you wanted zoro to be on whole cake island to fulfil your weird desire to see zoro punish sanji. I wanted zoro on whole cake island because I think he's stupid enough to right place wrong time the plan and accidentally marry Sanji in full view of the whole wedding party in what becomes the most elaborately constructed comedy of errors ever written. we are NOT the same.

I love you albums. I love you songs connected by similar themes. I love you listening to songs in a specific order picked by the artist. I love you reoccurring motifs throughout the same album. I love you album covers. I love you albums with extended editions. I love you songs that reference each other.

i feel like social media has warped people’s perception of conflict in relationships by making you think that any minor fuck up is the end of the world and everyone is secretly a narcissist manipulator with sinister motives, because actually in real life you just say “i’m sorry, that was a bad thing, i shouldn’t have done that” and the other person says “thank you for apologising” and then that’s the end of it

When you find out years later that you accidentally named one of your henchmen

Image ID: A multi-panel comic featuring au sanses. Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?" Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans." Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others." Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?" Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short," Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text. Panel 7: Killer is grasping Nightmare's hand, having accepted his offer. Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again. Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again. Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this. Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask" Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up" End ID.

more phoenix wright situations

Another thing i absolutely adore about good omens is how high the stakes are. How much danger the arrangement puts them into, how risky it is, for Crowley to be in possession of holy water. How he could be destroyed, just for having entertained the thought of helping an angel. And still. It all seems to be secondary to them, bc the only thing which matters is each other and the way they keep on “accidentally” running into each other.

The arrangements could get them banished, shunned or destroyed? It’s no matter, as long as they can keep meeting in odd places to discuss who will take on the next mission.

Crowley runs the risk of being seen as a traitor? It’s such a small thing, in comparison to how the angel’s eyes shine at the mere mention of crepes.

Crowley asks for holy water, for the power to destroy what Aziraphale holds most dearly? Out of the question, except. Except that it pulls them appart, it makes them say dark, dishonest things. So Aziraphale complies, bc he can’t bear not to. He can’t stand the though of Crowley doing this without him. So he gives in.

It’s all a matter of life and death. Complete and utter annihilation. God’s wrath and the end of all things. And still. All they care about, all which seems to matter, is the way they care for each other. What a wonderful love story you wrote, mr pratchett and mr gaiman.

kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings

why was windblume day 2 a wilder rollercoaster than the actual archon quest

Sooo insane about Dean and Cas realising they get to have without fear of losing

qsmp francophone cubitos and their dynamic drive me wild, they all know they’re mutually lying and obscuring the truth to one another, they all know they’re keeping each other at arm’s distance, they all know they’re not as open as they once were when it was just them and the aftermath of a plane crash, but the love is still there. the worry and the concern. they pry information out of one another in supposedly subtle ways that really just convey how much they still care about each other. what’s your stance on the federation. how’s your code arm doing. even if in the end you don’t turn to me, please call out to someone. maybe looking out for yourself is looking out for others as well. i don’t know you anymore but i will protect the unknown anyway

we all love the ‘rex calls ahsoka vod’ika, ahsoka calls rex ori’vod’ headcanon and yes, of course, but consider: ‘rex and ahsoka both insist on calling the other vod’ika’ due to a long-standing argument about which one of them is technically older

Tbh, nothing has made me sympathize more with Kipperlilly Copperkettle than her anger issues.

Cause anger is an emotion we feel when we're missing something. When we need something and can't get it. It's a balm to make us feel better when things don't go our way.

When things aren't fair.

Im so sad why did they try to make us want house and stacy getting back together when stacy and cuddy were right there. Like i want neither of them to get with house hes too annoying but they deserved lesbian sex as a treat !!! And then would have seen they were made for each other and they annoy each other just enough !!! Look what they took from us

got my first job interview in like 10+ years tomorrow, frantically cramming and writing down questions to ask etc wish me luckkkkk

girlhood