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#watch me write essays for most of these
spyskater · 1 year
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The quotes I believe are every characters' thesis statement in Willow (2022) and why. Elora: I believe that love is the most powerful force in the universe. Kit: You're afraid. So am I. But you know what? My fear, it doesn't get to decide. It doesn't get to, to define me. I'm not giving it the power. I'm giving it to you. I have never believed in anything my whole life. I believe in you. Jade: Yeah, and when you love someone and they need you, yes, you jump off the edge of the world to go and get to them. Graydon: One day you and I are gonna be in charge. And when that day comes, we don't have to do things the way our parents did. Boorman: I finally figured it out. This isn't my story. It's yours. You're the one. And all you gotta do is believe in yourself, and you'll be unstoppable. Willow: You know, it's taken me a long time to learn, it's okay to fall, to make mistakes. I've made lots... The trick is to embrace your defeats as well as your victories. You pay for both in the end. Be decent. Be fearless. And know this, wherever the adventure leads, I'm with you. Airk: You know, defend the realm and just be the best brother, and husband, and father, and son that I can possibly be. Because that is what you do when you have honor, right? Scorpia: All we have ever wanted is our freedom. That our children would not have to live in fear. They'd serve no master... We have no barrier to hide behind, no army to defend us. All we have is the fear our masks evoke, the determination to survive, and each other... Freedom, rebellion, passion, joy. To the break of dawn! Sorsha: Everything I've done, I've done to protect the people I love. It costs a lot. Madmartigan: It was the hardest thing I've ever done. But love is sacrifice. You've gotta be willing to give up what you want for what you believe in.
Elora's is extremely obvious. As the heroine and chosen one of our show, her quote not only represents who she is and what she believes, but the most important message that the show wants to leave us with. At the end of the day, love above all things. Let that be your guiding force. It's what all of our characters come away with. Jade lets go of her ideals of duty to follow her heart to Kit. Kit learns to love and gains courage through it. Airk is saved by Kit through the power of love. Graydon becomes who he's always dreamed of, partially due to his love of Elora. Elora is able to fully grasp her power through her love of Graydon. And Elora tells us throughout the season that love is the most powerful thing in the universe, at first taken as a joke by Airk, Kit, and the audience and evolving into the hopeful statement we're meant to latch onto.
This is Kit's big moment. She spends the entire season having everything she thought she knew stripped from her. When you have nothing left, it'll make you reevaluate what you truly want and what you believe. We know that all Kit has wanted is to be brave and loved and I would argue that quote is part one of the thesis of Kit. It's Jade's love that gives Kit the bravery to take the leap of faith. As she stares at the edge of the world, she's probably at her most fearful. But she's spent her whole life giving into fear, fear of loss, fear of rejection, fear of abandonment. She knows what it means to give fear power, so she chooses to give the power to Elora, to love, to hope, to finally believing in something greater than herself. And by choosing not to give into fear, she also inspires Elora to do the same. Fear no longer gets to control Kit and we shouldn't let it control us either.
Like Kit, Jade is completely stripped of everything she knows about herself. Her honor, her duty, her history, her beliefs, her identity, it all comes into question. But she had to lose all of the things that she thought made her Jade Claymore in order for her to truly follow her heart. You don't jump off the edge of the world out of duty. You do it out of love. Jade does it for Kit. Graydon does it for Elora. Elora and Kit do it for Airk. And while I don't think Jade fully knows what any of what she's learned means for her and her future, the one thing she does know for a fact at the end of the season, which was the only thing that she was uncertain of at the beginning, is that she is totally, ridiculously, desperately in love with Kit and that love is returned. It's like Elora said, love is the most power thing in the universe and Jade now knows that.
Graydon's quote, I find, is one of the most important quotes of the show. This is the story of the next generation learning from the previous one’s mistakes and trying to do better. All of our younger characters are forced to confront the mistakes of their elders, especially Willow, Sorsha, and Madmartigan’s. Kit as Elora’s protector and learning that love comes before dutiful sacrifice (her parents). Jade learning love before duty and honor (Ballantine). Boorman facing the mistakes he made with the older generation and making the better choice with the younger one. Going on this adventure with the others, Graydon is able to find his true self and make his own choices. Just because his father wants him to be one thing, doesn't mean that Gray has to be that. He gets to be his own man. You get to be who you want to be, not what your parents want.
Boorman desperately wants to be the hero of the story and that’s probably the source of a lot of his bravado. He feels shame for leaving Madmartigan for dead, for lying about his escape from Skellin, because it’s not a heroic tale. He was a teenager/young man when he went after the Cuirass with Mads. He was Jade once upon a time, a squire in service to Tir Asleen royalty. The problem is that Boorman thinks the cuirass is the only way he can be a hero and being a hero is the only way to make up for his mistakes. But the cuirass is not meant for him; it’s not his story. The way for him to come full circle and become whole is to make up for his sins against Mads by giving the cuirass to his daughter. He’s not the hero of this story, but I do believe he’s the hero of another.
Willow gives us another important message of the show that we've seen throughout the season. Our mentor's journey over the course of the season is to let go. Willow can't seem to accept the consequences of the past. The loss of his wife. The departure of his son. The loss of Elora. The fact that he never became the sorcerer he thought he was meant to be. All of this causes him to be incapable of training Elora with any sort of true openness or understanding. Where Elora needs freedom and a safe place to fail, Willow only provides restrictions and pressure. The world can't afford for Elora to fail. And if Elora fails, she dies. But in the end, it's only his ability to accept his failures and victories that allows him to help Elora grow to become the hero she needs to be. And it's an important lesson for us.
