Horror movie fans are so funny because you'll bring up the biggest actor who's in 10,000 iconic roles, and they'll go, "Oh, the guy from Blood Burger 4: Keep Flipping." and that's the only thing on their filmography that they've seen.

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

Something I really appreciate about TOA that I don’t see get talked about much is that I never get the sense that Apollo finds Lester ugly.

For all that he complains about the body he’s stuck in, I never got the feeling that it came from a distaste for Lester himself. When he sees Lester’s traits reflected in others, like Meg being chunky, he is completely unaffected by it. Finds it charming, even. (In fact, the only times I can remember him having Opinions about how someone looks is when they’ve chosen something about their appearance that he either approves or disapproves of, like a tacky jacket/hair cut or when he finds someone attractive. The only time I can remember him calling anybody ugly was when he pointed out that Dionysus was choosing to look as ugly as possible to piss of Zeus, which is a statement of fact and doesn’t necessarily mean he thinks that Dionysus’ form is actually ugly. He makes no mention of finding it so before or after that line. It’s a statement of fact that Dionysus is choosing a form that either he or Zeus finds ugly to piss of their dad.)

The thing about Lester is that he is so devastatingly mortal. He has flab and acne and no upper body strength and his voice squeaks when he’s nervous and he sweats a lot and he has a silly name and messy, curly hair that’s impossible to tame. He is the Most Teenager To Ever. There is no godly blood running through his veins, no powers he can call upon. If Apollo were to run into him in the street, I don’t think he’d pay him much mind. He’d probably just think, “sweet kid”, and move on. If he got to know him, I think Apollo would adore him because that’s just who rrverse!Apollo is. He loves mortals despite himself, flaws and all. He’d argue against anything bad Lester had to say about his own appearance and mean every word.

The problem is that it’s Apollo in this body. Apollo, The Golden Child, the perfect son, a God. His distaste for this body is because Lester is so devastatingly mortal and imperfect. Apollo has to be perfect, he has to be shiny and pretty and strong because he has nothing else to offer otherwise.

And.. I dunno, there’s something about Apollo hating the things that draw him to others when it’s him. The flaws that he tears apart in himself he finds endlessly charming on others, or he thinks that they have better reasons for why they have them, or he thinks they have enough positive traits to counteract them. The positive things that he hides deep enough that even the reader can’t see right away, like his kindness and genuine desire to understand and connect with everyone around him, that he’s shocked to find directed at him in turn.

That Apollo accepting himself and reclaiming his personhood leads to him being comfortable with being Lester, imperfect and mortal as he is. That he takes that imperfection back with him to Olympus… I dunno man I’m Emotional. Also it’s just plain nice that Lester is never treated as ugly for looking like a normal ass teenager, even by the guy stuck in this body. That’s neat.

Or maybe I’m just rambling and this means nothing at all and I’m reading too far into Blorbo from my books.

I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.

Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.

And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.

Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.

They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.

When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.

Alfred owns the apartment next to them and comes over regularly. Danny clings to him.

When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.

"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.

"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.

Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.

Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.

Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.

When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.

Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.

because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far

when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)

danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.

and god help him, he's going to help people.

world's most annoying man is not allowed outside due to his inability to shut up

percy jackson and the olympians appreciation week day 1: favourite character → annabeth chase | in/sp

so im sure everyones fully well aware of the magic 8 ball site fob is using to promote a contest to win some tickets to see them in nashville. the little 8ball widget theyve got in browser is also modeled on the physical 8ball that they had in the vip merch packages for tourdust's first leg, which is cool! but of particular note is the way that, to fill out the contest form, you have to pick your favorite fall out boy songs. and the sheer breadth of what is allowed is...interesting? it's not cohesive by any means, but it is really wild the selection of songs they have here because not all of them are fob songs. in fact, quite a few of them aren't.

i went directly to the source code and got a full list of all possible songs that you could input (which you can check for yourself by right-clicking and selecting "view source"). i'm going to list them here for archival purposes, with a few notes/explanations cause some of these are WILD.

there are 187 songs total listed.

bolded songs indicate songs that are demos or never received an official release

italicized songs are songs by other bands

underlined songs indicate songs that are covers

songs with an asterisk beside them (*) indicate they are from patrick's solo catalogue. two asterisks (**) are for pete's.

additional commentary by me will be [in brackets]

