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#violent games
cluelesshero · 3 months
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#460 Gory Love
This could be us
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voicesagainstliars · 9 months
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the Team.
ever played violent video games?
Futaba: I don't play them on my own. Anxiety and PTSD and shit.
Futaba: I don't play the nastiest stuff a lot. That's reserved for Mom, Bro, and occasionally Haru.
Marc: Is Hifumi gonna be on the list someday?
Futaba, flushing: Yeah, I hop- HEY!
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justanechoflower · 1 year
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YOU THOUGHT IT WAS AN ANON BUT IT WAS I MARX! HERE TO FREE YOU FROM YOU FROM JAR
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*Frisk attempts to disengage them, but but the convenient camera angling hides her behind the TV! Out of sight out of mind.*
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brendanaurabolt · 12 days
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I recently got Grand Theft Auto: The Trilogy on the Switch...but not for the first time
  I actually first got The Trilogy on Steam about 8 years ago. Before that, I got GTA3 and GTAVC digital on the PS3. Before that, I got GTA3 and GTAVC back when they were first released on the PS2 20+ years ago. To this day, I STILL have never played GTASA despite now owning two copies of it (I also have it on Steam along with the other two games). Yes, really. As for why, I simply didn’t make…
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vivigyu · 28 days
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Violent media programmes include formats such as television, film and games.Their content presents a variety of violent scenes, including fights, gun battles, and high-altitude chases.The content is usually visual and exciting.It is easy to cause emotional fluctuations in the audience.Teenagers are more likely to be attracted by such exciting images and lead to imitation.
Violence is an appropriate and common tool for addressing anger across environments and stimuli. It is important to understand how different types of media influence the behavior of young people.
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bluedietcoke · 1 year
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book quotes that i will never recover from
"he is half of my soul, as the poets say. " - song of achilles
"write me a letter telling me how to live the rest of my life without you." - how to make friends with the dark
"they were my birthday presents." - shatter me
"she had realized that she had forgotten the precise blue of his eyes and the depth of his laugh." - clockwork princess
"my name is sam cortland... and i will not be afraid." - assassin's blade
"you chose me four years ago. would you choose me still?" - these violent delights
"we were all supposed to make it." - crooked kingdom
"i remember everything." - the invisible life of addie larue
"come home and shout at me. come home and fight with me. come home and break my heart, if you must. just come home." - cruel prince
"i wasted all those yesterdays and am completely out of tomorrows." - they both die at the end
"you hated the idea of me." - the final gambit
"bob says hello." - house of hades
"abuse can feel like love. starving people will eat anything." - nightfall
"i missed you only with an ocean between us. but if death was separating us... i would find you." - queen of shadows
"i loved him. i love him. as best i could." - we were liars
"i'm the villain, even in my own story. but you were supposed to play a different role." - finale
"i will find you again in the next world—the next life. and we will have that time. i promise." - a court of wings and ruin
"i spent half of my time loving her and the other half hiding how much i loved her." - the seven husbands of evelyn hugo
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FNAF puppet and Michael Afton got beef,,
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brimay · 4 months
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I'm thinking about how Katniss describes the rock that Thresh uses to kill Clove. She compares its size to "a small loaf of bread." This is what I mean when I say I could talk about the bread symbolism for hours. It's actually insane that Thresh is saving her life here, but in Katniss' mind, it echoes Peeta. The first person who saved her. Peeta will always be the epitome of safety to her. God, it's just so—
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littlerosette · 3 months
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obsessed, quite frankly, with how katniss resents love, resents how deeply she loves. she was completely traumatized by her mom’s emotional withdrawal after the death of her father, and made the decision pretty much thereafter to never love someone else that way. and the fact that she goes through the trilogy absolutely refusing to call what she feels for peeta love, even when it absolutely, 1000% is, because she refuses to acknowledge that vulnerability within herself… oh it’s so good. it’s so good. the fact that recognizing love within herself is equivalent to shoving a knife in her eye is so good. i love this character
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kamaluhkhan · 5 months
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you are so gorgeous (it makes me so mad)
pairing: young!coryo snow x fem!reader
summary: clemensia dovecote has a theory that you and snow are destined for an enemies to lovers arc. you're sure it's completely, absolutely not true...right?