Airk is a character that could have easily played into his own trope of charming playboy prince without a care in the world, but this quote helps separate him from stereotype. In episode one, I'm sure we would all admit we all believed, like Kit, that Airk didn't know Elora's public name. But he did. And throughout his time resisting the Crone, Airk proved time and time again that he truly was honorable and that all he wanted was to be good. Madmartigan's departure and Kit's future ascension left Airk looking for his purpose and trying to prove to his family that he was everything his absentee father couldn't be. He does everything he can to be a good boyfriend, a good brother, a good son, a good diplomat, and, in episode seven, he does everything he can to be a good man.
Scorpia is an inspiration. She has lost so much, but still finds the strength to care deeply in the face of her grief. She's lost her mother, father, and several brothers and sisters, but finds it in herself to keep loving. She may be mostly concerned about her people, but it's their philosophy of life, of freedom and liberation (another analysis yet to be written) that sends her on a crusade to save all of those people in Skellin. Not just her people, but all people. And I think that will be important in the war to come. As much as Scorpia will want to avoid war, her belief in freedom for all and rebellion will convince her that it's necessary. The entire Wildwood episode shows us the joy and passion and freedom that's a stake, what's worth fighting for. There is no freedom under the Wyrm and Scorpia will not accept that.
I think it's important to discuss Sorsha and Madmartigan's quotes together, because they explain their mistakes as well as layer them with complexities. One of the things that kind of irritates me is when people paint Mads as saint and Sorsha as awful, because they're cut from the same cloth (Kit, I love you, but I blame you for this). At the end of the day, they were willing to make the hard sacrifices if it meant protecting their kids and saving the world. Neither one of them could have foreseen the harm that their choices would have, but they did what they thought was right. They are one and the same, united in their cause and parenthood. But every single choice also cost them so much sacrifice, the biggest one being their chance at parenting Elora, and I think a lot of people forget that, especially when it comes to Sorsha.
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hootiee · 3 months
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After re-watching the new Blue Exorcist anime episode (ep.4) I can't stop thinking about how this arc should have been adapted soo many years sooner. it came out 10 years ago. And THIS is the true quality writing this series is known for and what truly pushes fans into really getting into it. Yes, this series is a slow burn/in-for-the-long-haul and the waiting always pays off tremendously, but I still believe it should not have taken THIS long for it to be adapted into an anime.
And it just sucks. It sucks even more that even the biggest anime-only fan's sole interaction with this series was nothing more than the mere introductory premise and never got to the true plot of this series for over than a decade since the first season. I can't help but pity them, at least in the manga it took around 5(?) years for this arc to start, it should not have taken any longer than that after the kyoto saga adaptation imo.
This series has soo much to say with so many stories left unexplored in the anime and yet the wider anime community still calls it "mid" based off the shitty non-canon season 1 ending that unfortunately left everyone with false impressions of this series. It says A LOT how the majority of people who have read the manga agrees it's phenomenal, miles better than the anime.
And it just frustrates me because Blue Exorcist could have still kept up the huge audience and the reputation & recognition it deserves for it's level of quality writing, especially for shonen. Instead of bearing the fate of its audience whittling away over the years due to the anime's mistreatment and the only fans remaining are the loyal manga fans. This series deserved better treatment years ago, but late is better than never.
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Hiiii I have a community question I wanted to ask!!
Abed mentions all sorts of movies and tv shows through out Community, but I just wanted to know if maybe you have like a list of which ones are real and which ones he seemed to like more than others.
I can only think of the dark knight because of the dvd Annie broke, and the Star Wars movies (except he apparently hates the prequels) and cougar town!
great question! sorry for the delay on a response.
so, he mentions/references an insane number of movies and tv shows throughout the series, and I unfortunately do not have a list of every single one. although, I am (VERY slowly) working on an in-depth episode-by-episode analysis of the entire series, and listing every pop culture reference is a subsection in that. but that's not helpful right now. moving on
I don't have the picture, but there's this questionnaire abed filled out (outside of the show, it must have been uploaded to a website as promotional material for the show). he says his favorite movie is a tie between:
ghostbusters (1984, comedy/horror)
an american werewolf in london (1981, horror)
back to the future (1985, sci-fi/comedy)
blade runner (1982, sci-fi/action)
stand by me (1986, adventure/comedy)
stripes (1981, comedy/war)
star wars (1977, sci-fi/fantasy, also called "a new hope")
star wars: the empire strikes back (1980, sci-fi/fantasy)
star wars: the return of the jedi (1983, sci-fi/fantasy)
ferris bueller's day off (1986, comedy/drama)
jaws (1975, thriller/adventure)
raising arizona (1987, comedy/crime)
jurassic park (1993, adventure/sci-fi)
seven (1995, crime/mystery)
the matrix (1999, action/sci-fi)
the goonies (1985, adventure/comedy)
the breakfast club (1985, comedy/romance)
real genius (1985, comedy/sci-fi)
better off dead (1985, comedy/romance)
the fog of war (2003, documentary/war)
pulp fiction (1994, crime/thriller)
(btw if anyone knows what I’m talking about and has the screenshot please rb with it! I cannot for the life of me find it lmao)
I believe this is a list he apparently made in 2009, either in the first few weeks of school or right before the school year started. so it's possible he would answer differently as the series progressed. also, I do take some of these extra-canon things with a grain of salt, as on the same form he said his favorite place on campus was study room D or something, when obviously they definitely meant to write study room F. so, the credibility of my source for this information isn't exactly rock-solid. although, he does mention a lot of these movies on screen, and expresses love for many of them (the most notable ones probably being star wars episodes IV-VI, the breakfast club, and pulp fiction)
as you can see from the list, abed particularly loves american movies from the 80's. just a trend I thought I’d point out.