20 Dollar Nose Bleed 27 7 Minutes in Heaven (Atavan Halen) 7-9 Legendary A Little Less Sixteen Candles, a Little More "Touch Me" A Nice Myth [one of the earliest fall out boy demos, found on their first ep, and only the casette version at that] Allie* Alone Together Alpha Dog America's Suitehearts American Beauty/American Psycho (song) American Made Art of Keeping Up Disappearances As Long as I Know I'm Getting Paid* Austin, We Have a Problem Baby Annihilation Bad Side of 25* Bang the Doldrums Beat It Big Hype* Bishops Knife Trick Bob Dylan Bounce [this is a song that came out on then-Decaydance labelmates The Cab's debut record, Whisper War, which patrick produced. he has writing credit and also is credited with background vocals (and also shows up in the music video)] Caffeine Cold Calm Before the Storm Centuries Champagne for My Real Friends, Real Pain for My Sham Friends Champion Check Your Phone** Chicago is So Two Years Ago Church City in a Garden Coast (It's Gonna Get Better)* Coffee's for Closers Cryptozoology* Cute Girls* Cyanide** [this is a nothing,nowhere song that pete did some spoken word parts and backing vocals on] Dance Miserable* Dance, Dance Dead on Arrival Dear Future Self (Hands Up) Death Valley Deep Blue Love* [song patrick did for the indie short film "spell"] Demigods Disloyal Order of Water Buffaloes Don't You Know Who I Think I Am? Electric Touch [the (in?)famous taylor swift song patrick featured on] Eternal Summer Everybody Wants Somebody* Explode* Fake Out Fame Less than Infamy Favorite Record Fellowship of the Nerd [this is an alternate title for world's not waiting, as far as i can tell] Flu Game Flu Game [yes flu game is listed twice for some reason] Footprints in the Snow [demo from the Llamania ep] Fourth of July From Now on We Are Enemies G.I.N.A.S.F.S. Get Busy Living or Get Busy Dying (Do Your Part to Save the Scene and Stop Going to Shows) Ghostbusters (I'm Not Afraid) Golden Grand Theft Autumn/Where Is Your Boy Greed* Grenade Jumper Grow Up and Be Kids [this song is on The Cab's sophomore album Symphony Soldier, which release after they left decaydance. nonetheless, pete does have some writing credits on it. give it a listen and you'll hear for yourself in the first 10 seconds or so] Growing Up Hand Crushed by a Mallet [this is a remix of the 100gecs song of the same name; patrick did some vocals for it] Hand of God Have I Got a Gift for You* [song patrick did for the horror movie black friday] Headfirst Slide into Cooperstown on a Bad Bet Heartbreak Feels So Good Heaven's Gate Heaven, Iowa Hold Me Like a Grudge Hold Me Tight or Don't Homesick at Space Camp Honorable Mention Hot to the Touch, Cold on the Inside Hum Hallelujah I Am My Own Muse I Don't Care

I Got Nothing, But You Got Something [this is the one that really perplexes me. there's no evidence of this song actually existing, other than an unverified genius post and an article on a single fandom wiki. it is inexplicably listed here despite its very existence being questionable at best.]

