cheek and leaving the room. the moment the door closed, lando’s hand raised to touch where she had kissed him, smiling fondly at the thought.
he was utterly and truly fucked. how had he let himself fall for her? how could he continue to pretend to love her, when he really did?
y/n spent the rest of the morning in a similar state of panic, mentally shutting down at the prospect of loving lando and knowing he’d never feel the same. she hadn’t even intended to leave him today, but found herself quickly googling anything for her to do the moment she woke up with his arm wrapped tightly around her stomach and his head resting on her back. y/n needed space, she knew she couldn’t keep up their little act when her heart was slowly shattering every time he kissed her for the cameras.
so caught up in her own thoughts, she didn’t realise the time until it hit 2pm and she was stuck at the marina, desperately trying to find a taxi to get her to the track. and when she finally made it, y/n wish she hadn’t bothered.
lando was pacing angrily, talking under his breath as he checked his phone constantly - he only had 5 minutes before he needed to go down to the garage and get ready for qualifiers. the door slid open, and y/n walked through - ready to spurt out her apologies - but she stopped suddenly, sensing the anger looming in his room.
“where were you?” lando asked her, trying to keep himself calm, though the race nerves mixed with his temperament made that quite difficult.
“im sorry lan, i lost trac-”
“lost track of time? found something more interesting to do? save it, i don’t wanna hear your excuses,” he argued back, interrupting her with his ever loudening tone.
“you’d know all about ‘finding something more interesting’, wouldn’t you,” y/n replied, her own voice raising to meet his. if there’s one thing y/n will do, it’s stand up for herself, even when all she wanted to do was kiss him. dont kiss him, hit him she told herself.
“fuck you,” he spat, shoving past her to leave the room.
“at least im here!” she shouted back down the hallway, desperate for the last word
y/n stayed in the room for qualifiers, trying to stop the tears running down her face before lando returned. she hoped his anger was only heightened by his nerves, praying that after securing P3 he would return as his normal self, laughing and joking with her. in a strange way, she wanted cameras on them, she wanted him to be affectionate with her - she needed him to comfort her.
the woman walked nervously down to the garage, hoping to catch him quickly before he had to run off for media duties. maybe now he had secured a solid start position for tomorrows race he would be more willing to have a mature, sensible conversation with her.
or not.
lando spotted her immediately, pulling her arm quickly to lead her round to a secluded area outside the garage. he wasn’t angry at her, he was angry at himself for letting it get this far. he was so irritated, he couldn’t even spare a moment to see the fear in her eyes as he took in a deep breath.
he wasn’t angry at her, but he didn’t know how else to express his overwhelming emotions.
“what do you want? make it quick, ive got media to do,” he snapped, letting go of her arm as they stopped walking. she rubbed at it, her skin still burning from his tight grip.
“i just wanted to see you lan, congratulate you,” she replied softly, biting back tears once more.
“oh now you want to be here to support me?” he breathed out, crossing his arms over his chest.
“what does that mean?”
“i let you come with me to help with your career, and yet you can’t even turn up to support mine. i knew you were selfish but thi-”
“selfish?” she argued, trying to keep her voice low, “me? selfish? i haven’t got enough fingers to count the amount of times you’ve missed my important things because you were busy with your career. and have i complained once?”
“well no but-”
“but nothing, lando. i can’t even pretend to love this version of you,” she ranted, her anger being overcome with sadness, “you know what? fix your own reputation - or don’t. i don’t care what or who you do anymore,” she finished, turning on her heel and storming away from him.
he wanted to follow her, he wanted to hold her close as he apologised. lando knew he was being selfish, he knew it wasn’t fair to string her along under the pretence of saving his career. he knew he could no longer pretend, not with her and not with the public. lando needed her in every sense of the word. but duty calls, so he settles on dealing with this later, sitting her down and telling her the truth, even if it had the potential to destroy their friendship - he figured he couldn’t make it any worse.
but y/n isn’t at the track when he finishes up for the day, and she’s not at the hotel when he returns - and neither are her belongings. lando checked his phone repeatedly, messaging her desperately.
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he fell to the bed, head in his hands as he tried to regulate his breathing.
she was gone, and it was all his fault.
✧ i know that you're perfect for me
…tell me that you're sorry
…won't you please just take my heart again ✧
it took a few weeks for lando to finally stop messaging her, though y/n noticed an increase in visits from max, their mutual friend, under the guise of “just checking in” on his childhood friend. y/ wasn’t stupid, she knew who was behind max’s sudden interest in her wellbeing. but max was stupid either, he knew why the two of them had taken this fall out so hard.
“you did what?” max shouted in shock.
“i asked her to pretend to be girlfriend so i could keep my job,” lando sighed, hiding his face in his hands.
“you’re stupid.”
“i know.”
“in what world was that ever going to end well?”
“the world where i didn’t realise i actually do fancy her?” lando replied quietly, questioning his own admission.
“im so stupid,” max replied.
“how are you the stupid one here?”
“stupid for believing the two of you had finally worked out what has been right in front of you since we were 13.”
lando was desperate. he needed to talk to her, he needed to tell her how he felt - but for now, he settled with knowing she was ok.
“she’s alive and healthy - and she had pizza for lunch,” max told him over the phone, growing tired of this weekly routine the two of them had started.
“but she’s doing ok, right?”
“she’s good, lan,” he reassured, neglecting to tell him the part where she cried on him about losing her best friend over a trivial, child-like crush.
“but…?” lando asked, sensing there was more.
“but - she still doesn’t want to talk to you.”
“i could’ve guessed that one, thanks mate.”
“hey dont get mean with me - im just doing what you asked.”
“i know, sorry.”
“don’t apologise to me, find a way to fix this you muppet.”
y/n was not ok, spending most of her nights alone, scrolling through social media seeing the rumours about her and lando’s supposed split - “she’s wasn’t at the race” “i saw her leaving suzuka crying” “he looks so sad in interviews”. why do they care so much? but they aren’t wrong, she thought.
she began looking for a job, but nothing seemed as exciting as the work she’d done with mclarens environmental programme - which seemed to no longer be an option. unbeknownst to her, mclaren also loved the work she had done with them - her presence was greatly missed in the garage by many, especially those on the receiving end of lando’s current outbursts.
y/n’s phone lit up the entire room, the notification cutting through the silence of her room, breaking her away from her own thoughts.
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-
y/n was still convinced this was a trick, luring her to miami under the pretence of work so that oscar could push her head first into a trap. the thought stuck with her throughout her plane journey, as she checked in to her hotel, even up to the moment she knocked on oscar’s door to discuss the project. she was waiting for lando to appear, push her into a locked room and force her to talk to him.
“…’but if i talk to him, ill end up telling him why i ran, and how i feel about him, then he’ll reject me, laugh in my face and im back to feeling sorry for myself,” she told oscar, having finished giving him the run down for their project, and allowing the conversation to move to the elephant in the room - what had happened between her and lando.
“im sure that’s not true,” he replied, feeling sad for the girl in front of him, though he already knew most of the story from hearing lando’s self-destructive rants.
she opened her mouth to responded, but was stopped by a sharp knock at the door.
“oscar? are you ready to go?” a familiar voice called from the other side, sending y/n’s blood cold, her eyes widening in panic.
“what the fuck, oscar?” she whispered shouted, feeling betrayed.
“i didn’t know he was coming y/n, i swear, i’d never do that to you,” oscar reassured her truthfully, although slightly beaming as a plan formulated in his head, “stay there, ill tell him to meet me downstairs.”
oscar stood, moving to open the door slightly.
“hey mate - just got some things to sort out, ill meet you downstairs in 15?”
“sure,” lando nodded, turning to leave, but not before his eyes drifted into the room, spotting the same pair of flowery vans that had spent months sitting in his hallway. y/n’s vans.
lando walked down to the lobby, taking a seat as he waited for oscar, his mind consumed with the fact that y/n was here, in miami, in his hotel. why was she here? why hadn’t she told him? was she still avoiding him?
“he-”
“where is she?” lando interrupted the australian the moment he approached.
“’hi oscar, are you ready to go?’ would’ve been my response but ok,” oscar replied.
“where is she, oscar?” lando continued, determined.
“she doesn’t want to see you.”
“i know,” he replied bluntly, “why is she here?”
“y/n was invited to join mclaren as an advisor on a new climate video,” oscar gave in, replying as professionally as he could - he wasn’t here to discuss their ‘breakup’.
that’s a lie, he’s pretty sure zak asked him to do another environmental video purely to suggest that he contacted y/n to be an advisor. and he’s absolutely certain that zak, equally as fed up with lando’s attitude, was looking for a reason to bring the two back together.
“who invited her? where is she staying?” lando quizzed him as they walked towards the car, doubting he’d even get an answer.
“zak invited her, he appreciated the work she did for us in australia,” oscar replied, ignoring his second question. lando hummed in response, if oscar wouldn’t tell him, he would find out for himself.
it was only a press day, so lando split from his teammate and began his hunt for zak brown. it wasn’t hard, the man was wearing bright orange and had a laugh that could be heard for miles.
“hey zak,” he started.
“hey lando, what can i do for you?” zak asked, glancing at his at a text on his phone quickly before giving lando his full attention.
“how are you?” lando asked hastily, beginning his attempt to bombard his boss with questions till he slipped up.
“im good.”
“what are you doing today?”
“just going over some things with the team.”
“what do you think the weather will be like on sunday?”
“war-”
“where’s she staying?”
“the marriot i-” zak replied, pretending to stutter as he answered, feigning shock at accidentally revealing the hotel.
“thanks zak, love you,” lando called out as he jogged out. zak smirked to himself, replying to oscar’s message.
z → mission complete.
o → you made sure it looked like an accident, right?
z → jesus oscar i just told him the hotel name i didn’t kill him
of course lando couldn’t leave the track immediately, he had a job to do first. but the moment he became free for the evening, he was off, arriving at the hotel in record time. there were many cons to being a recognisable face, but a pro of being so famous was a hotel receptionist who barely batted an eyelid as lando demanded to know the room number of y/n l/n.
his knuckles rapped on the door quickly, his heartrate beating rapidly as he did. this could go so many ways, and most of them were not good. the door swung open, his eyes coming to look at the woman in front of him - she looked good, but she looked different, like something was missing.
“lando? what are yo- OSCAR!” she called out, turning to look back into the room, the door widening as she did revealing his teammate sat at the desk, “did you do this?”
“not me,” he replied, holding his hands up in defence. her head spun back around to look at lando, she was taking him in. he had a plaster on his nose, the curls were alive and well, and his everlasting tan ran the expanse of his skin. she didn’t want to admire him, but damn, miami was treating him well.
“go away i dont want to see you,” she announced suddenly, trying to shut the door but finding his foot blocking it.
“i know you don’t, but i need you to just listen to me, please. and then you can shut the door and never have to deal with me again,” he told her, pleading.
“oscar’s here.”
“actually, i should probably get going,” oscar announced moving to grab his stuff to leave. y/ns head shot back around, her eyes shooting daggers at him as if to say ‘dont you dare leave me alone with him right now’ to which he merely shrugged and walked out.
lando closed the door behind him, moving the two of them back into the room - y/n sat down awkwardly on the edge of the bed as he remained stood in front of her.
“what do you need to tell me?” she asked him impatiently.
“y/n, these last few weeks have been hell for me. i know i hurt you, i said some horrible stuff that you really didn’t deserve and i will do anything for you to forgive me and move past this,” he said, pausing before adding, “i don’t know about yo-”
“oh, so it wasn’t you sending max to “check in on me” every week?” she interrupted, her eyebrows quirking with her accusation.
“you worked that one out then?” lando replied, laughing slightly, relief washing over him that she didn’t seem angry at him.
“it was so obvious! since when has max ever felt the need to check im doing ok ever? let alone every week?”
“i sent him because i care about you y/n. you weren’t responding to my messages, dodging my calls,” he told her, watching her smile slightly, a blush rising her face.
“so why are you here now?”
“look, this whole ‘thing’,” he started, waving his arms to indicate he meant whatever the two of them were doing, “it started as something purely to benefit the both of our careers. but i think somewhere down the line, it turned into something more. something that should’ve happened years ago,” he told her, his heart ready to beat its way out of his chest and jump out the window.
the two sat in silence for a moment, y/n mulled over his words in her head. this is what she wanted, wasn’t it? she wanted him to love her the way she loved him. so, why did she feel so apprehensive about letting him back in?
“i know you felt it too, y/n,” lando said again, not letting her thoughts distract her too far.
“feel,” she said bluntly.
“huh?”
“you said felt. i still feel that way about you lan.”
“then why won’t you let me in?”
“you said some really nasty stuff to me, lan. really horrible stuff that had me reconsidering my entire life. you’re lucky i even let you stay. why couldn’t you just be honest with me - instead of pushing me away?”
