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#the way this was filmed so significant
notokcorral · 11 months
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nemmet · 9 months
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🎃 fred jones in trick or treat scooby doo! (2022)
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elvisqueso · 4 months
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Love me, love my raccoon [Part 3/3]:
—Meeko's new favorite human <3
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ct-multifandom · 10 months
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
#anti intellectualism#media#movies#books#music#critical thinking#my friend who primarily listens to one very popular band once said that people who listen to obscure music are annoying and pretentious#which rubbed me the wrong way because 1 she knows that I listen to obscure music and 2 it’s such a cowardly consumerist take. anyone can#make music and hey a lot of the people who do make GOOD music. and this goes for all *obscure* media#this post was mostly inspired by people talking about Barbie and those anti pick me girls like the pick nobody girls who insist thinking is#for boys and having fun with an empty brain is for girls. Greta gerwig is an artist. I haven’t seen the movie yet but I know it has a deeper#message than haha cute pink! I’ve seen the summaries about the true meaning. the pinkness and popularity doesn’t negate the narritive.#though in the notes I saw a lot of tumblristas comunistas shitting on the film for being one big ad that people *fell for* which tbh is#tbh almost as anti-intellectual. don’t get me wrong they milked this film to sell hella shit but I don’t believe kids who play with dolls#are the target audience as these people claim. Barbie is a culturally iconic symbol almost archetypical of societal expectations for women#you say barbie people think unblinking perfect plastic pink girly. reminds me of the poem The Last Mojave Indian Barbie. yeah yeah you all#hate brands but this one carries undeniable significance and makes for a powerful literary device. it’s been used many times before#sorry for writing a tag essay about a film I haven’t even seen but I’m tired of internet people focusing so much on proving others wrong#that they end up oversimplifying everything just as much as the other person. god I saw people doing this to Nimona saying transphobes were#looking too deep into her character and they’re reactionary clowns for making that jump. like for once the transphobes are right. she is#trans. it’s a queer story. and irl the first people who notice queerness are the bigots who can tell you’re different. sick owns telling#them the story’s not that deep is harmful and it’s like they’re ignoring the real message on purpose. okay enough rambling hehe! thanks#barbie#nimona
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abirdie · 2 months
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Gael García Bernal in Déficit (2007, dir. Gael García Bernal)
(these gifs also feature Luz Cipriota and Camila Sodi)
Gifs are all 540px wide so you can click to see larger.
[other gael filmography gifsets]
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I think PrinceZam should be put in a saw trap. Not that it’d be good for him just that it would force him to either confront the worst of his mortality and all of his fears and force him to reckon with the parts of himself that he continually tries to deny. Or die trying
#my brain put me in The Torment Nexus last night for five consecutive nightmares in a row so I’m coping by figuring out what kind of trap#would force Zam into acknowledging all the worst parts of him#(gesturing vaguely at my brain) you put ME in saw traps?!!!???? I’m gonna put ZAM in one#this is also partially inspired by holland’s ASDOM saw au because it goes crazy hard#I’m thinking that the best trap for him would be one where he has to choose between being selfish (saving himself)#or selfless (saving someone else) BUT it can’t be a simple decision. he needs to be forced to run through the cowardly and catastrophizing#thought patterns that have guided him this far (heavy s4 inspiration) with a side of severe mind games#I think for that reason the bathroom from the original saw film would work well but that is too much mind game not enough hands on death#but the reverse bear trap would also work to drive home the significant physical threat there needs to be#thinking……. thinking……..#no drawn out conclusions yet but god . this is an AU I wojld really want to work with if I had the spoons and time#ohhhh perhaps he is a paranoid shutin after ruining the only friendship he’s ever had (reporting severe academic violations? perhaps) and#the whole pont is to force him to find a way to throw his full faith into doing what’s right (IE: grievous bodily harm / death) or choose#the coward’s way out becaude he cannot stand the consequences of his actions (death again but this time his own)#cats.txt#cats.writes
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girlofprey7 · 4 months
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If there’s any other possibilities you’d like to share, leave it In the replies pls!
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marshmallowgoop · 2 years
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Spoilers for the ninth Detective Conan OVA, "The Stranger From 10 Years Later."
Realistically, out-of-universe, I know it's little more than fanservice. It's a peek at what a popular recurring character's future could be, a snapshot of how things may turn out for him. But in-universe, I can't help thinking about the implications of 26- or 27-year-old Heiji's short cameo appearance in Shinichi's literal fever dream.