I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me I Wanna Dance with Somebody (Who Loves Me) I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You) I've Been Waiting [this is technically a lil peep song with fall out boy as a feature] I've Got a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth (Summer Song) I've Got All This Ringing in My Ears and None on My Fingers Immortals Irresistible It's Hard to Say 'I Do', When I Don't It's Not a Side Effect of the Cocaine, I Am Thinking It Must Be Love Jet Pack Blues Just One Yesterday Lake Effect Kid (song) Lake Shore Drive [this is a song patrick covered on the piano at wrigley, first night of tourdust] Love from the Other Side Love Will Tear Us Apart Love, Selfish Love* Love, Sex, Death Lullabye Mad at Nothing* Miss Missing You Moving Pictures My Heart Is the Worst Kind of Weapon My Songs Know What You Did in the Dark (Light Em Up) New Dreams [this is a bonus track on pax am days, a naked rayguns cover] Nobody Puts Baby in the Corner Novocaine Of All the Gin Joints in All the World One of Those Nights [another song from the cab's whisper war. this one has patrick doing vocals very prominently] Open Happiness [this was a huge collaborative piece done for a coca cola commercial. patrick was on it along with big names like cee lo green, janelle monae, and labelmates travie mccoy and brendon urie] Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued Parker Lewis Can't Lose (But I'm Gonna Give It My Best Shot) Past Life [llamania ep] Pavlove People Never Done a Good Thing* Porcelain* Pretty in Punk Rat a Tat Reinventing the Wheel to Run Myself Over Roxanne Run Dry (X Heart X Fingers)* San Diego [this is a blink-182 song that patrick did some writing for] Saturday Saturday Night Again* Save Rock and Roll (song) Sending Postcards from a Plane Crash (Wish You Were Here) She's My Winona Short, Fast, and Loud Snitches and Talkers Get Stitches and Walkers So Good Right Now So Much (For) Stardust (song) So Sick [this is a song patrick has exclusively covered live, so it's a fascinating inclusion] Sober [another blink-182 song patrick did some writing for] Sophomore Slump or Comeback of the Year Star 67 Stay Frosty Royal Milk Tea Sugar, We're Goin Down Summer Days (song) [this is a martin garrix song patrick lent some vocals to] Sunshine Riptide Super Fade Switchblades and Infidelity Tell That Mick He Just Made My List of Things to Do Today The "I" In Lie* The (After) Life of the Party The (Shipped) Gold Standard The Carpal Tunnel of Love The Kids Aren't Alright The Kintsugi Kid (Ten Years) The Last of the Real Ones The Mighty Fall The Music or the Misery The Patron Saint of Liars and Fakes The Phoenix The Pink Seashell The Pros and Cons of Breathing The Take Over, the Breaks Over The World's Not Waiting (For Five Tired Boys in a Broken Down Van) This Ain't a Scene, It's an Arms Race This City* Thnks fr th Mmrs (song) [for some reason the site specifies song here, despite that not being necessary. the only other times this distinction is relevant is when songs share a title with their albums, i.e. save rock and roll] Thriller Tiffany Blews Twin Skeleton's (Hotel in NYC) Uma Thurman Untitled 1 (Colorado Song) Untitled 2 (Jakus Song) [both of these are recently released tttyg era demos] W.A.M.S. We Didn't Start the Fire We Don’t Take Hits, We Write Them [this is a song that famously was only ever performed live. we don't have a studio recording or even a demo, as only live versions exist] We Were Doomed from the Start (The King is Dead) West Coast Smoker What a Catch, Donnie What a Time To Be Alive What's This? When I Made You Cry* Where Did the Party Go Wilson (Expensive Mistakes) Wrong Side of Paradise [llamania ep] XO You're Crashing, But You're No Wave Young and Menace Young Volcanoes Yule Shoot Your Eye Out

in conclusion i have no idea who compiled this list. it doesn't include every song patrick and pete have ever touched (notice the lack of gym class heroes, cobra starship, and hush sound discography) but it has a really weird selection of songs. i mean, blink songs patrick wrote on?? its bizarre.

anyway do you think if we mass request swing me by the rafters they'll have to do it

The original in the bottom

Plus the picture I mainly drew but decided to draw the rest for funny

Nancy Drew (2019-2023)

Thank you for 62 spooky, funny, wonderful episodes about love. ♥

(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild

omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?

I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!

youre not allowed to b a freak loser loner anymore or at least youre not allowed to mention it lol. even like five years ago you could talk about being awkward and socially weird around meeting new people but now if you do that eveeryones like "ok edgelord you are deliberately cutting yourself off from community why are you so obsessed with being alone. you all need to go outside and make real friends you are too online." which like yes obviously but why is eveyrone acting like the only two options are you either a) have a load of friends or b) you don't want them??? it is so weird. to be seen trying & failing has become so taboo that people assume if you're alone it's because you want to be and youre trying to be cool & aloof or else you see things like small talk or reaching out to people as "emotional labour" and choose not to do them. like i am not fucking choosing not to do them i literally try to do them every day and find it very hard and then you tell me i can't even joke about that struggle or being a lonely friendless loser to maybe for one second make light of the bottomless pit of disconnect + loneliness i experience every day without someone blaming me for not putting myself out there. idk

one orrrr

two?