“i didn’t know how to,” he admitted, stepping closer to her, “if i had a time machine, i would take back everything i said. id go back and slap some fucking sense into myself.”
lando now stood directly in front of her, his thighs brushing her knees lightly as his hand moved to her face, wiping away a tear she didn’t even know what trailing down her cheek. his fingers tucked a lose strand of hair behind her ear before settling on cupping her jaw lightly.
“can you forgive me?” he asked her softly, thumb stroking at her cheek.
“it’s not all your fault, lan. i could’ve said something too,” she told him.
“please just say you forgive me so i can kiss you, you idiot,” he laughed out.
“forgiven,” y/n said quickly, her head tilting so that their lips met. it was familiar, the feeling his lips on hers, but this time there was a sense of urgency. a sense of love that was absent anytime they had kissed before. his tongue swiped at her bottom lip, desperate for more which she granted happily, as her hands moved to rest in his hair, tugging at the curls lightly.
“fuck, y/n. ‘missed you so much,” he moaned out, the grip on his hair sending his mind blank.
“missed you too,” she replied as he moved to kiss down her neck softly, “even if you were a bit of a dick.”
“let me make it up to you?” lando teased, nipping at the skin of her neck whilst his fingers toyed with the hem of her top.
“there’s a lot to make up for.”
“ive got time,” he replied, pulling the fabric away from her body fully. her hands reached out, grabbing at his mclaren polo to remove it as well, dropping it next to herself on the bed.
lando laid her back on the bed, hovering over her as he continued kissing down the flesh of her torso.
“y/n i forgot m-” oscar started, barging back into the room, “oh my god, ive been gone what…? 3 minutes? how have you already taken your clothes off?” he exclaimed with a laugh.
“fuck off!” y/n and lando called out in unison, lando reaching for his top and launching it in oscar’s direction.
“ok ok, im going,” he replied, raising his hands again in defence, “stay safe kids,” he added before leaving the room, his forgotten phone now in tow.
“kids?” lando muttered, “im older than him?”
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facefullofsadness · 3 months
Note
Could you do a giselle dom pervy step sister(female reader) smut where they don’t like each other at first but ig giselle found a way to turn that hatred into them fucking in secret while their parents are in the house
ANONNNN!!! YOUR MIND!!!! I've been thinking ab this ask for WEEKS and I finally have time to write about it omg obsessed
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content - stepcest, blackmail, smut (pervy!giselle, cunnilingus, fingering, face sitting, squirt, voyeurism/public(?) sex)
wc - 2739
a/n - catching up slowly but surely on asks, I have no school this week so imma try my best!
you never really warmed up to giselle.
you never really WANTED to ever warm up to her. she was mean, annoying, obnoxious, and greedy. I mean, how fucking self-centered do you have to be to make your baby stepsis call you by another name because she "doesn't deserve to call me by my real name" as giselle had said. what infuriated you was how pretty she was too. someone who was such a bitch shouldn't get the benefit of being attractive, especially since aeri knew and definitely used it to her advantage. whether it be to the people around her like friends, classmates, teachers, or even your parents, she finessed them like no one's business.
but she could never trick or fool you. you were a challenge to her, and it pissed her off not getting what she wanted. giselle HATED your guts. you were smart, sweet, cute, and generous, traits she simply was not. she hated how your guys' parents eyes' would light up in excitement when you came to them with an academic achievement, looking at you with admiration and love, eyes that would look at aeri with annoyance and disappointment.
aeri's not stupid, she knows why she's disliked, but she doesn't really care. it only really started to affect her seeing YOU be soooo liked by them. she simply hated you because you weren't easy, and you hated her because she saw everyone as easy. though, however much it upset you, it upset her to a degree you couldn't even imagine. she had to win the invisible game, and she was going to get her way with you, one way or another. so she devised a plan, which was to put simply, blackmail.
one day when you were gone at school, she set up a secret camera in your room facing your bed. she laid back on the living room couch in content, watching you come home from school, shooting each other a painfully fake greeting, before you ascended upstairs to your room. during nightfall, you would of course, fulfill your physical desires while everyone was asleep in the house, unaware of the recording device from across the room. and in the morning when you left, your wicked stepsis would sneak back in to retrieve the footage, playing it back and giggling to herself, knowing this would ruin you.
giselle's sweet baby stepsis, a sexual deviant during the after hours, shoving a huge dildo into her pussy to force multiple orgasms from her own body.
aeri was giddy with joy, now owning what single-handedly would win her the upper hand. the day continued as normal, but as you were about to go to sleep, there was a knock at your door. you rolled your eyes when you opened it to find a smug aeri, her phone in her hand with a play button over a still image of you in your room. your eyes shift between her and her phone confused before she pushes you inside and shutting the door behind her.
"what the fuck is that aeri?"
she huffs and sits comfortably at the end of your bed, "first of all, it's giselle to you, don't forget. second, how 'bout I show you?"
playing the video on max volume, your muffled moaning erupting from the small screen, watching a video of yourself masturbating. your ears ring and your cheeks flush, pouncing onto the older girl and trying to tear the phone away from her. your older stepsis is far stronger than you and easily you get overpowered, her hands pinning your wrists together and against the bed, her legs straddling either side of your lap.
with one large hand gripping your wrists together and the other hand hovering the still playing video against your face, she smirks, "what? shy? you weren't so shy last night when you were shamelessly fucking yourself, now were you? hm, y/n-ie? my sweet little sister?"
you grit your teeth and shake your head back and forth to deny the accusation, as if it weren't true. her dark chuckle fills your ears and the room, joined with the loud squelching of your pussy coming from the video. you feel tears start to well in your eyes and you plead with her.
"unnie, please... delete that!"
she coos at you, "awww sweetie, you think I'm that easy? not without a price, I won't."
you continue to plea in a desperate voice, "unnie please! I'll do anything! just please, delete it, or don't share it! anything you want!"
her lips curl into a sinister smirk that you can see even in the dark. you feel your heart drop to your stomach at the thought of what she must've suddenly imagined, immediately regretting your choice of words. before you could even consider opening your mouth to take back what you said, aeri drops the phone and covers your mouth.
"anything huh? will you behave for unnie and do anything I want?"
you debate shaking your head no, but when you hear a particularly loud moan come from the video playing next to your ear, you nod your head yes.
"good girl, you may be stubborn but you're not stupid. a little bit dumb for your choice of words though," she hums above you and trails the hand over your mouth downwards, dragging her long slim fingers across your sensitive body, jerking with every inch of contact she makes.
you whine as her fingers circle your hardening nipples and pinch them between her fingertips, giggling at how your body reacts to her touch.
"sensitive little baby, aren't you y/n-ie? fuck you're so cute, you shouldn't be so fucking cute."
aeri hated how much she was enjoying this almost as much as you did. she hated how cute her little sis was, writhing under her, eyes welling with tears in fear, body reacting to every subtle brush, thighs rubbing themselves together to suppress the ache at her core. and you hated it too, you hated that your older sister made you feel so fucking good, how her touch ignited flames in your stomach, how you panted into the air the more intimate her touch became, how you anticipated and needed more when you realized how disgusting this all was.
you both hated it, but you both couldn't get enough.
looking up into giselle's eyes at the same time she looked into yours, locking onto one another and gazing into lustfilled stares, the tension filling the air. the hatred boiled over and morphed into a new emotion, desire. a compromise emerged, and mentally, you both knew what it was. it all felt too good to want to stop, so you gave in.
leaning up and smashing your lips against aeri's, her immediately pushing back into you, pressing you down into your mattress. sloppy wet kisses loud and echoing through the room, both your moaning filling your ears and drowning out any possibility for moral dilemmas to pierce your mind. the hand pinning your wrists down, traveling up to hold your hand, interlacing her fingers through one and letting the other one go.
you let your free hand shoot into her hair, pulling her closer into you and shoving your tongue into her mouth, eliciting a whine to escape giselle's throat, accepting the intrusion. her other hand finds your thigh and brings it up, wrapping your leg around her waist and grinding her hips against your clothed core, making you both groan out into each other's mouths.
"fuck, you're good. why are you good?" she moans into your mouth.
"I'm not- a fucking- amateur." you pant out between kisses.
"yeah? then tell me, has anyone else made you feel this good?"
she questions, almost as a challenge, and you're scared to answer knowing it's just another piece of blackmail to hang over your head. you both already know the truth, obvious by your hips rutting back against her, your sweat dripping down your forehead, neck, and chest, your core aching with need, and your eyes blown to oblivion.
"fuck you," you answer instead.
she chuckles lowly again, the tone and vibration in your mouth when she does it making your pussy throb between your legs.
"not before I fuck you."
flipping you over and onto your hands and knees, tearing your shorts and panties off, throwing them to the ground. she wastes no time shoving your legs apart and licking along your leaking slit, making you moan out and bury your head into your pillows.
"you're so fucking sick, do you know that? being so wet and horny for your unnie like this, you disgusting little whore."
giselle says as if she's not soaked in her own clothes, nipples hard and hole clenching around air. she feels so powerful, so in control, and it feels so good to have you whining under her. sticking her tongue out and getting to work immediately, dragging her wet muscle greedily and swiftly against your pussy, drinking in all of your slick. muffling your moans into your pillows and clawing at your sheets hard enough to rip them.
her strong grip on both of your legs forcing you to keep them apart, slapping your ass every so often and making you scream out into the pillow. her tongue moves around your core so fucking good, alternating between sucking and flicking at your clit to thrusting and licking inside of your cunt, the sounds unbearably sinful and delightful to especially aeri's ears. she's drunk, on the taste and feel of your pussy, the way your body reacts, and the muffled cries being torn from your mouth.
she closes her eyes and relishes in your delicious juice swishing around her mouth, moaning into your pussy at how fucking good it feels to have you like this. her core aches and throbs so painfully, she clenches her thighs to hold it in. she lands another slap on your ass before shoving three fingers into you, already starting with an unforgivable pace, curling them and finding that spot in you easily. you scream and claw at the sheets, almost assuredly knowing your pillow wasn't muffling your cries anymore, not like either of you cared. aeri was going insane and felt herself becoming more and more addicted to you. addicted to ruining you, addicted to having power over you, addicted to owning you.
with the arch of your back and body stilling, you gush cum all over your stepsister's face, thighs trembling and chest heaving, moans slipping out of your mouth like a waterfall, your pussy mimicking the motions of one too. giselle drank all of it, everything, licking all over your leaking cunt and wiping her face of it too, sucking her fingers dry to not leave a single drop wasted.
she didn't even let you rest as she flipped you over onto your back, quickly stripping of her pajamas and lingerie, before climbing up to your face, her thighs resting on both sides of your head.
"use your tongue for something useful, pervy slut."
pfft, hypocrite.
she gives you no time to respond or think before shoving her fat pussy into your mouth which you immediately start to drag your tongue all over, coating it in her slick. your hands grip her juicy thighs and you dig your nails into them, her wincing above you and gripping the headboard with one hand, the other hand in her mouth to muffle her sounds.
you never rip your eyes away from her face for even a second, obsessed with how much sheer pleasure rests on giselle's face, her mouth biting down on her hand, her eyebrows furrowed in concentration, and eyes clamped shut. your nose hits her clit repeatedly with your tongue buried deep inside her cunt, flicking it to stimulate inside her tight walls. she tastes so fucking divine, cum directly entering your mouth and your spit drooling out the sides of your lips.
her hips quicken and she fully rests her weight on your face which makes you delighted, drinking her up and pulling her in, suffocating between her thighs. not that it mattered, you loved it. you couldn't breathe but you pushed through, thrusting your tongue in her and maneuvering her hips as her clit hit the tip of your nose.
"drink my squirt you little bitch, take it! don't waste a drop! fuck!"
she demands you as she cums in your mouth, her pussy squirting onto your tongue. her thighs shake in your hands and you close your eyes to avoid squirt getting in them. you feel like your drowning in the sheer amount of liquid coming from aeri's pussy, but you obey your sister, drinking everything that slides down your throat. she finally calms down and you tap on her thighs in a panic, literally not able to breathe. she laughs above you and stays there, watching color drain from your face before she lifts herself up, watching you cough and gasp for air.
"sick fuck," she says before smashing her lips against yours' and digging her tongue into your mouth again.
suddenly, she pulls away and gets dressed, picking up her phone and waving at you with that infuriating smirk on her face as she opens the door and leaves, "see you again, baby sis!"
and from then on that's when it started, fucking your step sister in secret. at first it was only at night, every night since the first time. then it progressed to whenever your parents were out of the house, fucking on the couch in the living room, on the kitchen island, in the shower, in each other's rooms. at some point, she started to get more flirty with you, her touches lingering for too long when she held your hips in the kitchen to move past you or sliding her hands up your shirt when she'd greet you with a hug when you came home from school, whispering an "I missed you" into your ear, her breath against it making a shiver go down your spine, which always drove you insane.
at some point though, giselle couldn't give less of a fuck if your parents were home or not, she just wanted to fuck you. your family would be having a movie night in the living room and you'd go to the kitchen to get more snacks, the older girl following you to "help." then she'd pin you to the kitchen counter and slip her fingers down your underwear, dipping them into your already wet pussy.
