#to everyone who has been saying but i want me fave there that’s so valid me too but from an nhl players perspective i’d curse you all out | Explore Tumblr Posts and Blogs

yuurivoice · 1 month

Text

Saw a goofball post about ASMR Roleplay, romantic plots, narratives, etc. and so on.

Let me share some of my philosophy with you as someone in this game for 7 years, 150k subs on YouTube, and who turned this into a lucrative business for himself. I say all that not to flex, but to assure you that maybe I know a little bit about what I'm talking about.

Audio Roleplays, ASMR Roleplay, etc and so forth is not some sort of rigid, strict thing. If you believe that content in this niche has to adhere to strict rules, structure, and expectations, you've already entered into this with strange expectations because there is such a vast array of ways you can go about presenting this content.

Some of it is slice of life moments in time with an assumed relationships between character and listener. Before narrative audios started to pick up steam, or rather, a handful of folks (myself included) developed followings centered on original characters and stories, the vast majority of creators in this space were just doing snippets of experiences. And, in case you were unaware, that approach is wildly successful. Boyfriend Experiences, audio smut, etc. has a much wider appeal at this time because a listener can drop right in and enjoy it.

If you have somehow deluded yourself into thinking that every audio has to adhere to strict narrative rules, be defined by conflict, or things happening beyond whatever the vibe calls for, you're willfully putting yourself and the niche in a box. Which is fine, but seeing people piss and moan about it is strange.

My approach has been to blend narrative series along with one-shots. One-shots serve as super self indulgent audios that aren't tied to the narrative and allow listeners to engage with some of their favorite characters they fell in love with in the narrative without furthering the plot.

Sometimes I play the game, explore tropes and clichés that are popular for the sake of taking a crack at it. Because it brings in new listeners who then become fans of my narrative work and creates genuine supporters of my passion projects.

And ya know? It fucking works. It works really well. I can drop a very straightforward, stripped down comfort audio with Alphonse like I did today and move listeners to tears. And then we can continue on with BitterSweet when I'm good and ready. It keeps the channel running, keeps the audience engaged, and keeps me working.

The bigger point here is that creators should be able to approach their work as they see fit, without concerns about goofballs with strange expectations and standards dictating to them what is and is not valid. You wanna know what's valid? Creating shit that you like, that the people who support you like. However you achieve that is all good in my book.

Having some goofy ass superiority complex about how people play pretend with pretty voices is strange behavior. I'm proud that my community has never flung that kind of nonsense around, and I'm speaking on it to affirm that kind of stance for the folks who rock with me.

If you're a listener who has recently stumbled into this niche, I implore you to explore, listen to others, find what you like and enjoy it because you enjoy it. There are countless people making audio content these days and there's no wrong way to do it, never has been. There's something for everyone, and if someone tries to tell you otherwise, be wary.

I'm not about negative nonsense, not about tribalism or putting down one person over another. Lift up your faves and share why you appreciate them and their style. But petulant bickering and shitting on others because of something as trivial as audio content? Nahhhh. If I catch anyone spouting nonsense like that in my name, I try and snuff it out as fast as possible because that's not how my shit is built.

If you are someone who fucks with me and my work but has had some opinions like that, I implore you to chill because none of this has ever been that serious. I want people to enjoy what they want to enjoy because for the love of fuck, life is too short to try and grandstand over this silly little niche. Or please get all the way away from me and my people.

Deuces. ✌️

#asmr roleplay #audio roleplay #yuurivoice #feels like we went years without nonsense like this

141 notes · View notes

fumifooms · 7 months

Text

Marcille & Chilchuck contrasts & similarities

Yesterday in the Dunmeshi Discord we talked about narrative foils and I ended up writing a lot about my fave duo so. Informal character analysis time. I give some in-depth interpretations on aspects of Chilchuck’s character near the end as well, not just analyzing their characters in how they contrast each other

Marcille and Chil are so foils to me. "Has experienced loss through death and now clings onto the people around her and is overly interested in engaging in social gossip" vs "has experienced loss through rejection and now refuses to open up to anyone until socially starved", like both are responding to their experience with loss in fully different ways, socializing and trying to learn all she can for the short time she has with others but trying to keep digestible enough that she’s not too attached if she loses them, vs refusing to socialize so the problem stops before it begins but eventually unable to resist the pull that comes with being a social creature. Like I guess what I’m trying to say is that Marcille engaging with social gossip could be a shallow way for her to vicariously experience social relationships if she feels like forming deep bonds is unsafe. Family is a core motivation and value for them but in different ways. Both want to keep the status quo but in different ways.

Divorcee who avoids love wether it be in the people around him or thinking about his own (past?) romance vs hopeless romantic that idealizes love without herself having been in a relationship or even in love herself as far as we know. Emotional constipation vs emotional intelligence. Streets savvy vs prestigious academic, field experience vs book smarts. Crass vs prim. Overbearingly social vs private to a fault. Never externalizes his feelings and to a degree represses them vs wears her heart on her sleeve and her feelings on her face. They start out underestimating each other in different ways, one by assuming his age and the other by undermining her skills, experience and willpower. Both seeing each other’s motives as somewhat skewed (money and research of shady magic respectively) but growing to respect them.

They also both seek approval and validation from others, unlike Senshi and even Laios who don’t seem to care about outside perception as much, Marcille worries early on that she’s not helpful enough and slowing the party down meanwhile Chilchuck is almost always trying to prove a point early on that he’s capable and mature. Coincidentally enough, Chilchuck’s approval was both the catalyst and the key to resolving her arc about it in the mandrake chapter, meanwhile besides Senshi Marcille is the one whose perception of Chilchuck gets the most changed over the course of the whole manga. Something else notable is how they deal differently with their races being judged, while Chilchuck reaffirms himself as a proud half-foot, Marcille hides her half-elf nature and is embarrassed of it when it’s revealed. Something subtle yet interesting is also how they both are shown to prefer lying in a way that makes them look bad rather than admitting ignorance on something. Chilchuck says that he cheated on his wife and that’s why she left rather than just saying that he doesn’t know why she did. Marcille in the mandrake chapter says that she has used a dog to harvest mandrakes (thus killing it) before while in truth she never has, and everyone including herself is like "That’s horrible… The poor dog!"

Their dad dies. Chil is like "Hm. Cool. Anyways he died doing smth he loved right so haha lemme drink myself into an early death bed too yolo 🔥🤟" vs "He died and it shattered my world and I must devote all my life to wiping death out of existence".

"I am going to knowingly shorten my lifestyle through unhealthy habits actually."

Problem solving approaches

One thing I love about them is how they have complete opposite approaches to problem solving. Besides striving for workers’ rights and job stability for halflings with an union, he’s very "laissez-faire". He won’t do the righteous thing just because it’s the right thing if he doesn’t have an incentive or a safety net, like going to save Falin. He doesn’t chase after his wife to talk it out and make amends, he gives her space and either hopes she’ll talk when she’s ready or figures that he shouldn’t try to do anything about it. He doesn’t mention the mimic he noticed to the others to not make a big deal out of it and hopefully it won’t come up again. He’s a "if the glass is half-full that’s fine enough for me, I don’t need things to be as good as they could be" type, a "leave it alone until it figures itself out" type.

Marcille? Marcille is idealistic and in-your-face. If there is an issue you better believe Marcille will address it and try her hardest to fix it, will talk it out and attempt to understand & strive to make things as best possible for everyone involved. She will FORCE you to talk about your FEELINGS wether you like it or NOT. Leaving it alone? Keeping things as just okay when they could be great instead? No no no no no, that’s not right, she’s going to try and fix it now. She will make you stand up and fight for the best that your life could be, to be honest when something bothers you and do something about it, will make you stop suppressing yourself because you’re scared of things getting worse.

Which, you know, both methods certainly have their pros and cons, but they’re very complimentary in that way. He grounds her into a more down to earth mindset and teaches by example that it’s okay if things don’t necessarily work out and moving on is possible and not necessarily miserable, while she encourages him to not give up so fast or stay quiet on things that bother so much. He soothes and she emboldens 🔥 Funny, because you could have thought it would’ve been the contrary, which is not untrue either, but he’s the "has experienced the harshness of life and has settled for something comfortable but modest" while she’s the "wants to make the world better and goes to great lengths to change it while still trying to find herself & uncomfortable with some aspects of life like loss".

One overly focuses on dealing with issues by changing things around her while the other overly focuses on only changing himself.

——

Chilchuck leaves things alone if he thinks they’re best left unaddressed or thinks they’ll work itself out. Like the mimic he didn’t tell the group about but it backfired later. Like how he didn’t chase after his wife or seemingly tried to contact her at all. Like how he prefers not to dig into people’s personal issues in parties and be left alone to deal with his stuff on his own as well.

