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micer2012 · 5 months

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a reflection on MatPat's plagiarism

Hello, my name is Della, or micer2012, and 2 years ago Game Theory plagiarized three Tumblr posts of mine, making a video that now holds almost 6 million views.

My posts explaining his plagiarism made their rounds on Reddit, Tumblr and Twitter, but despite the Hermits and Pooka commenting on it (generally in support of me or saying they don’t know enough details about the situation to say either way), MatPat and his team have never owned up to anything, and no mention of my name is present on the video. The one Reddit post they made denying it (which was made before my detailed takedown, which they have never responded to (though the mods on the r/GameTheorists Reddit were kind and made sure it stayed up)) didn’t even mention me by name, just referring to me as “a tumblr user”. (Though one of the screenshotted comments in the body of the post does say my name)

This experience was baffling, but it’s overall had a positive impact on my life. r/Hermitcraft gave me a Golden Apple Award (post of the year, 2021). My inbox was filled with excited fans, wanting to ask me questions or pose their own theories, far more than the hate I got. (Though the hate I got from Game Theory fans was VERY funny. I wondered why none of them gave me shit about saying “MatPat misgendered Evil Xisuma” before realizing none of them read that far into the post.)

And getting on a more personal, and much more important note, I met most of my current online friends through this, including my partner. It helped me grow closer with my irl friends as well and gave me an entertaining story that I tell whenever I have the chance. It was one of the first things in my life that really made me feel like my talents, my autistic hyperfocusing and analyzing of things I love, could be valuable. Useful. Exploitable. It blew my mind that MatPat thought an autistic kid’s ramblings about a Minecraft Youtube joke character were good enough to steal. To put an audible sponsorship on. To get 6 million views off of.

And that’s why I’m writing this post, this update years later. As you might’ve been able to guess, Hbomberguy’s Youtube video on plagiarism reopened this wound. It was really hard for me to sit through, it took days of pausing and taking breaks, because I had experienced everything he was talking about firsthand.

In my 10 page long takedown post, I wrote about how his rewording of my sentences made him say things that were incorrect, just like Filip did. The content farm production style that made big companies like Cinemassacre take one creator (AVGN/MatPat) and turn him and his content into a brand, a voice that reads out scripts by other people with other opinions/theories, is a history shared with Game Theory. What really hit me was Harris talking about how big creators only do this to people they think they can get away with doing it to. How they view their victims as lesser, as not deserving of their words, repackaging them as their own to give to an audience that can gain from hearing them, but deserves better than to have to listen to the original victim.

That’s the thing, I 100% think a video version of my theory to expose to a bigger community than “Evil Xisuma Fans on Tumblr” is a great idea!! Near the end of the video Harris talks about how video adaptations of things could be a great market, even an accessibility tool, and I completely feel that about my posts. I wrote them quickly assuming the reader was someone well versed on Evil Xisuma lore, after not even watching most of the CarnEvil series, and the diagrams I made to explain them are even less comprehensible. Harris makes a joke that I completely agree with,

“I’m sure some of my videos would do very well if someone translated them into English.”

I don’t think I would’ve ever made my posts if I didn’t have autism, and a special fixation on Evil Xisuma and Hermitcraft. I made them because I felt the character was being done an injustice, and because I wanted to share with other superfans this theory that might explain it away. I do think that MatPat plagiarizing me was ableist. I used to wonder a lot if this would’ve happened if my posts were articulated better, if they had been peer reviewed, if the posts themselves had been spread to a wider audience before MatPat made his video. At one point when the discourse was fresh (before I had the time to write out my 10 page rebuttal), a bigger YouTuber (100k subs at the time) messaged me and started talking on Discord, interested in possibly making a video on the discourse, but I think my style of typing and general enthusiasm drove him away. You can tell by a single look at my blog (or my original 3 posts!) that I don’t usually type like this. This post you’re reading now has been peer reviewed and edited, and took me hours to format correctly. That video could’ve been huge, the entire outcome of this MatPat situation would probably be much different.

I also used to stress a lot about “being the one who ruined Evil Xisuma’s story”. If you didn’t know, to me S8 Evil Xisuma’s story got wrapped up pretty quickly and unsatisfying (in my personal autistic opinion). (though this might’ve been due to s8 being experimental and ending early with moon big) There was no real culmination of the plot points and arcs going on, and I don’t want to blame myself, but when Xisuma said on stream (when the MatPat thing was first going on) that he didn’t want to focus on the discourse or draw more attention to it, it makes a lot of sense to me that he just wanted to wrap it all up as quickly as possible. For a while I beat myself up about it, of ruining the story of this character I love, but it’s not my fault. If anyone’s, it’s MatPats, but I don’t think it’s useful to just blame someone else. That’s how the story ended up going, and that’s fine. This is Evil Xisuma we’re talking about, their inconsistent lore is what made them such an interesting character. And notably, Pooka made an animation with an awesome culmination of Jeff, the Dreamer, Evil Xisuma, and his own sona’s story, and it makes me so happy to watch. Whatever Pooka does is of course his own choice, but I’m glad he got to give this personal story his own ending (if it is an ending, and not just the start of a new chapter!).

Typing this all out and getting it off my chest has made me feel a lot better. For a while I wanted to make my OWN video essay about Evil Xisuma’s lore and CarnEvil’s lore, actually going episode by episode to explain it instead of just assuming you knew as much about Evil Xisuma as I did. That idea is still not off the table, but MCYT isn’t something I’m that into right now. Maybe if something else comes out about Evil Xisuma I’ll get back on it, but for now I’m fine with letting that go. But I want to make other videos, share other theories and analysis… if I have the freetime I’d love to make YouTube videos, and if I don’t have the time I’ll continue posting to my tumblr and infodumping to my friends. Apparently my infodumping is valuable enough “content” to steal! Writing this out has made me feel a lot better though, I’m really glad I got it out.

If anyone ever wants to talk to me about the things I’m obsessed with, or reach out to me as a source in a bigger discussion about Game Theory or other channels, my inbox is more than welcome :] Thank you for reading!

Sincerely, a tumblr user.

#exiavojtmmc #hermitcraft #matpat #gt #game theory #hc #mcyt #evil xisuma #hbomberguy #plagiarism #james somerton #jeff the minion #mine #micer2012 #hcs9

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perpetual-stories · 4 months

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Eight Strategies for Improving Dialogue in Your Writing

Well, hi! Oh my… wow! It’s been a long time since I’ve posted! I’ve been very busy and I am genuinely sorry to all my followers, but that doesn’t mean I’ve forgotten about this account, but here is one final post for the year!

Hopefully next year I become consistent with it again!

Let’s begin!

One of the best ways to help a reader connect with your writing is by crafting excellent dialogue. Use these tips to learn how to write dialogue that showcases character development, defines your characters’ voices, and hooks readers.

Why Use Dialogue?

Good dialogue performs all sorts of functions in fiction writing. It defines your characters’ voices, establishes their speech patterns, exposes the inner emotions, and showcases their character development. Beyond mere characterization, effective dialogue can also establish the setting and time period of your story and reveal information in a way that doesn’t feel overly expository.

Authors use lines of dialogue to reveal a character’s personality and express their point of view. For instance, an archetypal football coach might speak in short, terse sentences peppered with exclamation points and quotations from famous war generals. By contrast, a nebbish lover with a broken heart might drone on endlessly to his therapist or best friend, speaking in run-on sentences that circle around his true motivations. When an author can reveal character traits through dialogue, it cuts down on exposition and makes a story flow briskly.

Eight Writing Tips for Improving Dialogue

The first time you write dialogue, you may find it quite difficult to replicate the patterns of normal speech. This can be compounded by the concurrent challenges of finding your own voice and telling a great story overall. Even bestselling authors can get stuck on how a particular character says a particular line of dialogue. With practice and hard work, however, lackluster dialogue can be elevated to great dialogue.

Here are some strategies for improving the dialogue in your own work:

Mimic the voices of people in your own life. Perhaps you’ve created a physician character with the same vocal inflections as your mother. Perhaps your hero soldier talks just like your old volleyball coach. If you want to ensure that your dialogue sounds the way real people speak, there’s no better resource than the real life people in your everyday world.

Mix dialogue with narration. Long runs of dialogue can dislodge a reader from the action of a scene. As your characters talk, interpolate some descriptions of their physical postures or other activity taking place in the room. This mimics the real-world experience of listening to someone speaking while simultaneously taking in visual and olfactory stimuli.

Give your main character a secret. Sometimes a line of dialogue is most notable for what it withholds. Even if your audience doesn’t realize it, you can build dynamic three-dimensionality by having your character withhold a key bit of information from their speech. For instance, you may draft a scene in which a museum curator speaks to an artist about how she wants her work displayed—but what the curator isn’t saying out loud is that she’s in love with the artist. You can use that secret to embed layers of tension into the character’s spoken phrases.

Use a layperson character to clarify technical language. When you need dialogue to convey technical information in approachable terms, split the conversation between two people. Have one character be an expert and one character be uninformed. The expert character can speak at a technical level, and the uninformed one can stop them, asking questions for clarification. Your readers will appreciate it.

Use authentic shorthand. Does your character call a gun a “piece” or a “Glock”? Whatever it is, be authentic and consistent in how your characters speak. If they all sound the same, your dialogue needs another pass.

Look to great examples of dialogue for inspiration. If you're looking for a dialogue example in the realm of novels or short stories, consider reading the great books written by Mark Twain, Judy Blume, or Toni Morrison. Within the world of screenwriting, Aaron Sorkin is renowned for his use of dialogue.

Ensure that you’re punctuating your dialogue properly. Remember that question marks and exclamation points go inside quotation marks. Enclose dialogue in double quotation marks and use single quotation marks when a character quotes another character within their dialogue. Knowing how to punctuate dialogue properly can ensure that your reader stays immersed in the story.

Use dialogue tags that are evocative. Repeating the word “said” over and over can make for dull writing and miss out on opportunities for added expressiveness. Consider replacing the word “said” with a more descriptive verb.

#writing #writing advice #writing tips #writers on tumblr #original writing

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cozycottagetarot · 3 months

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The Next Chapter Of Your Life

How To Pick A Pile:

Everyone has their own technique for choosing a 'pile'. My recommendation is to clear your mind and focus on each image for a few seconds. The image you find yourself coming back to even when you focus on the other images is the pile for you.

Quick notes on this reading:

It's a long one -- This reading is a lot longer (I think) than what I typically post. I'd appreciate any feedback on the length since it's something I'm experimenting with. The pile titles are colour-coded -- Hopefully, it helps make scrolling to the next section quicker.

Each pile references multiple scenarios -- some scenarios came through stronger than others, but I did my best to write what I was getting to be applied to situations not mentioned.

‼️ THIS READING IS MEANT FOR SELF-REFLECTION AND ENTERTAINMENT PURPOSES ONLY -- While this reading does contain a bit of advice and reflective questions, IT'S IN NO WAY SHAPE OR FORM MEANT TO REPLACE PROFESSIONAL ADVICE OF ANY KIND. Please use your discretion, think carefully before you act and only take what resonates be it a little, some or none at all. (The usual disclaimer is at the bottom).

Reading Masterlist | Patreon | Paid Readings -- Open 🥂

PILE 1 (Scrapbook)

Who are you? Cards: The Poet, The Founder rev, The Queen of Roses

This pile may be the pile for you if any of the following resonates:

Wanting to connect or being very connected to your loving, nurturing and supportive side. You've been receiving messages or sensing that a new connection is on the horizon. Motherhood/parenthood or marriage. Seeking resolutions to a relationship. Leaving behind relationships that have been in your life forever. Giving too much to others. Ending toxic relationships. Finding or wanting freedom. Finding your voice. Finding you. Tapping into your creative side. A quest for happiness.

If none of these individual sentences resonate feel free to check out a different pile.

Who will you become throughout this next chapter? Cards: The Muse, The Gambler

You will begin to bloom. Maybe not fully, but you’ll be more open to taking the necessary steps (which may feel like risk) to flourish. The end result will be you tapping into your creativity and creator energy. But also putting in the work, and changing your approach. I pulled all the cards at once so being able to take in all the cards at once, it’s this sense of making you happen. Gone will be the sense of being who you think you should or are expected to be. You’ll be gaining a new sense of self that is brighter and more wild. The risk is non-existent. It’s more perceived. It seems like a risk to indulge in the aspects of yourself that may seem like they’re more whimsy, but by actually making those things happen, you will transform into someone who can inspire themself. You won’t have to look for inspiration elsewhere, you’ll have it there within you.

How will you find success? Cards: 3 of Keys (The Chess Game), The King rev

Through changing your tactic. This chapter won’t necessarily be easy. There will be conflict with those around or above you, especially if this relates to career or relationships, possibly even both. Detach from the situation and be objective. Waiting for your opening will be the key to your success. For some, it’s a situation where everyone is only looking out for themself and I’m picking up that it's creating a stalemate. With the king reversed, you know what’s best in the situation but someone with more authority than you or a level of seniority if this is a personal relationship thinks they know better but they don’t. It’s about being firm and holding your own as well as not letting your emotions, or the part of you that’s super connected to the situation, get the best of you and influence you to make rash decisions.

Challenges you may meet: Cards: The Astronomer, The Orator, Reflection rev.

I see the biggest challenge here for you being one of mastering yourself in this next chapter. There’s a battle between your emotions and your intuition. To navigate this you need to have a conversation with yourself and determine why you’re having such strong emotions. Where are these feelings stemming from? The astronomer card is here to remind you that whatever the situation is, it’s not really about the past-- it’s not going to help you navigate this chapter. Especially if you’ve been acting according to what’s expected of you when the current/upcoming situation(s) requires you to do what is true to you. I hope I'm not repeating myself too much here, but the challenge becomes exploring the why behind the emotions so you can better make decisions and listen to your intuition. BUT, keep in mind that it doesn’t mean not to listen to your emotions at all.

Another message here is that working with other people may also show up as a challenge. There's a reminder to listen to other people's perspectives but also know that choosing to hear someone’s POV doesn’t mean you have to absorb it as yours either.

Finally, even when it gets tough, don’t doubt yourself. Take your time. It may seem like you have to have it all figured out and know what to say and which decision to make, but not really. It’s easy to feel that way when it feels like everything is at stake, but again, if you feel that way, pause and ask yourself why? Once you have your why, you can take on the world.

Lessons To Be Learned: Cards: The Painter, 8 of keys (the master artisan)

This definitely feels like it relates to career or passion projects, but of course, just adjust to your individual situation. It may or may not mean anything, but your cards have lots of florals.