"really y/n-ie? you're fucking wet? were you eye fucking me all night that you couldn't help yourself get horny? let me help you with that baby."
she would whisper breathily into your ear before fingering you right then and there, you clutching the popcorn bag in your fingers and biting down on your lip, trying so hard not to moan and get caught, thankful the movie was loud enough.
or during a dinner party WITH YOUR RELATIVES, she would "accidentally" drop a spoon on the ground and go to retrieve it, only to separate your thighs and trail a long tortuous lick across your exposed pussy, aeri having demanded you to wear nothing under. you're suddenly gripping your utensils and coughing on the food in your mouth, acting like it went down your throat wrong. your sister climbing back up from under the table with a lost spoon and a smile.
and of course, she fingered you under the dining table that night too, your face red and physically incapable of eating for about twenty minutes, clutching her forearm as you came around her fingers in front of everyone. you had bit down on your lip so hard, blood had started dripping down your chin and onto your dress, excusing yourself to clean up. panting out of breath in your room and ripping the dress off of you, your sister following behind you and pinning you to your bed with a smirk.
"that was impressive baby, you were able to keep in all those delicious moans huh? well, don't you dare fucking keep them in now, they can't hear you from here, and we're not even close to finished."
smashing her lips against your blood stained ones, the taste of metal filling her mouth.
and while you're not sure if you're starting to like your sister or not, you definitely start getting used to it (maybe obsessed).
a/n - the other night when I was looking at this ask, I suddenly had the urge to write a "rich girl aeri x reader fic where they both fucking despise each other and are just rich bitches until one night they both break from all the sexual tension and fuck in the back of aeri's car" fic... I'll get to work-
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hier--soir · 9 months
Text
a lover's pinch | two
joel miller x f!reader
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pairing: professor!joel miller x f!reader rating: explicit, 18+ minors dni summary: will a complicated realisation drive you and joel apart, or drag you closer together? warnings/tags: au, university professor joel, age gap [20 something years diff], ethically dubious relationship due to inherent power imbalance, some mildly gratuitous Classics chatter, some very gratuitous descriptions of joel's office, trope of being enamoured by your favourite teacher lol [and her fav isn't even joel, sorry guys], angst, a little manhandling, semi-public sex acts with a not-so-stranger, dirty talk, brief impact play, fingering, orgasm denial, oral [m!receiving], face fucking, facial, cum eating, sheeesh i think that's it okay i need a glass of cold water word count: 10.3k i'm not sorry series masterlist | main masterlist a lover's pinch playlist a/n: folks, this series has taken over my entire brain. i'm having the best time writing+outlining it, and i have been so delighted by how many people liked the first part. giving you all the biggest kiss through the screen right now. lmk what you think of part two! this is part two of ALP. you can read the previous part here: one.
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Tuesday.
It’s as though a mirage resides in the periphery of your vision.
A wobbling, shimmering thing that offsets the centre of a picture and makes your eyes hurt until you want to close them. The type where you’re squinting and trying to see, trying to make out what’s happening, and people are turning to look at you and pointing and you realise that you aren’t wearing any pants, and it’s a dream, a dream, a nightmare, it’s not fucking real. Illusory. Fantasy.
It's a childish thought that you can’t help but be consumed by. The idea that this is all some cruel, fucked up delusion you’re about to wake up from. That it couldn’t be possible for the charming Texan you’d met four nights prior to be stood only a few metres in front of you, discussing your fucking syllabus. Reality becomes this twisting, writhing thing that is painful and awkward to comprehend, and everything slows to a liquid, dreamlike pace. His voice, his movement, the shifting of other students around you, all drifting by slowly, as if a year has passed in the span of ten seconds.
And yet when you pinch your arm—nails scraping across skin until raw red marks raise in jagged lines—and you don’t wake up, the mirage remains, your stomach rolls.
Joel looks so different here. What had been casual at the bar, a lob of messy hair above a cotton t-shirt, is now professional. Buttoned shirt tucked into pressed brown pants. Beard trimmed, and hair pushed back into soft, tidy waves that roll down to his neck. A set of glasses rest on the bridge of his nose. Square, with black frames that compliment his skin tone, and have your fingers gripping the edge of the desk, wondering why the hell he hadn’t been wearing them on Friday night when he sunk his mouth against your cunt. Dirty little thing.
You can still feel his hands on you, days later. Feel the rough scrape of calloused fingers on your thighs, between your legs. Remember how soft his hair was when you buried your fingers in it and held him against your aching core, whining his name. It had been like this all weekend; holding an image of his tan, handsome face in your mind, trying to emulate the feeling of his hand between your thighs with your own, only to fail over and over again.
And he’s talking. That low, honeyed drawl that tickles across your skin and drips into your ears, warming your insides. It’s a marvellous thing; the way he shifts easily from topic to topic, disarming the room with short, sharp—surprising—jokes sifted in between soft-spoken sentiments about classical academia and the university, and what he hopes you as individuals will gain from a postgraduate in this course, and it feels like it’s been both hours and seconds as you watch him breathlessly, waiting. Waiting for his eyes to skirt to your side of the room, to dance across your face and recognise you, remember you, just as he said he would. 
Joel is talking about The Aeneid when he finally notices you.  
“I want you to be thinking about language,” he’s saying. “And tone. Virgil and Homer’s writing differs in a lotta ways, but it does share that same character of irony. Don’t forget that Virgil wrote during the Golden Age of the Roman Empire – and he’s presenting us with a story about destiny, about fate. Our focus here isn’t so much about love, or reverence, as it is about tragedy – no one in The Aeneid is safe from what their own fate lays out for them. All of these calamities and heartbreaks are necessary for the empire to thrive.”
He pauses. “Take Dido in book four as a prime example. In the openin’ lines of her story, if we’re looking to the West translation; she is suffering from love’s deadly wound, feeding it with her blood and being consumed by its hidden fire. We know from the beginnin’, that her love for Aeneas will be her downfall; that her death is essential for him to leave Carthage. And on that same page, talkin’ about Aeneas, we get, oh how cruelly he has been hounded by the Fates. This is what you need to think about if you’re gonna get to the bottom of Virgil’s bigger plan with these books. Why is he using this language? These words? I want—” 
Joel inhales sharply, dark eyes frozen on your face, which grows steadily warmer beneath his scrutiny. His body doesn’t move, hands hovering in the air mid-gesticulation, lips parted as his next words rest there, caught on his tongue. You swallow thickly. Feel sweat form on your hairline. The silence stretches, dead air giving rise to confused murmurs across the room, and your eyes widen, willing him to look away and continue; to do anything except stand there and keep looking at you like that. But it’s like he’s in a trance. Tan face dimming to a sickly, pallid colour, shoulders shifting as he breaths deeply. Staring.
A few heads turn in your direction, but you can’t bring yourself to look back at them; to snatch yourself away from the feeling of being held in his gaze again. It’s intoxicating—almost euphoric—to have those dark eyes on your skin.
And then it’s over, the moment severed as Joel’s eyes snap away and he clears his throat, offering a pained smile to the rest of the room. And he’s apologising, Lost my train of thought for a moment there, using a playful tone of voice as he says, first day of the semester jitters, y’know?
He ignores you after that.
For the entirety of the two-hour lecture, he makes sure not to spare a single glance in your direction. And it stings, but you suppose you understand. Can see the tension held in his shoulders now; the strain in his voice as he works to talk with that same measured ease he’d had at the beginning.
You take notes carefully, and don’t bother raising your hand when he inspires participation from the other students. But by the end of the class, you can’t bring yourself to walk out – not without saying something, without finding some kind of understanding over what the fuck is happening. You’re practically glued to your seat as students rise, filing out of the theatre hall.
Joel stands by the desk, back hunched as he collects his things, fielding kind comments of thanks and that was great from people as they pass him on their way toward the exit.  Eventually you join the stream, wandering down the stairs on shaky legs until you find yourself at the edge of his desk, fiddling with the strap of your bag and watching his back. His shoulders hunch tighter when you pause there, shadow splaying across the desk. Though his face isn’t visible to you, his hands are almost a blur, scrambling to drag his things into a messy pile so that he can pack up faster. He slaps his laptop closed and you flinch at the sound.
After a few moments, you find the courage to speak.
“That was, uhh, that was really interesting,” you clear your throat awkwardly, watching other students shuffle past in your periphery. His hands move faster, stuffing loose notes into a leather satchel with little disregard for the paper creasing.
You lower your voice to a hoarse, careful whisper. “We need to talk about this.”  
Joel finally looks up, nostrils flaring as he meets your stare. He nods once, looping the bag over his shoulder. “Not here,” he says gruffly, tight eyes darting around the room. “Room’s booked for another lecture in five.”
He tilts his head towards the door, encouraging you to follow him as he paces out towards the hall. You shadow him quickly, clutching your bag and watching the muscles in his back shift beneath his shirt as he walks three paces ahead of you. You fight the urge to place your hand in the dip between his shoulder blades; to feel the heat of his skin, the rolling tension beneath it, and dig your fingernails into him. Joel doesn’t look back to check if you’re following – he knows you are.
He leads you up a flight of stairs and down another hall, makes a left, and then another left, until finally he’s pausing and dragging a key from his pocket, pressing it into the lock of a heavy wooden door and nudging it open. There’s a plaque on the wood that reads J MILLER, PhD. You swallow. And then follow him inside and let the door fall shut behind you.
Joel stalks into the room, feet heavy against the dark carpet. He tosses his satchel to the floor and then stands by the desk, wild eyes trained on where you hover silently by the door. He looks on edge, to say the least. Frazzled fingers race through his hair, mussing the curls until they look reminiscent of the past Friday. Foot tapping against the ground in a quick, jerky rhythm.
And you know that you need to talk, need to clear the air, need to say anything, but you can’t help it when your eyes wander around the room because—
His office is sort of beautiful.
A larger space than you expected it to be, with a north-facing window that allows a natural yellowed morning light to fill the space, and a vast bookshelf stretching across the wall behind a large desk. You can’t make out the titles from where you stand by the door, but texts fill every crack and crevice of the shelfing unit, not organised by any noticeable colour scheme or structure. The space is messy – personal. In fact, everywhere you look seems to expose something private, something intimate.
A jacket hangs from a hook on the back of the door, made of a worn duck brown waxed material that looks soft to the touch. In the corner opposite the desk, a velvet green armchair sits beside a low table that houses a record player and a potted plant. Sleeves of records are tucked beneath the table, stacked upon each other haphazardly, without a hint of dust on them. Clearly touched and rifled through more often than not.
The wide window is cracked just an inch, allowing a warm early-Fall breeze to slip in and rustle the starched curtains. A coffee mug is beside the record player. Two more sit abandoned on the outskirts of his desk. All empty and forgotten about, too busy to be refilled or moved or cleaned. And there are books everywhere; strewn across his desk, forgotten beneath the cushion of his armchair, piled against the wall beneath the window. Worn, well-read books, with frayed covers and broken spines. You almost drool, tempted to ignore him completely and venture towards them; to run your fingers over the covers and find out exactly what kind of writing this enigma of a man spends so much time devouring.
After what feels like an hour of simply looking—but could only have been a minute—Joel breaks the silence.
“Did you know?”
His voice is quiet. Detached. The backs of his thighs perch on the edge of the desk, hands tangled in his lap. Large fingers pluck at each other as he stares at you from across the room, in an almost anxious fiddling movement.
“What?” you ask.
“Did you know who I was?” he clarifies, voice hardening. Those dark eyebrows tighten in the middle of his forehead, features pinching together into a sharp frown. “When you saw me.”
“Joel,” you scoff, taken aback. “How the hell would I know who you were?”
“Your classes were organised,” his voice raises slightly—just a little. “You knew the names of your profess—”
“J Miller,” you interrupt. “Everything says J Miller, that’s it. I didn’t fucking know, Joel.”
His frown softens at that, eyes dropping to the carpet as he nods once, clearly still unsure. You shuffle awkwardly on your feet, shoulders tense. There’s only a metre or so between the pair of you, and yet you can feel it. That static, burning energy, the same as four nights before. Something inside of you that rages and claws at your skin from the inside, begging to get closer to him. You ignore it.
“Why didn’t I meet you when I interviewed for the program?” you ask. You remember the day you came in, six months ago. Sitting with an older man—the Classics department head—and a soft, round woman with light hair. No Joel. You would’ve remembered him. 
His eyes flash, hands tightening in his lap. “I was on vacation,” he grinds out. It’s like it physically pains him to talk to you—to even look at you. One of his hands drops, palm flexing by his side. He’s taking deep breaths, clearly trying to calm the quell of panic that has been swirling inside him for the past two hours. You keep your distance.
