lixies song of the day #9

ALL KPOP FANS STAND FOR THE NATIONAL ANTHEM

also is it just me or is covering catallena like a canon event in every kpop groups history even my friend agrees she was like "ikr im just waiting for newjeans to cover it now"

imagine newjeans catallena tho like omggg

i wonder if they would do it as a whole group or just three members would cover it

n if its three members im placing my bets on minji danielle n hyein

idk why im making fun of buck when i too called myself an ally before i landed on bisexual and had a very awkward first date with a girl

it’s the way some people were headcanoning beforehand that eddie would be dead in the dream bc buck wasn’t there to save him from the sniper but the episode chose to focus on buck’s impact on eddie so early on the show instead and how all that almost mirrors the “you act like you’re expendable but you’re wrong” conversation. Bc ultimately it’s never been about buck saving eddie in the literal sense, it’s about the way he’s saved him just because he’s buck. Because he’s eddie’s support system and because he has his back and because of his importance to christopher and because, from pretty much the first week, buck stepped into the mess with eddie and never stepped back out again

was thinking bout this post ever since i first saw the tags cuz i didn't know the shifting mound can actually give you the resist option in the tower route if you did the adversary to fury route beforehand... needless to say i tried to do the thing and proceeded to try it with the other merging chapters just to see something new and ummm...

how curious that only hero seemingly hears the shifting mound's comment to you. not even the other voice present or the narrator acknowledges it.

babe wake up new RR opening line dropped

still can't help but empathize deeply with Hob's anger and affront over the duel during the 'Southern Lawn' episode, mostly because I also cannot understand the social steps taken to land him in that position during any part of those confrontations

⍙⊑⍜ ⏃⍀⟒ ⍙⟒?

the camaraderie between queer folks and women from different generations bound by a niche hobby is quite literally stronger than any us marine

.

sorry i don’t even know what to say about paintbrush’s interview it was so bad that im literally speechless

there's another layer to the whole narrative thing in iamos too. i'm writing a story about video game characters but it's not a game in our world. the game may be the world they're living but on our side of things it's just a story i'm telling. this gives the story two different layers of The Fourth Wall. most of the characters aren't aware of the game or the fourth wall at all. some of them are aware of the game. but only reverie is aware of Me as i write things down and draw them out and the people who look at what i've made

"I think Homer outwits most writers who have written on the War [fantasy archetype], by not taking sides.

The Trojan war is not and you cannot make it be the War of Good vs. Evil. It’s just a war, a wasteful, useless, needless, stupid, protracted, cruel mess full of individual acts of courage, cowardice, nobility, betrayal, limb-hacking-off, and disembowelment. Homer was a Greek and might have been partial to the Greek side, but he had a sense of justice or balance that seems characteristically Greek — maybe his people learned a good deal of it from him? His impartiality is far from dispassionate; the story is a torrent of passionate actions, generous, despicable, magnificent, trivial. But it is unprejudiced. It isn’t Satan vs. Angels. It isn’t Holy Warriors vs. Infidels. It isn’t hobbits vs. orcs. It’s just people vs. people.

Of course you can take sides, and almost everybody does. I try not to, but it’s no use; I just like the Trojans better than the Greeks. But Homer truly doesn’t take sides, and so he permits the story to be tragic. By tragedy, mind and soul are grieved, enlarged, and exalted.

Whether war itself can rise to tragedy, can enlarge and exalt the soul, I leave to those who have been more immediately part of a war than I have. I think some believe that it can, and might say that the opportunity for heroism and tragedy justifies war. I don’t know; all I know is what a poem about a war can do. In any case, war is something human beings do and show no signs of stopping doing, and so it may be less important to condemn it or to justify it than to be able to perceive it as tragic.

But once you take sides, you have lost that ability.

Is it our dominant religion that makes us want war to be between the good guys and the bad guys?

In the War of Good vs. Evil there can be divine or supernal justice but not human tragedy. It is by definition, technically, comic (as in The Divine Comedy): the good guys win. It has a happy ending. If the bad guys beat the good guys, unhappy ending, that’s mere reversal, flip side of the same coin. The author is not impartial. Dystopia is not tragedy.

Milton, a Christian, had to take sides, and couldn’t avoid comedy. He could approach tragedy only by making Evil, in the person of Lucifer, grand, heroic, and even sympathetic — which is faking it. He faked it very well.

Maybe it’s not only Christian habits of thought but the difficulty we all have in growing up that makes us insist justice must favor the good.