here's a few others he mentions loving, or just pretty notably references:
the dark night (2008, action/crime, as you mentioned)
rudolph the red-nosed reindeer (1964, musical/animated, is the whole basis of 2x11 abed's uncontrollable christmas)
the shawshank redemption (1994, horror/crime, is the basis for his plot with troy, annie, and shirley in 4x05 cooperative escapism in familial relations)
freaky friday (I believe it's the original one from 1976 specifically, but it's been remade a bunch. comedy/fantasy. it's the basis of abed and troy's story in 4x11 basic human anatomy)
rambo/first blood (series starting in 1982, action/thriller. abed talks about how messy the progressive series titles are in 3x14 pillows and blankets)
ocean's eleven (2001, crime/thriller, the basis for the heist scene from 3x21 the first chang dynasty)
hearts of darkness (1991, documentary/war, abed mentions it while pointedly filming dean pelton's production of his greendale commercial rather than helping with the commercial itself. similarly, hearts of darkness filmed the making of apocalypse now)
apocalypse now (1979, war/action, see the above explanation)
die hard (series starting in 1988, action/thriller, abed mentions wanting to do a die hard homage for christmas multiple times throughout season 4)
good will hunting (1997, thriller/romance, troy and abed's story in 1x24 english as a second language is filled with references to this movie. abed is doing homages on purpose, troy is not)
my dinner with andre (1981, comedy/drama, abed does a very elaborate homage at jeff's accidental expense in 2x19 critical film studies)
indiana jones (raiders of the lost ark, temple of doom, and the last cruscade only. he mentions loving the first three indiana jones movies in 1x04 social psychology)
aliens (1986, action/adventure/sci-fi, he and troy dress up as an alien and ripley in 2x06 epidemiology) (side note, I believe they're specifically referencing aliens, which is a sequel to alien. could be wrong though)
blade (1998, horror/action, they watch it over the course of 3x15 origins of vampire mythology after troy and abed assert multiple times that it is an amazing movie)
I think he generally talks about movies more than he talks about tv shows, but he does mention quite a few of them. some notable mentions are:
friends (1994, sitcom, mentions at least twice)
m*a*s*h (1972, sitcom, mentions in passing in 1x05 advanced criminal law, and references throughout 1x13 investigative journalism)
the cape (2011, action, mentions throughout 4x13 advanced introduction to finality)
who's the boss (1984, sitcom, is the premise of his whole storyline in 2x20 competitive wine tasting)
LOST (2004, sci-fi, mentions at least twice)
obviously there are a LOT more, but I just tried to list some of the most important ones, plot-wise and for understanding of his character. hopefully I’ll be able to get back to everyone with a super long list of every tv show and movie he ever mentions lmao, but that'll take a while. (there are lists online that say they list every movie and tv show abed has ever mentioned, but ngl I don't 100% trust those, so I’ll make my own lmao. but I put the link to one of them if you're curious. here's another one too)
at this point anyone who has seen community knows there are some really really big ones that I haven’t mentioned yet. pieces of media that are INTEGRAL to abed as a character. I was saving them for last lmfao. they are:
kickpuncher
inspector spacetime
cougar town
if I had to pick a holy trinity of media for abed, it would be these three things. these are EASILY the things he talks about the most, which is interesting, as both the kickpuncher movie franchise and the inspector spacetime series are completely fictional, and only exist in the community universe. (this is probably so they can show abed actually watching some of the shows/movies he talks about, without the obvious copyright issues that come with playing clips from an already existing movie/tv show on your screen. they kind of do that with blade in 3x15, but they only play vague fighting sounds, and never show their tv on our screen. anyway. not relevant.) to answer one of your questions from the ask, I believe those two are the ONLY fictional pieces of media abed talks about. as far as I know, everything else he mentions is real, including cougar town.
kickpuncher is obviously reminiscent of sci-fi/action films from the 80's, like robocop. like I said earlier, taking their place so that they could have a more substantial role in abed's on-screen life without any copywrite worries. it's a whole franchise, so there are multiple movies: kickpuncher, kickpuncher 2: codename: punchkicker, kickpuncher 3: the final kickening, kickpuncher: detroit, kickpuncher: miami (?), and kicksplasher (?). kicksplasher is apparently shown as a poster on abed's wall, and I’m assuming it's from the same franchise, although that could be wrong. the point is there's a very elaborate universe for kickpuncher, and it's a big part of abed's, and later troy's, film taste. the first time they mention it is in 1x15 romantic expressionism, when abed, troy, shirley, pierce, and chang all get together in abed's dorm room to make fun of stupid movies together. it's funny that it was introduced as a stupid movie to watch ironically, then troy and abed both end up genuinely loving it lmao. classic
inspector spacetime is obviously reminiscent of doctor who. they're both british sci-fi series that have been running for decades. doctor who uses a police box to travel the multiverse, while doctor who uses a telephone box. doctor who has malicious daleks who chant "exterminate," while inspector spacetime has blorgons who shout "eradicate." the concepts of the shows are obviously the same, with the actor for the doctor changing every season, etc etc. they're essentially the same exact show, but, like I said before, changed slightly so they can world-build without getting copywrited. there is something a little bit silly about this, though. it's definitely a continuity error and it's up to everyone whether they want to accept it as canon or not, I guess, but there's an episode where abed is actually wearing a doctor who t-shirt. (it also references bill and ted, but the doctor who part is what's relevant.) here's some pictures:
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awesome shirt tbh, but it is a little bit funny that is essentially makes it true that doctor who and inspector spacetime both exist in the community universe. and, these pictures are from the cold open of 4x11 basic human anatomy, which is way after inspector spacetime is introduced to the show (3x01 biology 101). so, is inspector spacetime just a rip-off of doctor who? is abed a fan of both shows? if he is, clearly he likes inspector spacetime better. anyway. I would guess that this wasn't intentional. but that is definitely a tardis on that shirt. maybe it's just a classic season 4 continuity mistake. oh well. I guess that's just how the cookie crumbles. anyway.