After a moment, he speaks again.
“Greece, huh?” It comes out in a low scoff. His eyebrows are raised expectantly, frustration laced through the lines in his face. “Said you were there for a month.”
“Mhm,” you hum. “I was involved in a text translation study based in Athens.”
“Jesus fucking Christ,” he exhales, digging the palms of his hands over his eyes. “This can’t be happenin’.”
“Joel—”
“Y’need to transfer out of my class,” he interrupts, eyes blazing. “They run it online, you can—”
“What?” you blink. You feel your blood pressure rise, anger spiking as you comprehend what he is suggesting. “Be serious – I am not doing the class online because of this. It’ll jeopardise my entire semester.”
“I don’t care,” he glowers, rising from the desk.
“Jesus, stop acting like this was all my doing,” you snap. “If memory serves, you’re just as to blame as I am—you wanted me just as much as I wanted you.”
“Stop,” he growls. It’s a rough, unforgettable sound that fills your stomach with heat. An oddly familiar thing that raises the hairs on the back of your neck. Silly little slut. The memory licks at your throat, the skin of your chest, leaving a hot heady feeling in its wake. You wonder if he’s noticed the hickey on your neck that hasn’t entirely faded yet. A persistent, lingering reminder of his mouth on your skin. Of the sharp scrape of his teeth.
You take a step forward and Joel’s entire body goes rigid, right hand jutting out in front of him, fingers splayed open.
“Stay over there,” he says quickly, voice a low warning.
You scowl but don’t move, feet planted in the soft carpet. The breeze rushes in through the window and causes a paper on his desk to flap upward, and your eyes drift toward the movement. Gaze shifting over the items on his desk, the mess of papers, the half-full mugs, and then… a picture frame. You squint, unable to make it out from where you are. Take a step forward, and then another, and realise it’s Joel’s shape in the image, standing with a tall woman tucked against his side. It’s too far for you to see clearly, but you can tell his arm is wrapped around her shoulder, holding her against his chest, and you know he’s grinning from the splash of white across his face.
“What’re you—” Joel’s words turn to silence as he tilts his head and realises what you’re looking at. A broad hand darts out, gripping the frame and knocking it face down on his desk.  You flinch, eyes widening in incredulity as you turn to him.
“What?” A sardonic laugh escapes your mouth. “Are you fucking married or something? Jesus, Joel.”
You reach for the frame, fingers skirting across it with every intention of seeing, of understanding, of knowing just what it is that he’s so desperate to hide. But then he’s there, strong fingers looping around your wrist, halting your movement. The speed of it sends you stumbling toward the desk, and Joel’s body follows you forward, chest flush against your back as your lower stomach collides with the dark wood. Caught between a rock and a hard place, quite literally. You stiffen, sorely aware of how close he is. How much of his body is touching yours, and how similar it is to before.
“I’m not married,” he bites, and you can feel his breath against your ear. Hot, harsh exhales that send whisps of your hair fluttering forward. A shiver runs down your spine. His grip is firm around your wrist; not hard enough to hurt, but enough to hold you in place with your hand frozen in the air, fingers still outstretched towards the frame.
“Then who’s in the picture?” you grunt.
“None of your fuckin’ business,” he snaps quickly. You can feel his stubble graze the edge of your jaw, and something fizzes in your stomach. Your resolve softens at the frustration in his voice; the truth that bleeds out through his words. It is none of your business. Your body relaxes a little, arm going limp in his hold, and yet he doesn’t let go. It takes a moment for you to realise why.  
Joel’s hips are pressed tightly into you, trapping you against the desk, and he’s hard. You can practically feel him throb against the small of your back, the full length of his cock only separated from you by two layers of clothing. Saliva pools in your mouth, eyes pinching closed as you remember the feeling of him; the delicious burn of his heavy cock dragging through you. Using your free hand, you twist your arm behind you and slide it down his front. A whispered oh fuck escapes your lips as your fingers drag across the front of his pants, and he grunts in your ear, grasp tightening around your wrist. Painful this time, but only for a second, until he’s tearing his hand off you and placing it on your lower back, pushing you down so that your chest is flush with his desk.
You gasp, lips parting to speak, but no words are coming out and Joel’s hands are on the waistband of your jeans, on the button. He’s undoing it, fingers steadfast in their movement, and then he yanks the material down roughly over your ass.
“Joel,” you whimper urgently as he grips your panties, dragging them to your knees as well. He keeps you bent against the desk, so you twist your neck to stare at him over your shoulder, legs tensing when you see the expression on his face. His eyes are dark, pupils blown behind his glasses as he looks down to where his covered cock grinds against the swell of your ass.
“God dammit,” he exhales, and you clench around nothing, warmth pooling between your thighs. This is so different from at the bar. There the door was locked, place full of people who didn’t know either of you. Here, in his office, anyone could walk in. A member of faculty, a student, anyone. And the thought has you fucking aching for him.
Thick fingers streak between your thighs from behind, spreading your slick folds apart. You gasp as cool air hits your throbbing clit, but the sound cuts into a low moan as his fingers expertly roll over the sizzling nerve endings there. He ousts a low grunt of surprise at how wet you are, hips still grinding against you as his fingers drift to your entrance, rubbing and collecting your slick on his fingers until you’re whimpering into your own palm, pressing your hips back and begging him for more. All at once, one of his palms slaps across your ass while two thick fingers press inside you. The sting has your eyes rolling back. Your teeth sink into the palm of your hand to muffle the noise you make, and he’s curling his fingers inside you, rubbing against your g-spot, and your legs are trembling with the effort of staying standing. Your mind is a blur. You feel almost lightheaded at how suddenly this is all happening – and at how relieved you are to feel his hands on you again.
“S’this what you wanted?” Joel pants, scissoring his fingers inside you, stretching you out. “Knew if you followed me in here, I’d end up fuckin’ this pretty pussy again? Huh?”
“Fuck,” you choke out, eyelids fluttering as he adds a third finger. Heat sizzles beneath the tightening muscles in your stomach, and you can feel yourself clenching around him over and over again, your high already approaching. It’s almost pitiful, the affect he has on you; how easily your body yields to the simplest of touches from his hands.
“Huh?” he prompts for a response. You can feel the cool zipper of his pants cutting across the bare skin of your ass, scratching you as his hips rut forward.
“Please,” you say, voice quiet as you can muster. “I’m so close, Joel, please.”
He grunts, increasing the speed of his fingers. Soft squelching sounds are audible now, slick smearing against your inner thighs, his wrist, and your face goes warm at the sound of it. Your fingers claw at his desk, nails catching on paper as your hand lands against a book and grips it tight. Your abdomen burns, that soft thrumming heat licking at your skin, the muscles of your thighs, scorching in its might as your orgasm builds and builds, hanging dangerously close to the precipice.  
“Gonna come all over my fingers?” Joel asks, voice haggard and breathless. “C’mon, give it t’me.”
You’re nodding before he even finishes speaking, forehead knocking roughly against wood, eyebrows pinching together. So close, so close, so fucking clo—
A light knock sounds against his office door.
Joel freezes. Your eyes widen, hips shifting against his hand as you murmur no, no, no, please Joel. But he ignores you, gripping your hip to keep you still and dragging his fingers from your dripping cunt to press them over your mouth. Your pulse thunders in your ears, heart trashing wildly in your chest as you catch your breath, devasted.
“Joel?” a soft voice calls from the hall. A woman. “You in there?”
“Just on the phone,” he says loudly, voice surprisingly steady. You can taste yourself on his fingers. Feel it smear across your lips. “What d’ya need?”
“I’m headed to the café,” the woman calls. “You want anything?”
Joel responds with a sharp, resounding no.  
There’s a beat of silence where you can almost feel him holding his breath, waiting for her to inevitably open the unlocked door and discover the scene in his office. But the silence stretches on, and then you can hear soft footfalls fade down the corridor, and you know that you’re alone again.
Joel rips his hand from your mouth. Grips your underwear and drags it up over your hips, then your jeans, before he’s stumbling away and dropping into the armchair across the room. His chest heaves with ragged breaths, eyes wide as he gazes at the floor. When you push off the desk and turn to stare at him, a firm tent is visible in his pants. You button your jeans slowly, watching him. He doesn’t look at you.
“Joel—” you start softly.
“Don’t,” he interrupts. “Just… just get out.”
You open your mouth to speak—to argue—but once again, nothing comes out. No words to defend yourself, or what the two of you just did. You stare at him for almost a minute, but Joel’s eyes stay trained on the carpet, fists clenched against his thighs.
You leave his office silently and try not to look back. Make two rights and head down the stairs, outside and across the green to where your car is parked. The whole thing feels so dirty, so debauched, and yet you want so much more from him. Want it so badly that you drive home in silence, mind too busy with thoughts of Joel Joel Joel to remember to turn on the radio. 
And behind it all, is a low, itching thought at the base of your skull, something that makes you smile as you drive – the knowledge that he wants you just as badly as you want him.
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Wednesday.
You decide very quickly that you like Rachel.
Maybe it was because you were having a good day. The sun had been shining when you woke up; strong beams that teased their way through the window in your bedroom and rested warm upon the bare skin of your back. By the time you rose, the coffee was already done brewing, and Trin met you in the hall with a large mug of it and a soft hey, man, how’d you sleep? And when you went to get dressed for the day you remembered you did the washing two nights before, and found your favourite pair of jeans—the ones that squeezed your ass just right—were neatly folded in a drawer, waiting for you. Yes; maybe all of that had something to do with it. Or maybe, it because Rachel was just great.  
You like her tenacity, her words; the idolatry with which she discusses her work. And she is charming; an intellectual through and through. The soft roundness of her face and the kind slant to her eyes offset by a razor-sharp wit. And there’s this peculiar quirkiness to her that catches your attention in seconds – a rough snort whenever she laughs, the bright orange shade of the toenails sticking out of her sandals.
Her teaching is direct, no-bullshit, and yet she has this smile. This soft, thin-lipped genuine smile that says, I know something you don’t know, and I can’t wait to share it with you.
During her first lecture, you feel rooted to the spot, unable to draw your eyes away from her for two-hours as she waxes poetic about heroines and tragic love stories, about the importance of myth, of gore.
Listening to her reminds you of what you’d always loved about classics – the filth of it, the horror. It feels like reaching your hands into a puddle of mud, flexing your fingers and letting the dirt and grime slide beneath your nails, coating every inch of your skin. The squeamishness of it, the rot, the tragedy – you love it all, and Rachel does too.
“When we talk about the juxtaposition between heroines across different texts,” she says. “We want to look at the values being portrayed; the meaning behind what’s happening to these women. Let’s appreciate the context here, guys! To understand the rage of Medea, or, say, the sacrifice of Iphigenia, we have to get to the root of their roles in society. Priestess, mistress, virgin, mother – we want to understand the perspectives being shown to us. What drives these women? What fire lives within them, pushing them to make their decisions—or to have their decisions made for them?”
She points to a student and nods, “Go on.”
“Do you think Medea holds much bearing here?” someone to your left asks. A man. “If we’re focusing on heroines, I mean.”
“Do you?” she challenges. A hint of a smile—that smile—drifts across her lips, hands clasped to her stomach as she awaits his response.
“Not particularly,” he says, voice less sure now. “I know you can view any text through most perspectives, but I’d never thought of her so much as a heroine in a feminist text.”  
“I see,” Rachel nods. “Well, the short answer is that I’d encourage you to read it again.” She laughs, a soft tinkering sound. “The long answer is that her character is complex. Let’s not beat around the bush; Medea is a woman scorned. Banished by Creon, forgotten by Jason. As the reader, we are able to comprehend the most brutal pain through her – a woman trapped in a world where men have decided everything for her, and she is furious. Even describes herself as a woman born to sorrow. Now, as the reader, it is your right to believe that she is bad, or an anti-heroine, but you cannot deny that she is made bad by circumstances out of her own control.” She pauses, thick eyebrows jutting upward as she looks around the quiet theatre. “I’d say that’s pretty feminist of Euripides.”
You approach her afterwards, fingers an awkward tangle in front of your chest.
“I just have to say,” you smile bashfully. “That was wonderful. You’re so engaging, I was… god, I don’t even know what to say, but thank you. I’m really looking forward to learning from you this semester.”
Rachel’s eyes light up at your words.
Up close you notice a pair of thick, ceramic earrings dangling from her lobes. They look hand painted; thick brushstrokes of dandelion yellow smeared across crimson red ovals.
“Oh, how lovely,” her eyes assess you quickly, mouth splitting into a crooked, fond smile. “I’m very glad to have you here…?”
You tell your name in a mumbled rush, and she nods once, eyes scanning the list of students on her sheet.
“Oh of course,” she says knowingly. “You emailed yesterday, no? Some trouble with accessing the readings online?”
You stiffen. Blink at her, smile dimming somewhat. “Yeah,” you exhale. “Yes, that’s actually—I was having trouble with the link for another class, and I hoped you might be able to help.”