warnings: 18 + smut; biting + mention of blood ; both reader and snow are not the best ppl and have some very classist/elitist opinions
a/n: finally!! i wrote one of the ideas that has been haunting me ever since i've been back in my hunger games obsession + watched tbosbas...needless to say this will likely be a series inspired by taylor swift's reputation album. also i am so sorry this is unedited bc ofc it's 3am when i had the motivation to write this but i hope y'all enjoy ♡
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i've had enemies so intense it felt like love, so mutual it felt romantic (chelsea hodson)
"what in the name of all the gods is he doing here?"
you're practically seething when coriolanus snow walks into your foyer. he's wearing an ensemble made with crisp white silk and intricately embroidered with gold thread - elegant, eventhough its silhouette would have been fashionable last year. a single white rose sits in the pocket of his jacket. he surveys the crowd, like he's calculating who's most worthy of his attention, platnium blond hair perfectly curled and practically glowing under the light of the chandelier. he looks beautiful, almost angelic.
you absolutely hate it.
"oh, i invited him," clemensia dovecote informs non-chalantly.
coriolanus makes eye contact with you from across the room, and you turn your head sharply to your best friend.
"why would you think it was okay to invite him?"
clemensia smiles mischeviously, grabbing two champagne flutes from a passing silver tray. she hands one to you.
"i know the two of you have your petty squabbles — "
"they are not petty, nor are they squabbles," you grumble, taking a sip of your drink.
your contempt towards coriolanus was perfectly reasonable and absolutely mutual. he had some ridiculous notion that snow had to land on top, that it was his right to be there instead of yours. your relationship, if you could call it that, was limited to nothing more than snide remarks, sarcastic comments, and scornful stares. you both hyperaware of the importance of keeping up appearances, but the older you got - the closer to life outside of the academy and the higher the stakes - the more any sense of civility between you two faded. just earlier this week, you'd gotten into such a heated debate about the best way to increase viewership for the upcoming 10th annual hunger games, that your professor excused you both from the class early due to the disruption. it seemed that no one knew how to make you burn with anger quite like coriolanus snow.
clemensia rolls her eyes. "whatever you want to call it, i actually think the two of you would get along if you really tried."
one of the things you admired - and, frankly, loathed - about clemensia was her determination to always prove herself right. she had this theory - one you would call ludicrous - that the tension between you and coriolanus had nothing to do with academics or status and everything to do with wanting to rip each other's clothes off.
your eyes catch coriolanus' icy blue ones again and you down the rest of your drink. obviously, clemensia was wrong about this. so, very wrong.
"well," you huff, setting your empty glass down on another silver tray that passes by. you brush invisible dust off your dress - a deep red lace, short and form fitting with exaggerated long sleeves - and add: "you'll be lucky if i invite you to my next party."
clemensia might have had the sense to apologize then, but you walked away before she had a chance.
you allow yourself to weave through the crowd, greeting every guest with an equal facade of enthusiasm and grace. you smile as brightly at one person as you do the next, showing off your newly bleached teeth and making sure that everyone feels special. silver trays of food and drinks appear and reappear throughout the crowd, being carried by nameless waiters. there's a table overflowing with gifts concealed by crisply folded wrapping paper - you expect at least half of them will be worthless.
you put up a good front, but soon enough your lipstick needs reapplying and your hair readjusting, so you briefly excuse yourself lest anyone notice a crack in your perfectly constructed image. the door to your room is slightly ajar, and you open it to reveal none other than the person you'd deliberately, but not so successfully, tried to ignore all night, his white silk shirt stained a dark crimson that happened to match your dress.
coriolanus was furious when he found out you'd invited the entire graduating class, except him, to your birthday party. you'd even invited sejanus. it wasn't that he particularly wanted to celebrate you, of all people. you were the most brilliant, biting, enfuriating person he knew, but to be excluded in such a way was insulting. when clemensia extended him the invite, he jumped at the chance to prove to everyone, to you, that he belonged here. tigris curated his outfit, and it would have been perfect had arachne crane, vapid creature she was and ever the lightweight, spilled an entire glass of red wine on him. he hurried away before anyone could see him in such a humiliating state. coriolanus is in the middle of calculating his options when you walk into what he now realizes is your bedroom.
you don't say a word at first. you haven't said one to him all night. instead, you close the door behind you and your eyes graze his figure.
"you show up to my party, late no less, and now you're parading around in what looks like a bloodstained shirt that is far too outmoded to be appropriate attire for this occasion," you remark, displaying that signature fierceness. "are you trying to ruin my birthday, snow?"