Your lessons in this next chapter of life relate to learning to connect with yourself, speaking up and putting yourself out there. Your energy is one that makes me feel like you have such an amazing talent you're hesitant to embrace. You have so much to learn and just as much to offer... this is the beginning of that journey. Don’t be shy. There are opportunities out there waiting, you just have to figure out the way to pursue them that is most authentic to you. Even if it’s simply an opportunity to give love and kindness. I know I focused a lot on career and creativty, but this goes for relationships too. There is a lot of heavy energy covering this beautiful light-hearted one that just wants to break free. If you are considering going into teaching or taking up a teaching opportunity (not necessarily even in a formal education system) or enrolling in a course of some kind, I feel like this is a nod to say go for it. Especially pottery or beadwork? Trade work as well, maybe even culinary school or food-related skills. (I could be projecting there on the culinary aspect though as that's what I did and the imagery on the card reminds me of it).

Advice to take with you in this next chapter: The hound and pear (loyalty) — This card is always a bittersweet card whenever I see it. The message here is one of loyalty and friendship. A new relationship (of any kind), one founded on friendship, is precious but also delicate. Don't make irrevocable decisions based on conclusions. It must be treated with care on both sides because it can be damaged easily.

The deer and oat (healing) — Rest and recharge. Moderation and mindfulness are also key for recovering from difficult or intense situations. Ask yourself, how you can rest and nurture yourself?

The snake and fern (starting over) — it’s time to finish breaking free from the past so you can become something new. So you can return to your true self. What has protected you and brought you to this point? Are you in a position to release it? Are there any parts of your past self that you can regrow from (like snipping off part of a plant that may be unhealthy and leaving the rest so it can re-catch itself, not sure why I picked that analogy) or must you grow anew? (Planting a new seed, from the old plant. The essence is still there but a completely new plant will grow)

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 2 (Compass)

If you’re drawn to pile 1 feel free to check that out as well.

Who are you? Cards: The Oracle of Delphi, the Sentinel, the Forgotten

This pile may be the pile for you if any of the following resonates:

Intuitive. Connected to a higher power. Diety work. Past lives. Psychic powers. Perseverance. Fighting back. Confidence threatening to become arrogance. Dominance dancing on the lines of domineering. A force to be reckoned with. Someone who's sometimes brash. Amor fati (love of fate). An academic. Dreamlight Valley. Self-esteem issues (past or present). Someone who was looked past and from it learned not to try. Fear. Anxiety. A lost soul stumbling in the dark. Chaos. Morally grey. *You may be an avid reader or enjoy fantasy media as well.

My Overall Impression: You’re a force to be reckoned with and reckon you will. Your energy is just pure power and chaos. I low-key feel like you’re battling with life/the universe (call it what you prefer, that’s just how I prefer to call it). There’s this energy of "Try me" and the universe is like "I got one for you, watch and see". But there’s no malice. I just get fed-up vibes from you and the response from life is like "Okay 👀, but chill." Enemies to lovers with life itself.

Who will you become throughout this next chapter? Cards: The Ark of the Covenant, Beith — Birth, The Queen, The Assassin

The Queen and The Assassin flew out with such fury! You’re going to become someone worthy of wearing a crown. But it comes at a price, though it’s not one you can sit around and sulk about. The next chapter of your life reminds me of being forged in fire. Now you’re stepping into the role and identity of someone who can achieve your goals. It’s dark at times, but you’re gaining the skills to do what you want to do and I get the feeling this "thing" you're meant to do is one you may feel on a deep or soul level. (It is) fulfilling a higher calling or purpose. At the very least, you’re becoming someone who has decided that this is the last time they repeat a cycle.

You’re working towards something more and it feels like by the end of this chapter, you’ll be granted a brief reprieve. There’s still more work to be done though. You’re stepping into a new era where so much will grow from you. For some of you, a new romantic relationship is coming in and/or you're expanding your family-- that includes found family as well.

How will you find success?

Cards: 4 of Roses (views of the ego) the Witch. Rev

The first message that comes through is that your success lies in cutting someone off. Someone selfish and self-absorbed to be exact. It’s a relationship you’ve stayed in too long... they could have had some kind of hold over you, not necessarily in a controlling way, but they could have meant something on a deep level which could have been why you held on. You may have done a lot you’re not happy with because you’ve done it with this person in mind. Cutting ties with them grants you success as it allows you to focus on what’s truly important to you.

The other message with the witch reversed is the importance of remembering that while you’re forging your own path, it’s okay to look to others who have made it or 'gotten out'. Maybe they haven’t gone through the exact same thing, but it doesn’t mean there isn’t wisdom in the stories of others who’ve forged through and paved their own way as well. Pile one was about breaking away from the expected, but you’re being called to review what is expected and see if there’s anything worth considering. Kind of like shopping around for inspiration? You might come across someone else's story and it might spark an idea within you on how to navigate your own.

Challenges you may meet-- Cards: The Tailor Rev, The Scribe

Your challenges in this next chapter involve trying not to force your will upon the flow of your life and refining your focus. I know, I said forged in fire. There’s an imbalance of sorts... instead of firing and hoping you hit the target (your goal), you need to pause and take a good look at what’s working vs what isn’t. The 'wheel of life' worksheet/exercise comes to mind but I personally hate that exercise so much. I bring it up because it allows you to get a visual of what areas of your life you've been focusing on vs neglecting and pinpoint which areas of your life you’re lacking in. From there you can further assess and gain a better grasp on what you should be focusing on. After all, you can do anything, but you can’t do everything.

With the scribe, you may need to study or fine-tune your skills regarding a specific matter more. Here, there's something you need to learn to influence your life in the way you want, but you have to take the time to figure out what it is that you need to learn. It doesn’t have to be formal learning either. It could be something such watch a YouTube video, reading a book or article, or even taking a free online course or masterclass. Nothing is too big or too small here, as long as it's helping you to develop to get from point A to B.

Lessons To Be Learned:

Cards: 8 or scrolls (path unknown), the diviner, the puppeteer

The 8 of scrolls here reminds you that you’ve been travelling on a path where you know the outcomes, but to get to where you want to be sometimes requires walking down paths that may mean you don’t know what’s going to happen until it happens. At the same time, that’s how opportunities we didn’t know we needed arise. In the card imagery, there’s a basket next to the girl filled with scrolls, the same type of scrolls pictured in the scribe card. I think for you it’s learning the skill or information I mentioned that is going to help you feel more confident and assured on this path you’re following. You’ve got the energy of the queen archetype (regardless of gender), and though it may be a challenge, you’ve equipped yourself with the skills necessary to go after what you want. You’ll have what it takes 100% to move on to the next phase (after this one we're talking about).

The Diviner is about divine timing and evaluation. Here you’ve done all that you can with what is in your control. What’s left now is waiting for your desires outcomes to come to fruition. While you can’t rush or force things, you can make sure you set yourself up for success when you get it. So let's say you're waiting on receiving a sum of money, in the meantime you can learn/brush up on the skills to manage money etc.

Finally with the puppeteer, mending relationships could also be a lesson. Although I think it’s more about learning to interact with others better? But also remembering that sometimes apologies can mend relationships and other times they can’t. Going back to that relationship mentioned way before, it could be a matter of "are you willing to forgive the other person if they were to apologise and see the error of their ways?" (Though with the type of person mentioned that may be unlikely but, who knows).

Another possibility with the assassin card is that you may ruffle feathers at some point, so you may learn the power or limits of an apology in that sense as well.

Advice to take with you in this next chapter:

The Finch and Peach (romance) — romance is on its way to you. Things to ponder on could be: do you feel ready to welcome love into your life? What are some things that make you feel loved/how do you like to receive love?

The Marten and Foxglove (mischief) — this card asks you to stay open to opportunities that allow you to tap into your playful side, be spontaneous or travel. Ask yourself how can you make room for spontaneity? (It could be through trying new foods, reading a different genre, visiting a place you wouldn’t typically visit, changing up your daily routine etc). Also are you at a point where you can open yourself to new adventures, big or small?

The Boar and Pumpkin (confidence) — You’re not wrong to be confident in yourself, don’t let anyone tell you otherwise. Take a moment to acknowledge your accomplishments and think about what you’ve done that you’re proud of (doesn’t always have to be tangible, it can also be mindsets, situations you’ve walked from etc).

The Snake and Fern (starting over) — Again, if you were drawn to pile one, I suggest you check that out. Here this card nods to beginning a new and asks you to see if there are any parts of yourself you can return to, or if it’s time to completely start anew and discover yourself from scratch.

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 3 (The Trunks/Suitcase)

Who are you? Cards: The Smith, The Twins, The Lookout, The Askashic Library, 3 of Forces (Bird’s Nest)

This pile may be the pile for you if any of the following resonates:

The overthinker. Having a twin or prominent Gemini placements. If you're considering something you’ve been wanting to do for a while but keep putting off. A relationship with someone in which you both started on the same path but they went in another direction. Holding onto resentment. Feel like everything is up in flames. Writing. Seeking self-awareness. Manifesting. Intuitive. *Read that book you’ve been meaning to read. Needing a backup plan. Expanding. Hopeful prospects.

*If this doesn't feel like your pile, and you were eyeing pile 4, definitely check it out. This pile was actually the last I pulled and the hardest to read for and it felt like many aspects of it related to other piles as well. I recommend checking out a secondary pile in general if you were drawn to one.

Who will you become throughout this next chapter? Cards: The Waker, The Runaway, The Warrior (Sorry, I forgot to write down some of the cards 🤦‍♀️, I believe it was 'Fated Meeting' and 'Queen of Scrolls')

You’re becoming someone who is becoming centred/aligned and more intuitive. Your internal world and external world are going to become more connected. Connected to your ‘higher self’ as well, it’s going to be you vs you (levelling up). You’re going to become someone who can face the things you’ve been running from head-on.

That thing you’ve been putting off, you’re going to be able to finally put into action. Coming into being filled with inspiration, clarity and direction. This is especially if you’re considering careers/education, or projects in the fields of writing, publishing, marketing, communication, counselling or teaching. If you’re seeking a mentor, this person could help guide you to becoming this way. It could also be someone in your life already that may help you who is in one of these fields.

For a select few of you, you’re becoming the version of you that was meant to meet your person. If it’s not a romantic partner, then you’re coming into contact with a soulmate (meant as someone you have a ‘soul bond’ with).

Where Will You Find Success? Cards: 4 of Keys (Clearing The Way), Reflection, The Cartographer rev, The Weaver

If you find yourself prone to many different avenues of ideas and project but never settling on one, you’re going to find your success through settling on one thing and focusing on it. It’s time for you stop buckle down and stick with one of those brilliant ideas of yours and make it happen.

Also while it may be time for you to focus on one thing professionally or creatively, when it comes to yourself, it’s time to embrace all the pieces of you that seem random. It reminds me of this post I saw a couple of days ago about how we don't have to force ourselves fit perfectly into an aesthetic... that it's okay to have and embrace parts of your personality that are completely left field of the other bits that go hand in hand. So for some of you, maybe it’s time to embrace all the pieces of you that don’t go together neatly. Maybe that’s why you have these ideas and start them and then ditch them, because you’re a multifaceted being and you’re not allowing yourself to be so and that is the way it manifests in your life? Maybe it’s time to learn how to let all the sides of you coexist without getting lost. Food for thought maybe?

Regardless, it’s time to remove distractions that are holding you back. Tap into your intuition. Become more aware of your emotions. There's a sense of self-mastery is needed here.

Challenges You May Meet? Cards: The Pathless, The Miser, 1 of Scrolls (On Track), Up In The Air, 6 of Forces (The Waterfall) rev

Your challenges kind of relate to the things that were mentioned already. Being in your head, overthinking things, being unable to settle, but also trying to avoid falling into a headspace where you’re being pessimistic and stubborn. Just because you stick to one thing doesn’t mean you can’t shift and adjust your approach. And if you find that you’re really stuck don’t be afraid to just take a step back. If this is all relating to something where other people are giving you their unsolicited advice, don’t be afraid to brush it off and say “Hey, I might have hit a block but trust that I know what I’m doing”. Another scenario is to not internalise any unsolicited advice or opinions because I feel like that could be a trigger for getting lost in your head for some of you.

For overthinking, it'll be about learning to accept that you won’t be able to know the exact outcome of certain things. If you’re working with someone else, then feeling like you are in control or that you have a say may be the challenge. For others, the challenge may simply be making the decision or committing. It could also be coming to terms with the fact that you waited so long to pursue this goal.

Lessons To Be Learned: Cards: The Brawler, The Forgotten, 2 of Roses (The Winged Messengers), Uriel and the Sphinx, the king of roses

With the Forgotten you’ll learn that you can’t be afraid of mistakes. Mistakes help you grow. You'll come to realise how much fear has been holding you back. There's also learning how to make something out of your anxiety. Learning not to run from conflict or maybe how to properly address it could also be another lesson. This could be regarding internal conflict or conflict with another person as I am getting multiple scenarios come up.

Again there's a message here that for some of a romantic suitor specifically coming in. Overall for everyone there’s an important relationship making its way into your life. The mentor shows up as a neutral energy throughout the reading (or balanced feminine and masculine). Their energy is thoughtful, nurturing/comforting and supportive.

Advice — The Goat and Willow (overdoing obstacle) — even though there are losses to suffer, you can overcome them with renewed energy and the right balance. When obstacles appear, prioritise realigning yourself with your goals. You can even get ahead of the game and brainstorm ways to handle potential obstacles before they arise. The Chipmunk and Laurel (success) — Your path to success will be a unique one, one you have to create on your own, but there will be adventures along the way. The Elk and Ash (strength) — Don’t be afraid to fight back when met with a challenge.

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

Pile 4 (The plane around the world)

CW: Brief implication of strong language

Who are you? Cards: The storyteller, the mascareri, 1 of roses (commitment), 6 of roses (the war of roses)

This pile may be the pile for you if any of the following resonates:

Someone who struggles with the 'self'. You may hide your true self and struggle to accept others' true selves. For you, you could spend a lot of time crafting your persona. For some of you you maybe in positions where you delegate to others or are responsible for others' behaviour (managerial or boss positions). Some of you could work with kids or want to work with kids. Putting on a mask. Neurodivergence. You could enjoy writing or be a writer of some kind. The arts. Struggling with a partnership (romantic or business), trying to balance honouring yourself and their wishes? Conflicted about a relationship. Feeling like there's a battle between your head vs your heart.

Who will you become throughout this next chapter? Cards: 4 of Scrolls rev (The Karmic Trenches), The Patron rev, The poet You’re becoming someone with so much to offer and is still looking to grow. However, people may want to take advantage of that. Becoming someone who doesn’t hesitate and is in love with life. Embracing that life is imperfect. Becoming more vulnerable. Finding like-minded people. Embracing happiness. Tapping into your creative spirit. There could be an ending of some kind, though you didn’t want it, it brought a world full of new opportunities. You're finally breaking a pattern but also having the awareness to know when you’re tip-toeing along the lines of going back. Coming out of the dark. This sense of being healed on multiple levels and being able to finally experience joy.