There's an immense level of detail to the entire scenario. The tree in the Kudo yard has grown taller, downtown Tokyo is littered with new buildings and renovated old ones, a high school teacher's face is lined with more wrinkles than he ought to have after a mere "few months." It's a vibrant, breathing world that Shinichi's imagined—one that indicates to me that he's deeply considered the possibility of never returning to his old life. He's walked by his home, in a body so small that he can't even unlock the gate, and thought to himself, "One day, that tree will tower over the fence, but I'll still be stuck as tiny Conan." He's ruminated about it, wondered and speculated and deliberated, how the city around him will change while he hasn't been allowed to, not in the way he wants.
And he's done the same concerning Heiji. And... it's positive. Immensely so.
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Interviewer: For today, we'll be interviewing... The famous detective from Naniwa, Hattori Heiji-san! He has brilliantly solved numerous intricate cases and is now recognized all over Japan! He's even opened his own detective agency!
Or, at least, it is at first, anyway. It's quickly revealed that Heiji and Kazuha's relationship hasn't progressed in the slightest, which, while obviously not a particularly favorable outcome for either of them, does say something about Shinichi. Because you could argue that Shinichi envisions Heiji living the life that he himself so desperately desires. You could say that the true purpose of Heiji's appearance in this OVA is to accentuate the future that Shinichi craves but cannot have, not yet and never as himself, where he's the mastermind behind a thriving, well-renowned detective agency, where an interview with him is unquestioningly broadcast on a huge screen overlooking Tokyo streets, where busy passersby stop in place, look up, and listen to what he has to say.
And... where he's also popular with girls.
Heiji is known as "The Lady-Killer of Naniwa" in Shinichi's imagination, and especially early in the manga, Shinichi does explicitly enjoy that kind of attention (File 10, included as File 1 in Volume 2, spells this out directly).
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Interviewer: I've heard that the young ladies have a certain nickname for Hattori-san... "The Lady-Killer of Naniwa."
But the fact that Heiji and Kazuha have gotten nowhere points me elsewhere. This isn't an idealized fantasy that Shinichi wishes he could have for himself in the slightest. Ran is his dream. The emotional heart of this special, the dominant, overarching tragedy, is how Conan's overwriting and erasure of Shinichi prevents him from being with his lifelong love. There's no way that Shinichi would ever imagine a "happy end" that's anything like what Heiji and Kazuha have going on in this OVA.
So, what does Shinichi's conception of 26- or 27-year-old Heiji mean? A few things:
Even in this nightmarish "bad end," Shinichi cannot conceive of a life without Heiji, just as he cannot conceive of a life without Ran. It's unthinkable.
Shinichi wholeheartedly believes that Heiji will be wildly successful in his career.
Shinichi wholeheartedly believes that Heiji is so attractive and good-looking that of course he'll be wildly popular with women. Undoubtedly.
tl;dr, Shinichi's thought about Heiji's future, and those thoughts are really essentially, "Yeah, there's no way that my boy Hattori isn't going to have his own fantastic detective agency one day, and also, he's a hunk, so he'll be called 'The Lady-Killer of Naniwa.'"
Seriously.
#detective conan#case closed#the stranger from 10 years later#shinichi kudo#heiji hattori#heishin#ramblings#shut up goop#i know i'm a broken record but you can't tell me that shinichi doesn't think highly of heiji#or that he could never be romantically attracted to heiji#even if it's vague i think this is the only time that shinichi has ever openly acknowledged the physical attractiveness of a guy#like c'mon he literally thinks heiji is so attractive that he'll be called 'the lady-killer of naniwa'??? i seriously cannot get over that#and sure this is just an ova and probably not canon but if some of the kazunari kouchi-written films are apparently getting canonized (?)#i don't see why this kazunari kouchi-written special can't too#it's canon in my heart in any case lol#anyway of course thinking highly of someone and that they're physically attractive#doesn't necessarily mean that there's any romantic attraction#and i never ever ever mean to discount the significance of platonic bonds or imply that they mean any less than romantic ones#i'm all about focusing on friendship first (which is why i rarely tag ships)#but at the same time it *really* rubs me the wrong way to see the argument that shinichi could ~never~ reciprocate heiji's affection#it feels a lot like 'well of course the desirable protagonist could never romantically love the dark-skinned boy'#and maybe that's unfair of me but i can't deny that that's how i feel#shinichi clearly has a lot of love for heiji and this ova shows that he finds heiji attractive#like... i really don't think it's as implausible as it's made out to be
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desirableendings · 10 months
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What’s INSANE to me is how blind studios are to what actually sells. This and Mattel’s desire to have a MCU for themselves, convinced that what sells is their thousand IPs…
Girl (gender neutral), what made Barbie sell was Greta Gerwig, and a sort of original take on what could have been just a two-hour long publicity stunt, but instead cared about telling a story and having a strong point of view (and a bunch of investment on marketing, not gonna lie... which only means that if you market your original films smartly you can also have a good revenue).