*person compliments your fic*

humility: omg thanks! I wasn't really sure about this one, so I'm glad you think it turned out!

self-deprecation: it was so much better in my head. I only posted because I got tired of looking at it.

self-loathing: you don't have to be nice. I know it's trash. I should just delete it

confidence: as soon as I got the idea, I just *knew* I had to write it!

arrogance: right? I wish other people could write like this too but so many people in this fandom just don't understand the characters like I do

---

I keep trying to find ways to explain the thoughts that I have when I read the notes on my posts where people beat themselves up. I'm writing this in a convincing tone (I noticed when I was 1 paragraph away from finishing), but that's just how I communicate most of the time. Please add in whatever caveats you think are appropraite. This is just me trying to think my way through some things.

So many of you out there seem to think that the only way to be "honest" about your abilities is to criticize yourself harshly. Like being kind to yourself is somehow self-aggrandizing.

Humility and confidence are two ends of the same spectrum. In both cases, you're secure in your own abilities. You have faith in yourself and what you can do. Humility relates to your internal security and the way you treat yourself. Confidence relates to your external security and how to relate to others.

If you are humble or confident, you have a realistic understanding of what you can and can't do. What you're good at, what you're great at, and what you can't do very well at all. You can accept a compliment when it's earned and you can accept a critique when you're trying to improve. Neither change your self-perception very much one way or the other. You'll be more humble when you're just learning a new skill and you'll be more confident once you're on your way to mastering it.

Self-deprecation and self-loathing are signs that you don't have a realistic view of your own capabilities. You're insecure and comparing yourself to others and finding yourself lacking. This might be a learned behaviour, where every time you showed confidence you were told you were getting prideful. It might be a case of insulting yourself before others are able to insult you - taking the power back from a bully by bullying yourself first.

Arrogance is also unrealistic, but at the other end of the spectrum. With arrogance, you compare yourself to others and put yourself in first place. You think others are below you or can't compete with you, that you're better than they are and they could never be as good as you. There's an insecurity with arrogance too. A fear that if you aren't the best then you must be a loser. If you're not number 1 then you aren't worth anything.

I use the example of getting a compliment because it's so commonplace in creative spaces. If you're insecure, it can be hard -even painful!- to accept them but learning how to do so can be a really valuable step on the road to learning how to be better to yourself.

cringefail late valentine's day posting some rushed kiss studies bc I worked like 36 of the past 72 hours yippee

and I STILL can't draw kissimg this shit haaard how yall do it 😭😭

I'm pretty firmly of the opinion that understanding history is necessary to prevent the worst parts of it from repeating, so I spend a lot of my free time trying to learn about things like colonialism, slavery, genocide -- and it worries me to no end to see how much the majority of people don't seem to understand even about events everyone is familiar with. I used to be baffled that anyone could genuinely believe slavery was "just how things were back then", but it makes sense when you realize that most history lessons only deal with what the people in power decided to do; public outrage about a particular action only matters in the historical context if that outrage led to actual mass revolution. Even before we get to the layers of whitewashing and propaganda constantly applied to history, there's an innate bias toward treating major political movements as though they just appear and disappear entirely at random. Which leads me to wonder...

Do fellow gentiles realize that the Nazis weren't new?

What I mean is that most coverage I see of the Nazi ascension to power in Germany presents them as this new, fringe group that came to power out of nowhere through solely violent means. Sometimes there will be explicit mention of the fact that antisemitism was extremely prevalent throughout Germany (occasionally even the rest of Europe!) prior to Hitler's political campaign, but oftentimes it seems implicit that mass antisemitism in Germany began when the NSDAP first formed. Even when the prior existence of antisemitism is brought up, the Nazis are portrayed as a new, unique evil; they did things that no democratic society would ever dream of doing, things that could only be achieved by either completely hiding them from the public or by threatening anyone who spoke against them. "Nazi" is simultaneously an easy epithet for any excessively cruel or restrictive person and a label that is far too severe to seriously apply to anyone because the Nazis were so evil in a way that nobody else was that nobody is truly deserving of comparison.

The thing is, though, that the policies put into place by the Nazi government in order to enable their genocidal end goal weren't original. Even setting aside the fact that they're often viewed as the inventors of genocide despite Hitler openly admitting that he got the idea from the treatment of Indigenous peoples by the U.S.A. (highly recommend watching this BadEmpanada video to learn about that), very few of the Nazis' beliefs or actions were original to the Nazis. The conspiratorial, racially-puristic ideas that the Nazis touted were derived from contemporary conservative thinkers all across the West, and many of the antisemitic legal policies they implemented as part of their Final Solution were practices that had been standard throughout Europe for centuries prior.

