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#tomorrow and tomorrow and tomorrow
justveeing · 1 month
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Captains' Gambit UEF Captain James Kirk and Captain Spock of the Sh'Rel have been working together for months to take down the Romulans. The culminating mission could mean incredible things for Vulcan-Human relations. My K/S Spring Fever 2024 entry! Originally posted to AO3, to the Spring Fever Collection. Don't forget to check out the amazing works produced this year!!!!
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nope-nora · 5 months
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the struggle to love
R.F Kuang, The Dragon Republic (deleted scene) | Sleeping at Last, “Neptune” | Richard Siken, War of the Foxes | Clarice Lispector, The Stream of Life | Sylvia Plath, The Unabridged Journals of Sylvia Plath | Franz Kafka, Diaries (1910-1923) | Jeanette Winterson, Why Be Happy When You Could Be Normal? | Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow | Anne Carson, Autobiography of Red | Richard Siken, “Wishbone”
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dreamsrunfaster · 9 months
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james t. kirk, tarsus survivor, whenever someone needs help and support: we should get hotdogs. in fact we should get two hotdogs. i’m going to get cookies. we’re going to split the cookie.
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Illustration of Ichigo from the novel Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin. Commissioned as a surprise for Gabrielle by her partner.
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haunted-xander · 2 months
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Shadowbringers is about learning how to live.
Your enemy is stasis- everything and everyone is stagnant, they wait and wait for something to happen, but don't do anything to make it so (because the ones who tried before failed, because they don't know what to do/how to do it). People don't change, they don't try, not really. The crystarium is doing well, it's independent and sustainable, but it doesn't have the reach or power to do much outside of Lakeland. The Exarch is more-or-less confined to the city (because of the tower, because he's waiting for you), so even if he had power elsewhere, he'd be limited with how much he, personally, can do.
Eulemore is filled with mindless indulgence, there's no hardships or labour or anything but luxury for the free citizens, and the bonded only have to worry about fulfilling the task(s) they were brought for. The outside world doesn't matter, hard work doesn't matter, personal fulfillment beyond indulgence doesn't matter, everything exist solely in the moment. The people out in Kholusia have pretty much given up, they stay close to the city in the hopes that this time they will be picked, this time they will be saved. They wait and wait and do nothing but wait. The ones who try to live on are dying out or eventually give up and join the rest in waiting.
Ahm Areang, Rak'tika, even Il Mheg are all just waiting for something, anything to happen. They go day to day, surviving simply because it's all they can. Nothing changes.
Until, of course, you should up. You, who causes a ripple of change simply by existing, who can move the immovable by sheer will. You showed them that things can change, that things can, and will happen, if they just try. You show them that they can make things better, that there is an option besides waiting for a slow death, if they'd just grab fate by the neck and tell it "No. We are doing this my way".
And they do. They rally up together and do what they thought impossible. Not all their efforts succeed(not immediately), but they tried. They tried, they failed, and they got up and tried again and again until it did work. They take the chances, not knowing how it'll turn out (because it's not about whether it fails or succeeds, it's about having tried).
They learn how to try, little by little, and every step they learn what it means to really live.
Endwalker is about learning how to love life.
Your enemy is nihilism- the idea that nothing matters, that there is no real joy to be found that isn't snuffed out by misery. A concept that denounces greys in favor of a black-and-white view where black is all encompassing. Everywhere you go, people are doing what they can to survive, but refuses (or maybe are afraid to, or maybe never knew they could) try to actually save themselves. The Forum plans for escape, to leave their homeworld behind and take whatever they can afford. They will live on, but they won't be saved, no one is saved(and even with escape they aren't safe, Despair is everywhere and She will not stop until all has become Nothing).
The Loporrits love Etheirys, but in the way Winter loves Spring. They know about it, they are so close to it, but they are distant. They're strangers, they've never met. It's love, and it's pure and true, but it's also just love. It's surface-level(because the surface is all they had). Their love is pure but it's instinctual. Programmed. They love because they don't know how to not love. They want to save it's people, save us, but they don't know what it really means to save, so they create refuge instead(because that's what She told them to, because this is how love works for them).
The people of Garlemald are terrified, they are victims of extreme indoctrination, the (deserved) push-back their army got proved them "right"(that we are savage beasts to fear, that they are but prey in the maws of rabid dogs). They want to be build-up again, but what's left for them now? The world hates them(and it's all their fault, the ones who see past the propaganda know this, but who will listen to them?) and they are dying. It's so cold and the fuel is running out. They won't accept help, because they've been filled with the idea that there is no such thing as pure kindness from "savages"(and they are too prideful to question it, to break apart from the illusion that they are surperior, because they're terrified to face the truth).