Where will you find success? Cards: The Astronomer Rev, The Hound, 5 of forces (summer/winter), 7 of keys (The Ascent) You’re going to be finding success through setting long-term goals. If this is about a financial situation especially, then also finding a balance between focusing on what is necessary and not letting the 'wishlist' desires lead you astray. It can apply to any situation in general though. Focusing on what’s necessary and the things you would like to do coming afterwards.

There's also a matter of assessing where your loyalties or priorities lie and releasing habits, relationships, and ideas that are no longer serving you. Loyalty and staying true to your word might be something you value heavily and stand by, but I also see you finding success in this next chapter of your life by realising, you know what, sometimes you have to cut your ties, count any losses and move on because staying is only doing more harm than good. For some of you who have a relationship in mind or the relationship part resonated with you, this is especially true.

Taking action in general will bring success. This chapter could either close out or begin in the summer, or summer will mark an important time for you. With the 7 of keys, your success is guaranteed as long as you put in the work.

Challenges You May Meet: Cards: The Founder, The Shepard, 3 of Scrolls (Setting Your Course), Caught in The Ruins With The Founder, a challenge you might run into is needing to put yourself before someone else who is asking you for your help, although I'm also feeling it maybe asking you to put them first. You might struggle to determine whether or not you should offer them your help. The Shepard urges you to step up and take the lead when others need guidance. However, I think the best question to ask is what kind of person do you have to show up as in order to offer them your support? And also what type of person do you have to show up as to meet your goals? I’d say make a decision on how to proceed based on whether the two can successfully coincide or not.

A lot of different situations come up in this pile— relationships, career/finance, behaviours… but the common theme here seems to come down to mindset. Whatever the situation is that has you feeling trapped, you have to realise that it’s not definitive, even if it seems that way in your head. It seems like a lot of what is going on, and what you have to overcome, is self-sabotage and realising that just because you’ve always done something a certain way or a situation has always played out that way, doesn’t mean it will always be that way. You have the power to change; the challenge here simply lies in picking yourself up and dusting yourself off. There’s so much more out there for you than what you’re seeing right now. If relocating or travelling, especially where you have to cross the ocean, is something you’re hoping to do, then the end of this chapter we’re discussing in this reading might be the beginning of that next chapter in your life.

Lessons To Be Learned: Cards: 3 of Roses (Loving Elementals), 5 of Roses (The Garden)

The lessons here are about having a sense of child like wonder, and learning to find joy and exploration in life. Being able to laugh and play and find inspiration once more. If any of you have been thinking about starting a family (not necessarily right away) then it’s likely that this chapter will set you up for that. If not then I think a matter of legacy here. Being exposed to opportunities to nurture and grow the future you desire.

You’ll learn that sometimes you are the one who has to be the catalyst to change your life. I love this line from the guidebook of my Citadel Orcale cards regarding the catalyst. It says “ You are the bolt of lightning that topples the tower”. If you think about the Tower card in the traditional tarot deck, there’s lightning striking the tower and setting it on fire. Whenever it comes up it talks about upheaval and there’s often a sense of “oh great, something’s about to come **** up my life” but maybe [we] should consider that we’re not always the tower, but instead, we are the lightning. You have to make the decision to do or become something different, even if goes against what you've always known or what everyone tells you you should do.

What’s also important is not dwelling on past mistakes or regrets, it’s about learning from what happened and using it to make a better decision. Stop doubting yourself and overthink until your head hurts. Give yourself some grace and self-compassion. Take your time, changing isn’t going to happen overnight and often times we have to adjust to who we’re allowing ourselves to become.

Advice to take with you in this next chapter:

The Bee and Pomegranate (productivity) rev — If you find yourself struggling with procrastination, don’t be afraid to rest a while before giving whatever it is another go. Consider what makes you productive as well as what you can do to change why you’re not feeling productive towards another task.

The Racoon and Sycamore (curiosity) — The time is now to do some self-exploration. Explore new interests and hobbies as well as take time to think about how you’ve evolved and how you’d like to further evolve.

The Finch and Peach (romance) — Love is on its way to you. (I did kind of feel like it’s romantic love but it wasn't a prominent message in the reading.)

The Bear and Cedar (leadership) — You’re being guided towards leadership opportunities but remember to ‘rule’ with fairness and care. Ask yourself how can you be a better leader? Who can benefit from your knowledge and experience?

If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!

*** Disclaimer: All readings and tarot/blog games are for fun and entertainment purposes only. It is in no way meant to act as or replace professional advice of any kind. You know yourself and what’s going on in your life best so I ask that you trust yourself above all else. Finally please take only what resonates from the reading which may be some of it, all of it, or none at all.

#pick a card #pick a pile #pick a card reading #pac reading #pick a picture #pac #pick a pile reading #tarot reading #cozycottagetarot

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baby-yongbok · 7 months

Text

Meltdown

Boyfriend!Bang Chan x Autistic!Fem!Reader

❗Genre: Angst

❗Warnings: Heavy themes of autistic meltdown, Very detailed explanation of a meltdown, Heavy themes of Anxiety?, self-harm (no blood), Mentions of not being able to breathe, Chris is an asshole but not for long. Again, this is very detailed. + Bang Chan is referred to as Chris.

❗A/N: I'm very nervous to post this, but I want to put out content for neurodivergent community. As an autistic individual, I rarely see content with an autistic reader. It may exist, but I've never really come across it. So, here I am. This work is purely based on my experience with autism and is based on my own meltdowns. This is not meant to reflect how every person with autism has meltdowns. I hope that you enjoy!

✨️Masterlist✨️

“You always do this, you always do the same shit and then try to play it off as an accident. How many times are you going to make the same mistake?” Chris yelled in your direction, putting air quotes around the last word of his sentence. You let out a shaky breath, trying your best to keep yourself stable.

“It is a mistake and I thought that I was doing a good job at avoiding it, I don’t perceive any of my behavior tonight as suggestive. I thought that I was being friendly.” Your speech is steady and smooth, a calculated response designed in your head to avoid conflict. That was your goal, avoiding conflict, but it seems that Chris’ temper has other plans tonight.

“Friendly? Are you fucking kidding me? You were practically saying your vows with all the compliments you were dishing out tonight. Laughing at every single word that your so-called friend said. I’m surprised you weren’t sitting in his fucking lap with the way your conversation was going.” Your eyes dart around the room before landing on the bright numbers of the digital clock to your right. You focus your eyes on the bright outline, trying your best to keep yourself calm.

“Chris, I really didn’t mean -” You’re cut off by his yelling, the sudden sound making you jump a bit, shifting your focus.

“I don’t want to hear that fucking excuse. You didn’t mean it? Yeah, sure, you always say that. And why the fuck do you let him call you all of those names? Honey, sweetheart, and anything else that slips off of his tongue, right?” He moves from his spot across from you, circling the couch and stalking towards where you're sitting quickly, only stopping when there’s about a foot between you. “Are you fucking him or something? Do the two of you have history? Because I can’t think of another reason for you to be so goddamn disrespectful.”

“Wha- no, I- I never did anything with him.” Your eyes dart up to his face but your gaze quickly falls, you blink a couple of times trying your best to hold back your tears. “I thought.. I thought I was being friendly I was watching -”

“Why are you trying to play innocent?” He squats down in front of you, his piercing gaze trying to find yours. Tears start to run down your cheeks and you start to rock your body back and forth. You wipe your tears away with open hands before starting to pick at your nails. “Look at me. If you’re not lying then look at me.”

“Chris I- I can’t right now. I’m r-really overwhelmed, I’m sorry.” He sucks his teeth at you, leaning closer into your space. “Please.. Back up.”

“Look at me.” He hisses and you can feel the tingling in your hands and feet starting as your thoughts start to spiral out of control. “Do you really think that you were just being friendly? Tell me, I’m fucking listening.”

His tone picks up towards the completion of his sentence, ending in a shout. You jump again, crossing your arms over your chest in an attempt to comfort yourself. The thoughts in your head get louder as the seconds go by and you start to lose the ability to understand them. Every time that you try to pin point one of them it gets pulled away from you. You start to bounce your leg, fast and harsh. The bouncing of your leg paired with the rocking of your upper body seemed to have caught Chris’ attention. The real Chris, not the one that was standing in front of you seconds ago allowing his jealousy to spiral out of control in a fit of anger.

“Hey..hey” He lowers himself onto his knees, his eyes that were angry seconds ago now glazed with worry. “I’m.. I’m sorry I lost it, I know I shouldn’t have, I just..”

He reaches his hand out to touch you, a soft attempt at comforting you but it was the last thing that he should’ve done. You jump at the contact, a small whine falling from your lips. He moves his hand quickly, muttering a small apology. You bring your hands up to cover your ears, attempting to shut out the heavy buzzing of your thoughts. You start to rock your body quicker as you lean forward, shrinking into yourself.

“Fuck.” Chris hisses under his breath, his hands helplessly resting on his lap. He knows that you didn’t mean it, he knows that you have trouble interacting with your friends due to your autism. And he knew better than anyone what could happen when you got overwhelmed. He could usually see it coming and nurse you back to a more stable headspace but this time he couldn’t. This time it was him that caused the meltdown, the fault was at his feet and there was nothing he could do to fix it. All he could do was wait and watch as you went through the motions.

It was the screaming that pulled him out of his thoughts. The piercing sound of you wailing, the verbal expression of the pain you felt as you tried your best to understand what was happening in your head. His eyes fixed on you immediately, he took you in slowly, maybe too slow. Your hands were laced in your hair pulling harshly at the roots as you sobbed, you were mumbling something through your sobbing. At first he couldn’t understand but eventually he caught on and his heart shattered in his chest as he reached for your hands in an attempt to loosen your grip on your hair.

“Stop making mistakes, stop making mistakes, stop making mistakes.” You mumbled as your tears fell. Your grip on your hair tightened just as Chris made contact with you, he tried desperately to gently pry your fingers from your curls.

“Baby, you can’t do that.” He nearly whispered, his voice was easily drowned out by your screams as you tried to get as far away from his touch as possible. “Baby, please.”

“Stop making mistakes, Stop making mistakes.” Once Chris was able to loosen your grip you balled your hands into fists. Your body tensed and your breath caught in your chest. Chris watched you with wide eyes, he slowly tried to move a bit closer to you, preparing himself to stop you from hurting yourself if needed.

“You have to breathe.” The panic in his tone was evident, you could hear it but you couldn’t react. There was too much going on, too much to process. “ Babygirl, please please breathe.”

You bang your fists against your thighs, trying to get your brain to slow down, trying to coordinate breathing with thinking, moving, anything. Why couldn’t you breathe? Why couldn’t you just stop holding your breath? Why? The more you thought about it the more frustrated you got. You could feel a burning in your chest as you looked up at Chris, eyes wide with panic.

“Babygirl, look, follow me. Do what I do, yeah?” His voice is soft yet strong as he tries to mollify the panic rising in his chest. He attempts to instruct you, using his hands to guide you into making your chest rise and fall as it should. You watch his hands, trying to concentrate, Trying to ignore the ringing in your ears and the harsh buzzing of your thoughts. The longer you focus on the movements of his hand the more that you can feel your chest start to move. You take in a sudden breath, gasping a bit and choking for a second. You follow with another quick breath, gasping again and the pattern continues until the burning subsides and an intense dizziness hits you.

“You did it, you did so well, baby.” Chris whispers, his eyes wide and glossy. “You got it.”

Your body starts to relax a bit as you work to regulate your breathing. You slowly unclench your fist, resting your hands in your lap and scratching at the fabric of your jeans. Your movements start to slow and you sit up straight gradually, every move hurts a bit, the aching in your muscles already starting to set in. Your crying continues as you pant softly, you mumble the same statement to yourself a couple of times before you direct your words towards Chris.

“I’m s-sorry. I thought I-I was doing it right I t-thought…” Your sentence trails off into a pained sob as you bring your hands up to cover your eyes. The guilt of your reaction came flooding through instantly. First you make your boyfriend mad and then you have a fucking meltdown about it? You just can’t win, huh.

“Please don’t apologize, I should be the one apologizing. I should be begging for forgiveness right now. I had no right to get that angry, I was jealous and it was stupid. I was insecure, I’ve been insecure about you hanging out with him for months and I let all of that pent up emotion out and I hurt you. I’m so so sorry, I understand if you don’t forgive me, I wouldn’t either. I know that you struggle and I still fucked everything up.” He moved a bit closer to you, a mere inch separating the two of you.

You shook your head acknowledging that you could hear him. Your brain was slowing down just a bit and you didn’t want to add anything to the whirlwind to disrupt it.

“I’ll get your meltdown kit, and I’ll pick out your safe clothes. You need to take a hot shower to try and soothe your muscles… you’re going to be sore in the morning, okay?” You shake your head, glancing up at Chris for just a second before you close your eyes and take a deep breath. Your chest feels tight but you try not to let it bother you. The aftermath of a meltdown was something that you’ve grown used to after all.

“Please believe me when I say that none of this was your fault. I’m so so fucking sorry, this will never happen again…ever.” He nearly whispers the last word before he stands from his position in front of you, rushing off to get your meltdown kit equipped with sensory aids of all types along with a pair of noise canceling headphones and a pair of tinted glasses in case the light is too much for you to take in.

You keep your eyes closed as you wait for him to return, the pitter patter of his feet across the hardwood is louder than usual as he makes his way back over to you. He leaves you with the kit before rushing to start your shower and pick out your clothes. You always tell him that after you have a meltdown you just want to be left alone, you need space to come down completely. He watches from afar as you put on the headphones and open your favorite calming candle to smell. He makes sure to stay just far enough for you to have your space but close enough to be there if you need him. Once you go to the bathroom for your shower he sits outside of the door, listening for any signs of a follow up meltdown. He takes a deep breath and before he can stop it a tear falls, trailing down his cheek and leaving a path for the rest to follow. He squeezes his eyes shut as it all replays in his head. He yelled at you, he caused your meltdown, you could’ve passed out or ended up more hurt than you already are. God forbid you had a shutdown, he’d never be able to live with himself if he caused that but he could honestly barely stand himself now. He took out his phone, typing a text to Minho, hoping for someone to help calm him down before he sees you again. He’ll only allow himself to fall apart behind the scenes, he doesn’t want to add to your distress any more than he already has. A couple seconds go by after he’s sent the text before his phone is vibrating in his hands. He swipes the green button and brings his phone up to his ear. He takes in a shaky breath before he lets the words leave his lips.