"don't blame me," coriolanus scoffs. his shoulders tense and he makes a point to stand up a bit straighter. "blame arachne for not being able to hold her alcohol while she's complaining about the food."
"oh?" you raise an eyebrow. "what did she say?"
"something about people in the districts having better options."
"vapid bitch," you mutter under your breath. you walk over to your closet, disappearing for a few seconds before bringing out a fresh shirt. you extend it to him, but he doesn't take it.
"i can't very well have a good time when one of my guests looks like he just got killed in the hunger games," you huff. "so either you put this on or your leave my party. now."
coriolanus holds your gaze, his jaw clenched, before giving in and taking the shirt from you. he goes to undo the buttons of his shirt, but stops when he notices that your eyes never leave him.
"some privacy would be nice," he says sharply.
you roll your eyes, muttering something about it being your house and your room, before sitting across the room at your vanity. as he undresses and throws his soiled shirt on the floor, coriolanus watches you closely. you meticulously apply lipstick, the shade of red almost as dark as your black nails.
you were attractive, there was no denying that, but ultimately dangerous. because you weren't carelessly cruel like arachne, nor did you wear your heart on your sleeve like sejanus. you didn't use your family's status as an excuse to avoid hard work like felix, nor were you a spineless know-it-all like clemensia. no, you were different from the rest. you had a fiery ambition and a sharp tongue, a wicked streak with just enough charisma to lure people in. sometimes when he thinks of you, coriolanus recalls stories his grandma'am once told him and tigress, about sea monsters who would tempt sailors with their bewitching voices and enchanting beauty, enticing them to risk everything - to jump into the ocean and never be relevant as anything more than a midnight snack. you were a constant, suffocating reminder of how quickly he could lose everything if he lost control, if he gave in.
coriolanus watches you set down the tube of lipstick before picking up a compact. you lightly brush the shimmery powder inside over your face to accentuate some of your gorgeous features.
the desire that burns throughout his body now has to be a side effect of the few glasses of liquor he managed to drink, allowing himself the appearance of having a good time alongside everyone else without losing control.
your eyes leave your reflection momentarily, and you finally catch coriolanus staring at you. you wink at him from across the room just as he's finished with the last button. the way you look at him makes the collar of his shirt feel tighter.
he can not give in....but what's the harm in admitting, just for one night, that he would let you drown him? devour him? beg on his knees to give you pleasure, and then thank you after the fact?
coriolanus clears his throat. "this feels wrong. i should be the one gifting you with a new shirt. it's your birthday, after all."
you let out a breathy laugh, setting down your makeup. you walk over to him, until there are only a few inches between you despite the vastness of your bedroom.
even you had to concede that coriolanus snow had such a gorgeous face for such a vicious person. you're infuriated by how elegant he looks now, in your shirt. your hands busy themselves in smoothing down his already perfect collar and you take note of the intensity of his heartbeat. you notice the way his jaw remains clenched, his posture stiff, his skin flushed. you realize that he must be trying so hard right now to retain his composure around you and you feel something that can only be described as triumph.
you smile at him, sickly sweet, and remove your hands from his body. "the best birthday present i could get is winning the plinth prize over you, snow. we both know you're not good enough, let alone better than me."
he hesitates slightly before responding.
"sorry, valerius. that's the one thing i can't give you. is there anything else you'd want from me?" he whispers, words dripping like honey.
"that depends, is there anything you want from me?"
he hums, moving his hand to cup your cheek. he begins to trace your lips with his thumb, ruining the look you had so meticulously crafted.
if only you knew.
"you're the birthday girl, sweetheart," he chides. "i'm supposed to be the one giving the gift. you do know how birthdays work, don't you?"
he's mocking you, you know that. he's trying to make you feel weak and small. you had the power a second ago, his heartbeat in the palm of your hand, and normally you wouldn't stand for him turning the tables. you'd push him away, storm out the door. but right now all you want is to tug on his perfect blond curls, to bite the smirk off his lips. maybe it's the way he's so close and can't seem to take his eyes off your lips or the calculated amount of wine you drank that's made your head a bit foggy, made you put your guard down. made you start to entertain the idea that maybe possibly clemensia's theory had some truth to it.
