[this is kind of a messy ramble, sorry about that]
Demon Twins AU, except Danny is loyal to the League.
The League of Assassins is a “cult” for a reason. They know what they’re doing. Ra’s has been around for a very long time; he’s seen every trick in the book and then some.
So when his daughter Talia gave him two, near-identical twin grandsons, he had already planned out their lives by the time the sun had set on their first day living. He knew the plans weren’t perfect. Nothing ever went exactly how he wanted it to. But that was the joy of being absolutely fucking ancient. Ra’s adapted better than anyone. If something went wrong, Ra’s will simply work around the issue and live to see another day.
So the boys were raised as he wished. Ruthless, with sharp blades and even sharper wit. They matched each other in every way, blow for blow. Neither won more than the other, and Ra’s encouraged the competition between the twins. Eventually, the battle for title of Heir came, and Damian won that particular match.
Danny was fine with this. Thrilled, even, for his brother to earn the title of Heir. The boys were very close, and worked well to take down targets twice their size. Ra’s approved this, and granted Danny title of Shadow. He was to be Damian’s eternal shadow, a guard. Both Talia and the boys were pleased with this.
But then came the time for the boys to learn how to live without each other. They’d gotten too used to someone guarding their back. Too complacent and too confident in their roles. Ra’s knew it would happen, and so sent Danny off at a very young age to live with some sleeper agents in America.
The Fentons.
Damian would stay here, with Talia, to learn how to be the perfect Heir. He needed to learn how to fight without the assistance of his brother.
Danny would go to Amity Park, and be fostered by the Fentons. He needed to put his skills to practical use and learn how to live without constant orders.
This was their Test.
Damian did quite well, for a while. Until Talia sent him off to his birth father, The Bat. Reports on his behavior declined in quality after that, and Ra’s couldn’t help but feel dissatisfaction with how the Heir had been corrupted.
Danny’s reports were always immaculate, however. His mask never slipped, and he’d worked himself into the hearts of the townspeople. The sleeper agents, Jack and Maddie, had a daughter who was quite enthusiastic about the properties of the mind, and accept Ra’s instructions to teach Danny with ease. It was the ideal situation.
In Ra’s eyes, Danny was thriving. Damian was not.
And then Ra’s died. The League was in shambles. Damian was at peace with his family, away from the cult he grew up in. He assumed Danny had defected years ago, since their mother stopped giving him reports about his twin.
Then Danny showed up at the Wayne’s doorstep, decked out in full League attire, angry and hostile.
“Tell me, dear brother,” he spat. “Why did you not inform me that Grandfather had died? I had to find out through his spirit when it came to visit from the afterlife!”
Damian didn’t know what to say.
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Tango makes a terrible, terrible face as he walks into Grian's new creation. Bit rude, he thinks that is, but whatever. Grian waves his arms out, getting ready to show Tango more than he'd shown him when the practice room was still in-progress, when Tango says:
"What did you do to it?"
"Huh?"
Tango shudders. He folds his arms over himself and looks at Jellie the ravager. "What did you do to it. To this place. Why is it... warm?"
"I mean, it's not really warm, see it's all white so it actually doesn't retain heat very well, even with the froglamps, so I had to do some work to make sure the temperature was appropriate for heavy physical activity while not risking frostbite the way the actual dungeon does, and..."
Grian trails off.
"The point is that it's mostly just, I don't know, mild temperature? Unnoticeable temperature? The fact you commented on it is weird."
There's a strangely echoing quality to Tango's voice as he steps back again, against the door to the practice room. "It's clean."
"Yeah. I mean, that's the aesthetic, isn't it? Wiped clean of everything but the ravager, the water, and the drowned. None of the distractions. Good for practicing, you know?" Grian squints. "You should like it. You said you'd like it. Wanted people to be able to practice so they'd do better at the dungeon."
Tango shudders again. "You've wiped clean the ravagers, too. I can't... touch her."
"What?" Grian says, baffled.
"What have you done to this place," Tango says.
"Listen, I won't have you insulting my clean room," Grian says. "I cleaned it of all the dungeon bits. It's nice and easy and white and understandable. I won't have you corrupting it."
Hm. Not sure where that one came from, he realizes. Probably a bad sign. He'd certainly guess as much from Tango, who is staring at him with something akin to horror.
In a voice that echoes like a card readout, Tango says: "You won't do this in the dungeon. You'll feed us what's left from this. Or I'll have to ask you to move it."
Grian rolls his eyes. "Geez, yeah, I won't touch the actual dungeon! I already broke the sound test room, I'm not breaking any really important redstone. Now, do you want to see the drowned dodging room or not?"
"I'm horrified to find out what happened to the drowned, if this is your ravager."
Grian looks between Jellie's blank stare and Tango and throws up his hands. "Nothing! I did nothing to her! I have no idea what you're on about!"
"It's like you bleached their insides," mutters Tango. "Bleached everything. It's not natural."
"Not natural? Like you're one to talk!"
"I need to know. Show me," Tango says.
"Right then. Take off your armor first, I don't want Jellie getting thorned or something, then let's practice some dodging and get in there. Then you'll see this is a perfectly normal set of eerie white rooms and leave me alone, right?"
Tango makes a face.
"I don't know why I bother. Honestly. You'd think I'd done something weird," Grian says, and then neither of them talk much, on account of the ravager trying to chew their faces.
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fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.
dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.
but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).
like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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correct me if im wrong but im PRETTY sure that for something to be a proper sequel it needs more than literally just reusing the same world and character models and slightly altering their design or adding an ability (that they got somwhere in between which isnt shown nor elaborated on either while previous abilities or interests/knowledge vanish)
made the mistake of saying that really totk isnt a sequel bc it doesnt build on, nor expand nor elaborate nor continue anything from botw, its the same preset of basic things like ... world and character models and tells an entirely different story utterly disconnected from anything botw, which it not only acts like it never happened (aside from like one dialog which is not enough for me when everyone else has literally forgotten everything and tbh feels more like a reference thats actually a slap and laugh in your face) but often times actively contradicts it, like a different version of the same thing
which is called an alternative universe
half of the reasons why i despise totk is bc i wanted, expected and was TOLD its a sequel when it isnt, can you really blame me for being disappointed and frustrated when i was told its a sequel, which should build on established stuff, to a game and its lore i deeply cared about and then get an alternative universe game that has nothing to do with the one i cared about except wear its face and STILL get told its a sequel even just by simply reusing models
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you know what the blood gulch chronicles are so fucking funny. the first few episodes is just a bunch of idiots shit talking. absolute useless nonsense.
but its not random rubbish being thrown around. the conservations, as ridiculouse as they are, have a flow. You can actually follow how you got from a to q, even if just looking at a nd q seperately is like, how the fuck did that happen. every comment bounces off of a previous one.
red team trying to name M12 LRV. its just gold. the bickering. simmons being the one not believing that pumas are a real animal. how they keep roasting grif for 'making up animals'.
the way the lines are delivered. it's hilarious.
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