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#there was no pressure behind it
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This scene honestly felt perfect for their relationship
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maybelsart · 8 months
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Day 2: mantle
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nonsensefromtheabyss · 4 months
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Alastor Analysis
(Throwing my hat into the ring because the smiley fucker has me in a headlock. Warning; long and potentially insane. God I hope the cut works.)
I think something significant is gonna go down with Alastor in the next few episodes. I think the man is slipping.
Something that sticks out to me on rewatch is that Husk isn’t worried by the lights flickering or Alastor’s voice changing (the usual signs of him getting vicious.) He doesn’t look scared when the collar appears; his initial order of reactions actually goes ‘surprised’, ‘bitch please’, and then he starts doing damage control. It takes Alastor pulling on the chain to make him stop and actually look at how angry the overlord actually is. It says a lot to me that Husk’s first reaction is to be pissed off. He looks like he’s recognising that his bitchy demon master isn’t going to take any advice and he’s gonna be made to back off—and he’s angry about that. 
To detail, the fact that he approaches Alastor directly with his concerns and not Charlie (you know; the all-powerful, hotel owning, hell princess whose daddy’s in town), and puts the focus on him possibly getting into trouble means that Husk did all this out of a sense of concern or compassion. Husk isn’t acting purely in the interests of the hotel here, he’s trying to protect Alastor. This is a genuine offer of advice being thrown in Husk’s face for no apparent reason beyond arrogance; he has every right to be pissed off, and he is. He’s angry with Alastor and he shows that even as he’s shutting up. Angry, not scared.
Husk bitching about Alastor isn’t unusual. He cares enough to try and help the bastard out. The way he interacts with the conversation initially indicates to me that means he normally feels safe enough to do things like this. He’s comfortable calling his master out. He’s doing his best to stop Alastor making some kind of mistake. He is trusted with the information that Alastor isn’t a free man himself. When the chain appears, he’s frustrated, he cedes ground… but he isn’t scared. 
I don’t think Alastor manifesting Husk’s chains is unheard of in their relationship—Alastor’s a mean bitch who only tolerates a little bit of poking before he snaps—but I do think that the pulling of that chain is usually as bad as it gets. That’s the point where Husk stops talking but hasn’t started looking worried yet. Husk was probably fully expecting that being knocked to the floor would be the end of the matter. 
He’s scared—the most scared we’ve ever seen him—only after Alastor goes Radio Demon on him, and that’s why I think it’s something he’s never had happen before. Husk wasn’t expecting that degree of reaction at all. And I think it’s a sign that Alastor is starting to lose it.
We know the smile is fake. We know it’s a form of self-imposed self-discipline that’s as rigid as it is insane. And we now have it confirmed that Alastor has some pretty aggressive insecurities that are eating away at him behind the facade. Last time he was seen as ‘less than’ he slaughtered hide way to the top of the Pride Ring
Going episode by episode, there’s a subtle pattern of Alastor getting progressively more snubbed, which isn’t really what you expect when you’re introduced to the character in the Pilot. Vaggie describes him as someone of almost mythic power and, even with Angel’s levity and irreverence, that’s the impression that sticks, cemented by the way he takes out Sir Pentious. You get an immediate impression of what Alastor was like at the very top of his game.
You know: before the Seven Year Absence.
In the first episode, there’s the advert. The video advert. It’s all played for jokes (as it should be) but if you look at it as a first domino it makes sense. It’s our reintroduction to Alastor as a character: he’s made a terrible, unhelpful tv commercial and the ‘good’ one (we never get to see) was made with significant help. He clearly loathes having to do it, and he’s clearly got no real skill in it (if he did, he’d be showing off because he’s unbearably vain, you all know this is true.) He’s out of his element and he’s not adjusting quickly enough; people don’t know him from the radio anymore because Vox has the monopoly in entertainment.