After all, 'Let the best man win' doesn’t mean the good man will win. It means, 'This will be a fair fight, no prejudice, no interference — so the best fighter will win it.' If the treacherous bully fairly defeats the nice guy, the treacherous bully is declared champion. This is justice. But it’s the kind of justice that children can’t bear. They rage against it. It’s not fair!

But if children never learn to bear it, they can’t go on to learn that a victory or a defeat in battle, or in any competition other than a purely moral one (whatever that might be), has nothing to do with who is morally better.

Might does not make right — right?

Therefore right does not make might. Right?

But we want it to. 'My strength is as the strength of ten because my heart is pure.'

If we insist that in the real world the ultimate victor must be the good guy, we’ve sacrificed right to might. (That’s what History does after most wars, when it applauds the victors for their superior virtue as well as their superior firepower.) If we falsify the terms of the competition, handicapping it, so that the good guys may lose the battle but always win the war, we’ve left the real world, we’re in fantasy land — wishful thinking country.

Homer didn’t do wishful thinking.

Homer’s Achilles is a disobedient officer, a sulky, self-pitying teenager who gets his nose out of joint and won’t fight for his own side. A sign that Achilles might grow up someday, if given time, is his love for his friend Patroclus. But his big snit is over a girl he was given to rape but has to give back to his superior officer, which to me rather dims the love story. To me Achilles is not a good guy. But he is a good warrior, a great fighter — even better than the Trojan prime warrior, Hector. Hector is a good guy on any terms — kind husband, kind father, responsible on all counts — a mensch. But right does not make might. Achilles kills him.

The famous Helen plays a quite small part in The Iliad. Because I know that she’ll come through the whole war with not a hair in her blond blow-dry out of place, I see her as opportunistic, immoral, emotionally about as deep as a cookie sheet. But if I believed that the good guys win, that the reward goes to the virtuous, I’d have to see her as an innocent beauty wronged by Fate and saved by the Greeks.

And people do see her that way. Homer lets us each make our own Helen; and so she is immortal.

I don’t know if such nobility of mind (in the sense of the impartial 'noble' gases) is possible to a modern writer of fantasy. Since we have worked so hard to separate History from Fiction, our fantasies are dire warnings, or mere nightmares, or else they are wish fulfillments."

- Ursula K. Le Guin, from No Time to Spare, 2013.

Part 2 to how the group cannot fathom how you and Zuko are so close with your angel of a self and Zuko being... well, Zuko

AN: OKAY! Look at me go, coming out with a part two. I think I might do a part two to some previous pieces of mine but we will see.

SO this is a part two, so you can read the first one here, it will give some context clues into this second part of the story (but can probably be read solo) : Part 1

Any who, ~2300 word count, enjoy :)

KIDDIE FREE ZONE

Good Friends

That's all you guys were. Good Friends. Zuko kept telling himself he had no reason to be so bothered by that statement, but he was. He didn't want to be just good friends, but you had given a better answer then he would have in your position. But now the Gaang has been flying for the past couple days and has given him lots of time for thinking. Especially having you for the majority of the time sitting with him leaning against his arm, grazing legs, as you were not shy to the general touch. You always seemed to start up the conversations with him, your way of speech held him in interest, but as already known, he never said much back, but always was happy to listen.

But ever since that last night of camp a few days ago he cannot let the thought go. Good Friends. He knew that the talks you two have, the moments you both cherish, and the secrets you two shared was enough of a connection to be more than just good friends, or at least in his mind it was. You two were absolutely glued to the hip, and seemed to be together, just without the title. Zuko was fine with no title, he would rather the group didn't know but for you two to have that clarity is what he was craving. He knew there were other things that were more important at the moment but it couldn't calm down in his mind. He had to know, he wanted to be together. Even if that became another secret you both shared he would gladly add it to the pile.

As the afternoon began to fall fast on the fourth day of travel, the Gaang was running low on rations and decided to hit the next market in the upcoming town. Upon arrival, Aang and Sokka grabbed Zuko to tackle their list as Katara and Toph grabbed you to get the remaining items. Zuko was hoping to buddy up with you but it would have to wait. As the group divided and conquered, Sokka was getting very nosy with Zuko about a certain someone. Zuko ignored all of his questions or what felt like more accusations. Meanwhile the girls had finished with their tasks and Toph had somehow gotten into a gambling match with the remaining money they had and won every time. You stood back leaning against a nearby wall smiling, not wanting anything to do with the situation but you weren't going to interfere either. You feel a brush against your shoulder and look up to see Zuko, you smile and greet Aang and Sokka. You ask how their huntings went and they all agreed it had gone well. Zuko looked at you and asked if Toph and Katara were seriously gambling the little money they had left. You laughed and were about to answer but before you could Toph came over with a large bag and tossed it at Zuko. He caught it effortlessly, and it jingled heavily. All of the boys eyes widened, and Toph said "We will be sleeping well tonight thanks to yours truly."