Elemental (an original animated movie) sold way more than Lightyear or The Flash! After a soft opening, the box office remained steady, because, who would have thought, if you give original content time it will grow an audience ! ! !
It's not about original movies being risky, it's about the amount of investment being put in mediocre productions just because the executives in high power believe they understand how the industry works, when they don't. THEY DON'T.
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ohfugecannada · 1 year
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Calling any cg animated film with a stylised 2D inspired aesthetic “like Spiderverse” or Spiderverse-esque” is starting to become the animation equivalent of describing any experimental movie with a disturbing, uncanny or surreal tone “Lynchian”.
#puss in boots the last wish#puss in boots 2#spiderman into the spiderverse#spiderman#like I get it#Spiderverse is having a significant influence on how studios like Dreamworks are stylising their films and everything#and it’s safe to say bad guys and puss in boots 2 wouldnet look the way they do#would simply not turn out the way they did without Spiderverse proving that not only could a 2d styled character feature film work visually#but also be very successful box office wise#…but like#you guys do know 3D/2D style hybrid films existed before Spiderverse right?#you know Sony pictures animation and marvel didn’t single gandedly invent the concept of a cgi cartoon that looks/movies like 2d animation#right??#and that hundreds of diffrent artists and studios from america to Japan have been experimenting with heavily stylised cg for actual decades#before Spiderverse came along#right????#like I’ll give the benefit of the doubt most people who call The Bad Guys Arcane or Puss 2 “Spiderverse like are simply just#not well read on the subject and history of this style of animation#so I don’t want to sound like I’m punching down at others for simply lacking context on certain things#but at the same time something about it just really irks me because by constantly comparing these distinct and unique looking films#to one film that shares a similar technique just bothers me#as someone said before; Spiderverse is like a comic book come to life#the bad guys is like a cartoon (or to me anyway a cartoony anime)#and Puss in boots 2 is like a lush concept art painting come to life#all of these films while using a similar method have their own distinctive identity and style#and by some animation fans calling Puss in boots 2 or bad guys “like Spiderverse it just feels very reductive and dismissive of these films#and thier respective creators unique creative identities and voices#again it’s a similar reason to why I and other hate it when some film bros call any experimental art film Lynchian#it just undermines what makes that work unique to itself and the artist who made it
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i was going to make a joke here about how the OG anti jedi movement was started by george lucas and is called the prequel trilogy (and they are like garbage as films but not because of that) but i realized that actually as someone whose family luckily is not in star wars a more salient irritation to me is the conversation about The Luke Of It All and like i could go on about this at length but mostly what i want to say is that in high school i decided i wanted to celebrate my eighteenth birthday by having all my friends over and having a marathon of the original star wars trilogy, which we had all grown up with and loved except one girl who had never seen them and when this came to light we were like WHAT????? HOW CAN THIS BE?????? and we were all a little judgmental when she got bored and went to bed halfway through. because we all had been star wars fans since childhood and thought the movies ruled. we were obnoxious and superior teenagers who went to the last two prequels preparing to hatewatch and eager to make fun, and it was consensus (not shared by me, a lifelong lover of critters) that the ewoks were dumb, but our love for star wars was deep and sincere. my dude friends probably had some knowledge of the world beyond the movies even from like video games and maybe some novels idk. anyway. so we sat down on my birthday to watch these movies that we all agreed were awesome and great. and one of my friends was like, “i should count every time luke whines onscreen.” and we were all like LMAO HAHAHA THAT’S SO FUNNY YES DO IT. and he got to like 110 whines by the end of a new hope and then abandoned the bit. but like. one thing that makes me feel insane is if you’d asked me in november 2017 “how do star wars fans feel about luke?” i UNHESITATINGLY would have said, “oh they think he’s a whiny bitch and the most lame character in the movies and also that mark hamill can’t act.” like i can’t emphasize how much this was the reality i knew as a person who liked star wars but in a normal way. i swear i wrote some line to this effect into a piece of fiction at one point. and in fact as a person who tends towards generosity once i’ve decided i like something i also could have told you of the years i spent alone in the luke-loving trenches, coming to his defense because yeah he does whine a lot but that’s part of his charm. it’s part of the magic of the movies, went the argument i swear to you i had made, that if luke is on the screen he’s probably whining. it wouldn’t be the same any other way! this was, i stress again, as per all evidence available to me, a niche opinion. like it was a really hot take to be like “yes luke whines so much… but i like him anyway! and i think mark hamill is pretty good once you get to empire.” so like i feel really truly berenstain/berenstein bears about this universe i portaled into 5 years ago where apparently longtime star wars fans have always thought that luke was awesome and cool and a total hero. like setting aside all debates over artistic merits and narrative consistency and how to read the best star wars movie of all time (the last jedi), it just makes me feel fucking crazy that people would act like “luke sucks” is a concept invented out of thin air by rian johnson in 2017. like it goes against everything about my experience of being a person who has thought the original star wars trilogy is pretty great since i was 8 years old in 1996.