“I see,” she frowns then. “Well, unfortunately if it’s not for this class I won’t be of much help; my access code only gets me so far in that damn portal. Which professor assigned the reading?”
“It’s, uhh,” you speak slowly, the words stiff as they stumble out of your mouth. “It’s Joel Miller.”
“Oh, Joel?” she smiles. “Well, he’ll be happy to help, I’m sure. He’s usually in his office around this time – do you need me to show you the way?”
Your mouth is dry. Yeah, you think. I’m sure he’ll be over the moon to see me.
“That’s okay,” you reply with a tight smile. “I’ll find it.”
She nods, bids you a warm goodbye, and her eyes have already drifted back to the papers in front of her when you turn to leave the room.
Your bag weighs heavy on your shoulder, straps of canvas material digging into the muscle there as you retrace your footsteps from yesterday. Up the creaking set of stairs, taking a left, and then another left, and your mind is a blur, static wobbling in your veins as you rehearse what you’re going to say, how you’re going to say it.
It’s been less than twenty-four hours since you’d last seen him, and from the second you left, an image of what happened in his office played on a loop in your brain. Like the spool on a VHS has been stuck together, wound into a circle, and the tape repeats over and over again, the same images, sounds, smells, soaking your mind until all else is white noise. And it’s twisted, and wrong, and you’re vaguely aware of that, somewhere in the part of your brain where you stash knowledge that you’d prefer to forget. Because it’s easier to forget the hard part, the ugly part, and far nicer to remember the scrape of his stubble against your skin. The smell of him filling your nostrils as he crowds you against his desk. The scratch on your ass from his zipper. Remember how your name sounds when he moans it, and forget the feeling that comes when he refuses to look at you after the fact.  
And you wonder if this is what the entire semester will be like; spending each day reminiscing on your last interaction with Joel, hoping for another touch, taste, another chance, another something, anything, from him. The weight of it sits heavy on your chest, like a wall of freshly cemented bricks left to solidify in the sun. And beneath that, beneath the clay and sand and limestone, excitement buzzes. Indisputable, persistent, anticipation. A vibrating that hums in your bones and has you shivering from the tips of your toes to the top of your skull as you knock on his office door. 
J MILLER PhD. The words glare at you from the bronze plaque for the second time in two days.
You hear his voice call pleasantly from behind the door. Light, relaxed. You swallow down the lump in your throat and step inside.
The window is wide open today, pale curtains drawn back to allow the bright midday sun to shine through and warm the carpet. Joel’s head tilts upward and within seconds the soft, easy smile on his face dissolves into something unreadable. He’s perched behind his desk, broad frame bent over a mess of papers, pen tucked neatly between coiled fingers. A clear tension simmers in the lines on his forehead; a tangible rigidity that clouds his expression when he sees that it’s you. He clicks the top of his pen once, twice, three times, and says your name in a clipped greeting.
“Hi,” you say, hand raising in a quick wave. “Sorry to barge in like this, I, uhh, I was wondering if you could help me with something.” 
“My office hours are between one and four,” he says tersely, eyes lowering back to his book. “Schedule an appointment over email.”
Your eyebrows shoot up, face warming as embarrassment swells in your chest. All of the excitement—the longing—that had churned inside you since yesterday seems to dissipate, replaced by a looming sense of dread as you register how distant and apathetic he seems. How hard he tries to not even look in your direction. Those words from yesterday ring in your ears. Just get out.
“Seriously?” you mutter, nonetheless, trying to contain the hurt that threatens to spill across your face. “It’ll take five seco—”
“Seriously,” he repeats firmly.
Your jaw clenches, annoyance tightening the already stiff muscles in your shoulders as you march over to his desk, dropping your bag onto the edge of it. The exact same spot from yesterday, where’d pressed you down against the wood and— Joel’s shoulders hunch. The sleeves of his shirt are pushed up to just below his elbows, thin white material stressing around cords of muscle. You gaze at the bare skin for a moment, tongue heavy in your mouth, before looking to what he was doing before you came in. A book in front of him is filled with scribbles and annotations, harsh black marks scrawled beneath thin lines of text. You only get a second to look at it before his hands are snapping it shut, revealing the cover. Robert Fagles’ translation of The Odyssey. The picture frame from yesterday is nowhere to be seen.
“Working on something for a lecture?” you try. If it’s about class, he can’t be mad. If it’s about class, he can’t push you away.
“What do you need?” he asks impatiently, ignoring your words entirely.
A hand lifts to rub the skin above his eyebrow. The tip of his middle finger massages the tan skin there in soft circles, and you watch the movement for a second, transfixed. No ring. I’m not married. His other hand reaches for the mug on his desk, and he takes a long, drawn-out sip of black coffee. Steam billows from the dark liquid, fogging the lenses of his glasses. The sight makes you want to laugh, but you swallow it down, acutely aware that Joel would be less than impressed by the reaction.
“I can’t access one of the readings for next week,” you explain distractedly, dragging the laptop from your bag.
You round his desk in a few short steps and Joel sighs, cringing as you place it down in front of him, opening the screen for him to see. He shifts his chair just slightly to the right, away from you. That persistent feeling of doubt coils in your gut, sharp teeth that twist and nip at your insides, taunting you, telling you that he doesn’t want you. And it’s not why you’re here—not at all—but you can’t bring yourself believe it. Don’t want to believe it. So you bite back – turn your back to his desk and pitch your thighs atop the edge of it, feet dangling an inch off the ground. You jeans are tight, and the fabric cuts into the skin of your hips where they bend.
“Get down,” he warns sharply, dismissing you with a taut shake of his head. “You can ask IT for help with that.”
“I’m asking you,” you persist stubbornly. “You’re my professor, Joel—"
“Yes, I am your professor,” Joel bites in agreement, glowering up at you. You stiffen warily at the heat in his gaze. At the anger you can see stirring in those dark brown orbs, brimming and ready to boil over. “And I don’t think we should be alone together,” he adds. “It’s not… this is bad for us, okay? I can’t… fuck, you can’t just come in here. I don’t want you comin’ in here anymore.”
And the memory plays once more. That thing, that something twisted, something wrong, something familiar, curls in your stomach. Snaps and bares its teeth at your uncertainty, sends it scattering into the distance, and replaces it with want.
“I didn’t even plan to come here,” your voice hardens, hackles rising as the feeling rises within you. “You’re not the first person I asked, alright? I just need some fucking help—”
“Don’t swear at me,” he interrupts through gritted teeth.
A beat of stunned silence hangs between you. A shocked laugh tumbles from your mouth, eyes widening as you take in the grave expression on his face.
“You have got to be kidding me,” you stare at him incredulously. “Joel, you had your fingers inside of me against this desk yesterday. I think swearing is the least of our worries.”
“Jesus,” he spits, pushing his chair further from the desk. His elbows fall against his knees, head resting in his palms as he breaths, not looking at you. “You’re fuckin’ filthy, y’know that? Can you not just behave?”
Don’t swear, you want to tease, but think better of it.
Instead, you nod slowly, drop your hand onto the desk, fingers hovering over his book. “Joel,” you implore, tone pleading. “I don’t… I don’t know how to act around you right now, okay? It’s not easy for me to just pretend nothing has happened between us. To just forget.”
“And you think it’s easy for me?” he gripes. His eyes are focused on your hand; on the way your fingers tense and untense over the bound cover, stroking the frayed paper his own fingers have clearly touched countless times. He doesn’t move a muscle. “To try and act like things are normal, act like I didn’t—” he cuts himself off, lips clamping shut. An anguished look crosses his features.
“We’re both adults,” you frown. “It’s not a crime that we fucked, Joel.”
A harsh laugh falls from his mouth, stern eyes blazing. “Ain’t about that and you know it. It’s against professional ethics,” Joel snaps, tone firm. “Against university policy – if anybody finds out it could put us both in jeopardy.”
You’re silent for a moment, watching him. His glasses have slid down a little, and they rest precariously on the tip of this nose. Dark eyes stare from over the top of black frames, and then his legs are crossing, one tucking tightly over the other, a thick forearm dropping to rest across his lap, and want burns in your throat. You struggle to remember why you came to his office in the first place.
“Nobody is going to find out,” you whisper.
A rasp of your name catches in his throat. Joel looks bemused, face as flat as he rolls his eyes. “Quit fuckin’ playin’ around. You know how serious this is.”
You contain the urge to scowl, lips tight as you say, “Yeah, I know. Just—look, you don’t have to worry. We can cut it off right now – I won’t say a word of it to anyone. Nothing else is going to happen.”
But you can see the way his eyes flicker down your body whenever you move. How his gaze rests heavily at the pinch of your waist, the spread of your thighs against his desk, your bare arms, before darting away. You wonder if he’s touched himself thinking about you, and a jagged heat tears through the top of your thighs as you picture what that would look like.
“But that's not what you want, is it?” you ask softly. Joel doesn’t speak. He’s so still you almost think he didn’t hear you. But his eyes glance to your thighs again, you know that he did.
“You want me,” you say then, voice low and sure.
The muscle in his jaw ticks. Lips purse around clenched teeth and a harsh breath escapes his nose before he’s saying your name again, a strained whisper. And God, you love the way he says it. Like the word was created just to spite him.
“You are walkin’ on some mighty thin ice right now,” he grits out, heated gaze scorching your skin.
You glance down to his lap, where a forearm still balances over his crotch, and arch an eyebrow.
“Show me,” you murmur.
You can hear him breathing. Slow, exaggerated puffs of breath, chest rising and falling at an increasing pace as he maintains eye contact. Large hands tighten into fists, fingers curling against palms, and he’s dragging his arm back from his lap, spreading his legs as far as they’ll go within the arms of his chair. You wet your lips, face heating as you stare. The firm line of his cock is evident beneath his pants, a solid ridge against his left thigh. When you look back to his face there’s a faint red hue colouring the skin of his neck, steadily rising toward the edge of his facial hair. He’s blushing.
“How long?” you ask, voice awed.
“Since you got on the desk,” Joel grumbles, tone almost begrudging.  
You hum softly, a low vibration in your throat, and then you’re slipping off his desk and taking a step towards him. And he doesn’t flinch away. He watches you close the distance between the pair of you and hover between his thighs, your legs almost brushing his.   
“Let me help,” you whisper, lowering onto the ground in front of him. The carpet is warm and rough against your jean-clad knees. Your eyes drift from his face to between his thighs, and then back up, slowly.
“We shouldn’t,” he croaks, lips chapped and dry. You want to kiss him senseless. Want to drag your tongue across his mouth until it’s soaking wet and then push your way inside.
“But do you want me to?”
An agonising beat of silence follows. But there’s no doubt there anymore. No more wondering, or uncertainty, because you can see it in his eyes. The same all-consuming, devastating desire that crawls its way up to rest at the base of your throat whenever you’re with him. 
And then thick fingers are at the waist of his pants, undoing his leather belt, his button, pushing the material open to reveal a pair of black briefs. He doesn’t take his pants off, just adjusts slightly in the chair before pressing his hand beneath the band of his underwear. Joel grips himself, the sight still obscured from your vision, and you find yourself mesmerised nonetheless, unable to drag your eyes away from the dark material. A low grunt escapes him, and then he shifts the band of his underwear down and pulls his cock out.
The head of him is swollen and leaking, tight skin so red that it’s almost a purple hue against the stark white of his shirt. Joel’s fingers tighten around his base, stroking himself once. Impatient, you lick you hand and let it drift forward to replace his, fingers slipping over the silky wet skin of his head and wrapping around him. Your hand is so much smaller in comparison, and your fingertips almost don’t meet as you flex your grip around girth.
Your underwear clings to the skin between your thighs, material warm and damp against you, a result of the simmering heat that rests in the base of your belly and flares every time Joel sighs. When you glance up to see his face, he’s already staring at you, pupils blown wide, lips sealed in a tight line. His length twitches in your palm, and you salivate.
You lean in and place a gentle kiss again his tip, smearing the pearl of precome there against your lips. You stroke the length of him in slow, firm pumps, guiding his head against your puckered lips, but not quite taking it inside yet. Joel’s fists are tight against his thighs, and you wish he would put them in your hair, on the back of your head, grip you, pull you down against him. But he doesn’t, not yet.
He’s got a salty, heady taste, and you swipe your tongue out to clean the hint of it from your mouth, swallowing with a satisfied purr. A harsh exhale shoots from his nose, eyebrows dragging further down as he watches you tease him.
A quick flick of your tongue against his slit has a sharp gasp rising from him, and in response you lathe wet, messy kisses to his head, puckering your lips around it and swirling your tongue, not caring what you look like, not caring that he probably wants you to go faster. It’s purely for your own enjoyment, and you’re moaning and sighing around the taste of him. You want to take Joel Miller a part, piece by piece, and feel him come undone beneath your mouth.