The infamous yellow-star badges used to identify Jewish citizens? Those were first devised and enforced the region (by both Christian and Muslim rulers) at least as early as the 800s; it was 1215 when Pope Innocent III declared that all Jewish and Muslim people living in Catholic lands should be required to wear identifying clothing with the explicit goal of segregating them from Christians. The Nazi ghettos to which Jewish citizens were forcibly relocated were inspired by ghettos which had existed to segregate and isolate Jewish populations for centuries; the only real difference is that these new ghettos were just preludes to concentration camps rather than being meant for long-term habitation. Just about every part of Western society had some form of restriction (mandated or voluntary) banning Jewish people from occupying certain jobs or limiting their presence in universities going back centuries before the Nazis existed. There were more than 350 years where Jewish people were not legally permitted to live in England.

The reason I bring all of this up is because, even among people who are conscious of Europe's widespread antisemitism prior to the rise of Nazism, there's a strong notion that the Nazis were so detestable because they came out of nowhere; that they completely defied the norms of the day and took their antisemitism to a level that even the deeply antisemitic societies of past Europe never would have.

In reality, the Nazis weren't much of an escalation -- they were a return. Legal segregation, expulsion, and even slaughter of Jewish people really only began to end when the Enlightenment came and public sentiment in the West began to favor secular government. The first country to abolish legal restrictions on Jewish people was Revolutionary France in the 1790s. Russia maintained its restrictions on Jewish citizens' rights up until it also saw revolution in 1917. The idea that Jewish people were responsible for all of society's ills and needed to be subjugated and exterminated was not a new idea that took hold of Germany due to its economic suffering after World War 1; it was a very old, very popular idea that most of Europe had only just begun to abandon and which was brought back in full force the moment it became politically convenient.

Consider how this compares to present-day politics. Jewish Germans were only granted equal rights in 1871 -- Adolf Hitler's father and mother were 34 and 11 years old, respectively -- and when the Nazi Party formed only 49 years later, the majority of adult Germans would have grown up in or been raised by parents who grew up in a world before religious desegregation. The Nazi Party's promise to the German public was not to introduce a newly bigoted society, but to bring back the bigotry they had grown up with and ensure that it would never leave again; they succeeded by using Germany's post-war suffering to "prove" their society was declining and blaming that decline on a recent major societal change, thereby convincing Christian Germans who were still deeply antisemitic that you see? we let the Jews have rights and not even fifty years later everything is awful. Many Germans did not need to be lied to or forced into supporting the Nazis because, to them, the Nazis were just fighting to revive the "Good Old Days" of their youths.

As a political party, the Nazis were functionally identical to all of the modern-day pundits eagerly proclaiming that racial equality and LGBT equality and religious diversity and welfare policies are destroying the country. Any period of significant economic downturn, any large cultural shift, any major catastrophe no matter the cause is automatically the decline of Western Society to them -- and the blame for that decline is always placed on the most relevant pro-equality social movements. What makes the Nazis unique is not their goals or the beliefs that fueled them; what makes the Nazis unique is that they're the latest and largest example of a group like them gaining power and then rapidly losing that power, which makes them simultaneously martyr idols for subsequent fascists and sacrificial vessels through which liberals can pretend the world's evils were expunged.

Any major shift in favor of granting rights to the oppressed inevitably stirs up a proportional conservative backlash with the effort of reversing course -- not just by revoking those new rights, but by making the previous inequality worse so that it becomes harder to undo again. If we care about ensuring an equitable future, it is vital to understand that the fight for that future does not end with a law being passed. It ends only when equality for all is so well-established as a social norm that there is no way to benefit from pushing for its destruction. Do not get complacent.

I was watching Tangled with my sister the other day and I noticed something that makes the Flynn Rider wanted poster nose bit several times funnier. It’s a woodcut print. There are clear noise marks (bits of wood left on the block that aren’t meant to be a particular object that add texture to background/blank areas instead) and the general style/markmaking very clearly indicates that it’s a print if you have any familiarity with the process.

The absolutely hilarious implications of this are that instead of reusing the same block for every poster like you would expect, and like what seems to be happening for the other wanted persons (which would result in the same nose every time), whoever is in charge of the wanted posters has likely cut a chunk out of the block where the nose goes and carved multiple alternative noses to switch in for different editions of the poster.