“I fucked up…”

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bao3bei4 · 11 months

Text

ON THE TSHIRT METHOD TO WRITING ESSAYS IN YOUR OWN TIME:

i have had a couple people mention to me that they would like to write essays too, but they are a little out of practice. so i thought i should gather some scattered thoughts into one place. this is not a systematic guide. i am young and inexperienced and still working out things for myself, but this is my basic process and some things that have helped me, summarized.

my biggest single piece of advice is to write with your proverbial pussy. you are not writing for a grade so don't act like it. forget rigor, forget academic style, etc. read what you're interested in, and write following up on the threads that you're interested in. don’t sweat the details. just do you.

if you still need more advice..... here’s a long winded post.

step zero: if you have no clue what you want to say yet

read. and read a lot.

but be realistic. be kind to yourself. your attention is a precious resource, and it is getting eaten up by shit out of your control all the time. if you’ve had a busy day, you may still have the brain power left to read. i almost never do. lol. so make sure to carve out time on a day off, if possible. otherwise you might end up completely fried, reading the same sentence over and over, and ending up scrolling on your phone LMAO. <-- painful lesson also to this end, if you haven’t picked up a denser book in a while, start with shorter articles, especially ones written more recently. if your attention wanders, try getting a physical book instead. the most important thing is just starting things you’ll actually read. i’ve seen a lot of people (and been that person) who was like. “oh i’m going to start with THE canonical text in a subject i’m interested in” which makes sense right? but that book is inevitably long and dense and convoluted and boring. you can come back to it later. this shouldn’t feel like a chore!

genuinely this is the most helpful thing you can do is just. read anything. it may be difficult at first (or always), but it is still the easiest way to engage with the foremost experts from around the world and the entirety of written history on any subject you are interested in. there’s not really a substitute to this.

note: you may say that people can and do come up with brilliant ideas independently of their access to written works. this is true! but if you are one of them, you should skip this section/post, because you already know what you want to say. okay that was a little too facetious. let me revise: when i say that, without reading, it will be hard to come up with more complex ideas than what you have now, that isn’t necessarily pejorative. maybe your current ideas and impulses are original and meaningful and complex. if they aren’t, however, you don’t have to resign yourself to it. your experiences in real life are the most valuable thing you can bring to the table, but it can be very difficult to articulate and contextualize them without community—whether that be irl, or the simple textual company of other writers. you can let other people help you and teach you. basically, this is a long winded way of saying something extremely simple: reading is not the only way to gain knowledge, or even the best. but it is an extremely consistent and relatively egalitarian way.** **scihub and libgen and sometimes the public library are your friends. (my local library’s book coverage is spotty) who cares about piracy. LMAO.

you may surprise yourself by how nicely you fall into little spirals. you read one thing. and you are enamored with the way the author approaches their subject. so you end up reading everything else they’ve written, and then you start on the authors they list that inspire them in their interviews. maybe you just read one article that’s a little dry but it cites something else that seems far more interesting. read that next. and so on.

if you are struggling to read that’s okay. you have options. start a book club (or just get a friend who also wants to read more). if that sounds like too much work, pick a friend to keep updated on all your new facts. you just want to get used to reading something, and telling someone your favorite parts again. skim books. skip the boring parts. drop them entirely and find a more interesting one. no one’s going to quiz you. this is for your own enjoyment.

also important here: read books that make you want to write. sometimes this is because the methods and/or prose of the author are so exciting, you want to do something just like that. sometimes it’s because the content is so exciting, you want to say something about that too. sometimes they speak so powerfully to your own life, you want to tell people this is me!! i see this!! there are books i just enjoy reading, sure, and i do read them. but you know how, like, a good movie makes you want to tell stories too? good theory should do that too, in my opinion.

step one: you have some ideas now.

these ideas don’t have to be set in stone. but you should have an idea now of what you might talk about. personally, for me, i have two interconnected types of essay ideas.

interventions. this is like [tumblr voice] Why Is Nobody Talking About This. i see some sort of hole. maybe i know how to fill it, maybe i don’t.

free associations. basically i read one thing, or some analysis of one thing. and then it reminded me of another thing. and i’m like. i want to tease apart their connections, their similarities, and their differences.

there are more types of ideas, i’m sure. but these are the ones i consistently have. with me, the second kind is more common. very rarely do i find that my thoughts are that original. rather, i’ve found that one of my strengths as a writer is being able to make connections that other people haven’t made, or haven’t made in depth before. IN MY OPINION.

so i find it quite flexible. maybe i watch a movie, and it reminds me of my own life, because i think two women in the movie could be sad queer freaks. and i’m a sad queer freak. or it could be that i think scum villain could be analyzed through the framework of freudian psychoanalysis. you get the idea.

at this stage of the process, i don’t have a thesis, necessarily. but i have a couple phrases i’m drawn to. i have a bullet point or two. i have vibes.

to use an example from this blog, one of my friends hui once mentioned that that one fan image was going around again. we were going ughhh it’s victorian not chinese! together and they said “you should write a meta on it.” i wasn’t sure quite yet what i had to say. but i knew a couple things.

this is, incidentally, because i had done some research into chinoiserie before, because i had cited the zuroski book for a paper i had to write for an english class some years before on pride and prejudice and its use of descriptions of material culture, an essay that in turn was inspired by my random yet deeply felt conviction that jane austen hated me personally and wanted to kill me. this is why i encourage reading a lot. i think.

to work on this stage, make lists. lots of them. i have a .txt file where i keep every essay idea i have. a lot of them are a sentence. or they're lists of books or theorists i think i could make something out of. or they're theses that feel true, but i’m not sure why yet.

it took me a while to get to this point. just like with writing fic, there was a period when i first started where i was like. i only have one idea. i’m going to write it, and then i’m never going to write again. and then i had just one more idea. after a while. eventually you will find you have so many ideas and the world is full of possibilities. it’s a muscle you have to flex. like reading. and telling people about what you’re reading.

actually, i feel like there was a step 0.5 here that i completely skipped.

step zero point five that i skipped: how to generate ideas

my very truly complete “first time writing something semi-academic that was original” (with a loose definition of the word original) was literally just me reading literary criticism of one book, and saying “i think this author’s thoughts can be applied to this other book” and found some textual evidence that supported that the process could be replicated.

this is like, writing with training wheels on. eventually i got better at it (see aforementioned chinoiserie essay. i hope you agree.). but that was a good place to start for me. it made the proverbial blank page less intimidating, knowing i had a scaffolding.

i suggest trying this. see how it goes for you. read around until you find some piece of criticism, or just some theory about how something works, that you like. and using your newfound hammer, go look for some nails.

note: i know this expression is meant to like. be a negative thing. but you do have to start somewhere. it’s okay if it sucks. it’s just for your practice and your enjoyment.

be cautious of stances. weak writing (in my OPINIONNNN) tries to unilaterally defend or condemn a behavior. what you need to do is treat your writing as a bit. and then you need to run with it. you need to take it farther than what is reasonable. if this bit is truly actually deeply true, then what does it mean about yourself? it’s like using a new set of pronouns as a joke or something. you know what i mean? (that was an example of what i’m trying to communicate here)

what else is key to look out for... look for oppositional pairs or tensions. look for perverse incentives and vicious circles. look for embarrassing ideas. that is, what would be extremely embarrassing if it was true? (or to admit that it was true) you may go—tshirt, here you’re just describing things that are sexy. yes, exactly, that’s the point. you want things that thrill.

just keep reading and making notes until everything echoes with something else. now you’re ready for step two.

step two: refine your ideas further.

let me do this by demonstration. once more extending my earlier example of my chinoiserie essay, i knew that i really wanted to take zuroski’s points and basically... steal them. this is called “citation,” i guess. but i thought the following insights were useful to me:

british women were invested in chinese material objects

they incorporated them into their own subjectivity

past a certain point, they no longer “consumed” these signifiers, but these signifers became theirs

critique of one was able to stand in for critique of the other

and from being on fandom twitter, i already had the following insights:

people deliberately blurred the lines between china and england when it came to fans and tea

people also liked talking about victorian modesty when it came to china

so it seemed like victorian england and china had a privileged relationship, in a lot of people’s minds in fandom.

so it didn’t really seem a stretch to say... how can we look at one history, and apply it to our present?

it was a bit of the combo of the two: i saw something i didn’t see people were talking about, and it reminded me of something else i’d read before.

something that helps me a lot is tweeting about my essay ideas. if you have me on my private account, you already know this. it forces me to explain myself to someone who doesn’t know what i’m talking about in a very succinct way. oftentimes, i tweet something out while i’m brainstorming, and then i steal the phrasing back into my essay. see? tweets can be writing too.

this is microdosing on step zero’s “read something and practice telling a friend about it.” now you’re writing something and telling a friend about it.

step three: okay now you can like. open a google doc

make an outline. i know i know i know. i’m sorry. you can start just barfing thoughts if you want, but eventually everything that was on the top of your head will be out. and now you can start thinking about structure. the reason the outline is important is because it makes clear the logical progression from one idea to the next.

i know i usually bounce around in my writing (a tendency which has been magnified here because this is so casual LMAO), but i always want to make sure that my points are substantiated. if we want to talk about how a causes b, we should prove a, we should prove the causal link, and only then can we infer b, for instance. it doesn’t really matter what order that happens in (or even that we set about it that way), but the more complicated your idea is, the longer checklist you need. it’s just a checklist. that’s all.

as you start writing, you’ll probably need to read some more. you’re going to want to say something you think is true, but you’re going to realize that you haven’t proved it (or you can’t). go look to see if someone else has proved it.

maybe you’re right. add that evidence in. maybe you’re wrong. now your essay has a new direction. there is a living thing beneath you. actually, on that idea—

i tend to structure my outlines (if i’m not sure yet what my point is) by pasting a bunch of quotes in a document, and reorganizing them until they make sense, they seem to flow. and then i start explaining why, until i realized i have begun to walk off in a new direction. always embrace that new direction. eventually you will find that you have not been taking twists and turns, but actually you were dizzily walking along a straight path. (unless you have been unfocused and you are trying to say too many things at once. ask a friend to read your essay if you’re not sure which is the case.)

quotes are the smallest unit of your analysis. work with evidence. or, at least, i do. it makes writing an essay like solving a mystery. the idea of just spontaneously generating something new fills me with terror. rather, i want to autopsy something, trace its steps, and then discover how it came to be dead. this may not be true for you. but it’s true for meeeee and this is my post.

tl;dr

0. read something and tell someone about it/post it out

0.5. come up with a bit and run with it

1. think "why is no one talking about this" or start free associating

2. come up with weird connections and tell someone about it/post it out

3. collect all of your posts and ideas into a gdoc and organize them.

anyway i like reading posts like this because i’m incredibly nosy. so i tried to write out the sort of thing i like to read from other people. i don’t suggest you actually try to replicate it (if anyone would even want to.) practically basically i just encourage you to try any single part of this that you think was interesting or relatable or helpful. personally, i suggest reading a book and posting your favorite lines from it. if you do this a couple times, i think you will find the seeds of an essay waiting for you in your own posts.

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arabaka · 5 months

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₊˚ʚ ☁️ ₊˚ ♡ ﾟ. content warnings ⤸ sfw. fluff + angst for the birthday boy! spoilers for chapter 236. 736 words. while i don't mind ageless/minors interacting with my sfw posts, do NOT follow if you do not have your age in bio.

₊˚ʚ ☁️ ₊˚ ♡ ﾟ. author's note ⤸ maxine voice from russian doll: sweet birthday baby!!! i had this sitting around in my drafts and honestly been going through it so... we love-self care. also peep the httyd quote B)

He’s already seen everyone else (Suguru, Nanami, Haibara, and Yaga) but there’s still some unfinished business for the strongest, the ill-fated, Gojo Satoru.

After all, it’s a long known fact that Gojo Satoru really died when you did.

“Well,” Gojo stands, dusting off his uniform pants, “Gotta go.”

“Leaving so soon?” Geto asks with a knowing smirk.

“Yeah. Got a date, ya’ know.”

Of course, you’d reunite at an airport terminal of all places. The staple location for every cheesy rom-com movie, where the twist is that both lovers are dead.

What can you say; spending even just a few years in limbo will round out the humor in you.

But it’s also perfect, in its own way. How many rom-coms did you watch with him that had this exact scene in them? How many times had you recreated those corny, predictable scenes anytime you had to travel with sincerity because between the two of you… One couldn’t really live without the other.

Maybe there really is something to this airport effect.

You’re both running so fast, desperate to leave all the time you spent apart in the past.

Gojo sweeps you off your feet, somehow staying grounded on his despite the boom of excitement between the two of you. Your giggles make him giggle and it’s like you were never apart.

When you kiss, he remembers what it felt like when he really had someone to keep living for.

The memories don’t stop there: a dam of his own making cracks under the pressure before splitting apart entirely. It still hurt to reminisce on those times you shared, even after all those years it never got any better. But with you back in his arms, the experiences have been returned to their original glory. Their original joy.

He can see them all so clearly.

The look of annoyed disgust you gave him when you met as first-years at Jujutsu High: he never did let you live down your initial distaste for him and you never let him forget why you gave him that look in the first place. But it sure as hell didn’t stop you two from sneaking off to make out when you should have been practicing.

The gleam in your eyes when he told you I love you for the first time: you had cried right after and had him thinking he did something wrong but you more than made up for it when you tackled him to the ground, sobbing “I love yous” right back.

The warmth of your arms when he’d wake up screaming the nights following the first time he’d lost Suguru: he never could thank you enough for giving him such a perservering comfort.

He’s seeing it all: graduation, birthdays, holidays…

A flash of you and him in the bed you shared, in the apartment you two called home, and the night he proposed… How you said yes before he could even finish the sentence.

And that's where it ends because you'd be gone before the two of you could even announce your engagement.

Gojo never loved after you, didn’t even try to find someone else because no one could ever come close to you.

Now here you are, in his arms again… Where you belong. He kisses you over and over again with the fervor of a man starved, Gojo desperate to reacquaint himself with the way you taste and feel.

“I was beginning to think you forgot about me.” You tease, arms looped tenaciously around his neck; you aren’t letting go this time.

“Pft- You? Never, baby.” His lips skirt yours, “You don’t know how much I’ve missed this.”

Gojo makes you laugh. He always could.“I think I have an idea.” You chuckle, your eyes crinkling as you smile.

“Let me look at you.” You both say at the same time, falling in love with each other all over again.

With an air of remorse and his pretty blues saturated with sadness, Gojo whispers, “You’re as beautiful as the day I lost you.” His heart still aches like it's become a muscle memory. “I should’ve–”

“Hey.” Your hands firmly grasp his face, “Stop that.” You give him a good shake with that determined look in your eyes he's longed for all these years. “We're together again. I don't know for how long or what comes next but… For better or worse, right?”

“For better or worse.” Gojo agrees and for the first time in a long time he smiles without guilt, thinking to himself:

“I’m hoping this isn’t a dream.”

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assumptionprime · 3 months

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Also, can I ask something? The comic ran for like six years, how do you even plan for something like that? I'm a beginner comic artist, trying to start something on my own, and amount of work frontloaded before even starting to draw, like entire plot outline, just to have some sort of structure, is just too overwhelming

The secret to planning it all is that I didn’t.

Not completely.