The Gaang walked around the town as the night grew darker and the many street lamps glowed near and far, Zuko's mind still buzzing with the taunting thought of good friends. Maybe he was over thinking it and there was already an unspoken agreement you two were together? Or was he being weird and obsessive? Or maybe you had a completely different view on all of it? Or maybe-

His thoughts were cut off by you linking your arm through his and pointing out the beautiful lights, from the shops, to concessions, to the fountains, to the groups of lively people. He looked down at you and for the first time, he wasn't really listening to you. He just looked at you, looked at your smile as if you knew this moment was made just for you. He would forever be in awe at how effortlessly you spoke as if you had already rehearsed it one hundred times. He feels your genuine happiness and spirit in your eyes as you look up at him and he wonders how you hold such grace through everything. All his thoughts left his mind as he looked at you and thought, yeah, that is my girl.

Once the Gaang decided to call it a night, you all looked for an Inn to stay at for the night. There was not much of an option in the small town, so you all entered the closest place and the lady at the front desk greeted you all with a warm smile. Aang went to talk with the lady and brought back a handful of keys. Everyone was confused as he handed everyone their own key and explained that they only had single rooms left for the night. Nobody really complained as everyone seemed they could use some time to themselves. Everyone shuffled into their rooms with quick goodnights, but before Zuko walked through his door, he looked over his shoulder at your direction, and there you were. Walking into your room and almost as if you felt his eyes you looked over your shoulder and stopped for a moment, you smiled at Zuko and gave a small wave of goodnight before stepping into your room and closing the door. Zuko's eyes stayed on your room for a moment longer, before a small tap on his shoulder made him spin around. It was Katara. Zuko was lost for words. Katara smiled and whispered "I won't tell, not that is isn't already so obvious, but you should really talk to her." Before Zuko could respond to her she waved goodnight and walked into her room. He stood in the hallway like a man who was shot and was too afraid to move. He looked back at your door, he felt the longing in every part of his being to just go and knock on your door and say everything he has been thinking just like you do. How you so effortlessly say exactly what you're thinking, that is what he wanted to do. He wanted to tell you what it meant to him to have someone like you become so close to someone like him. He wanted to tell you that the secrets you both shared with each other meant the world to him and he would take them to his very grave if you wished so. He wanted to tell you that every time you smiled it felt like it was for him and him only. But he didn't. He walked back into his room and shut the door.

Zuko got ready for bed and laid down for a few minutes, he tossed and turned and his chest felt so heavy. He let out a sigh as he laid on his back and placed a hand on his chest with the other one behind his head. He stared up at the ceiling. Zuko let out a small grunt of frustration when he got up, deciding to go get some water. He grabbed the bucket from the small table in the room and walked towards the door. Zuko grabbed the bridge of his nose in exasperation and pulled his hand down his face, he went and opened the door and to his complete shock, there you stood. You looked almost as surprised as he did. You both stood in silence for a moment, and for the first time, Zuko spoke first. He asked if you were alright, because the last thing he expected was for you to be standing at his door in the middle of the night. You replied softly, saying you were ok, just had a lot on your mind. You noticed Zuko holding the bucket for water and offered to go with him to fetch some, he agreed. This time you both walked in silence to retrieve the water and walked in silence back to the rooms. You both came to stand outside Zuko's room and he asked if you were sure you were ok, and you replied that you were, probably just over tired. Zuko looked at you and asked you if you wanted to come into his room. You smiled softly and insisted you didn't want to intrude. He didn't respond and just motioned you inside, you accepted and walked in, Zuko shut the door behind you.