cougar town time! yes, it's a real show. I didn't think it was but it is. what's not real is cougarton abbey, the short-lived british remake that britta gets abed into in 3x01 biology 101. but yeah. it has 6 seasons and is streaming on hulu, if you're interested. I’ve heard it's not good but who knows for sure. something cool about cougar town is that abed is actually in an episode. let me be clear: not danny pudi. ABED. it's similar to the story abed tells about being invited to the cougar town set and shitting his pants while having an existential crisis about the layers of reality. here is a youtube clip of the scene. I found out about it while stalking danny pudi's wikipedia page months ago, you know, a typical sunday afternoon activity, and I saw a cougar town credit on there. I didn't even know it was a real show at that point so you can imagine my surprise lmao. anyway. idk if you knew that already but it's one of my favorite community easter eggs. so funny.
okay! I hope this is enough information to suit your needs, and I am once again opening the floor to anyone who wants to add anything 💯 this was fun, thanks for the ask, and stay fresh everyone ✌️
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project-catgirlpillar · 11 months
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I think Viewing Monika as some Kind of evil Mastermind does her character a huge disservice for multiple reasons but also Just cause it ascribes her a Level of competence she simply does Not display
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becca-e-barnes · 1 year
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Don't tell anyone but I love the thought of pornstar Bucky's girl asking to do livestreams with him. The thought of him taking the chat's lead?? Or reading the filthy things they're saying?? 🤤
"They're making fun of you, sweetheart." Bucky teases between chaste kisses placed to the soft inside of your spread thighs.
'Is she wet already?' The most recent message in the chat makes you squirm in your seat. Not that you're getting very far. Bucky is quite well known for his skills with a rope but he's left you just enough wiggle room that you can still grind your cunt desperately against the chair beneath you. It's not much relief but it's something.
"Of course she's wet already. Aren't you, baby? It doesn't take our girl long to get herself all worked up when she knows she's being watched." Bucky smirks up at you, his fingers trailing over the slick lace of your panties, gathering just enough of your arousal on his fingertips to show the camera.
'Our girl' doesn't sit right with you but you know it's all for show. You're his girl. Only his. Those people watching on the stream, whoever they are, mean nothing to you. You know he'll remind you of that later too. Reminding you that you're 'his girl', holding your chin so he can look into your eyes while he slides every inch of his length home over and over.
You whimper at the flood of messages into the chat as your viewers respond to the crystal clear evidence of your arousal on your partner's fingers.
'Fuck, she's making a mess.' 'Always such a good girl.' 'What I'd give to be able to taste her.'
The comments run up the screen so quickly you don't have time to read them all.
'She's so desperate, what a good little slut.' 'You've hardly even touched her and I'm already hard.'
"You're right, I haven't really touched her much, have I?" Bucky asks while reaching over for the wand vibrator he'd picked out for this stream. He clicks it on and the toy buzzes to life.
He seems satisfied with the lowest setting for now. Not that you are. That setting is almost always just for warm-up and that's not what you need in that moment.
"Please." You whine, tugging against the restraints, only feeling satisfied when your partner presses the soft, silicone tip to your clit, over your panties.
Everything feels heightened despite the low setting. You've been so turned on for so long that anything at all is welcome.
'Such a pretty little thing.' 'She sounds so hot when she whines like that.'
You hadn't even noticed yourself whining, much less the way you tried to grind yourself pathetically on the toy, trying to feel more than the featherlight touch Bucky was offering you.
You felt Bucky flicking the toy up a speed, startled by the groan that left your own throat. It sounded desperate. It was filthy and unrestrained and totally shameless.
"You like that?" Bucky's voice was all that could tear you out of your own head. He rolled the head of the toy in vertical motions, laughing quietly to himself when the sensation made you gasp.
'She's so loud tonight.'
The commenter wasn't wrong. You knew you were louder than usual, a testament to just how much you found yourself enjoying this.
"Sit still, sweetheart." You hadn't really registered what was happening until after it was done, although you'd agreed it beforehand anyway. Bucky carefully tugged the side of your underwear away from your skin, cutting the lace and then mirrored his actions on the other side. With the pretty blue lace in tatters, your sex was fully on display.
Bucky pulled the fabric free from underneath you, balling it up in his hand before pressing it to your lips.
"Good girl. Take it." You hadn't expected this. Automatically, brattiness takes over, your defiant natures tells you not to do as you're told. You hold out for a second, up until the toy clicks up one more speed and when you gasp in surprise, the panties are pushed past your lips, resting heavily on your tongue and you get to enjoy the taste of your own arousal.