Meanwhile Marcille is overbearingly in-your-face and loud and "if there’s a problem we’re dishing it out right here right now. Your wife left you?? And you didn’t try to get her back?? I am going to write out a script and a plan for you to apologize and please bring these piles of presents."

She’s secretive about her fair share of things as well but she’s very proactive. While she seeks to research something that’s a core motivation and life goal to her + save someone she deeply cares for Chil is there for his job and to get money and "hey if something happens I’ll have done my part. I took you guys here now you guys figure out the rest and fight the monsters or something". They both like to have a say in the strategy, Chilchuck moreso as time goes on, but Marcille involves herself much more into almost everything.

Espescially early on, they’re always sticking by each other judging Senshi & Laios together and being like "Am I seeing this shit right. They’re crazy right? Tell me I’m not the only one here with common sense" and forming a 🤝 relationship over it and considering that, it sometimes feel… Contradicting? How they also have a lot of conflict together over time about how different they truly are. But it’s interesting and nice to see how even though they do have arguments it always gets resolved pretty promptly, like they’re truly hashing it out as equals and then when that’s done they’re back to being on the same wavelength. The exception would be Marcille taking a long time to come around on Chil being old, but arguments and debates like the one on dark magic and if it’s okay or wrong to use it, which was pretty serious and not just banter? They came to find a middle ground or at least understanding, and it didn’t seem to lower the respect they hold for another afterwards.

Chilchuck’s repressing habit

I do think Chilchuck has a repressed thing where he doesn’t WANT to think about it about his feelings sometimes, like with his wife- and maybe with his father? But the way he was so casual and nonchalant about his father dying has always struck me. I’m not sure if this is a "my feelings on my father were mixed and complicated at best" thing or a "I just don’t want to spend time thinking about it" thing or something else, but it gives food for thought.

When it comes to alcohol there’s this saying where an alcoholic parent will have 2 kids and one will grow to be alcoholic too while the other will never even touch a drop of alcohol and both when asked why will say "I watched my father". Chilchuck is def the first I think. He gives the vibe of "An alcoholic parent puts a strain on familial relationships?? Pshh, my father was and look at me! I turned out great!" Which is something I’ve heard irl lol which always makes you go like 👀 yes indeed you’re perfectly well-adjusted and haven’t been affected by your father’s alcoholism at all it’s clear as day. On that topic, Chilchuck’s family, both currently and when he was a kid, are very interesting topics to theorize about with the hints and cues we have, how his wife truly felt and what happened for her to feel unappreciated enough to leave, how distant is he from his daughters if they haven’t seen each other in the same year either and Flertom was the only one to send him a letter? But that’s a topic for another day

Chilchuck probably has such a complex…. Of like not being… Like allowed to take space I guess? And he does wish to affirm that right, he takes space and asks for it so very overtly, he formed a half-foot guild to demand better working conditions as one of the biggest examples of that. He grew up poor and undermined but he knows that he’s capable and someone worthy of respect and demands it, and takes every opportunity to prove himself. But on the other end, he doesn’t seem to want to keep his hopes up in general, like asking for something to be better is bound to fail, that it’d be too good to be true. He tries to keep out of where his job doesn’t need him, from a sense of efficiency that cuts down on unnecessary stops but also because he just thinks it isn’t his place to do so. It strikes me that it’s hinted that like… He doesn’t even really consider the possibility of going to his wife and trying to mend the relationship. Like it’s either she’ll decide to take him back on her own or he’ll be left out in the cold waiting, never knowing just where he’s truly at with her and if things are over for good. Like… Shooting his shot and making his case doesn’t even register as an option? Like he’s not worth fighting for, like whatever he did wouldn’t change her opinion anyways?

He def has a "life isn’t like a fairytale where everything goes well" philosophy where sometimes it feels like he just gives up on how things maybe could be better, especially interpersonally. Maybe it’s why he focuses on simple joys like alcohol instead of trying to keep up with relationships which can be complex and very fickle, in his own words. Something like alcohol is predictable, always there to fall back on, safe, gives him sensations without other emotional/social risks attached. Ironic for someone whose job is all about risks, but understandable

He contradicts even himself… Bro yes you’re capable, yes you’re great, yes you matter, now maybe speak about your feelings maybe??? Or do you not think your emotional issues deserve to get fixed and have closure???? Are you so used to being dismissed, overlooked and undermined that you think no one will listen even if you speak up?? And this recontextualize his "I’m not even gonna try and talk this issue out because I know (assume) that it won’t solve anything anyways" approach, doesn’t it.

"I must break my party members’ stuff or lie to them because if I just tell them my opinion and my feelings that I don’t want them to die they won’t care anyways and keep going"

In a way everyone is the glue of the party in different ways, Laios giving the group a direction and a plan, Senshi keeping them fed and grounded, Marcille making everyone more social and encouraging bonds to form, and for Chilchuck he’s the one most focused on actually keeping everyone alive I think.

Conclusion

Idk I’m not gonna repeat every point but have this as a parting contrast:

Guy with shortest lifespan possible who doesn’t mind knowingly shortening his own with an unhealthy habit, here for a good time not a long time, VS girl with longest lifespan possible who wants to lengthen everyone’s life, who focuses on how long she can keep something or someone rather than how happy her time with it has made her already. They’re both loud in their own way, and both are still insecure despite appearances. In a way, both of them focus on taking care of others while overlooking their own demons.

#Dungeon meshi #chilchuck tims #marcille donato #character analysis #meta #Marchil #For the discord peeps i mostly streamlined things and yeah added a few things but prob not worth rereading #Sorry for posting less I’m still brainrotting just as much now I just do it more frequently on Discord instead lol #I have so many thoughts written down already I just dunno how to structure and post them. One day. For now I’m working on a marchil fic #Analysis

117 notes · View notes

aydaptic · 3 months

Note

I imagine that being a Gavin fan when the dbh fandom was in its early stages must have been exhausting. I've been scrolling through dbh blogs, just to catch up on what I've missed out on and occasionally I'll come across posts like "if you like Gavin you're [insert stupid insult here]" or "Gavin is the personification of evil and if you even watch a single scene with him in it without feeling hatred, then you're [insert another stupid insult here]"

Following you, I've realised that Gavin is honestly not a bad guy. Yeah, he's not the most positive/friendly guy in the world but that doesn't make him evil. The only time we've seen him in a bad light is when he's interacting with something he does not like ex. androids, hank (both of which he has valid reasons for not liking). When he's not with either of them, he's pretty alright. Even Neil has said that if you met Gavin in a bar or something, he, at the very least, would be polite to you.

I know it's been said before but people can dislike Gavin (everyone is entitled to disliking who they want) but looking back, I believe that the hatred he received was so unnecessary.

If any of those people could have just looked beyond "he hurt my fave/disliking him for moral points", they would have seen that too.

This is why I'm happy that reed900 became so popular. Not only because it showed that there were people who wanted to delve deeper into Gavin's character but it also created a huge headache for everyone who hated him.

As someone who has been a Gav fan since launch day -- May 25th, 2018 -- I can confirm that it was indeed exhausting. I admit I'm biased, though. It was worse for me for reasons I'll get into down below.

There's still a lot of undeserved vitriol towards him posted on the regular, but my having muted 90% of the fandom makes it not nearly as noticeable. Ofc I can't avoid them all bc the amount of shit he gets always slips through the net. His haters are that obsessed with him (...which is not only pathetic but hilarious as well.)

Several ppl have told me that I was the one who made them see the layers involved when it comes to Gav. Hearing that warms my heart. It makes me feel like I'm doing something useful in this fandom.

As for my personal bias, I've been told multiple times by multiple ppl that I remind them of Gav. It made me realize that's one of the main reasons why I defend the guy. If you don't like Gav, you wouldn't like me, so I -- in the beginning -- took the hatred for him personally. Thus it was extra exhausting to have negativity constantly aimed at me (in theory) as an individual.

I feel the same way he does. I'm pissed at Hank and wouldn't stay quiet knowing that he gets special treatment from Fowler. I dislike Con and would try to stop him in The Interrogation/Last Chance, Connor. I dislike AI. I wouldn't believe androids were alive. I'm terrified of losing my livelihood, etc. I could make a list with dozens of things he and I have in common (even the smallest/unusual things like being unable to wink with one eye bc I can't do that either, lol.)

I share your amusement on his haters having to deal with not only Gav's popularity, but also Reed900. I'd say that's karma.