I had the early comic and story ideas jotted down in a little brainstorming doc, and some very vague long-term ideas in there, but the vast majority of the actual strip-to-strip story or even arc-to-arc plot didn’t get anywhere close to fully worked out or written down at the start. At the beginning of each chapter, I’d usually throw in a handful of one-off gag strips, and use the week or so I was posting those to more tightly plot and outline the coming chapter.

I had a bulleted list of all my story ideas, usually a simple phrase or sentence (Keran goes roleplaying, One Crit Wonder downs the Dragon King, Zhusen comes out, some guy is leveling only by fishing). I had maybe two or three lined up in an order to be the next couple chapters. Sometimes I see a couple of these that I thought could work together/simultaneously. Bam, there’s an A and B Plot for the next chapter.

For actual scripting, those would be done in chunks, about 5 or 6 at a time, and when I was almost done drawing and posting that little chunk I would script the next few.

You absolutely don’t have to have a complete, outlined plot at the start. If I had tried for that I don’t think Experience Boost would have actually happened. Have some ideas on where you wanna go, and work towards them as it makes sense and feels right as you’re working.

Best of luck!

#asks

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vaspider · 1 year

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Intro Post, updated March 1, 2023

I post all asks under the name they were submitted under, and I post them when I feel like answering them. I will never honor a request to answer an ask privately or anonymously. Anon is never turned on. These are hard self-care boundaries. Please block the tag "harassment tag" if you don't want to be subjected to some of the horrible shit I get sent sometimes.

If you like what I do, please consider hiring me, consider buying something from NerdyKeppie (the shop I own with my spouse - we do custom work!), consider buying me a coffee or becoming a Patron or tossing some money in my PayPal tip jar. I am a disabled, queer, fat, Jewish non-binary butch whose entire income is derived from selling Quality Queerwear via our company NerdyKeppie (we also offer patches of all sorts, nerd gear, etc -- if you don’t see it, ask!), Patreon (queer fiction for a dollar) and freelance work.

If asking me to boost a post for you, ask at most once per week, and please don't make that the only way you interact with me, or follow me just to send an ask that I boost your posts. I notice, and I'll end up just blocking you if you make me feel "used." It's gross, y'all. I'm glad to help, but don't use me. It's getting to a point where I'm starting to feel pretty gross about it, and I'm one of the more relaxed ppl about boosting posts, so please don't put me in a position where I feel like I have to stop doing it.

I will not debate my identity or its history with anyone. I am a transmasculine non-binary butch lesbian, a cripple, a dyke, and lots of other things, too. You don't get a vote in that, and if any of those words are words you can't stand to have someone use around you in reference to himself, go ahead and block me. I won't censor my identity for your comfort; I took a long time becoming proud of who I am.

No, I am not an anti or an anti-anti. Literally no one cares about these distinctions outside of Tumblr. Please leave me alone. I am not going to have that conversation. No is a complete sentence.

I’m not interested in interacting with TWERFs, SWERFs, or any sort of exclusionary LGBTQ/queer people. Y'all are exhausting.

Do the work to root out TERF/2nd-wave "man bad woman good" philosophies from your head. Do the work to root out the gendered behavior you were taught. I am not here to raise other people's children.

I am not here to raise other people's children. My daughter is an adult and I am done being responsible for the experiences of a minor. If you read or interact with me, you acknowledge that you chose to do that and I can't control what happens to what I post once I post it on my Tumblr. People will reblog it and I can't control where it ends up. I can only control what I say in my space, which I do.

Curate your own online experiences. If you don't like seeing what I write, then add 'vaspider' to your "filtered content" list and don't bother me about it. Tumblr is a 17+ environment and I am not responsible for you seeing things you don't like. Adults having adult conversations do not need to be filtered for children. This is your notification.

I’ve been Out for over 30 years. I don't tolerate lectures from strangers, especially people half my age, about history I lived through.

I'm transmasc and if you believe transmisandry/transandrophobia aren't "real things," or that transmascs aren't "really oppressed," please just leave me alone. Oppression Olympics are bad, actually.

My immediate family consists of my partners, my adult daughter, and our dogs.

No one in my immediate family is cis or het. I have been called Spider for 20+ years, & now a lot of people call me Mama Spider. Mom is a role, it need not be gendered.

This is a lot shorter than it used to be. I don't really feel like posting paragraphs explaining stuff anymore.

My icon has lore, apparently.

I post all asks and anon is never turned on.

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royboyfanpage · 1 month

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Hi, I love your page! What are your thoughts on Roy and Connor's relationship?

Hi! Thank you so much, I'm glad you like my posts :) and thank you sososo much for this ask, I love Roy and Connor's relationship and I'm glad I have an opportunity to talk about them. Sorry it's taken me all day to answer, but here you go :)

Short answer? That's his little brother.

Long answer?

I know that "fanon Batfam is canon Arrowfam" is tired and overused, but I really do think that, especially with Roy and Connor, there is some truth to it. While they haven't had too many interactions in canon, there's still a clear arc their relationship takes which I really like.

I don't like Chuck Dixon's Green Arrow run, obviously he's a shitty person but also his writing just isn't for me, but one of the few parts of it I did enjoy was Connor's first meeting with Roy in Green Arrow (1988) #97, prior to Ollie's death. It first establishes one of the most present themes in their relationship, which is the differences in relation to Ollie, and the contrasting experiences of being their father's sons. Roy's the son who grew up with Ollie, he knows him personally, the good and the bad, but his status as Ollie's son is still constantly in question, you can see it back in Longbow Hunters, Ollie calls Roy his son but still denies that that word has meaning ("Roy's a hell of a kid, but he's not mine. Not really.") Whereas Connor, there's never been any doubt that he's Ollie's son, he's his flesh and blood, but he never knew Ollie until he was already in adulthood. He knows Oliver Queen through magazines, but not personally. That's why when Ollie storms off after finding out he's Connor's dad Connor's shocked, but Roy isn't surprised when he hears that from Connor. He knows Ollie, and he knows how his fears of commitment would make him act. While this is only a minor theme of those specific issues where they first met, Roy helping Connor understand what it means to be Oliver Queen's son is one of my favourite parts of their later interaction.

After Ollie's death, there is some tension between Roy and Connor, particularly around Connor joining the JLA in Ollie's place and becoming the new Green Arrow, first mentioned in Teen Titans (1996) #12-

-which is later expanded on in Arsenal #2.

This is really the first time we see Roy and Connor have a heart to heart, and it shows Roy's inferiority complex. Due to tumblr photo limit I can't show more pages for this, but I think the one I chose is the most poignant because, at least in my eyes, it shows the insecurities both of them have in terms of their relation to Ollie, and how each of them address that. Roy's loud, he'll openly speak his mind and say what he feels, and that's why it's primarily about him (that and that it's his mini and Connor's a guest). Roy openly admits feeling inferior to Connor in his position as Ollie's son, even after Ollie's death. Connor, he's quieter about it, and gets spoken over by Roy before he can actually talk about his feelings (which is a pretty consistent problem Connor faces where people expect him to listen but not talk). But you can still see it in his body language, the shadow over his face looking downwards, and while he isn't allowed to finish his sentence you can still tell what he's about to say, that Roy's more of Ollie's son than he is. They both know that the other hasn't actually done anything, but they're not to blame for each feeling their own individual emotions.

They also address the topic of legacy in relation to Ollie in #3, and how there's this unspoken standard to live up to that neither of them ever really can. Roy's Ollie's mentee, his protege, he should be Ollie's legacy, and yet he's not Green Arrow, he's not in the JLA, and he's still coming in second place. Whereas Connor, he is Green Arrow, he's Ollie's legacy, he's in the JLA, but he's a better martial artist than archer.

I wish they'd gotten more opportunities to interact while Ollie was dead because there was SO much potential for them during that period, but alas.

And now, I get to talk about one of my top five comics ever: Boys' Night Out, Green Arrow (2001) #32. Yeah, sure, the whole issue only happened because Ollie wanted Connor out of the house, but it's also the first comic to really explore the brotherly relationship between them, particularly in terms of Roy being older. Roy takes Connor bookshopping despite his own boredom-

-And then takes him to a strip club, where they have another heart to heart.

This page specifically is so important to me, because it's one of the few instances where Connor's actually being heard. Particularly in the 2000s but also in the 90s, a lot of Connor's character was defined by him being the voice of reason, the one who'll talk people down and listen to their problems, which ignores the fact that he's actually a pretty young guy, usually younger than the people he's helping (I suck with ages, I'm pretty sure he was 18 when he was first introduced which, by rough estimate using the Lian Method, would make him around 20-22 in the 2000s). I'm not saying that diminishes his emotional intelligence, he's clearly very emotionally intelligent, but it is a lot of pressure to put on someone that young to constantly be the one holding his family together. That's why I think this whole issue is so important for Connor, it's his chance to actually just be, and Roy's the best person for that. Despite what some fanon and canon characterisations suggest, Roy is absolutely not emotionally immature. Hell, you could make a pretty solid argument that part of the reason he took Connor to a strip club in the first place was to bring up the issue of Connor's sexuality. While asexuality wasn't as popularised as a term back then as it is today, the idea of Connor being queer was very present during Green Arrow (2001), albeit often used as a punchline, and while they're there Connor even gets referred to as a "friend of Madonna" by one of the workers. And while in Roy's head Connor was either gay or just had a low libido at that time, his "you're you and Ollie loves you" speech could very easily be interpreted as acceptance of his sexuality, even before Connor himself had figured it out. It acknowledges that, while Connor's good at helping other people work through their own problems, he's still a young person struggling with his identity, not understanding why he's so different to those around him, even his father. And Roy picks up on that, and tells him that it doesn't matter who or what he is, that what matters most is he's Connor, and him being Connor is enough to warrant love and support.

But Roy also doesn't treat Connor any differently to how he'd treat anyone else. When Connor says something Roy disagrees with, he calls him out

And I think Roy's treatment of Connor as an equal is very important. He doesn't depend on him or treat him like he's this pinnacle of wisdom, but he also doesn't coddle him and treat him like a baby. He calls his ass out, when he needs to! Roy's still a very loud and outspoken person, and he's not gonna change that because he and Connor had a heart to heart. I feel like a big problem with a lot of characters who enter into a family dynamic is that sometimes their writers change who they are at their core in order to have them fit into a specific role in the nuclear family, and while yeah, Roy's absolutely playing the role of an older brother in this issue, he's still Roy Harper, which I think is crucial. And conversely, Connor also calls Roy out when he does something he doesn't like!

I'm running low on the photo limit so apologies for the quality of this collage, and I couldn't fit it in frame but for context Roy just knocked out a robber who Connor was trying to talk down. Connor explains to Roy his reasonings, and Roy apologises! I think this also highlights the differences in terms of their characters. They're both very protective of their families, but Roy tends to act first whereas Connor thinks things through. Roy saw Connor with a gun pointed at him and immediately took action, which contrasts Connor's reaction when Roy gets shot in Outsiders #6

Connor's more of a rational thinker in times of crisis, and he tends to try and think things through and avoid rash decisions, whereas Roy's very much an immediate responder if his family's at stake.

And then it ends with them actually acknowledging each other as brothers!

The ending of Boys' Night Out is so important to me, honestly, and it demonstrates one of the most important features of their relationship- trying to figure out what brotherhood means. There's not a big hug at the end, there doesn't need to be. Just an acknowledgement that they're in each others lives, that they're brothers, and it doesn't matter what that means. It's cool. I adore this issue so much, I had to make like half the post about it because it's so good and it's such a good example of why filler issues are needed. Sure, Williamson's run has it's sweet moments, but an issue like this where two characters just get to interact in a low stake scenario will always be so much more impactful than one hug in a big event.

So, yeah, I think my short answer sums it up pretty well. They're the brothers ever.

#sorry this took me all day to answer i had a lil bit too much to drink last night and had a hangover until like 5pm #pro tip don't have your first shot at midnight #roy harper #speedy #arsenal #red arrow #connor hawke #green arrow

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steddieunderdogfics · 4 months

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This week's writer's spotlight feature is: @pearynice! With twenty-eight Stranger Things works, they've written twenty-seven fics tagged with Steve Harrington/Eddie Munson!

Nominated by @hotluncheddie, they recommend the following works by peachesandpears:

Talk to Me

Personally

Starched Collars

In your eyes

they are so lovely and so talented!! so many short and sweet pieces - that so often seem to touch and soft squishy part hidden away within me, put a little bandaid on it <3 - @hotluncheddie

Below the cut, @pearynice answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

I’ve always loved the “opposites attract” trope. While Steddie is the first ship I’ve ever seriously written for, in the past this dynamic has always been my go to (ie: destiel lol) but Steddie specifically because I think Stranger Things is a great show with compelling characters, and that Eddie and Steve deserve a happy ending. And for me that happy ending will always have them with each other.

What’s your favorite trope to READ?

I love AUs. Love seeing the little blorbos in as many situations as possible. I love being able to see how writers take what we know about these characters and make it into a whole new story. (But especially a soulmate AU. I loveeee a soulmate AU.)

What’s your favorite trope to WRITE?

I think anyone who follows me can probably guess hurt/ comfort and fluff. I LOVE making these boys suffer and then smooch about it.

What’s your favorite Steddie fic?

AH okay I will scream about this fic until I’m blue in the face (I actually submitted an ask to this blog about it because I think it’s criminally under-viewed!) it’s As the World Falls Down by daeneryske on Ao3. I read this MONTHS ago and I still think about it all the time. It’s long but god I wish it would never end. I want to tattoo it on the inside of my eyelids.

Is there a trope you’re excited to explore in a future work but haven’t yet?

Yes!! I can’t say much because it’s for my Reverse Big Bang but they both contain tropes I’ve never worked with before and I’m so so excited to be writing both of them!!! I’m already having so much fun! And a goal of mine for 2024 is to broaden my writing horizons a little and explore tropes and topics that I haven’t yet, so I don’t really have any specifically in mind but that is my general plan!

What is your writing process like?

Very chaotic. I almost never write an outline. It’s pure vibes baby. And when I DO write an outline I almost never follow it (whoopsie) I feel like as I write the plot comes to me, and outlines tend to pigeon hole me so I can’t get myself out of writing slumps.

Do you have any writing quirks?

Maybe my overuse of italics? I also don’t really know how to describe it but sometimes when I’m writing heavy action scenes/ emotional scenes I’ll start and stop sentences before they’re complete sentences. Like: “Steve says nothing. Sits down next to his father and looks over his shoulder.” I don’t know if that’s a writing quirk or not lol but that tends to be how I structure my sentences.

Do you prefer posting when you’ve finished writing or on a schedule?

Definitely after I’ve finished. Once I’m on a deadline I psych myself out.

Which fic are you most proud of?

That’s such a hard one, because I think I’m proud of a lot of my fics but for very different reasons. I think if I had to choose, I’d pick Blood of the Covenant. It’s one of my more recent fics, and I had toyed around with a Wayne POV fic for such a long time before writing because I wanted to get it right. It was hard to find his voice but I think in the end I executed it well.