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parkercore-69 · 29 days
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thank you J.R.R. Tolkien for writing the most devastating romantic subplot in your lotr books without even realising it
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heartslobbf · 2 years
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the thing about rgu episodes 35&6 is its just like...... everything is veering towards a car crash but more than usual. and everyone is more aware of how car-crashy things are going to get than usual, but its like. no one is like ‘hey what if we didn’t get into a car crash though’, or if they are, they’re expressing that sentiment in the worst way possible (shoutout anthy and touga). you have so many tiny and horrendously fucked up moments in those episodes like juri saying utena ‘looks like a girl now’ and making miki consider whether or not that’s a ‘good’ thing, or utena falling asleep at the table with her earrings as anthy just Watches, or the scene where touga holds a carrot in various initially amusing and then promptly emotionally devastating ways as both he and the audience make a series of crushing realisations neither of us are totally comfortable accepting
its like. throughout all of this acknowledgement of ‘hm. this is bad’ everyone is filled with inaction. we are all trapped in our coffins!!! people are prosing but that’s about it. all of the student council know who end of the world is, and they don’t tell utena. im not blaming them for this because its masterful, compelling writing that serves to elevate the show and its themes, but i am pointing it out because what’s endlessly relevant in utena analysis is recognising when characters make choices that ohtori frames as a natural progression or event that is immutable. anthy and touga voice wow i cant believe at least one person has to die at the end of this duelling game, which we like have to do btw. yeah. what do you mean this is all constructed and therefore can be dismantled. oh my god im going to kill you what the fuck. i dont want to kill you. i dont know how else to get you out of this situation. guess ill try and remove you from the system, thereby proving it is a structure that can be left behind and undermining my fragile worldview ive believed to have kept me ‘safe’ all this time. why are you guys talking about coffins so much omgggggggg shut up shut up shut up
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kirbyddd · 1 year
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#school rumble#i could write an essay on it#actually i have#one of the most powerful stories ever written gah it drives me crazy that it comes in such a strange package#the story so powerful the animation team rejected the manga's bs to give the characters the finale they deserved#even though they were forced to retcon it in the final 2 episodes to push for another season#literally they just end the story on episode 19 and hard pivot to movie parody skits/vacation specials for the rest of the episodes#it's magical#until the episode 25 does the ''ohhh nooo they forgot the whole thing and put us right back where we started uh oh whoops''#''awww looks like we're gonna have to have another season''#literally#anyway if i ever start feeling emotions im probably going to start school rumble posting and never stop#schoolrum's so stupid you can only appreciate it emotionally#it's not like nichijou where theres still all this artistry and richness you can still engage with if youre cut off heartwise#i didnt even have emotions when i first watched it but it was still powerful enough to make a visceral impact#but at this point im just too far gone i need a bit of heartspace before i can have any chance of actually registering any of it again#<- finally caved and posted a schoolrum rant after like 5 and a half years on here#its the kind of series that lurks forgotten for years at a time#until one day it jumps out and grabs you and refuses to let go until you rewatch it again#best dub in history btw you didnt know english localization and voice acting could be this good#knocks the original japanese out of the park and truly ties everything together#nichijou japanese and school rumble english are the two best animation dubs of all time
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paellegere · 2 months
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hey girlie it’s me, sam winchesters gay lover, your mootie 🥰🥰🥰 i just wanted to let you know, that your tags on the post about that wincest video are based and i agree with every word, hashtag slay couldn’t agree more i loved reading your essay in those tags heart ❤️
omg thank you!!! i'm basically only capable of talking in essays whether people want me to or not, unfortunately
i just have a lot of feelings on this topic and the whole "canon or not canon" argument is weird to me; the themes are pretty darn clear in supernatural (it is NOT known for its subtlety) so idk man. they don't have to kiss to be canon. and they don't have to have a romantic relationship to be canon either. how many times do they get into relationships with other people only for it to be treated as cheating/betrayal/abandonment, only for them have to give up that relationship in order to reaffirm their devotion to their brother
that's just what the text says. i'm not under any kind of delusion that they have some secret sexual or romantic relationship, but that doesn't change that sam and dean are each other's most important person regardless of that. which is really awesome imo, that romance isn't treated as more important than whatever horrible thing they have with each other, and that they don't have to consummate their relationship with romance/sex in order for it to be the most important one they have
(and of course there's romantic/sexual subtext, like parallels and metaphors and misunderstandings and jokes, but to me that just provides a solid foundation for presenting this relationship between them as the most important even though it's not romantic or sexual—because this language of romance is the only one we know, really, when it comes to writing important relationships between characters. it's the only one we know in our own personal lives, to a large extent. so you use the romance/sexuality to symbolize the actual bond they have. which is so much worse lmao)
anyway i think spn is fairly unique in this way because of how no other relationships can really ever stand parallel to the one they share; even in other shows that center male friendship, romance is allowed to coexist with brotherhood. for sam and dean, it's not, and that becomes a point of tension and conflict and resolution many, many times over the course of the show. so like yeah!!! just because it's not romantic or sexual doesn't mean it's not canon, in the sense that their relationship is the point of the show, and it is the most important relationship they have. they chose each other above all else, every single time. yknow, it's "the epic love story of sam and dean" and all that
#ask#sorry. i did not intend to write another essay about this#but as i said i am only capable of talking in essays. my apologies#to be honest the only reason i have so much to say about this is because i have seen some truly baffling takes about what sam and dean are#and every time i see one i have to sit here and think about it. like how did you arrive at that conclusion. what are you watching#mostly in terms of like. people saying sam and dean are not weird and codependent and enmeshed with each other#that's just blatantly not true because again. this show is about sam and dean and their relationship. textually subtextually metatextually#the concept of even having to defend their relationship as canon is as confusing to me as having to defend umm rubysam is canon#or something#like it happened. they were together in canon. we saw them have sex. you can't say rubysam isn't canon because it's right there#same thing with sam and dean. the difference is the nature of their relationship and the fact that i guess people don't want to like#think of it as canon when it's not romantic????#it's such a no-brainer kind of thing. like the fact that i'm sitting here trying to explain myself is embarrassing me bc it's like#no shit sherlock#but again the only reason i am thinking about this so much is because i keep seeing people trying to deny or downplay their relationship#in the first place#which is BIZARRE to me#like idk i don't see people trying to deny that ummmm fuck. killua and gon hxh aren't canon friends#that they don't even like each other#wow i'm seriously rambling. apparently i have more to say about this topic than i originally conceived#idk man i get people are uncomfortable with incest but the point is that it's like. not. their canon-ness is not related to incest#they're just insane about each other and they are each other's most important person. they are more important than romantic pursuits#the uniqueness is that it trumps all other relationships and cannot coexist with any others. that's what's so canon about it#it's not just friendship. it's not just brothers. it's not just husbands. it's everything and nothing and so much more all at once#shrugs. sorry for rambling AGAIN#i hope i'm making sense here#supernatural#wincest#spn posting
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27emailsicantsend · 2 years
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When do you think Ricky started liking Gina? Do you believe he liked her while dating Nini? When do you think he realized he liked Gina given that he said he let her slip through his fingers? It seems as though he knew he had a shot with her and didn’t take it.