Unable to wait any longer, you let his head slip passed your open lips and sink into the wet heat of your mouth. And he’s so quiet, so composed, so you glide your tongue over his slit again before pressing forward, lips meeting the movement of your own hand as you take him deeper.
Your jaw strains, muscles smarting as you attempt to take the entirety of him. He’s so long, so thick, and the tip of him is nudging against the back of your throat in seconds, making your eyes water. And god it’s better than you could’ve imagined.
Tears cling to your eyelashes as you look up and find Joel with his bottom lip snagged between his teeth, pink skin turning white from pressure. The heavy weight of him crowds your senses, his taste on your tongue and scent in your nostrils, everywhere, and you can feel how hot your face is getting but you can’t look away from him. You don’t stop until his hand is landing on the nape of your neck, collecting your hair in his fist and dragging your mouth off him. You part with a wet gasp, a string of saliva dangling between his tip and your shiny lips.
“Breathe, goddammit,” Joel says, holding you still when you attempt to press forward and take him back into your mouth.
“You’re so big,” you say earnestly, head tilting backward to rest heavy in his hold. You blink through bleary eyes, smiling lazily. Drunk on him after only a little taste. “Couldn’t stop thinking about this, you know. How you’d taste… how it would feel to have you in my mouth.”
“Fuck, stop,” Joel says quickly, voice pained. “Y’can’t say shit like that.” His grip tightens at the base of your neck, and then he’s guiding your face forward so the head of his cock slips back into your mouth, effectively shutting you up.
You hum appreciatively and relax your jaw, taking him until he’s nudging at your throat again, and he’s still so fucking silent. Determined to get some kind of reaction from him, you pull off and lick a broad stripe from tip to base, hand stroking his length in unhurried, firm pulls as your mouth finds his heavy balls. Your tongue glides along the sensitive skin in slow, overwhelming movements, leaving no inch of him untouched. Wet sounds fill the air as the movement of your fist increases in pace, and your lips drag over him, sucking one of his balls into your mouth and then—finally—a long, drawn-out groan spills into the air, and he’s saying, “Shit, that’s it.”
Never pausing the movement of your hand, you pull back just a smidge and grin.
Joel’s hands are on you then, another deep sound sputtering from his lips. He’s brushing your hair off your face, mussing it as he rakes his fingers through it, short nails scraping against your scalp. He swears softly when you take him back into your mouth.
“Fuck,” he mutters breathlessly. “Is that what you want? Needy little thing wants a little praise, huh? Want me to tell you how good you are, how good your pretty mouth feels on my cock?”
You whimper, eyelids fluttering as you begin to move on him desperately. Your mouth tightens around him, and a tear squeezes from your eyes as his hips jolt forward, cock nudging suddenly into the back of your throat. Joel’s hand cups the back of your head, strokes the damp skin at the base of your neck as you gag around him.
“Jesus,” Joel groans at the sound. “There you go, s’perfect, s’fuckin’ perfect.”
The muscles in your thighs tighten, legs pressing together to try and soothe the pulsing ache there. Your head is moving up and down along his length and it’s wet and messy and depraved, saliva gliding down your chin to your neck, and you fucking love it. Joel’s gruff sounds of encouragement only serve to spur you on.
And then, as if by some stroke of divine intervention, it happens again.
A firm rap against the door of his office.
Joel goes silent. Your shoulders tense, and you pull back until his tip rests heavy on your bottom lip. Wide eyed, you gaze up at him, panic swelling in your chest. And then comes that voice; the same voice as yesterday.
“You in there Joel?”
You can feel your lungs squeezing inside your chest, grasping violently for air and finding zero reprieve as the reality of the moment begins to overwhelm you, because you know that voice.
“Fuck,” you whisper dazedly, slumping back to rest on your heels. “Fuck, fuck, fu—”
Joel shakes his head, strong hands gripping your shoulders to soothe you. “Shh,” he hushes quietly. “Stop, hey, stop. It’s fine.”
Another knock at the door. Nowhere for you to go, nowhere to hide.
“Just a sec, Rachel,” Joel calls, voice laced with frustration.
And then those hands are guiding you backwards. You move blindly, allowing him to encourage your body back, back, back, broad palm protecting your head as he nudges you underneath the desk. Further and further until you’re completely hidden, tucked away where only he can see you. And as you settle into the warm, sweaty space, watch Joel drag his chair forward and squeeze his long legs around your body, you feel the panic quell. Your pulse slows, the tremor in your hands settles, and cool relief comes in the form of a chill down your spine.
“Come in,” Joel calls. You can hear the door click open a second later, soft footsteps entering the room. You hold your breath as they begin to talk, heart stuttering, eyes trained on his where his spit-soaked cock rests against the underside of his desk.
“Sorry to be a bother,” Rachel’s soft voice chimes. “I was hoping to grab my copy of The Annals, I need it for the undergrad lecture I’m covering this afternoon.”
“Course,” he says sharply, and you can hear a drawer to your right open and close. A moment of silence. “All yours.”  
Your abdomen tenses at the sound of his haggard voice, and something tight pulls in your chest. A flare of jealousy, of possessiveness, at the fact that someone else is seeing him right now. That the flush on his cheeks, the sweat on his neck, is no longer yours alone. And it’s absurd, because she has no idea. But the desire to reclaim the moment for yourself, to assert that his sweat, his blush—his body—is yours is overwhelming, and you find your hand gripping his heavy cock, tongue gliding out of your mouth to swipe against his weeping tip. The dread from before flares in the back of your mind but you push it away, shove it down until it’s hazy, a faint ringing that fades into the sound of your blood rushing in your ears.
Joel’s thighs stiffen. He coughs, a sharp, surprised noise.
“Thanks for that,” Rachel says, voice slow. “Hey… are you doing okay? Looking pretty faint over there, Miller.”
You smile around him and rub your tongue in teasing strokes along the underside of his sensitive head. He clears his throat roughly, and then his hand is slipping underneath the desk to tangle in your hair. It’s rough and it stings, and you find yourself humming ever so slightly around him, indicating that you love it.
“Feelin’ a little under the weather,” he agrees faintly.
“Should try some of that tea I always tell you about,” she says, ever so friendly. “Works a treat when you’re sick.”
“Maybe I will,” Joel says, and his fingers are twisting in your messy locks, pulling your mouth away from his cock.
Although he can’t see you, you pout. Not wanting to push it, you settle for looping three fingers around him, index middle and thumb, gripping just beneath his head, and begin to rub him in slow, soundless movements. With every forward motion of your hand, the tip of his cock brushes against your lower lip, and his grip on your hair tightens.
“I could bring you some,” Rachel offers then. You can practically hear the smile in her voice, picture the kind slant to her eyes. “Maybe tomorrow, if you think you’ll be coming into wor—”
“I’ll be here tomorrow,” Joel snaps suddenly, voice almost harsh as he interrupts her. “Was that all you needed?”
“Oh,” she replies awkwardly. “Yeah, sorry.”
“No,” he says, audibly flustered. His cock is drooling over your lips, and the salty taste has your pussy aching, clenching painfully tight, begging to be filled. “m’sorry, got a fuckin’ headache, is all. Tea tomorrow?”  
“Tea tomorrow, sure,” Rachel confirms. “Sorry again, I… yeah, sorry, I hope you feel better, Joel.”
Whem the door closes a moment later Joel is shoving his chair backward again, hands wrenching you out from underneath his desk. You fall forward, flushed and breathless. His expression is thunderous, pitch-black eyes glaring down at you. On all fours, you crawl forward and splay your palms across his thighs, feel them twitch and tremble beneath your nimble fingers.
“You couldn’t fuckin’ wait?” he snaps, hand finding a home in your hair once more. He drags it into a ponytail and wraps it around his fist.
“Sorry,” you lie, teeth nipping at your swollen bottom lip. Joel’s eyes follow the movement and he grunts, unimpressed with the apology.
“She could’ve caught us,” he admonishes you.
“Better start locking the door then,” you clip, winking lazily. A short huff passes through his lips, and then his left hand is dropping to land on your chin, thumb rubbing against your lower lip, prying it from between your teeth.
“Open,” he orders.
His jaw is set with concentration, eyebrows drawn low as he cradles your jaw, holding it still while he pushes his cock back into your eager mouth. The salt of him rushes your senses again and you’re moaning around him, cheeks hollowed and eyes wet as he begins to rut into your mouth, the tip of his cock caressing the back of your throat with every thrust. It’s fast and hard, and the noises coming out of you are scandalous, but you can’t drag your eyes away from his face. Lips parted, eyes ablaze as he watches his cock push in and out of your mouth, over and over again. A tear streaks down your cheek and Joel groans, swiping at it with his fingers. Shallow curses and murmurs of your name spill from his lips in a tortured stream of consciousness.
“Always so fuckin’—impatient,” he mutters. His grip on your jaw is near bruising, cock throbbing against your tongue. You can sense how close he is. Feel it in the way his hips start to stutter, snapping thrusts losing their rhythm.  
The stretch has a dull ache searing through your jaw, but Joel is breathless, eyes dark and focused on yours, saying, “Look at you. So pretty takin’ my cock like this.” and you can’t bring yourself to care. Your eyelids flutter closed, and his fingers are tapping your cheek quickly—softly?
“Let me see you,” he says urgently. “Want those eyes on me, don’t close them.” You cast your eyes up to meet his gaze, and Joel hisses under his breath, expression taut.
His hips drag backward, and he’s replacing your mouth with his hand, fucking himself in quick, brutal strokes, and your mouth is open, slick tongue peaking between your lips before he can even say open your mouth.
“Fuck,” he exhales at the sight, tip bumping against your tongue with every wet pump of his fist. His thighs are trembling beneath your hands, and you dig your nails into the muscles there, encouraging him. “Fuck me.”
And then he’s coming, face going slack as hot ropes of his come paint your lips, your tongue, your chin. Unashamed rasps of your name fall from pink lips, washing over you in glorious waves as you sit there and take all of it. And for a moment, you think it’s over. But then Joel’s hand is still moving over his length, calloused thumb gliding against the ridge of his rounded tip, and there’s more.
“Fuck,” he groans. “Fuck—yes.”
Salty strings of his spend gloss over your cheeks and slide down to paint your neck. And it’s like he’s coming a second time, torso jolting in short, jerky movements, and you wish you could see his body while he came; the way the muscles in his stomach would flex and pull taut, entire frame straining as he gives you his all.  
His shoulders slump forward as he stares down at you, hand falling away from his sensitive cock, and his face is ruined. Eyes blown wide, cheeks a dark red, looking at you like he’d enjoy nothing more than to devour you whole. Maintaining eye contact, you swallow down his spend, practically purring at the taste of him.
Joel’s thumb smears his come off your cheeks and into your swollen mouth, making sure you don’t miss a single drop.
“Good girl,” his voice is broken. “That’s it, yeah—yes, s’perfect.”
Perfect, perfect, perfect. The word rings in your ears. Your skin is on fire, and you can’t believe that you are both still fully clothed. You feel naked, bared to him in the truest sense of the word, despite being completely covered up.
He groans heartily when you suck his fingers between your lips, tongue swirling around them greedily, and swallow down the last of his spend. 
For a moment after, the two of you simply sit there, your knees chafed and aching against the carpet, his fingers hooked against your tongue, staring at each other. And you know. You both know – there’s no going back from this.
Joel drags his hand away and snatches a box of tissues from the top drawer of his desk. You stand, knees popping in relief, and lean against the desk to stabilise yourself. He takes a moment to clean himself, and when you’re sure he’s not looking you swipe a pen from his desk, scribble a set of numbers on a post it and press the sticky paper down against the cover of The Odyssey.
He offers you the box of tissues and you wipe your face carefully, make sure no trace of him is left on your skin. Joel watches your movements like a hawk, eyes fading from black to brown as he fixes his belt and tucks his shirt back into his pants.
“You good?” he asks after a moment. And it’s the same. The same thing he asked you that night in the bar after fucking your brains out. After calling you a slut, a dirty little thing. Maybe it’s his thing—you good? And it’s more than anyone else has ever said after you’ve had their cock in your mouth, so you smile at him. Nod. The duality of man, you think.
“Perfect,” you use his word, and cringe at how wrecked your voice is. The corner of Joel’s mouth twitches upward, something sly and conspiratorial in his gaze as he watches you tuck your computer into your bag, IT issue long forgotten.
Even as you wander toward the door of his office, tossing a casual see you tomorrow over your shoulder, you can see it in his face. In the lines by his eyes, the furrow of his brow; never satiated, never finished, never satisfied. More, more, more. This wasn’t enough for either of you. And this will not be the last time.
Hours later, when you’re tucked into bed with a glass of wine and a book perched in your lap, you get a text from an unknown number.
You’re going to give me a heart attack one of these days.
And then another, twenty minutes later.
That can’t happen again.
You grin. Save his number under J MILLER, PhD, and don’t reply.