#dbh #gavin reed #rk900 #reed900 #900gavin #gavin900 #900reed #g9 #detroit: become human #dbh gavin #dbh rk900 #long post #anonymous #Q&A #*aydaptic

25 notes · View notes

crimeronan · 5 months

Note

re: your empathy posts. As someone who probably has higher than normal empathy (I used to ask people around me how they deal with sympathetic distress in common situations that occur in a job and only got blank stares) you're so valid!! The lionizing of this random subconscious process called empathy is so useless! It says nothing about the person and their values! As your other commenters suggested, people disparaging you may just be trying to boost their own shaky feelings about how their own emotional stability is deeply tied to their people-pleasing tendencies.

If anything, I think learning to function "normally" in society with "empathy" makes you more messed up. I understand this person's distress. I acknowledge it, and know how my actions will make it worse. I make them feel worse anyway, because that's the organizationally approved behavior, causing more pain for both them and myself. All the while I must behave as if I am cheerful and unbothered. Internalizing that hurting others and yourself to achieve your goals is Fine is necessary in order to stay sane. This is counter to everything people say they believe, so lying also has to become a virtue.

Buying kindness from the store seems like a really kind thing to do tbh. I am passing you on the street as I am schlupping over to pick up some callousness.

this last sentence made me giggle a lot. but YEAH!! a lot of this is spot-on to stuff i've been thinking about lately. like, "normal" empathy levels seem to be socially defined as "you care about people and want to help them, but you don't care so much that you'll harm yourself in pursuit of that" and it's all just..... i dunno. so much pathologizing of how we think and feel and whether we're Human (TM) about stuff. it's all so Weird

like..... i keep thinking that my lack of empathy gives me certain advantages in social situations. but in a similar vein to the ppl worried about sounding like tiktok empaths for being hyperempathetic, i worry that this makes me sound like an alpha male influencer writing youtube essays about why emotions make you weak, or whatever.

it's not that emotions make people weak or that having less empathy makes me like, a Cold Logical Calculating Math-Loving Strategist. i'm a writer who focuses solely on character-driven stuff, u probably wouldn't expect that from a stereotypically sociopathic person. part of why i LIKE writing character-driven stuff so much is BECAUSE i've had to actively teach myself how other people think, how they feel, how they struggle, etc

a lack of empathy means i can choose not to get invested in other people's feelings or lives, i don't feel guilty for emotionally disconnecting, i'm not afraid of being disliked. but i still know how to act like a decent human being. there's that one post about how stupid it is not to realize being nice gets people to be nice back, and fuckin. YEAH!! it's astonishing to me to read about cases of """clinical sociopaths""" (who are just people who didn't get the 'pretend you give a shit, moron' memo) manipulating and gaslighting people and whatnot. everyone in the comments will always be like "ooo so scary... they didn't feel bad at ALL... so terrifying that people who don't feel guilt exist..." and i'm like.

IS GUILT THE ONLY THING THAT KEEPS YOU FROM COMMITTING ATROCITIES???

BLOWS MY MIND. IT'S LIKE..... THE LEFTIST EQUIVALENT OF SAYING EVERYONE WOULD BE MURDERERS IF THEY WERENT SCARED OF GOD. LIKE. YOU ONLY AVOID DOING BAD STUFF BC IT MAKES YOU FEEL BAD??????

good LORD. at least having no empathy means i've had to grow my principles organically. oh my GOD.

anyway what brought these thoughts up today was that i was thinking about gansey and luz noceda, since theyre extremely similar characters & on my All Time Faves list. and i've said this before but the things i love about them (the kindness, self-sacrificing shit, anxiety, etc) are things i don't see in myself. but Wish I Did. like i wish i was kinder on the inside than i am.

but i know that i admire ppl with luz and gansey traits both in fiction and in real life. so i simply just..... emulate the luz and gansey actions. not always successfully, esp because i have a temper and very little patience, but like. i try to be kind where i can bc i wish i was someone who tries to be kind when they can. so i'm just going to be. u know??

#replies #long post #havent edited this so if its incoherent.... sorry #low empathy

22 notes · View notes

borisbubbles · 4 months

Text

Eurovision 2023: #18

18. AUSTRIA Teya & Salena - "Who the hell is Edgar?" 15th place

youtube

Decade ranking: 51/116 [Above Ronela, below Jeangu]

OOOOOH MIO PADRE, I'VE GOTTA ROAST ME SOME BARBIES, ooooooooooh no.

It does NOT pay to be funny, sadly. Yeah, I wish I didn't have to go there, but sometimes the stars just don't align. With Loreen and Pasha being reunited and the year generally being mediocre, Liverpool 2023 already had enough parallels with Baku 2012. The "preshow obsession has a disappointing live" part I could have done without.

Like seriously. Was there ever a more slam-dunk end of contest favourite for me than TeyaLena? (well other than You Know Who, but we'll get there). My recent faves were Think About Things, Shum and In Corpore Sano. All uptempo, all enjoyable, all secretly very clever entries, eating and mothering (or in Daði's case brothering) as THE act on everyone's lips as the dust settled. Edgar was one of two entries who could have been The One for this year!!! But as Poe Poe Poe became Poo Poo Poo I'm forced to pack up my praise pen and bring out my critical analysis quill :-/

Fortunately, like the ladies, I am such a good writer, so enjoy this lengthy review, which is more like a vivisection:

ON THE FLAWS OF 'WHO THE HELL IS EDGAR?'

The first instinct would be to say that the song was impossible to bring, but I don't buy into that logic. "Edgar" was great, a vision, and absolute fucking BANGER. That's the hill, I'll die on. Despite the flaws of its live, I will always cherish it as a song.

Granted, the song was a lot of things at once. That's what made it both iconic and live liability. You try to explain to a layman casual audience member what Edgar is about. How it satirizes the music industry. How self-deprecating it is. What an API is. What an A&R is. What the 0.003 stands for. Now do that in the THIRTY SECONDS TIME FRAME it takes for the video teaser to play. You can't. You can be the best commentator or the most eloquent eurovision-obsessed guncle. Also, you're making me think with your words. Thinking bad. ME WANT ENJOY SHOW. ME WANT GOOD TIME, NO THINK.

So, there's two approaches you can take here, if you play to win.

The first by embracing the campness and going full ham, which how the televote countries would handle it. Your Moldovas, Ukraines, Finlands, Serbias, Norways. Hand Edgar over to one of them, and TeyaLena would start bent over a laptop or typewriter, harrassed by ravens or men in Edgar Allen Poe costumes, who would so a possessed zombie dance while TeyaLena try to escape the clutches.

Naturally, such an act requires less effort from the performers and could be seen as an easy cop-out by juries (die, juries!) and result in a loss of points and well, Austria don't play that way. Austria don't have a built in televote base and feel they are better off playing for the same juries that would normally reject an Edgar.

So instead they went for option two: embrace the hyperpop and try to build momentum off its hyperactivity. Fair enough, that's less interesting and safe, but a valid choice that can result in a very good time.

On this occasion though, it was a MISTAKE.

The best part about Edgar was the combination of dumb hyperpop memes with clever satire, and the staging ignored the latter completely. It showed Edgar Allan Poe TWICE, and then spliced in the Spotify reference in the background without context. That was all the act did with the satire. They should have named this song "Where the hell is Edgar?". The vague references only work when the entire audience is already in on the joke, otherwise it's a three mins of braincell murder. If a pleb tuned in blind (over 75% of the audience), tough luck on them for trying to make sense of it all. SHOULD HAVE FOLLOWED ESC ON TIKTOK!!!.

Bottom line: THE STAGING WAS PEDANTIC.

Thematic acts can alleviate that problem. Think Konstrakta's spa tableau vivant, Katryna's tron aureole, the presence of Gagnamagnið on the stage alongside Daði Freyr. This year we had Vesna's hexaplet choreography, Käärijä's ballroom dancers, Loreen's panini press, Gustaph's motivational graphics, even Alika's fucking self-playing piano applies to this principle. All of these did well, the competent ones with juries, the camp ones with the tv. Intuitive but thematically fitting visual cues that instinctively get the vibe across without requiring the audience to ponder it too deeply (or become a parody, I SEE YOU, France.) that's what effecive staging is about. Now compare the above good stagings to what Austria came up with: Four dancers in Samanta Tina garb, some more created by the LEDs in the background, and a VERY basic choreography. This is not a just simplification but a dumbing down. Every visual cue comes across as nonsensical, because nothing quite ties it together with the music. If only the song itself had provided us with a clear visual reference point, huh?

Of course, a dumbed down staging concept could still yield a good result despite itself if the live was teeming with energy and bounced off in every direction to match the music. Folks would be voting based on pure performance skill and nothing else. After all, Ewnicorn bluffed its way into third on that very principle. Sadly, neither Teya nor Salena were versed in the art of singing and dancing at the same time.