I love this so much, thank you anon. :)
I think Ricky liked Gina from the moment she kissed him in the car. I have seen some speculation about what the Rina cue is. I and so many others thought it was just for Rina moments.. but I think the speculation is right. It’s a direct callback to HSM2 (you are the music in me). Being the music in someone is the love you have for them. That person lights you up and makes you feel something special. That’s what the entire song is about. Every time the Rina cue comes, it’s because Ricky feels something… the music… inside him. He has a moment that shows something big just happened for him. The first cue? In the car when she kisses his cheek. And you can see it. His face says it all. The way his eyes go wide and he shakes his head and smiles. You don’t need him to say it out loud- he likes her. I think there was maybe a little spark or something before because he mentions in the car he stayed in the show for her and he got defensive with Gina on the date with EJ. He even said he felt like Gina got him at Homecoming. This was ALL before the rina cue. But I think when the cue happened was when Ricky finally acknowledged and understood he liked her. TBH I think it was a lot like Ashlyn and Val’s moment with the fireworks.
I absolutely think there were feelings there while he dated Nini. Think about the timeline: he just got back together with Nini. She leaves and Gina comes in and says if she wasn’t leaving, she wouldn’t give up on them. Then Ashlyn gets the idea well after that to let Gina stay. Somewhere between the play and Christmas, Gina moved in with Ashlyn and she told the cast she was staying. This put Ricky in a tough position. He has these feelings for Gina and where he just got a girlfriend not only would it be inappropriate for him to say he wouldn’t give up on Gina too, but it would also be HELLA awkward for him to go back to Nini and tell her “never mind” after that big “I love you” speech. Also, as much as Ricky liked Gina, I think he worked SO HARD for Nini he didn’t want to let her go. Especially after seeing everything else in his life change (like seeing his mom’s boyfriend THAT NIGHT), he probably was holding onto the one thing that was stable: Nini. Gina could have been leaving, his parents were everywhere, Nini offered to stay and he knew Gina was out of the picture so, as he said himself, “I don’t know… with Gina leaving… it’s different… maybe I’m back to who I always was”. Gina leaving was the catalyst to him dating Nini because it meant stability and boy oh boy was he attracted to stability.
But, here’s the kicker: Gina stayed. So now Ricky is in a catch 22. Does he risk it all for Gina? Does he stay with Nini, the constant? Well… Nini left too. The last hope he had. So now, the one thing he thought wouldn’t change, wouldn’t leave, left. So, he reverts back to old Ricky. Trying every thing he possibly can to cling onto this thing he thought was a constant. And while Gina still continued to show up and while his feelings were there (as demonstrated in Valentine’s Day and in the snowstorm episode with how much he tried to talk to her, playing off the chocolates, feeling uncomfortable talking about Nini to her and in front of her [shushing her at his house when Nini called]), he wasn‘t going to let that constant go. His break up with Nini was SO important because it wasn’t just with her… he was breaking up with an old version of himself. That’s why his song he made on the piano was such a big moment for him over break, because it meant he finally was “letting go”. Of Nini, his need for consistency, his old self.
But, once he reconciled that part of him, the person he still was holding onto was gone. The next episode is the one where Carlos talks about EJ making eyes at Gina and Ricky goes, “Gina??” I think he saw Gina was staying, he wasn’t pursuing Nini anymore, now he could go back to the girl who had his heart since S1: Gina. But uh-oh! She’s taken by EJ now. So why try? So he finds the next promising thing: Lily. He’s started to accept change but doesn’t know what to do with it so it’s like he’s a total yo-yo and finds the biggest out of character person for him to date. Like he was embracing too much change. But then that doesn’t work out, so he realizes he just wants to accept what comes and do what is best for him (the song before he shows up at camp). He’s finally free of all his old patterns. So, with that in mind he just wants to be happy. Summer of fun! Right? Well, those unresolved feelings for Gina (as Carlos said) creeped right back in. They never left, but they were buried, came back up after Nini, then quickly buried again because of EJ and not talking to Gina. Now he and Gina are back to their S1 dynamics and starting over and he doesn’t have any distractions romantically, he’s embracing change, but not too much change (like Lily). Interesting he’s finding a “balance”…sound like anyone else we know this season? And guess who just happens to be there when he is at his best self? Gina. There’s nothing to distract or derail him from his feelings and that makes them even stronger and deeper than before. That’s why we keep seeing the rina cue SO MUCH and even twice this last episode. He can’t do anything to hold the feelings off and because Gina isn’t totally invested in EJ and spending a lot of time with Ricky (instead of ignoring him like 2B), those rina cues, those feelings, become more deep and profound.
Ricky let her slip through his fingers the night he chose Nini. Opening night he let her walk away because he thought she was gone for good. Now he blames himself for something that realistically, was kind of unavoidable. Honestly? I’m glad he didn’t choose her that night. I think they both needed to see what they didn’t want in order to know what they DO want. They needed to go through every single possible scenario that could be an argument against Rina and still come out stronger. They’re the couple that beats the odds and will meet each other at their best. And that is some beautiful, beautiful writing on Tim’s part.
Thank you for coming to my tedx talk.