Speaking of, in the Second Episode, we get Vox, aka the first and only person who gives a damn where deer boy went. Vox gives this shit by playing dress up and writing a diss track which Alastor immediately co-opts to make him rage quit. The song slaps—Alastor’s part in the song slaps… but it’s worth pointing out that Vox is the only person shown caring that The Radio Demon is back; the other two V’s are mildly entertained because they have renewed lease to absolutely dunk on Vox, and, while the crowds are drawn to the radio, they don’t look… bothered. There’s no big reaction of ‘dear god, it’s him (the deer god)’. Granted, we don’t see their response to the threat, but tbh if any radio threatens you with a return to The Bad Old Days the only honest reaction is to be a little scared, you don’t need to be in Hell for that.
In any case, regardless of how much he sucked at it, Vox still felt confident enough to make his little coping track public in the first place. He felt certain enough about Alastor’s lack of standing to make his own insecurities into a musical. The cultural idea of Alastor and his mythos has degraded enough for people to take potshots and then broadcast those potshots for funnsies. It’s pretty far from where we started in the Pilot with Vaggie not even wanting him past the door.
Third Episode… people of the conference room, please raise your right hand if you care why this staticky twink has been gone for seven years. *cue the deafening silence of no hands being raised*
Alastor is shut down and dismissed entirely in front of every other overlord at once, and it happens without consequence. He can’t do dick. He can’t play up the mystery, or draw them in to his narrative, or do anything to take control of the room. No one asked, no one cares. The meeting (which, if Carmine’s surprise at seeing him there is any indicator, he might not have even been directly invited to) moves on. I’m almost certain that the only reason he played coy with Zestial was because he thought he could have that Moment with everyone there and listening. He wants so desperately to be listened to.
We know that the hierarchies in Hell are less about who could actually make you eat concrete and more a popularity contest. That’s made explicitly clear in the first episode with low level sinners tearing strips off of Charlie, and clearer still in Helluva Boss where Stolas gets disrespected by the whole club for his messy personal business—in song form. And what I’ve not actually seen anyone else talking much about is how Alastor may be a very physically powerful demon but he’s getting no respect from any of his old peers. Sure, maybe the masses are spooked, but it’s not to the point where it’s making anyone else lose their chokehold. The people huddled around his radio still flick their eyes back to Vox’s screens when he talks. The egg boys ask him inane personal questions the same way they would anyone else. His own peers neither respect him nor care that he’s come back. Nobody has shown (positive) interest in the hotel now that it’s his personal enterprise.
We’re told the time skip was five months. We have no idea if things have changed in those five months, but Alastor starts Episode 5 palpably agitated. I’m guessing things didn’t go up for him. I’m guessing that it’s setting in for him that this is the vibe now, and the only person who actually thinks him untouchable is, well, him.
Add Lucifer. Suddenly, his business partner might not actually need him at all, either as help or an emotional connection, because she can replace them with her father, the actual king of Hell, who doesn’t like him; there’s an infinitely more powerful and capable demon in what is functionally Alastor’s home; said powerful demon has no fucking clue who Alastor even is, the role he plays, or the effort he’s invested (regardless of reason) into Charlie’s project, and there is no Alastor Approved way of making any respect happen on that front. As far as he’s concerned, he’s looking at a brick wall with FUCK YOU PERSONALLY graffitied on it.
Regarding the songs with Alastor in them, both of them are serving two purposes; the first is to piss off someone who slighted him, but I think the second is to reassert to everyone present his importance specifically after an instance of them forgetting. With Vox the primary objective is roasting the other overlord into shut down and the secondary is warning everyone listening that he’s still a viable threat despite what they just heard. With Lucifer, the first goal is to piss harder than the devil, but the second is reminding Charlie that he’s important and he has a place with them. Little as he’d like to admit it, it’s two cases of Alastor demanding a return to the way things usedto be. He wants to be the most terrifying thing on the wavelengths by default, and is willing to short out the power supply to all Hell to get that; he wants to be valued so much by the people around him that the most important man in Hell can’t just supplant him by being there. Obviously it doesn’t work out like that, but a self-absorbed nightmare man can dream.