So ultimately, you're given this awkward performance where Teya acted really well and produced delectable facial expressions - I mean who doesn't love THIS:

-but failed to harmonize with Salena, while Salena hit most of her notes but clearly struggled with the Dietmann's simplistic, toddler-like choreography, like a Leila Jane or Mirud on stilts. Nice that they complimented each others weaknesses by showcasing opposite talents, but if you wanna do well just get yourself a girl who can do both.

And there we have it, Teya and Salena. High Risk, High Reward usually plays out for the better, but this is one such occasion where the high risk was avoided and the just reward was a disappointing score on the middle of the scoreboard. Such is the price of not embracing your queer-coded campness in Eurovision. We have landed in mild-like hell, just like Nina Zilli and Jonsi and all the others that I wish I could love more, but sadly did not live up to their initial hype. That too is life. Onward to better things, and things will surely get good as we move forward, right?

THE RANKING

#Eurovision 2023 #Eurovision Song Contest #ESC #ESC 2023 #Liverpool 2023 #Eurovision #Austria #Teya and Salena #Who the hell is Edgar?#Edgar Allen Poe #Youtube

11 notes · View notes

sizzlingpatrolfox · 8 months

Note

What's the point of th's supposed popularity if no one is listening to his music? He's basically an influencer at this point. The Kardashians have more ig followers than Beyonce and Taylor Swift, but they could easily lose those followers, unlike Beyonce and TS, who have the most loyal fan bases in the world. Quality over quantity, honestly.

Wdym his instagram likes don't matter???!?!?!

I think it has to do with everyone's obsession with "GP". Kths started that conversation around some grammys red carpet, I don't remember what year it was when they said "locals" kept asking if taekook were a couple. That's the first time I remember being taken aback and confused about this "gp" and "locals" validation. Then it was because he was in that kitchen show and they all went "omg gp darling this, gp darling that". And it hasn't stopped since solo era started. Do you have any idea of how tired I am of reading "gp" - take a shot everytime you go on army/solos spaces and read those letters.

Nobody cared about "gp" when BTS got all those billboard hot 100 positions and streams thanks to the huge fandom. As I've said before, BTS had a huge fandom for a while but only became somewhat "popular" (as in, random people would know about them - oh sorry, I meant precious GP would know about them) after butter or maybe my universe. Mind you, I've never in 6 years heard anyone in real life say "BTS". Literally Never. Meanwhile I just started this new job a month ago and I've already heard 3 different groups of people of all ages talk about Taylor. I've got students umproptly coming up to me and say "Miss, I've been listening to Taylor Swift songs to practice my English".

You'll see.. kpop fans are stereotyped as white, chubby/obese high school girls with blue hair who spend too much time online daydreaming about celebrities and have no life and get no sex. The truth is that some fans -even if they themselves are white chubby blue haired girls- are obsessed with not being associated to that stereotype. They don't want Taehyung's fans to be some miserable, lonely losers. They want him to have "LOCALS" admiration and respect. When the members opened their own ig accounts, those interactions were a gateway to that, mostly because instagram is you know.. theee place for the skinny, tanned, successful, pretty LOCALS.

I've always thought the whole obsession with "gp" and "locals" was so stupid. There's absolutely nothing wrong in having a big fandom. That's literally how BTS came to be what they were until last year, and armys weren't praying and begging for "gp" support. Taylor gets the numbers she gets because yes, many people around the world know her name and willingly listen to her music; but also because she has a huge ass fanbase. She's been building that fanbase for more than a decade. Three years ago, if you listened to Taylor you would've been considered a pathetic, lonely loser too.

At the end of the day, all this popularity talk it's just fans' own insecurities and their itch to distance themselves and the idol from the image of a "fandom" because they know what everyone thinks of people who are part of fandoms. Ironically, most BTS fans started out as people who didn't know anything about kpop -gp- and two years later they're getting hit tweets calling Jennie a lazy slut and saying "my fave is so popular amongst locals."

Taehyung stans clung to his ig interactions because they thought having the likes of "locals" made him more important or better in every way than the other members. However, in music, it's always better to have a huge fandom that will make eight hours long playlists of your song and play it multiple times a day -investing their own money and time on you- than it is to have random people liking your ig posts. And if what I'm saying it's not enough, take his china bar activities as an example. They bought almost a million albums; there's no 800k "locals" that would've bought his album.

19 notes · View notes

brasideios · 6 months

Text

10 Characters/10 Fandoms/10 Tags

Thank you for thinking of me my dears @krankittoeleven & @ainulindaelynn

Lemme see. This is long, sorry about that. I’m in a rambling mood. These are just the characters that came wandering into my noodle in no order - at least, that was intended.

1. Dorothea from Middlemarch (by George Eliot). She’s probably my fave character ever. I think in a mostly abstract way, she’s come nearest to mapping out how I perceive the feminine part of myself. She starts out so so idealistic - wanting to do something to change the world, to matter, but society has its own rules that eventually beats her down, but she’s so stoic, enduring, and self-denying, that her happy ending is earned… but then the epilogue is so melancholy so was it happy? and… I don’t know. There’s something in it all that I’ve never found a better version of.

2. My brain is on D names now lol so Daphnae from AC Odyssey. The more I think about her story, as little as we’re given of it, the more I find something tragic and fated in it, and then there’s the possibility of changing that fate, or embracing it. Something, something doomed by the narrative, unless…?

3. Demosthenes from my pdfs lol listen - ancient history RPF is a fandom (apparently) so this is valid. I have been down some serious rabbit holes with this man of late - I won’t even start on why or this will be an essay. I could also have put Thucydides in this position - but I’m on D names.

4. Daria. No seriously. I loved this show when I was a teen, and she’s honestly my spirit animal. It was my nickname because I was unfortunately very much like that. I adore her deadpan, acerbic remarks and many of them will live on in my brain forevermore. I wasn’t as witty btw - but the vibes were the same.

5. Hedwyn from the vg Pyre (woot! My brain releases me from the letter D!). I’ve played it several times now, and he’s my fave. Just a sweet guy - so sweet, you always want to free him first, but then you also very much wanna keep him with you - and sometimes I’ve been selfish enough to send everyone else instead. I also like Volfred a lot but that has everything up do with the VA 🙈

6. Alfie from Peaky Blinders. I have no excuses - the character is an unhinged maniac but Tom Hardy just brought something (a twinkling eye) to the role that makes him a very likeable, back-stabbing psychopath.

7. Caesar from HBO Rome. Ciaran Hinds has been a fave of mine since Persuasion - and I liked how he acted this part / how he was written. That’s all I’ll ever say about Caesar - character or historical figure. There are at least another half a dozen characters in this series I might’ve mentioned too. I must rewatch it one of these days.

8. Gannicus from Starz Spartacus. Dustin Clare is an old time favourite from waaaay back when I was persuaded to watch McLeod’s Daughters - really bingeable but quite trashy Aussie TV - sorry to any fans - but it really is. I so enjoyed his vibes and he brings all of that to Gannicus and it just works so well for the character. Pure cheekiness, and when he does this face 🥺 chefs kiss. Side note - I will pretty regularly say some variation of ‘my cock rages on’ about the most random stuff so - thanks to this character for that gem lol.

9. Johnny Spit from the movie Gettin Square. Yeah this is left field and I seriously doubt there’s a fandom for it - but what a character - quintessentially Australian deadbeat, (played by David Wenham). There’s a courtroom scene that kills me every time. I hope he got square, for good this time.

10. Kenny from Mad Men. I don’t even know how to explain it, I just want to protect him and he doesn’t even deserve it, and he wouldn’t have thanked me for it - maybe it was just the way everyone else was just an asshole about his writing. I want to know more about the short story about the egg. I could’ve picked almost any other character from this show though. They’re all so good/bad for their own reasons.

I made it! Haha! I have no idea who to tag - I think the only people who usually join in have already been tagged - so I’ll just add a few and call it ten. Sorry for any double ups.