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chickenstrangers · 8 months
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genuinely feel like i've forgotten how to rewatch things just like as a comfort show. every time i've rewatched a show recently it takes me at least 3 times as long to watch because i have so many thoughts and need to write them down and reflect on them and screenshot everything
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nebulouscoffee · 10 months
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That scene between Tuvok and B'Elanna from 'Resistance' wrecks me actually... It's such a great moment for both characters (and actors, Tim Russ is SO underrated ugh) which highlights the differences between the two of them so well- yet, ultimately shows that under certain circumstances (in this case, torture) the distinctions between people... don't really matter. In an episode full of political violence, this moment is so significant, and I don't even really think I have the smarts to articulate why but I'll try lol.
TORRES: We told you already. We don't know anything about the Resistance.  AUGRIS: I've heard that many times, from many people. Take him.  (The forcefield is lowered, and Torres grabs the guard that steps through.)  TUVOK: Lieutenant, stop! That will not help either of us.  AUGRIS: He's right.
Everything about the way this scene (and the final shot where she's shoved back into her seat) is framed makes B'Elanna appear small, helpless- and embarrassed at her own helplessness- in that cell. We see her fidgeting, unable to sit down, constantly trying to break out or improvise her way out of the situation (she gets electrocuted earlier while trying to tamper with the circuitry)- it makes me wonder whether Tuvok was chosen to be tortured not because they believed he was more likely to have information, but because B'Elanna was more likely to be demoralised watching helplessly as he's dragged off. Augris's line implies that he's "broken" a great many people in the past; a tactic to instil fear and a helpless sense of inevitability in them both (torture doesn't work as a reliable way of extracting information; this is stated in dialogue in other Trek episodes such as 'Chain of Command' so the assertion here is at least not that- but what it does do is demoralise the public involved in resistances like this one.)
Later, B'Elanna is still trying to escape (do the guards know she's doing this? Are they just not intervening?) and she hears him screaming. Tuvok is someone who considers letting others witness him lose control over his exterior a huge (indecent, violating, humiliating) vulnerability, and the fact that he's the one being tortured is Not Insignificant in this context but like- it could've been the other way round. And B'Elanna knows that. It could've been her, and perhaps a small, scared part of her is relieved that it wasn't her, which is an awful way to feel (and if there's one thing B'Elanna hates, it's feeling like a coward). Also- the sheer violation of this, for B'Elanna to have witnessed him in this state, against her will- to later see him bloodied and weakened and flung in a cell, to have heard him screaming in pain- without his consent, knowing she can never un-witness it, knowing it wasn't her fault but still being put in such a situation where she has now played that role... Does this experience forcibly rewrite their respective conceptualisations of each other? Was Tuvok even thinking of her- somewhere outside, listening, worrying, blaming herself, fearing for herself, feeling ashamed, feeling so aware of him and her and the shared humiliation of this- when he was in there? Did seeing her upon coming back out change things? Could it ever change things? Did her presence, even as an outsider, whose memories of this event will always be (visually, at least) the constructs of her imagination- somehow make what happened in there real? Does her role as witness- and her memory thereby carrying some sort of legitimisation of what happened to him now, however warped and coloured by her own perspective and fears and embarrassment- make things better for Tuvok? Does it make things worse? Would he rather have endured this in secret? Would it have been better if she were a total stranger? Would it have been worse? And does any of this even matter when, for a moment, your life (your personhood, your goals, your presence) was completely reduced to what you "must endure"?
AUGRIS: We don't have to ask your friend any more questions, if you give us the answers.  TORRES: I told you I don't.  (Torres stops herself from hitting Augris, who leaves.)  TORRES: I'm sorry. I guess I always assumed that Vulcans didn't feel pain like the rest of us. That you were able to block it out somehow. Until I heard. Was that you I heard?
And the way B'Elanna's voice breaks when she asks this, as if she was still somehow hoping the answer would be no... There are complexities to this which again I don't feel like I'm smart enough to articulate, but like- yes, B'Elanna would like to hear that it wasn't him because that would mean her friend wasn't tortured "that badly", he wasn't put through "enough pain" to scream that way, and it's easier and more comfortable to think of violence (and violation) as something you can rank on a scale, and the lower on it Tuvok's experience ranks, the better! the more easy it will be for them to "move past" this! - but also, there's this element of "I want the answer to be no because that would mean I would not have been a participant in your humiliation, just some stranger's whose voice I don't have a face to put to, which is much better than having to know what you (my friend, my colleague, my respected senior officer, someone I will have to see every day on the bridge, someone I know prefers to keep vulnerabilities hidden even deeper than anyone else I know) sound like when you scream. But also... it doesn't really matter, does it...? Whatever he says, there always was still a moment- however brief- where B'Elanna heard a man screaming in agony, and thought it could've been Tuvok. And in that moment, that possibility was created. Now, it will always exist. That moment will always have happened. It will always have done something to her. It will always exist between them; an ugly, uncomfortable bond.
And this is getting into even more things I'm not smart enough to articulate, but like- it's pretty significant to me that B'Elanna is one of the few characters who never actually tries to poke Tuvok into Doing An Emotion, even normally. She doesn't consider trying to get him to crack an entertaining pastime, unlike others (and I'm sure her experiences of feeling like an outsider- always- feeling Very Visible As Klingon, play a role in this- "all they ever saw was my forehead" does not lend itself so kindly to "let's see if we can get Mr. Vulcan to smile", "why, Tuvok, it seems you've been corrupted by Human (read: default) rituals after all!"- it's a light-hearted joke for many, sure, but what if Tuvok genuinely considers the idea of smiling in the presence of others reflective of a humiliating loss of control and deeply debasing?) I think it's pretty clear from canon that he's just being himself; he's not trying to be a killjoy or trying to be mean, he's just Vulcan. And this is one of the few moments in Trek I can think of when a Vulcan's perceived "control" over their emotions is not connected with their reluctance to laugh or cry or say something sentimental, but... this. B'Elanna is shocked, she's horrified, she demands an explanation as to how he can possibly go through something like this and not feel the desire to "fight back" in a way she understands- and the way she cannot grant him the pretence of not having witnessed, here, the way she can't just shove this in a box, pretend she never heard, because she's just so fundamentally honest- and Tuvok (who is also so fundamentally honest), in a painful moment of openness, tells her exactly what his reasoning is. He lets her see. He lets her hear; on his own terms. He wants for her to understand (for her to witness?) his (very Vulcan) distinction between resistance and endurance; his understanding of endurance as its own form of resistance. Idk it's such a quietly powerful and like- devastating- moment for me... So many people try, over and over, thoughout the show, to get Tuvok to break his Vulcansona- try to make him smile, make him say tender things, make him get irritated- just to see if they can do it. Just to see if he'll ever crack. I bet B'Elanna wishes she never had.