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tags: @lovely-ateez @nana90azevedo @stevie75 @evyiione @dameron-grant-spector @brittmb115 @ashhlsstuff @casa-boiardi @sinfulrock @bbyanarchist @murc0cks4eva @hopplessilse @joeldjarin @anoverwhelmingdin @bluevxnus @kelp-dreaming @prettyinpunk85 @spacelatinos4life @iluvurfather @daisies-yellow @mrsquill @sarap-77 @sunnywithachanceofjavi @alleyy-katt @zeida
thank you for reading! x
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wife-of-all-dilfs · 7 months
Text
rosé | f. odair
(final part of red wine)
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part one, part two
summary: in the final part of the red wine series, secrets are revealed, and miscommunication threatens to tear you and finnick apart.
pairing: finnick odair x reader
warnings: angst, fluff, blood, minor injury, mentions of forced prostitution, swearing,
notes: i’m sorry this took so long to come out y’all. thank you to everyone who read and enjoyed this mini fic <3
word count: 4.1k
Finnick believed he had made a lot of smart decisions in his life—like rigging a net made out of vines to ensnare tributes in the arena, accepting secrets as a form of payment from his patrons rather than material goods, and mastering the art of seduction to manipulate his way out of various difficult situations. However, shutting you out was not one of them.
Half an hour had passed since the incident on the staircase landing. He lingered within the mansion’s extravagant walls, where other guests mingled and dined on a range of bizarre delicacies. He couldn’t eat a thing. His stomach churned at the image of your hopeless expression as he walked off. The expression he caused.
It had to be done. That is what he had been telling himself. It had to be done, otherwise, everyone in the Capitol would learn of his feelings for you. Snow would find out and most likely punish you for interfering with the arrangement he had—the sale of his body. And Finnick was very aware of what happened to people who disrupted the president’s plans.
Partygoers would have already begun to spread rumours of the scene in the courtyard. Hopefully, it would just be chalked up to a simple argument between friends. Friends. The label borderline disgusted him. You don’t fall asleep to the thought of someone and think of them the moment you wake up if you’re just friends. Nor do you look for them in every room you walk into.
Even now, Finnick was scanning the lavishly decorated banquet hall for a glimpse of your pure white gown, despite being the one who walked away. It was an instinct at this point. But there was no one in the room wearing white but him; his matching half was still outside, blending in with the winter snow. Or maybe gone home.
One colour did catch his eye though. A vibrant, almost tacky red, worn by a woman who was strutting towards him, her chin held high with pride. Finnick noticed the material of her floor-length gown. Silk. She was wearing your old dress, only the colour was incredibly off, and each hem was lined with red fur, conforming with her implanted whiskers. That was when he realised who the woman was.
Her ensemble was entirely made out of fur that clung to her body, complementing the whiskers that were embedded in her face which made her look feline.
“Where’s your dancing partner tonight?” she asked, her voice low and seductive.
The bright saturation of her dress was almost blinding as she stopped in front of him. He held back a grimace and plastered on a smile even faker than her voice. “She wasn’t up for it this time,” he lied.
“Well, everyone knows she’s out of touch with our way of life,” she said. Finnick ground his jaw, struggling to maintain his façade. Words could not explain how condescending these people were. “This dress is an adaptation of one she wore quite a while ago. Such a plain thing. I only liked the colour and bodice. The only way I could wear it in public was if I spruced it up.”
He thought back to the dress you had worn. Nobody had even come close to how phenomenal you looked. Where others needed extravagance and flounce to stand out, you only needed a simple red dress. Yet here this woman was, thinking she had the audacity to call you plain.
“I noticed. It’s very… striking.”
“Thank you, darling,” she purred. There was a predatory gleam in her eyes, like that of a wild cat about to pounce and devour its meal. “I was waiting for the perfect occasion to wear it.”
His forced smile twitched. “You’re certainly turning heads.”
“Did I turn yours?” she asked, batting her eyelashes.
Truth be told, Finnick hadn’t even remembered her existence until she walked right up to him. Obviously, he couldn’t tell her that, so he told her that she did. For a long period of time, they bounced back and forth, complimenting and flirting with each other, never dipping below the surface into a real conversation. Not that he wanted to anyway. Not with her. The only person he longed to conversate with was now out of reach.
The woman started talking about colourless topics such as the latest fashion trends in the Capitol and her opinions on the victor of the 72nd Hunger Games, all of which made Finnick wish she would just gouge his eyes out with her sharp claw-like fingernails. He couldn’t do anything but stand, smile, and agree. Doing anything else would result in Snow staying true to his very detailed threats
As the conversation continued, his attention began to drift. He surveyed the outfits of everyone in the room, amusing himself by deciding whether or not each person was making a fashion statement or tragedy. Only one person claimed the former title—the one in white.
Finnick watched as you entered the room. The giant golden chandelier cast down a bright light which caused your skin to glow with radiance; its glare enhanced the brilliance of your white dress. This brief moment ignited a fear in him that you had died in his absence because there was no way a mere human being could look so angelic.
“Finnick?” the feline asked, but her voice barely registered in his brain.
Captivated. He was utterly and completely captivated. One after the other, sudden realisations conjured in his mind. The first—there wasn’t a life worth living ahead of him if you weren’t by his side the whole way, and not as a friend or a fellow victor, but as his partner. His lover. The second—he would never let any harm come to you. He would keep you safe from Snow’s clutches, from the Capitol, from anyone who would put you in danger, even if it meant the two of you had to disappear into the vast forests of Panem.
And lastly, he was now absolutely certain that the woman in front of him could never compare to you, nor could anyone else in the ever-expanding universe. You were a basic human necessity to him. Without you, his heart might as well stop beating. Your laugh, your smile, your kindness, your unwavering support—every part of you kept him alive.
“Finnick?” the voice that went disregarded hissed again.
With a half-empty wine glass in hand, your anxious eyes searched the room. Finnick wanted nothing more than to sprint over, pull you into his arms, and cast away every trouble plaguing your mind. He couldn’t. Almost all eyes were on you, yet you hadn’t even seemed to notice. Only one person finally seemed to gain your attention, and that was Finnick, standing in the middle of the room, his eyes locked on yours.
The neurons firing in his brain signalled him to move and he did. But just as his legs started to walk, a forceful hand jerked his face to the side and a pair of harsh lips were crushed to his. Glass shattered on the marble flooring. Momentarily paralysed from shock, Finnick stumbled backwards, briefly catching the twisted triumphant smirk on the woman’s face before whirling around.
Your face was frozen with devastation; his heart dropped. Splatters of red wine had stained your gown, pooling in a crimson puddle of glass shards by your feet. Quiet mocking chuckles and whispers echoed around the room. Oh, if only he had his trident; they wouldn’t be laughing then.
An Avox rushed forward, attempting to clean up the mess, but you had crouched down with them.
“No, please,” Finnick heard you say to the Avox as he strode toward you. “Please don’t. I can do it.”
But delicate hands and glass shards never mix well. You gasped in pain. A jagged fragment you collected had sliced into your palm, creating another crimson pool in your hand.
Finnick’s strides quickened, eventually leading him to stop and kneel beside you. He wordlessly took your hand in his, cradling it as he inspected the damage. Blood coated his fingers, but he didn’t care. He might as well have cut your hand himself. None of this would have happened if it weren’t for him.
Pink blush overtook your face. For once, it wasn’t because he made you flustered or bashful, but because you were humiliated. He knew how much you disliked attention; now you were at the centre of it. Beside you was the Avox, tending to the mess of broken glass.
“Could you bring me a first-aid kit, please?” he asked with a polite smile.
They nodded and silently left. Finnick returned his attention to you, applying pressure to your wound. Your gaze was lowered, unwilling to meet his own. There was more to your demeanour than just embarrassment. There was sadness. Disheartenment. Neither of which were present when you walked in, only appearing after the feline woman had kissed him.
His brows furrowed in confusion. “Y/N—”
“Don’t,” you whispered, eyes unmoving.
The Avox returned holding a medical kit; Finnick thanked them, taking the box into his hands. He climbed to his feet, hesitating before offering you a hand up. Much to his relief, you accepted his assistance. And then, without a word, you began walking towards the nearest exit with apparent indifference to the engrossed eyes following you.
Finnick didn’t bother to conceal his icy glare toward the crowd as he trailed behind you and exited the room.
*******
Pain of a thousand unrelenting bees stung the broken flesh of your palm. Even the slightest movement of your fingers sent waves of throbbing agony up your arm. But it was nothing compared to the brutal ache of your heart.
You had entered the mansion in search of Finnick, determined to mend the crack in your friendship before it crumbled completely. What you got instead was humiliation and heartbreak. What you saw was another woman kissing the man you loved, whilst wearing a horrible adaptation of your red gown no less.
The air had been sucked from your lungs. Believing he would kiss you on the dance floor in the courtyard was nothing more than a fantasy, a dream, a pathetic fool’s wish—every term under the sun that defined something not real. At least now you understood why he was acting so differently. Because he had found someone else and that someone wasn’t you.
A lump formed in your throat and you knew tears were approaching. As if your night couldn’t get any more embarrassing.
Your feet carried you down a long corridor, far enough away from the banquet hall that listening ears and prying eyes were unable to reach. Finnick still followed behind you, though you weren’t sure why he bothered. How could he explain what you saw with your own eyes? Plus, the last thing you wanted was for his new romance to think something was going on between you and him. Only in your dreams.
Unsure of your destination, you decided to enter the first room you came across. It turned out to be a lavishly decorated library, walled with large wooden bookshelves which were filled endlessly with novels and historic paraphernalia. Sitting within the bookshelves was a stone fireplace.
The door closed as Finnick entered behind you, the silence so loud that the crackles from the fireplace reverberated through the room. Your hand still throbbed something awful so you looked down, taking in the gruesome sight of your dress. A stranger might have thought you had just murdered someone. If it were televised, it would have been deemed acceptable.
You sniffled, wearing a small bitter smile. “I ruined Snow’s pretty white dress.”
A few moments passed before Finnick replied. “Red always was more your colour,” he said, his tone anything but playful.
Ahead of you was a great wall of windows; in the reflection, you saw him staring back at you with an unfamiliar expression. His brows were pinched upwards, pronouncing the lines in his forehead, and the corners of his mouth drooped in a slight pensive frown. He didn’t look like the Finnick you knew. This Finnick looked pained. Anguished.
You dropped his intense gaze and ambled across the room. By the lit fireplace was a cushioned stool which you sat down on, eyes staring into the flickering flames. If you were lucky, maybe your dress would catch alight and whisk you away from your troubled life. Okay, perhaps the thought was a little morbid, but so was a broken heart. Of all people, why did you have to fall in love with Finnick Odair?
Cautious footsteps followed behind you, coming to a stop beside your feet. Without your acknowledgement, Finnick crouched down, eyeing the bloody mess of your hands with concern. His gaze lifted to yours, which was still on the fire, and he sighed.
“Let me take care of your hand,” he murmured.
Before you could refuse, you realised contracting an infection was worse than giving in to your stubbornness. So, you nodded.
Finnick opened the first-aid kit and began tending to your wound; his touch was so gentle it was like he was piecing together a broken china cup. Using an antiseptic gauze, he attempted to clean the damaged skin, whispering apologies whenever you winced in pain. After carefully applying a dressing, he began wrapping a bandage around your hand.
You stared into the orange flames, wondering how he would explain to that woman why he left her behind. You wondered when their relationship started and why Finnick continued to shamelessly flirt with you in her absence. You wondered if their relationship would be the end of your friendship.
“Are you in love?” you quietly asked.
His hands stilled at your sudden words, then he continued wrapping the bandage. “Not with her.”
He secured the binding with medical tape and climbed to his feet, placing the supplies back into the kit on a small side table.
Brows drawn together in confusion, you turned to look up at him. “But I thought—"
“Things are much more complicated than they seem,” he interrupted. There was a clear vase of white roses on the table. Finnick toyed with the petals, caressing them between his gentle fingertips. “No one understands me better than you do, and there is no one in this world I trust more. But… there are still things I’ve been keeping from you.”
The troubled expression on his face melted into one of vulnerability. This was a new appearance for him. Finnick was known nationwide for his radiant confidence and charm; he never let his guard down. You have had difficult conversations before, such as discussing each other’s hardships and innermost secrets, but none of them seemed to affect him like this.
“Everyone knows about my visits to the Capitol,” he continued. “How I spend nights with different people every time as if it’s all a game for my pleasure. But it’s not true. It’s not my game I’m playing.” He began walking over to the wall of windows, overlooking Snow’s gardens. “There’s a part of it that no one knows about.”
You rose from the stool, beginning to take slow steps towards him. “Which is?”
The fire flickering behind you deepened Finnick’s features. It intensified the shiny bronze of his hair and enhanced the defined contours of his face, making it easy to see the muscles in his jaw clench with apprehension. He stared out the window so intensely that you were sure his usual green eyes were blazing with their own inferno.