No pressure at all - @nemo-of-house-frye @theinkandthesea @liminalspacecowboah @cyrus-the-younger @myriath

#tag game #ten characters

12 notes · View notes

sparatus · 9 days

Note

6, 8, 16 and 18 for the fandom asks plsplspls

🔥choose violence ask game

hiiii yes i know this one's from march before my laptop broke it's fine

6. which ship fans are the most annoying?

honestly pretty much every shepard ship fan is annoying in their own way but i gotta say the 40+ white cishet woman mshenko fetishists make me intensely angry. some of them openly admit they've modded the game so much they're not even playing the same game as the rest of us and then get mad at everyone else for not seeing what they do. sorry to my shenko mutuals i love you but there's some fucking mlm fetishists in there with you and i want to hit them with sticks for getting close to ruining kaidan for me again

8. common fandom opinion that everyone is wrong about

bangs hands on the table GERREL ISN'T AN IDIOT DOUCHEBAG AND YOU SHOULD BE SHOT IF YOU TAKE THE REN INTERRUPT TO PUNCH HIM he has a valid point in firing on the dreadnought from his pov he has NO idea how long the shields will be down or if you're okay or what the hell is going on and frankly that's how fucking war goes and even if he wasn't YOU STILL CAN'T JUST PUNCH A FUCKING ADMIRAL IN THE GUT

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

why do so many people argue over which biotic characters could hold the barrier in me2. kaidan could not do that. even he himself says he's not super powerful. learning to reave =/= the immense power output the barrier required. see also garrus being the bestest sniper ever, tali as an engineering God, etc etc it's okay for your faves to not be the most amazing in their fields actually the risk of failure makes the story more compelling actually

18. it's absolutely criminal that the fandom has been sleeping on...

you all ignore morinth So Much. she has so much potential for either a very chewy negative spiral or very heart-wrenching redemption arc. literally on that one post of mine positing that it's implied she killed her own sire in a tragic accident like 90% tag it as samara and go "oh poor samara this is so sad for samara" FALSE. WE ARE TALKING ABOUT MORINTH. don't talk to me about how sad it is for samara's child to kill her bondmate when MORINTH IS THE ONE WHO HAS TO LIVE WITH THE MEMORY OF HER FATHER DYING WHILE MELDED TO HER justice for my girl morinth both the fandom and the canon shaft her so much

#press conference #thetrashbagswasteland

3 notes · View notes

scuopsie · 1 year

Text

rant time!

kpop reaction content isn't exactly new (at least as far as I know) but it does seem to have kind of boomed in the last... two-three years I think. I remember there being only a handful of relevant kpop reaction content creators on youtube, some more popular that the others, but still there weren't a ton of them around. and I guess it makes sense because kpop itself has gotten much more popular and widely known outside of just [REDACTED] and among a wider age range I'd say.

but nowadays if you look up “X group - Y title track reaction” you will find tens, if not hundreds of reaction videos (especially if its a well known group) ranging from channels with hundreds of thousand subs to small account with a couple of hundred views on their reaction videos. and I just find that so weird.

like... especially for channels that do reactions as their main (and only) content, I find it extremely difficult to believe that after a certain point there is any authenticity behind these reactions. these big reaction channels are out there reacting to damn near every relevant kpop group's comebacks (and there are a LOT of them) and every single reaction is generally positive and often very enthusiastic.

aside from the fact that logically and statistically it's impossible for someone to like every title track being released, even if they're all objectively good (which they're not), because no one likes every genre and every style of music, there is basically no creativity involved in creating this type of content which makes it very dull both for the creator and the consumer after a while.

on top of that, this type of content has created a really toxic environment around expressing opinions and criticism toward kpop groups and kpop music. I just came across a video from one of these bigger (while also being newer) creators talking about how she's not happy with the content she's been making for the past year. she said that it's extremely overwhelming trying to keep up with every comeback when everyone expects you to react to their fave's CB and after a while sitting and reacting to music videos becomes repetitive especially when you're not even allowed to truly be yourself and express your opinions. she said she can't even talk about having a bias in a group because she would get tons of hate comments and dms about ppl bashing her for not having a different bias. I can't imagine how people would react to a reaction video creator saying she doesn't like a comeback or even a certain element in the song/mv.

I used to love kpop reaction videos back when I had just discovered them and they were not as big. like I genuinely get the appeal. seeing someone who's not a teenage girl (which is what stereotypically the general public thinks kpop stans are) is pretty validating. and back then there were like 'vocal coach reacts' or 'producer reacts' etc. seeing the reaction of "experts" analyzing different parts of a song/mv was really interesting for someone like me with zero knowledge of any of the technical stuff. and I also understand that they do contribute to promoting groups and comebacks to a certain degree. but it has just gone too far, in my opinion.

idk maybe I’ve just gotten old and lost the will to enjoy the small things that used to bring me joy but I genuinely don't enjoy reaction videos anymore. most of those older 'exerpts' (except for two I think) aren't active anymore (I'm guessing at least to some degree bc stans didn't want to hear that their fave was not that legendary of a vocalist or their fave song wasn't as layered and complex as they thought it was) and instead there are just random people reacting to kpop and some of them you can just tell that all their reactions are completely faked out. Youtubers are jumping on this trend bc it’s easy (in terms of not having any kind of real substance) and gets u good views if you’re a little charming and funny.

TL;DR : everything is fake and authenticity is dead. kdjfdjf I'm mostly joking but in the end, as per usual with my rants of this kind, I don't have a specific point or a solution. I'm just starting a conversation. so if any of you have something to add or just want to chat about this send me an ask!! (plz don't reply in the comments because I want this to be on my dash so everyone else can read too.)

#I believe the only technical reactors that arent new are PD and reacttorhek #iirc Dre used to be the biggest reacting channel but idk if hes not active anymore or just not relevant #there are a few ‘dancer reacts’ that are new and i didnt find any of their reactions that fun to watch. they didnt anything to the convo.#idk how new ben (birb) is but i used to like his reactions back when he would pause a lot and make longer comments. new hes making very-#short reactions and barely rewinds/pauses for comments.#i dont watch reacttorhek anymore at first bc they werent doing reactions to my faves anymore so there wasn’t anything for me to watch #but then I discovered that they have a doc where they’ve made a list of groups/songs they wouldn’t be reacting to #i think the explanation was that the producer has to choose songs that are complex enough and are worth their artists reacting to #which made sense but seeing the songs/groups they are reacting to (granted i dont stan any of them) it seems like they’re actually mostly-#-reacting to the most popular groups and not necessarily the groups/cbs that deserves the attention #like it makes sense for them to be picky bc they’re a huge team and cant be mass producing tons of videos like some of these solo reactors #but it seems like instead of picking actually musically complex and interesting songs from lesser known/underrated groups theyre just-#-picking groups that will bring the most views.#i just scrolled thru their channel and nearly all the videos were reactions of popular 4th gen gps #essentially the only reactor i still enjoy watching to some degree is PD #But i still cant get over the fact that none of these reactors ever have anything other than praise to say abt evey song they react to #even I dont like EVERY song my bias group releases #so even when i watch a reaction of a song/mv i DO LIKE i dont know if the person is being genuine abt liking it #okay i think I’m done 🤔#niki screaming into the void #long post

28 notes · View notes

bohemian-nights · 2 months

Note

Is this a safe space to say that I don't care about Polin in S3? Colin is such a boring 1 dimensional character that easily gets overshadowed by Anthony and especially Benedict, and Penelope is just a whiny brat who just wants male validation and is jealous of Eloise. Also to act like she never said anything about the Brdgertons is a lie cause she had no problem talking about Daphne, had it not have been for her crush on Colin she would've gone on a jealous rant about his entire family. I know Polin is attractive to some people because of the representation of larger body types and the childhood friends to lovers trope but it's just boring. I can't name 1 intreseting thing about Colin other than he took a vacation and had psychedelic tea and Pen is not as progressive as she thinks she is she's just jealous and bitter. Also how is it that she's such an amazing writer that can communicate in so much detail but can't even communicate to Eloise when Eloise doesn't understand her perspective? She's quick to lash out at her as if Eloise is doing it on purpose, Eloise is not dumb and she has respect it's not like she insults women who want/desire love so there was no reason for Penelope to play victim.

This is totally a safe space because while I don't hate them I don’t particularly care for Polin either.

In the books it’s a bit better because Penelope isn’t as much of a snake), but she isn’t my fave by a long shot.

Penelope on the show is straight-up awful. She started pretty sympathetic, but then the Marina situation happened and that turned me completely off of her character. So by the time she had her falling out with Eloise(who did nothing wrong and has every right to be angry with her), I was already checked out.

Yes, she’s not very popular with the ton.* Yes not being seen sucks. Yes her mother is kind of mean to her and forces her to wear the most hideous outfits which is probably a turn-off for most men. Yes she wants Collin and he doesn’t want her and that sucks, but that’s no excuse for her actions.

Honestly, Penelope is half a step away from being a whole stalker and yet we are supposed to see ourselves in her or at least sympathize with her🫠

(I’m not going to get into her being bullied by Cressida since she’s nasty to everyone).