"why don't you surprise me?" you suggest.
coriolanus surges forward and kisses you with such ferocity, he might as well be a man starving. teeth on teeth on tongue. you instantly tangle your hands into his hair, pull on some curls just to see what he'd do. he retaliates by biting down on your bottom lip, hard enough that you taste the metallic tang of blood mixed with the remnants of honeyed wine on his lips. you whimper and pull away slightly. he holds your face firmly between his two hands, so you cannot go too far.
"sorry." but he smirks, and you know he doesn't really mean it.
eventually, you've both stumbled onto the bed half-naked. coriolanus positions himself above you, effectively caging you in with his arms and legs. you take note of his lean thighs, his bare torso with skin taut around his bones. you're almost taken aback by how frail he looks - like a malnourished teenager from one of the districts. you reach out to trace the outline of his ribs, your nails scraping against his skin, and he shudders. your hand moves lower, teasing the waistband of his underwear. he stops you before it slips underneath the material.
instead, coriolanus begins to indulge in his deepest fantasy. he kisses and sucks and bites down your body, his tongue trailing down your chest, over your breasts and around your nipples, across your stomach. he laps up your soft whines, the curses that tumble from your lips for him to do something more. you sink further into the silk sheets when he arrives between your thighs. you raise your hips, desperate to find any sort of relief, and you feel his nails dig into your hips.
"patience," he teases, his breath fanning over where you needed him most. "so needy." you could practically feel coriolanus roll his eyes.
"i swear to god snow, if you don't do something soon. i-i'll go find someone else to fuck me. felix, or maybe sejanus --"
you yelp when his teeth sink into your inner thigh. he looks up at you, eyes the darkest blue you've ever seen them.
"don't," coriolanus warns, and he gets back to work, lips actually arriving at where you needed them most.
after you've reached your high, he comes back up to kiss you, allowing you to taste yourself. when he pulls away, you take note of how his lips and nose shine with remnants of you. the way he looks at you while he licks his lips shows you that he wants more. you move your hand down, and you're deeply satisfied when you feel him half hard, already sticky with his release.
"oh." you smirk. "you already finished."
his eyes widen, skin flushing pink. you could feel his heartbeat grow faster above you. you could imagine he was debating the best way to restore his dominance from before. yet, here he was, nothing but a horny teenage boy who came untouched as he was eating out his worst enemy. you find it in you to not call him pathetic, but instead decide, in your post-orgasm haze, you find it endearing.
"i-i didn't mean to, but --"
"i'm just that sexy when i cum," you suggest, running your hands through his curls to calm him down. "how about we try again, pretty boy?"
soon enough, he's sitting up with his back against your headboard and your legs wrapped around his waist, his length fully nestled into your warm cunt. coriolanus' blunt nails graze your hips, moving lower to your ass to guide you with each thrust. you love seeing him underneath you, seeming completely mesmerized by how your breasts bounce up and down in front of him. he leans forward to wrap his lips around your nipple, but you beat him to it. you bend forward and suck bruises onto his skin, everywhere and anywhere: underneath his chin, across his collarbone, where his neck meets his shoulder.
his moans are so loud, and you're sure he's not going to last much longer. you're also worried that some of the other party guests might catch you, so you pull his head away from your shoulder and crash your lips back onto to his. you swallow his moans as best you can, tongues fight for dominance, but he lets out a deep groan, and lets you win. you bite down on his bottom lip just as you reach your climax, causing him to let out a deep groan once more.
you gasp when he suddenly flips you over, pulls out of you and stokes himself a few times before painting your body with his release. coriolanus all but collapses on the bed beside you. you're both breathing heavily for a few moments, on your backs looking up at the ceiling, before he turns on his side towards you. coriolanus trails hs fingers down to your abdomen, sticky with his cum.
"i told you: snow lands on top."
"was that a joke, coryo?" you guffaw, genuinely surprised at the mischievous but playful glint in his eye. a bit surprised at yourself, too, for using his nickname that you'd so carefully avoided. you had to remind yourself that he was still the same coriolanus snow you'd grown to hate.
the boy tangled in the sheets beside you, his messy curls translucent under the light of your chandelier, his skin glowing with sweat and decorated with lipstick and rose-petal bruises. the boy who now smiles at you with dazzling blue eyes, leans closer and whispers:
"don't get used to it. it's a special occasion." coriolanus kisses you sweetly, and you shiver before he adds: "happy birthday."
this boy in bed with you now is the same manipulative, power hungry snake who would stab you in the back if need be. and, the truth of the matter is: you aren't much different, either.
you get up to grab his wine-stained shirt, use it to wipe off his release and toss it back down to the floor.
his eyes follow you the entire time, even as you come back to straddle him again. almost instantly, you feel him harden underneath you. you hold his head in your hands, kiss him deeply, tease his bottom lip between your teeth as you pull away.