Zuko grabbed the ladle and poured you some water while you sat on the bed, he handed you the cup. You smiled and thanked him as you grabbed the cup and took a sip. Zuko sits next to you and rests his elbows on his thighs and looks down between his knees to the floor, he's not sure how he wants to go about tonight. He has no idea where to start, no idea how to talk or truly express his thoughts. He worries about sounding like a bumbling fool compared to your angelic soft spoken way of words. But before he could think further, the bed shifted and you were now directly beside Zuko with your head leaning on his shoulder. He looked up and he knew he wanted this, he wanted to be the one to call you his. He wanted to be by your side every step of the way and watch you regain the pride of being a fire bender. He wanted to have you by his side helping him with the path of change after the comet, and he didn't want to do it as good friends, he wanted to do it together. Zuko took in a deep breath, and asked "Do you really think we are just good friends?" and without a breath missed you replied "I knew your ears were on fire that night." you sat up with that comment, Zuko smirked and chuckled, you two were very close now, mere inches from each other's faces. "But no..." you replied, "I don't think we are just good friends, do you?" Zuko looked into your eyes, they seemed to shimmer the most beautiful shade of amber even with the liminal lighting in the room. "I don't think so either." He replied. Zuko saw your eyes dart to his lips and back to his eyes but the second your gaze connected back with his, he was already pulling you into a kiss. He put his hand just under your ear, along your jaw, pulling you in gently, as if giving you an option to back out. But you didn't, you leaned in and placed your hand on his arm and you kissed deep. Zuko lavished in this moment and if there was any way he could pull you in even closer he would. You pulled away first and looked at Zuko, he looked at you with so many emotions, "We are together." he stated. You smiled so wide and nodded, for the first time you were speechless and practically tackled Zuko to the bed, kissing him so deeply while he gladly reciprocated with the same action. You were straddling Zuko as he effortlessly flipped you over on the bed so he was now on top, you placed both your hands on his jaw and leaned up to give him a small kiss and then laid back down. "Would you stay with me tonight?" Zuko asked, you smiled, "Of course I will, I thought you'd never ask." Zuko rolls his eyes and leans down for a kiss but you halt his actions by asking, "What about the others, they will see me leaving your-" Zuko cuts you off with a soft kiss and after responds "I don't care, they can make their own assumptions." You smile so happily and nod your head, "But, they are going to ask questions-" you started but again Zuko cut you off before you can overthink, "So answer them however you want to, however you feel is right." He leans down and kisses you so romantically, and moves to your cheek, and down to your jaw, and making his way to your neck, you let out the smallest gasp. You could feel tingles all throughout your body, from your fingertips to your toes. This was the moment you were both waiting for, Zuko knew this is what he wanted, he wanted you now, tomorrow, the day after that, the months that follow and the years to come. You were his as much he was yours. He gave himself to you that night as you gave yourself to him. Both vulnerable to one another, savouring each movement, each touch, every breath you both shared. The night was exactly what you both wanted, it was what you both needed.

The next morning Zuko woke up with you laying on his chest and his arms wrapped around you. Both of you spent the morning getting ready and just smiling at each other, no lingering feeling or questions of what ifs. You could both just be together.

It was time to check out and continue the journey, so you both gathered all your belongings and walked to the door. You both stopped and you looked at Zuko, "They are going to ask." you stated, and Zuko looked right back at you, "Then answer." he replied. He opened the door and the Gaang was waiting in the hall. Katara was the first to see you both exit and she tried to hide her smile with a polite hand, the others turned to look and were caught a blank. Zuko shut the door with you standing by his side. You greeted everyone and you both walked towards the group, "What are you all staring at, let's head out." Zuko said so nonchalantly, everyone stood in silence for a second longer and proceeded on like nothing happened.

I apparently have thoughts that are not fandom related: Oops

I would like to point out that if Hbomberguy DIDNT make a video and fucking annihilate James Somerton’s credibility that this would’ve continued in perpetuity.

I would also like to make it ABUNDANTLY clear that we CANNOT and should not rely on a balding British bi-man to save the day whenever he finds a rabbit hole. (Though I do love him and find his work exceptional and thought provoking.)

The burden of proof that we expect out of Hbomberguy’s videos should not be resigned to him alone (or any other creator).

It’s on us.

It’s on all of us.

We all need to take the time to reevaluate how we consume media and the method of that consumption as it relates to our collective knowledge as a whole.

YOU have to start thinking critically and checking sources, because it’s been made clear time and time again that those at the top will neglect to do the work if it interferes with their ability to make money. (Or apparently if it’s just too hard or they don’t give a shit.)

So, as in the ever timeless wise words of a certain North American Bear….

Only you can stop the spread of misinformation.

Only you can stop the spread of plagiarism.

An important definition of terms:

As far as I'm concerned, an assimilationist is someone who believes that queer people must assimilate in order to advance the cause of queer rights. An assimilationist creates a dress code for marches like the Mattachine Society did, fights against queer self-expression at Pride because "it holds back the movement," and believes that the only way for us to move forward is for all queers to live as cishet people do, but with little rainbow flags taped on.