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becca-e-barnes · 1 year
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I can't bring myself to think of anything except a submissive dbf Bucky on his knees, shirtless and just short of begging to be allowed to touch you. (Probably inspired by this tiktok that I've watched SO many times)
Even his very first kiss is frantic. He usually starts off gentle; almost tentative but within minutes he's holding the back of your head, keeping you close and it's such an indulgent kiss, it makes your head swim.
"Fuck." His mouth latches onto your neck, groaning quietly when he realises you already have the first couple of buttons of his shirt undone. He's already lost any desire he might have had to take this slowly.
You pull him back up to kiss your lips with a hand gently cradling the back of his neck. He doesn't voice any objections, following your lead and letting his warm lips slide over yours until your tongue teases his.
He's practically melting already and it's so rewarding to watch how easily he crumbles. Your lips don't part from his while he shrugs his shirt off and as soon as his neck is free of the collar, your hand replaces it.
His eyes open when you start to apply pressure to the outside of his throat, careful to avoid pressing on any of the more delicate structures. "Harder." He needs this. You have no problem indulging him.
"You're so good for me." He's flushed already but you swear the praise makes his cheeks blaze even hotter. His lips are pink and slick and he's long since forgotten his need to kiss you. Up until you use your grip on his neck to direct him to kneel on the carpet.
You let go of his throat, the release of pressure gives him a head rush and it's written all over his face. He's looking up at you expectantly, desperate to know what's coming next. Are you going to tease him about being so submissive? Slap his face a little? Spit in his mouth maybe? A little part of him isn't sure what he'd prefer more.
You do none of the above though. Instead, you perch on the edge of the bed while you play with his hair, letting the seconds tick past, not saying a word.
He almost feels deprived of touch, going from so much to so little in a short space of time. Your knees are pressed tightly together but he kisses up one of your bare legs regardless, worshipping every inch of skin he can press his mouth to.
"Spread your legs." It's only a quiet murmur but his tone is off. He's not in a position to be making any demands.
"Who do you think you're talking to?" It's almost funny that he thinks he'll get what he wants by addressing you like that.
"Spread your legs please." The emphasis seems genuine. He engaged his mouth before he engaged his brain. It happens and you forgive him, parting your thighs and letting him shift the skirt of your dress out of the way.
You hadn't bothered to wear underwear. It only gets in the way and Bucky seemed appreciative that he didn't have to waste any time taking it off you.
"You're so wet already." This wasn't news to you. Even just the thought of him on his knees for you is enough to get you worked up, never mind the reality.
One of your hands instinctively settles on the back of his head and you feel him start to glide his tongue over your slick sex. He kisses your body like he did your lips earlier. The pressure and intensity feels indulgent, long strokes of his tongue that allow him to taste you the way he's been dreaming of.
The slick sounds are obscene. His quiet moans are filthy. He sinks two thick fingers into your body, curling them while his tongue laps at your clit and you can't help the way your legs shake.
The pointed tip of your shoe presses gently to the front of his trousers and he gratefully grinds against the sole. His pleasure can't and won't be forgotten, although it seems like that wasn't a concern of his anyway.
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demonbloodenthusiast · 8 months
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from now on i want all my mutuals to refer to me as the one bitch who's obsessed with 91w please and thank you
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01tsubomi · 10 months
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i'm taking the jlpt this sunday and had a stress dream last night abt it bc it sort of snuck up on me and now it's kind of a question of how much my actual japanese abilities will carry me (versus if i should've been cramming on flashcards this past month) but the listening portion is far simpler conversation than my coworkers and i have so. i think that maybe instead of "damn i should've been studying japanese" my perspective should just be "i speak japanese"
#a key part of the dream though was that i failed because i went on a motorcycle joyride during the 40 minute break and didn't make it back#in time for the listening section. the prompt for the listening section btw was to write an essay in english about kirishima eijirou#so i was like damn i would've totally passed#anyway hashtag classic maya but idk#i think i have a bit of a complex abt it bc i was studying for n1 (highest level) in college#but w the switch to online learning we stopped studying the stuff i really needed to work on (vocab and kanji)#and whatever kanji i knew how to write went out the window bc i never had to turn in written homework again#so i really let myself go there for a good two years but since moving last summer i've not only been having japanese conversations every da#i've also actually been studying kanji in my downtime at work#so i have picked up most of the study guide-type information just really slowly over time#i read a ton of manga in japanese lately and most shows on netflix here don't have eng subtitles but i'm fine without them 95% of the time#with the genre of shows i watch at least#so i've been thinking a lot lately abt what my end goal is w japanese studies because 'be able to consume all the art i want' feels like#a good place to be#i do think in the end the only thing between me and n1 is a lot of genuine hard work studying vocab and kanji and reading serious articles#so i feel like all 'sekkaku da shi' i've made it this far why would i just stop working at this point#those are just my thoughts though aaaa i know reading/vocab/grammar section is way more hit or miss#personal
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karvakera · 8 months
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random oc doodles I have that no one asked for 😼
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