It’s kind of obvious though that Shonda sees herself in her which is why Penelope is promoted so much and given the angle she has been, but she’s a weirdo with insecurity issues.

To be honest, I thought she should’ve gotten a redemption arc before her season(she’s not unredeemable, she just needs to clean up her act), but it is what it is.

Now Collin both in the show and the books is incredibly dull to me. Yes, he has his traveling(and spoilers, his writing about his travels), but he’s just kind of there. He is just the third Bridgerton bro and while Luke Newton is attractive I feel nothing when I look at him playing Colin.

That cheesy promo they had the other day did nothing for me(well I did laugh, but I don’t think that’s the intended reaction). I don’t know what to say other than he’s just meh. To me, he’s not leading man material and I’m not seeing the chemistry with Penelope/her actress, but again it is what it is.

As far as representation goes, I’m not a plus-sized woman, but I know that it is important to see yourself and to want to see yourself represented on screen.

I think that’s the essence of Bridgerton/what it is trying to accomplish because let’s be honest period dramas are not very diverse. I think that Bridgerton has kind of changed that to a degree.

I don’t want to hype up the show too much cause it’s not perfect, but without this shows success I don’t think that films and shows like Tom Jones, Interview With the Vampire, The Confessions of Frannie Langton, Mr. Malcom’s List, The Buccaneers, and now The Davenports (which I’m excited for) would’ve been nesscary green-lit or the plot would’ve been changed to make it more diverse if not for Bridgerton.

I hate bringing this up, but I don’t even know if the dumbass showrunners of HOTD would’ve made the Velaryons Black if not for them looking at how successful Bridgerton is without understanding that the reason why it's successful is that they don't treat their Black characters like they leftovers. It’s about respect not just having people there to pat yourselves on the back and say look how progressive we are, but I digress.

I mean representation in terms of body type is not comparable to representation in terms of race, but it feels good when characters who look like you aren't shown in the worst light, when they are the main character, or when they have been given actual characterization and aren't made into a joke.

So I get why people love Penelope and Polin and understand why they are looking forward to their season, but personally, they just aren't my cup of tea.

That all being said, I’m still going to watch the season cause I love Bridgerton, I’m kind of hoping we’ll see Sophie this season

(Praying that she's Masali Baduza or just any Black actress 🙏🏽I’m not picky, as long as Sophie's actress is Black, you won’t see me complaining).

I’ll end this by saying that I’m a Benophie girl and while I’ve made peace with the fact that Polin got the lead instead(and I’m actually low-key glad they did), I don’t think this is going to blow my socks off, but I hope it gives the people who have been waiting for it everything they want.

#bnasks #bnask

6 notes · View notes

xcziel · 3 months

Text

this has been sitting in my drafts as a response to some ideas that were circulating online a week or two ago due to that bang sihyuk interview, and it's clumsily worded but i still feel like it's a valid take so i'm just posting anyway. i'm not a music professional or connected to the industry, so if i'm far wrong just ignore this random post. i just get frustrated that for all the talk of strategy etc. everyone seems to act like bts (and by extension jk) are an established *western* act while either still promoting like a kpop act in sk schedule-wise or like a beyonce/tswift level act (which ... yeah duh) with vast u.s. name recognition (not so much) - and then wondering what's not clicking

idk about this "crisis" but i know one thing has struck me about the kpop and sk press and kpop stans in general

i touched on it back when i was talking in my tags about like crazy getting traction in the us

and what i meant was that those involved in kpop are too blinded by the industry cycle and too used to that cycle's accelerated evaluation by stans and press alike

like no one in the us who is not already a fan is waiting on the day of release to listen stream and buy. it is NOT like sk with weekly shows, several comebacks per year, etc etc

and most especially it's not this thing of: create song, choreo, mv, do a spate of music shows, see what hits if anything, maybe leverage concert dates if it does - but if not then done! next concept! move on and keep it moving - got to fill those music shows and if you don't constantly have new pieces to show you could lose attention and traction

but the general public in the u.s. is NOT socialized to all tune in to check out what's new at a certain time each week or whatever

only some check the charts and even that is mostly just to see where their personal fave is

what gp recognition goes by is repetition (that's one reason why radio is weighted so heavily in ratings- not fairly, but it's true): have we heard a song before? was it in the car on the way? was it in the club? was it in the music in the background at a store, at a party, on a friend's playlist?

when americans say they heard a song "everywhere" it means literally you could not escape it - and for that kind of feeling or environment to exist, it has to happen over *t i m e*

true, yes, sometimes a song takes off and gallops out of control like a wildfire catching but that is the exception not something that can be planned for or marketed into existence

and once you are a big enough name and have enough fans (us population @ 330 million so ... a lot more fans than it take to equal the same percentage of sales in sk ... so only a sliver of a percentage of that can mean a #1 bb hot 100) you CAN get that immediate-drop chart push

but most of the time, u.s. artists need to build up name recognition with the folks who wouldn't know a music chart if it popped up in their excel spreadsheets. that's why you get youtube reactors or even music business professionals months after release going oh i didn't know they even had an album/track/mv out

the larger a group, the longer it takes for things to disseminate past the early adopters and the media who watch them and the industry (nobody wants to be left behind, so journalists/talking heads are always like pets when you walk into the kitchen: heads on swivels in case it turns out relevant, and will write things just to be on top of a possible trend)

and this is where, i think, after watching hybe and its american arm try their push on jk, the kpop focalists are veering astray in their plans and projections: not seeing immediate huge success (or not *sustained* huge success) they think there is some kind of crisis rather than understanding that a u.s. or even just western gp fandom cannot be a top-down thing - it will take time

bts are huge (and yes a triumph for bts IS NOT and SHOULD not be lumped in as "a win" for kpop in general as has been pointed out is too often the case) but in the first days of jk's album release, *2 months* after seven had debuted, the huge nationwide retailer where i work couldn't even get his name spelled correctly in the point-of-sale database, so

the u.s. music industry is a big machine and busy on its own, many listeners only stay in their own bubbles and don't pay attention to anything outside that, because just keeping up with the output of one scene or genre can take as much effort as watching the kpop industry as a whole

to break wide you need to be either insanely ubiquitous and not just on social media (which runs the risk of people getting sick of you just as fast) or you need the slower groundswell of people going from "oh *that's* them? i heard of them but i didn't know that was their song" to "omg that's my song!! turn it up!"

there's just too much out there today to catch people's attention and the media cycle turns ever faster - used to, a song could be out and getting steady radio play and it still wouldn't hit the consciousness of the national public for like 3 or 4 months sometimes. sometimes it could take a year or more.

so this thing of short promotion periods for kpop acts - even bts! - is just not viable as a way to attract a wide gp following in the states. being on late night tv shows is a good step, but since the advent of streaming the influence of shows like that has waned considerably since the days of ed sullivan or johnny carson.

jk's run of promoting *was* the right kind of thing to do in fact - it simply should have been much more spread out over time. you can see all his album collab artists have things coming out *now* ... and there's no way to really take advantage of that with the curtailed promo.

and yes, obviously jk did get probably the second longest promo period of all of bts chapter 2 solos efforts (i think yg's tour ran longer?) and it was cut off for very valid reason! but!

i think bangpd et al. taking the fact that they couldn't make jk a household name in the u.s. nor nab him a grammy nom (nor any other kpop groups) within the 5-6 months of their fairly blatant push for us recognition as indicating a "crisis" is just not looking at the long game.

they didn't get all the accolades right away, so it seems they've decided 'that didn't work we need to make some big changes' instead of continuing what they'd been doing in support of the artists

it's this attitude of welp they didn't give us a grammy we were entitled to even though it's the first time we played ball in this particular way, so now we're worried bc we don't know how to shop kpop beyond people who aren't primed for it

like, they are looking at the business of it, and likely accurately, but not at the audience itself

it's not that the observations bang is making are wrong i just think he is basing them off premature information - songs in the u.s. DO benefit from purchase power, but they ALSO rely a lot on word of mouth. not for charts positions necessarily, but for longterm growth, support, and more importantly demand, you cannot beat a fandom that grows on its own.

the paid promotions at the end of the day serve the same purpose as bts's early days vlogs in the current western music climate - getting the artist and songs in front of as many eyes and ears as possible. but then you have to allow time for that wave to spread - and the bigger the pond, the more time it may take

#this is just me rambling #but the thought wouldn't leave me alone #it just seems too quick #kpop moves fast and on the surface it may seem like the american industry does too #but it is not the same at all and you can't expect the results to be in that fast #you'd think the man who rode the bts train would understand but i think he's looking at metrics not audiences #and expecting the kind of results he'd get in sk or the kind of results he's told american acts of similar stature to bts would get #either that or it's all a long game and he's going through steps in a script #which i would not put it past him to have some plan behind these moves #but really this post is me being a bit irtitated at the fact that they *coukd* have made jk or jm american household names #if they'd just *sustained* the promotions over time - i really believe this #and this seeming expectation that they can run a 'global popstar' campaign on an sk comeback timetable kinda bugs me

2 notes · View notes

edmundhoward · 4 months

Note

2, 3, 10, 12, & 13 😈

🔥 choose violence ask game 🔥

2. a compelling argument for why your fave would never top or bottom

katherine howard stands out in basically all of her relationships as dominant/forthright in what she wants, with a sharp turn of phrase that suggests that while flirtations were fun for her, she had a capability to be mean when she willed it. she comes across as genuinely charming and charismatic, with a consistent attentiveness, but she also reliably has an edge to her in her relationships — she was arguably callous with dereham, and criticised culpeper repeatedly while also mocking bess harvey. i don’t generally like the way g.russell talks about her wrt her relationships, but i do like the way he described katherine as proud and proud and enjoying “one-upmanship in her flirtations”. do with that what you will.