And then Husk brings up the idea that he might be vulnerable on top of All That. It’s the final straw. He has spent the last few episodes very subtly scrabbling for a shred of acknowledgement and his bitch ass is getting none. 
Mimzy, if I’m allowed to speculate a little, is deliberately thrown into the mix at this juncture because of how she relates to Alastor in juxtaposition to the damage his seven year absence and unspecified deal has done to his reputation; she wants to hide behind his coattails because he’s the big, scary Radio Demon who can protect her from anything, because who in their right mind would cross him? She’s literally a part of his old life. She’s reacting to him the way everyone did seven years ago—with complete and total faith in his ability to be an unholy monster at a moment’s notice.
Being told ‘hey, maybe she’s in deeper shit than you can shovel because someone’s tying your hands’ is, to Alastor, just another snub in a long, illustrious line, and this time it’s personal because it’s coming from Husk. It’s not just a newly popular medium he’s no good with, or Vox with his haterection, or a meeting he can’t derail with his personal life, or a boardroom full of equals he newly means nothing to—it’s his own people thinking he’s not capable anymore. And Husk is happy to say that with literally the most powerful man in Hell right there for comparisons in inadequacy. Going full dial eyes on him isn’t just an over-vicious retaliation, it’s a demonstration and reminder of what Alastor is capable of… and it’s probably done for himself as much as it’s about putting Husk back in his place. 
Because that’s what Alastor used to be able to do; make all the other overlords cower on their knees at his feet while he regaled them with all the ways in which they could fuck off. 
Seven years of possibly not entirely voluntary absence… and this is the closest to that he can get. A guy whose soul he owns, who will be back to snarking in a few days time, having to be dragged into prostrating himself on the carpet. One of the few people who inexplicably give a shit about him promising to shut up only on pain of death.
And at the end of the episode everything he’s done means nothing and he has to tell Mimzy to leave anyway… and he’s subdued and uncomfortable about it. She’s his friend, one of the few people willing to tolerate him, and apparently one of the last people to share the perception he has of himself… and he has to tell her to go because the reality is that he, for whatever reason, is not making choices which are entirely his own. The reality is that Husk may be right; Alastor’s grip on everything and everyone around him is, for a variety of reasons, not as strong as it used to be. The guy is unravelling behind the mask; he’s insufferably proud and it’s starting to strangle him.
The point of all this is, there’s a pattern of escalation here. I think Alastor is out of his depth and it’s going to start showing. I think he’s going to make some sort of desperate bid for control to get his standing back. I think he’s going to have to reckon with his own disappearance. And… I don’t think it’s gonna be pretty.
TLDR: My Beloved is a time bomb and him dominating Husk was just the alarm going off. I believe this with my whole heart because of Reasons.
(Side note: I think it’s been sidelined and/or cut due to season constraints and the show being rushed to shit by production, but I do believe Charlie and Al must have some kind of bond. It’s been five months of living together and she doesn’t turn around and refute his claims or even look surprised by them, which implies to me that the events are true if not the presentation. Obviously the girl’s got daddy issues and Al doesn’t actually see her as a daughter, but I really don’t think that equals ‘there’s no fond feelings here at all.’ Plus everyone else is there watching their nonsense; while Alastor has 0% shame, I’m pretty sure someone else (Vaggie) would have something to say if him claiming affection for Charlie was as left field for them as it was for us. Really wish we had more time for relaxed character interactions to let dynamics breathe, there was such potential in HH’s concepts but I feel like we’re skipping whole chunks. I want the dumb beach episode, you know?) 
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queenvhagar · 1 month
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"I thought I wanted it. But the burden is a heavy one. It's too heavy. If you wish me to bear it then defend me. And my children."