How did you get the idea for Talk to Me?

Well besties I dunno how personal we want to get here, but the inspo for this fic (and tbh a lot of my hurt/ comfort fics) is just based on my own experiences. Growing up my mom did not have the capacity to tend to the thoughts and emotions of her kids, ergo me pushing that shit into a Steddie fic. Obviously what I wrote as Steve’s experience and mine are not directly parallel, but that is how I got the idea.

When writing Starched Collars, what was something you didn’t expect?

That was my first heavy hurt/comfort fic that I wrote, and I remember being really blown away that people could relate so heavily to Steve’s experiences. I remember I had some comments saying that they felt really comforted seeing their own experiences reflected within Steve, and I just never expected my writing to be able provide that for someone.

What inspired Personally?

Well, again, we’re getting a little personal (babum tss)- but how I wrote Steve’s mom reacting to him mentioning the sunglasses is definitely how my own mom tends to react when I express any kind of negative emotion around her. In this case it was a lost parking stub instead of sunglasses.

What was your favorite part to write from Talk to Me?

The COMFORT- that’s always my favorite part. Making it better! (Although it is also a little fun leaving the angsty cliffhanger- but I will ALWAYS make my fics have a happy ending.) But also I’m a little in love with the idea I had that Eddie likes to rub on Steve’s stomach until he falls asleep. I thought that wrapped up the story very nicely.

How do/did you feel writing Personally?

It was honestly very therapeutic. I don’t think I’ve ever word-vomited out a fic more rapidly than I did for that one. I wrote that in my notes app in one afternoon, read through it once or twice, and posted. It was a relief to get all of that out in writing, and then even better to see that other people found comfort in what I had written.

What was the most difficult part of writing Starched Collars?

When I was first drafting the fic I was going to have Starched Collars and In Your Eyes (the kinda sorta sequel) be one in the same. I spent a long time trying to balance the two narratives, before I realized it was just too much to fit into one fic. Having both detracted from the other’s story too much, and eventually I had it just focusing on Steve. I think this was the best move but I spent so long trying to strike that balance before I scrapped it.

Do you have a favorite scene and/or line from any of your fics?

I don’t know if I can name any one scene or line as explicitly my favorite, but the final scene of Because it’s Steve it’s absolutely a favorite. That whole fic is very special to me because it reflects a lot of my own thoughts/feelings/experiences on being demi, and that final scene is just exactly how I experience my demisexuality. (I’m not sure how long this can be, but I’ll insert the passage here):

And they’re still in this disgusting bathroom. There’s still a toilet behind Eddie’s knees, but when Steve’s mouth meets his, it doesn’t matter. Because one of Steve’s arms wraps around his middle, his fingers dip into the spaces between his ribs, their chests touch, and it all feels so good. Because it’s Steve. And it’s still Steve who kisses him, still Steve who licks into his mouth, still Steve who nearly sends them both stumbling into the disgusting toilet. And because it’s Steve it’s so funny that Eddie can’t stop laughing, and there’s a blush high on Steve’s cheeks as he tells Eddie to stop it. But then Steve kisses him again. Asks if he wants to go and find Robin and Nancy. If he wants to dance. With him.

Do you have any upcoming projects or fics you’d like to share/promote?

YES. So Because it’s Steve is now a series: Demi/Virgin!Eddie, with all of Eddie’s firsts with Steve. This is very smutty but it’s also like, the sappiest, most disgustingly fluffy smut I’ve ever written. I would say it’s “schmoopy” but I was outed as an Old Lady on Discord because apparently no one uses that word anymore. ALSO- and maybe this is still too far away BUT I am working on TWO Reverse Big Bang pieces and… you guys… my artists are so talented and kind and their brains are so big and so far I’ve gotten along with each of them so well and I am already so excited to post these and we’ve only just begun. I cannot wait until we can make our visions into an entire fic!

Outside of these questions, Is there anything YOU would like to add?

YES- whoever nominated me for this (I don’t know if that’s something they’ll tell me??) THANK YOU- this is so sweet. I feel so honored that someone thought of me as deserving of this. There are so, so many authors you could've chosen and you chose ME! That’s just- insane. Thank you. And to anyone who has said they found my hurt/ comfort fics relatable in any way, I rain all of the platonic hugs/ forehead kisses/ handshakes/ high fives/ nods of the head upon you. ❤️✨

Thank you to our author, @pearynice, and our nominator, @hotluncheddie! See more of @pearynice's work featured on our page throughout the day!

Writer's Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

#steddie #steddie fic recs #eddie munson #steve harrington #steve x eddie #stranger things #steddie writers #writer's spotlight #pearynice

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birdofmay · 1 year

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30 Days of Autism Acceptance 2023

Hello, apparently I act as a substitute teacher this autism acceptance month 😄 @autie-j is busy, so my therapist and I spontaneously thought of 30 questions for 2023 - to be "published" before 1 April 2023 starts in the timezone UTC+14. Which... wasn't much time. If you see this, we made it! 😎

Rules:

Copy and paste the question you want to answer into an own post - this means don't answer via reblog!

You can answer as many or as few as you like. No force, for real.

Tag your post as #30daysofautismacceptance and #2023

1 April: The typical introduction question! Tell us something about yourself. If you can't think of anything, try these: What do you enjoy to do in your free time? What music or series/show do you like? Are you happy with your current living situation/the people you live with? What's one of your favourite foods?

2 April: When were you diagnosed and when did you know that you're autistic? If you're self-diagnosed, when did you first suspect that you're autistic and when were you sure?

3 April: How good or bad is your memory for things people say? For example verbal instructions. If you're deaf: Can you lip read? Do you think your autism influences your ability to lip read?

4 April: Were/are you in special education? Regular school? Home schooled? A private school? Did it change over time? Did/do you like it?

5 April: Did/do you have accommodations at school/IEP? If not, do you think it would help/have helped you?

6 April: Can you understand what people say when they talk fast, or do you lose track after a while? Was it different when you were younger? Additional question if your hearing is aided: If your hearing is aided, does that trigger sensory overloads sometimes?

7 April: Do you have other diagnoses? What are they? Do you think that some could be incorrect?

8 April: Do you struggle to read long texts or are you one of those people who can read everything with ease (Braille counts too of course)? If you're blind, do you struggle to pay attention when a screen reader reads a long text, or is it ok?

9 April: Did an interest ever turn into an "obsession" for you? If not, do you regularly experience hyperfocus when you engage in your special interest? If nothing applies, tell us about your longest interest, no matter if it's a special interest or not!

10 April: Can you understand speech when there is background noise? If you're deaf: Could you understand speech when you were younger? If your hearing is aided: Does the sound make listening to speech uncomfortable to you?

11 April: If you learned to speak as a child (definition for this post: the ability to use spontaneous speech (mouth words) to communicate in at least two-word sentences), did your ability to speak improve after that, stayed the same, decrease, or did something happen that you can't speak at all anymore now?

If you never learned to speak, did it take you a while to find a good communication method (for example sign language didn't work, communication board was too confusing, but AAC device is ok)?

12 April: Were/are you in speech therapy? If so, for what? If not, do you think speech therapy could have helped you?

13 April: How important are routines to you? Are your routines more based on time ("I always do this at 6pm!"), on habits ("I always drink from this cup!") or both?

14 April: If you learned to speak as a child, were you a late talker, average age, or did you speak at a really young age? If you never learned to speak, how do you communicate? For example an AAC device, sign language, a communication board, etc.

15 April: If you can perceive the facial expression of others and learned to recognise the meaning to a degree, did you learn that in social skills training, by your own "hard work", or was it a mix of both? Are there patterns that you understand intuitively (for example recognising fear because it's not so different from how you behave when you feel fear)? - if this question doesn't apply to you, you have a day off! :)

16 April: If you can perceive the facial expression of others, but struggle to learn the meaning, are there strategies you use to at least guess if the person reacts in a good, neutral or bad way to you (for example to spot if you made someone angry by accident)? Do you rely on how their voice sounds as a backup? - if this question doesn't apply to you, not even in your childhood, you have a day off! :)

17 April: If you can't perceive the facial expression of others (for example because you focus too much on details, struggle to perceive people in general, or because you're blind), do you pay attention to the tone of their voice? Can you hear if someone is angry if they don't tell you? - if this question doesn't apply to you, you have a day off! :)

18 April: If you can perceive the facial expression of others, how long does it take you to spot a pattern in new people (for example you observe someone for a while and at some point you know "This person is insecure because they always have that look when they're insecure")? - if this question doesn't apply to you, you have a day off! :)

19 April: Did your ability to express yourself improve or worsen/deteriorate over time? Or did it stay the same? Is it different depending on how you communicate (spoken language, written language, signed...)?

20 April: If you can (or could when you were younger) say words with your mouth (echolalia counts), did/do you have a monotone or "odd" voice, speak too loudly/softly, etc.? Did/do you practice to modulate your voice?

21 April: If you can (or could when you were younger) say words with your mouth, did/do you struggle to pronounce words or sounds? For example r, th, s, etc. - if this question doesn't apply to you, you have a day off :)

22 April: If you can speak (the ability to use spontaneous speech (mouth words) to communicate in at least two-word sentences), do you experience speech loss/verbal shutdowns, etc.? Meaning that you normally can speak, but sometimes you suddenly can't anymore. Semiverbal/semispeaking people and unreliably speaking people (apraxia), you count as "speaking" if you can use spontaneous(!) speech most of the time.

If you can't speak, are there times when communication suddenly is harder than usual? If not, was it different when you were younger?

23 April: Do you have balance issues? If not, was it different when you were younger?

24 April: How did your fine motor skills develop? Were you one of the first kids who could tie their shoe laces or do you think you'll probably never learn it? This is an "open question", if you want to ramble, start rambling.

25 April: How did your gross motor skills develop? Did you walk early or did you struggle to walk (if you can walk)? Do you have a bad posture? This is another "open question".

26 April: If you're interested in other people/want contact, how do you normally make contact with others? Do you stay where you are and hope that they approach you, or do you approach them?

If you're not interested in other people, do others respect and understand that? Were you negatively affected by the "autistics are very social actually and want friends, they just don't know how to do that!" mentality (for example that everyone tries to force social interactions because they think you secretly want social contacts)?

27 April: If you have/want real-life friends, how much contact is important for you and when is it too much? Do/would you miss your friends if you wouldn't see each other in person for a while?

28 April: As a child, did you tend to express yourself overly formally? Or did you struggle with grammar? Did you "borrow" words and expressions from other people or media, or did you make up your own words? Or both?

29 April: Was your hand-eye coordination delayed or maybe is still impaired? This includes things like throwing and catching a ball, putting a key into a lock without missing it, etc. Everything where your brain needs to process what your eyes see so that your hands can adjust what they do. If you're blind, tell us if you think your autism made it harder for you to estimate where things are, using your hands.

30 April: If you're interested in other people/want contact, did you try to make friends on your own when you were younger, or didn't you initiate anything because you didn't know what to do?

If you're not interested in other people, did/do you still enjoy online contact? If not, did/do people assume you're lonely and try to interact with you all the time?

#30daysofautismacceptance #2023 #actually autistic #actuallyautistic

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bumblekastclips · 6 months

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KYLE CROUSE: Alright, here's a question from Milesprowerdavis. "Recently I lost a close family member. What fatherly advice or motherly advice would the main cast give? Team Dark and Light can add more of the characters. You can be funny with it. Interested what Dr Eggman would say."

youtube

IAN FLYNN: Well, first of all, deepest condolences. KYLE: Yes. IAN: Um, I would normally not want to answer in the way of a character, but this is your personal request, so I guess that takes the 'taboo' off it. KYLE: [chuckles] IAN: Uh, Sonic I don't think would give any kind of fatherly advice; he would let you figure out your own answer and be there for you as you figure it out on your own. He's gonna let you take that journey, but he's going to be there as you do it. Um, Amy would likewise- I don't know if she would give advice, but she would be there to console, to offer words of support, to be someone to listen, or to just talk so you don't have to think for a bit. She would do whatever you needed her to do at the time. Eggman... KYLE: [chuckles] IAN: We're gonna- we're gonna go the wholesome route this time, even if it is slightly out of character. [Eggman] would go on some long spiel about the entropy of the universe, and how everything is finite, and 'dust to dust' and yadda yadda. But you are still here, and that's what's important. You continue on the chain reactions that are life, so while that experiment is ended, you are the results that are continuing to create results! So, keep at it. And then kind of an awkward shoulder pat and wanders off. KYLE: [Eggman voice] "And soon, you will be part of the Eggman Empire anyways, so it does not matter!" IAN: [chuckles] Knuckles would kind of nod solemnly and say, "That's rough, buddy." KYLE: Yeah! [laughs] That is rough, buddy. It is very rough, buddy. IAN: But he means it! So it means something! KYLE: I mean, yeah! Yeah, yeah, yeah. And Tails? IAN: I don't know if Tails would know what to say. He would want to be- KYLE: I think Tails would be kind of lost, but he would try. IAN: He'd want to be encouraging, yeah. He'd want to be encouraging and supportive, but I think he'd feel a little overwhelmed with the responsibility. KYLE: Yeah... IAN: Um, Vector would start to mumble something that might sound... interesting, maybe? He kind of starts and stops his sentences every few seconds, then says, uh, [Vector voice] "Espio, tag in!" KYLE: [laughs] IAN: Then Espio starts getting kinda philosophical, and kinda loses his own train of thought, and goes quiet for a second. [Espio voice] "Charmy, tag in!" And then Charmy offers you ice cream. KYLE: [chuckles] I mean, I would appreciate all three of them, so yeah. That's wholesome. [after a pause] Hm... would Silver be, like...? IAN: I think Silver would be devastated. I think he values life on a personal level even more so than anyone else. KYLE: Okay, okay. IAN: Um, 'cause he- I think he has a better understanding of loss than any of the cast, to be perfectly honest. Sure, Knuckles is on his own, but he doesn't have any memory of what came before. That's kind of just his status quo. It's more of an existential thing. Silver... Silver has seen devastation. He has seen tragic loss and, y'know, impossible odds. So I think he would hold everything a little- every life a little more sacred. So I don't know if he would be able to impart any words of wisdom, but he would definitely be the most openly and, uh, earnestly sympathetic. KYLE: Mhm. Alright, I think that's enough, though... There's definitely many other characters we could ask, but that's enough for now.

--- TRANSCRIBER'S NOTE: Please remember that nothing that is said on BumbleKast is canon! It's just some guys and their opinions occasionally spitballing ideas. If you don't like an answer, you don't have to take it as Word of God or anything like that. It's all just for fun! ----- Do you want a specific question transcribed and posted? Send the question and the episode date to my ask box! Or if you just want questions about a certain character, send me their name and I will see what I can do!