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loverscrossmp3 · 7 months
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it is that serious actually the projector sound in the back of you are in love demonstrating the small snapshots you play back from falling in love
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homophyte · 6 months
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can i be so honest. every critique ive read of nope so far has been very lacking
#myposts#genuinely it seems like the only way people feel comfortable with interacting w this film is through the lens of 'spectacle bad'#without ever really defining what 'spectacle' means for the record!#it often takes of these contradictory meanings even in the same sentences which makes the whole thing feel worse bc like#i dont think YOU know what YOURE talking about#and the same w how the movie talks about race#earnestly if the only thing u think it has to say about race is like. people of color are either excluded from or tokenized in hollywood#then ur going to have to square that w ur critique that spectacle is bad end of sentence#is it the characters saving grace that they are exempted from an exploitative industry or should that industry be exploiting them??#bc if ur saying hollywood is bad bc excluding ppl of color + spectacle exploitation u seem to be implying that we should want#people of color to be spectacized and tokenized. and i dont think most people making those statements would agree w that#i genuinely think its the fault of this overreliance on the word spectacle as the thing that holds it together#which sucks actually bc i havent even seen people super digging into the word itself and how fascinating its usage as the bad miracle is#idk. i think theres more to the movie--way more--than just the sin of looking#witnessing and understanding through the look is so significant and so good in it. it is OJ looking at emerald him Seeing her#that gives jean jacket its name. its recognization#we learn to be less afraid of the monster when we understand it--when we see it--and know it doesnt want to be looked at#do you see what i mean?#and thats aside from how it complicates the black horror narrative itself--how it highlights desperation induced by poverty#induced by racism and racially justified disregard as legitimate problems that cant be solved by galacybraining 'nopeing' out#they try to leave--and try to Not Look to abandon the spectacle as spectacle based critique says is the main concept of the movie#and thats not possible. it doesnt work. they go back and going back necessitates looking and engaging w spectacle#like literally the answer is not as simple as 'to spectacalize is Wrong' bc the victorious endstate of the movie#is for these characters to reclaim the history of spectacle theyre denied by disenfranchisement. she takes the frame by frame pictures#their names are attached to it forever and cant be forgotten as the jockey is. how can you square that?? honestly#idk. just watching this yt video where some white woman is talking about how nope is about and only about the entertainment industry#its just not the whole picture
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falsenote · 2 years
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We Still Kill the Old Way (1967)
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nicojoe · 1 year
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i dunno how much this guy knows, but...
(i’m putting behind a read-more until it’s officially confirmed because I don’t want to start a panic lol)
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so, if this dude isn’t just making things up, it’s not a case of still “no release date”, but a delay until next year.  
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aroaessidhe · 1 year
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2023 reads // twitter thread  
Never Been Kissed
adult demi mm romance
a film studies graduate managing his town’s dying drive in theatre is desperate to save it, and tries to convince a reclusive local director to show her lost media film
also his ex crush/best friend is the new social media manger there
#never been kissed#aroaessidhe 2023 reads#ok first i was looking at GR to write my little blurb and it and all the reviews ONLY mention the romance plot none of the old movie subplot#that was the only interesting thing to me but i guess the romance part is more significant#the set up of the romance plot which is all mentioned in the blurb was kinda stupid and unnecessary#like i don’t  get the conflict between them at the start. lmao what was the point in the email thing. just to make it immediately awkward?#would the history & suddenly in the same job not do that just as well?#i was fully expecting the other email guy to show up late in the book or something but that was just. never mentioned again#the mc is. pretty infuriating tbh#half the conflict at the start is them not getting a chance to have. conversation because the MC keeps stopping the LI from telling him anyt#thing. either by saying “i don’t want to talk” or just cutting him off with what he assumed he’s gonna say.#even later in the book he keeps cutting him off which still causes problems!!!!!#“he promised we could communicate but was keeping a secret” bitch you never let him tell you anything#alloro people are so annoying. also he’s like an annoying film fan. like not in the misogynistic way but….#+ he’s come out as gay but feels like something isn’t quite right identifies as queer (idk why he can’t use gay….what’s with people thinking#that asexuality and gayness are mutually exclusive identities). like yay for queer also but?? both are true#overall: sure i guess?? i liked the grumpy old lady. everything else i didn’t care about much#uh there’s also a ‘totem pole’ misuse reference somewhere in there
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