I wonder what burden she feels she's holding at this moment. We know that she isn't speaking of the burden of ruling and managing the realm for the last several years while her father was sick, because while she was on Dragonstone, those duties fell to the Hand and the Queen. As far as the show tells us, Rhaenyra has no specific duties she's fulfilling as heir, nor has she been doing anything in particular to prepare to rule. We're not shown that she's doing anything with her time beyond anything beyond managing Dragonstone with Daemon and growing her family. So what exactly in her life at this moment is she seeing as this massive burden that she bears because she's heir to the throne?
I think the burden she's speaking of here is actually the pressure she's feeling as she's finally being faced with the idea that her father won't always be around to help her avoid the consequences of her actions. So even though it's obvious that he's on the edge of death, in immense pain, barely hanging on, and despite the fact that she hasn't visited him at this point in literal years despite knowing about his ailing health and she's done nothing to support him in ruling in his last years, she still feels entitled enough to demand that he do another massive favor for her. At this point, Rhaenyra has been enabled by her father for so many years that she doesn't know how to solve a problem without him. So she plays the heir card on Viserys to get him to defend her one more time: if you want me to be queen, and you don't want me to be held accountable and face consequences, help me get away with it one more time.
Rhaenyra is upset not because of any real burden she has as heir but because she feels like the walls are closing in and she's under attack. I would feel some sympathy for her if it weren't for the fact that she wouldn't be in this situation if she'd made better choices. If literally anyone else in the realm had obvious bastards they were using to usurp a seat of power, there would be huge consequences. Rhaenyra knows this and is doing it anyway because she thinks her position as heir to the throne gives her the power to be able to do it and get away with it. Her birthright as a Targaryen says she deserves absolute power because she's better than other people, so she can do no wrong and nobody can say otherwise to her. She believes she's clever enough to pass the deception, and otherwise her father can punish anyone who speaks up... until Vaemond goes to court, and her father is not there to blankly support her no matter what. Now, she's faced with people who intend to uphold the law of the land and she's upset that she might actually be confronted with her problems head on and not have someone to shield her this time.
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solaireverie · 7 months
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me trying to explain why the idea of lestappen and loscar mirroring each other is so close to my heart:
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jay-wasreblogging · 8 days
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He gets me.
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chirpsythismorning · 22 days
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Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
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Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
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The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
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And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
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Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
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And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
#byler#stranger things#willel twins#twelvegate#montauk#as you can see#i am out of my mind#and i'm okay with that#i've spent the last couple months trying to make a video going over all the willel twin evidence#and i can't decide if it's even possible to do without going over an hour#like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans#i hope to have it done soon#trying to make it less than 20 minutes#but it's probably going to end up being closer to an hour#especially with this stuff from the montauk pitch being added to the mix now#anyways#willel and byler are the curtain behind the curtain#if you are open to one of them#you are bound to stumble across the other#and they don't want that to happen#stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal#bc it's arguably the most consistent thing about this damn show#and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me#them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball#and jonathan saying he shouldn't like things just bc people telll him he's supposed to#how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el#with the bullies showing up and literally being homophobic seconds later#the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on#only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...
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ride-a-dromedary · 7 months
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You're not a doppelganger, are you? Trying to study me, learn all my secrets so you can take my place?
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nervously holding out & rattling a Little Tip Jar
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tj-crochets · 2 months
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Hey y'all! My grandma loves hot cocoa, but has some heart issues that mean even the tiny amount of caffeine from the chocolate in hot cocoa is no longer an option for her. Do you have any recommendations for caffeine-free hot cocoa? I'm thinking given the whole "chocolate has caffeine" thing it'll probably have to be like white chocolate hot cocoa, but I don't know if y'all have any recommendations for what basic white chocolate hot chocolate to get (her favorite hot cocoa in general is the swiss miss hot cocoa with flavored coffee creamer added, so like the more basic the hot cocoa mix the better. The hot cocoa is merely a thing to put the flavored coffee creamer in)
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jyou-no-sonoko19 · 7 months
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We remember things a little differently, she and I...