#sonic the hedgehog #amy rose #knuckles the echidna #dr eggman #team chaotix #vector the crocodile #espio the chameleon #charmy bee #silver the hedgehog #bumblekast #ian flynn #kyle crouse #Yeah I know yesterday I said I wasn't gonna do any transcripts but I heard this one again when I needed it most.#So I'm doing it as a transcript as like... therapy I guess. Yeah. Silver's answer made me cry yesterday lmao. Love that little guy <3 #Youtube

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alwachart · 4 days

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On Raphael and fandom discourse

I grow tired of writing the same thing every now and then when this topic comes up yet again, so I’m going to write my thoughts on one post and be done with it for good.

Here are my thoughts on “Raphael is bad in bed” discourse: when people with zero reading comprehension try to pass their loud take as canon. This is an analysis on fandom claiming “it's canon” and why it actually isn't.

For the devil’s sake let’s do this orderly, I believe he’d like that.

So these are the lines you get when you bed Haarlep and ask about Raphael’s performance. From here you can continue the game without killing Haarlep (let’s imagine we do this first) and use this information to mock Raphael, which results in you getting this line of dialogue lather when he he says “It’ll only take a moment to finish you”

This is an “I have a single incel brain cell” type of joke that forces Tav/durge to interpret a laugh and a “no” like a 15 year old incel guy roaming 4chan would. People are using it to say Raphael is a “two pump chump”and I…don’t get it. Maybe I’m too old for this fandom, who knows, but the way I see it this sentence is rooted in a fragile masculinity view on the issue of “bad s*x”. As a pan woman who has relations with any gender, it never crossed my mind that he was quick to finish when I heard the laugh and no, it didn’t because that's not what bad s*x is about. Believing so comes from a penis-centric interpretation, as if a pp is something necessary for pleasure during s*x, which it isn't, and how long you can use it as a measure of it, which again it isn't. The only person who needs a pp to feel pleasure during intercourse is the person who owns one. All in all, a very puerile and obviously wrong take.

Real bad s*x lacks pleasure, it's icky, painful even, it makes your skin crawl and your insides twist. Best case scenario it is just boring and you’ll never see them again. So no, I don't think Raphael is “a two pump chump”, and I can say this isn't canon because nowhere in the game the dialogue states that as truth. It's an immature joke that's pushed on the player dialogue and fans fall for it like flies on honey. This aggressive rhetoric from a sector of the fandom is the only thing that makes it feel canon and has people claiming it is, repeating the line “bad in bed, bottom two pump chump” as often as you hear “cycle of abuse, Caz 2.0” in another corner of the fandom we all know very well. All because players lack critical thinking, life experience, a s*xual life or are simply too plain to understand the nuances of language and syntax.

On to the next line, because we not only have fragile masculinity here but also, you guessed it, homophobia! Yay!

This is the one that makes people say he’s a bottom. Oh boy, do I have things to say about this. Let’s start with a bit of syntax work!

To be on top or beneath:

Here no one is talking about being a top/bottom, but rather where two bodies are positioned in a plane that works by the law of universal gravitation. It discloses zero information about pp placement of either one

Below, never on top, never:

Listen, this is actually a rather homophobic take!! People jump to call Raphael a bottom in milliseconds as if 1- it’s something bad he should be mocked for, which even if he was…it isn’t, and as if 2- Haarlep said he's a bottom instead of what he actually says: that Raphael is physically under him when they have fun, well, when Raphael has fun, you know what I mean!

That’s it folks, there’s no more to it, nothing more deep to read between the lines. There’s no more lines. Any take saying “Raphael is a bottom” simply comes from people lacking reading comprehension and having juvenile minds.

So, the answer questions everyone is making over and over, is Raphael bad in bed? Is he a bottom? The answer is: we don’t know, but what we do know is Haarlep doesn’t enjoy s*x with him, they always f*ck with Raphael being a lazy mf beneath him (can’t blame him, I’d let the incubus do all the work and take my form too, double pleasure? Fyeah). Him being a bottom is fanon. Nothing bad in picturing a fictional character like one if it brings you joy, but If you keep saying it’s canon over and over you’re only ridiculing yourself and exposing the views you have on the topics mentioned above (masculinity and homophobia) for the world to see.

Make yourself a favour and maybe go read some books, educate yourself and expand your vocabulary a bit. Also if you're inexperienced maybe ask a varied group of people what they consider to be “bad in bed” before using your imagination, the answers might surprise you! I promise you'll see the word in a different manner once you do!

#fandom discourse #bg3 fandom #my unfiltered opinion #raphael the cambion #raphael bg3 #bg3 raphael #haarlep #raphael x haarlep #I'm not going to reply so don't bother #not starting an argument here #only gathering my thoughts in one single post #I wrote them once and I'm done with it #too old for this shit #I'm sure some will think I write this because I'm into domRaphael lol #such simple minds people have

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minimalist-language-learning · 1 year

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How I read and enjoy books in my target language

Please note that I write about what works for me and share advice based on my own experiences. If you have a different opinion or if you use other methods, that's absolutely fine. Do whatever works for you.

Since some people asked me how I read books in my target languages, I would like to describe my way of reading in this post. I focus on reading for some time now and I'm very happy with my progress so far. This doesn't mean that I won't change a few things in the future (I'm constantly gaining experience and changing my learning style accordingly).

1. Choosing a book

Before I start reading, I have to choose an appropriate book, obviously. After trial and error I realized how important this step is. My ideal book is:

not too easy (I won't learn much)

not too difficult (if I can't follow at least the rough story I won't enjoy it)

interesting (motivation to read it)

I try to choose a book that is slightly above my level so that I can follow the story without looking up too many words but also learn new words. I don't need to understand everything, but I don't want to feel lost either. Balance is important.

2. Trying the first chapter

After choosing a book that seems to be appropriate, I try to read the first chapter (and sometimes the first two chapters, if they are short). I pay attention to things like:

Can I follow the story?

Is the story interesting?

Do I like the writing style?

If I can answer (most) questions like these with "yes", I continue reading the book.

Do I only understand single words or sentences here and there? Do I have no clue what happens? Then I put the book aside for now and choose an easier one. There's no shame in admitting that this book is too difficult at the moment. Deciding what I don't read is just as important as deciding what I read.

3. Reading

If the level of difficulty is okay, I start reading the book. In my experience, the first few chapters are always the hardest. I need time to get used to the writing style, the used vocabulary and the story.

In the case of the japanese version of Harry Potter, the beginning was difficult because of the writing style. But after two chapters, I began to enjoy the story and so I continued. That's why I always try to read at least the first chapter. A book that seems difficult in the beginning can be very enjoyable once I've read enough pages.

When I come across an interesting word or a sentence I like, I highlight it. I try to not highlight too much stuff, though. Two, maybe three words per page is usually my maximum. Enjoying the story is my number one priority. I can read several pages without highlighting anything, even though there are words I don't know. As long as I don't feel the strong urge to look up a word, I just continue reading.

In many cases I can understand words from context and learn them over time just by seeing them again and again. That's why I don't look up words immediately. I wait to see if they come up more often.

After I finished one chapter, I look up all highlighted words and read the passages that contain these words a second time. This way, I can connect the meaning with the full context. I don't try to memorize the word; I just try to understand it in this particular context before I continue.

Most of the time, I learn words unconsciously. If the book is easy enough, it's not so difficult to guess the meaning of certain words. While reading, I don't focus so much on words I don't know. I just focus on following the story. I may not always understand every detail, but as long as I can follow and enjoy the story, everything is fine. I learn so much by engaging with the language in a meaningful way and enjoying the content. Sometimes, I even forget that I am reading a book in a foreign language!

I have to add, that I'm already familiar with basic sentence patterns and that I have experience with reading books in my target languages. I finished the book "Remembering the Kanji" which makes it easier to guess the meaning of words. Knowing lots of kanji is a great advantage.

I have still a long way to go, of course, but this natural way of learning vocabulary may not work well at very early stages because you need a foundation first. After you are familiar with the dialogues and example sentences in your textbook, graded readers are a good choice in my opinion. Graded readers can make the transition from textbooks to easy books aimed at (young) native speakers easier.

Tip: One thing that helped me is to take a card, write down words I looked up and put this card into the book. When I read it a second time, I don't need to look them up again. Reading texts more than once can help to get more familiar with new words. Plus, writing helps me to remember words better. Reviewing them in their original context is much more enjoyable to me than reviewing them with flashcards. In the picture below you can see how my cards look like:

4. Enjoy!

I made enjoying books my number one priority. This is what helped me to make much more progress than before. All I need is enough reading material at the right level and a dictionary. As soon as I get absorbed in a book, I don't think about learning a language. I just want to enjoy the story. The more experience I gain, the better I become at understanding the language as a result. There's no need to force it or to hurry.

What I like about just enjoying a book and learning words naturally is that it's so simple. I don't necessarily need my computer, a certain software, add-ons, ... All I need is something I can read. After reading a chapter, I only look up a few words as I described above and that's it. Then, I often feel so motivated that I want to read more. I read much more than before because I enjoy it so much.

#langblr #japanese learning #languagelearning #self study #language learning tips #foreign languages

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the-cat-and-the-birdie · 8 months

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Has anyone written a guide on

How to write New York AAVE - for Miles & Miles!42

?? If so let me reblog it but if not I might write something. I don't really read for them but there are a lot of New York specific terms I can drop if anyone wants. Some of them I use in my posts (like saying 'I'm weak' in place of 'I'm laughing really hard).

Follow up question:

Do you notice any AAVE in my posts? Do any of my sayings or terms confuse you? I'm so curious cause EVERYONE IRL around me speaks fluent AAVE 24/7 unless they're in an office setting.

Every person in my school spoke it. Because it's our default way of speaking and we switch out of it, I don't notice the large differences sometimes.

[One time I was overseas and I was speaking and a British dude (granted drunkness was happening) was like 'OH you're from Texas right :) I can hear the twang' and I was like ?????????????? Absolutely not my friend now take it back ??????????

The Midwestern girls next to me was like 'ummmm he sounds extremely New Yorker, like it's not even funny'

I realized he probably thought I was Texan because I say 'y'all' A LOT. I use it 100% of the time. Saying 'you guys' here is seen as really formal. But at the time because I didn't realize I was saying y'all and speaking AAVE in front of foreigners, and since it isn't really spoken in movies or on TV - it sounded foreign and very very thick in front of them]

That's why I try to write in AAVE when I can. It's quicker, has a lot of fun sayings, and it's a legitimate writing and speech pattern with it's own words, some words having changed meanings in AAVE (like feigning or scary), and lots of other small things.

But if someone has already written it let me share it cause I wanna read

BUT IF I DO WRITE THE POST I WOULD LIKE TO DO A SOCIAL EXPERIMENT -

[It takes less than five minutes of your time and involves listening to a song]

If you've read this far and you wanna see the post, I'd love to try a little experient.

I'm really curious how knowledgeable everyone is in AAVE, and how much if it is completely lost in translation. So idea:

Act Up by City Girls is a popular rap song written completely in New York AAVE.

It's 2:30 minutes long. Can you do me a favor and go listen to it? (If English is your second language, I'd love to hear your thoughts too!) And just notice:

How much you do understand their accent, as in are you making words out of it, even if the sentences sound confusing?

How much of the lines you feel like you comprehend or get the joke?

And for fun, are there any words you either don't know at all, or words you know being used in a weird way?

WARNING: THE SONG IS VERY SEXUALLY EXPLICIT AND THEY BE CURSIN

FOR EXAMPLE of AAVE -

Like in the song Yung Miami - her name itself being AAVE for 'Young' Miami - says the lyric

'Hood bitch, good pussy

I ain't average

He can't come around with that cabbage

Pop a pussy bitch quick like a bubble gum'

Did you understand that the first time she meant a literal pussy, and the second she meant it as 'someone who isn't about their word'. Meaning she'll punch the hell out of a girl who she thinks is asking for it.

Or that cabbage is supposed to mean money?

These are just some of the lighter lines. But if you have the time, like 3-4 minutes, please check out the song and let me know your thoughts!

Also do you already know the song or City Girls?

I'm just really curious about how much AAVE people know and how in depth to go if I do write it. I'm SO SO CURIOUS.

Bye.

#just an interesting thought #spiderman #atsv #marvel #spider man #across the spiderverse #miles morales #miles 42 #miles g #Earth 42 miles #Wiles #across the spider verse

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dazais-guardian-angel · 14 days

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Flying Too Close To the Moon (a Baizhu character analysis)

Over a year ago now, in February of 2023, Genshin Impact's twitter account posted about a certain green-haired doctor from Liyue with a snake, announcing that he was at long last going to become playable. *narrator voice* Little did I know at that point just how much my life was going to be ruined changed by this man, something I never could have fathomed in all my time of playing before.

Today, by the time of Baizhu's birthday, almost a year since his release, he has never left my team and is one of my ultimate comfort characters... and at the same time, paradoxically, fills me with such intense feelings of dread, if I ever think just a little too hard about him for a little too long.

This is my experience with him.

From the beginning, I wasn't one of the people who had been anxiously awaiting for Baizhu's release. I'd always been curious about him, and thought he was beautiful (but lol who in this game isn't?), but there was practically nothing to know, and he appeared so little, so not being an existing fan, I didn't think much about him compared to other more prominent characters. With that first drip marketing, however, I was suddenly instantly intrigued:

"Regrettably, Baizhu cannot save all his patients — himself, for example. Herbalist Gui has mentioned that Baizhu's physical condition is extremely poor, and he often has to go back to his residence to rest after seeing patients. Even so, his smile never falters while in front of people. When Gui asked him about this, he replied, "If the doctor looks sick himself, how can his patients face their illnesses with confidence?" Day after day, Baizhu heals his patients. His ever-present smile hides the numerous bitter medicines he takes and the pain he suffers alone."

What's this, Baizhu is a doctor who is also sick himself? He has a chronic illness?? Finally I have a disabled character in a video game I can play as and relate to??? Not to mention the DELICIOUS angst potential the (absolutely devastating) last sentence held. Unfortunately, because my lazy ass rarely ever talks to npcs outside of quests, I was completely unaware of this very important little fact about Baizhu, learned via Herbalist Gui that had been in the game since literally 1.0, but to say that I was excited upon finally learning it now was an understatement. This changed everything, turning a character I had previously only had a passing interest in into someone I felt like I might be able to connect with, and a character I could truly call my own. Previously, my favorite Genshin character was Zhongli — he was my very first limited 5* and I started the game pretty much because I was interested in him lol — but just from this short summary alone, I had a strong feeling that Baizhu had the potential to surpass him, and become my new favorite.

My initial impressions from everything we knew about Baizhu pre-release (for how little that was) were that he was a kind, selfless doctor who didn't want others to see his weakness, but in secret was striving for immortality in order to save his own life from his severe illness. Qiqi seemed to be someone he observes to further his research in gaining said immortality, but his love and care for her still feels sincere, although he can never properly convey this in words because, to me at least, he's keeping himself at a distance from her and others so as to not hurt them too much if he passed away. Baizhu tearing out Qiqi's journal entry about him being a good person so that she doesn't dwell on and remember such things about him seemed to support this, as well.