Even full of angst, he was painstakingly beautiful.
His chest inflated with a deep breath. “President Snow… sells me to the Capitol.”
Horror washed over you in monstrous waves. Sells? Only one explanation appeared in your head as to what he meant. You remained silent, praying he would prove your assumption wrong.
“After I won my Games, he saw my success as an opportunity to please his citizens. He began offering me to potential buyers—'admirers’ is what he called them—who soon became my regular customers. They would use me however they liked. Some would pounce on me the second I stepped through the door. Others were relatively tamer. Kinder. They would have me take them on dates or watch a movie with them, but one way or another, it all ended the same way at the end of the night.” He sucked in a sharp uneasy breath before continuing. “Then there were the rare few—the ones who treated me like I was nothing more than a ragdoll for their amusement. They did things that were… unspeakable.”
Nausea churned in your stomach as your mind conjured sickening images. It couldn’t be true. You refused to believe that human beings could stoop to such levels of atrocity to make one person endure so much cruelty. Then again, you lived in a world where children were sent into an arena to fight to the death on live television.
Finnick looked like he was holding himself together by a thread. Every word he confessed shattered your heart into a million pieces. How could this have happened to him?
“I’ve tried to refuse but Snow threatened to harm the people I care about—my family, my friends. After I met you, I knew you were added to that list.” He finally turned around to face you, his eyes filled with such anguish, it shook you to your core. “The Capitol owns me, Y/N. Body and soul.”
Despair riddled your entire body. As you stared at him, the image of a teenager appeared in your mind—eyes sea green and hair a fiery bronze. He was just a boy when it started. A child.
“I’m—I’m so sorry,” you managed to whisper. “I didn’t know.”
“I didn’t want you to know.” His eyes dropped to the floor. “I didn’t want you to think less of me.”
“Less of you? Finnick,” you said softly, stopping in front of him. Your eyes beckoned for his; you needed him to look at you, to really take in your next words. “There isn’t a single person alive I think more highly of than you. No one even comes close. Can’t you see? Just having you in my presence makes me feel whole. You make me whole.”
Tears glistened in his eyes as they flickered between your own, absorbing every reassuring word you said into his mind, his bones, his entire being.
“You have brought so much into my life,” you continued. “So much good. And I would never have made it to where I am now without you. So please, don’t ever distance yourself from me because you think I will judge you. I won’t and I never will.”
As the room stilled with silence, a lone tear rolled down Finnick’s cheek. His Adam’s apple bobbed, revealing the sob he was keeping restrained within his throat. And then a smile started to grow on his face, small at first, but then it stretched wider and wider, deepening those dimples that you adored so much.
You knew that your words had touched the deepest parts of him. That you had managed to convince him ‘less’ could never be a word used to describe him. He was more. More kind, more genuine, more caring than almost all of Panem.
“You’re incredible,” he whispered in awe, looking at you as if he were witnessing the birth of the universe. “Sweetheart, you’re incredible. Do have any idea how rare that is for a person to be? I don’t know what I’ve done to deserve someone like you in my life, but I swear I’ll do whatever I can to keep you. And if—” His gaze drifted, seemingly wrestling with a decision in his mind— “if that means I have to share all my secrets with you, then I will.”
“Have you got any more secrets, Finnick?”
He returned his attention back to your face. The indecision from moments ago had disappeared and was replaced with certainty, which was underscored by a sort of tenderness that settled in his features.
“Just one,” he murmured. He paused, observing the universe before him and wondering how on earth he got so lucky to have the privilege of having it staring right back at him. “I’m in love with you.”
Electricity shocked your heart like someone had placed a defibrillator over your chest and hit charge. Love? You? He was?
“What?” you asked, dumbfounded.
“I should’ve told you sooner,” he said, shaking his head. “I should have told you everything. Even if saying this means I’m risking everything between us, I can’t keep it from you any longer. God, sweetheart, I love you so much it fucking hurts. I always will, even if you never feel the same.”
Somehow in the span of twenty minutes, everything you thought you knew came crashing down. First, your heart was broken by the thought of Finnick kissing another, and then it was healed. And then it broke again as he voiced his arrangement with Snow. It could never fully heal again while Snow was alive, not with what he was forcing upon Finnick.
But Finnick pieced together every piece he possibly could with his confession, one heartfelt word of declaration at a time.
The weight of his confession hung in the air. His eyes held a mixture of anxiety and hope for your response. Time seemed to stretch out as you tried to find your voice. How do you declare your love as powerfully as someone who just bared their soul to you?
An emotional laugh bubbled up your throat, your eyes brimming with tears. “You idiot,” was what you said, the words spoken with utmost adoration. “I’ve loved you this whole time.”
Finnick’s eyes widened in amazement and a brilliant smile broke across his face. Before you had a chance to react, he had moved towards you in one swift step, pulling you into his arms and crushing his lips to yours in a powerful, passionate kiss.
Your hands were quick to cling onto him, desperately terrified that if you let go, he would vanish into thin air. Every ounce of yearning and hidden affection from the past year poured into this one single moment, into the movement of your lips against one another, and the feeling of your hands cradling each other’s bodies.
Emotions were running high. You could taste both your own and Finnick’s tears as they streamed down your faces, salty and palpable with affection. The sheer relief of finally being free to express your love was so unimaginable that you felt like you would be crying with happiness your whole life.
Finnick’s hand cupped the side of your jaw and he lowered his head, deepening the kiss as much as he physically could to make up for all the time he wasted. His lips were soft and adoring, savouring the sweet taste of your lips on his. His other arm tightened around your lower back, pulling you even further against him.
You felt like you were melting into his embrace and happily, you would have. It felt so right, so safe to be held by him. The world outside the library no longer existed; there was only Finnick and you. Your hands settled on either side of his jaw, staining his skin red from your blood-soaked bandage. You knew he wouldn’t care—the blood belonged to you.
And that is how you spent most of the night. In the library, in that one spot by the windows, in each other’s arms. At some point, you ended up sitting on the floor in front of the fireplace, both covered in red and feeling blissfully content. Your back was leaning against Finnick’s chest, his arms wrapped around your middle as he occasionally pressed his lips into your hair.
You toyed with the fabric of his sleeves, your head leaning against his collarbone as you watched the flames once more.
“If Snow ever finds out…” you murmured.
“He won’t,” he reassured quietly. “I won’t let him. He’s taken too much from me; he won’t take you too.”
You turned your head to peer up at him, wearing a teasing smile. “Can’t live without me, Odair?”
He grinned, leaning in closer. “Never without you, sweetheart.”
Once again, Finnick’s lips were on yours, conveying every ounce of immense love he felt for you through his kiss. The only time either of you broke apart was to whisper sweet declarations of your devotion and reverence before returning to each other again. This was when you felt most complete.
When you felt whole.
tags: @queenofspades6 @powellssaturn @bellamybellamyblake @heroinhchicblog222
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cordeliawhohung · 27 days
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Core, what about a bit of competition with ps! Gaz? Some new girl who think's she's already the darling of the studio takes a liking to Gaz, but finds out about his ties with reader.
The one time she gets to film with Gaz, she overplays her role and absolutely covers his neck, collar, shoulder, everything with hickeys, hoping it will deter the reader.
So imagine her shock when the next day, she pops into his dressing room and finds the reader in there as well, applying foundation over the marks and littered with dozens from Gaz himself. ❤️
(I realize how dumb this sounds as an ask but it's been rotting my brain for days and I desperately need it gone so I can focus on my college classes 😭)
thanks this has also been rotting my brain because i just love putting people in their place (: more ps!gaz here <3
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The crux of your ass sits in perfect place on Kyle's thighs while your legs straddle the expanse of his hips. Warm hands rest on your waist as you manhandle his jaw, tilting his head side to side to get better access to his neck. Thick, round hickeys litter the delicate skin around his throat and down to his shoulders in angry, red pinpoint marks that break the beautiful and even tone of his skin with something revolting. They look like proper bruises rather than the after effects of a... wild video shoot. As if someone had tried to strangle him rather than make love to him.
You remember the video well, along with that new model with her fake blonde hair and even faker tan that they had paired Kyle with to shoot the other day. You had only seen her in person one time, and you vividly recall the way her blue eyes rolled over your body, assessing every inch of you before ultimately deciding you were worth very little time. Confidence was a must when you worked in the porn industry, but her attitude borders on an arrogance you haven't seen since your teenage years in public school.
As you apply yellow color corrector onto the dark marks on his skin, you nearly shiver as the images of her stained lips suckling on Kyle's neck flood your mind. There was little room to feel jealousy about her ravaging your favorite co-star when you were too busy cringing. So childish. Over zealous. You nearly cried tears of laughter when you noticed Kyle's expression, grimacing at the wet tongue and annoying teeth that nipped at him, yet still having to pretend to enjoy it. Even the comments on the video joked about it.
Put him back with the other model.
"If I didn't know any better, I would have thought someone tried to strangle you," you tease.
"She might as well have," Kyle sighs. He adjusts his shoulders against the back of the chair, bare pecs flexing with the movement, bringing your attention to the uncovered marks that line his collarbone. "Haven't been able to go out in public without a goddamn turtleneck 'cause of her."
You chuckle as you finish applying and buffing out the rest of the color corrector along his skin. It leaves him looking sickly and discolored, which oddly enough is an improvement to what it looked like before. Setting the corrector to the side, you grab foundation next, hips swaying as you attempt to get some movement in your aching knees. Holding that position for so long without moving had them burning with fatigue.
"Need a break, doll?" Kyle prompts, hands sliding from your waist to your thighs.
"Don't know if we have time for a break. Got a lot of ground to cover before we start," you humor.
Kyle sits forward, throwing you off balance, yet he doesn't let you sway very far before his arms wrap around you, hands supporting your back. Adoring eyes crease as a grin floods his face. Even without the aid of studio lights he glows like a god as he leans closer and places a kiss on your neck.
"Show can't start without us," he says, teeth grazing your skin as he wanders down to your collarbone. "Could always give you a few hickeys to match, if you want."
He doesn't wait for you to answer before his tongue glides across your clavicles just for his teeth to follow right after. A chuckle rumbles in his chest at the tightening of your legs around his hips, and his hands only pull you closer. It doesn't take much for you to give in. Head rolling back, muscles melting as his lips conquer everything you're willing to give him. It's a delicate softness mixed with a brutal bite, something that leaves you gasping as he pulls the very air from your lungs and feeds on the sounds.
Kyle is more starved for you than usual. Sick of the fake, over dramatic screeching he got last week with that other model, he's hungry for the real thing. Hungry for you.
The unopened foundation falls free from your loose fingers and rolls along the floor into some forgotten corner when his hands wander underneath your shirt. It's a dance he has memorized; unclasping your bra without a second thought and tearing both it and your shirt off in a single, swift motion. He gives you little time to recover before his mouth is on your tits, kissing a sparse trail until he's rolling a perky nipple between his lips.
His bare skin feels like heaven underneath the palm of your hands as you grip his shoulders for stability. He'd take you on the cold, dressing room floors, you knew he would. A part of you wanted him to. Fuck the shoot, they should've learned well enough to put cameras in the dressing rooms by that point with how handsy Kyle Garrick always was with you.
"Can't wait until we get on set to try and undo me?" you ask breathlessly.
"Doll, I'll undo you right here and then again on set if you asked me to," he mumbles into your skin.
A quiet squeak interrupts your moment and the ambiance of the room shifts when the door to Kyle's dressing room opens. His hands grow stiff against your spine as you look over your shoulder at the figure in the doorway. You smell her perfume before you recognize her. Something drowning and floral, like a mall department store. It burns your nose, yet you're too distracted by the slack-mouth surprise etched onto the features of the new blood's face.
It's cute; her confusion. How her eyes flicker over your bare back and Kyle's hands pressed against your skin like he's cradling the only thing he cares for in the world. The dots just can't quite connect in her mind as to why he hasn't completely fallen for her yet, as if the only way she knows how to lure men is by butchering their neck with discolored marks. She can't comprehend why he'd rather have you in his lap than her.
Kyle draws a shocked groan from you when his teeth nip at your shoulder, and your eyes have no choice but to fall away from the woman in the doorway as he pulls you closer to him. His chin gently rests on your shoulder as he stares at the model, hands moving to rest on your hips.
"Need somethin?" he asks, bored.
There is very little you wouldn't have given to see the look on her face, but the small huff followed by the door slamming shut is good enough. Small giggles rattle your body as you lean back to get a better look at Kyle, as if your body would throw a fit if he wasn't within your sight. There's an inexplicable relief that floods his face as he looks up at you, and he mirrors your smile.
"What?" he defends. "Only asked her if she needed somethin."
"I think you broke her heart," you patronize.
"She'll live," he mumbles, lips falling against the crook of your neck again. "Your heart is the only one I care about, anyway."
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