this is all i got

i was in the passenger seat and my girlfriend put her arm out when she made an abrupt stop and her friend in the backseat was like “aww that was so cute that you just instinctively did that!!” and it WAS very cute. but i know she used to deliver pizzas. i know i was precious pizza cargo

inspired by this post, in which Damian does not know what Vine is

let her go

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

homestuck was so perfect for autistic teenagers bc it took characters being sorted into categories and having Attributes to its absolute extreme. forget four hogwarts houses, every character has their associated colour their zodiac sign their associated animal their dream planet their god tier class and aspect their typing quirk their pesterchum handle their weapon their planet of x and y, as well as each of them having a handful of other very quantifiable Personality Traits and Interests (e.g. this one is a clown this one is angry this one likes fashion this one is just rufio from hook for some reason) and THEN they all also have their respective ancestors and dancestors(?)(plucked that word from my memory) who have all of those things as WELL

and god not to mention the fucking quadrant system

as a 13-15 year old autistic kid i didnt even need homestuck to have a plot i just happily made a big big spreadsheet of character attributes in my brain

Ashe posted a storyboard and everyone I know was going feral. I blacked out and came to with this so i guess i'm going feral too

pathologic but it's a lost 1920s german expressionist film [id under cut]

[id:

image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.

images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity

image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).

image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.

end id.]

Springtrap but he carries me bridle style into bed with him and showers me with kisses

you're onto something.....

life could be dream

running around in circles. nimona and ballister. do you get it. she wakes up from a nightmare and immediately calms down when he comforts her because she trusts him. he quite literally jumps off a balcony because he knows she’ll catch him. she tells him what shapeshifting feels like. lets him bandage her leg. he’s absolutely overjoyed when he sees her again at the end. he goes from rejecting her to accepting her to begging her to come back to rejoicing when she does. not only does she come back to life but she comes back to HIM. to her HOME. SHE FINDS HIM AGAIN IN ANOTHER LIFETIME. SHE GOES BACK TO HIM ON PURPOSE. DO YOU GET IT.

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

Made my very own tiny dungeon meshi dragon plush, that’s based on the version that only appears in the very last chapter for five pages and then is never seen again. I think it turned out pretty well.

I used this pattern to make it with some minor tweaks to the body, tails and legs and then just made some tiny cones for the horns at the end. If anyone would be intersted I might post the alterations and where to apply them but go check out the original pattern! I stuffed it both with acylic stuffing but also some plastic pellets for a bit of extra weight. The eyes are done with french knots.

Going to be adding manga spoilers below the read more with pictures of what I tried to get it to look like.

Mob Wally is just an artist with a god complex with his line of OCs.

"I don't like you like that, I'ma start over" *bops their head off*

"I don't like you anymore, I'm never using you again." *Fuckin obliterates their existence*

hello lgbt community. i have a new favorite movie(s).

Demise and ghirahim remind me of rose quartz and pearl from Steven universe

DO IT FOR HIM…..

only human

[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.

The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]