Upon release, we also had Dainsleif's lines about Baizhu in his collected miscellany video, which made me emotional as well: Dain, someone who is cursed with and suffers daily from immortality that he never asked for, respects Baizhu's desire for immortality himself, because for him it would be freedom from the pain and suffering he already experiences, seemingly. Most people want immortality for selfish reasons, but for Baizhu, I thought, it's out of a desire to save his very life, and in turn save more people as a doctor in the future. It's human, understandable, and the mark of an incredibly caring and altruistic person, and Baizhu wanting to heal himself is something to be sympathized with, especially if you can relate to his pain.

This part in particular from his demo was so powerful to me: the defiance of his fate, of his death, and the display of his continued strength of will and resolve, and even skill in battle, no matter how physically weak he may be. Though he still has his doubts and his guilt, here he says "I will not die, I will beat the odds, and no one can decide my fate for me, nor can they shake my resolve."

All of this only made me love him more and more. I was hoping we would get to see his insecurities and fears about his condition and his possible fate, and that he would learn to allow himself to be cared for by those who loved him — to realize at least a little bit more that he will never be a burden on others, because the guilt over such things is all too real for someone with a disability or chronic illness. His non-spoiler voice lines were so comforting and hopeful, and I wanted his story to be hopeful as well, without going as far as to magically cure him like what unfortunately happened with Collei.

That was what I wanted. More or less, that was what I expected, especially with the copious other examples of the "overworked character learns they need to take a break and feel supported by the traveler" storyline in Genshin insert the waifu baizhu (waifzhu?) jokes here.

And then, I played Baizhu's story quest.

.....No image in the world can fully sum up exactly how I felt after that, but, well, I think Paimon here is the closest I can get.

I still remember it like it was yesterday. I remember standing there, at the bottom of the steps leading up to the pharmacy where the end of the quest left me, not knowing how to feel. Feeling completely numb. Feeling like I'd just gotten punched in the gut a million times over. Feeling sick. Call me overdramatic, too overly attached to fiction, whatever, but no words can possibly convey just how much the revelations about Baizhu in his quest fucked me up. I did not feel good for quite a few days after playing it, as it haunted me, as I turned it over and over again in my mind. Not just the information given itself, but how it was given; the entire tone of it all. At some point I was finally able to make myself cry, and it was only then that I felt at least marginally better. But I'd be lying if I said that I've ever truly and fully processed and let sunk in everything to do with Baizhu, even a year later.... and I doubt that I ever will.

Don't get me wrong: Baizhu's story quest is without a doubt one of the best story quests in the game so far, and that's not at all bias speaking. It's short, to the point, uses npcs effectively and in a way that helps develop the main character instead of taking all the spotlight over them, and it leaves setup for more story in the future. For a Baizhu fan, it's the best quality one could ask for. It's the most we've ever learned about him, the most screentime he's ever had, and it emotionally and tenderly shows exactly what kind of person he is, and why he is the way he is, and does the things he does.

It's also absolutely horrific, and to this day I'm still not entirely certain exactly what message the writers wanted the player to take away from it by the end.

The quest introduces us to a boy and his father, Ayu and Jialiang, the latter of whom Baizhu wishes to treat, partly as a personal favor to his late master and to said master's other past disciple, the mother of the family, Jiangli. Through Baizhu's handling of their case, and talking to Hu Tao, we learn that Baizhu is not only obsessed with attaining immortality, but that he supposedly uses less-than-reputable methods to heal patients, methods that he keeps tightly under wraps. This, along with all the strange research he does that seemingly has nothing to do with the medical field, has given him a suspicious reputation — the game subtly lampshading the fandom seeing him as nothing more than a sketchy snake doctor ever since the beginning — but no one has ever been able to dig deep enough to find any proof that he has any ulterior motives, not even Yelan; thus, the ultimate consensus is that he truly must be nothing more than a kind and benevolent doctor who has his patients' best interests at heart, no matter what else he's doing in the background. Upon Baizhu treating Jialiang for the first time, however, we’re directly confronted with this secret, dubious healing method he uses, and what exactly it means for Baizhu, as with all the masters that came before him.

To say my stomach dropped here would be an understatement, because I knew exactly what this meant. And sure enough, not a few minutes later in the quest, we get the dreaded truth:

Baizhu’s poor physical condition is not from natural causes; rather, he is as weak as he is because he’s made himself that way. Changsheng is a former adeptus he made a contract with, that allows the host to transfer some of their own life force from themselves to someone else, using Changsheng as the conduit. The contract is meant to strengthen the body of the host and extend their lifespan, however these advantages effects are outweighed by Baizhu, and all his predecessors before him, repeatedly giving away their life force to heal others, causing them to become frail and inevitably die young. The contract has always been used in this way, and all of its prior users all met the same untimely end; Baizhu is at no less risk of that.... which is why he wants to become immortal, so he can continue to heal people with the forbidden arte without fear of death.

This would already be a Lot as it is. Trading away one's life force to save another isn't exactly a brand new trope, but the idea of a doctor doing it over and over again to save lives when all else fails, even to the detriment of their own body.... It's the ultimate act of selflessness, of kindness, of sacrifice. It's touching. It's laudable. It's devastating, to a degree one can't even imagine.

Because Baizhu doesn't just stop there, as we find out at the end of the quest.

How do you expect me to read this—

and additionally this—

and also this...

...and not have it occupy my mind 24/7, sending me in a downward never-ending spiral of existential horror, for all of eternity?? just like Baizhu himself—

While it's heavily implied that all the contract users prior to Baizhu only ("only") used it one-way, to give their own life force to others, Baizhu has taken it a step further, and also been using Changsheng to transfer his patients' diseases and illnesses onto himself. This likely is a more effective way of "curing" some of them entirely, instead of simply delaying their symptoms' worsening with more life force, although he cannot take on the worst of them/terminal illnesses of course. But he has taken on so, so many, so many diseases and so many symptoms, all compounding and blending together to the point that Jiangli, another doctor just as skilled as Baizhu, cannot even distinguish them all or recognize some of them, that he might as well be terminal. Not only does Baizhu do this for the sake of his patients, but he's also using his body as a human petri dish, testing different diseases and poisons on himself to see how they interact with each other, both to create more effective medicines and understand the mechanisms of the human body better, and to perhaps find the secret to immortality.

This reveal at the end of the quest is presented as an awe-inspiring, poignant twist, that's meant to make you see Baizhu in a brand-new light. The animated cutscene is tear-jerking, bittersweet, yet beautiful, as we finally come to understand the full scope of just who Doctor Baizhu is, just how truly pure and selfless he is, and just how much he has sacrificed, and plans to sacrifice forevermore. Many people who weren't fans of Baizhu or were neutral on him had their minds completely changed upon this bombshell being dropped, it rightfully clearing away any and all misunderstandings about him somehow being a bad person, and fostering newfound respect for him. That's the best word to use for how the game portrays all this: respectable. Baizhu's situation is tragic, but his actions are nevertheless shown and seen as beautiful, and admirable. His self-sacrifice is to be praised, and honored, because he is doing it for the good of so many others, because his heart is just that big, and that caring. It's bittersweet, but Baizhu is determined, and we should respect his resolve.

But should we really?

Yelan would disagree, I believe. Which is ironic, considering that in her own story quest, Baizhu transfers poison into himself from Uncle Tian with her there, and she is none the wiser.

Just... really stop and think about the implications of what Baizhu is doing to himself, and the life he lives. Try to imagine it, how it would feel, to be inundated with that many diseases and toxins, to the point that all of your internal organs are diseased; to the point that you have every symptom imaginable, sometimes all at once. Now, take that, and imagine living that kind of hell with it progressively worsening, for all of eternity, as Baizhu wants to do.

You can't fathom it. To say that it's beyond human comprehension is an understatement. And yet, that is Baizhu's reality, every single day, and if he has his way, for the rest of time.

This is not okay.

What truly frightens me about Baizhu, is how.... empty he feels. He is kind, gentle, nurturing, and a bit flamboyant and mischievous at times, but he has essentially no personality traits or life outside of "being a doctor". All of his voicelines involve him giving health advice, or looking after us or others, or discussing the troubles he encounters in the medical field, or his hobbies, which involve... making medicine. While there's nothing wrong per se with a doctor truly enjoying their job — it's what makes Baizhu such a good caretaker, after all — their life and personality never revolves entirely around that. People have their own lives outside of their professions, that don't involve said professions, even the most enthusiastic and genuine of workers. But Baizhu..... doesn't have anything else. For Baizhu, being a doctor is all that he is.

Nothing is more subtly chilling than this joke Changsheng makes (that gets reinforced by Paimon later), where she calls Baizhu her "mannequin" — and especially the way that Baizhu doesn't comment on it at all, merely continuing to look like a guilty child getting scolded for being reckless. Because a mannequin is an eerily accurate description of Baizhu: he is not a person of his own, but merely a vessel for her power. "Baizhu" does not exist outside of his role as a healer; he has no other life, no other aspirations, no other joys and things to care about, nothing. Even though he's a pillar in Liyue Harbor that is beloved by the community, especially by the children, he's also in a sense practically a ghost: he is never seen outside of taking care of people in some way, because he never lets anyone see him at his sickest, and he has no sense of self outside of that role as a doctor. He is distanced from everyone, almost as though he was already immortal.... he could die at any time, frighteningly easily, and to him, no one would notice or care. As depressing as it is, even Qiqi, a literal zombie, is more alive and has a much more fulfilling life at this point than Baizhu does.

Many of Baizhu's voicelines are dripping with casual self-deprecation, and others with extreme hypocrisy, where he will express frustration and disappointment at others not being diligent in taking care of themselves, completely oblivious to his own extreme levels of self-harm and self-sacrifice. Of course, as mentioned earlier, feelings of inadequacy and being a burden are tragically not unusual for someone with significant health problems, but it goes far, far beyond this for Baizhu, before he was ever ill — all the way back to his childhood. Baizhu's hometown was struck by a plague when he was young, from which he was seemingly one of the only survivors, and his obsession with wanting to save each and every life he comes across that needs saving, no matter the cost to himself, is likely born from the trauma and extreme survivor's guilt that the event instilled in him. It was during this plague that he encountered his former master, and in training under and being influenced by him, he adopted these harmful mentalities (through no fault of his or his master, to be clear), without ever being given any other way to cope with his pain, other than to do everything in his power to never let anyone else die ever again.

Again, Yanfei sums it up best.

The true tragedy of Baizhu is that, although he wholeheartedly agrees with his late master's sentiment, and truly believes that he himself is headed down a different path from his predecessors, at the end of the day, he is no different from them, nor is his chosen path any different from theirs. As he states, those with the most altruistic and purest of hearts are the ones seduced by the contract, and he, too, has fallen victim to Changsheng's siren song: the allure of reaching beyond human means to prevent death. He believes he has found the solution to the conundrum of saving both the world at large and the one doing the saving, but he's merely fallen into the trap just like all the others: even if he doesn't die, he is still sacrificing himself, cursing himself to a fate unimaginably worse than death itself. After all, as he says, the contract can't erase pain from the world entirely, but merely transfer it from one place to another, and Baizhu is living proof of that. If his master could see what he's doing, he most definitely would be heartbroken at the "answer" Baizhu has found, because a life isn't saved if it's merely surviving, and not living.

All of this began from Baizhu, selfless and benevolent as he is, wishing to save a snake. Changsheng is a dear friend, a being so closely intertwined with his very soul, and his closest connection to his late master, and yet she is also the very thing that's killing him, and will inevitably be his doom, in whichever way that comes. Baizhu being who he is means he will never abandon her, and Changsheng will never leave him as well, her worry over the fate of her host overwhelmed by her fear of death and her desire to live on, which is how the contract has persisted for six generations. It is a toxic bond, and yet their care for each other is too great, both parties accepting the misery that awaits them. Changsheng knows that any of the cycles could be her last, but cannot help but seek out new ones in order to continue living — and Baizhu intends to make that "last" be a reality, by living forever, to make sure that Changsheng will also never die, but also that no one else can take on the contract after him. He wants his cake and to eat it too, wishing to save anyone and everyone — and he fully believes that he can. He believes that he is headed towards the light of the moon, escaping the flames of the sun.

But the moon is still ever-so-far away regardless. Perhaps even impossible to reach, if Teyvat's sky truly is fake. No matter where he aims, even if he isn't burned, Baizhu is destined to fall eventually, if he keeps going the way he is. Many people have tried to warn him, to convince him that immortality isn't what he deserves, to convince him of how much he's loved... but Baizhu is too stubborn; too, ironically, selfish in his selflessness. He insists he has everything under control, that he won't let himself die... but how can anyone believe that, when all the signs suggest that he's already on death's door? And even if he does get his wish, and be granted immortality, will he truly be content like he thinks he will, endlessly suffering with only Changsheng by his side?

I don't think the writers ever intended to glorify Baizhu's actions, or at least, I don't think it occurred to them that it could be read in that way. I do still mean it when I say he is one of the best-written characters in the game, because there is so much care given to him in his story quest and to his lore, even if, frustratingly and tragically, Hoyoverse as a whole doesn't seem to care about him at all. He's so fun to play as, and in isolation, it makes me very happy to have a canonically disabled playable character. But I'm also so, so haunted by him, and I think more people would be as well, if the game didn't gloss over the incredibly bleak reality of Baizhu and his symptoms due to the overall lighthearted tone of Genshin. I desperately need to see where they're going to take his arc, if they intend to at all, because there is so much potential for it, and right now it's very much up in the air. I don't want him to die, as I fear he's close to, but I need him to heal, and finally learn that he's done enough, and that he can finally, finally, stop. Stop torturing himself, and finally accept for himself all the love he's given others for so long now, and live. I want Baizhu to live more than anything, and not the way he is now, nor as a cursed immortal. I want him to live, and thrive, and truly, unapologetically, be himself (whoever that "Baizhu" is), and be happy.

He already has someone worth living for, right here, aside from Changsheng. He has a daughter, a family, who love him, not to mention an entire city, and and I dearly wish he could realize that. I wish he could know how comforting he is to me and so many others, and how important he is to us, not because of what he can do, but because of his beautiful heart. 💔

Happy Birthday, Baizhu. Thank you for being such an incredible healer on my team, and I hope we'll see you in Chenyu Vale one day :')💚

#genshin impact #baizhu #meta #posting this so late at night but I WANTED TO MAKE IT FOR BAIZHU'S BIRTHDAY #FML FOR BEING SO LATE AHHHHHHHHHHHHHH #this man ruins me 👍 please everyone cry over him and have an existential crisis over him like i do daily #he is Not Okay #and i need him to be #hoyoverse when will you do him justice like he deserves!!!! when is his comeback!!! aughhh!!!!!!!!

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