3. screenshot or description of the worst take you ve seen on tumblr

not going to screenshot but there are soo many that are frankly baffling. the first to come to mind is the claim that poor henry viii must’ve been so offended by coa and her camp publicly dragging his baby brother’s name through the mud/throwing arthur under the bus. which begs the question: what, exactly, prompted coa to do that, pray tell? i really would love to know! very wilfully obtuse considering she was called to discuss the validity of her first marriage because henry viii disregarded the dispensation from the pope, and (arguably unnecessarily) made consummation a fundamental point of contention in annulling her second. that's on him. frankly, the whole ‘she used arthur’ argument really relies on an assumption that coa was lying about her sexual history when it suited her — as opposed to her being forced to once more defend her honour. (i guess it’s not surprising seeing as i have also seen posts insinuating that she had an inappropriate relationship with her confessor). moreover, why should we care if she was lying, or if she used arthur? atp, everyone involved is bones, and personally, i don’t give a single solitary shit if her defending herself denied henry from having a male heir, because monarchy is actually bullshit ❤️ it’s definitely not the worst but it’s so stupid and so funny to me.

10. worst part of fanon

the white feminism (read as: racism) lol.

this answer is definitely prompted by trastamara fandom’s disregard for poc/iberian muslims, but to bring it back to the tudors (and because i am dedicated to e1 stans catching strays) whatever the fuck certain elizabeth i stans have going on is rancid. the whole argument about whether or not elizabeth i should be held accountable for funding three slaving voyages was a profoundly bleak period in fandom, and seeing someone argue that it was “only three slave ships”… well. i hate it here, i absolutely hate it here.

12. the unpopular character that you actually like and why more people should like them

i don’t know if he counts as unpopular, but he’s not popular and the level of vitriol aimed at him relative to actual surviving historical fact makes me want to say henry vii, to be honest? the man was fascinating and generally successful in a way others compared against him (r3, h8) can’t always claim to be. regardless of whether or not people like him, how strongly some people hate him is wild. i’ve seen people claim he “inherited his rapist tendencies from his father” — an insane thing to say, not least because there is no evidence of rape connected to him. it just exposes the terminal brainworms and cringe that ricardians and h8 stans have… sad sad tears of a clown, truly. the fact that pointing out the very real, repeatedly historically recorded trend of calling henry vii ‘y daroganwr’ in multiple awdls got dismissed as “lionising” him… genuinely think people who actively dislike henry vii are stupid, end of discussion.

13. worst blorboficiation

at the moment, eustace chapuys is coming to mind. the tudors making him this sort of paternal figure, and moral crusader fighting for mary (and coa) was well done — but wildly inaccurate. the fact that his misogyny shapes and colours our perception of the tudor court world really must be recognised. if nothing else, i think recognising chapuys as a flawed, inconsistent and hypocritical figure makes him significantly more interesting. this is the man who belligerently called anne boleyn a whore, “concubine”, and the “english messalina”, and dismissed elizabeth as a bastard — to the point of having egregiously violent fantasies about them — whilst having an illegitimate son, himself. it’s very difficult to read his dispatches (many of which are often easily disproven and full of erroneous claims) and not be struck by the constant stream of potent and constant misogyny.

#💌

5 notes · View notes

rataltouille · 2 years

Text

LITTLE BY LITTLE

HI IM VERY EXCITED ABOUT THIS SILLY LITTLE STORY. it is:

a feel good lighthearted story about a bunch of kids in high school 👍

one half enemies to lovers romance, other half queerplatonic coming of age 🤨

dual storyline following two annoying siblings who will die for each other 🤱

set in chennai because i want to draw the city i grew up in and have a crisis over not having seen it enough 🤯

me deciding to compensate for my non existent final years of high school via fiction because who needs therapy tbh 🤔

BLURB

It’s Sameera’s last year of high school, and everything’s going her way: she’s a student council head, the captain of the girl’s Kho-Kho team, and she’s liked by almost everyone in her grade. Almost. Frigid, uptight Kayalvizhi, fellow council head, is the lone exception. Their first interaction was a nightmare, and while Sameera is told that Kayalvizhi’s just indifferent to everyone around her, she still feels personally attacked. So when the two of them are paired up as the cultural leaders for their school’s end-of-year ceremony, she’s more than thrilled to prove Kayal wrong by outshining her in everything. Too bad the latter’s determined to shut Sameera up by competing just as fiercely. What neither of them expects, though, is to find common ground, or to realise that the other person isn't who they thought they were, or, god forbid, actually start to enjoy each other’s company.

Anbu is a reserved kid, Sameera’s younger sibling by two years and the apple of every teacher’s eyes. Still just getting used to adolescence, Anbu is, to say the least, a bit disoriented. They’re exploring their confusing world, trying out new hobbies, grappling with their gender identity and pushing the limits of the life they’ve led so far. But right when they think they’ve got it all figured out, change hits them between the eyes in the name of Tamizh—their cool, mysterious neighbour who’s come back from Mumbai years after moving away. Anbu and Tamizh were childhood best friends, but that's childhood, and they know better than anyone else that adolescence upends everything with a rage. As the two’s rekindled friendship begins to deepen, Anbu is left questioning whether they see him as a friend, a crush, or something else entirely.

At least one thing’s certain for them all: this will be an unforgettable year.

CHARACTERS

SAMEERA. she/her, bi. annoying ass extroverted jock mf. everyones fave gremlin. needs constant love and validation or else she will perish

ANBU. they/them, trans. former sweetheart now saddled with a growing bloodthirst. going through too much all at once and is on the verge of emotional burnout.

KAYALVIZHI. she/her, trans, lesbian. moody ass introverted nerd mf. hates every single person to ever grace this planet and i love her so much actually

TAMIZH. he/him, aro. Resident Cool Kid™ except he feels very uncool and very unchill, ball of nerves just barely keeping it together. is unlearning a lot of toxic beliefs on gender and he’s doing it with style.

SO WHATS THE DEAL HERE

idk what happened in the last two years but i’ve gone from being a prose hoe to a webcomic bitch and it has been working out great for me. comics are such a brilliant format for someone who’s equal parts artist and writer and recently all my important all-consuming story ideas have been webcomic ideas and im so excited to get to make them!!

there are two parts to this story, two parallel arcs, one for each sibling: sameera’s enemies to lovers story with kayal and anbu’s queerplatonic coming of age thing with tamizh. i think the main inspiration behind this was a) bridgerton season two which was the first time i actually ENJOYED an enemies-to-lovers romance and which made me go hmm yanno what. i’m going to do the same but without british people. b) me realising that as much as i love romance and writing romantic relationships i also would like to write a queerplatonic relationship please and thank you [it is endlessly amusing to me that my favourite genre is romance despite me being aromantic lmao] and i esp wanted to try writing a qpr from the pov of the non-aromantic character, just for that extra spice!

in the very short time ive had these four they’ve taken over my brain completely and i love it so much!! im currently working to on getting the basic prep work done [character turnarounds, uniform designs, bg models etc etc] and i’ll post updates on progress whenever i feel like lmao

#i am unable to end sentences on normal punctuation #a random ass emoji is now my full stop 🥵#i am anbu and kayal on all levels but physical #webcomic #little by little

53 notes · View notes

thementalshawty · 4 months

Note

Hello, sorry for bothering you. But I would like to ask you: Do you have any advice for starting to make music? Since I was a child I have liked it, but it is something that my parents didn't, so I was always away from it, to the point that now I am studying engineering that has nothing to do with music, but I can't take it anymore, seriously, I want to try. 🤧

I do!