The sky screams, the earth wheeps and the foundation of existence is overtaken by Despair, misery is around every corner and who knows what will happen now? Where do we go? What do we do? We live and live but for what?
What's the point of it all?
That's the question, and the answer is everything. We live because there is joy to be found. Because there is beauty in the world. Because there are stars in the sky. Because flowers bloom in spring. Because cats purr. Because waves crash against the shore. Because of every single little thing we can see, hear or feel. Because we love and are loved. Because there are things to do and discover. Because why not?
And you tell them this, by letting them see that there is more to life than the little they have seen. The Forum has closed it's eyes to anything but it's own kith and kin, everything outside of Old Sharlayan is irrelevant(non-intervention, always non-intervention) and it takes the entire world coming and telling them "We are here. We are alive, and we will make tomorrow happen." for them to realize they have slowly been killing themselves and what they stand for(you pride yourself on knowledge, but where is your wisdom? What do you truly know of things outside your own bubble? You do not know that which is lived because you refuse to aknowledge anything but the written word).
The Loporrits see Etheirys itself, they experience it's corners and valleys and learn what love can really be. They want to save it, truly save it, because they love and this time it's informed, it's personal(I love you, I love you, and I want you to know I love your loves too).
In Garlemald everything is slow, unsteady and complicated, but it's changing. They're changing. With every person who accepts help the illusion of supremacy and "purity" melts away just a bit, and the wall standing between them and us breaks a little(it will never vanish completely, years upon years of oppression and subjugation and conquest don't disappear like that, but it's a start).
Shadobringers is about learning how to live, but Endwalker is about learning how to love life.
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synaspensprungvomdorf · 7 months
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Regret it or was it worth it?
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macbethz · 11 months
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GAMES AS INTIMACY
Tomorrow and Tomorrow and Tomorrow, Gabrielle Zevin // DIE, Kieron Gillen and Stephanie Hans // Disco Elysium, ZA/UM // Existenz (1999) dir. David Cronenberg // The Beginner's Guide, Everything Unlimited Ltd // Tomorrow and Tomorrow and Tomorrow // Black Mirror "Striking Vipers," Charlie Booker // DIE concept sketches by Stephanie Hans // Minecraft End Poem, Julian Gough
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trek-tracks · 8 months
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Finally watched the Strange New Worlds episode set in my hometown, and I loved all the Toronto locations and references (yes, I have eaten poutine at the Lakeview, and there's a shot where you can see Spouse's office). I know I definitely won't look at the Royal Conservatory of Music (or, as @markcampbells put it, "more like the Royal Khanservatory of Music”) the same again.
I'm sure everyone's already noticed this easter egg, but:
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Major props to the person who put in the JT22 K33 (or JTK 2233) license plate for Jim's initials and birth year (that's not the normal format of Ontario license plates, anyway...clearly a different timeline).
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pinazee · 10 months
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Bless the writers for giving Kirk his inherent romanticism and not the f*ckboy reputation that developed over time
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melodysbookhaven · 7 months
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“But it is worth noting that to be good at something is not quite the same as loving it.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow
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vampiremotif · 29 days
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harrow the ninth tamsyn muir / her body and other parties carmen maria machado / mabel podcast / tomorrow and tomorrow and tomorrow gabrielle zevin / harrow the ninth tamsyn muir / much ado about nothing william shakespeare
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oldschoolvillageidiot · 10 months
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Forget time travel and timelines, I want to know how Kirk and La'an got this (or any) hotel room with no ID or credit cards. And paid for with cash that he hustled out of chess-playing randos in the park...? How much did he win?!
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dykeseinfeld · 8 months
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tomorrow and tomorrow and tomorrow said maybe people are so wrapped up in themselves that we will never truly know someone else the way we know ourselves maybe we can never truly share our pain but you can still make art and even then they will never fully understand exactly what you were trying to say but you can still love them and keep loving them and that’s imperfect and hard but it’s all there is
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gennsoup · 3 months
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"Maybe this is selfish, but I don't want to love more than I am loved. And I don't want to be with someone who loves something or someone more than me."
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow
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Illustration of Marx, Sadie and Sam from the novel Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin. Commissioned as a surprise for Gabrielle by her partner. 
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i am insane.
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