An assimilationist is not "someone who wants the functions and institutions of cishet society to be available to queer people." It's someone who believes the only way to live is assimilated into cishet society, and anything else "holds us back." It's someone who wants Sylvia and Marsha to march at the back, and who prizes cishet aesthetic over practical liberation.

A liberationist is someone who believes that queer liberation is not contingent upon public performance of identity.

Let me repeat that, so we're absolutely clear: a liberationist believes that queer liberation is not contingent upon public performance of identity. ANY IDENTITY.

That means a sufficiently cishet identity and a sufficiently "respectable" identity, but it also means a sufficiently radical identity. If you actually believe in queer liberation, you don't just believe in liberation for people who look, act, and believe like you. You believe in liberation for people who genuinely want to get married, have babies by IVF and live in the suburbs as well as for people who want to live childfree on an anarchist trans commune/Llama farm.

I hear people use the term "Assimilationist" and "Assimilationist Victories" to dismiss as meaningless those victories that are insufficiently radical for their tastes, and that to me is only proof that those people are not actually liberationists in any meaningful way. In liberation, there must be room for people who actually do just want to get married and live quiet, content lives going to their kid's baseball games.

The difference between Assimilationist thought and Liberationist thought cannot be simply replacing "we need to blend in" with "we need to stick out." It cannot simply replace "we must be integrated into cishet society" with "we cannot ever integrate into cishet society and anything which permits us to do that if we so choose is insufficiently liberationist." That's the organizational equivalent of yelling YOU'RE NOT MY REAL DAD, and I'm fucking over it, y'all.

My liberation doesn't have to be your liberation. Your liberation doesn't have to look like mine. What matters is that we are helping each other up the mountain and making long-term plans to get to where we can, and that we recognize that every choice we make is going to leave someone behind, and we account for that and plan for that so we don't leave them behind forever.

We cannot regard gay marriage or gays in the military or instituting a nationwide right to transition or any of our future goals as an endpoint. They are only goals part of the way up the mountain.

We don't get to the top until we are all free to live as we choose without government or societal interference or sanction, and without having to perform an identity for those rights and respect. The freedom to be ourselves must include the right to "blue hair and pronouns" but it also must include the right to "your kid's school plays and a duplex in a suburb." The latter is not an assimilationist lifestyle unless you try to enforce it on everyone.

I'm so, so tired of people acting like they're radical thinkers for poo-pooing the civil rights advances that the community has achieved through literally decades of work as "assimilationist victories." That's not clever, cute, or correct. Every. Single. One. Of those victories is written in tears and sweat and blood. Every single one is wrapped in the funeral shrouds of people who died fighting for it. Every single one was achieved not by assimilationists alone, but neither by people who think the only true victories are the ones sufficiently pure in their leftist credentials.

It is extremely possible and indeed likely that if you judge queers by their aesthetic, you will miss partnering with some of the most radical people and shackle your movement to people who cloak regressive politics in radical language. I've heard some truly noxious words come out of mouths framed by snakebites, and I've known extremely radical thinkers who look like your grandma. And I gotta tell you, in those local elections which keep school boards free from Moms For Liberty? The latter are useful people for liberationists to know and have in our camp, those people who think like liberationists but look like your grandma or your auntie.

Enforcement of aesthetic as a condition of liberation is assimilationist thought. It doesn't matter if the assimilation is to pink hair and tattoos or polo shirts and khakis - enforcement of aesthetic and philosophy as a condition of liberation is assimilationist thought. It's just replacing one kind of demanded conformity with another, and when we say "none of us are free until all of us are free," that also means free to be fucking boring if we want to, full stop.

We talk a lot about how much work goes into being disabled, how much work we have to put into making appointments, and fighting bureaucracy, but this is also true of queer life. Freedom comes with ease, with being easily able to update paperwork, with being easily able to find employment and housing, with being easily able to create the family structures we want to live in. When all of us can wake up in the morning assured of security in our beds, food in our bellies, meds in our med trays as needed, and a day ahead of us filled with chosen purpose and chosen meaning, which ends with us back in the bed of our choice at the end of the day, fulfilled in purpose and secure in our homes and chosen families, then we are free, and not before.

You may notice a seeming contradiction in this, in that my liberationist philosophy has room in it for the very people who are currently annoying the fuck out of me by demanding allegiance to a leftist aesthetic over practical liberation (that is, a movement based in harm reduction and long-term strategy over adherence to leftist purity of thought).

This is not a contradiction.

It is not a bug. It is a feature. My liberationist ideals mean that people have to have the right to be wrong without their liberty hinging on being right, that's all. :)