"snow lands on top, huh? not for long, if i can help it."
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skyreadbooks · 1 year
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The feminine urge to live in my favorite books is insane.
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jakeperalta · 4 months
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THE HUNGER GAMES APPRECATION WEEK → day 7: free choice
The Tributes maintaining their compassion and humanity (or, being more than just a piece in the Capitol's games)
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keikoyume · 2 months
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The Elsen who loved cows
Moo Moo!
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transrevolutions · 5 months
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While overall I felt like the tbosas movie was well done, there's one part that really bothered me. When Sejanus gets involved with the rebels in the book, he's fully on board, stealing them ammo and weapons from the base, and planning to hold guards at gunpoint to free the prisoners. In the movie, however, he just wants to run away and then is surprised and upset by the fact that the rebels were planning an act of violence.
This doesn't seem like a major change, but from a political standpoint (as tbosas is a very political book), it's a big one and one I very much do not like.
In the text, Sejanus plays the role of the moral compass. Whereas both Coriolanus and Lucy Gray having complex and subjective motivations, Sejanus is always driven by wanting to do the right thing, even if it costs him. He acts as a baseline, keeping the readers from getting lost in endless loops of justification for atrocities just because Coriolanus's internal narration is rhetorically persuasive.
So when Sejanus (who up until this point has been relatively pacifist) joins up with the rebels in the book and agrees to participate in an act of revolutionary violence, the text is pointing out that that act of rebellion is morally permissible. That even violence against the oppressor class can be an altruistic action. Sejanus planning to fight the guards with the rebels is not a sign of his corruption, it's a sign of the fact that his society has become so corrupt that not doing it would be morally worse than doing it. After all, someone's going to die either way, so why not have it be the oppressors?
If movie!Sejanus is still occupying the role of the moral compass (which he seems to be), then his dismay at the possibility of the rebels using violence acts as a narrative condemnation of the violence, when the opposite is true in the book. The movie tries to make a distinction between the "good" dissenters (pacifist, nonviolent, morally superior) and the "bad" dissenters (violent radicals/terrorists). In the current political climate, this idea and narrative is extremely unsettling. And I'm disappointed they did this, but not surprised. Like the other Hunger Games movies, it was produced by a large media company, and they can't follow the satire of the book too closely lest people realize the fundamental irony of it. People in positions of power do not want to tell a story where violent activism is portrayed as moral--at least when it's against a society that obviously mirrors our own. (The brutalist architecture style is another complaint that I have, but that can be discussed in another post.)
Changing that seemingly small detail about Sejanus's involvement with the rebels doesn't do much to change the continuity of the storyline, but it does a lot to change the underlying message of his character and the story. This was almost certainly intentional, because the same sort of thing was done in the original trilogy movies as well. Companies are scared of subversive media because it makes them look like the 'bad guys' too, so they wrap rebellion in a lens of fantasy and moderatism.
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rdr2gifs · 3 months
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I like how rdr2 can unintentionally be a game that’s catered towards women even if it wasn’t meant to be.
You get to look at a hot cowboy for hundreds of hours. You dress him, feed him, bathe him, you can craft cute hat decorations for him. Oh and he also has a pet horse he loves which you take care of. As a character Arthur is very emotionally aware and he’s open to talk about his feelings. He judges people by their actions not prejudices. He doesn’t disrespect people for their problems/interests/background even if he might not understand them. He respects women, animals, nature.. He is gentle with horses, kids, flowers 🌷
He’s an artist, keeps a journal and he can also write in a poetic way. These may not inherently be female qualities but nowadays are usually associated with women. Arthur also has qualities, which are generally attractive to women. He’s a protector, he’s strong, has a deep voice..
I find it funny that someone would think that this game is something that couldn’t truly be enjoyed by women.
It is my perfect escape ✧˖°.
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kthulhu42 · 4 months
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I'm back to shaming it all.
The push to not kink shame was a psyop to try to convince us that simulated rape/pedophilia/beastiality/abuse/ etc. is somehow not as bad as really doing those things but every time you have an orgasm to some simulated version of real life depravity you're rewiring your brain to think the real life depravity is sexually arousing too.
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