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fictionadventurer · 1 month
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NaPoWriMo #2: Retell a story you haven't read in a while
For lack of anything else coming together, have a limerick about G.K. Chesterton's Father Brown story, "The Flying Stars".
There once was a thief out of Gaul Who tried to get off with a haul But he gave up the game When a priest called his name Saying, “Come down from that tree ‘fore you fall.”
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sydmarch · 1 year
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magnesium based life form powered fuck machine. insp by this post:
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theo-files · 1 month
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friendly reminder that while booping people on tumblr is fun, don't forget your boop for palestine today!
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asgoodeasgold · 2 months
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Matthew Goode behind the scenes being looked after by the wonderful Hair and Make Up Department.
Thank you for doing such a great job 👏 and yes, I am a tad jealous.
I love how chatty Matthew is and also so gentleman like lowering himself from his towering 6ft2 so that the hair artist can reach more easily.
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🎶 Atomic by Blondie
📷 My edits from bluray special features for Brideshead Revisited (2008), Pressure (2015), Burning Man (2011), BBC Dancing On The Edge (2013), Paramount+ The Offer (2022) and from Seagate advert BTS video
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bonefall · 9 months
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what’s Bright Storm like? Since she didn’t get fridged like every woman in the original dotc series
She was always curious and dependable. Bright Storm's the kind of gal who would give you the shirt off her back if she wore a shirt to give you!
Long before they set off on the Sun Trail, she would occasionally confide in Clear Sky how much she wanted to see the world. Travelers aren't unheard of; this was before the Tribe split into its 3 separate Wards and welcomed a lot of comers and goers, but it's not that no one had ever left before. It was more that she had friends and family she was committed to.
Clear Sky pressured her into it, reminding her of how much they'd see, how they'd raise their kits somewhere new, and that he'd be sad and alone forever if she didn't come. Every chance he got, he was bringing it up. He was always her weakness, she hated letting him down.
Her dependability was based on how good of a listener she was, even Gray Wing the Wise appreciated it. She was always keeping an eye out for people's wants and needs, making connections between little 'tips' she'd heard from one source or another. After Gray Wing's death, she found herself in demand for this ability.
She couldn't make a plan quite AS good as xem, but she was better at making a plan into a 'group project.' She'd brainstorm and encourage everyone to join in, putting their brains together until it all fell into place. She could be good at delegating authority based on it, too, though Tall Shadow had much more confidence than her.
And really it's her confidence that holds her back, and can you blame her?
She tried to keep Jagged Peak alive for a moon, but barely caught enough for herself, let alone him AND her unborn kittens. But how could she go back to the camp and just pretend he wasn't out here, dying?
When she goes shuffling back with her son in tow, it was humiliating, it was heartbreaking. It became soulcrushing when Clear Sky rejected her again. With just a few words, she doubted everything.
...was she capable of knowing if she was interpreting this sign correctly? ...had she done the right thing, or did she just make everything complicated? ...he's right, it must be her fault the other two died, if she hadn't--
Tall Shadow interrupted this thought spiral, but Clear Sky is like an infection in her mind. She'd tell you, in a moment of shame many years later,
"I wasn't strong enough to beat him. No no honey, I mean it like the truth. Clea-- Skystar now, he's powerful if nothing else, and he makes you believe it too. It's a special sort of person who can say no to that. I said a lot of his words before I even realized I still had his tongue in my mouth."
Bright doesn't realize how smart she is, because she's so smart she realizes how little she knows. And that can make her doubt herself. She's genuine and caring, but susceptible to more self-assured people making her doubt her own judgement.
But there's no one else Thunder Storm would rather have in his corner, that's for sure.
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