Know that it’s what you want to do seriously or just as a hobby

Know how far you want to go with your music and where you want to stop, if you’re doing it for the game find something else it’ll be way to easy to get famous on social media platforms than music of fame is what you striving for.

Know what your brand is, everyone knows the industry will be trying to test you to see what they can bend and make you do. Stay strong in your creativity. Don’t stray from your message or what you stand on, that will help you get ahead! Don’t be afraid to say no.

Don’t just trust everyone! I know talking to your fave artist and asking for help hoping to get their validation, DO NOT DO THAT! Artists don’t help other artists unfortunately it’s a lie they tell to sound humble, plenty of artists including myself have experienced that disappointment of finding out other artists ain’t shit 🤷🏽‍♀️.

Never go to the artists for help, go above them. (be a Karen and ask for the manager or the boss). You have to remember this is a business the whole objective of the industry is to create profit, these artists work with certain companies to expand their business, they won’t tell you what they actually did because they don’t want you to succeed, (Hopefully you meet an artist who is really sincere).

Don’t hold grudges. It’s a business. Accept and keep it pushing ALWAYS! People are jerks and they’re hella entitled and snooty in this industry even the ones just starting out. Idk why and idc I just warn other artists.

Be professional! Nobody likes a messy slob who doesn’t know how to conduct themselves.

MARKETING IS KEY! Know where and how to invest your money. Don’t give money away, everything and everyone will sell you stardom and the dream don’t believe it! Use marketing

Know that nothing is organic in this industry EVERYTHING IS FABRICATED! Yes numbers and all, you think an artist has 41M streams, but most of them are fake bots paid for by their label, again this is a business so the bigger numbers are making better send so the payola isn’t something to look down on.

This is a personal opinion of mine well this whole thing is, but MAKE YOUR OWN SHIT! If you can just be innovative original and write your own lyrics the majority of the time that is amazing and it shows how talented and passionate you are about the craft I feel like bigge smalls (number 9 should have been number one to me). I feel this should’ve been the first piece of advice, but here we are.

Practice ignoring what people say, I know people say you need to have tough skin, I say Fucc that! People need to learn how to control themselves like you do, but they don’t cos people are brave esp online, so practice turning your head to it or limiting your social media comment searches. Getting feedback is cool but you must KNOW WHO YOU ARE! Everyone is going to try to make you second guess yourself! This industry is a huge ass mindfucc! PLEASE KNOW WHO YOU ARE AND WHAT YOU WILL AND WILL NOT STAND FOR! Also don’t be afraid to stand up to anyone! You don’t need to get loud or rude but you can stand your ground in the room.

EXPECT NO HELP! The industry really helps those whose already made it to some kind of fame or viral status, you wanna start from the ground up, lots of money coming out and no money returning, lots of rejections and doors slammed, disappointments, frustrations and more sad moments. People are out for themselves and you’ll realize that in this industry.

Accept that the fame that most people see isn’t real and there’s a price to pay that you may or may not be into. Hey if you’re into it then go ahead, many artists including myself have been approached about this offer, and Fucc that it’s not even a choice to make, well not for MY BRAND! Hence why I say KNOW YOUR BRAND! What you’re about the image that you want to put out, how you want to look, say, move, etc.

Be entertaining, I’m not going to say be yourself if it ain’t lit they won’t look your way!

Have a great stage presence!

Uhm I’m trying to think……JUST STAY COMMITTED!!! Trust your instincts!

Get a great dream team! Don’t. Try to do it all, shit there’s nothing wrong with admitting you need help just be cautious about who you get help from.

Don’t try to get signed. Independent artists are hella fire and have so much freedom and they get to keep MAJORITY OF EVERYTHING (after you split with your team).

Learn the ins and outs of the business. Esp with the genre you want to pursue.

Believe in yourself and your craft more than anyone you need to be your biggest fan……..ALWAYS.

There’s more but I didn’t even want this to be that long!

Good luck love!

#anon answered #anon ask #thanks anon!#music advice #artistsupport #music industry #musician #blaze my music #my voice #my advice #thementalshawty #rant over #rants

2 notes · View notes

viscountessevie · 2 years

Note

Idk if and when you'll start answering benophie asks again but I cant help but notice how all the 🌼 that shit on aofag by saying its classist and elitist are also the same people who don't want to see that story played out on screen. It's such textbook virtue signaling and I'm tired of it. Like just say that you don't relate to to sophie or her story of trauma and abuse, just say that you want a story about two rich people going to balls and falling in love. There's nothing wrong with that. (1)

Related Ask I got about a week after(?):

First off hii anon thank you for sending this in and waiting a while!

Just a lot of shit happened on this blog and then when you sent this in I was trying to keep my blog ‘neutral’ because some people took offence to my post calling you-know-whos after a old timey disease and decided that we wouldn’t be impartial with our poll results which btw I apologise to everyone who is still waiting for it - I’ve been depressed (I’m fine don’t worry it just be like that sometimes) and my friends all have started school/work so life has happened we’re going to try to compile everything starting this weekend hopefully! Will come back with more updates when we’re ready to post.

That tangent aside, that’s why I couldn’t answer right away and then everything on my blog happened but now it’s free rein, The Petty Viscountess is here and ready to answer all your anons venting and calling shit out on you know which fandom. Not even gonna bother giving them a cute nickname, they’ll whine.

Let’s get into your ask, shall we! I don’t have more points to add to be honest - you said it all!

Sophie saved their book!! And also we have Luke T to thank for making Ben even more likeable! Ben has his charming moments in the books but we all - even those of us who love him - gotta admit he was so creepy at times being so pushy. I think its good for us Benophines to accept that part of him in Book Canon and engage critically with that aspect of him.

However that being said, you’re absolutely right about the way other subfandom fans can be so annoying about our ships by acting all high and mighty about their ship both being virgins. There is absolutely nothing wrong with that inherently and it can be romantic - but to act like that somehow makes their racist faves a morally better couple??? Do they realise they sound super puritan and like Church Pastors and Nuns who scared us former Christian kids into not having sex cos it was supposedly a sin??

It’s funny when you realise now most of them are trying to their couple out to be Kathony 2.0 in order to generate the hype for S3 its pretty sad that they don’t even believe in their own ship to let them be their own people.

To end this ask off I do wanna reiterate two very poignant points you made in your ask:

I'm disinterested in half the bridgerton ships but I don't go around pretending to have a good reason why.

They're already getting their season a year early, just leave us to our misery and they enjoy the content you get instead of constantly rubbing it in our faces. Every single ship is annoying but *god* their egos have inflated to the size of a bounce house lately.

I have no idea why That Subfandom is so hellbent on everyone liking them and their ship so damn much. Like just accept that the show version have shitty versions of those characters and that majority of your fandom are racist assholes so the rest of us want nothing to do with you!! Be secure in yourselves and accept that you don’t need anyone else’s validation - yall have shown yourselves that you’re are deluded enough anyway.

[I always say this but just a reminder: the only valid ones are most of the time Book Polins who hate the show version and are upset their fave chars have been character assassinated - I actually have a Polin who sent me an ask about this! I didn’t forget you - I’m just putting tgt a list of positive rep for you anon so hang in there <3. Also there is ONE rare person I’ve talked to who does critically engage with Show Pen so they’re okay - I just wish they would be more confrontational with their fandom tho.]

Back to you Benophie Anon: Your last line made me LAUGH OUT LOUD and LOUDER FOR THE RACISTS AT THE BACK:

They're already getting their season a year early,... enjoy the content you get instead of constantly rubbing it in our face. *god* their egos have inflated to the size of a bounce house lately.

Check yourselves @ you-know-whos!! Another season why we don’t like you, no one likes gloater and we get it Production Loves You so just stay in your corner! Leave us the fuck alone and stop being so self-righteous and trying to make your ship Kathony 2.0, they’ll never be Lord and Lady Bridgerton. Only Mr. and Miss for you.

Anyways last thing: @ both anons who sent in their asks if you’re anti-racist/homophobia/sexist Benophies who don’t send doxxing threats, please hit up my friends Belle aka sophiamariabeckett and Michaela aka minim236 they need more sane Benophie mutuals/friends! We’re tired of finding out some Benophies here and/or Twitters are secret racists or homophobes [this ask got long so I’ll put the red flags in the comments]

#Bridgerton #Ik I said I'd stop tagging Bridgerton but I am in a petty mood kdjhkad #Also anons are off and most of them are cowards to actually comment on my posts #The Bee Show #Any follow up asks you guys are dying to send - you can send off anon and ask to be anon 👍#Bridgerton Asks #The Viscountess Answers

21 notes · View notes